Issue #58 | Oct 2020
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AthleisureMag.com
ISSUE #58
PHOTO CREDIT | RYAN JACOBS
@AthleisureMag
TM
PUBLISHER Paul Farkas
EDITORIAL Kimmie Smith
Co-Founder, Creative + Style Director
Paul Farkas
Co-Founder, Artistic Director + Tech Director
FASHION CONTRIBUTIONS PHOTOGRAPHER | Paul Farkas, Yoye Lapogian, Squid | STYLIST | Kimmie Smith |
BEAUTY CONTRIBUTIONS GROOMER | Sheena Zargari |
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E-mail: info@athleisuremag.com Website: www.athleisuremag.com Athleisure Mag TM , a Division of Athleisure Media LLC.
EXECUTIVE PRODUCERS Paul Farkas | Kimmie Smith
HOST Kimmie Smith
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table of contents
issue #58 oct 2020
STYLE FEATURES
39
THE PICK ME UP
70
HOW TO DRESS
71
STYLE FILES: SS21 BEAUTY FEATURES
68
OAT BEAUTY
77
ATHLEISURE BEAUTY
The Drop with Steve Aoki
16
We talk with this month’s cover, Steve Aoki to talk about his label DIM MAK, the process of creating and collaborating on music, how he has navigated quarantine, Neon Future series and more.
We’re @ The Spa with Icona Pop and SOFI TUKKER
40
We chat with Ultra Records’ Icona Pop and SOFI TUKKER on their lastest single Spa, how it came together and how they have been navigating these times.
58
CENTR LIFESTYLE FEATURES
58
ATHLEISURE LIST CENTR
60
ATHLEISURE LIST PRECISION FIT
AthleisureMag.com
Chris Hemsworth’s fitness and wellness app, Centr gives you access to his team.
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Athleisure Studio
Tune into our podcast network, Athleisure Studio on your preferred platform.
Issue #58 | Oct 2020
62
9PLAYLIST TM LeBron James
93
This month, we’re streaming our favorite podcasts and TV shows as we transition into the fall.
Issue #58 | Oct 2020
In Our Bag Planned Outings
96
This month, we’re thinking of planning safe outings in intimate numbers. Here’s what we’re bringing.
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90
This month, we’re reading cookbooks, interior design inspiration and curling up with a good book.
LeBron James shares with Athleisure Mag what he listenes to and kept him for #RevengeSZNCompleted.
Bingely Streaming
Bingely Books
9LIST STORI3S TM
102
This month, we find out some of Team USA Gold Medalist Gymnast, Simone Biles’ must-haves and why.
AthleisureMag.com
We're sure that we have all been listening to a lot more music as we have navigated these past few months as it's a way to transport ourselves to another level even when our environment may look way to familiar at this point. This month's cover of Athleisure Mag is entertainer, DJ, record producer, music executive and entrepreneur Steve Aoki. We've always been fans of the energy that he creates when he's at his shows, his music as well as his focus on putting good into the world with The AOKI FOUNDATION whose primary goal is supporting organizations in the brain science and research areas with a specific focus on regenerative medicine and brain preservation.
then I became a DJ and then at that point, in the early 2000’s, I actually started seeing that what I was doing with music was actually making a profit. It was making money. Because up until then, I never looked at music as a profitable enterprise. I never thought about it that way because you give so much to something, if you really care about, it’s not like you care about getting something back. What you get back is the love that it gives you, the feelings that it gives you, the community that it brings to you. As I started DJing, I started realizing that at that point I was DJing small clubs and festivals. That’s really when that major moment came when I was like, “wow I’m on a big stage and I need to not just play records and music” – which some of them were my own and a lot at that time, were of the culture. It then became, how do I engage with these people and entertain these people?
In addition to our virtual cover editorial shoot with Steve, we delved into his career, his label DIM MAK, his placement in the Smithsonian Museum, the importance of diversification while being true to the core of business, Neon Future series, Blue: The Color of Noise and his process in music and collaborative projects. So then that term, “entertainment” came into the fold much later in my ATHLEISURE MAG: What was the moment career. I would say that it came into when you realized that you wanted to be the fold when I played Coachella the in the entertainment industry? second time in 2009, not even the first time. It was that moment when I had STEVE AOKI: Oh man entertainment is the budget and I could build out the such a broad word and some of these an- stage design and I could think about swers are probably not going to be straight ideas that could present to different forward. I got into music when I was a parts of my show like stage diving. teenager and then that became my whole These stage dives aren’t like a moment life blood. Everything I did was involving where you are methodical, you feel music in every facet of life. It just became the moment, everyone’s ready for it my lifestyle. From the friends I chose, to and you jump into the crowd. There the food I ate – when I was growing up as are moments when you think, this is a teenager – there was a very specific kind going to engage with people, this is of music that I listened to and everyone going to be entertaining. I bring my was vegetarian. Pretty much everything raft out and I start floating on the peodown to the way that I dressed. It just be- ple, they haven’t seen that yet – that’s came – it just became me so. So once I fig- entertaining. There’s all these little ured out what I wanted to devote my life things that I did with the people like to, that of course, changes over time. So the cakes. It’s an entertaining part of from when I was a teenager, to college, to a Steve Aoki show. People remember post college, young adult – my music style for the rest of their lives and they’ll changed and the way that I interpreted say, “40 years ago I saw a Steve Aoki music and played music changed as well. show, I don’t remember the songs but he did cake my friend in the face and it So, I was in bands in the beginning and was the best day of her life!" You know
what I mean? AM: Exactly yeah! SA: I would say 2009 it all came together. Long answer for you! AM: But that’s a great answer though. It’s all about a progression and just how things come together. How would you define your musical style? SA: My musical style is very fluid and of the moment and I like that. I like that like, it’s very much a gut and it’s based on feelings and it’s always going to change. It’s always going to change with my feelings and however way I feel about things or the moment on how I internalize that and not just consume, but how do I create that and how do I create from that? I think that that’s something that I learned at a young age. When you are inspired or when you absorb something that makes you feel a certain way that it hasn’t made you feel before, like you know the best way for me to engage with that feeling is to create from it. It’s like anything, when you do it over and over again, you just get better at the process of doing it. You might not be great at it in terms of the output, but you get better at the process and that’s what’s more important than the output because the output is entirely subjective. Whether someone likes it or not is not what’s important. That’s another thing that I learned through this whole thing – whether people like my music or my output shouldn’t reflect why I did it and why I liked the process of it. I think about that question and it’s very complex. It’s not just I’m EDM or I’m this. Music is always going to change and it’s based on feelings. If you take down all the identities, all the titles and the genres – if there was no such thing as hip hop or rock or EDM and people were just like, “yo I just like the song.” When you hear a song for the first time and you’re listening to something that is totally different – you shouldn’t be limited to, “this is weird that
I like it.” It shouldn’t make you feel weird. If it makes you feel really good, then that’s the whole point of it. AM: Right and sometimes listening to the same artist and the same song at different points in your life, have a different connection and you can enjoy it. Our co-founder’s great uncle was tenor saxophonist, Joe Henderson and as a kid hearing him, she didn’t respect the fullness of his work. SA: Yeah. AM: And then in college, there was a whole other world of understanding that gave those songs meaning. SA: Right right! AM: You are someone who has worked with so many artists across so many different genres as a DJ, musician, producer, music exec – what is that process like for you when you’re thinking of collaborating with somebody? SA: Yeah, when I’m collaborating with different artists, I think that one of the biggest lessons that I have learned is to just go in there and go in with a blank slate. A lot of people want you to come in there with all of your ammunition and basically all of your knowledge base. I’d rather go in there as a student. You know, they want to work with you and at this point in my career, they want to work with you too! I know what I can bring to the table, but it’s almost like when you watch an improv comedy skit, you never know what’s going to happen. Like, “hey someone say an action – running, someone say a sport – wrestling,” and then you kind of take those moments and you just be free on where it will go. That journey is really exciting to come from that place. Of course, your intuition and experience in terms of how and the way you process and supply chain your music and the way you work your music – how you’re going to work all of that – it’s innately going to come out. Sometimes you need the structure, but I prefer having the blank slate for the most
AthleisureMag.com
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Issue #58 | Oct 2020
part. Unless if you’re on a time crunch – a time crunch is a whole other story. Because then I’m like, “ok I just need to have the hook.” From the hook, I’m able to build you know – I can build that idea. I generally start from there if I can’t get into the studio with the artist. I just need a hook. I just need that part that gets stuck in my head and I will allow that to just linger in my head for a long time and then melodies start coming out in the studio and then I pick the best one. You stay on that melody for a day or two to make sure that it’s the right melody – because sometimes the first time you’ve heard it, it’s the best thing that you have ever heard and then you realize a day later, “oh my God, it’s awful.”
to hear and know and learn about not just what’s happening in different parts of the world that are already popular, but also like what’s brewing. What’s brewing in South Africa, when I was out there, I was listening to some music and it was like, “yo this is the next wave in South Africa.” I want to know about it and I want to meet them. I want to hear the songs and I want to get the vibe, the flow and the dance culture that’s with it. You know, music brings people together so you have to understand what kind of dance moves that they are doing to it. How are they bringing it to their culture. Basically, I just want to keep expanding, keep exploring and it’s limitless. There’s always something new out there.
AM: Definitely! What’s that like when you have something that’s already existed. We love Michael Jackson – Thriller (Steve Aoki Midnight Hour Remix) and I also like Steve Aoki & Darren Criss - Crash Into Me cover of Dave Matthews Band. When people already know the songs, do you have a different approach when you’re deconstructing it to make it your own?
AM: How did you feel being the first EDM artist to be included in the Smithsonian? How impactful was it to see your gear housed in the same space as DJ Bob Casey’s from the 50's as well as Grand Masterflash’s turntables and now you’re literally being enshrined in such a historical place?
SA: Yeah, yeah exactly. When I do remixes of my own tracks – like in the case of Crash Into Me with Darren Criss (Glee, Hollywood, The Assassination of Gianni Versace), I can’t play the original at my own shows because it’s too mellow. When I’m playing an EDM show, I need that energy bursting at the seams and I need that drop to do exactly that. I need the dance floor to be bouncing. It’s all about Darren’s voice, Dave Matthews incredible lyrics, the melody and you combine that with a huge drop that’s signature to my sound and people will just lose their minds you know? You want to push purposeful. AM: Are there genres that you've yet to do that you want to place the Aoki touch on? SA: Yes. I mean there is no genre that can limit me. I just – I want to work with every genre and I really want to keep spanning the globe. That’s the other thing to, I travel so much and I’m so fortunate to be able
SA: Even when you say that outloud … AM: It’s mindblowing. SA: It’s totally wild you know? I remember when I went to the Smithsonian after they asked if we would be part of it. I met with them and did the interview there and walked through it and I felt like I was leaving my body and watching myself and I was like, “holy shit!” I just freaked out. I mean, it’s incredible you know – an incredible feeling. It’s the kind of thing that you’ll say, “wow in 60 years someone is going to say in the 2010’s there was an Asian DJ and there was a thing called EDM and this is what people did when they went out to festivals. And here is a typical show.” It was really cool to think that wow, 60 or 70 years later, someone is going to look at that and say, “that’s cool.” And you know, in that regard to, I’m proud that you know, I’m representing for Asians in that way too.
Issue #58 | Oct 2020
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AthleisureMag.com
AM: As someone who is as busy as you are, who does travel so much, why is fitness, health and wellness so important to you? SA: Oh God, it’s so crucial and integral. You have to train your body and mind to be able to run the marathon over and over again. You can’t just wake up – before you get out and run, you have to stretch. Before you do anything – I mean, I’m stretching constantly and that stretch is mindfulness. And as I do more mindfulness, actively, and I start learning more about myself – my mind, my body rhythms – it’s really fun. When you’re sitting there meditating, some people think, “oh it’s so boring.” When you get into that space, you get into where you’re finally supposed to be – it’s incredible to get into that space where nothing else really matters. That phone call, that schedule – all these things in life – comparing yourself to this person to that person – that thing – the anxieties of the world. If you can calm all of those things, it’s a really wonderful place to learn to get to. I think that it’s not just for someone like me that was running around like I was prior to COVID-19 like I did, I think it’s really helpful for everybody. For me especially, I need to absolutely make sure that I’m on the practice and I just love having it. AM: Just looking at your portfolio, it’s so expansive between your music, Pizzaoki, your label DIM MAK as well as DIM MAK En Fuego, your clothing lines, companies that you have invested in like Liquid I.V. which we are huge fans of. How important was it for you that regardless of the vertical, to diversify your portfolio beyond your industry that you work in whether it’s creating ventures or investing? SA: I mean, yeah, in life, I think that diversification is always a positive. Of course, you know it says a lot when you see someone that dives into their craft 110%. I’ve seen that in Japan especially, with artists that’s into their craft whether it’s even sushi chefs that spend their entire life just focusing on that and I love that – I love that. I’m such a fan of that and I admire
and I respect that. It’s important that I have that too because my main core the whole of my operation is music. Music creation, music production and playing – playing my music out to the world. That has to be grounded. That has to be an anchor and platform and if I don’t have that, I can’t diversify. I think what the important lesson is here – is that diversification is always positive. You need to have your main business, whatever it is, whatever your main passion is – it has to be grounded so deeply into what you do and you have to be a craftsman in that space. Once you have that, then you can start building outward. You know, we only have one life, experience it. Experience as much as you can. All of these different things that were created in all of these different worlds is extremely fun for me. I enjoy it. I love it and if I didn’t love it, I wouldn’t be doing it. You have to love what you do and you have to love the process – not what is actually going to be in the end result. It’s always about the process. AM: With so many artists, because of COVID-19 doing their performances virtually and I know that you’re known as a Techno Futurist Optimist with an interest in the intersectionality between humanity and technology, how do you think this digital reliance will impact the industry long term once we’re able to get back into a new normal. SA: I think that in a hopeful sense that we will all get back to what we all love. You can’t deny live experiences and live shows. There is nothing that compares to that. A virtual show is like 1/10th of the experience and not a 100% of the experience. That’s why they were so big all around the world. We’re social creatures and beings. We love being around people and experiencing things together. We’re not a solo species. We need to feel energy and those feelings with other people. You can’t deny that and I think that hopefully, there will be a vaccine that will be administered around the world where we don’t have to wor-
ry about COVID deaths and COVID tragedies that are happening. But until then, the digital space is what I had to do. I think that all of us have had to take that because now there is an infrastructure being built around the digital space of experience and it’s evolving quite quickly. You know, I just played an Oculus show where you put on an Oculus headset and you’re talking to people from all around the world. As a fan watching the show, you can look to your right and your left and there’s another fan watching that same show from a different country. You can actually socially engage with them. The infrastructure is being built in such a way that there’s going to be more of a catch and they will be able to bring more of a better experience. I think that once we get back to IRL shows, there will still be that people will want to do that and be apart of that. I think that at least with COVID and people being in that business, it has created a space for it to grow. But, you can’t compare that when you’re talking about a live show. AM: Last year, you published your memoir Blue: The Color of Noise, why did you want to write this and what was that process like for you? SA: It took me about 6 years. It took me a long long time. It definitely wasn’t like, “ok, I’m going to get this done – I just need to do this.” It was an ongoing process and it started out being like the history of DIM MAK first. So I was like, DIM MAK is going to hit 20 years – we’re at almost 25 now. I thought I would do the history of DIM MAK, a 20 year book and I started writing stories about when I started DIM MAK back in ’96 when I was in college. I wrote about the struggles and all of the good stuff that you want to read – incredible stories. Then I realized, this was more about a memoir about my life and DIM MAK is a part of my life. It’s a big part of my life, but I felt that I should expand more and at that point, a few years after as I was touching on the history of my label, I started talking about the harder things that were very difficult to open up about like the death of my father (edi-
tors note: Hiroaki "Rocky" Aoki, a wrestler and restaurateur who founded the restaurant chain Benihana), the death of some of my friends that made a huge impact on my life and then as I got deeper, I started seeing a therapist that helped me to actually bring out some more of my introspective feelings that had to be kind of unearthed. You know, it was therapeutic to be able to write the book and a lot of that went into it. I also – you know when a lot of people think about the history of Steve Aoki, they say, “oh yeah, he’s the guy that throws cakes at people at shows.” Well I just wanted people to know that there is a lot more then just that. AM: You dropped Neon Future IV this spring which I know is part of the Neon Future series that you began in 2015, tell us about the series in general and what can you share about the 27 track album that you just dropped? SA: Neon Future is a concept that I came up with and is exactly what you said earlier. I really look at the future as an optimist and I look at technology with an optimist lens. I look at tech in a way that can help us and enhance us to be more of a creative or imaginative species. At the end of the day, we want to save ourselves and saving ourselves will be saving our planet as well. With tech, we can advance that and become more of an intelligent species. That’s why Neon Future is a colorful future. And so really making sure that for me personally, the musical concept, I wanted to educate it by having scientists on the album. So it’s not just about having a collection of songs for each album, but to really validate my point, I reached out to scientists that were very difficult to get a hold of. Some of the people were harder to get a hold of than some of the biggest talents that I have worked with. I had to do a lot of explaining, fly and meet people and do a lot of work in that regard because I care so much about that space and I also love bridging the science community and the electronic dance music community in a
way that hasn’t been done before. Like Ray Kurzweil to Yuval Harari to J.J. Abrams to Bill Nye and so forth and so forth. It started off as one album and the second album was going and then I said, you know what, it’s too good to end. Then the third and then I built the studio between the second and the third and I call it Neon Future Cave and then between the third and the fourth album, I started creating the comic Neon Future with Tom Bilyeu because Neon Future really deserves to be graphically laid out with its storyline. Which presents a world that we can imagine and with every comic book story, you need to have conflict so we had to make it like a dystopia that we want to make it like a utopia instead of the opposite. It just kept on growing and it had a mind of it’s own and it became AI! It became its own thing. It’s almost funny that this project almost became it’s own powerhouse that I couldn’t even stop which is kind of cool. We’ll see. Because of my next project, this puts Neon Future IV as the last of the series so far. We’ll see if it continues as I have a few other concepts that I want to develop. My main baby is Neon Future that’s for sure. @SteveAoki PHOTOGRAPHY CREDITS Athleisure Mag's virtual cover shoot was shot by Co-Founder + Celebrity Photographer Paul Farkas. Throughout this shoot, Paul used an iPhone XR, iPad Air 2, Facetime and Clos. STYLE & GROOMING CREDITS Athleisure Mag's Celeb Fashion Stylist, Co-Founder/Creative + Style Director Kimmie Smith and Groomer Sheena Zargari share what they used to create this fall menswear style editorial of Out & About Style, WFH and Fitness. LOOK I | OUT & ABOUT STYLE FRONT/BACK COVER PG 26 - 37 | DIM MAK
COLLECTION X DIAMOND SUPPLY CO Denim Jacket | SIKSILK X STEVE AOKI S/S Oversized Essential Tee + Loose Fit Riot Denim | LACOSTE Storm 96 Lo Sneakers | LOOK II | WFH PG 22 - 25 | SIKSILK X STEVE AOKI Oversized Hoodie + Relaxed Short | LACOSTE Storm 96 Lo Textile Sneakers | LOOK III | FITNESS PG 16 -21 | ALPHA INDUSTRIES Apollo II Hoodie | DIM MAK COLLECTION Leggings | DECKERS X LAB S/S K-ST 21 Sneakers | @PVFarkas @Shes.Kimmie @Sheena_Zar Hear DJ/Producer Steve Aoki on our show, #TRIBEGOALS - which is a part of Athleisure Studio, our multimedia companion podcast network! Subscribe to be notified when the episode drops. Listen on iHeartRadio, Spotify, Apple Podcasts, Amazon Music, Google Podcasts or wherever you enjoy your podcasts.
WE'RE @ TH
with Icona Pop + SO
HE SPA
OFI TUKKER
Over the past few months, we have navigated a number of life changes that have given new meaning to the term and ever evolving, "new normal." In the midst of these crazy times, we have also embraced things that we have always enjoyed - even if it is in a new way! Once again, music comes to the rescue as it makes our activities enhanced on all levels. When we first heard of Icona Pop and SOFI TUKKER's song Spa, we loved the fact that it had fun lyrics, a catchy tune and embraces something that we have been enjoying from home. We had to catch up with both groups to find out how this song came together, how they have been working in these times and what they have coming up! ATHLEISURE MAG: We have been fans of Icona Pop and SOFI TUKKER for a number of years – from pre partying, at the club, fun dinners, at PROPEL CO:LABS Fitness Festival in NY, Ultra Music’s Party here in NY during NYFW and when we’re cycling in studio. We also love hearing your music in commercials, shows etc. So it’s no surprise that when your team sent us the link to Spa, we’ve been jamming to it for the past few days and feel that it definitely needs to be in the mix of Athleisure songs for sure. Before we get into the song, how have you been spending these past crazy months? ICONA POP: Wow thank you for all the love and support, that means a lot! In the beginning we felt very lost. Everything got canceled and life was just weird. We decided first to take the time to reflect and breathe for a second. But after that we got so inspired so we locked ourselves in the studio and been super creative from there. It started with us djing online and then we started our ”rave spa”. We´ve been connecting with all our fans around the world. And the best part is that
we’ve had the time to sit down and write a lot of new music. We’ve come to really appreciate the things you can do from your studio and laptop. SOFI TUKKER: We started livestreaming on basically the first day of lockdown. At first, it was really random. Soph was working out and Tuck was Djing and our photographer started livestreaming the whole thing. We did it again the next day with Soph also DJing and it was so fun to connect with people so we committed to doing it every single day. We have been doing daily live dj sets every day now for 122 days. It's turned out to be such a meaningful time, being able to connect with people daily and find the joy and positivity, even in pretty dire times. The community that's built around the sets calls themselves the Freak Fam and it keeps growing! AM: In terms of staying fit, what are your workouts like and have you embraced new modalities especially during these crazy times? IP: Its been very cool to join live stream work outs and also a lot of Swedish gyms have been having outdoor activities. We try to move everyday before going to the studio. Doesn’t matter if its gym, walking running or whatever. But that really gives you endorphins and makes you stay focused the rest of the day. Its also different depending on how stressful it is, how much time and also how you´re feeling in your body that day. Usually when its stressful or you have a lot in your head and you still need to release some steam, its amazing to lift weights, but also to do things that make you calm down like yoga or pilates. ST: I've found working out to help so much during these times. I don't feel as stir crazy cuz I really am using all my energy in a day! I go on really long bike rides, I do HIIT
training in the backyard, I practice yoga, I use the Peloton, I go rollerblading, I go on runs, I workout on the beach... pretty much anything, I try to switch it up all the time and keep my body guessing! AM: How has creating music been for you during this time? IP: It's been both good and bad. We get a lot of our inspiration from traveling and now we’ve been in the same place for months. But somehow it's like life catches up with you and you can tap in to emotions that you haven't had the time to explore before. Also the pressure to release music has been very low. But somehow we’ve released more music then in years this year. Feels like people really need it right now. ST: We've been able to get so much done, since we aren't traveling!! We've created a ton of new music, and we usually test it out during the livestream and then workshop it and bring it back into the studio to tweak. It's a really fun way to make music and really cool to involve everybody throughout the whole process more than ever. AM: How do you stay inspired as there is more time being at home versus traveling and having in person events? IP: We absolutely love hugging and kissing our fans, so we really miss that. Even though we love seeing the world, the traveling part can put a lot of pressure on your body. So we guess its been good to stay at one place and slow down for a minute. And also, it's been very interesting for us with all the new ”normal” routines. ST: The daily DJ sets really inspire us. We are constantly listening to music and testing it out and seeing how people react. And we've started doing a couple days a week of guest dj sets, so we are really active in the livestreaming world and constantly feeling inspired by not just the mu-
sic we're playing but also the music other people are playing in their sets.
Even in more emotional lyrics, we are a big fan of the cry-dance track.
AM: Both of you have found great ways to stay connected with your fans, do you have any virtual events that we should know about and have you started working on IRL events?
AM: How did Spa come about and what was the intent behind creating it?
IP: We live for our "Rave spa” that we have on our instagram live. We try to do it once a week and then people can ask us whatever they want while we dj and are having a spa. We also do QandAs with our fans and try to involve them a lot in our everyday life. We also been playing live at empty clubs or arenas and streaming it to different places. We have an amazing live show prepared so as soon as the world opens up for touring, we will be there. We can’t wait! ST: Yessss! Aside from our daily dj sets which you can find @sofitukkeroffical on twitch and @sofitukker on facebook and IG live, we are doing our first ever eConcert!!!! It's on December 4th and it's really excited because with this technology, the community will actually be present with us during the live show. We will be able to really see and hear everybody who is with us, with big screens in front of us while we are performing live. We can't wait. We haven't done our live show since the pandemic started and this will be truly next level technology we can't wait to all be together! You can find tickets on our website sofitukker.com. AM: How do you define the Icona Pop sound? IP: Electronic pop, driving drums, chanting choirs and a punk attitude. AM: How do you define the SOFI TUKKER sound? ST: We try not to define it so that we can always stay open to whatever inspires us in the studio. But it's always made to dance to, and we try to keep things joyful.
IP: We´ve been big Sofi Tukker fans for years. We bumped into each other in a elevator in New York and fell in love with them and decided to write together. A couple of weeks later we sat in the studio together and we started to talk about how much we love going to the spa. And realized That, that is the best way of ending every evening. After a show, a stressful day, if your being at a club, imagine to end that party night in a spa :) What a dream! ST: We had wanted to get into the studio together for a while so we were soooo giddy when we finally were in there together. We vibed so well together and had big friend crushes!! So we were just goofing off and having fun and I think spa just came up in conversation and naturally made its way into a song. we were both vibing on acid house and techno and at first thought it didn't even need lyrics, but then we had so much fun with them. AM: What was the thought behind both groups coming together? IP: It felt so right from the instant second we met. Its all about the energy, and we really felt how we were vibing the second we met. Like we’ve known them for years. ST: We have been Icona Pop fans for a while and then we randomly met each other in an elevator in New York and became instant friends. We knew we had to get into the studio together cuz we had such a good vibe among us. AM: What are you doing in terms of promoting this song? IP: We've done a lot of online interviews, zoom chats with our fans, playing the
song in our dj sets and the response have been great so far. We love our fans, they are so creative. We get so happy when they put up videos of themselves in robes, cucumbers on their eyes, having a sparty in their living room. ST: Rebranding cucumbers as "cukes" from now on. AM: Will you guys collab again on another song together? IP: Absolutely, we've already talked to Sophie and Tucker that we have to write more music asap and go on spa tour together. ST: We'd love to! AM: When you’re spa’ing from home, what are 3 things that you have to have to get into that mood? IP: A robe A good facial (Zo skin care - sulfur mask) And to lite some candles (its all about the mood). And some great music off course. Our absolute favourite thing is the sauna. Its the best way to relax :). ST: A candle A robe A bathtub @ICONAPOP @SOFITUKKER PHOTO CREDITS | PG 44 Icona Pop's Yoye Lapogian | PG 47 + 48 SOFI TUKKER Squid | PG 42 + 43 Composite Pictures Yoye Lapogian/Squid |
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Go! crispygreen.com
facebook.com/crispygreen
@crispygreensnacks
@crispygreen
Inspiration doesn’t just occur. It’s created. Perfection isn’t simply achieved. It’s worked for. Reserved for those who get out and go. Fueled by nature. Motivated by spirit. How do you go?
How to Safely Wear and Take Off a Cloth Face Covering Accessible: https://www.cdc.gov/coronavirus/2019-ncov/prevent-getting-sick/diy-cloth-face-coverings.html
WEAR YOUR FACE COVERING CORRECTLY • • • • •
Wash your hands before putting on your face covering Put it over your nose and mouth and secure it under your chin Try to fit it snugly against the sides of your face Make sure you can breathe easily Do not place a mask on a child younger than 2
LO TH
BA
RR IER
USE THE FACE COVERING TO PROTECT OTHERS • Wear a face covering to protect others in case you’re infected but don’t have symptoms • Keep the covering on your face the entire time you’re in public • Don’t put the covering around your neck or up on your forehead • Don’t touch the face covering, and, if you do, clean your hands
C
FOLLOW EVERYDAY HEALTH HABITS
PHARMACY
• Stay at least 6 feet away from others • Avoid contact with people who are sick • Wash your hands often, with soap and water, for at least 20 seconds each time • Use hand sanitizer if soap and water are not available
TAKE OFF YOUR CLOTH FACE COVERING CAREFULLY, WHEN YOU’RE HOME • • • • •
Untie the strings behind your head or stretch the ear loops Handle only by the ear loops or ties Fold outside corners together Place covering in the washing machine Wash your hands with soap and water
Cloth face coverings are not surgical masks or N-95 respirators, both of which should be saved for health care workers and other medical first responders.
For instructions on making a cloth face covering, see: CS 316439A 05/18/2020
cdc.gov/coronavirus
Symptoms of Coronavirus (COVID-19) Know the symptoms of COVID-19, which can include the following:
Cough
Fever
Shortness of breath or difficulty breathing*
Chills
Sore throat
Muscle pain
New loss of taste or smell
Symptoms can range from mild to severe illness, and appear 2-14 days after you are exposed to the virus that causes COVID-19. *Seek medical care immediately if someone has emergency warning signs of COVID-19.
• Trouble breathing • Persistent pain or pressure in the chest • New confusion
• Inability to wake or stay awake • Bluish lips or face
STOP THE SPREAD OF CORONAVIRUS:
MAINTAIN SIX FEET OF DISTANCE All New Yorkers must wear a face covering when outside their home if unable to maintain at least 6 feet of distance between themselves and others. New York State Executive Order No. 202.17.
6 FEET DISTANCE
Text COVID to 692-692 for real-time updates or visit nyc.gov/coronavirus. Call 311 to report harassment or discrimination. Call 888-NYC-WELL, text “WELL” to 65173 or chat online at nyc.gov/nycwell to connect with a counselor. *Messages and data rates may apply. Check your wireless provider plan for details.
ATHLEISURE LIST: STREAMING
CENTR
Chris Hemsworth (Thor franchise, Avengers franchise and Men in Black: International) founded Centr, a holistic health app in partnership with Australian based fitness technology company Loup.
ter through Centr’s: • Personalized Training Planner: consisting of over 1000 workouts including Boxing, Yoga, Functional Training, Pilates and more for all fitness levels.
Chris wanted to create Centr to offer the support people need to achieve their health and fitness goals, leveraging his team of world-class experts that he has used over the years. The program is designed to take all the guesswork out of a healthy lifestyle by offering a weekly goal that is customized to individual’s goals, ability and personal taste on demand.
• Daily Meal Plan: Composed of 600+ unique recipes created by dieticians and world-class celebrity chefs with options for all dietary preferences from no limitations to vegan. • Time To Breathe: Compiles hundreds of new meditations and sleep visualizations as well as including the latest kid’s meditations narrated by Chris Hemsworth & Taika Waititi.
It's approach believes that no one diet or training program is the sole answer, which is why the program offers such versatility. Centr's focus is to achieve a healthier body, a stronger mind, and a happier life - so you can reach your full potential. In one easy to use app, users are able to train, eat and live bet-
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There are hundreds of on-demand workouts anytime, anywhere. Current fitness modalities offered by Centr include boxing, MMA, yoga, pilates, HIIT and HIRT style workouts, functional traing, strength training, plyometric
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workouts and stretching. There is a wide array of both equipment free and with equipment workouts, as well as the option to follow coached (video) workouts or self guided workouts that can be taken at your own pace and are ideal for in-gym use.
CENTR www.centr.com @centrfit
Within the Facebook community, Centr experts such as Dan Churchill, Luke Zocchi and Da Rulk frequently engage with members to offer tips and advice relevant to their specialty areas. The Centr community also provides valuable feedback on the Centr workouts, recipes and overall content which helps the product continue to evolve. Centr is compatible with Apple watch. PHOTOS COURTESY | CENTR
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ATHLEISURE LIST: STREAMING
PRESENCE FIT
is also 2-way audio available, so participants can ask questions or request modifications and get direct responses from the trainer without distracting the class.
Presence Fit is founded by Dr. Masaki Nakada and Robert Jadon. Dr. Nakada received his PhD from UCLA in Computer Science with an emphasis on human biomechanics, while Robert Jadon is a serial, technology entrepreneur.
By having 2-way audio before and after class, as well as the ability to see if a friend is in the class, members can get get the workout they need, and enjoy it in a group setting. Since your video feed is only visible to the instructor, you never have to worry about anyone else in the class seeing you. It's completely private in that regard. We think it's the best of both worlds, combining community and privacy in a mobile platform.
There are new, live classes everyday, and there is also a library of On Demand classes. Presence's signature 40min HIIT workout is what got the company started, with a combination of strength and cardio. There are strength and mobility classes, as well as body-specific routines. Instructors have a live video feed of each member, and that is supplemented with artificial intelligence, and HR monitoring to give them the most complete picture of the participants. There
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Members can connect their Apple Watch to have their heart rate sent in
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real-time to our trainers so they canadjust their coaching accordingly. The trainer dashboard allows them to see a video of the member, their HR, and our mobile tracking using artificial intelligence which shows form, reps and activity.
PRESENCE FIT www.pressence.fit @presence.fit
Classes are expanding to include yoga, barre, and pilates to complement HIIT and strength training. These will be available live as well as On Demand. PHOTO CREDITS | PRESENCE FIT
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Stay connected and follow us across our social channels on @AthleisureMag!
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1 in 4 kids may face hunger because of the coronavirus.
With schools closed and parents’ paychecks cut, countless children in America don’t know where their next meal is coming from. You can help feed them during this crisis, and in the recovery to come. Find out how you can help at NoKidHungry.org
BingelyBooks that have existed within Persia, Central Asia, and Russia. Her interiors include her creation of detailed fabrics, DĂŠcors Barbares. This coffee table book showcases her townhouse and studio in London as well as family homes she has in Connecticut and Lake Tahoe.
GOLDEN GIRLS COOKBOOK
Kingswell Christopher Styler We've always enjoyed watching the girls and now more than ever, it's the perfect series that seems to always hit the right note between the four personalities. Viewers know that show for the conversations as well as a number of the meals that are enjoyed while they sit at the kitchen table or out on the lanai.
DÉCORS BARBARES: THE ENCHANTING INTERIORS OF NATHALIE FARMAN-FARMA Vendome Press Nathalie Farman-Farma
Known for her bohemian inspired interiors that have folkloric charm and romantic elements, Nathalie Farman-Farma has a following of devotees that includes celebrities and socialites. Her work is inspired from fairy tales as well as cultures AthleisureMag.com
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This cookbook was created by Chef Christopher Styler and is accompanied by photos shot by NYT food photographer Andrew Scrivani. In addition to the recipes, readers will enjoy fun quotes, insider info, and photos from the show. You'll be able to cook a number of recipes that are inspired by the show from Italian meals like Clams Fra Diavlo in Sophia's chapter, Southern food such as honey-bourbon glazed carrots in Blanche's section, Scandanavian Issue #58 | Oct 2020
trip. She believes that being with her, she will be able to ensure that her depression doesn't continue. She knows how she feels firsthand and is compelled to share a secret that she has been haunted by for 60 years. The revelation could also affect their family as a whole - but the risk may be worth the reward.
dishes by Rose such as St. Olaf Friendship Cake and of course cheesecakes - a golden favorite. In addition, you'll find drinks, appetizers, salads and mains.
BOOP AND EVE'S ROAD TRIP She Writes Press Mary Helen Sheriff
There's nothing like a road trip. But what happens when a grandmother and a granddaughter do this together? We meet Eve who is done with a number of things in her life from college, her mother, guys and even being a fashion designer! When she finds out that her best friend is unreachable, she decides that she needs to get it together in order to find her. Eve's grandmother, Boop, a retired Southerner finds out about this trip and realizes that she wants to see her sister as well as to ease the pain that Eve is going through and invites herself on the Issue #58 | Oct 2020
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BingelyStreaming the team that has been challenged to find out more about them.
CHAMELEON: HOLLYWOOD CON QUEEN Campside Media Apple Podcast
THE WHITE VAULT Fool and Scholar Productions Spotify This thriller podcast takes the listener to the far reaches of the world where explorers and researchers are asked to collect and find information at the Outpost Fristed. Over the past few seaons, we have listened to the soundscapes that have introduced us to beings that have done them harm and have the ability to mimic people on the trip. In the final season, we are brought in on a recovery mission which includes previous castmembers. The team at Fool and Scholar Productions will bring this particular story to a close and we can only hope to find out more about the beings that we have listened to as well as to understand the intersectionality of AthleisureMag.com
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In the entertainment industry there are a number of scams from casting calls, seeking investments for productions and more. In CHAMELEON: Hollywood Con Queen, this scam has taken place for a number of years and has targeted stylists, makeup artists, fitness trainers and more. It utilizes a Hollywood hierarchy where everyone is connected via a network of assistants who talk to one another in order to connect top agents, directors and producers. Due to the lack of direct conversations, the head of this scam has impersonated assistants as well as directors and producers in order to get the intended victim to spend their own money to go overseas and to willingly provide money without understanding that they are furthering the activity of the scam. As the listener learns how the scam takes place and learns about those that are involved, we're brought into a world that affects everyone that is involved in the industry. We also hear from those in the industry who were conned, those who unknowingly introduced people to the con as well as those whose identity was used to keep the scheme running. Issue #58 | Oct 2020
VERIFIED: DUST UP
for adult women who used it.
Witness Docs Apple Podcast
Throughout the podcast, testimonies from a number of women are introduced as they came together to fight against one of the world's best-known companies in the world, Johnson & Johnson.
The first season of True Crime podcast, Verified focused on the dangers of the share economy as it pertains to the travel industry. It follows the stories of women who were sexually assaulted while staying outside of Venice by Italian cop Dino Maglio who found his victims through the site, Couchsurfing.com. It looks at the power of reviews, checkmarks and how these positive ratings can still hide a predator in plain site. This season shared how the women fought back as a collective from across the globe legally. Pulitzer Prize-winner Natasha Del Toro is back as a host for the second season which launched this month. This season explores the case against a baby powder identified as a possible carcinogen which caused cancer Issue #58 | Oct 2020
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