Woolley & Wallis Auctioneers by Park Communications

OLD MASTERS, BRITISH & EUROPEAN PAINTINGS WEDNESDAY 11TH & THURSDAY 12TH AUGUST 2021

Lot 204

SPECIALIST DEPARTMENTS Please dial +44 (0)1722 followed by the number listed below PAINTINGS

VALUATIONS FOR INSURANCE & PROBATE

Victor Fauvelle Ed Beer Hannah Farthing

446961 446962 446970

20TH CENTURY DESIGN 424505 446955

ASIAN ART 424506 +44 (0)7812 601098 424583 424571

CHINESE PAINTINGS & CALLIGRAPHY Freya Yuan-Richards Amber Lees

Clare Durham Sarah Stone

424507 446964

FURNITURE, WORKS OF ART & CLOCKS 411854 339161 446974

JAPANESE WORKS OF ART Alexandra Aguilar

424583

JEWELLERY Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Charlotte Glyde FGA

424595 424504 424586

MEDALS & COINS, ARMS & ARMOUR Ned Cowell

341469

SILVER Rupert Slingsby Lucy Chalmers

Ruth Pike (Office Manager) Sarah Bennie Megan Corbett Leyanne Hind Nicola Young

CASTLE GATE RECEPTION Sally Litherland

424501 424594

Sally Trench

446959

ACCOUNTS Sharon Ringwood Anna Gentleman

BOARD OF DIRECTORS John Axford MRICS ASFAV Chairman Natalie Milsted FCCA Managing Director

ASSOCIATE DIRECTORS Alexandra Aguilar Clare Durham Victor Fauvelle Will Hobbs Michael Jeffery Jeremy Lamond MRICS ASFAV FRSA Rupert Slingsby Marielle Whiting FGA Freya Yuan-Richards Mark Yuan-Richards

AFRICAN AND OCEANIC ART, ANTIQUITIES Will Hobbs

424500

MARKETING 424589 424571

ENGLISH & EUROPEAN CERAMICS & GLASS

Mark Yuan-Richards Jim Gale Suzy Becsy

424598 424509 424509

GENERAL OFFICE

Michael Jeffery Zoe Smith

John Axford MRICS ASFAV Jeremy Morgan Alexandra Aguilar Amber Lees

Jeremy Lamond MRICS ASFAV FRSA Paul Viney ASFAV (Consultant) Amanda Lawrence

339752

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: +44 (0)1722 424500 • www.woolleyandwallis.co.uk

Front Cover: Lot 619 Back Cover: Lot 181 Catalogue £12.00 (£15.00 by post)

OLD MASTERS, BRITISH & EUROPEAN PAINTINGS WEDNESDAY 11TH & THURSDAY 12TH AUGUST 2021 10.00am at our Castle Street Salerooms, SP1 3SU

PAINTINGS

VIEWING BY APPOINTMENT ONLY Saturday 7th August Monday 9th August Tuesday 10th August

10.00am– 1.00pm 10.00am– 4.00pm 10.00am– 1.00pm

There will be no viewing on the days of the sale.

Victor Fauvelle +44 (0)1722 446961 vf@woolleyandwallis.co.uk

Ed Beer +44 (0)1722 446962 eb@woolleyandwallis.co.uk

Please contact the department to make an appointment. DAY ONE: Lots 1-454 DAY TWO: Lots 455-862 SEE OUR WEBSITE FOR UPDATED COVID-19 GUIDANCE

BUYER’S PREMIUM See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices. TELEPHONE BIDDING Requests for telephone bidding cannot be accepted after 5pm on Tuesday 10th August. ARTIST’S RESALE RIGHT / DROIT DE SUITE ‡ This symbol indicates that an additional levy may apply for this lot – please see our Terms & Conditions, Section 21, for details. COLLECTION OF LOTS ALL lots will be moved from the saleroom back to Castle Gate on 13th and 16th August - collection of lots on these days MUST BE by prior arrangement on 01722 424500 or pictures may be in transit and unavailable. From 17th August collection will be from the Picture department at Unit 1B Castle Gate Business Park, Old Sarum, Salisbury SP4 6QX. If making payment at Castle Gate, cash cannot be accepted. Collection of sold and unsold lots must be within 21 days of the sale failure to collect within this time may result in storage fees.

Hannah Farthing +44 (0)1722 446970 hf@woolleyandwallis.co.uk

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INDEX DAY 1 Miniatures 1-64 Prints 65-83 Drawings and Watercolours 84-248 Property of Bill Thomson, Albany Gallery 249-345 Property of Edward Croft-Murray CBE (1907-1980) 346-454

DAY 2 Property of The Cider House Galleries, Part 1 455-514 Oil Paintings 515-862 Lot 518

MINIATURES

2λ H. M. S. STUART

19th Century

Portrait miniature of Sir Dugald Stuart, 2nd Baronet (d.1672)

1 HENRY PIERCE BONE AFTER ROBERT WALKER 1779-1855; 1599-1658

Portrait miniature of Sir Charles Lucas (1613-1648), wearing armour Signed, dated and inscribed on the counter-enamel in red paint P.M/Ve**Mix B/ Sir Charles Lucas Kt./Governor of Colchester on the surrender of which Place/he was ungenerously shot by order of Lord Fairfax./ London March 1834. Painted/by Henry Pierce Bone, enamel painter to/her Majesty and their Royal Highnesses the/ Duchess of Kent and Princess Victoria. After/ the original by Walker in the collection of the/ Honble Lord Lyttelton, Hagley, Worcestershire Enamel on copper, rectangular, in a giltwood frame 121 x 97mm Sir Charles Lucas served in the Royalist armies during the civil war, but was forced to surrender at the siege of Colchester, and was subsequently condemned to death. £1,000-1,500

3λ ATTRIBUTED TO BERNARD LENS III 1682-1740

Portrait miniature of Mary Queen of Scots, wearing a fur-lined black dress and pearl necklace Inscribed Maria Regina Scotorum (along top edge) Oval, in a gilt metal frame 57 x 79mm Provenance: Ombersley Court, Worcestershire; Chorley’s, Gloucestershire, Winter Country House Sale: Beverston Castle & Ombersley Park, 29 January 2019, lot 795

£2,000-3,000 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

Signed, dated and inscribed From a drawing on/Vellum of Sir Dugald/Stuart, father of the first Earl of Bute,/in the possession of/the Marquesses of Bute/at Mount Stuart/by H. M. S. Stuart/Decbr 1841 (to label) Oval, en grisaille, in a rectangular ebonised frame 74 x 62mm £200-300

4 JOHN HOSKINS c.1590-1665

Portrait miniature of a lady, wearing pearl earrings, a lace-trimmed black dress and lace collar Signed in gilt with initial H. (centre right) Oval, watercolour and bodycolour on vellum, in a gilt metal frame 55 x 45mm Provenance: Ombersley Court, Worcestershire; Chorley’s, Gloucestershire, Winter Country House Sale: Beverston Castle & Ombersley Park, 29 January 2019, lot 790 £5,000-7,000

5 DUTCH SCHOOL

6 ENGLISH SCHOOL

17th Century

Portrait miniature of a lady, wearing a white dress with red trim and pearl earrings

Portrait miniature of a lady, wearing a green dress with lace trim

Oval, on copper, in an ornate white metal frame with foliate decoration 67 x 53mm £300-500

Oval, on copper, in a wooden frame 60 x 48mm £100-150

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

7 JOHN SMART 1741-1811

Portrait of miniature of George Robertson (1747-1788), wearing a coat and white stock, and with powdered hair Inscribed Mr Geo Robertson Lands*/painter painted by his/friend Mr Smart just/ before his departure for/India (to verso) Oval, pencil and watercolour on card, in a gilt painted wooden frame 111 x 91mm Provenance: Bonhams, Knightsbridge, 25 November 1998, lot 50 George Robertson was a landscape painter, who travelled with William Beckford to Jamaica in 1772. He spent two years on the island, producing views which were subsequently engraved. The inscription on the reverse of the present work suggests it was executed in early 1785, shortly before John Smart’s departure for India. £1,500-2,500

8λ ENGLISH SCHOOL

18th Century

Portrait miniature of a gentleman, wearing a mauve coat and green waistcoat Oval, in a gilt metal frame 40 x 29mm £300-500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

9λ CIRCLE OF JOHN SMART Portrait miniature of a gentleman, with a grey coat and powdered hair en queue Oval, in a gilt metal frame 49 x 38mm £300-500

11 λ ENGLISH SCHOOL

10 λ ENGLISH SCHOOL

12 λ ENGLISH SCHOOL

c.1770

18th Century

Late 18th Century

Portrait miniature of a gentleman in the dress of Cambridge regent MA

Portrait miniature of a gentleman, wearing a purple coat and with powdered hair en queue

Portrait miniature of a gentleman, in a blue coat, cream waistcoat and white stock

Oval, in a gilt metal frame 45 x 35.7mm Provenance: Bonhams, London, Silhouettes and Portrait Miniatures, 30 June 1999, lot 147 (as Charles Dixon); Woolley and Wallis, Salisbury, Old Masters, British & European Paintings, 12 September 2017, lot 18 (as Dixon), where purchased by the present private collector

Oval, in a gilt metal frame 45 x 38mm

Oval, in a gilt metal frame with blue glass over guilloché back 73 x 60mm

£200-300

£120-180

13 λ ATTRIBUTED TO ROBERT BOWYER

1758-1834

Portrait miniature of a gentleman, wearing a grey coat and waistcoat, with a powdered wig Oval, in an ebonised frame 29 x 25mm £300-500

14 λ ENGLISH SCHOOL

Late 18th Century

Portrait miniature of a gentleman, in a blue coat, with a white waistcoat and white stock, and powdered hair 13

Oval, in a pierced white metal frame 60 x 50mm £200-300

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

16 λ HORACE HONE ARA

17 λ ENGLISH SCHOOL

15 λ WILLIAM NAISH

Portrait miniature of a gentleman, wearing a brown coat and yellow waistcoat, with powdered hair

Portrait miniature of a gentleman, wearing a black coat and with powdered hair

Portrait miniature of a gentleman, wearing a blue coat and striped waistcoat

Oval in a gilt metal frame with blue glass and hair back with beaded monogram 70 x 55mm

1754-1825

c.1767-1800

Oval, in a gilt metal frame 70 x 54mm Provenance: Cheffins, Cambridge, 4 March 2015, lot 551; Private Collection £700-1,000

For another version of this work, see Christie’s, London, 22 May 2001, lot 171. The Christie’s version is dated 1796, but conflicting inscriptions identify the sitter as either Viscount Mornington or as Luke Gardiner. £500-700

c.1800

Oval, in a gilt metal frame 53 x 42mm £150-250

18 λ ENGLISH SCHOOL

Late 18th Century

Portrait miniature of a gentleman, wearing a brown coat and white waistcoat Oval, in a gilt metal brooch frame with hair back 60 x 48mm £300-500

19 λ ANDREW BENJAMIN LENS c.1713-c.1779

Portrait miniature of a gentleman, wearing a blue lined beige coat, blue waistcoat and with powdered hair Signed with monogram (centre left) Oval, in a gilt metal frame 45 x 36mm Provenance: The Comerford Collection; Ellison Fine Art; Private Collection Literature: The Comerford Collection: Portrait Miniatures (Dublin, 2009), pp.9, 42, no.166

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

Exhibited: Dublin, Irish Architectural Archive, The Comerford Collection, 2009 £400-600

20 λ RICHARD CROSSE 1742-1810

Portrait miniature of a gentleman, wearing a brown coat, brown waistcoat and powdered wig Oval, in a gilt metal frame 63 x 31mm Provenance: Ellison Fine Art; Private Collection £400-600

21 λ ENGLISH SCHOOL

Late 18th Century

Portrait miniature of a gentleman, wearing a black coat, and with powdered hair 20

Oval, in a gilt metal frame with hair back 55 x 47mm

£150-250

22 λ ENGLISH SCHOOL

23 λ ENGLISH SCHOOL

24 λ ENGLISH SCHOOL

Late 18th Century

18th Century

Late 18th Century

Portrait miniature of a gentleman, wearing a brown coat and white stock

Portrait miniature of a gentleman, in a brown coat and powdered hair

Oval, in a gilt metal frame 42 x 35mm

Oval, in a gilt metal frame 42 x 33mm

Portrait miniature of a gentleman wearing a brocade trimmed blue coat, and hair en queue

£200-300

£150-250

Oval, in a metal frame with lozenge shaped paste border 35 x 31mm £150-250

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

25 λ PHILIP JEAN

1755-1802

Portrait miniature of a lady, wearing a brown dress and white fichu, and with powdered hair Oval, in a gilt metal frame with blue glass border and back 57 x 46mm Provenance: The Comerford Collection; Ellison Fine Art; Private Collection Literature: The Comerford Collection: Portrait Miniatures (Dublin, 2009), pp.10, 49, no.206 Exhibited: Dublin, Irish Architectural Archive, The Comerford Collection, 2009 £800-1,200

26 λ ATTRIBUTED TO ANDREW PLIMER 1763-1837

Portrait miniature of a lady, in a white dress and a white bandeau decorated with pearls Indistinctly signed with initials and dated AP/**** (lower left) Oval, in a gilt metal frame 64 x 49mm £700-1,000

27 λ HENRY EDRIDGE ARA

28 λ ENGLISH SCHOOL

29 λ ENGLISH SCHOOL

Portrait miniature of a lady, traditionally identified as Mrs James Grant, wearing a white dress and white bonnet, with powdered hair

Portrait miniature of Frances Elizabeth Ann Ince (1777-1848), wearing a white dress and black headband

Portrait miniature of a lady, wearing a pink dress and a rose at her corsage

1768-1821

Signed and dated Painted by/Hen: Edridge/1795 and inscribed by a later hand wife of Gerard/James Grant/ commissioned/1796/11th foot (to reverse) Oval, in a gilt metal frame, with a lock of hair to back 75 x 62mm Provenance: Cynthia Walmsley Ltd., where purchased by the present private collector, April 2015

c.1800

Oval, in an rectangular ebonised frame 75 x 62mm £150-200

£400-600

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

c.1770

Oval, in a gilt metal bracelet frame 34 x 30mm £200-300

30 λ ABRAHAM DANIEL

31 λ THOMAS RICHMOND

32 λ ENGLISH SCHOOL

c.1750-1806

1771-1837

Late 18th Century

Portrait miniature of a gentleman, wearing a brown coat with gold buttons, his powdered hair en queue

Portrait miniature of a gentleman, with black coat, white stock and powdered hair

Portrait miniature of a boy, wearing a red coat and waistcoat

Oval, in a gilt metal frame with printed back depicting an interior 65 x 48mm

Oval, in a gilt metal brooch frame with easel back and rope twist paste border 33 x 30mm

Provenance: Bonhams, London, Portrait Miniatures & Silhouettes, 5 September 2006, lot 96

£100-150

Oval, in a gilt metal frame 39 x 33mm Provenance: The Comerford Collection; Ellison Fine Art; Private Collection Literature: The Comerford Collection: Portrait Miniatures (Dublin, 2009), pp.11, 57, no.252

£400-600

33 λ THOMAS H. HULL act.1775-1827

Portrait miniature of a gentleman in a blue coat and white waistcoat

Exhibited: Dublin, Irish Architectural Archive, The Comerford Collection, 2009

Oval, in a gilt metal frame 55 x 46mm

£500-700

Provenance: Bonhams, London, Portrait Miniatures & Silhouettes, 5 September 2006, lot 102 £200-300

34 λ JOHN BARRY act.1784-1827

Portrait miniature of a gentleman, wearing a brown coat with black collar and white stock Oval, in a gilt metal frame with opalescent glass back 70 x 58mm Provenance: Bonhams, London, Portrait Miniatures & Silhouettes, 28 September 2004, lot 119 £200-300

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

35 λ ENGLISH SCHOOL 1831

36 λ ENGLISH SCHOOL

37 λ ENGLISH SCHOOL

Portrait miniature of William Boyd Ince (d.1817), wearing a black coat, white waistcoat, and white stock

Portrait miniature of a gentleman, wearing a black coat and white stock

c.1800

Portrait miniature of a gentleman, wearing a black coat and yellow waistcoat Dated 1831 (lower left). Oval, in a rectangular ebonised frame 71 x 56mm £200-300

Oval, in a rectangular ebonised frame 69 x 57mm £150-200

c.1800

Oval, in a rectangular tortoise-shell frame 61 x 52mm £200-300

38 λ ENGLISH SCHOOL c.1825

Portrait miniature of Major Thomas Otway Cave (1798-1830), wearing a green coat Oval, in a gilt metal frame with ribbon and sitter’s initials 79 x 64mm £300-500

39 λ ENGLISH SCHOOL c.1800

Portrait miniature of a gentleman, wearing a black coat and cream waistcoat, seated in a red chair Oval, in a gilt metal frame with fabric back 65 x 52mm £150-250

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

40 λ ENGLISH SCHOOL

41 λ CIRCLE OF RICHARD COSWAY

19th Century

Portrait miniature of an officer in uniform

Portrait miniature of Henry Leach of Corston, Pembrokeshire, in uniform

Oval, in a gilt metal frame with blue glass back 63 x 52mm

Oval, in an ebonised rectangular frame 72 x 57mm

c.1790

Inscribed and dated Wm di Gorma**/1790 (to backing paper) Oval, in a gilt metal frame 62 x 51mm Together with English School 19th Century; Portrait of an officer; oval, in a rectangular ebonised frame; 70 x 53mm (2)

£400-600

£100-150

42 λ ENGLISH SCHOOL

Together with an over-painted print of Mrs Henry Leach wearing a black dress, and white bonnet; oval in a rectangular ebonised frame; 70 x 58mm; and a pair of over-painted prints of Major General and Mrs Edmund Leach; each oval in silver gilt George Sumner frames; both 65 x 50mm (4) £100-150

43 λ ENGLISH SCHOOL

18th Century

Portrait miniature of Francis Brownsword Bullock, wearing a red coat with blue collar Inscribed Francis Brownsword/Bullock/married to Ann/Collins/died August 8/interred in/Lockinge Church (to old label) Oval, in a rectangular ebonised frame 62 x 52mm Together with English School Late 19th Century; Portrait miniature of an officer wearing the Order of the Medjidiei; oval, possibly over a printed base, in an ornate gilt metal easel frame decorated with paste stones; 58 x 45mm (2) £300-500

44 λ ENGLISH SCHOOL

19th Century

Portrait miniature of a Lord Mayor, seated, holding a letter, a landscape beyond Inscribed Refuge for Destitute (to letter) Rectangular, in a giltwood frame 129 x 103mm £200-300

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

45 λ J. T. MITCHELL act.1798-1830

Portrait miniature of a gentleman, wearing a black coat, white waistcoat and stock Signed, dated and inscribed J. T. Mitchell/ 442 Strand/1823 (to reverse) Rectangular, in a metal frame with painted foliate decoration 75 x 55mm Provenance: Bonhams, London, Portrait Miniatures & Silhouettes, 28 September 2004, lot 120 £250-350

46 λ ENGLISH SCHOOL

Early 19th Century

Portrait miniature of a gentleman, half-length, seated in an interior, wearing a blue coat and yellow waistcoat

Rectangular in a giltwood frame 130 x 100mm £200-300

48 λ ENGLISH SCHOOL

c.1800

Early 19th Century

49 λ ENGLISH SCHOOL

Portrait miniature of Alexander James Smith (d.1837), wearing a black coat, white waistcoat and stock

Portrait miniature of a gentleman, wearing a black coat, white waistcoat, and white stock

Portrait miniature of a gentleman wearing a black coat and cream waistcoat

Oval, in a gilt metal frame with hair back 55 x 45mm

Oval, in a gilt-metal frame with hair back 78 x 60mm

£150-250

£250-450

47 λ ENGLISH SCHOOL

Oval, in a rectangular ebonised frame 81 x 65mm £120-180

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

c.1810

50 λ CONTINENTAL SCHOOL

51 λ FRENCH SCHOOL

18th Century

Portrait miniature of a gentleman wearing a blue coat, white waistcoat, and powdered wig en queue

Portrait miniature of a gentleman wearing a blue coat and red waistcoat

Oval, in a gilt metal frame 43 x 38mm

Oval, in a gilt metal frame with guilloché and glazed back 48 x 40mm

£100-150

£300-500

52 λ FRENCH SCHOOL c.1900

Portrait miniature of an officer, wearing a red coat, turned to the right; Portrait miniature of an officer, wearing a red coat, turned to the left; Portrait miniature of a gentleman wearing a cream coat; Portrait miniature of an officer wearing a fur-lined green coat Four, each bearing a signature D. Isabet and indistinctly dated Each circular, in square wooden frames Largest 65mm diameter; Smallest 56mm diameter (4) £100-150

53 λ FRENCH SCHOOL

Early 19th Century

Portrait miniature of a gentleman in a black coat Oval, in a gilt-metal frame with hair back 65 x 51mm Together with Continental School; Portrait of an officer; reproduction print; oval in a rectangular ebonised frame; 98 x 73mm (2) £150-250

54 λ FRENCH SCHOOL c.1900

Portrait miniature of a lady in 18th century style red dress and powdered hair Signed Marais (centre left) Oval, in a white metal frame with paste border 49 x 41mm £80-120

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

55 λ ANDRÉ-CLAUDE MARTIN LEFEVRE D’ORGEVAL

French act.1740-1760

Portrait of a lady, wearing a grey dress, blue shawl, and a garland of flowers, seated in a landscape Signed Le Feure f (lower left) Rectangular, in a gilt metal frame 48 x 67mm £800-1,200

56 ATTRIBUTED TO CHRISTIAN FRIEDRICH ZINCKE

57 λ FRENCH SCHOOL

Portrait miniature of a girl, wearing a blue dress and with flowers in her hair

Portrait miniature of a gentleman wearing a blue coat and white jacket

Enamel on copper, oval, in a gold frame 45 x 38mm

Circular, in a gilt metal frame 85mm diameter

£600-800

£400-600

German 1683-1767

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

c.1800

58 λ ALBIN ROBERTS BURT

59 λ GOTTLIEB HOLDER

1783-1842

Austrian 19th Century

Portrait of a sleeping baby

Miniature of the infant Christ holding the cross

Signed AR Burt (lower centre), and further inscribed and dated Painted by A R Burt/Bath May/1812 (to reverse) Oval, in a red leather case 52 x 65mm

Signed and dated G Holder pinx 39 (lower centre) Rectangular, in a giltwood frame 108 x 135mm

Provenance: Lacy Scott & Knight, Bury St Edmunds, 21 March 2020, lot 1323, where purchased by the present private collector

£300-400

£250-350

60 λ ANDREW ROBERTSON

61 λ FOLLOWER OF WILLIAM EGLEY

Portrait of a young lady, in a white dress with a pink sash

Portrait miniature of a lady, wearing a brown dress with a gold brooch and necklace, and hair in ringlets

1777-1845

Signed with initials and dated AR/1819 (lower right) Oval in a gilt metal frame 74 x 60mm £300-500

Oval, in a gilt metal frame with pierced border 52 x 42mm Provenance: Bonhams, London, Portrait Miniatures & Silhouettes, 5 September 2006, lot 185 £200-300

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

62 λ ENGLISH SCHOOL

63 λ ENGLISH SCHOOL

19th Century

18th Century

Portrait miniature of a lady, wearing a white dress and blue lined white bonnet

Portrait miniature of a lady, wearing a blue dress, and pearl necklace, earring and hair piece

Oval, in a rectangular ebonised frame 57 x 49mm

Oval 35 x 30mm

£200-300

Framed together with five additional 18th and 19th century portrait miniatures; each oval; largest 75 x 61mm; smallest 38 x 27mm (6) £300-500

64 SAMUEL METFORD

1810-1896

Silhouette of a gentleman, full-length, holding a newspaper; Silhouette of a gentleman, full-length, with hands in his pockets; Silhouette of a lady, full-length, holding a letter; Silhouette of a lady, full-length holding spectacles Four, each signed S. Metford fecit Each black cut-out paper, wash, heightened with gold and white Each 23.6 x 18.6cm; 91⁄4 x 71⁄4in (4) £200-300

64 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

PRINTS 65 HEINRICH ALDEGREVER German 1502-c.1561

Panel with Grotesque Candelabrum Containing Satyrs, Children and a Trophy Engraving 6.7 x 4.9cm; 23⁄4 x 2in Unframed Provenance: Given to the previous owner by Sydney Cockerell (1867-1962), former director of the Fitzwiliam Museum, Cambridge, 1918 (according to inscription to backing board)

66 SAMUEL SMITH

67 BENJAMIN COLE

18th Century

1697-1883

The Creation; Adam and Eve driven out of Paradise; Cain and Abel; The Ark and Flood; God’s Covenant with Noah; The Building of the Tower of Babel; God and Abraham; Lot and his Two Daughters

A View of the House of Peers, the King sitting on his Throne, the Commons attending him at the end of ye Session, 1755; A View of the House of Commons

Literature: Hollstein 281

Eight, each engraving, from “The compleat history of the Old and New Testament: or, a family Bible” (London, W. Rayner, 1735) Each approx. 34.6 x 20.7cm; 13½ x 81⁄4in (plate) (8)

£300-500

£80-120

A pair, both engraving Each 37.2 x 23.4cm; 143⁄4 x 91⁄4in Together with Charles Mosley (c.1720-c.1756) after Hubert François Bourguigno Gravelot (French 1699-1773); Westminster Hall, The First Day of Term. A Satirical Poem; engraving; 31.1 x 33cm; 121⁄4 x 13in; and James Fittler (1758-1835) after Edward Pugh (1763-1813); The House of Commons; The King on his Throne in the House of Lords; a pair, both engraving; each 12.4 x 18.1cm; 43⁄4 x 7in (image) framed as one (4) £80-120

68 JACQUES RIGAUD

French 1680-1754

A View of the Bason of Latona Hand-coloured engraving 23.8 x 46.2cm; 91⁄4 x 181⁄4in Together with Paul Angier (French 1725-c.1757) after Jacques Rigaud; L’Abreuvoir au Front du Palais de Marli; hand-coloured engraving; 23.8 x 46.2cm; Davies (act.1837) after Giuseppe Longhi (1766-1831), Portrait of Napoleon; engraving; 45 x 37cm; 173⁄4 x 14½in; and Map of the Island of Elba and a view of Porto Ferrajo; coloured engraving and aquatint; 35.8 x 24cm; 14 x 9½in (4)

£100-150

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

69 GIOVANNI BATTISTA PIRANESI Italian 1720-1778

Veduta degli avanzi del Foro di Nerva (Wilton-Ely 181); Veduta, nella Via del Corso, del Palazzo dell’Accademia (Wilton-Ely 177) Two, both etchings, from ‘Vedute di Roma’ 40.2 x 60.7cm; 153⁄4 x 233⁄4in; 40.4 x 61.7cm; 16 x 241⁄4in (2) £400-600

70 EDWARD GOODALL

1795-1870

AND WILLIAM RAYMOND SMITH

act.1818-1848

AFTER J.M.W. TURNER RA

1775-1851

Caligula’s Palace and Bridge; Dido and Aeneas: The Morning of the Chase Two, both engraving Each 71.5 x 52cm; 281⁄4 x 20½in (2) £300-500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

71 AFTER BASILIUS BESLER Poma flore multiplici; Aquilegia stellata flore vio laceo; Cytisus columella; Cistus flore albo; Arbor iudae; Cnicus sativus; Aconitum Lycocto num flore delphiny; Ceruicaria maior syluestris; Anagyris angustisfoliis; Salvia maior latisfoliis flore caeruleo; Pistacia; Christophoriana Twelve, each engraving with hand-colouring, from ‘Hortus Eystettensis’ Each approx. 48 x 39.6cm; 19 x 15½in (plate) (12) £1,200-1,800

72 AFTER BASILIUS BESLER Study of five tulips Engraving with hand-colouring, plate 70 from ‘Hortus Eystettensis’ 47.3 x 39.7cm; 18½ x 15½in Provenance: From a private Cornish country estate

£300-500 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

73 JOHN GOULD FRS 1804-1881

AFTER EDWARD LEAR 1812-1888

Ramphastos Erythrorhynchus (Red-Billed Toucan); Ramphastos Toco (Toco Toucan) Two, both hand-coloured lithograph, 1834, from ‘A Monograph of the Ramphastidae, or Family of Toucans’ Each 54.6 x 36.5cm; 21½ x 141⁄4in (2) Provenance: Henry Sotheran Ltd., London £300-500

74 JOHN GOULD FRS 1804-1881

HENRY CONSTANTINE RICHTER 1821-1902

AND ELIZABETH GOULD 1804-1841

Ptilonorhynchus Rawnsleyi; Diomedea Melanophrys; Carpophaga Leucomela; Diomedea Chlororhynchos; Megapodius Tumulus; Leipoa Ocellata Six, each hand-coloured lithograph Four 35 x 52cm; 133⁄4 x 20½in; two 52 x 35cm; 20½ x 133⁄4in (6) £200-300

74 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

75 AFTER DAVID ROBERTS RA, RBA

1796-1864

Twenty-two plates from ‘The Holy Land, Syria, Idumea, Arabia, Egypt, and Nubia’, comprising Entrance to the Citadel of Jerusalem; General View of Nazareth; Convent of the Terra Santa, Nazareth; Cana, General View; Nablous, the ancient Shechem; Gaza; Caipha, looking towards Mount Carmel; Baalbec, Western Portico; The Doorway, Baalbec; Portion of the Eastern Portico, Baalbec; Temple of El-Khasne, Petra; Remains of a triumphal arch at Petra; Approach to Mount Sinai; View under the Grand Portico, Philoe; Portico of the Temple of Edfou, Upper Egypt; General view of the ruins of Karnac, from the West; Asouan and the Island of Elephantine; Façade of the Pronaos of the Temple of Edfou; Cairo, from the gate of the Citizenib, looking towards the desert of Suez; The Simoom in the Desert; View on the Nile, Isle of Rhoda, and Ferry of Gheezeh; Citadel of Cairo, the residence of the Pashia Each lithograph with hand-colouring by Louis Haghe (Belgian 1806-1885) Each approx. 33.4 x 48.4cm; 131⁄4 x 19in (22) Provenance: ‘The Simoom in the Desert’ with Henry Sotheran, London £1,500-2,500

75 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

76 THOMAS DANIELL RA 1749-1840

Remains of an Ancient Building near Firoz Shah’s Cotilla, Delhi; The Great Pagoda, Tritchinopoly Two, both coloured aquatint with hand-colouring Each 42.2 x 59cm; 161⁄4 x 231⁄4in (image) Together with Robert Havell I (1769-1832) and Robert Havell II (1793-1878) after James Baillie Fraser (1783-1856); Bheem Ke Udar; coloured aquatint; 42.2 x 59.5cm; 16½ x 23½in (3) £1,500-2,500

76 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

77 AFTER JOHN NOST SARTORIUS

1759-c.1828

Hunting series: Brushing into Cover; The Chase; At Fault; The Death

78 AFTER SIR JOSHUA REYNOLDS PRA, FRS, FRSA

1723-1792

Portrait of George Spencer, 4th Duke of Marlborough and his family Mezzotint, by Charles Turner (1773-1857) 83.6 x 67cm; 33 x 261⁄4in

Four, each engraving by John Peltro (1760-1808) and James Neagle (1769-1822) Each 45.9 x 61.3cm; 18 x 241⁄4in (4)

Together with John Smith (1652-1743) after Sir Godfrey Kneller (1646-1723); Portrait of Sir Christopher Wren; mezzotint; 35.2 x 25.7cm; 133⁄4 x 93⁄4in; John Keyse Sherwin (1751-1790) after John Francis Rigaud (French 1742-1810); Portrait of John Yenn, Architect; stipple; 32 x 26.2cm; 12½ x 101⁄4in; and John Simon (c.1675-1751) after William Hoare of Bath (1706-1792); Portrait of The Right Honourable Philip Dormer Stanhope Earl of Chesterfield; mezzotint; 34.5 x 26cm; 13½ x 101⁄4in (4)

£150-250

79 AFTER HENRI L’EVÊQUE Swiss 1769-1832

Departure of his R.H. the Prince Regent of Portugal for the Brazils; The landing of the British Army at Mondego Bay; The attack on the French corps commanded by Genl. Laborde, on the 17th of Augt. 1808; Battle of Vimiero; The attack on the strong fort of Grijo, on the 11th of May 1809; Passage of the Douro (two versions); Bridge of Nodin; The bridge at Saltador; A view of the bridge of Miserere; The battle of Talavera; The battle of Bussaco; A view taken on the Tagus; The battle of Victoria Fourteen, each coloured etching, some with stipple Largest 39.8 x 53.5cm; 153⁄4 x 21in; Smallest 33.8 x 48.1cm; 131⁄4 x 19in (14) £200-300 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

80 EDWARD W. GOSSE

1849-1928

Cecil Lawson: A Memoir With illustrations by Hubert Herkomer, James McNeill Whistler, and Cecil Lawson London, The Fine Art Society, 1883, full vellum with gilt title, missing frontispiece 48.2 x 38cm; 19 x 15in £500-800

81 WILHELM HEUER German 1813-1890

Panoramic view of Hamburg, including the port at St. Pauli

82 ‡ CHARLES JOHNSON PAYNE (SNAFFLES)

1884-1967

Coloured lithograph 41.7 x 63.7cm; 16½ x 25in

R.N.R.T.: Two men on watch

Together with John Hill (1770-1850) after John Claude Nattes (c.1765-1839); Paris, from under the Arch of St. Michel’s Bridge; aquatint in colours; 24.6 x 36.1cm; 93⁄4 x 141⁄4in; and Joseph Maximilian Kolb (German act.1818-1859) after Ludwig Rohbock (German 1824-1893); Luzern Mit Dem Pilatus; engraving; 15.2 x 20.3cm; 6 x 8in (3)

Signed Snaffles (in pencil, to backing sheet) Coloured print with hand tinting on printed backing sheet with remarques 43.9 x 40.6cm; 171⁄4 x 16in

£50-100

£200-300

83 ‡ CHARLES JOHNSON PAYNE (SNAFFLES)

1884-1967

T.B.D.’s The Beef Convoy Signed Snaffles (in pencil, to backing sheet) Coloured print with hand tinting on printed backing sheet with remarques 44.4 x 40.8cm; 17½ x 16in £200-300

82 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

DRAWINGS & WATERCOLOURS

84 CIRCLE OF CARLO MARATTA The Holy Family Red chalk 33.1 x 25.8cm; 13 x 10¼in Provenance: Van Parijs (c.1800), (Lugt 2531); Millhouse, Petworth, August 1983, where purchased by the present English private collector (as Attributed to Maratta) £2,000-3,000

85 FRANCESCO APPIANI Italian 1704-1792

Madonna and child Pen and brown ink, wash and black chalk 22.4 x 14.8cm; 83⁄4 x 53⁄4in Provenance: Carlo Prayer (1826-1900) (Lugt 2044) £100-200

86 ITALIAN SCHOOL c.1700

Mercury and Argus Pen and brown ink and wash within brown framing lines 24.2 x 19.6cm; 9½ x 73⁄4in Unframed £300-500

86 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

87 ANTONIO MARIA ZANETTI Italian 1680-1767

A man seated eating a boiled egg with another standing behind Pen and brown ink 21.1 x 18cm; 8¼ x 7in Provenance: Christie’s, London, Old Master Drawings, 4 July 2000, lot 55 Exhibited: Geneva, Musée d’Art et d’Histoire, Art Vénitien en Suisse et au Liechtenstein, 1978, no.131 £800-1,200

88 THOMAS WORLIDGE

1700-1766

AFTER REMBRANDT VAN RIJN

Dutch 1606-1669

Bust of a man in a turban Chalk 36 x 27.4cm; 141⁄4 x 103⁄4in This derives from the etching by Jan Gillisz. van Vliet (1605-1685) after Rembrandt. £200-300

89 DUTCH SCHOOL

17th Century

Portrait of a gentleman, bust-length, wearing a ruff Pen, black ink and wash 6.4 x 7.1cm; 2½ x 23⁄4in £100-200

90 PHILIP DE GRAVES

act.1704-1725

Portrait of a gentleman, wearing a brown coat, in a painted oval Signed and dated D.Graves/pinxit/1718 (lower right) Pastel 40 x 29.3cm; 153⁄4 x 11½in Literature: Neil Jeffares, ‘Philip de Graves’, Dictionary of pastellists before 1800, online edition, accessed 14/04/2021, no.J.358.201 £250-350

91 EDWARD BYNG

c.1676-1753

Portrait study of a gentleman, half-length Pen and ink wash heightened with white on blue paper 27.5 x 19.5cm; 103⁄4 x 73⁄4in £200-300

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

92 GIACOMO GUARDI Italian 1764-1835

A view of the Canale di Santa Chiara with the church of Santa Marta, and San Giorgio in Alga in the distance, Venice Inscribed Veduta di S. Marta di facia S. Chiara della Giudera in Lontano S. Giorgio in allega Guardi (to mount) Gouache 13.7 x 23.3cm; 51⁄4 x 91⁄4in Provenance: Marlborough Fine Art, London £1,000-1,500

93 SIR GODFREY KNELLER BT. 1646-1723

Portrait of a young girl, half-length Black chalk 20 x 14.6cm; 73⁄4 x 53⁄4in Provenance: Henry Scipio Reitlinger (1882-1950) (Lugt 2274a); Sotheby’s, London, The H.S. Reitlinger Collection, Part II, 27 January 1954, lot 164 Literature: Henry Scipio Reitlinger, Old Master Drawings: A Handbook for Amateurs and Collectors (Constable Ltd, 1922), p.139 £300-500

94 DUTCH SCHOOL

17th Century

Portrait of a man wearing a wide-brimmed hat with a feather 93

Red chalk 22.2 x 14.8cm; 83⁄4 x 53⁄4in £300-500

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

95 AFTER ROSALBA CARRIERA

96 AFTER JOSEPH VIVIEN

An allegory of Summer

Portrait of an abbé

Pastel and pencil on paper, laid down on canvas 61 x 49cm; 24 x 191⁄4in

Pastel 57.5 x 47cm; 223⁄4 x 18½in

Literature: Neil Jeffares, “Rosalba Carriera”, Dictionary of pastellists before 1800, online edition, no. J.21.1315

Literature: Neil Jeffares, “Joseph Vivien”, Dictionary of pastellists before 1800, online edition, accessed 14/04/2021, no. J.77.351

£600-800

£400-600

97 AFTER MAURICE QUENTIN DE LA TOUR Portrait of L’abbé Pommyer (1713-1784) Pastel 43.6 x 35.5cm; 171⁄4 x 14in Provenance: Chiswick Auctions, 7 October 2014, lot 82 (as Circle of Lenoir) Literature: Neil Jeffares, “Maurice-Quentin de la Tour”, Dictionary of pastellists before 1800, online edition, accessed 7/7/2021, no. J.46.2536 £300-500

96 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

98 PAUL SANDBY RA 1731-1809

A youth with a walking stick Pencil and grey wash 21.6 x 9.5cm; 8½ x 3¾in Provenance: Sabin Galleries, London £250-400

99 PAUL SANDBY RA 1731-1809

Girl seated on a chair Pencil and brown wash 16.4 x 10.1cm; 6½ x 4in Provenance: Christie’s, July 1968 (according to label) £200-300

100

101

100 FRENCH SCHOOL

101 FRENCH SCHOOL

102

102 FRENCH SCHOOL

c.1800

20th Century

18th Century

Portrait of a gentleman, wearing a blue coat and striped waistcoat

Portrait of a young lady, with a floral garland and flowers in her hair

Portrait of an artist, seated in his studio, holding a pen and portfolio

Coloured chalks 31.1 x 26.2cm; 121⁄4 x 101⁄4in

Indistinctly signed ***oim (centre right) Pastel, oval 28.2 x 21.9cm; 11 x 8½in

Gouache 29.2 x 19.9cm; 11½ x 73⁄4in

£150-250

£250-350

£300-500

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

103

103 AFTER JAMES VERTUE The north facade of the Stuart Guildhall, Bath; The west side of the Stuart Guildhall, Bath Two, pencil, ink, grey wash and watercolour; pencil and grey wash 35.9 x 26.6cm; 141⁄4 x 10½in; 26.9 x 45.7cm; 10½ x 18in (2) £600-1,000

104

104 SAMUEL WOODFORDE RA 1763-1817

Victory, holding a crown and palm, with a putto; The muse Terpsichore with a putto; Holy family with Saint John the Baptist and Saint Elizabeth Three, one signed S Woodforde (lower left) and inscribed Campidoglio (lower right) Each pen and ink Largest 27.5 x 28.2cm; 103⁄4 x 11in; Smallest 22.2 x 19.2cm; 83⁄4 x 7½in (3) £400-600

105 THOMAS STOTHARD RA

1755-1834

Design for a frontispiece, with the allegories of painting, poetry and music surrounding a portrait of a gentleman Pencil, pen and wash 18.1 x 18.1cm; 7 x 7in £100-200

105 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

106

107

106 ATTRIBUTED TO DANIEL GARDNER

107 ATTRIBUTED TO JOHANNES ANSPACH

c.1750-1805

Portrait of a gentleman, half-length, in a blue coat, before a column Pastel and gouache on paper over canvas, oval 32.2 x 27cm; 123⁄4 x 10½in Literature: Neil Jeffares, “Daniel Gardner”, Dictionary of pastellists before 1800, online edition, no. J.338.18923 £300-500

German 1752-1823

Portrait of a gentleman in profile, wearing a blue coat, with hair en queue, in a painted oval; Portrait of a lady in profile wearing a blue dress and top hat with a bow Two, both pastels Each 30.6 x 24cm; 12 x 9½in (2) £150-250

108 JOHN DOWNMAN ARA 1750-1824

Portrait of a young woman, half-length, seated; Portrait of a young woman, half-length, a tree beyond A pair, the former signed and dated J Downman/1783 (lower left) Both pencil and coloured chalks heightened with white, oval Each 20 x 16.3cm; 73⁄4 x 6½in (2) £200-300

109 AFTER THOMAS GAINSBOROUGH Portrait of Sophia Charlotte, Lady Sheffield (1757-1835) Pastel 73.7 x 61cm; 29 x 34in After the original at Waddesdon Manor, Buckinghamshire (no.2260). £400-600

108

109

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

110 HUGH DOUGLAS HAMILTON

Irish c.1740-1808

Portrait of William Tighe MP (1738-1782), of Rosanna and Woodstock, bust length, wearing a brown coat Pastel, oval 23.7 x 18.9cm; 91⁄4 x 7½in Provenance: Possibly Charles R. Hamilton, Hamwood, Dunboyne Literature: Possibly W.G. Strickland, ‘Hugh Douglas Hamilton, portrait-painter’, in Walpole Society, vol. II, 1912-13, p. 108; Neil Jeffares, “Hugh Douglas Hamilton”, Dictionary of pastellists before 1800, online edition, no.J.375.19241 William Tighe was a cousin of the Anglo-Irish poet Mary Tighe (1772-1810) as well as the famous Ladies of Llangollen. £800-1,200

111 BRITISH SCHOOL c.1800

Portrait of a gentleman wearing a black coat and white stock resting his elbow on an open book

110

Pastel 25 x 20.2cm; 93⁄4 x 8in Literature: Neil Jeffares, “English, Irish and Scottish Schools”, Dictionary of pastellists before 1800, online edition, no. J.85.20446

111

£300-500

112 AFTER SIR JOSHUA REYNOLDS Portrait of Charles Watson-Wentworth, 2nd Marquess of Rockingham (1730-1782), half-length, in the robes of the Order of the Garter Pastel 61.6 x 44cm; 241⁄4 x 171⁄4in Provenance: Cooper & Tanner, Frome, 18 October 2017, lot 252 (as 19th Century Portrait of a gentleman) Literature: Neil Jeffares, “Sir Joshua Reynolds”, Dictionary of Pastellists before 1800, online edition, accessed 16/06/2021, no.J.6174.171 After the original in St. Osyth’s Priory, Essex. Charles Watson-Wentworth was a Whig statesman, who twice served as Prime Minister. £400-600

112 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

113 SAMUEL ATKINS

act.1787-1808

A frigate and other shipping in calm waters Signed Atkins (lower right) Watercolour 35 x 46.5cm; 133⁄4 x 181⁄4in £500-700

113

114 NICHOLAS CONDY 1793-1857

Shipping in calm waters Watercolour and bodycolour 8.2 x 10.5cm; 31⁄4 x 41⁄4in £100-150

115 AFTER J.M.W. TURNER St Michael’s Mount, Cornwall; East Cowes Castle Two, each watercolour Both 46.5 x 61.2cm; 46.5 x 63cm (2) Provenance: Sotheby’s, London, 7 April 1977, lots 169 & 170 Both after the originals in the V&A, London (nos. FA.209[O], FA.210[O]).

114

£400-600

115 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

116 CIRCLE OF J.M.W. TURNER A view of London from Greenwich Watercolour and pencil heightened with white 10.5 x 17.3cm; 41⁄4 x 63⁄4in £300-500

117 JOHANNES JANSON

Dutch 1729-1784

Extensive river landscape with a shepherd and his flock; River landscape with figures on a path A pair, the former signed J Janson (lower right), the latter signed J Janson (lower centre) Both gouache Each 20.9 x 28.2cm; 81⁄4 x 11in (2)

116

£100-200

118 FOLLOWER OF CORNELIUS VARLEY River landscape with boats and cottages on the shore Bears a signature c varley (lower left) Pencil and watercolour 24.3 x 32.7cm; 9½ x 123⁄4in Provenance: Thos Agnews & Sons Ltd., London

117

£80-120

119 ENGLISH SCHOOL c.1790

Hampstead Heath at dawn Signed with initials M.N (lower left), and inscribed Hampstead 1790 to label Watercolour heightened with gum arabic 9.8 x 14cm; 33⁄4 x 5½in £100-150

118

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

119

120 ANTHONY VANDYKE COPLEY FIELDING POWS

1787-1855

In the Highlands, Scotland Signed and dated Copley Fielding 1842 (lower left) Pencil and watercolour heightened with gum arabic and scratching out 17.7 x 25.5cm; 7 x 10in Provenance: Thos Agnew & Sons, London; Where purchased by the previous owner, 1982; By whom sold, Christie’s, London, Old Master, 19th Century & British Drawings & Watercolours, 9 December 2010, lot 1207, where purchased by the present private collector £400-600

120

121 DAVID COX SNR. OWS, RWS 1783-1859

122 WILLIAM PAYNE RWS

1760-1830

A wood near Birmingham

123 CIRCLE OF FRANCIS NICHOLSON

View of a country house, with fishermen repairing nets by a river

Watercolour 24 x 19.5cm; 9½ x 7¾in

Signed and dated W.Payne 1829 (lower centre) Pencil and watercolour 29.5 x 49.2cm; 11½ x 131⁄4in

Landscape with figures below the bell tower at Evesham Abbey

Provenance: Sotheby’s, 3 February 1993, lot 160; Sotheby’s, 15 June 2000, lot 234; The Collection of Sir Alan and Lady Cox £300-500

Provenance: Woolley and Wallis, Salisbury, Old Masters, British & European Paintings, 4 September 2019, lot 78, where purchased by the present private collector

Bears a signature and date Varley 1812 (lower left) Pencil and watercolour 55.1 x 76cm; 213⁄4 x 30in

£400-600

124 FRANCIS NICHOLSON OWS

1753-1844

River landscape with figures on a bridge, possibly Dunkeld Pencil and watercolour, heightened with bodycolour 34.8 x 48cm; 133⁄4 x 19in

121

123

Provenance: Purnell, Daniell & Morrell, Honiton, Important Paintings, Drawings, Prints, 24 March 1972; Frank B. England

122

£200-300

124 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

125 WILLIAM DANIELL RA 1769-1837

A view of Greenwich Park near the Royal Observatory, with St. Paul’s in the distance Pencil and watercolour 38.2 x 63.3cm; 15 x 25in Provenance: Appleby Bros., London, 1964 £750-1,000

125

126 WILLIAM DANIELL RA

127 THOMAS DANIELL RA

1769-1837

1749-1840

128 ANTHONY DEVIS

Mountainous river landscape

A view of Tatcul, India

Pencil and grey wash 38.4 x 47.3cm; 15 x 18½in

Indistinctly inscribed (lower right) Puranna Tut....... Pencil and grey wash 27.1 x 38.1cm; 103⁄4 x 15in

Wooded landscape with a couple conversing on the road

Provenance: Thomas Agnew & Sons, London £200-300

Provenance: Thomas Agnew & Sons, London, no.24529

1729-1816

Pencil, pen and ink, and wash 21.7 x 31cm; 8½ x 121⁄4in £200-300

£400-600

126

127 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

128

129 THOMAS ROWLANDSON

1757-1827

The horse trough Pen and ink, and wash 14.2 x 23.6cm; 5½ x 91⁄4in Provenance: Given to the previous owners, 1953; And by descent £600-800

129

130 ROBERT DIGHTON

131 ENGLISH SCHOOL c.1830

19th Century

Portrait of a gentleman, full-length, standing in a landscape

A view of Salisbury, with cattle watering, and the Cathedral beyond

A shepherd and his flock on a country road

Signed and dated Dighton-1812 (lower right) Watercolour and pencil 51.7 x 42.9cm; 201⁄4 x 17in

Pencil and watercolour 28.1 x 43.5cm; 11 x 171⁄4in Unframed

c.1752-1814

£200-300

132 ENGLISH SCHOOL

Pencil and watercolour heightened with white 34.5 x 51.3cm; 13½ x 201⁄4in £100-150

£300-500

130

131

132 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

133 ÉDOUARD DETAILLE French 1848-1912

Infanterie de Marine Signed EDOUARD DETAILLE/1887 (lower left) Pencil, pen and ink, and wash, heightened with white 21 x 22.5cm; 8¼ x 8¾in Provenance: Boussod, Valadon & Cie, Paris; Tsar Nicholas II of Russia (1868-1918); Christie’s, London, 29 November 1984, lot 70A; Stanley J. Seeger (1930-2011); Tennants, Leyburn, An Attic Sale The Collections of the late Stanley J. Seeger; 16 May 2015, lot 224; Private Collection, England Literature: Édouard Detaille and Jules Richard, L’Armée Française (Paris, 1885-1889), vol. II, p.110 For another work by Detaille, see lot 792. £1,500-2,500

133

134

134 ORLANDO NORIE

1832-1910

Battle of the Alma: 1st Bn. The Coldstream Guards, under Lt. Col. the Hon. George F. Upton, storming the heights; Captain Cust of the Coldstream Guards attacking the Russians; Captain H. Cust, Coldstream Guards, mortally wounded Three, each signed, and further titled to mount Each watercolour Largest 30.2 x 46.2cm; 12 x 181⁄4in; Smallest 30.7 x 45cm; 12 x 173⁄4in (3) Provenance: Each with The Parker Gallery, London, where purchased by the present private collector, 1952 £300-500 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

135 MYLES BIRKET FOSTER RWS

1825-1899

A view of Eagle Tower, Caernarfon Castle from the river Signed with initials and inscribed BF Eagle Tower Carnarvon (lower left) Pencil and watercolour, heightened with white 14.5 x 24.6cm; 5½ x 93⁄4in £500-700

136 HENRY GASTINEAU 1791-1876

A view of Dartmouth Cove, with figures and pack animals on a path leading to the water 135

Pencil and watercolour 59.2 x 90.2cm; 231⁄4 x 35½in £500-800

137 EDWARD M. RICHARDSON ANWS

1810-1874

A view of Loch Awe with Kilchurn Castle in the distance Signed and dated Edward Richardson/1868 (lower right) Watercolour heightened with white 29.2 x 62.2cm; 11½ x 24½in £200-300

138 WILLIAM LEIGHTON LEITCH RI

Scottish 1804-1883

136

The Isle of Eigg from Eilean Chathastail, with Galmisdale harbour and An Sgùrr in the distance Signed and dated WLLietch/1866 (lower left) Watercolour 28.6 x 49.4cm; 111⁄4 x 19½in £200-300

139 WILLIAM BENNETT 1811-1871

St. James’ Church, Shere, Surrey Signed and dated WBennett/1856 (lower right) Pencil and watercolour 35.4 x 52.4cm; 14 x 20½in

137

138

£70-100

139 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

140

140 THOMAS SHOTTER BOYS NWS

1803-1874

Figures on a path by a river with a castle on a hill beyond; A shepherd and his flock with other figures on a road in a mountainous river landscape A pair, both watercolour Each 9.5 x 12.5cm; 33⁄4 x 5in (2) Provenance: Fine Art Society, London, April 1961, nos. 7 & 12; Sold on behalf of the Executors of Julian Bream CBE dec’d’. The proceeds of this lot will go to The Julian Bream Charitable Trust. £1,000-1,500

141 EDWARD DUNCAN 1803-1882

Figures on the beach below Tantallon Castle, Bass Rock in the distance Signed and dated E Duncan 1864 (lower left) Watercolour and pencil heightened with bodycolour 74 x 64.3cm; 291⁄4 x 251⁄4in Provenance: Sotheby’s, London, Early English Drawings and Victorian Watercolours, 21 September 1988, lot 231 £1,000-1,500

141 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

142 ANTOINE JEAN WEBER French 1797-1875

Soldiers on a coastal road by a classical tomb; Soldiers resting in a landscape, the sea beyond; A hermit reading on a riverbank; Figures boating on a river, a church beyond Four, two signed and dated Weber 1823, one signed Weber Each gouache Each 13.9 x 18.9cm; 5½ x 7½in (4) £400-600

142

143

144

145

143 SCHOOL OF POSILLIPO Vesuvio; Pompei; La Grotta di Posillipo Three, each watercolour heightened with bodycolour Each 17.5 x 10cm; 7 x 4in (3) £150-250

146

144 NEAPOLITAN SCHOOL

145 GIOVANNI BATTISTA

146 GIOVANNI BATTISTA

Riviera di Chiaia, Naples, with Vesuvius in the distance

View of Positano; View of the Castello Miramare, Maiori

Inscribed Riviera di Chiaia (lower centre) Gouache 21.2 x 28.8cm; 8¼ x 11¼in

Two, both signed G.Battista (lower left) Gouache; Watercolour and bodycolour 20.9 x 35.9cm; 81⁄4 x 141⁄4in; 25.5 x 42.9cm; 10 x 17in (2)

View of the Faraglioni, Capri; View of a road on the Amalfi Coast

19th Century

£100-150

Italian 1858-1925

£200-300

Italian 1858-1925

A pair, the former signed G.Battista (lower right); the latter signed G.Battista (lower left) Both gouache Each 42.8 x 25.5cm; 163⁄4 x 10in (2) £200-300

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

147

147 MALTESE SCHOOL 19th Century

Panoramic view of Valletta harbour from a terrace Pencil, pen and ink, and wash on six joined sheets 27.4 x 202cm; 103⁄4 x 79½in Unframed £400-600

148 THOMAS LOUND 1801-1861

A view of Tintern Abbey Watercolour and pencil 35.7 x 52.2cm; 14 x 20½in Provenance: Thos. Agnews & Sons Ltd., London £400-600

149 CIRCLE OF SAMUEL PROUT Figures in a European cathedral square Signed with monogram (lower right) Pencil and watercolour 35.2 x 49.7cm; 133⁄4 x 19½in £200-300

148

150 HENRY THOMAS SCHAFER

1854-1915

Interior of Milan Cathedral Signed and inscribed Cathedral of Milan, Italy/H.Schafer (lower right) Pencil and watercolour heightened with bodycolour 62.5 x 44.5cm; 24½ x 17½in £200-300

149 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

150

151 WILLIAM HULL 1820-1880

Sunday Morning Signed and dated W.Hull 1858 (lower left) Pencil and watercolour 36.5 x 27.75cm; 14½ x 103⁄4in Provenance: Michael Bryan, London £150-250

152 THOMAS COLLIER 1840-1891

Low tide, Cromer Signed Thos Collier (lower right) and inscribed and dated July 25th 1876 (lower left) Watercolour over pencil 15 x 34.75cm; 6 x 13½in

151

£80-120

153 FREDERICK JAMES ALDRIDGE 1850-1933

Leaving Shoreham; On the Thames A pair, the former signed and inscribed F.J.Aldridge/Leaving Shoreham (lower right), the latter signed and inscribed F.J.Aldridge/ On the Thames. (lower right) Both watercolour and pencil heightened with bodycolour Each 35.5 x 53cm; 14 x 203⁄4in (2) £300-500

152

153 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

154

154 λ WILLIAM CRUICKSHANK 1848-1922

Hunter and his spaniel; Spaniel and two hares; The day’s bag; Three hares and a shotgun Four, each signed W Cruickshank Each watercolour on ivory Each 12.6 x 20cm; 5 x 7¾in (4) £700-1,000

155 EDMUND MORISON WIMPERIS VPRI 1835-1900

On the moors Signed with initials and dated EMW 77 (lower left) Watercolour 29.7 x 50.7cm; 113⁄4 x 20in

155

Provenance: The Fine Art Society, London, March 1946 £150-250

156 THOMAS CHARLES LEESON ROWBOTHAM NWS

1823-1875

River landscape with figures on a bridge Signed, dated and inscribed TLRowbotham/1869/No956 (lower left) Watercolour heightened with bodycolour 19.1 x 48.2cm; 7½ x 19in £150-250

156

157-161 No lots

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

162

162 EDWARD LEAR

1812-1888

163 EDWARD LEAR

1812-1888

164 WILLIAM JAMES MÜLLER

The Forest of Bavella, Corsica

A view of Pegli, Italy

Inscribed and dated 7.10AM/29.April.1868/Forest of Bavella (Bocca de Valore) (lower left) and extensively inscribed with colour notes throughout Pen and ink and watercolour on buff paper 35 x 53cm; 133⁄4 x 203⁄4in

Inscribed and dated Pegli/1.30:pm/ Dec 21 1864 (lower left), and further inscribed with colour notes Pencil, pen and brown ink and watercolour 32.5 x 53.3cm; 123⁄4 x 21in

The tent of the wandering Yarooks near Xanthus, Lycia

Provenance: Thomas Agnew and Sons, no.14300; The collection of Ian Colquhoun; And by descent Edward Lear travelled to Corsica from Cannes on 8 April 1868, and stayed for just under a month, becoming entranced by the island’s landscapes, and particularly the forested mountains of Bavella. In his journal on the day he executed the present work, he writes ‘The sun rises cloudlessly over the world of pines, and presently forms new and glorious pictures, as point after point of the western side of the valley is lighted up, while all the eastern part of the forest is as yet in dark and solemn shadow, below the giant crags - long streams of gold and bronze widening out gradually into masses of luminous green, and a flood of glory spreading slowly up the immense granite buttresses’. (Edward Lear, Journal of a Landscape Painter in Corsica (London, 1870) p.95)

Provenance: Formerly in the collection of the 6th Marquess of Cholmondeley, Houghton Hall In his diary entry for 21 December 1864 Lear recorded ‘At Pra, drew the coast, now very clear, & then on to Pegli - more of a town than Pra: - draw again near Pegli till 1.30 - & then go on, till we reach the Trattoria della Marina, where we have good fish, & a sort of Irish Stew, olives, & a bottle of really good wine for 4fr’.

1812-1845

Signed wmüller (lower right) and inscribed Yurook’s Tent near Xanthus 109 (lower centre) Watercolour and pencil, 1843 34.4 x 52cm; 13½ x 20½in Provenance: Thos Agnew & Sons, London Sotheby’s, London, Eighteenth and Nineteenth Century British Drawings and Watercolours, 13 July 1989, lot 143 Literature: N. Neal Solly, Memoir of the life of William James Müller (London, Chapman and Hall, 1875), pp.202 (illiustrated), 259 £700-1,000

£2,000-3,000

£3,000-5,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

163

164 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

165 FERDINAND BAUER

Austrian 1760-1826

Still life with fruit, flowers and an exotic bird around a classical urn on a marble ledge Signed Fer Bauer (lower right) Watercolour heightened with white 53 x 71cm; 203⁄4 x 28in, framed with an arched top Provenance: Purchased in 1987 by the present owners £300-500

165

166 OTTO SOLTAU

German 1885-1915

Four studies of flowers including common soapwort and common mallow; Four studies of flowers including germander speedwell and lilac A pair, both numbered and inscribed with scientific names Both pencil and watercolour heightened with white Each 33.2 x 25.2cm; 13 x 10in (2) Provenance: Richard Green, London; From a private Cornish country estate £500-800

166

167 WILLIAM JABEZ MUCKLEY

1829-1905

Study of pelargoniums; Study of helibores Two, both signed WJMuckley (WJM in ligature, lower right) Both gouache heightened with gum arabic 22 x 17.4cm; 83⁄4 x 63⁄4in; 26 x 19.7cm; 101⁄4 x 73⁄4in (2) £200-300

167 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

168 ANDREW NICHOLL RHA Irish 1804-1886

A Bank of Flowers, with a View of Bray and the Valley of the Dargle, Co. Wicklow Signed A.Nicholl R.H.A (lower right) Pencil and watercolour heightened with bodycolour and scratching out 34.4 x 51.6cm; 13½ x 201⁄4in Provenance: From a private Cornish country estate A similar view by Nicholl is in the Ulster Museum, Belfast (BELUM. U916) £3,000-5,000

168

169 ANDREW NICHOLL RHA Irish 1804-1886

A shrine at Jaffna, Sri Lanka with a figure on a path Signed and dated A Nicholl R.H.A (lower left) Pencil and watercolour with scratching out 49 x 71.2cm; 191⁄4 x 28in Provenance: Spink, London; From a private Cornish country estate £2,000-3,000

169

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

170

170 HAROLD SUTTON PALMER RBA, RI

171

171 JAMES WALTER GOZZARD

172 ALFRED AUGUSTUS GLENDENING JNR.

On the Dart

River landscape with cattle grazing on the far bank

Two children resting by a pond

Signed Sutton Palmer (lower right) Watercolour with scratching out 32 x 48.3cm; 12½ x 19in

Signed J.W.Gozzard (lower left) Watercolour 15.5 x 23cm; 6 x 9in

£100-150

£80-120

1854-1933

1888-1950

1861-1907

Signed with monogram and dated 1903 (lower right) Watercolour heightened with white 51.3 x 73.7cm; 20¼ x 29in £200-300

173 WALTER GOODALL 1830-1889

The little gleaners Signed and dated Walter Goodall 1863 (lower centre) Watercolour heightened with white 36.1 x 59.5cm; 141⁄4 x 23½in Provenance: Heather Newman, Gloucestershire £200-300

174 JOHN HENRY MOLE 1814-1866

Home across the fields Signed and dated J H Mole/1864 (lower left) Watercolour and pencil heightened with white 12.2 x 21cm; 43⁄4 x 81⁄4in

172

173

Provenance: The Bourne Gallery, Surrey £200-300

174 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

175

175 JOHN HENRY MOLE

176 ERNEST ARTHUR ROWE 1863-1922

177 ‡ HENRY JOHN SYLVESTER STANNARD RBA, FRSA

Chepstow Castle from across the Wye

Gateway to the Close with the Cathedral beyond, Salisbury

Children in a landscape outside a cottage

Signed E.A.ROWE (lower right) Pencil and watercolour 29.5 x 22.1cm; 11½in

Signed Sylvester Stannard RBA (lower left) Watercolour heightened with white 35 x 51.4cm; 133⁄4 x 201⁄4in

£300-500

Provenance: Jill Maxwell Hyslop, Dorset

1814-1886

Signed and dated JHMole 1880 (lower left) Watercolour 49.4 x 83.5cm; 19½ x 323⁄4in Provenance: Heather Newman, Gloucestershire £500-800

176

1870-1951

£400-600

177

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

178 CHARLES EDWARD WILSON 1853-c.1941

Home Sweet Home Signed C.E.WILSON (lower right) Pencil and watercolour heightened with bodycolour 37.8 x 27.8cm; 15 x 11in Provenance: David James, London; Christie’s, London, British Art on Paper, 5 June 2007, lot 139 £6,000-8,000

178

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

179 CARLTON ALFRED SMITH RI, RBA, ROI

1853-1946

The New Favourite Signed and dated Carlton A. Smith. 95 (lower left) Watercolour and bodycolour 52.7 x 35.7cm; 203⁄4 x 14in Provenance: Sotheby’s, London, 31 January 1990, lot 267; Sotheby’s, London, 29 March 1995, lot 58 £6,000-8,000

179

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

LOTS 180-192 HELEN ALLINGHAM The following works by Helen Allingham have passed by descent from the personal collection of Sir Owen Aisher (1900-1993), one of the most noted collectors of her work. Sir Owen was the chairman of Marley Ltd., a building materials company with a particular specialism in roofing tiles. On behalf of the company, Sir Owen purchased a group of Allingham works which faithfully reproduced the materials of the buildings depicted. These became known as The Marley Collection, and were sold at Christie’s in 1991. The works offered here formed part of Sir Owen’s personal collection and hung at his home in Surrey.

180

180 HELEN ALLINGHAM RWS 1848-1926

A cottage on the Isle of Wight Signed H.Allingham (lower right) Pencil and watercolour with scratching out 38 x 52.8cm; 15 x 203⁄4in Provenance: M. Newman Ltd., London; Sir Owen Aisher (1900-1993); By descent to The Muro Collection This single-storey Isle of Wight cottage was the subject of several paintings by Helen Allingham. It would have been pointed out to her by Lord Tennyson on one of their walks around his Freshwater home. The poet possessed a collection of her work. We are grateful to Annabel Watts for her assistance cataloguing the present work. £6,000-8,000 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

181

181 HELEN ALLINGHAM RWS 1848-1926

Old house at Westerham Signed H.Allingham (lower right) Pencil and watercolour 35.9 x 50.8cm; 141⁄4 x 20in Provenance: Sir Owen Aisher (1900-1993); By descent to The Muro Collection Dating from 1530 this building caught the artist’s eye during one of her many painting trips to Westerham in the late 1890s. The house still stands. We are grateful to Annabel Watts for her assistance cataloguing the present work. £6,000-8,000 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

182 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

182 HELEN ALLINGHAM RWS 1848-1926

Gathering firewood Signed H.Allingham (lower right) Pencil and watercolour 53.6 x 43.6cm; 21 x 17in Provenance: Sotheby’s, Belgravia, Victorian Drawings and Watercolours, 1 December 1981, lot 240; P. Polak, London; Sir Owen Aisher (1900-1993); By descent to The Muro Collection Literature: Flora Thompson, The Illustrated Lark Rise to Candleford (Century Publishing, 1983), p.24; Ina Taylor, Helen Allingham’s England: An Idyllic View of Rural Life (Webb & Bower Ltd., 1990), p.23 The artist began her career as an illustrator for The Graphic magazine where she quickly gained a reputation for her fine figurative work. When she changed to watercolour painting, her early work reflected that time with a large central figure dominating the picture. We are grateful to Annabel Watts for her assistance cataloguing the present work. £6,000-8,000

183 HELEN ALLINGHAM RWS 1848-1926

Stanfield House, High Street, Hampstead Signed and dated H Allingham 1899 (lower left) Pencil and watercolour heightened with white 38 x 25.5cm; 15 x 10in Provenance: Leger Galleries, London; Sir Owen Aisher (1900-1993); By descent to The Muro Collection Literature: Ina Taylor, Helen Allingham’s England: An Idyllic View of Rural Life (Webb & Bower Ltd., 1990), p.84 Once the home of marine artist Clarkson Frederick Stanfield (1793-1867), this building was Hampstead’s public library when Helen Allingham knew it. She lived in Hampstead for 30 years and this is one of the few town house subjects she painted.

183

We are grateful to Annabel Watts for her assistance cataloguing the present work. £4,000-6,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

184

184 HELEN ALLINGHAM RWS

185 HELEN ALLINGHAM RWS

Cottage near Paignton, Devon

At the well

Signed H.Allingham (lower right) Pencil and watercolour with scratching out, heightened with white 32.4 x 46.7cm; 123⁄4 x 18½in

Signed H.Allingham (lower left) Pencil and watercolour 35.8 x 28.4cm; 14 x 111⁄4in

Provenance: Sir Owen Aisher (1900-1993); By descent to The Muro Collection

Provenance: Edward Steinkopff (c.1838-1906); His posthumous sale, Christie, Manson & Woods, London, Ancient and Modern Pictures and drawings, 25 May 1935 (to Newman £17 17s); M. Newman, London; Sir Owen Aisher (1900-1993); By descent to The Muro Collection

1848-1926

A visit to an uncle who lived in Paignton in the 1890s resulted in an opportunity for Helen Allingham to paint some of the thatched buildings in the town. Most of the dwellings she captured in watercolours have since been demolished, but this one still stands. We are grateful to Annabel Watts for her assistance cataloguing the present work. £4,000-6,000

Exhibited: London, Arthur Tooth & Sons Galleries, Winter exhibition of Selected Pictures and Watercolour Drawings, 1895, no.19 Every day scenes around Helen Allingham’s Surrey home resulted in subjects for paintings. Rustic neighbours, both young and old, were used as models and repeatedly appear in her watercolours. We are grateful to Annabel Watts for her assistance cataloguing the present work. £4,000-6,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

185 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

186 HELEN ALLINGHAM RWS 1848-1926

Visit to the cottage Signed H.Paterson (lower left) Watercolour heightened with white and gum arabic 32.4 x 22.8cm; 123⁄4 x 9in Provenance: Sir Owen Aisher (1900-1993); By descent to The Muro Collection Suggesting a visit by the lady of the manor, this painting is signed using Allingham’s maiden name of Paterson. Executed during her early 20s, at that time she was known as an illustrator and only experimented with watercolours in her spare time. We are grateful to Annabel Watts for her assistance cataloguing the present work. £3,000-5,000

186

187 HELEN ALLINGHAM RWS 1848-1926

A study of a roof at Broadstairs Watercolour 17.7 x 8.9cm; 7 x 3½in Provenance: Leger Galleries, London, 1973; Sir Owen Aisher (1900-1993); By descent to The Muro Collection Exhibited: London, Leger Galleries, Watercolours by Helen Allingham, RWS 1848-1926, November - December 1972 We are grateful to Annabel Watts for her assistance cataloguing the present work. £500-800

187 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

188 HELEN ALLINGHAM RWS 1848-1926

The Garden of Eden, Venice Signed H.Allingham (lower right) Pencil and watercolour with scratching out 44.4 x 33.4cm; 17½ x 131⁄4in Provenance: Leger Galleries, London, December 1973 (incorrectly titled as Stoneaston); Sir Owen Aisher (1900-1993); By descent to The Muro Collection During her trips to Venice in 1900 and 1901, Helen Allingham visited the famed ‘Garden of Eden’ owned and created by Frederic and Carrie Eden. Mrs Eden was the sister of the celebrated garden writer Gertrude Jekyll (1843-1932). Frederic wrote about the garden, illustrated with photographs, in his book A Garden in Venice published in 1903. This watercolour is one of a number that Allingham painted in the garden. We are grateful to Annabel Watts for her assistance cataloguing the present work. £3,000-5,000

188

189 HELEN ALLINGHAM RWS 1848-1926

September border at Munstead Wood Signed H. Allingham (lower left) Pencil and watercolour with scratching out 16.3 x 13.2cm; 6½ x 51⁄4in Provenance: Sir Owen Aisher (1900-1993); By descent to The Muro Collection This September border was one of many views the artist painted in the grounds of Munstead Wood, the home of the garden writer Gertrude Jekyll (1843-1932). For a photograph of this view, taken by Jekyll, see Judith B Tankard, Michael R Van Valkenburgh, Gertrude Jekyll A Vision of Garden and Wood (John Murray 1988), p.62. We are grateful to Annabel Watts for her assistance cataloguing the present work. £1,000-1,500

189 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

190 HELEN ALLINGHAM RWS 1848-1926

Haymaking Signed H Allingham (lower left) Pencil and watercolour with scratching out, heightened with white 24.6 x 19.9cm; 93⁄4 x 73⁄4in Provenance: Inns & Blake, London; Sir Owen Aisher (1900-1993); By descent to The Muro Collection Most likely a Surrey scene, Allingham’s many haymaking watercolours were subjects she executed during the early 1880s. We are grateful to Annabel Watts for her assistance cataloguing the present work. £1,500-2,500

190

191 HELEN ALLINGHAM RWS 1848-1926

A cornfield, Margate Signed and dated H Allingham 76 (lower right) Watercolour heightened with white 10.9 x 10.2cm; 41⁄4 x 4in Provenance: H. J. Carr; N. Mitchell Fine Art Gallery, London, March 1935; Sir Owen Aisher (1900-1993); By descent to The Muro Collection Exhibited: London, The Royal Society of Painters in Water-colours, 16th Winter Exhibition, 1877, no.324; Edinburgh, Edinburgh Museum of Science and Art, no.400 A family holiday at Broadstairs in September 1876 resulted in a group of watercolours of the surrounding area. We are grateful to Annabel Watts for her assistance cataloguing the present work. £700-1,000

191 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

192 HELEN ALLINGHAM RWS 1848-1926

This year, next year, sometime never Signed H Allingham (lower right) Pencil and watercolour heightened with white 13.7 x 8.4cm; 5½ x 31⁄4in Provenance: Richard Hagen Fine Paintings, Broadway; Sir Owen Aisher (1900-1993); By descent to The Muro Collection Literature: Ina Taylor, Helen Allingham’s England: An Idyllic View of Rural Life (Webb & Bower Ltd., 1990), p.36 Exhibited: London, Ernest Brown & Phillips (The Leicester Galleries), Exhibition of water-colours by Mrs. Allingham, R.W.S., Birket Foster, A.S. Hartrick and Arthur Rackham, R.W.S., November 1909, no.80 Soon after her marriage, Helen Allingham began her watercolour career painting portraits of children from her London studio, but those executed much later were simply given to friends by way of a gift. We are grateful to Annabel Watts for her assistance cataloguing the present work. £800-1,200

192

193 CAROLINE SHARPE, NÉE PATERSON

1856-1911

The Path Through the Wood Signed C. Sharpe (lower left) Watercolour heightened with white 26.5 x 23.7cm; 10½ x 9in Provenance: Bonhams, London, British and Continental Pictures, 1 March 2011, lot 248 £1,500-2,500

193 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

194

195

196

194 WILLIAM STRUTT RBA

195 WILLIAM STRUTT RBA

196 WILLIAM STRUTT RBA

Study of lions playing; Study of a lion on its back; Study of a lion on a tree; Study of the lower half of a lion

Study of two lionesses; Lioness and lion; Study of two recumbent lionesses

Study of La Promenade du Boeuf Gras (The Fat Ox Parade); Study of a horse’s head and eye; Study of a bull

1825-1915

Four, the first inscribed and dated April 15th 1889/A Lion in a fit a most pathetic lesson from nature (along the lower edge) Each pencil and watercolour Largest 16.6cm x 24.5cm; 6½ x 93⁄4in; Smallest 6.5 x 17.6cm; 2½ x 7in One unframed (4)

Three, one extensively inscribed and dated 1889, one inscribed and dated Lioness & lion/Augt 25th 1886 (lower left), one indistinctly inscribed and dated 1895 (lower right) Each watercolour and pencil Largest 19 x 31.5cm; 7½ x 12½in; Smallest 9.2 x 15.8cm; 3½ x 61⁄4in One unframed (3)

Three, the first indistinctly inscribed and dated Le Boeuf Gras/Sa** 1841 (lower centre) and further inscribed (lower right) One pen and ink, one pencil and wash, one pencil Largest 17.5 x 22.5cm; 7 x 83⁄4in; Smallest 16.6 x 13.5cm; 6½ x 51⁄4in Two unframed (3)

£500-700

£200-400

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

197

198

197 ALFRED WILLIAM STRUTT

1856-1924

Study of stags rutting; Study of a reindeer Two, the latter indistinctly inscribed (lower left) The former pencil, wash and bodycolour; the latter charcoal and pencil 22.8 x 38cm; 9 x 15in; 20.1 x 24.5cm; 8 x 93⁄4in (2) £400-600

198 ALFRED WILLIAM STRUTT

1856-1924

Studies of a lady on horseback; Study of a running dog Two, both pencil 20.8 x 28.7cm; 81⁄4 x 11in; 9.3 x 11.9cm; 33⁄4 x 43⁄4in (2) £200-400

199

200

199 ALFRED WILLIAM STRUTT

200 ALFRED WILLIAM STRUTT

1856-1924

Study of pigeons; Study of robins

Study of chickens; Poultry, Belgium; Study of ducks

Two, both variously inscribed The former pencil; the latter pencil and wash 18.5 x 12cm; 71⁄4 x 43⁄4in; 21.2 x 12.3cm; 81⁄4 x 43⁄4in One unframed (2)

Three, one dated Nov ***79 (lower left) and two variously inscribed Each pencil Largest 32.2 x 25.2cm; 123⁄4 x 10in; Smallest 9.2 x 10.5cm; 3½ x 41⁄4in (3)

£150-250 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

Provenance: ‘Poultry’ with David Ker Fine Art, London £300-500

201 SIR HUBERT VON HERKOMER CVO, RA 1849-1914

Discord Signed with initials and inscribed “Discord” Sketch H.H (lower right) Watercolour, bodycolour and ink 17.8 x 29.4cm; 7 x 11½in Provenance: Laurence Hallett £400-600

201

202 HENRY RYLAND RI 1856-1924

Oenone Signed H RYLAND (lower right) Watercolour 76.3 x 26.1cm; 30 x 101⁄4in Exhibited: London, Royal Institute of Painters in Water Colours £400-600

203 HENRY RYLAND RI 1856-1924

The Swan Signed HENRY RYLAND (lower right) Watercolour 55.2 x 38.2cm; 213⁄4 x 15in Exhibited: London, Royal Institute of Painters in Water Colours, no.2 £600-1,000

202

203

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

204

204 EDWARD FREDERICK BREWTNALL RWS, RBA

1846-1902

A Summer Afternoon Signed and dated E.F.BREWTNALL/1879 (lower right) Watercolour heightened with white 62.2 x 92cm; 24½ x 361⁄4in Exhibited: London, Grosvenor Gallery, Winter Exhibition, 1879-80 £8,000-12,000

204 (framed)

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

205 GEORGE ARTHUR GASKELL

act.1871-1910

Cleaning the rubber plant Signed and dated G A Gaskell/1910 (lower left) Watercolour and pencil heightened with white 68.4 x 51.8cm; 27 x 20½in Provenance: Sotheby’s, Billingshurst, Selected Watercolours and Oil Paintings, 26 October 1993, lot 77 £300-500

206 CIRCLE OF SIR JAMES GUTHRIE Study of a lady wearing a fur-lined coat and black hat, and holding a fur muff Pastel 64.6 x 46.7cm; 25½ x 18½in £400-600

205

206

207 GIUSEPPE FAGNANI

208 CIRCLE OF JOHN FREDERICK LEWIS RA

Portrait of Mary Craig Wharton Wadsworth (1814-1874)

Study of a peasant boy lying down

Italian 1819-1873

Signed and dated fagnani 1853 (lower right) Pencil and watercolour heightened with white, oval 30.5 x 25.4cm; 12 x 10in Provenance: By descent from the sitter The sitter was the wife of General James S. Wadsworth (1807-1864), a union general in the American Civil War. £100-150

Pencil and watercolour 31.8 x 24.1cm; 12½ x 9½in £200-400

209 ATTRIBUTED TO JOHN FREDERICK LEWIS RA

1804-1876

Study of an arab Pencil and watercolour 8.8 x 11cm; 3½ x 41⁄4in £200-300

207

208

209 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

210

210 GEORGE GOODWIN KILBURNE RI, ROI, RMS

211 GEORGE GOODWIN KILBURNE RI, ROI, RMS

212 GEORGE GOODWIN KILBURNE RI, ROI, RMS

A young lady seated in a highland landscape

Reading aloud

The letter

Signed Kilburne (lower left) Watercolour and bodycolour 25 x 35.2cm; 9¾ x 13¾in

Signed and dated G G Kilburne/1864 (lower right) Watercolour heightened with white and gum arabic 15.5 x 18cm; 6 x 7in

Signed GGKilburne (lower right) Watercolour 18.9 x 27.5cm; 7½ x 10¾in

£600-800

£200-300

£250-350

1839-1924

211

1839-1924

212

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

1839-1924

213

214

213 HENRY GREAVES

214 WALTER GREAVES

Chelsea Reach from the Thames

Lindsey Wharf and Old Battersea Bridge

Signed and dated H Greaves/1860 (lower left) Pencil and watercolour 25.4 x 31.8cm; 10 x 12½in

Signed W. Greaves (lower right), and inscribed Lindsey Wharf & Old Battersea Bridge (lower left) Pencil, pen and ink and wash, in pencil framing lines 24.2 x 34.4cm; 9½ x 13½in

1844-1904

£700-1,000

1846-1930

Provenance: William Darby, London Exhibited: London, William Darby, Christmas Exhibition, 1976, no.46 £500-700

215 WALTER GREAVES 1846-1930

Thames Coffee House, Cheyne Walk, Chelsea Signed W.Greaves (lower left) Pencil, pen and ink and wash 19 x 25.4cm; 7½ x 10in Provenance: Michael Parkin Fine Art Limited, London; Christie’s, London, 20th Century British Art, 11 March 2004, lot 59

215

Exhibited: London, Parkin Gallery, Walter Greaves and the Nocturnes, February 1974, no.40 £400-600

216 WALTER GREAVES 1846-1930

The Old Swan, Chelsea Signed, inscribed and dated W.Greaves/To Alice & Betty Rothenstein,/My Friends./ June 25th 1924/The “Old Swan Chelsea” (lower centre) Pencil, pen and ink and wash in black framing lines 23.6 x 36.8cm; 91⁄4 x 14in Provenance: Bonhams, Knightsbridge, Modern Pictures, 22 January 2008, lot 84 £400-600

216

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217

218

217 WALTER GREAVES 1846-1930

View of the Thames, with the Old Swan, Chelsea Signed W.Greaves (lower left) Pencil, pen and ink and watercolour 21.1 x 32.6cm; 81⁄4 x 123⁄4in £400-600

218 WALTER GREAVES 1846-1930

A view of the Thames at Battersea Bridge Signed W.Greaves (lower left) Pencil, pen and ink and wash 13.6 x 23cm; 51⁄4 x 9in £300-500

219

219 WALTER GREAVES

220 WALTER GREAVES

221 WALTER GREAVES

Duke Street, Chelsea, with Battersea Bridge

The Old Swan, Chelsea

Signed W. Greaves (lower right) Watercolour, heightened with gum arabic 22.8 x 33.3cm; 9 x 13in

Signed W. Greaves (lower left) Pencil and watercolour 20.5 x 32.5cm; 8 x 123⁄4in

View of the Thames, possibly Battersea

£300-500

£250-350

1846-1930

220

1846-1930

221

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

1846-1930

Signed W. Greaves (lower left) Pencil and watercolour 19.6 x 33.2cm; 73⁄4 x 13in £250-350

222 ARCHIBALD THORBURN

Scottish 1860-1935

Studies of a sparrowhawk Signed with initials and dated A.T. Feb 12 1914 (lower left) Pencil and watercolour 24 x 31.5cm; 9½ x 12½in £700-1,000

222

223

223 ARCHIBALD THORBURN

224 ARCHIBALD THORBURN

Scottish 1860-1935

Coal tits on a branch

View of the Moray Firth

Signed A.T. (lower right) Watercolour and bodycolour 12 x 6.1cm; 43⁄4 x 2½in

Signed and dated A.Thorburn/august 27 1913 (lower left) and inscribed Moray Firth (lower right) Pencil and watercolour 16.2 x 25.8cm; 61⁄4 x 101⁄4in

£300-500

Provenance: Malcolm Innes Gallery, London; From a private Cornish country estate £500-700

224

225 WILLIAM LIONEL WYLLIE RA

1851-1931

View of Port of Spain, Trinidad Signed and inscribed Port of Spain Trinidad/W L Wyllie (lower right) Pencil and watercolour 18 x 44.5cm; 7 x 17½in Provenance: M. Newman Ltd., London; Sir Owen Aisher (1900-1993); By descent to The Muro Collection

225

£800-1,200

225 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

226

227

226 ALBERT GOODWIN RWS

1845-1932

View of Bosham, Sussex Signed Albert Goodwin (lower right) and inscribed Bosham Sussex (lower left) Watercolour and pencil 16.6 x 24.7cm; 6½ x 93⁄4in Provenance: Christie’s, London, British and Continental Watercolours and Drawings, 13 July 1995, lot 219

228

229

£500-700

227 ALBERT GOODWIN RWS

1845-1932

Heather clad hills, Dartmoor Signed and dated Albert Goodwin 79 (lower left) and further signed and inscribed (to verso) Watercolour with scratching out 32.5 x 49.5cm; 123⁄4 x 19½in Provenance: Michael Bryan, London Exhibited: R.W.S. Summer Exhibition 1879, no.215

230

228 SIR ALFRED EAST RA, RBA

1844-1931

229 MARTIN SNAPE

1852-1930

230 ERNEST PILE BUCKNALL

A grey morning in Savoy

Sheep in a winter landscape

Signed ALFRED EAST (lower right) Watercolour over pencil 53.4 x 65cm; 21 x 25½in

Signed M.SNAPE (lower right) Watercolour 39 x 59cm; 151⁄4 x 231⁄4in

Harvesting near the coast; Loading the haycart

£250-350

£200-300

£400-600

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

1861-1935

A pair, both signed ERPBucknall (lower left) Both watercolour heightened with white Each 39.4 x 54.4cm; 15½ x 21½in (2) £250-400

231 CHARLES POTTER 1832-1907

Wooded landscape with a drover and his flock; Landscape with cattle watering A pair, both signed Chas Potter (lower left) Both watercolour heightened with white Each 43.9 x 66.2cm; 171⁄4 x 26in (2) Provenance: The Swan Gallery, Sherborne

231

£200-400

232 JEAN NIVEN

Early 20th Century

Ploughing; The end of the day’s work A pair, the former signed and dated J.NIVEN 19 (lower right), the latter signed and dated J.NIVEN 19 (lower left) Both watercolour Each 24.4 x 35cm; 9½ x 133⁄4in (2) £80-120

232

233

233 LEOPOLD RIVERS

23.9 x 53.9cm; 9½ x 211⁄4in; 25.4 x 52.7cm; 10 x 203⁄4in (2)

1852-1905

Morning: taking out the sheep; Evening: returning home Two, both watercolour Both signed Leopold Rivers (lower right)

Provenance: The Swan Gallery, Sherborne £120-180

234 THOMAS DUDLEY 1857-1935

A view of Hartsop Dodd Signed and dated TDudley 1893 (lower left), and inscribed to label Hartsop Dodd, Cumberland/ Dudley, York, Oct 14th 1893 W.W.Brace Watercolour heightened with white 23.8 x 39.3cm; 91⁄4 x 15½in Together with Edward Arden Tucker (1830-1909); A view of Borrowdale; signed Edward Arden (lower left); watercolour; 29.1 x 41.6cm; 11½ x 161⁄4in (2) £200-300

234 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

235 WILLIAM FRASER GARDEN

Scottish 1856-1921

A quiet lane Signed and dated W.F. GARDEN 1920 (lower left) Watercolour 26.3 x 36.4cm; 101⁄4 x 141⁄4in

236 DAVID DAVIES

Australian 1864-1939

Market place in Dieppe Signed D.DAVIES (lower left) Watercolour 23.4 x 29.6cm; 91⁄4 x 113⁄4in Unframed £800-1,200

Provenance: Sundridge Gallery, Kent, where purchased by the present private collector £800-1,200

235

237 ROBERT THORNE WAITE RWS

238 RICHARD HENRY WRIGHT

A shepherd and flock with his sheepdog on the South Downs

View of the Piazza San Marco, Venice

1842-1935

Signed R Thorne Waite (lower right) Watercolour 36 x 55cm; 14 x 21½in Provenance: The Fine Art Society, London; Michael Bryan, London

1857-1930

Pencil, watercolour and bodycolour 9.3 x 12.4cm; 33⁄4 x 43⁄4in Provenance: Abbott & Holder, London £100-150

£200-300

236

237 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

238

239

239 EUGÈNE GALIEN-LALOUE

French 1854-1941

Place de la Bastille, Paris in Winter Signed E. Galien Laloue (lower left) Watercolour and bodycolour 18.1 x 31cm; 71⁄4 x 121⁄4in Provenance: Walker Galleries, Harrogate £5,000-8,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

240

240 EUGÈNE GALIEN-LALOUE

French 1854-1941

Paris street scene with figures in the snow Signed E Galien Laloue (lower left) Watercolour and bodycolour 18.5 x 31cm; 71⁄4 x 121⁄4in £5,000-8,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

241 ALEXANDRE NICOLAIEVICH ROUSSOFF

Russian 1844-1928

Dawn over the River Nile Signed and dated A.N.Roussoff/1894 (lower right) Watercolour 36.6 x 17.5cm; 14½ x 7in Provenance: The Fine Art Society, London £300-500

242 AFTER TINGQUA Portrait of Houqua (1769-1843) Watercolour and bodycolour 24.8 x 20.2cm; 9½ x 8in Provenance: From a private Cornish country estate £600-800

241

242

244

243 WILLIAM ALEXANDER

244 INDIAN SCHOOL

A Mandarin in his Court Dress

A procession outside a fort with figures being carried on a palanquin

Inscribed a Mandarin in his Court Dress (upper left) Pencil and watercolour 23.7 x 14cm; 91⁄4 x 5½in

Watercolour and bodycolour 18.1 x 26.6cm; 71⁄4 x 10½in Unframed

1767-1816

Provenance: From a private Cornish country estate

£150-250

£700-800

243 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

245 INDIAN SCHOOL Portrait of a Rajasthani maharajah Gouache heightened with gilt 32.9 x 23.8cm; 13 x 91⁄4in Provenance: Acquired in India in the early 20th Century; And by descent £400-600

246 λ INDIAN SCHOOL Portrait miniature of the Maharaja of Gwalior, seated in an interior holding a ceremonial sword Rectangular, in an ebonised frame 93 x 82mm A label reads ‘This is the picture Maharaj Givalior. Drawn by Gopaul portrait painter Agra’. £200-300

247 INDIAN SCHOOL Four figures and an elephant in a landscape Gouache and gold paint on silk 29.1 x 20.7cm; 11½ x 8in £150-200

248 INDIAN SCHOOL Two figures by a river Gouache 31.5 x 18.7cm; 121⁄4 x 71⁄4in £60-100

245

246

247

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

248

PROPERTY OF BILL THOMSON, ALBANY GALLERY

LOTS 249-345 PROPERTY OF BILL THOMSON, ALBANY GALLERY

249

250

249 EDWARD LUTTRELL c.1650-1725

Portrait of a man holding a glass Signed and dated E. Luttrell fe 1710 (lower centre) Pastel and pencil 31 x 24.5cm; 121⁄4 x 93⁄4in Unframed Provenance: Sotheby’s, London, 14 November, 1996, lot 76; Property of Bill Thomson, Albany Gallery

251

Literature: Neil Jeffares, “Edward Luttrell”, Dictionary of pastellists before 1800, online edition, accessed 08/07/2021, no. J.506.306 £300-500

250 ATTRIBUTED TO JOHN GREENHILL 1642-1676

Portrait of a young lady wearing a pearl necklace and earring; Portrait of a young lady wearing a red shawl, and pearl necklace and earring A pair, both pastel Each 25.3 x 20cm; 10 x 8in (2) Provenance: Sotheby’s, London, British paintings 1500-1800, 11 July 1990, lot 34; Property of Bill Thomson, Albany Gallery Literature: Neil Jeffares, “John Greenhill”, Dictionary of pastellists before 1800, online edition, nos. J.359.1533 & J.359.1534 £250-400

251 ENGLISH SCHOOL

c.1850

A child and his dog seated in an interior Watercolour and pencil 23.5 x 34cm; 91⁄4 x 13½in Unframed Provenance: Property of Bill Thomson, Albany Gallery £100-150

252 AFTER SIR DAVID WILKIE The Tartar Messenger Narrating the News of Victory of St. Jean d’Acre Watercolour heightened with white 33 x 39cm; 13 x 15½in Unframed Provenance: Property of Bill Thomson, Albany Gallery £400-600

252 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

PROPERTY OF BILL THOMSON, ALBANY GALLERY

253

254

253 BRITISH SCHOOL

254 CIRCLE OF RICHARD WILSON

18th Century

Figures in Cheddar Gorge; Study of a ruined monastery; Three figures seated in a landscape; and further studies

Nocturnal scene with figures by a lake

View of a mill by a river with figures on horseback

Pencil and charcoal heightened with white on blue paper 16.3 x 49.5cm; 14 x 193⁄4in

Watercolour, pencil, pen and ink 38.6 x 52.8cm; 151⁄4 x 203⁄4in Unframed

Provenance: Property of Bill Thomson, Albany Gallery

18th & 19th Centuries

Thirty nine, variously titled, signed and dated Mixed media Largest 29 x 45cm; 111⁄4 x 18in; Smallest 12.5 x 18cm; 5 x 7in Unframed (39) Provenance: Property of Bill Thomson, Albany Gallery £120-180

£300-500

255 BRITISH SCHOOL

£200-300

256 ANGLO-INDIAN SCHOOL Figures by the Tomb of Sher Shar Suri

257 ATTRIBUTED TO GEN. WILLIAM JOHN CHAMBERLAYNE

Pencil and watercolour 21.5 x 30.5cm; 8½ x 12in Unframed

View of Jamestown, Saint Helena

19th Century

Together with five 19th century colonial landscapes by various hands; each watercolour; largest 19 x 28.2cm; 7½ x 11in; smallest 17.7 x 25.6cm; 7 x 10in; unframed (6) Provenance: Property of Bill Thomson, Albany Gallery

255

£120-180

256 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

257

1821-1910

Watercolour and pencil 20 x 26.5cm; 8 x 101⁄4in Provenance: Property of Bill Thomson, Albany Gallery £200-300

PROPERTY OF BILL THOMSON, ALBANY GALLERY 258 JOHN WARWICK-SMITH

1749-1831

Llangollen with Dinas Brân Castle Watercolour and pencil 13 x 20.7cm; 5 x 81⁄4in Unframed Provenance: Property of Bill Thomson, Albany Gallery £500-800

259 JEAN-BAPTISTE-CLAUDE CHATELAIN

1710-c.1758

River landscape with herdsman in the foreground Pencil, pen and ink and watercolour 15.6 x 21cm; 61⁄4 x 81⁄4in Unframed

258

Provenance: Property of Bill Thomson, Albany Gallery £300-500

260 AFTER J.M.W. TURNER Martigny: The Castle of La Bâtiaz, from the South Watercolour, pen and ink, and pencil 23.4 x 33.5cm; 91⁄4 x 131⁄4in Unframed After the original in the Tate (no.D33493).

259

260

Provenance: Property of Bill Thomson, Albany Gallery £100-150

261 FOLLOWER OF EDWARD LEAR A view of Mount Athos, Greece Watercolour 3.5 x 26.5cm; 51⁄4 x 10½in Unframed Provenance: Property of Bill Thomson, Albany Gallery £200-300

261

262 ATTRIBUTED TO BENJAMIN THOMAS POUNCY c.1750-c.1799

Courtyard scene with figures sketching a building Watercolour and pencil 17.8 x 23.9cm; 7 x 9½in Unframed

262

263

Provenance: Property of Bill Thomson, Albany Gallery

263 FOLLOWER OF WILLIAM HENRY HUNT Study of a port with ship building Pencil 13.2 x 21cm; 51⁄4 x 81⁄4in Unframed Provenance: Property of Bill Thomson, Albany Gallery £120-150

£100-150 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

PROPERTY OF BILL THOMSON, ALBANY GALLERY 264 JOHN AUGUSTUS ATKINSON

1775-1833

A cavalry skirmish (recto); A distant view of Paris (verso) Watercolour and pencil 27 x 17.1cm; 103⁄4 x 7in Unframed Provenance: Sotheby’s, The Cornish Torbock Collection, 14 April 1994, lot 192; Property of Bill Thomson, Albany Gallery £300-500

265 ROBERT HILLS 1769-1844

266 CIRCLE OF WILLIAM HENRY HUNT

Woodland scene with does and a fawn

Boats moored on a beach, possibly Hastings

Watercolour and pencil 26 x 37.6cm; 101⁄4 x 143⁄4in Unframed

Watercolour and pencil 22.7 x 29.4cm; 9 x 11½in

Provenance: Property of Bill Thomson, Albany Gallery £200-300

264

Provenance: Property of Bill Thomson, Albany Gallery £200-300

267 NICHOLAS POCOCK 1740-1821

265

266

Mountain landscape with figures and goats before a lake Signed and dated N Pocock 1792 (lower left) Watercolour and pencil 32 x 43.5cm; 121⁄4 x 17in Unframed Provenance: Property of Bill Thomson, Albany Gallery £250-400

268 CIRCLE OF WILLIAM HAVELL A view of Hastings from the west cliffs Watercolour and pencil 20.5 x 32.5cm; 83⁄4 x 123⁄4in Unframed Provenance: Property of Bill Thomson, Albany Gallery £150-250

269 CIRCLE OF WILLIAM TAVERNER

267

Rocky landscape with figures in the foreground Pen and ink and wash heightened with white on blue paper 20.3 x 27.8cm; 8 x 11in Unframed Provenance: Property of Bill Thomson, Albany Gallery £150-250

268 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

269

PROPERTY OF BILL THOMSON, ALBANY GALLERY

270

271

270 PETER DE WINT 1784-1849

View of Clee Hills, Shropshire Watercolour and pencil 31 x 48cm; 12 x 19in Unframed Provenance: Property of Bill Thomson, Albany Gallery £500-800

271 PETER DE WINT

273 ATTRIBUTED TO JOHN SCARLETT DAVIS

1804-1845

Church interior with figures at an altar Pencil and watercolour heightened with bodycolour 33.2 x 25cm; 13 x 93⁄4in Unframed Provenance: Property of Bill Thomson, Albany Gallery £300-500

1784-1849

272

273

View of the Temple of Juno Lucina, Agrigento Numbered 16 (verso) Brown wash over pencil 12 x 19.5cm; 43⁄4 x 7in Provenance: Property of Bill Thomson, Albany Gallery Literature: William Light and Peter De Wint, Sicilian Scenery from Drawings by P. De Wint: The Original Sketches by Major Light (London: Rodwell & Martin, 1823), p. 226 £150-250

272 ATTRIBUTED TO PETER DE WINT 1784-1849

A shepherd and his family before an archway Watercolour and pencil 62 x 43.5cm; 271⁄4 x 17in Together with Manner of Samuel Austin; A cart in a road by a house; watercolour and pencil; 19.6 x 21m; 7½ x 81⁄4in (2) Provenance: Property of Bill Thomson, Albany Gallery

274

274 JENNY WIMPERIS

New Zealander 1844-1929

View of a New Zealand coastline, possibly Dunedin Harbour; New Zealand river landscape with a boat on the far shore Two, the former signed and dated JWimperis / 1880 (lower left); the latter signed and dated JWimperis / 1887 (lower left) Watercolour and pencil 21.5 x 35.5cm; 8½ x 14in; 47.5 x 71cm; 183⁄4 x 173⁄4in Unframed Together with New Zealand School 19th Century; View of a New Zealand mountain range; signed with initials and dated EAC / 1884 (lower left); watercolour; 35.5 x 51cm; 14 x 20in; unframed (3) Provenance: Property of Bill Thomson, Albany Gallery £300-500

£300-500

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

PROPERTY OF BILL THOMSON, ALBANY GALLERY

275

276

275 WILLIAM JAMES MÜLLER 1812-1845

Woodland scene, possibly Nightingale Valley, Bristol Oil on panel 7.4 x 9cm; 103⁄4 x 7½in Provenance: J S Maas & Co Ltd, London; Property of Bill Thomson, Albany Gallery £300-500

277

276 FOLLOWER OF WILLIAM JAMES MÜLLER View of the Forum, Rome Bears a signature W Muller (lower right) Oil on canvas 7.2 x 6.8cm; 103⁄4 x 14½in Provenance: Property of Bill Thomson, Albany Gallery £300-500

277 ATTRIBUTED TO WILLIAM JAMES MÜLLER 1812-1845

Study of trees by a river Dated Sept. 1840. (lower right) Watercolour and pencil 29.7 x 43.2cm; 113⁄4 x 17in Unframed Provenance: Property of Bill Thomson, Albany Gallery

278 WILLIAM JAMES MÜLLER

278

279 WILLIAM JAMES MÜLLER

1812-1845

In the Rheinwalde

Study of barges in Zurich

Signed, inscribed and dated In the Rheinwalde / WM.1834 (lower left) Watercolour heightened with bodycolour 8.2 x 3.2cm; 11 x 17in Unframed Provenance: Sotheby’s, London, Eighteenth and nineteenth century British drawings and watercolours, 14 November 1996, lot 182; Property of Bill Thomson, Albany Gallery

Inscribed and dated à Zurich, 1831 and initialled (lower left) Pencil 27.5 x 24.5cm; 11 x 93⁄4in Provenance: Property of Bill Thomson, Albany Gallery £200-300

£200-300

£150-250

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

279

PROPERTY OF BILL THOMSON, ALBANY GALLERY 280 ANTHONY VANDYKE COPLEY FIELDING POWS 1787-1855

View of Moel Siabod Signed and dated C. Fielding / 1811 (lower right) Watercolour and pencil 45.5 x 62.5cm; 18 x 241⁄4in Provenance: Christie’s, London, British drawings and watercolours, 12 April 1994, lot 60; Property of Bill Thomson, Albany Gallery £500-800

281 ANTHONY VANDYKE COPLEY FIELDING POWS

1787-1855

View of the Glyderau, Wales 280

Signed with initials and dated C. F. / 1818 (lower right) Watercolour and pencil 46.5 x 70.5cm; 181⁄4 x 27½in Provenance: John Allcroft, Esq; Property of Bill Thomson, Albany Gallery Exhibited: Worcestershire Exhibition, Fine Arts Section, 1882 £500-800

282 ANTHONY VANDYKE COPLEY FIELDING POWS

1787-1855

Ships in choppy waters Signed and dated Copley Fielding 1842 (lower right) Watercolour heightened with bodycolour 53 x 74.5cm; 21 x 291⁄4in Provenance: Sotheby’s, London, Eighteenth and nineteenth century British drawings and watercolours, 8 April 1998, lot 113; Property of Bill Thomson, Albany Gallery

281

£400-600

283

283 CIRCLE OF EDWARD DUNCAN Cattle grazing by a pond

282

Bears a signature and date Copley Fielding/1834 (lower left) Watercolour and pencil 14 x 31cm; 5½ x 121⁄4in Unframed

Provenance: Property of Bill Thomson, Albany Gallery £100-150

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

PROPERTY OF BILL THOMSON, ALBANY GALLERY

284

285

284 JOHN VARLEY SNR.

285 JOHN VARLEY SNR.

Coastal scene with Harlech Castle in the distance

Country scene with figures walking

Signed and dated J. Varley. 1804 (lower left) (possibly by the artist at a later date) Watercolour and pencil 24.7 x 45cm; 93⁄4 x 17½in

Signed J. Varley (lower right) Watercolour and pencil 35.7 x 48.5cm; 14 x 19in

Provenance: Property of Bill Thomson, Albany Gallery

£500-800

1778-1842

286

287

286 CORNELIUS VARLEY

287 CORNELIUS VARLEY

1781-1873

Landscape scene with a castle in the distance

A View of Snowdon from Traeth Bach

Watercolour 27.7 x 40.2cm; 11 x 153⁄4in

Signed, inscribed and dated Snowdon Varley 1802 (upper centre) and inscribed Traeth Bach (lower left) Pencil, watercolour and wash 20.3 x 35.4cm; 8 x 14in

Provenance: Property of Bill Thomson, Albany Gallery £500-800

Provenance: Property of Bill Thomson, Albany Gallery £200-300

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

288

PROPERTY OF BILL THOMSON, ALBANY GALLERY

289

288 SCOTTISH SCHOOL

290

19th Century

289 ATTRIBUTED TO JAMES SILLETT

Study of a bittersweet on a branch

Study of apples

Signed with initials E.A. (lower right) Watercolour and pencil 31 x 16.3cm; 12 x 6½in

Watercolour 48 x 42.4cm; 19 x 173⁄4in Unframed

Provenance: Property of Bill Thomson, Albany Gallery

£120-180

£200-300

290 CIRCLE OF OTTO SOLTAU

291 ENGLISH SCHOOL

1764-1840

Study of toadstools

19th Century

Bears signature O. Soltau. (lower left) Watercolour 9 x 18cm; 3 x 7½in

Nocturnal scene of an interior with a beamed roof

Provenance: Sotheby’s, London, 26 January 1996, lot 191; Property of Bill Thomson, Albany Gallery

Watercolour and pencil 20 x 24cm; 8 x 131⁄4in Provenance: Property of Bill Thomson, Albany Gallery £120-180

£100-150

291 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

PROPERTY OF BILL THOMSON, ALBANY GALLERY 292 THOMAS GIRTIN 1775-1802

View of Pont St. Michel taken from Pont Neuf Pencil and wash over an etched line 21 x 38.5cm; 8 x 15¼in Provenance: Hon Mrs R Dawson, née Jane Emily Long; Sotheby’s, London, Eighteenth and nineteenth British drawings and watercolours, 21 November 1985, lot 245; Property of Bill Thomson, Albany Gallery Literature: Jonathan Mayne, Thomas Girtin (Leigh-on-Sea: F. Lewis, 1949), p.82 £700-1,000

292

293

294

293 FOLLOWER OF JAMES HOLLAND OWS

294 CIRCLE OF THOMAS SHOTTER BOYS

Landscape scene in North Wales with a shepherd guiding his flock

A view by the river Avon at Tewkesbury

Bears a monogram and inscribed and dated North Wales, 1850 / 15 Oct (lower right) Watercolour and pencil 34.5 x 51cm; 13½ x 20in Provenance: Property of Bill Thomson, Albany Gallery

Watercolour and pencil 19.5 x 32.5cm; 173⁄4 x 133⁄4in Unframed

295

Provenance: Property of Bill Thomson, Albany Gallery £100-150

£120-180

295 JAMES HOLLAND OWS

296 SAMUEL HOWITT

1799-1870

c.1765-1822

Hotel Cluny, Paris

A huntsman watering his horses and hounds at a trough

Signed with initials and dated JH 1835 (lower right) Watercolour and pencil 29.5 x 21.4cm; 12 x 8½in Provenance: Christie’s, London, British drawings and watercolours, 24 November 1998, lot 102; Property of Bill Thomson, Albany Gallery £300-500

Signed Howitt (lower right) Watercolour 29.5 x 23.7cm; 113⁄4 x 91⁄4in Provenance: Property of Bill Thomson, Albany Gallery £300-500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

296

PROPERTY OF BILL THOMSON, ALBANY GALLERY

297 HUGH WILLIAM WILLIAMS

1773-1829

Sketch of a S. Maria di Galloro, Ariccia Inscribed and dated Convent near Larica / Oct - 9 - 1816 (lower right) Pencil, pen and brown ink, and grey wash on blue paper 17 x 38cm; 63⁄4 x 15in Provenance: Property of Bill Thomson, Albany Gallery £500-800

297

298 JAMES DUFFIELD HARDING 1798-1863

Extensive landscape with mountains in the distance Watercolour and pencil 29 x 49.7cm; 111⁄4 x 19½in Unframed Provenance: Christie’s, London, Fine English Drawings and Watercolours, 22 March 1988, lot 28; Property of Bill Thomson, Albany Gallery

298

299

£150-250

299 BENJAMIN THOMAS POUNCY c.1750-1799

The vale of Llangollen Watercolour, pen and ink 15.5 x 20.5cm; 81⁄4 x 61⁄4 in Unframed Provenance: Property of Bill Thomson, Albany Gallery £100-150

300

301

300 THOMAS BAKER 1809-1864

Landscape with a bridge in the distance Signed and dated T. BAKER / October 5th 1863 (lower left) Watercolour and pencil 26 x 36.7cm; 101⁄4 x 14½in Unframed Together with English School 19th Century; Landscape with figures and Ripon cathedral in the distance; signed with initials and inscribed A distant View of Rippon Minster/J.S (to verso); watercolour; 25.9 x 25.5cm;

301 GEORGE FENNELL ROBSON Circle of Samuel Prout; Place Jeanne-d’Arc, Rouen; 26.3 x 17.6cm; 10¼ x 7in; and fourteen mostly English 19th Century watercolours and drawings; largest 32.7 x 53.5cm; 13 x 21in; smallest 10.5 x 8cm; 3 x 4in; unframed (17) Provenance: Property of Bill Thomson, Albany Gallery

1788-1833

Ben-y-Bourd, from south of Invercauld Watercolour, pen and ink 18.5 x 34.5cm; 71⁄4 x 13½in Unframed Provenance: Property of Bill Thomson, Albany Gallery £200-300

£120-180

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

PROPERTY OF BILL THOMSON, ALBANY GALLERY

302

302 JAMES WARD RA 1769-1859

Figures outside a cavern Signed with monogram and dated 1835 (lower left) Oil on canvas 68 x 88.8cm; 263⁄4 x 35in Provenance: Property of Bill Thomson, Albany Gallery £1,500-2,500

303 CIRCLE OF JOHN MARTIN Arcadian landscape Watercolour and pencil 14 x 24cm; 5½ x 9½in Provenance: Property of Bill Thomson, Albany Gallery £150-250

303

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

PROPERTY OF BILL THOMSON, ALBANY GALLERY

304

304 FREDERICK CHRISTIAN LEWIS 1779-1856

AFTER THOMAS GIRTIN 1775-1802

View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison; View of the Gate of St. Denis taken from the suburbs; View of Pont Neuf, part of the Louvre, Notre Dame, & the college of four Nations; A View of Pont Neuf, the Mint Four, each aquatint and engraving, from A Selection of Twenty of the most Picturesque Views in Paris, and its environs: Drawn and Etched in the Year 1802 by the late Thomas Girtin (London: M. A. & John Girtin, 1803) The former two 29.5 x 55.7cm; 11½ x 22in; the latter two 27 x 64.5cm; 10½ x 251⁄4in (plate) Together with William Pickett (act. c.1792-1820) after Thomas Girtin (1775-1802); A General View of Paris taken from Chaillot; View of the Tuilleries & Bridge; two, each aquatint and engraving; the former 27 x 65cm; 10½ x 253⁄4in; the latter 27 x 63cm; 10½ x 243⁄4in (plate) (6) Provenance: Property of Bill Thomson, Albany Gallery Exhibited: ‘View of Pont Neuf, part of the Louvre, Notre Dame, & the college of four Nations’, Nottingham University Art Gallery and Thos. Agnew and Sons Ltd., London, Thomas Shotter Boys (1803-1874) centenary exhibition, 4-30 October and 7 November - 6 December 1974, no.139 £800-1,200

305 ROBERT SMIRKE RA

1752-1845

Sappho taking the Lover’s Leap from the Leucadian Promontory; Sappho discourses; Sappho at her loom; A maiden by a woodland pool Four, each pen, ink and grey wash 9.5 x 7.3cm; 33⁄4 x 23⁄4in (4) Provenance: Henry Haes Collection; Property of Bill Thomson, Albany Gallery Literature: Respectively The Tatler (no.223); The Tatler; The Spectator (no.601); and The Spectator (no.5) (according to labels) £300-500

305 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

PROPERTY OF BILL THOMSON, ALBANY GALLERY

307

306

306 WILLIAM ANDERSON 1757-1837

Study of an anchored ship Watercolour and pencil 49 x 35.5cm; 191⁄4 x 14in Provenance: Property of Bill Thomson, Albany Gallery £500-800

307 SAMUEL OWEN

308 HENRY DAWSON

1769-7857

1811-1878

Beaching a boat

Study of conifers

Signed under mount (according to label) Watercolour 11 x 9cm; 4½ x 33⁄4in

Pencil heightened with white Signed with monogram and dated 45 (lower left) 27 x 16.5cm; 103⁄4 x 6½in Unframed

Provenance: Thos. Agnew & Sons, London; Property of Bill Thomson, Albany Gallery £200-300

Provenance: Property of Bill Thomson, Albany Gallery £100-150

308 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

PROPERTY OF BILL THOMSON, ALBANY GALLERY 309 ARTHUR HERBERT ORPEN

1830-1926

Sketch of an artist at his easel Signed, inscribed and dated To N M Open 28 July 1911 A H Orpen (lower edge) Pencil and charcoal 36.2 x 36.4cm; 14 x 91⁄4in Provenance: Christie’s, South Kensington, Christie’s Interiors, 14 May 2013, lot 309; Property of Bill Thomson, Albany Gallery £200-300

310 CONTINENTAL SCHOOL

310

312

1765-1847

Roman landscape with Mount Soracte in the distance Signed and inscribed View at S.a Maria di Fallari supposed to be the ant. Falercians. The mountain / Soracte at a distance. / E. Swinburne / 1794 to a separate label attached to the mount Pen and ink, pencil and wash 22.5 x 32cm; 9 x 12½in Unframed Provenance: Property of Bill Thomson, Albany Gallery £200-300

312 ENGLISH SCHOOL

19th Century

313 ENGLISH SCHOOL

19th Century

View of an Alpine resort

View of London with St Paul’s Cathedral in the distance

Oil on panel 21 x 29cm; 81⁄4 x 11½in

Watercolour and pencil 15 x 30.8cm; 6 x 12in

Watercolour and pencil 23.5 x 43.7cm; 9½ x 171⁄4in

Provenance: Property of Bill Thomson, Albany Gallery

£120-180

£200-300

£120-180

Late 19th Century

309

311 EDWARD SWINBURNE

Orientalist scene with figures outside a souk

311

313 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

PROPERTY OF BILL THOMSON, ALBANY GALLERY

314

314 ATTRIBUTED TO GEORGE ARTHUR FRIPP 1813-1896

Landscape with cornstacks and windmills beyond Watercolours and pencil 22.2 x 34.7cm; 83⁄4 x 133⁄4in Unframed Provenance: Property of Bill Thomson, Albany Gallery £100-150

315

315 GEORGE ARTHUR FRIPP

1813-1896

View of Laugharne Castle, Wales Signed G A Fripp. / 1840. (lower centre) Watercolour and pencil 17 x 30.5cm; 63⁄4 x 12in Provenance: Sotheby’s, Olympia, British and Continental Pictures: including Scottish and Russian pictures, 26 May 2004, lot 87; Property of Bill Thomson, Albany Gallery £300-500

316 GEORGE ARTHUR FRIPP

1813-1896

View of the Temple of Vesta, Tivoli Signed Tivoli / G A Fripp. 1834. (lower left) Watercolour and pencil 30.5 x 23cm; 12 x 9in Provenance: Sotheby’s, London, 18th and 19th century British drawings and watercolours, 16 July 1987, lot 158; Property of Bill Thomson, Albany Gallery £250-400

316

317 JOSHUA CRISTALL c.1767-1847

Sketch of figures before a cottage Pencil 30 x 44cm; 113⁄4 x 173⁄4in Unframed Provenance: Property of Bill Thomson, Albany Gallery £200-300

317 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

PROPERTY OF BILL THOMSON, ALBANY GALLERY 318 GEORGE SAMUEL ELGOOD RI, ROI 1851-1943

Nice from the Old Hill, Le Ray; Lago Maggiore; Villa Capponi, Florence Three, ‘Nice from the Old Hill, Le Ray’ signed and dated George S. Elgood 1912 (lower left); ‘Lago Maggiore’ signed and dated George S. Elgood 1912 (lower right); ‘Villa Capponi, Florence’ signed and dated George S. Elgood 1906 (lower right) Watercolour and pencil 16.2 x 36.5cm; 6½ x 16½in; 13 x 35.5cm; 5 x 14in; 17.5 x 33cm; 7 x 13in (3) Provenance: Property of Bill Thomson, Albany Gallery £800-1,200

319 LT. COL. ROBERT BATTY FRS

1789-1848

318

View of Chepstow Castle; View of Richmond; View of Durham; and further views Ten, each variously inscribed with locations and dates Variously pencil, wash and watercolour Largest 16 x 22.8cm; 61⁄4 x 9in; Smallest 12.5 x 20.4cm; 5 x 8in Unframed (10) Provenance: Property of Bill Thomson, Albany Gallery £200-300

319

320 GEORGE CHINNERY 1774-1852

Studies of a mother and child; Study of a figure holding a pole; Study of figures around a fire Pencil Largest 17.5 x 18.7cm; 7 x 71⁄4in; Smallest 9.6 x 8.7cm; 4 x 3½in Unframed (3) Provenance: Property of Bill Thomson, Albany Gallery £400-600

320 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

PROPERTY OF BILL THOMSON, ALBANY GALLERY

321

322

323

321 DAVID COX SNR. RWS, OWS 1783-1859

Ploughing

324

322 ATTRIBUTED TO JOHN JOSEPH COTMAN 1814-1878

Signed D. Cox (to verso) Watercolour and pencil 38.5 x 52cm; 15 x 20½in

View of a country lane, possibly Buckenham Marshes, Norfolk

Provenance: Sir John Swinburne, 6th Baronet (1762-1860); Property of Bill Thomson, Albany Gallery

Watercolour and pencil 50.5 x 72.5cm; 20 x 28½in Unframed

£500-800

Provenance: Property of Bill Thomson, Albany Gallery

323 PAUL SANDBY MUNN 1773-1845

Landscape with a castle by a lake Pencil and grey wash 16.5 x 30cm; 6½ x 12in Unframed Provenance: Property of Bill Thomson, Albany Gallery £150-250

£400-600

324 ATTRIBUTED TO WILLIAM TURNER OF OXFORD 1789-1862

Evening landscape with sheep and cattle

325 WILLIAM EVANS 1809-1858

The Anglers

Watercolour 16.3 x 34cm; 6½ x 13½in

Signed and dated Wm Evans. 1843. (lower left) Watercolour and pencil 22.5 x 18cm; 83⁄4 x 7in

Provenance: Property of Bill Thomson, Albany Gallery £100-150

£120-180

Provenance: Property of Bill Thomson, Albany Gallery

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

325

100

PROPERTY OF BILL THOMSON, ALBANY GALLERY

326

327

326 AFTER ALFRED GOMERSAL VICKERS

327 ALFRED GOMERSAL VICKERS

The Bourse and part of the fortress from the Neva, St Petersburg

The Holsten Gate, Lübeck

Oil on panel 40 x 50cm; 153⁄4 x 193⁄4in

Watercolour heightened with bodycolour over pencil 24.5 x 37cm; 93⁄4 x 14½in

Provenance: Christie’s, South Kensington, Christie’s Interiors, 19 August 2014, lot 23; Property of Bill Thomson, Albany Gallery

Provenance: Christie’s, South Kensington, English drawings and watercolours, 12 July 1988, lot 200; Property of Bill Thomson, Albany Gallery

£300-500

1810-1837

Literature: The German Tourist, edited by O.L.B. Wolff and H. Doering (London: D. Nutt, 1837), frontispiece £300-500

328

329

328 ATTRIBUTED TO ALFRED GOMERSAL VICKERS

329 ARTHUR SEVERN RI, ROI

1810-1837

1848-1931

River landscape with figures conversing with Prussian troops

View of the Vesuvius at dawn

Watercolour and pencil 18 x 29.5cm; 7 x 113⁄4in

Signed and dated Arthur Severn R.I. / 1906 (lower left) Watercolour and pencil 25 x 35cm; 93⁄4 x 133⁄4in

Provenance: Property of Bill Thomson, Albany Gallery £200-300

Provenance: Property of Bill Thomson, Albany Gallery £400-600 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

PROPERTY OF BILL THOMSON, ALBANY GALLERY

330

330 JOSEPH STANNARD 1797-1830

Coastal scene with a fisherman and his dog Oil on panel 28 x 37.5cm; 11 x 153⁄4in Provenance: Sotheby’s, London, British paintings 1500-1850, 10 July 1996, lot 85; Property of Bill Thomson, Albany Gallery £2,000-3,000

331 BRITISH SCHOOL

19th Century

Sketch of landscape with a woman by a stream Signed with monogram and dated 1872 (lower right) Oil on paper 22 x 29.5cm; 8½ x 113⁄4in Provenance: Property of Bill Thomson, Albany Gallery £150-250

331

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

101

102

PROPERTY OF BILL THOMSON, ALBANY GALLERY

332

332 WILLIAM HENRY HUNT 1790-1864

A Circassian Lady Signed Hunt (lower left) Watercolour and pencil 33.3 x 21cm; 13 x 18½in Provenance: Sotheby’s, London, Important British drawings, watercolours and portrait miniatures, 23 November 2006, lot 260; Property of Bill Thomson, Albany Gallery Literature: John Witt, William Henry Hunt (London, 1982), p.224 Exhibited: Probably Society of Painters in Watercolours, 1841, no.178 (as The Masquerader) £600-800

335

333

334

333 ROBERT HILLS

334 DANIEL MACLISE RA

A family in a farmyard

Study of a juggler; Study of an organ grinder; Study of a road sweeper; and further figure studies

1769-1844

Irish 1806-1870

Watercolour on paper laid on board 26.5 x 20.5cm; 10½ x 8in Unframed Provenance: Property of Bill Thomson, Albany Gallery £400-600

Fifty, each pencil Largest 13.2 x 7.2cm; 51⁄4 x 23⁄4in; Smallest 7.1 x 3.4cm; 23⁄4 x 11⁄4in Unframed (50) Provenance: Property of Bill Thomson, Albany Gallery £300-400

335 JOHANN LUDWIG BLEULER

336 ATTRIBUTED TO SAMUEL AUSTIN

Swiss 1792-1850

A view of Bienne

1796-1804

Inscribed to margin Par Louis Bleuler au château de Laufen près Schaffhause / Vue de la ville et du lac de Bienne. Gouache and pencil 37.8 x 50.5cm; 15 x 20in Unframed

Watercolour 24.7 x 35.5cm; 93⁄4 x 133⁄4in Unframed

Provenance: Property of Bill Thomson, Albany Gallery

£300-500

£100-150

Landscape with figures boating on a pond

336 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

PROPERTY OF BILL THOMSON, ALBANY GALLERY 337 DAVID ROBERTS RA, RBA 1796-1864

The ruins at Elgin Cathedral Indistinctly inscribed and dated Elgin ***/Sept 6 1848 (lower right) Oil on board 61 x 50.8cm; 24 x 20in Provenance: Thomas Agnew & Sons; Hôtel Drouot, Paris, 10 May 1933; Christie’s, London, Important English Pictures, 18 November 1988, lot 98; Property of Bill Thomson, Albany Gallery £1,500-2,500

338 DAVID ROBERTS RA, RBA 1796-1864

Street scene in Leuven with the town hall (recto); Study of the town hall at Leuven (verso) Recto, inscribed Town hall / Louvain (lower left) and signed D Roberts RA (lower right); Verso, inscribed and dated Townhall / Louvain June 24th 1825 (lower left) Watercolour and pencil 36.4 x 26.4cm; 14 x 101⁄4in Provenance: Sotheby’s, London, Old Master and British Works on Paper Including Drawings from the Oppé Collection, 5 July 2016, lot 321; Property of Bill Thomson, Albany Gallery £800-1,200

337

338

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

103

104

339

PROPERTY OF BILL THOMSON, ALBANY GALLERY

340

339 ARCHIBALD THORBURN Scottish 1860-1935

341

340 HERCULES BRABAZON BRABAZON

Rhododendrons

1821-1906

Signed and dated A. Thorburn/ May 31. 1916 (lower left) Watercolour heightened with bodycolour 28.5 x 40.5cm; 111⁄4 x 153⁄4in Unframed

Study of two sail boats at sea Signed H B Brabazon (lower right) Watercolour heightened with bodycolour 25 x 34.5cm; 93⁄4 x 13½in Unframed

Provenance: Property of Bill Thomson, Albany Gallery

£600-800

£150-250

341 HARRY JOHN JOHNSON

1826-1884

Salmon trap on the rapids of the Llugwy, North Wales; Landscape with a salmon trap on a river; Sketch of a gorge Three, the first inscribed and dated Salmon Trap on the Rapids of the Llugwy, N. W./July 17.44 (lower right) Each watercolour and pencil Largest 33.2 x 51cm; 13 x 20in; Smallest 38 x 27.7cm; 15 x 103⁄4in Unframed (3) Provenance: Property of Bill Thomson, Albany Gallery £300-500

342 WILLIAM MATTHEW HODGKINS

1833-1898

Glen Falloch - evening; Glen Falloch Two, the former signed, inscribed and dated Glen Falloch - evening / W M Hodgkins 1888 (lower right); the latter signed, inscribed and dated Glen Falloch / W. H. 1885 (lower right) Both watercolour and pencil 35.5 x 58.8cm; 14 x 231⁄4in; 35.5 x 77.2cm; 14 x 301⁄4in Unframed (2) Provenance: Property of Bill Thomson, Albany Gallery £200-300

342 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

PROPERTY OF BILL THOMSON, ALBANY GALLERY

343

344

345

343 An album of 19th Century English drawings, watercolours and prints Including Thomas Allom (1804-1872); The Barbican Pool, Plymouth; St Nicholas or Drake’s Island, Devon; both pen and ink with brown wash; and Henry Earp (1831-1941); four landscapes with cattle; each watercolour; and others Approximately 40, the album with green leather covers with floral decoration 26.8 x 21.3cm; 10½ x 81⁄4in Provenance: Property of Bill Thomson, Albany Gallery £300-500

344 DANIEL CHARLES GROSE

345 THOMAS CLARK

Canadian river landscape with figures around a campfire; Mountainous landscape with buildings by a lake

View of Kensington Gardens in 1839; and further views of London

American 1838-1890

Two, the former signed, inscribed and dated D. C. Grose Montreal 1865 (lower left); the latter signed and dated D. C. Grose *865 (lower left) Both oil on canvas 33 x 81cm; 13 x 20in; 33 x 50.5cm; 13 x 19¾in Both unframed, unstretched (2) Provenance: Property of Bill Thomson, Albany Gallery £150-250

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

act. 1827-1858

Nine, each variously inscribed to labels laid to the paper mount Watercolour and pastel Largest 12.5 x 17.8cm; 5 x 7in; Smallest 11.5 x 14.5cm; 4½ x 53⁄4in Unframed (9) Provenance: Property of Bill Thomson, Albany Gallery £200-300

105

106

THE EDWARD CROFT-MURRAY COLLECTION LOTS 346-454 Edward “Teddy” Croft-Murray CBE (1907-1980) Edward Croft-Murray (EC-M), former keeper of Prints and Drawings at the British Museum, was an antiquarian, and an internationally acknowledged expert on Early European Art and Music. How to describe this man? On the one hand he was a serious and dedicated academic and on the other a creative, irreverent, and humorous sensualist who delighted in people, food, and wine. He adored his second wife, Jill Croft-Murray (née Whitford-Hawkey) who survived him by 41 years and who never married again. He composed and arranged several musical works in different styles, as well as keeping illustrated journals written in his distinctive, illegible, and beautiful Carolingian Uncial script. He was an accomplished player of the kettle drums, violin and other early instruments including the serpent. ‘Teddy’ lost his father at a young age; he had been killed by a rhinoceros in British East Africa in 1915. As a result, he learned to amuse himself. Inspired by an uncle who had an interest in archaeology, his playtime involved exploring early Roman rubbish tips around his home. He was descended from the Croft baronets of Croft Castle, Herefordshire and was related to a cousin of Empress Josephine of France. The combination of this early loss, the inspiration of this uncle and this family inheritance must have stirred his lifelong interest in the past. After an education at Lancing College and then Magdalen College, Oxford he had a long career at the British Museum lasting from the 1930s to his death in 1980, interrupted by war time service as a ’Monuments Man’. EC-M just refused to accept retirement! During this time, he published several works. His writing demonstrated an exemplary thoroughness only possible through painstaking research from original archival material coupled with the information from his notebooks. His published books included a long overdue catalogue of the ‘British prints and drawings’ in the British Museum collection, and also with Anthony Blunt ‘Venetian drawings at Windsor Castle’. In addition there were many separate articles such as; ‘Isaac Fuller’, ‘John Devoto’ and ‘Venetian Operatic Caricatures’ which are invariably the only printed sources on their subject. His magnum opus which is unlikely to ever be succeeded is the definitive twin volumes on ‘Decorative Painting in England 1537 to 1837’ which was published in 1962 and 1971, and works in these books are included in this sale. His interest in this area had undoubtedly been stimulated by the lovely wall paintings by Antonio Joli commissioned by John James Heidegger, Handel’s impresario, which graced the front entrance hall of his house No. 4 Maids of Honour Row, Richmond where he and his family lived for nearly fifty years. One of his ‘proudest memories’ was of these books being ‘pinched’ from the National Library. EC-M had a deep knowledge of all the principal contemporary collectors, curators, and scholars in his main area of interest, British painting. Alongside his passion for the visual arts was his deep love of music. While at school (where he was a contemporary of Sir Peter Pears) he studied the violin. Later, he played the viola in Arthur Hind’s string quartet, accompanied on his Clementi pianoforte that was sadly destroyed in

Edward Croft-Murray

the blitz. At Oxford he was a pioneer in the revival of English opera. He developed his irreverent and creative humour in writing spoof operas. Alongside his love of classical music was a delight in contemporary dance music which led to his collecting scores and later in life composing a jazz mass. Before the war, EC-M spent a summer touring Germany. Here he met the great-great-grandson of the romantic composer Carl Maria von Weber from which sprang a continuing interest in German Romanticism and the Gothic Revival. These interests can be seen reflected in his collection. Combining his humour, humility and creativity, he composed music for his local church in Petersham under the name of ‘an unknown pupil of J. C. Bach’. It is in Petersham graveyard that he and more recently his second wife were buried. From the late 1930s he had started to ardently collect early musical instruments in their original condition. This was possibly the finest collection in private hands of unaltered string instruments. Evening entertainment at Richmond often ended with EC-M busking a pseudoElizabethan dance on a genuine 16th century chitarrone which he had himself restored. The sale includes pictures related to this love of opera, theatre and stage design. EC-M’s working life was spent at the British Museum but was interrupted by the Second World War. He was initially attached to the Admiralty and then as a civilian officer in military intelligence at the War Office. He often said with gratitude that he had a blessed experience of wartime service. Between 1943 and 1946 he was a Major in the Monuments and Fine Art Section of the Allied Control Commission. This gave him the opportunity to travel through Sicily and Italy where he assessed damage to monuments and secured works of art from looting. In July 1944 he supervised the safe relocation of 500 paintings, 1,000 pieces of furniture and 20,000 books which had been stored for safety

107

The drawing room at No. 4 Maids of Honour Row, Richmond at the vast Royal Palace of the Bourbon Kings of Naples at Caserta. Later that year in Florence, he met the heirs of the great composer Vincent Novello and urged them to transcribe and publish the diaries of their ancestor and his wife Mary. In May 1945 he travelled to the Salt Mines at Altaussee, Austria to retrieve treasures missing from the Abbey at Monte Cassino. Staying in Austria later in the year he organised an exhibition of 47 watercolours by J.M.W. Turner from the collection of the British Museum at the Wiesbaden Central Collecting Point. In 1980 EC-M died unexpectedly at the age of 73 travelling on the tube between Kew Gardens and Gunnersbury stations. He was on his way to an Appointments Board meeting at his beloved British Museum. He left unfinished on his desk a detailed catalogue of the musical instruments owned by the National Trust and a major study of the music of London’s Pleasure Gardens. Until 2005 his second wife and widow Jill Croft-Murray (née Whitford-Hawkey) carried on living at No. 4 Maids of Honour Row. Even after she moved to West Wales to be nearer to her daughter, she surrounded herself with her husband’s wonderful collections. It is after her death last year that these collections have come to the market. Jeremy Rye and Rosalind Sharples (née Croft-Murray), May 2021

The dining room at No. 4 Maids of Honour Row, Richmond

108

THE COLLECTION OF EDWARD CROFT-MURRAY CBE (1907-1980) 346 ENGLISH SCHOOL

Late 17th Century

Portrait of a gentleman, bust-length, wearing a wig and red cloak; Portrait of a lady, wearing a pink dress and red shawl A pair, both pastel Each 26.3 x 19cm; 101⁄4 x 7½in (2) Provenance: From the collection of Edward Croft-Murray (1907-1980) Literature: Neil Jeffares, “English, Irish and Scottish Schools”, Dictionary of pastellists before 1800, online edition, nos. J.85.230232 & J.85.2302323 These works are comparable to a pair traditionally attributed to Edward Gibson at Syon House, possibly depicting the Duke and Duchess of Somerset (op. cit. nos. J.347.108 and J.347.109). £500-800

347 WILLIAM FAITHORNE

346

1616-1691

Portrait of a young man, bust-length, in a painted oval Pastel 23.9 x 19.8cm; 9½ x 73⁄4in Provenance: J. F. Keane; Sotheby’s, 3 June 1947, lot 15; From the collection of Edward Croft-Murray (1907-1980) Literature: John Woodward, Tudor and Stuart Drawings (Faber and Faber, 1951), p.48, pl.25; Neil Jeffares, “William Faithorne”, Dictionary of pastellists before 1800, online edition, accessed 24/06/2021, no.J.306.121 Exhibited: London, Royal Academy, British Portraits, 1956, no.570 £250-400

347

348

348 AFTER SIR ANTHONY VAN DYCK Portrait of a lady, full-length, seated with her daughter Oil on canvas 40 x 28.1cm; 153⁄4 x 11in Provenance: From the collection of Edward Croft-Murray (1907-1980) After the original in the Louvre, Paris (inv. no.1243). £150-250

349 CIRCLE OF MARY BEALE Portrait of a lady as St. Agnes, and a young boy with a dog, in a landscape Oil on paper 17.5 x 28.4cm; 7 x 111⁄4in Provenance: From the collection of Edward Croft-Murray (1907-1980)

349

£200-300 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

THE COLLECTION OF EDWARD CROFT-MURRAY CBE (1907-1980)

109

350 ATTRIBUTED TO CHRISTIAN FRIEDRICH ZINCKE German 1683/1684-1767

AFTER JEAN-BAPTISTE VAN LOO

French 1684-1745

Portrait miniature of John James Heidegger (1666-1749), wearing a brown coat and brown waistcoat with gold brocade Enamel on copper, oval, in a gilt and carved wood frame 45 x 37mm Provenance: Ralp Bernal (1783-1854); His posthumous sale, Christie, Manson & Woods, 14 March 1855, lot 1090, where purchased by T. Butler Esq; Gifted to Edward Croft-Murray and his first wife Giovanna Zaffi on their marriage in 1946; From the collection of Edward Croft-Murray (1907-1980) Literature: H.C. Robbins Landon, Handel and his World (Weidenfeld and Nicolson, 1984) p.76 (illustrated in colour) Heidegger was a central figure in the London theatre world and a popular figure at court for forty years. Manager of the Queen’s (subsequently King’s) theatre, Haymarket, London, he was known as Handel’s impresario and worked very closely with the composer from 1713 to the late 1730s. Heidegger also ran masquerades or balls or ridottoes at the Haymarket theatre on non-opera nights and additionally was a party or events contractor. His biggest job was the coronation of George II in 1727, subsequently becoming friends with the monarch and his ‘Master of the Revels’. Heidegger’s last years were spent living at No. 4 Maids of Honour Row, Richmond where in 1745 he commissioned Antonio Jolli to decorate the entrance hall. This is the same house where Edward Croft-Murray lived. Jean-Baptiste Van Loo was in England from 1737 to 1742; his portrait of Heidegger was engraved by John Faber Jnr. (c.1695–1756) and first published in 1742. The National Portrait Gallery and British Museum hold copies. The National Portrait Gallery, London has previously proposed an attribution to Nathaniel Hone (1718-1784) for this work.

350

£1,000-1,500

351 JONATHAN RICHARDSON SNR.

1665-1745

Self-portrait Inscribed indistinctly Safe, Antony, Brutus is safe enough/He will be found ****/May (lower centre) Pencil 18.5 x 10.9cm; 71⁄4 x 41⁄4in Provenance: From the collection of Edward Croft-Murray (1907-1980) The inscription is taken from Shakespeare’s Julius Caesar, act 5, scene 4. £150-250

352 GEORGE VERTUE

1684-1756

Portrait of Jeremiah Clarke (c.1674-1707), bust-length, wearing a wig and cloak Inscribed Jeremy Clark Musick Master (lower centre) Pencil 14.2 x 10.2cm; 5½ x 4in Provenance: From the collection of Edward Croft-Murray (1907-1980) Literature: Thomas F. Taylor, Thematic Catalog of the works of Jeremiah Clarke (Detroit, Studies in Music Bibliography, 1977) (illustrated) Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

351

352

Jeremiah Clarke was an English baroque composer and organist of the generation after Henry Purcell (1659-1695). He is best known for the ‘Prince of Denmark’s March’. He was the organist at St Paul’s Cathedral in the churchyard of which he shot himself due to “a violent and hopeless passion for a lady of a rank superior to his own’’. Very few portraits of him are known and according to the National Portrait Gallery in 1982 this was then the only known portrait. £600-800

110

THE COLLECTION OF EDWARD CROFT-MURRAY CBE (1907-1980)

353

353 FRENCH SCHOOL c.1663

Le Gran Carrousel to celebrate the birth of the Dauphin, 1662 Gouache on an extended fan leaf 17.2 x 33.3cm; 63⁄4 x 13in Provenance: From the collection of Edward Croft-Murray (1907-1980) Louis XIV of France (1638-1715) ordered a carrousel (or tournament) to be held in June 1662, to celebrate the birth of the Dauphin, Louis (1661-1711), the previous year. The procession was made up of five quadrilles, representing the Romans, Persians, Turks, East Indians, and Native Americans. They were commanded by Louis XIV, the Duke of Orleans, the Prince of Condé, the Duke of Enghien and the Duke of Guise respectively. £1,500-2,500

355

354 An illuminated manuscript depicting The Adoration of the Magi Bodycolour on vellum, possibly 15th century 13.5 x 9.4cm; 51⁄4 x 33⁄4in Provenance: From the collection of Edward Croft-Murray (1907-1980)

354

£150-250

355 FRENCH SCHOOL

Early 18th Century

The death of the Niobids Gouache, lunette shaped for a fan 23.7 x 53.2cm; 91⁄4 x 21in Provenance: From the collection of Edward Croft-Murray (1907-1980) £200-300

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

THE COLLECTION OF EDWARD CROFT-MURRAY CBE (1907-1980)

356

356 CIRCLE OF JEAN-CHARLES DELAFOSSE Ceiling design depicting an assembly of the gods Pencil and wash, heightened with white on four joined pieces of paper, circular 55.6cm; 22in diameter Provenance: From the collection of Edward Croft-Murray (1907-1980) £500-800

358

111

357

357 ATTRIBUTED TO FRANCESCO SOLIMENA Italian 1657-1747

Vision of a bishop saint Oil on paper 20 x 16cm; 73⁄4 x 61⁄4in, framed as an oval Provenance: From the collection of Edward Croft-Murray (1907-1980) £300-500

358 AFTER RAPHAEL

359 CIRCLE OF FILIPPO JUVARRA

The ecstasy of St Cecilia

Interior of a baroque palace

Italian 1483-1520

Engraving, by Philippe Thomassin (French 1562-1622) 46.1 x 30.1cm; 181⁄4 x 113⁄4in (sheet) Provenance: From the collection of Edward Croft-Murray (1907-1980) After the original in the Pinacoteca Nazionale, Bologna (inv. no.577) £100-150

359

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

360

Pen and black ink and grey wash 19 x 15.5cm; 7½ x 6in

360 AFTER JOHANN WOLFGANG BAUMGARTNER German 1702-1761

Saint Augustine Engraving, by Johann Daniel Herz (German 1693-1754) 60.1 x 79.2cm; 233⁄4 x 311⁄4in

Provenance: From the collection of Edward Croft-Murray (1907-1980)

£120-180

£80-120

112

THE COLLECTION OF EDWARD CROFT-MURRAY CBE (1907-1980)

361

361 FRANCESCO SLETER Italian 1685-1775

The Triumph of Cybele Oil on canvas 33 x 60cm; 13 x 23½in Provenance: From the collection of Edward Croft-Murray (1907-1980) Literature: Edward Croft-Murray, Decorative painting in England 1537–1837, vol II (Country Life, 1970), p.91, plate 25 Exhibited: Twickenham, Marble Hill House, English Baroque Sketches: The Painted Interior in the Age of Thornhill, May-July 1974, cat. no.29 This is a study of the ceiling design for the east staircase at Grimsthorpe Castle. The east wing of the house was extensively remodelled by Sir John Vanbrugh (1664-1726), and the other staircase was decorated by Sir James Thornhill (1675/76-1734). Francesco Sleter also painted the ceiling in the state dining room, and his oil sketch for this is in the Tate (inv. no. TO3465). £2,000-3,000

362 CORRADO GIAQUINTO Italian 1703-1766

Allegory of Divine Wisdom (Divina Sapienza) Oil on paper laid on canvas 40.3 x 22.7cm; 153⁄4 x 9in Provenance: From the collection of Edward Croft-Murray (1907-1980) £1,000-1,500

362 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

THE COLLECTION OF EDWARD CROFT-MURRAY CBE (1907-1980) 363 FRANCESCO FONTEBASSO

Italian 1707-1769

The adoration of the Magi Oil on canvas 20.8 x 26.1cm; 81⁄4 x 101⁄4in Provenance: From the collection of Edward Croft-Murray (1907-1980) £2,000-3,000

363

364

365

364 CIRCLE OF DANIEL VAN HEIL

365 FOLLOWER OF PIERRE-NARCISSE GUÉRIN

The ecstasy of St Francis

Coriolanus entreated by his family

Oil on canvas 45 x 68.5cm; 173⁄4 x 27in

Oil on board 21.9 x 30.5cm; 83⁄4 x 12in

Provenance: From the collection of Edward Croft-Murray (1907-1980)

£400-600

£150-250

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

113

114

THE COLLECTION OF EDWARD CROFT-MURRAY CBE (1907-1980) 366 PIER LEONE GHEZZI

Italian 1674-1755

Caricature of a gentleman in elegant dress holding a tricorn hat; Caricature of a lady holding a fan A pair, both pen and ink 30.8 x 22.3cm; 121⁄4 x 83⁄4in; 31 x 21.7cm; 121⁄4 x 8½in (2) £800-1,200

367 FOLLOWER OF JEAN-ÉTIENNE LIOTARD Study of a gentleman, bust-length, in profile Indistinctly inscribed (upper right) Red and white chalk on blue paper 18.2 x 15.2cm; 71⁄4 x 593⁄4in Provenance: From the collection of Edward Croft-Murray (1907-1980) According to a label written by Edward Croft-Murray, the inscription reads ‘flauti agé de 29/danseur comique/ au theatre de/Leur M.im./desi a Vienna/faite à Veidleingue (?)/sur la Coline’.

366

£200-300

368 AFTER KAREL DUJARDIN A Savoyard boy playing a violin Etching 16.7 x 12.2cm; 6½ x 43⁄4in (plate)

367

Together with Continental School 19th Century; Study of an ornamental ceiling; pencil; 28.2 x 19.7cm; 11 x 73⁄4in; Edward Croft-Murray (1907-1980); Duetto for Young Serpent and Gouty Violin; Figures at a ball; two, the former inscribed with title; both pen and ink; each 14 x 8.8cm; 5½ x 3½in; Rowland Emett (1906-1990); Just Like Them to Go and Spoil the Amenities with a Block of Flats; signed and inscribed To Captain & Mrs Whitford Hawkes/with best wishes from/Rowland Emett (lower left); reproduction print; 22.6 x 28.6cm; 9 x 111⁄4in; Francesco Bartolozzi (Italian 1728-1815) after Henry Edridge (1768-1821); Portrait of Colonel Stanley; stipple with hand-colouring; 15.5 x 11.5cm; 6 x 4½in; and Manner of Thomas Lawrence; Portrait of a lady; reproduction print 27.1 x 20.4cm; 103⁄4 x 8in (unframed) (7)

368

Provenance: From the collection of Edward Croft-Murray (1907-1980) £50-100

369 GIOVANNI BATTISTA CIPRIANI RA Italian 1727-1785

A group of putti playing musical instruments Pencil, pen and ink, and grey wash 17.5 x 23.1cm; 63⁄4 x 9in

369

370

Provenance: Colnaghi, London; From the collection of Edward Croft-Murray (1907-1980)

370 VENETIAN SCHOOL 18th Century

A chained prisoner with the trophies of war Pen and ink with wash 24.3 x 17cm; 9½ x 63⁄4in Provenance: From the collection of Edward Croft-Murray (1907-1980) £80-120

£150-250 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

THE COLLECTION OF EDWARD CROFT-MURRAY CBE (1907-1980) 371 MARCO RICCI

Italian 1676-1730

A capriccio with figures amongst Roman ruins Pen and brown ink, with brown wash 53.3 x 37.2cm; 21 x 143⁄4in Provenance: Paul Sandby RA (1731-1809) (Lugt 2112) (his mark lower left); His posthumous sale, Christie, Manson and Woods, 17 April 1817, lot 12; Iolo Williams; By descent to Elionor Williams: By whom gifted to Edward Croft-Murray, 1970; From the collection of Edward Croft-Murray (1907-1980) £2,500-3,500

371

372 ANTONIO CANAL, CALLED IL CANALETTO

Italian 1697-1768

The Bishop’s Tomb (Bromberg 15) Etching 22.5 x 13.4cm; 83⁄4 x 51⁄4in (sheet) Provenance: From the collection of Edward Croft-Murray (1907-1980) £300-500

373 DUTCH SCHOOL

Mid 18th Century

Study of a seated violinist (recto); Study of a sculpture of Bacchus (verso) Pencil on paper 27.9 x 16.3cm; 11 x 6½in Provenance: From the collection of Edward Croft-Murray (1907-1980) £400-600

372 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

373

115

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THE COLLECTION OF EDWARD CROFT-MURRAY CBE (1907-1980)

374

374 LOUIS NICOLAS VAN BLARENBERGHE French 1716-1794

Strolling players in a village square; Village scene with musicians and other figures A pair, both oil on paper Each 5.3 x 7.5cm; 2 x 3in (2) Provenance: From the collection of Edward Croft-Murray (1907-1980) £1,000-1,500

375

375 CIRCLE OF LOUIS NICOLAS VAN BLARENBERGHE River landscape with figures and animals on the bank; River landscape with laundresses A pair, both watercolour Each 4.4 x 6.6cm; 1¼ x 2½in (2) Provenance: From the collection of Edward Croft-Murray (1907-1980) £100-150

376 FRANÇOIS BOUCHER

French 1703-1770

AFTER JEAN-ANTOINE WATTEAU

French 1684-1721

La Coquette (Dacier & Vuaflart 210) Etching, third state 26.7 x 39.5cm; 10½ x 15½in (plate) Provenance: Colnaghi, London, where purchased by Edward Croft-Murray, December 1974; From the collection of Edward Croft-Murray (1907-1980) £80-120

376 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

THE COLLECTION OF EDWARD CROFT-MURRAY CBE (1907-1980)

377 CIRCLE OF NICOLAS LANCRET Study of a man playing a recorder Black chalk heightened with white 25 x 20.8cm; 93⁄4 x 81⁄4in Provenance: Purchased in Paris by Edward Croft-Murray, 1938; From the collection of Edward Croft-Murray (1907-1980) Literature: Denys Sutton, France in the Eighteenth Century, exh. cat. (London, Royal Academy, 1968), p.90, cat. no.399, fig.100 (as Lancret) Exhibited: London, Royal Academy, France in the Eighteenth Century, 1968, no.399 (as Lancret) £800-1,200

378 FRENCH SCHOOL

18th Century

A watermill below a castle (recto); A study of buildings (verso); An Italianate Landscape with figures and boats near a lakeside town Two, both red chalk and grey wash (recto); pencil, red chalk and grey wash (verso) 19.2 x 29.1cm; 7½ x 11½in; 19.2 x 27.3cm; 7½ x 103⁄4in (2) Provenance: Both Paul Sandby RA (1725-1809) (Lugt 2112), his mark to both; Sir Bruce Ingram (1877-1963); By descent to Mme Prost; Colnaghi’s London (as Jean-Antoine Watteau); From the collection of Edward Croft-Murray (1907-1980) Literature: K.T. Parker and J. Mathey, Antoine Watteau, catalogue complet de son oeuvre dessiné (Paris, 1957), nos. 416 & 410 £300-400

377

378

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

117

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THE COLLECTION OF EDWARD CROFT-MURRAY CBE (1907-1980)

379 ENGLISH SCHOOL

Early 18th Century

A painting academy, possibly Sir Godfrey Kneller’s academy in Great Queen Street, with students sketching a model Oil on canvas laid on panel 29.5 x 35.1cm; 11½ x 133⁄4in, framed as an oval Provenance: From the collection of Edward Croft-Murray (1907-1980) Exhibited: Nottingham, University Art Gallery; and London, Kenwood House, The Artist’s Model: its Role in British Art from Lely to Etty, 1991 (as Sir James Thornhill); London, Museum of London, Creative quarters: the art world in London from 1700 to 2000, March-July 2001 Edward Croft-Murray believed this work depicted Sir Godfrey Kneller’s academy, although Sir James Thornhill’s academy and the St Martin’s Lane Academy are plausible alternatives. £1,500-2,500

379

380 THOMAS STOTHARD RA

1755-1834

Intemperance Inscribed THE DESIGN OF THE SUBJECT OF INTEMPERANCE PAINTED ON THE WALLS OF THE GREAT STAIR (along the lower edge) Oil on canvas 45.9 x 75.8cm; 18 x 30in Provenance: From the collection of Edward Croft-Murray (1907-1980) Literature: Edward Croft-Murray, Decorative Painting in England 1537-1837, vol. II (Country Life, 1970), p.150, pl. 140 This is a copy by Stothard of one of his most famous works, on the staircase of Burghley House, Northamptonshire. £1,500-2,500

380

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

THE COLLECTION OF EDWARD CROFT-MURRAY CBE (1907-1980) 381 ATTRIBUTED TO SIR GODFREY KNELLER BT. 1646-1723

AFTER SIR PETER PAUL RUBENS

Flemish 1577-1640

The Apotheosis of James I Oil on canvas 74.9 x 54.2cm; 29½ x 211⁄4in Provenance: Jack Gold, Richmond; Christie’s, London, 29 July 1971, lot 54 (as Watteau after Rubens); From the collection of Edward Croft-Murray (1907-1980) Literature: J. Mathey, Antoine Watteau, Peintures Réapparues, (1959), p.36, pl.82; J. Mathey, ‘The early paintings of Watteau’, in The Art Quarterly (Spring 1956), p.22; F. J. B. Watson, ‘Watteau, Peintre Inconnu’, in The Burlington Magazine (March 1962), p.162 (reproduced) After the central compartment of Rubens’ ceiling in the Main Banqueting Hall, Banqueting House, Whitehall. This work was previously considered to be by Jean-Antoine Watteau. £2,000-3,000

381

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

119

120

THE COLLECTION OF EDWARD CROFT-MURRAY CBE (1907-1980) 382 SIR JAMES THORNHILL

1675/76-1734

Dido and Aeneas, a sketch probably for the painted staircase at Canons, Middlesex Oil on canvas 60.6 x 44.7cm; 233⁄4 x 17½in Provenance: Colnaghi, London, where purchased by Edward Croft-Murray, 1959; From the collection of Edward Croft-Murray (1907-1980) Literature: Edward Croft-Murray, Decorative Painting in England 1537-1837, vol. I (Country Life, 1962), p.266, pl.134; Elizabeth Einberg, Manners & Morals: Hogarth and British Painting 1700-1760 pp.41 (illustrated), 247 Exhibited: Twickenham, Marble Hill House, English Baroque Sketches: The Painted Interior in the Age of Thornhill, May-July 1974, no.46; London, National Portrait Gallery, Hallelujah! Handel, November 1985February 1986, no.70; London, Tate, Manners & Morals: Hogarth and British Painting 1700-1760, October 1987January 1988, no.13 £4,000-6,000

382

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THE COLLECTION OF EDWARD CROFT-MURRAY CBE (1907-1980)

383

383 SIR JAMES THORNHILL 1675/76-1734

Figures on a classical terrace, a sketch for a wall decoration Oil on canvas 33.6 x 33.6cm; 131⁄4 x 131⁄4in Provenance: From the collection of Edward Croft-Murray (1907-1980) £1,000-1,500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

121

122

THE COLLECTION OF EDWARD CROFT-MURRAY CBE (1907-1980) 384 CIRCLE OF CORNELIS TROOST Dancing a minuet Oil on canvas 33.8 x 41.1cm; 131⁄4 x 161⁄4in Provenance: From the collection of Edward Croft-Murray (1907-1980) £1,200-1,800

384

385 ATTRIBUTED TO JOSEPH HIGHMORE 1692-1780

Study for a family portrait in an architectural setting, with some of the figures in Van Dyck dress within a painted frame Oil on canvas 46.6 x 57.3cm; 181⁄4 x 22½in Provenance: From the collection of Edward Croft-Murray (1907-1980) Literature: Samuel Ireland, Graphic Illustrations of Hogarth…, vol II, p.108, (as Hogarth); Ralph Edwards, ‘Hogarth into Highmore, or a Wrong Redressed’ in Apollo, vol.90, pp.148-151 (fig.1) £800-1,200

385 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

THE COLLECTION OF EDWARD CROFT-MURRAY CBE (1907-1980)

386

386 CIRCLE OF EDWARD COLLIER Still life with musical instruments, scores and books on a table draped with a rug Oil on canvas 72 x 119.5cm; 283⁄4 x 47in Provenance: Sotheby’s, London, 11 October 1946, lot 35, where purchased by Edward Croft-Murray; From the collection of Edward Croft-Murray (1907-1980) Exhibited: London, Victoria and Albert Museum, William & Mary and their Time, June-August 1950, no.4 (as Attributed to Collier) The two books shown are Thesaurus Musicus (1696) and A Collection of Ayres by Henry Purcell (1697). The latter shows an engraved portrait of Purcell after John Closterman (1670-1711). A possible attribution to Thomas Warrender (1662-c.1715) has been suggested. £3,000-5,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

123

124

THE COLLECTION OF EDWARD CROFT-MURRAY CBE (1907-1980)

387 JEAN LE PAUTRE French 1618-1682

Design for a proscenium arch Pen and ink with grey wash 48.2 x 46cm; 19 x 18in Provenance: From the collection of Edward Croft-Murray (1907-1980) £600-800

387

388

389

388 HUBERT-FRANÇOIS GRAVELOT French 1699-1773

A cobbler in his stall with a maid at a doorway Pen and ink with grey wash 13.5 x 19.4cm; 51⁄4 x 73⁄4in Provenance: From the collection of Edward Croft-Murray (1907-1980) Literature: George Bickham, The Musical Entertainer, vol. I (London, 1737), p.36, ‘The Cobbler’s End’ (illustrated) £400-600

390

389 JOHN DEVOTO

391

390 PIERRE BERCHET

391 PIERRE BERCHET

French act.1708-1752

French 1659-1719/20

Baroque interior, with Apollo, St. Cecilia and Time

Design for a frontispiece depicting Apollo, a muse and putti with musical instruments

The judgement of Paris

Signed and dated I Devoto inv 1723 (lower right) Pen and ink with grey wash in black framing lines 18.8 x 15.5cm; 7½ x 6in

Signed Berchet in (lower right) Pen and ink with grey wash 26.8 x 19.7cm; 10½ x 73⁄4in

Provenance: From the collection of Edward Croft-Murray (1907-1980)

Literature: Daniel Purcell, The Judgement of Paris (John Walsh, 1702), frontispiece; George Bickham Jnr, The Musical Entertainer (London, 1736), no.69 (illustrated)

Provenance: From the collection of Edward Croft-Murray (1907-1980) £300-500

Literature: John Eccles, A Collection of Songs For One, Two and Three Voices...(John Walsh, 1704), frontispiece; George Frederick Handel, Apollo’s Feast (J.Walsh and J.Hare, 1726), frontispiece Engraved: Hendrick Hulsbergh

Pen and ink with grey wash 30.6 x 19.5cm; 12 x 73⁄4in

Engraved: Michael Vandergucht, 1702 £200-300

£300-500 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

THE COLLECTION OF EDWARD CROFT-MURRAY CBE (1907-1980) 392 HENRY BUNBURY 1750-1811

Concerto Spirituale Pencil, pen and brown ink 22.4 x 18.1cm; 83⁄4 x 7in Framed together with James Bretherton (act.1750-1799) after Henry Bunbury; Concerto Spirituale; etching; 25 x 19.3cm; 93⁄4 x 7½in (2) Provenance: From the collection of Edward Croft-Murray (1907-1980) The viol da gamba player likely represents Carl Friedrich Abel, or possibly Johann Christian Bach. The oboe player has been identified as Johann Christian Fisher, and the French horn player as Giovanni Punto (born Jan Stich). £300-500

393 ALFRED EDWARD CHALON RA

393

392

Swiss 1780-1860

David de Groot playing the clarinet Pencil, pen and ink, and watercolour 24 x 20.5cm; 9½ x 8in Provenance: Mrs G. Blake; By whom gifted to The Oxford and Cambridge Music Club, 1923; From the collection of Edward Croft-Murray (1907-1980) Exhibited: Paris, Musée des Arts Décoratifs, Exhibition of English Manners and Humour 1750-1850, February 1938 £300-500

394 ENGLISH SCHOOL 1754

The Charming Brute: A Satire on Handel Etching 33.2 x 23.5cm; 13 x 91⁄4in (sheet) Together with Jean Baptiste Delafosse (French 1721-1806) after Louis Carmontelle (French 1717-1806); Portrait of the Mozart family; etching; 32.6 x 20.4cm; 123⁄4 x 8in (sheet); James Bretherton (act.1750-1799) after Loraine Smith (1751-1835); A Sunday Concert; etching and aquatint; 33.5 x 48.8cm; 13.1 x 191⁄4in (image); Francesco Bartolozzi (Italian 1728-1815) after Giovanni Battista Cipriani (Italian 1727-1785); Ticket for the masqued ball at Ranelagh; etching; 15.6 x 10cm; 61⁄4 x 4in (sheet); After William Hogarth; Masquerade ticket; etching; 19.7 x 27.9cm; 73⁄4 x 11in; Herbert Bourne (c.1825-1907) after Thomas Webster (1800-1886); The Village Choir; etching with hand-colouring; 14.6 x 25.4cm; 53⁄4 x 10in (image) (6) Provenance: ‘Mozart family’ presented to Angus Greenland by Leopold Mozart, 1764 (according to inscription to verso); ‘Ranelagh’ presented to Edward Croft-Murray by James and Christine Byam Shaw; All from the collection of Edward Croft-Murray (1907-1980) £80-120

394

395

395 ENGLISH SCHOOL

Late 18th Century

Portrait of a gentleman, standing full-length on a terrace holding a scroll, within a scroll border Pen and black ink, with grey wash 16 x 12.1cm; 61⁄4 x 43⁄4in Provenance: From the collection of Edward Croft-Murray (1907-1980) Inscribed ‘Robert, Lord Clive’ to backing board. £200-300

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

396 ENGLISH SCHOOL

18th Century

Portrait of Giusto Fernando Tenducci (1736-1790) Inscribed Tenducci (lower left) Pencil 9.9 x 11.2cm; 33⁄4 x 4½in Provenance: From the collection of Edward Croft-Murray (1907-1980) £40-60

396

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397

398

399

397 WILLIAM HAMILTON RA

398 JOHN FLAXMAN RA

399 JOHN FLAXMAN RA

The spies return from Canaan; Figures by an encampment

Study of oriental figures

Study of figures on a frieze

Numbered twice 18 (lower left, and lower centre) Pencil 12.4 x 16.7cm; 43⁄4 x 6½in

Pen and brown ink, pencil, and grey wash 16.7 x 19.3cm; 6½ x 7½in

The reverse of this work is franked and addressed to the artist.

Provenance: From the collection of Edward Croft-Murray (1907-1980)

1751-1801

1755-1826

Two, both pen and ink, and watercolour heightened with white Each 13.9 x 18.8cm; 5½ x 7½in (2) Provenance: From the collection of Edward Croft-Murray (1907-1980) £300-500

1755-1826

Provenance: From the collection of Edward Croft-Murray (1907-1980)

£100-200

£250-350

400 ENGLISH SCHOOL c.1770

Design for The Dolphin Society’s invitation card Pencil, pen and brown ink, and blue wash 11.5 x 17.2cm; 41⁄4 x 63⁄4in Provenance: From the collection of Edward Croft-Murray (1907-1980) The Dolphin Society was formed in 1749 in memory of Edward Colston, and served both as a political society for the Tories, but also as a charitable one, giving annuities to the aged and deserving poor in Bristol. £80-120

400 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

THE COLLECTION OF EDWARD CROFT-MURRAY CBE (1907-1980)

127

401

401 RICHARD WILSON RA

Welsh 1714-1782

402 RICHARD WILSON RA

Welsh 1714-1782

403 CIRCLE OF ANDREW NICHOLL

The falls of the Liri at Isola di Sora

Study of a rocky landscape with a building

Signed R.Wilson (lower right) Pencil and black chalk 26.7 x 40.7cm; 10½ x 16in

Signed indistinctly (lower right) Pencil 16.9 x 21.2cm; 63⁄4 x 81⁄4in

Panoramic landscape with a village and the sea beyond, with foxgloves and other flowers in the foreground

Provenance: William Lock of Norbury; I.A. Williams; Sotheby’s, London, 10 July 1980, lot 137; From the collection of Edward Croft-Murray (1907-1980)

Provenance: Dr Carl Robert Rudolf (1884-1974) (Lugt 2811b) (according to label written by Edward Croft-Murray); From the collection of Edward Croft-Murray (1907-1980)

Literature: Sir Brinsley Ford, Drawings of Richard Wilson (1951), p.33; W.G. Constable, Richard Wilson (1993), p.211 For a comparable drawing of the same view, Paul Spencer-Longhurst with Kate Lowry and David Solkin, Richard Wilson Online: A Digital Catalogue Raisonné (London: Paul Mellon Centre for Studies in British Art, 2014), no.D337

Edward Croft-Murray believed this to be a study for The White Monk, one of Richard Wilson’s most famous and popular paintings, which he repeated on a number of occasions. £400-600

£2,000-3,000

402

403

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

Pen and ink 32 x 51.9cm; 12½ x 20½in Provenance: From the collection of Edward Croft-Murray (1907-1980) £80-120

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THE COLLECTION OF EDWARD CROFT-MURRAY CBE (1907-1980)

404

404 PHILIP JAMES DE LOUTHERBOURG RA French 1740-1812

Interior of a prison cell with a guard and prisoner Pencil and grey wash 25.1 x 17.3cm; 10 x 63⁄4in Provenance: From the collection of Edward Croft-Murray (1907-1980) This work relates to a print attributed to de Loutherbourg in the British Museum (inv. no.1875,0410.126), the engraved text of which identifies the prisoner as Monsieur de Rouvre, imprisoned for having been ‘faithful to God and his King’. £300-500

405

406

405 ENGLISH SCHOOL

406 CIRCLE OF WILLIAM HENRY PYNE

On the hunt; Riders resting

Studies of musicians (recto); Study of figures and a fishing boat (verso)

Early 19th Century

A pair, both watercolour heightened with white Each 15 x 12.2cm; 6 x 43⁄4in (2) Provenance: From the collection of Edward Croft-Murray (1907-1980) £100-150

Indistinctly inscribed A boat mast ****** (to verso) Pencil and watercolour 38.8 x 24.8cm; 151⁄4 x 93⁄4in Unframed Provenance: From the collection of Edward Croft-Murray (1907-1980) £80-120

407 HENRY WARREN

408 ENGLISH SCHOOL

1794-1879

Early 18th Century

A study of kettle drums on a bank

Study of a statue of Bacchus amongst a grove of trees

Signed and dated Henry Warren/1836 (lower right) Pencil, watercolour and bodycolour 18.9 x 27cm; 7½ x 103⁄4in

Pencil, pen and brown ink, and grey wash 13.3 x 16.1cm; 51⁄4 x 61⁄4in

Provenance: From the collection of Edward Croft-Murray (1907-1980)

Provenance: From the collection of Edward Croft-Murray (1907-1980) £80-120

£150-200

407

408 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

THE COLLECTION OF EDWARD CROFT-MURRAY CBE (1907-1980)

409

410

409 THOMAS SANDBY RA

410 THOMAS HEARNE

A view of Richmond from Twickenham Park

The gateway to Richmond Palace

Pencil and watercolour heightened with white 23.8 x 40.4cm; 91⁄4 x 16in

Inscribed Richmond Surrey (lower right) and signed Hearne (to verso) Pencil 29.4 x 24.1cm; 11½ x 9½in Unframed

1721-1798

Provenance: From the collection of Edward Croft-Murray (1907-1980) £600-800

129

1744-1817

Provenance: From the collection of Edward Croft-Murray (1907-1980) £120-180

411 THOMAS HEARNE

412 SAMUEL WALE RA

1744-1817

1721-1786

Bransill Castle, Hereford with an angler by the river

A view of the entrance of Vauxhall Gardens

Dated and inscribed Hereford: No 37 Nov 1779 (upper left) Pen and black ink with grey wash 15.7 x 23.7cm; 61⁄4 x 91⁄4in

Pen and ink and grey wash, in black framing lines 9.4 x 15.5cm; 33⁄4 x 6in

Provenance: From the collection of Edward Croft-Murray (1907-1980) £200-300

Together with Thomas Simpson (act.1765-1801) after Samuel Wale; View at the Entrance into Vauxhall; etching; 11.5 x 17.9cm; 4½ x 7in; unframed (2) Provenance: From the collection of Edward Croft-Murray (1907-1980) Literature: Robert Dodsley, London and its Environs Described, vol VI (London, 1761), p.216 (illustrated) £300-500

411

412

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

130

THE COLLECTION OF EDWARD CROFT-MURRAY CBE (1907-1980) 413 AFTER C. L. SMITH

414 NEAPOLITAN SCHOOL

Late 18th Century

19th Century

The Country Concert

Putto with a red drape riding a chariot pulled by swans; Putto with a blue drape riding a chariot pulled by swans

Oil on canvas 34.8 x 50cm; 133⁄4 x 193⁄4in Provenance: Christie’s, London, 15 November 1974, lot 321, where purchased by Edward Croft-Murray; From the collection of Edward Croft-Murray (1907-1980) After a print published 10 July 1794

A pair, both oil on board Each 22.9 x 31.8cm; 9 x 12½in (2) Provenance: From the collection of Edward Croft-Murray (1907-1980) £120-180

£300-500

413

414

415 AFTER JOHN RUSSELL

416 FOLLOWER OF JOHN CONSTABLE

The Favourite Rabbit; Tom and his Pigeons

Study of clouds

1745-1806

Two, both stipple engraving in colour, by Charles Knight (1743-1826) Each 30.6 x 37.4cm; 12 x 143⁄4in Together with Peltro William Tomkins (1759-1840); The Royal Rose; stipple engraving; 31.1 x 21.3cm; 121⁄4 x 81⁄4in; and William Henry Mote (1803-1871) after Daniel Maclise (1806-1870); Portrait of Elizabeth, Countess of Charlemont as a child; stipple with hand-colouring; 19.8 x 15.8cm; 73⁄4 x 61⁄4in (4)

415

Provenance: From the collection of Edward Croft-Murray (1907-1980) £50-100

Dated 1794 (to verso) Oil on paper 7.4 x 17.5cm; 3 x 63⁄4in Together with English School 1787; Study of leaves; indistinctly inscribed and dated 1787 (to verso); oil on paper; 9.8 x 14cm; 33⁄4 x 5½in; Circle of Alfred Edward Chalon; Portrait miniature of a lady seated in a garden with a book, a young girl on a balcony above; oval, on paper, in a rectangular ebonised frame; 74 x 58mm; and Continental School; Portrait miniature of a lady in a red dress; oval, on card, in a painted wooden rectangular frame; 100 x 85mm (4) Provenance: From the collection of Edward Croft-Murray (1907-1980) £150-250

416 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

THE COLLECTION OF EDWARD CROFT-MURRAY CBE (1907-1980) 417 ATTRIBUTED TO LADY DIANA BEAUCLERK 1734-1808

Putti playing with a goat in a landscape Oil on canvas 40.4 x 64.9cm; 16 x 25½in Provenance: From the collection of Edward Croft-Murray (1907-1980) £1,000-1,500

418 JOHN PARTRIDGE 1789-1872

Portrait of Signor Ambrogetti, in the character of Don Giovanni, and Giuseppe Naldi as Leporello

417

Oil on canvas 76.5 x 63.9cm; 30 x 25in Together with a letter from Ambrogetti to the editor of The Examiner, complaining of a bad review. (2) Provenance: From the collection of Edward Croft-Murray (1907-1980) Literature: Roger Parker, The Oxford Illustrated History of Opera (Oxford University Press, 2001), p.113, pl.viii Exhibited: London, Royal Academy, 1819, no.215; The Wirral, Lady Lever Art Gallery, Theatrical Exhibition, 1949, no.159 £2,000-3,000

419 WILLIAM ETTY RA 1787-1849

Maidenhood Oil on board 17.8 x 11.2cm; 7 x 4½in

418

Provenance: George Bolton Moore (1806-1875); From the collection of Edward Croft-Murray (1907-1980) £300-400

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

419

131

132

THE COLLECTION OF EDWARD CROFT-MURRAY CBE (1907-1980)

420

420 GEORGE GARRARD ARA

421 GEORGE GARRARD ARA

A view of Tring Park Mansion; A view of a country house in parkland

Hyde Park from the artist’s painting room window at Knightsbridge; Tring Hill

1760-1826

Two, the former inscribed and dated Tring Park 1791; the latter indistinctly inscribed and dated 1794 (both to labels cut from original mounts) Both oil on card 15.6 x 25.5cm; 61⁄4 x 10in; 12.1 x 18.1cm; 43⁄4 x 71⁄4in (2) Provenance: Both originally in an album inscribed Studies from nature by G. Garrard; Mr Nicholson, Oxford, from whom acquired by Edward Croft-Murray in 1942; From the collection of Edward Croft-Murray (1907-1980) £800-1,200

Two, both inscribed with titles and dated 1793 and 1791 respectively to labels cut from original mounts Both oil on card 14 x 19.1cm; 5½ x 7½in; 12.1 x 19cm; 43⁄4 x 7½in (2) Provenance: Both originally in an album inscribed Studies from nature by G. Garrard; Mr Nicholson, Oxford, from whom acquired by Edward Croft-Murray in 1942; From the collection of Edward Croft-Murray (1907-1980) Exhibited: ‘Hyde Park’ in London, Arts Council of Great Britain, Paintings from Nature: The Tradition of Openair Oil Sketching, 1980, cat. no.40 £500-800

421

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

THE COLLECTION OF EDWARD CROFT-MURRAY CBE (1907-1980) 422 WILLIAM TURNER OF OXFORD

1782-1862

A view of the Church of St Mary the Virgin, Iffley, Oxfordshire Oil on board 34.4 x 26.7cm; 13½ x 10½in Provenance: E. R. Owen; Oxford; By descent to Rev. Hon. and Mrs. A. Northcote; Gifted to Rev. H. J. Bidden; By whom gifted to Francis Wiliams, 1904; From the collection of Edward Croft-Murray (1907-1980) £800-1,200

423 SAMUEL DRUMMOND ARA 1765-1844

Tottenham High Cross with anglers and a woman carrying a basket on her head Oil on canvas 34 x 46.5cm; 131⁄4 x 181⁄4in Provenance: From the collection of Edward Croft-Murray (1907-1980) A variation on this composition after Samuel Drummond was etched by William Ridley (1764-1838) for the European Magazine (vol.45, 1804) £400-600

424 CIRCLE OF ALFRED VICKERS Figures in a churchyard Oil on board 13.5 x 17.7cm; 51⁄4 x 7in Provenance: From the collection of Edward Croft-Murray (1907-1980) £50-100

422

423

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

424

133

134

THE COLLECTION OF EDWARD CROFT-MURRAY CBE (1907-1980)

425

425 ATTRIBUTED TO JACQUES DE LAJOÜE

French 1686-1761

Park landscape with figures on a bridge near a fountain

426

426 FOLLOWER OF CHARLES-FRANÇOIS GRENIER DE LA CROIX, CALLED LACROIX DE MARSEILLE

Oil on canvas 41.2 x 63.7cm; 161⁄4 x 25in

Shipwreck at night with a figure swimming for shore

Provenance: Purchased by Edward Croft-Murray at Christie’s, 1974; From the collection of Edward Croft-Murray (1907-1980)

Oil on canvas 24.5 x 32.4cm; 93⁄4 x 123⁄4in Provenance: From the collection of Edward Croft-Murray (1907-1980)

£200-300

427

427 DUTCH SCHOOL

428 NORTHERN EUROPEAN SCHOOL

18th Century

Study of lillies; Study of peonies

c.1800

A pair, both oil on canvas Each 26 x 18.3cm; 101⁄4 x 71⁄4in (2)

Studies of cherries, grapes and currants

Provenance: From the collection of Edward Croft-Murray (1907-1980)

Oil on paper laid on board 55.2 x 37.3cm; 213⁄4 x 143⁄4in

£100-150

Provenance: From the collection of Edward Croft-Murray (1907-1980) £300-500

428 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

THE COLLECTION OF EDWARD CROFT-MURRAY CBE (1907-1980)

429 LOUIS-JEAN DESPREZ French 1743-1804

The Girandola at the Castel Sant’Angelo, Rome Watercolour over etched line 67.5 x 46.5cm; 26½ x 181⁄4in Provenance: From the collection of Edward Croft-Murray (1907-1980) For another version of this work, see Christie’s, Paris, Palais Abbatial de Royaumont - Exposition au Palais Abbatial de Royaumont, 19 September 2011, lot 58 £1,500-2,500

430 JAMES HOLLAND OWS 1799-1870

Figures in an Italian piazza Oil on panel 10.2 x 11.6cm; 4 x 4½in Provenance: From the collection of Edward Croft-Murray (1907-1980) £150-250

431 REV. JOHN THOMSON OF DUDDINGSTON HRSA Scottish 1778-1840

Rocky burn, near Loch Ruel, Argyllshire Inscribed Rocky Burn near Loch Riddon/Argyllshire/Rev John Thomson/ Duddingston/1776 (to verso) Oil on board 27.6 x 22.3cm; 103⁄4 x 83⁄4in Provenance: From the collection of Edward Croft-Murray (1907-1980) £200-400

430 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

429

431

135

136

THE COLLECTION OF EDWARD CROFT-MURRAY CBE (1907-1980)

432 ATTRIBUTED TO WILLIAM TAVERNER

1703-1772

A view of Rome with St. Peter’s from outside the walls Pencil and watercolour 19.4 x 30.1cm; 73⁄4 x 113⁄4in Provenance: From the collection of Edward Croft-Murray (1907-1980)

432

433

£150-250

433 ENGLISH SCHOOL c.1800

River landscape with a cottage and a figure by a bridge Oil on panel 10.8 x 14.7cm; 41⁄4 x 53⁄4in Provenance: From the collection of Edward Croft-Murray (1907-1980)

434

435

£100-150

434 PATRICK GIBSON 1782-1829

Richmond bridge, with two figures walking along the bank Signed and indistinctly dated PGibson 18** (lower right), and further signed, inscribed and dated Richmond Bridge - Surry/PGibson faciebat 1805 (to verso) Pen and black ink, and grey wash 18.3 x 26.7cm; 71⁄4 x 10½in Provenance: Leonard G. Duke (1890-1971) (no.D978); From the collection of Edward Croft-Murray (1907-1980) £150-250

436

437

435 ENGLISH SCHOOL 1760

436 AFTER MARCO RICCI

Italian 1676-1730

437 FRENCH SCHOOL

A view from Richmond Hill

Richmond Ferry as it was

Inscribed and dated Richmond Hill 1760 (lower centre) Pencil, pen and ink, and watercolour 35.5 x 47.2cm; 14 x 18½in Unframed

Etching, by Jean Baptiste Chatelain (French 1710-1758) 44.1 x 56.5cm; 171⁄4 x 221⁄4in

The crowning ceremony for the Prix de Rome

c.1830-35

Pencil, pen and ink, and brown wash 21.1 x 27.9cm; 81⁄4 x 11in

Provenance: From the collection of Edward Croft-Murray (1907-1980)

£50-100

This work was possibly originally part of a larger panorama.

Exhibited: London, Art Council of Great Britain, Berlioz and the Romantic Imagination, 1969, no.172

£250-400

£100-150

Provenance: From the collection of Edward Croft-Murray (1907-1980)

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

THE COLLECTION OF EDWARD CROFT-MURRAY CBE (1907-1980)

137

438 WILLIAM LEIGHTON LEITCH RI

Scottish 1804-1883

Interior of a Byzantine church Signed and dated W.L.Leitch/1855 (lower right) Pencil and watercolour 26.4 x 20.6cm; 101⁄4 x 8in Provenance: From the collection of Edward Croft-Murray (1907-1980) £200-300

439 HENRY OVERTON

438

439

1676-1751

AND J. HOOLE

act.1720s

The Prospect of Richmond in Surry Engraving 58 x 92.4cm; 223⁄4 x 361⁄4in (plate) Together with John Rocque (1704-1762); A new plan of Richmond Garden; Plan of the house, gardens, park & hermitage of Their Majesties at Richmond; two, both engravings; 57.7 x 91.2cm; 223⁄4 x 36in; 61.3 x 99cm; 241⁄4 x 39in (sheet); both unframed (3)

440

Provenance: From the collection of Edward Croft-Murray (1907-1980) £150-250

440 AFTER KARL FRIEDRICH SCHINKEL German 1781-1841

The Cathedral at Reims; Gothic hall overlooking Reims; Courtyard of Turneck Castle Three, each aquatint with hand-colouring, from Sammlung von Theater-Decorationen. Erfunden von Schinkel (Berlin 1849) Largest 36.5 x 51cm; 141⁄4 x 20in; Smallest 37.1 x 46cm; 14½ x 18in (image) (3) The two views of Reims are set designs for Friedrich Schiller’s Die Jungfrau von Orleans, and Turneck Castle is for Heinrich von Kleist’s Das Käthchen von Heilbronn Provenance: From the collection of Edward Croft-Murray (1907-1980)

442

441

441 JOHN BOWLES

442 JOHN CARWITHAM

AFTER GIORGIO FOSSATI

A South-East View of the City of Boston in North America

A Perspective View of Venice

Engraving with hand-colouring 30 x 45cm; 113⁄4 x 173⁄4in (plate)

c.1701-1779

Italian 1705-1786

Engraving with hand-colouring 25.4 x 41.6cm; 10 x 61⁄4in Provenance: From the collection of Edward Croft-Murray (1907-1980) £60-80

£150-250 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

act.1723-1741

Together with A view of the City of Oporto; engraving with hand-colouring; 27.9 x 42.3cm; 11 x 163⁄4in (plate); and Pierre-Charles Canot (French 1710-1777); A Prospect of the Moro Castle and City of Havana from Sea; engraving with hand-colouring; 26.2 x 43cm; 101⁄4 x 17in (plate) (3) Provenance: From the collection of Edward Croft-Murray (1907-1980) £70-100

138

THE COLLECTION OF EDWARD CROFT-MURRAY CBE (1907-1980) 443 BRITISH SCHOOL

Late 18th Century

Portrait of Thomas Whitford (d.1828) of St. Columb Major, Cornwall, half-length, in a brown coat Oil on canvas 76 x 66cm; 30 x 26in Provenance: From the collection of Edward Croft-Murray (1907-1980) £150-250

444 ENGLISH SCHOOL c.1830

443

444

Portrait of a lady, half-length, dressed in black dress with lace trim and a turban Oil on canvas 91.7 x 71.4cm; 38.5 x 28in Provenance: From the collection of Edward Croft-Murray (1907-1980) A label on the reverse identifies the sitter as Elizabeth Bradridge Shepherd (1788-1876), wife of Dr George Vance ‘by Gush’. William Gush (1813-1888) exhibited a portrait of Dr Vance at the Royal Academy in 1837 (no.421), although this sitter would appear younger than Elizabeth Shepherd would have been during this period. £400-600

445

446

445 ENGLISH SCHOOL

446 ENGLISH SCHOOL

Portrait of a gentleman, probably a member of the Murray family, half-length, wearing a black coat and yellow waistcoat

Portrait of a gentleman, half-length, wearing a black coat and seated in an interior

c.1840

c.1870

Oil on canvas 76 x 63.5cm; 30 x 25in Provenance: From the collection of Edward Croft-Murray (1907-1980) £200-300

Oil on canvas 76.7 x 64.5cm; 301⁄4 x 251⁄4in Provenance: From the collection of Edward Croft-Murray (1907-1980) £150-250

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

THE COLLECTION OF EDWARD CROFT-MURRAY CBE (1907-1980)

139

447 JAMES HOLLAND OWS 1799-1870

Still life with flowers in an urn on a ledge Signed and dated J Holland 1845 (lower left) Watercolour 42.6 x 31.4cm; 163⁄4 x 121⁄4in Provenance: From the collection of Edward Croft-Murray (1907-1980) £300-500

447

448

448 λ DORIS GODFREY ANDREWS

449 ENGLISH SCHOOL

The Lady in Green

Portrait of a young lady, wearing a blue dress and with a flower in her hair

b.1885

Signed and dated Godfrey Andrews/1920 (upper left) Rectangular in a metal frame 62 x 48mm Provenance: From the collection of Edward Croft-Murray (1907-1980)

Indistinctly signed and dated A J****s/1886 (centre right) Pastel 55.5 x 45.5cm; 213⁄4 x 18in

Exhibited: London, Royal Academy, 1920, no.918

Provenance: From the collection of Edward Croft-Murray (1907-1980)

£20-30

£150-250

449

450 BRITISH SCHOOL 1900

Portrait of a boy in a sailor suit; Portrait of a girl in a blue dress with lace collar A pair, the former signed with monogram GG and dated 1900 (lower right) Both pastel, oval Each 50 x 40.5cm; 193⁄4 x 16in (2) Provenance: From the collection of Edward Croft-Murray (1907-1980) £200-300

1886

450

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

140

THE COLLECTION OF EDWARD CROFT-MURRAY CBE (1907-1980)

451

452

451 FOLLOWER OF GUSTAVE COURBET

French 1793-1877

The turnip pickers

Figures harvesting in a hay field

Oil on canvas laid on board 21.8 x 29.8cm; 8½ x 113⁄4in

Indistinctly inscribed and dated Hippolyte A****son Lequeutre/1841/the *** of his affectionate father (to reverse) Oil on board 25.6 x 34.3cm; 10 x 13½in

Provenance: Arthur Tooth and Sons, London, 1896; From the collection of Edward Croft-Murray (1907-1980) £300-400

453

454

453 GIOACCHINO TOMA

454 FRENCH SCHOOL

Italian 1836-1891

19th Century

Study of a man in a red cap, seated smoking

Landscape with figures by a canal

Oil and pencil on board 29.1 x 17.9cm; 11½ x 7in

Indistinctly signed A Vera (?) (lower left) Oil on canvas 23 x 36.2cm; 9 x 141⁄4in

Provenance: From the collection of Edward Croft-Murray (1907-1980) £100-150

452 JOSEPH HIPPOLYTE LEQUEUTRE

Provenance: From the collection of Edward Croft-Murray (1907-1980) £250-400

Provenance: From the collection of Edward Croft-Murray (1907-1980) £150-250

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

DAY 2 Property of The Cider House Galleries, Part 1 455-514 Oil Paintings 515-862

142

PROPERTY OF THE CIDER HOUSE GALLERIES - PART 1

LOTS 455-514 PROPERTY OF THE CIDER HOUSE GALLERIES – PART 1 455 FOLLOWER OF MICHIEL JANSZ. VAN MIEREVELT Portrait of a gentleman, bust-length, wearing a ruff Oil on canvas 45.9 x 36cm; 18 x 141⁄4in Provenance: Property of The Cider House Galleries £300-500

456 CIRCLE OF JACOB HUYSMANS Portrait of a lady, half-length, wearing a white bejewelled dress, pearl necklace and earrings, in a painted oval Oil on canvas 75 x 62.3cm; 29½ x 24½in Unframed Provenance: Property of The Cider House Galleries £600-800

457 FOLLOWER OF JOHN RILEY Portrait of a lady, three-quarter-length, wearing an brown dress and green wrap, holding a sprig of flowers Oil on canvas 127 x 102.5cm; 50 x 401⁄4in Unframed Provenance: Property of The Cider House Galleries

455

456

£300-400

457 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

PROPERTY OF THE CIDER HOUSE GALLERIES - PART 1 458 JOHN BETTES THE YOUNGER c.1530-1616

Portrait of Richard Waugh, aged 56, wearing a fur lined coat, ruff and black cap Signed with initials, dated, and inscribed IB/ÆTATIS. SVÆ 56/1587 (upper right), and charged with the sitter’s coat-of-arms (upper left) Oil on panel 94.1 x 75.4cm; 37 x 293⁄4in Provenance: Heskin Hall, Lancashire; Property of The Cider House Galleries £5,000-8,000

458

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

143

144

PROPERTY OF THE CIDER HOUSE GALLERIES - PART 1

459

459 JAN VAN HAENSBERGEN Dutch 1642-1705

Portrait of a young boy, seated in a landscape with a sheep Oil on canvas 47 x 37.6cm; 18½ x 143⁄4in Provenance: Bonhams, Knightsbridge, 31 October 2007, lot 206; Property of The Cider House Galleries £2,000-3,000 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

PROPERTY OF THE CIDER HOUSE GALLERIES - PART 1

460

460 CIRCLE OF GERARD LANSCROON Portrait of a young girl in a landscape with a spaniel Oil on canvas 105.7 x 85.4cm; 41½ x 33½in Provenance: Property of The Cider House Galleries £3,000-5,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

145

146

PROPERTY OF THE CIDER HOUSE GALLERIES - PART 1 461 ATTRIBUTED TO PETER MONAMY 1681-1749

The morning gun Oil on canvas 50.8 x 63.7cm; 20 x 25in Provenance: Property of The Cider House Galleries £2,000-3,000

462 FRANCIS SWAINE

1725-1782

An admiral yacht, man-o-war and other ships in coastal waters Oil on canvas 46.7 x 120.7cm; 18½ x 47½in Provenance: Property of The Cider House Galleries £4,000-6,000

461

462

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

PROPERTY OF THE CIDER HOUSE GALLERIES - PART 1

463

463 WILHELM MELBYE Danish 1824-1882

Shipping off Scratchell’s Bay, Isle of Wight Signed and dated Wm Melby 1867 (lower left) Oil on canvas 56.4 x 95.7cm; 221⁄4 x 373⁄4in Provenance: Property of The Cider House Galleries £5,000-8,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

147

148

PROPERTY OF THE CIDER HOUSE GALLERIES - PART 1

464 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

PROPERTY OF THE CIDER HOUSE GALLERIES - PART 1

465

464 ATTRIBUTED TO NICOLA CASISSA

465 ATTRIBUTED TO JACOB VAN HUYSUM

Italian before 1680-1731

Dutch 1688-1740

Still life with flowers, butterflies and a fountain in a landscape

Still life with flowers in an urn, and a bird’s nest on a stone ledge in a garden

Oil on canvas 63.2 x 49cm; 25 x 191⁄4in

Signed Van Huysum (lower right) Oil on canvas 81 x 116cm; 32 x 453⁄4in

Provenance: Property of The Cider House Galleries £3,000-5,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

149

150

PROPERTY OF THE CIDER HOUSE GALLERIES - PART 1

466

466 SIR GODFREY KNELLER BT. AND STUDIO

1646-1723

Portrait of Sir Edward Ward (1638-1714), Chief Baron of the Exchequer, seated three-quarter-length, in robes Oil on canvas 126.7 x 102.3cm; 50 x 40in Provenance: By descent from the sitter’s family; Property of The Cider House Galleries £2,500-4,000 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

PROPERTY OF THE CIDER HOUSE GALLERIES - PART 1

467

467 FOLLOWER OF JOHN CLOSTERMAN Portrait of a gentleman, three-quarter-length, in blue velvet coat and ochre wrap Oil on canvas 127 x 104cm; 50 x 41in Provenance: Lord Rossmore, Camla Vale, Co. Monaghan; His sale, Osborne King and Megan, 9-10 April 1962, as ‘Attributed to J.B. Closterman’; The Property of a Noblewoman, by whom sold Woolley and Wallis, Salisbury, Old Masters, British & European Paintings, 4 March 2020, lot 169; Property of The Cider House Galleries £2,000-3,000 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

151

152

PROPERTY OF THE CIDER HOUSE GALLERIES - PART 1

468 CIRCLE OF MARY BEALE

469 CIRCLE OF SIR PETER LELY

Portrait of Henrietta Walker, half-length, wearing a gold wrap in a painted cartouche

Portrait of a lady, wearing a brown dress and blue mantle, in a painted oval

Oil on canvas 76 x 63.2cm; 30 x 25in

Oil on canvas 76.7 x 63.9cm; 301⁄4 x 251⁄4in

Provenance: Property of The Cider House Galleries

£1,500-2,500

470 ENGLISH SCHOOL

471 THOMAS BEACH

Portrait of a young lady in a landscape, three-quarter length, wearing a blue dress and holding a straw hat and shepherd’s staff

Portrait of Robert Helyar (1748-1781) in uniform

c.1700

Oil on canvas 127.8 x 102.7cm; 50¼ x 40½in Provenance: Property of The Cider House Galleries £800-1,200

468

469

£800-1,200

1738-1806

Inscribed by a later hand Robert Helyar Aged 20 years/1768 (to verso) Oil on canvas 76.3 x 64.9cm; 30 x 25½in Provenance: Mrs Walker Heneage, 1937; Property of The Cider House Galleries Exhibited: Bristol, Royal West of England Academy, Art Treasures of the West Country, 24 May - 26 June 1937, no.127 £2,500-3,500

470 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

PROPERTY OF THE CIDER HOUSE GALLERIES - PART 1

471

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

153

154

PROPERTY OF THE CIDER HOUSE GALLERIES - PART 1

472 ATTRIBUTED TO MICHAEL WUTKY

Austrian 1739-1822

Elegant figures on horseback, washerwomen and other figures by a waterfall Oil on canvas 69 x 92.5cm; 27 x 36½in Provenance: Property of The Cider House Galleries £3,000-5,000

472

473 H. C. SMITH act.1820-1840

Brosley, a black horse in a landscape with two spaniels Signed, dated and inscribed HSmith 1838/ Brosley (lower left) Oil on canvas 65.7 x 84.6cm; 253⁄4 x 331⁄4in Provenance: Property of The Cider House Galleries £800-1,200

473 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

PROPERTY OF THE CIDER HOUSE GALLERIES - PART 1

474

474 ATTRIBUTED TO JOHN WILKINS act.1795-1800

A marine battle between the British and Dutch navies Oil on canvas 63.3 x 99.3cm; 25 x 39in Provenance: The Parker Gallery, London; Property of The Cider House Galleries £1,500-2,500

475 DUTCH SCHOOL

19th Century

Shipping in choppy coastal waters, a port town in the distance Bears a signature H Koekkoek (lower left) Oil on canvas 25.7 x 35.9cm; 10 x 141⁄4in Unframed Provenance: Property of The Cider House Galleries

475

£200-300 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

155

156

PROPERTY OF THE CIDER HOUSE GALLERIES - PART 1 476 FRENCH SCHOOL

477 ARTHUR POND

Portrait of a lady, three quarter length, wearing a grey silk dress and veil, standing in an interior

Portrait of a gentleman wearing a blue coat and yellow waistcoat, in a painted oval

Oil on canvas 91.5 x 73.5cm; 36 x 29in

Oil on canvas 74.3 x 61.5; 291⁄4 x 241⁄4in

Provenance: Property of The Cider House Galleries

£1,500-2,500

£1,000-1,500

18th Century

c.1705-1758

478 CIRCLE OF GEORGE ROMNEY Head study of a young woman Oil on canvas 46.5 x 40.8cm; 181⁄4 x 16in Provenance: Property of The Cider House Galleries £800-1,200

476

477

478 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

PROPERTY OF THE CIDER HOUSE GALLERIES - PART 1

479

479 JOHN COLLET 1725-1780

Tight lacing, or, Fashion before ease; and The Triple Plea Two, the former signed J*o Collet (lower left) Both oil on canvas Each 34.9 x 26.4cm; 133⁄4 x 10½in (2) Provenance: Bonhams, Knightsbridge, Old Master Paintings, 23 October 2019, lot 179; Property of The Cider House Galleries £2,500-3,500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

157

158

PROPERTY OF THE CIDER HOUSE GALLERIES - PART 1 480 THOMAS HUDSON

481 ENGLISH SCHOOL

1701-1779

Late 18th Century

Portrait of a gentleman, traditionally identified as Joseph King, wearing a blue jacket and white waistcoat in a painted oval

Portrait of an officer, bust length, wearing a red coat

Oil on canvas 76.2 x 63.4cm; 30 x 25in Provenance: Property of The Cider House Galleries

Oil on canvas 40.5 x 35.6cm; 16 x 14in Provenance: Property of The Cider House Galleries £600-800

£1,500-2,500

482 ATTRIBUTED TO RICHARD VAN BLEECK

Dutch 1670-1733

Portrait of a gentleman wearing a brown coat, in a painted oval Oil on canvas 76 x 61.2cm; 30 x 24in Provenance: Property of The Cider House Galleries £800-1,200

480

481

482

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

PROPERTY OF THE CIDER HOUSE GALLERIES - PART 1

483

483 BRITISH SCHOOL c.1850

Portrait of George Douglas Dods MD (1817-1857), standing in a landscape in military dress Oil on canvas 127 x 100.8cm; 50 x 393⁄4in Provenance: Property of The Cider House Galleries £2,000-3,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

159

160

PROPERTY OF THE CIDER HOUSE GALLERIES - PART 1

484

484 EDWIN HENRY BODDINGTON

485 JOHN PENNINGTON 1773-1841

1811-1865

Figures by a lock on the River Ouse

1836-1905

485

486 HENRY JOHN BODDINGTON

Signed and dated E Boddington Junior 1853 (lower right) Oil on canvas 61.3 x 91.8cm; 241⁄4 x 361⁄4in

Children on a hill, above a river landscape with a mill and bleaching fields

Landscape with a man on horseback and two boys fishing in a stream

Signed J Pennington (lower left) Oil on canvas 92.1 x 117cm; 361⁄4 x 46in

Oil on panel 26.3 x 24.2cm; 101⁄4 x 9½in

Provenance: Property of The Cider House Galleries

£1,000-1,500

£600-1,000

Provenance: Property of The Cider House Galleries £250-400

486 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

PROPERTY OF THE CIDER HOUSE GALLERIES - PART 1

487 JAMES CASSIE RSA Scottish 1819-1879

View of Holy Isle, by moonlight Signed with monogram and dated 1874 (lower left) Oil on canvas 68.8 x 125.1cm; 27 x 49¼in Provenance: Property of The Cider House Galleries £1,000-1,500

487

488 JOHN JAMES WILSON

1818-1875

Fishing off the Dutch coast Oil on panel 34.7 x 59.5cm; 133⁄4 x 23½in Provenance: Property of The Cider House Galleries £600-800

488

489 EDMUND JOHN NIEMANN

1813-1876

Travellers on a path near the Pembrokeshire coast Signed Niemann (lower right) Oil on canvas 57.5 x 88cm; 223⁄4 x 343⁄4in Provenance: Property of The Cider House Galleries £800-1,200

489 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

161

162

PROPERTY OF THE CIDER HOUSE GALLERIES - PART 1 490 LANCELOT ELFORD REED 1793-1845

Extensive hilly landscape with an artist sketching and his dog Signed and dated L.E.Reed 1834 (lower centre) Oil on canvas 58.4 x 75.2cm; 23 x 29½in Provenance: Property of The Cider House Galleries £1,000-1,500

490

491 JAMES JOHN HILL RBA 1811-1882

Shepherds and their flock on a hillside Signed JJ Hill (lower left) Oil on canvas 31.4 x 46.8cm; 121⁄4 x 18½in Provenance: Property of The Cider House Galleries £700-1,000

491

492 GEORGE SHALDERS 1826-1873

Welsh landscape at dusk, with figures by a lake and mountains beyond Signed with initials GS (lower left) Oil on board 19 x 36.8cm; 7½ x 14½in Provenance: Property of The Cider House Galleries £600-800

492 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

PROPERTY OF THE CIDER HOUSE GALLERIES - PART 1

493

493 JAN JACOB SPÖHLER Dutch 1811-1866

Dutch winter landscape with figures on a frozen river Signed J J Spohler (lower right) Oil on canvas 58.1 x 80.5cm; 22¾ x 31¾in Provenance: Property of The Cider House Galleries £4,000-6,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

163

164

PROPERTY OF THE CIDER HOUSE GALLERIES - PART 1 494 WILLIAM MINEARD BENNETT 1778-1858

Portrait of a young boy, seated in a landscape, holding a sketching board Oil on canvas 58.6 x 43.2cm; 23 x 17in Provenance: Property of The Cider House Galleries £700-1,000

495 ENGLISH SCHOOL

19th Century

Portrait of a gentleman, full-length, seated and holding a book Oil on canvas 45 x 35.7cm; 173⁄4 x 14in Provenance: Property of The Cider House Galleries £400-600

496 M. NICHOLSON 19th Century

Portrait of a young lady wearing a white blouse Signed and dated M Nicholson/Jan 90 (lower right) Oil on canvas 61.5 x 51.5cm; 241⁄4 x 201⁄4in Provenance: Property of The Cider House Galleries £100-200

494

495

496 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

PROPERTY OF THE CIDER HOUSE GALLERIES - PART 1

497

497 ATTRIBUTED TO ARTHUR WILLIAM DEVIS 1762-1822

Portrait of young officer, half-length, in uniform Oil on canvas 76.6 x 64cm; 301⁄4 x 251⁄4in Provenance: Property of The Cider House Galleries £2,000-3,000 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

165

166

PROPERTY OF THE CIDER HOUSE GALLERIES - PART 1 498 JAMES HARDY JNR.

1801-1889

The day’s bag Bears a date 1861 (upper right) Oil on canvas 90.4 x 70.7cm; 35½ x 273⁄4in Provenance: Woolley and Wallis, Salisbury, Fine Old Masters & 19th Century Paintings, 4 December 2013, lot 85; Property of The Cider House Galleries £2,000-3,000

498

499 EDWARD COLEMAN c.1795-1867

Eel, pike, perch, trout and other fish on the bank Oil on panel 51.6 x 69.8cm; 201⁄4 x 27½in Provenance: Property of The Cider House Galleries £1,000-1,500

499 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

PROPERTY OF THE CIDER HOUSE GALLERIES - PART 1 500 WILLIAM DUFFIELD 1816-1863

Still life with fruit, roemer, and jar Signed and dated William Duffield 1853 (lower left) Oil on canvas in a painted roundel 42 x 42cm; 16½ x 16½in Provenance: Joseph White (according to label); Property of The Cider House Galleries £2,000-3,000

500

501

502

501 WILLEM ACKERMANN

502 DAVID EMIL JOSEPH DE NOTER

German act.1830-1845

Belgian 1825-1875

Still life with hyacinths, narcissi, freesias and a rose in a glass vase on ledge; Still life with hyacinths, narcissi, freesias and a tulip in a glass vase on a ledge

Still life with flowers on a ledge

A pair, both signed and dated W. Ackermann 1830 (lower right) Both oil on canvas Each 34 x 27.5cm; 131⁄4 x 103⁄4in (2) Provenance: Property of The Cider House Galleries £1,000-1,500 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

Signed David de Noter (lower left) Oil on panel 32.7 x 26.2cm; 12¾ x 10¼in Provenance: Property of The Cider House Galleries £1,500-2,500

167

168

PROPERTY OF THE CIDER HOUSE GALLERIES - PART 1 503 CHARLES CLÉMENT CALDERON

French 1870-1906

A view of the Bacino San Marco Oil on canvas 84.5 x 117.5cm; 331⁄4 x 461⁄4in Provenance: Waterhouse and Dodd, London; Private Collection, Kent; Property of The Cider House Galleries £3,000-5,000

504 FOLLOWER OF FRANCESCO GUARDI Venetian view with figures and market stalls in a church square Oil on panel 22.7 x 16.8cm; 9 x 6½in Provenance: Property of The Cider House Galleries

503

£500-700

505 ITALIAN SCHOOL 19th Century

Italian street scene with figures talking Oil on board 40.5 x 26.5cm; 16 x 10½in Provenance: Property of The Cider House Galleries £400-600

504

505

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

PROPERTY OF THE CIDER HOUSE GALLERIES - PART 1 506 R. PATON REID 19th Century

Tea-time Signed and dated R Paton Reid 1887 (lower left) Oil on canvas 50.8 x 76.7cm; 20 x 301⁄4in Provenance: Property of The Cider House Galleries £1,000-1,500

506

507

508

507 CONTINENTAL SCHOOL

508 SOPHIE ANDERSON

19th Century

1823-1903

Portrait of a lady, bust-length, in a pink dress and white shawl, in a painted oval

Little Rubina

Indistinctly signed *Matthi* (lower right) Oil on panel 26.5 x 22.5cm; 10½ x 83⁄4in

Signed S Anderson (lower right), and further signed and inscribed Little Rubina/S.Anderson/Capri (to stretcher) Oil on canvas 37.4 x 31.5cm; 143⁄4 x 12½in

Provenance: Property of The Cider House Galleries

£300-500

£1,200-1,800

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

169

170

PROPERTY OF THE CIDER HOUSE GALLERIES - PART 1

509

509 CIRCLE OF CHARLES DEANE A view of the Thames at Twickenham Oil on panel 36.5 x 53.4cm; 141⁄4 x 21in

Provenance: Property of The Cider House Galleries £1,500-2,500

510 THOMAS HAND 1771-1804

Summer; Winter A pair, the latter indistinctly signed T*AN* (lower right) Both oil on canvas Each 41.9 x 52cm; 16½ x 20½in (2) Provenance: American Art Association (as George Morland); Property of The Cider House Galleries £800-1,200

510 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

PROPERTY OF THE CIDER HOUSE GALLERIES - PART 1

511

512

511 CIRCLE OF KEELEY HALSWELLE Landscape with a fisherman and his dog in a boat Traces of a signature (lower right) Oil on canvas 40.6 x 51.3cm; 16 x 201⁄4in Unframed Provenance: Property of The Cider House Galleries £700-1,000

512 BRITISH SCHOOL c.1900

Elegant figures strolling by the pier Oil on board 8.8 x 12.1cm; 3½ x 43⁄4in Unframed Provenance: Property of The Cider House Galleries £100-200

513 An Early 20th Century Lechertier, Barbe & Co stained wood extendable adjustable easel On casters 180.5cm; 71in high (unextended) Provenance: Property of The Cider House Galleries £200-300

514 An Early 20th Century Newman’s of London stained mahogany easel Adjustable on crank mechanism (missing handle), with casters 224.5cm; 88½in high (unextended) Provenance: Property of The Cider House Galleries £200-300

513 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

514

171

172

OIL PAINTINGS

515

516

515 AFTER PARMIGIANINO Madonna of the Rose Oil on canvas 43.7 x 38.5cm; 171⁄4 x 151⁄4in After the autograph version in the Gemäldegalerie, Dresden (no.161) £400-600

516 ITALIAN SCHOOL 18th Century

Madonna and Child with the infant St. John the Baptist Oil on canvas 38.5 x 31cm; 151⁄4 x 121⁄4in £800-1,200

517 NORTHERN ITALIAN SCHOOL Late 16th Century

The deposition Oil on canvas 67.5 x 63cm; 26½ x 243⁄4in £400-600

517

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

173

518 ATTRIBUTED TO THE PSEUDO-GRANACCI, POSSIBLY IDENTIFIABLE AS POGGIO POGGINI Italian active by 1493 - died 1532

Angel in adoration Tempera on panel 32.1 x 17.7cm; 123⁄4 x 7in Provenance: William Graham Collection; Finarte, Rome, 14 November 2006, lot 3 (as The Pseudo-Granacci) The present work was first attributed to the artist known as Pseudo-Granacci by Everett Fahy. Federico Zeri was the first to piece together the work of this anonymous master, naming him the Master of the Spiridon Story of Joseph, before Fahy expanded the number of works (E. Fahy, Some Followers of Domenico Ghirlandaio, New York, 1976). However, Fahy later preferred the moniker ‘Pseudo-Granacci’, given the stylistic proximity to the work of Franceso Granacci (1469-1543). In 1992 he suggested that the master might be indentifiable as Poggio Poggini, who was recorded as assisting Domenico Ghirlandaio in 1493, and Granacci in 1495 (Il Giardino di San Marco, exh. cat. Casa Buonarotti, Florence, Milan 1992). £2,000-3,000

518 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

174

519 AFTER LORENZO LOTTO Madonna and Child with St. Roch and St. Sebastian Oil on canvas 88.6 x 72cm; 35 x 281⁄4in After the original in the National Gallery of Canada, Ottawa £2,000-3,000

520 ITALIAN SCHOOL c.1700

A saint reading from a prayer book Oil on canvas 40.6 x 26.7cm; 16 x 10½in Provenance: The Collection of Sir Raymond and Lady Smith; And by descent £600-800

521 AFTER BARTOLOMÉ ESTEBAN MURILLO Christ and the Holy Spirit Oil on canvas 112 x 56cm; 44 x 22in After the original central figure in The Heavenly and Earthly Trinities, National Gallery, London (no.NG13) £300-500

522 CIRCLE OF GIOVANNI BATTISTA SALVI, CALLED SASSOFERRATO Virgin and Child with St. John the Baptist Oil on canvas 94.4 x 76cm; 37 x 30in

519

Provenance: Estate of Michael D Peterson (1966-1985); Chorley’s, Gloucester, 30 November 2006 (As Attributed to Sassoferrato) This work relates to an autograph version in The Ringling Museum, Florida (inv. no.SN127). £5,000-7,000

520

521 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

175

522

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

176

523 FOLLOWER OF MAERTEN DE VOS River landscape with a hermit saint reading, and figures and dogs by a walled town Oil on canvas 109.3 x 166cm; 43 x 651⁄4in £700-1,000

523

524 FOLLOWER OF MAERTEN DE VOS River landscape with Saint Arsenius, and figures and goats with a city in the distance Inscribed S.ARSENIVS (lower left) Oil on canvas 109.2 x 165.8cm; 43 x 651⁄4in £700-1,000

524

525 FOLLOWER OF MAERTEN DE VOS Landscape with a hermit saint, figures harvesting and a pond with swans, with a monastery in the distance Oil on canvas 109.7 x 166cm; 431⁄4 x 651⁄4in £700-1,000

525 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

177

526 FOLLOWER OF JOOS VAN CLEVE St. Jerome in his study Oil on panel 67.5 x 53.8cm; 26½ x 211⁄4in £2,000-3,000

527 AFTER PERUGINO Portrait of Francesco delle Opere Oil on canvas 54.7 x 41.5cm; 21½ x 161⁄4in Unframed £200-300

528 AFTER MARINUS VAN REYMERSWALE Two tax collectors Oil on panel 35.5 x 28.4cm; 14 x 111⁄4in Unframed £200-300

526

527

528

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

178

529

529 FOLLOWER OF PIETER CASTEELS III Still life in an ornamental parkland, with flowers, burst fruit and a peacock Oil on canvas 55 x 86.8cm; 213⁄4 x 341⁄4in Provenance: From the family collections of Captain George Lionel Jameson OBE (1880-1961) and his descendants

530 CONTINENTAL SCHOOL

531 FOLLOWER OF OTTO MARSEUS VAN SCHRIECK

Floral still life with orchid, tulips, hyacinths, crocuses, peace lily and geraniums

Sottobosco with snake, lizard and butterfly

c.1800

Oil on canvas 42.5 x 70cm; 163⁄4 x 27½in

Oil on canvas 49.8 x 65.1cm; 19½ x 253⁄4in £400-600

£700-1,000

£800-1,200

530

531

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

179

532

532 ROMAN SCHOOL 17th Century

Two putti in a landscape holding a garland of flowers Oil on canvas 78.7 x 120.5cm; 31 x 47½in £5,000-8,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

180

533 FOLLOWER OF HENDRICK VAN VLIET Interior of a cathedral with a trompe-l’oeil curtain Oil on canvas 83.6 x 88.7cm; 33 x 35in £2,000-3,000

534 CIRCLE OF PIETER NEEFS THE ELDER Interior of a cathedral at night Oil on panel 26.8 x 37cm; 10½ x 14½in £400-600

535 CIRCLE OF HENDRICK VAN STEENWIJCK THE YOUNGER Cathedral interior with the idolatry of Solomon Oil on copper 18.5 x 25.1cm; 71⁄4 x 10in £400-600

533

534

535

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

181

536

536 SPANISH SCHOOL 17th Century

Still life with asparagus, an oyster, fruit and a pitcher on a ledge Oil on canvas 45.3 x 55cm; 173⁄4 x 213⁄4in £3,000-5,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

182

537

537 PIETER BOEL

Dutch 1662-1674

Still life with dead game, fruit and vegetables, and a gun on a table Oil on canvas 96.4 x 109.6cm; 38 x 431⁄4in Provenance: From a private Cornish country estate £3,000-5,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

183

538 GERRIT VAN VUCHT

Dutch 1610-1697

Still life with fish, eggs, bread and pans Signed with monogram (lower centre to cupboard) Oil on panel 35.2 x 28.3cm; 133⁄4 x 111⁄4in Provenance: From a private Cornish country estate £2,000-3,000

538

539 GERRIT VAN VUCHT

Dutch 1610-1697

Still life with a duck, cabbage, gherkins, bread roll, cauldron and tub Signed with monogram (lower centre to cupboard) Oil on panel 20.7 x 18cm; 81⁄4 x 7in Provenance: Christie’s, London, Important Old Master Pictures, 12 December 1986, lot 60, where purchased by the present English private collector £3,000-5,000

539 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

184

540

540 FOLLOWER OF JEAN-BAPTISTE BOSSCHAERT Still life with flowers and cherries around an urn decorated with athletes, with a bright green lizard on a stone ledge; Still life with flowers around an urn decorated with athletes, with a cherry and a lizard on a stone ledge A pair, both oil on canvas Each 100.5 x 80cm; 39½ x 31½in (2) Provenance: Woolley and Wallis, Salisbury, Fine Old Masters & 19th Century Paintings, 10 December 2014, lot 108, where purchased by the present private collector £8,000-12,000 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

185

540

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

186

541 ATTRIBUTED TO HANS ROTTENHAMMER I

German 1564-1625

The three daughters of Cecrops discovering the infant Erichthonius Oil on copper 30.4 x 23.7cm; 12 x 91⁄4in For another version of this work by Rottenhammer see Phillips, London, Old Master Paintings, 14 December 1999, lot 27 £2,000-3,000

541

542 AFTER SIMON KICK The homecoming of a fowling party Oil on canvas 98 x 77cm; 38½ x 301⁄4in After the original in the Statens Museum for Kunst, Copenhagen (inv. no.3886). £5,000-7,000

542 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

187

543 CIRCLE OF FRANS FLORIS THE ELDER Portrait of a gentleman, bust-length, aged 53 Dated and inscribed ÆTATIS/SVA 53/1554 (centre right) Oil on panel 26.8 x 18.7cm; 10½ x 71⁄4in Provenance: Rudolf Peltzer, Cologne; Frederik Muller, Amsterdam, 26-27 May 1914, lot 25 (as Frans Floris the Elder); Where purchased by Oscar Nottebohm (1865-1935); And by descent; Paleis voor Schone Kunsten, Brussels, La Succession de feu M. Oscar Nottebohm, 17 December 1957, lot 44 (as Willem Key); Christie’s, London, 1 February 1985, lot 107 (as Circle of Willem Key), where purchased by the present English private collector Exhibited: Antwerp, Antwerpsche Propagandaweken, August - September 1935 £3,000-5,000

543

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

188

544

544 CIRCLE OF PIETER CODDE

545 MICHIEL JANSZ. VAN MIEREVELT

Portrait of a gentleman, aged 44, bust-length, in a pleated ruff; Portrait of a lady, aged 43, bust-length, in a mill-stone ruff and lace cap A pair, the former inscribed and dated Ætatis 44./A 1631. (centre right); the latter inscribed and dated Ætatis 43./A* 1631. (upper right) Both oil on panel, oval Each 21.9 x 18.2cm; 8½ x 71⁄4in (2) Provenance: Samuel Cartwright (1815-1891), 32 Old Burlington Street, London; His posthumous sale, Christie, Manson and Woods, London, 26 February 1892, lot 105; Where purchased by Thos. Agnew & Sons, no.6263; Where purchased by Sir William Agnew, 1st Bt. (1825-1910), 31 May 1893; By descent to Charles Morland Agnew (1855-1931), Durrants, Herts, where hung by the fireplace in the hall (his hand-written label to verso of ‘Portrait of a lady’, with attribution to Thomas de Keyser); By decent and gifted by his children to the previous owner, 21 July 1932; And by descent £2,000-3,000

Dutch 1566-1641

Portrait of a lady, traditionally identified as Elizabeth Stuart (1596-1662), Queen of Bohemia, the Winter Queen, half-length, in a bejewelled dress, lace collar and plumed headdress Signed and dated Mierevelt/Ao 1620 (centre right) Oil on panel 69.4 x 58.5cm; 271⁄4 x 23in Provenance: John Mitchell Chapman, California, by 1950; Ian MacNichol, Glasgow, by 1970; Where purchased by the present private collector, UK, c.1979 Elizabeth Stuart was the eldest daughter of James VI and I, of Scotland and England. In 1613 she married Frederick V, Count Palatine of the Rhine, who six years later was offered the throne of Bohemia. However, Frederick’s reign ended in 1620, after the Battle of White Mountain, and the couple became known as the Winter King and Winter Queen. The rest of her life was largely spent in exile at the Hague, though she cannily used portraiture to publicise her plight, dispatching numerous portraits of herself and her family by Mierevelt and his studio to potential allies and supporters. According to records in the RKD, The Hague, in 1950 Wilhelm Valentiner argued that this portrait depicted Elizabeth Stuart. However, in 1970 Frits van Kretschmar suggested that the sitter may be a member of the Hanau family. £10,000-15,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

189

545

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

190

546 FRENCH SCHOOL 18th Century

AFTER LUCA GIORDANO

Italian 1634-1705

Christ driving the money lenders from the temple Oil on canvas 58.5 x 75.3cm; 23 x 293⁄4in Provenance: Hôtel Drouot, Paris 28 March 2001, lot 90 The present work derives from Luca Giordano’s original in The Hermitage, St. Petersburg (inv. no. 5561) £2,000-3,000

547 CONTINENTAL SCHOOL 18th Century

The Crucifixion Oil on canvas 84.5 x 67cm; 331⁄4 x 261⁄4in

546

£300-500

548 P. J. NEUMAN

Belgian 19th Century

AFTER GABRIËL METSU

Dutch 1629-1667

The old game dealer Signed, inscribed and dated P J Neuman f 1851 antwerp (lower left) Oil on panel 42.5 x 31cm; 163⁄4 x 121⁄4in Provenance: From a private Cornish country estate After the original in the Gemäldegalerie Alte Meister, Dresden (inv no.1735) £300-500

547

548

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

191

549 JACOB DE WIT Dutch 1695-1754

Trompe l’oeil bas-relief with putti at play with a goat Signed J DWit (lower right) Oil on panel, en grisaille 55.1 x 34cm; 213⁄4 x 13½in £2,000-3,000

549

550

551

550 FOLLOWER OF JOSEPH WRIGHT OF DERBY

551 CIRCLE OF HENRY ROBERT MORLAND

A boy examining a statue of a crouching Venus by candlelight

Young woman reading by candlelight

Oil on canvas 40.7 x 46cm; 16 x 181⁄4in

Oil on canvas 56.8 x 46cm; 221⁄4 x 18in

An extended version of this composition, also attributed to a Follower of Joseph Wright of Derby, is in the collections of Derby Museum and Art Gallery (no.1934-514)

£300-500

£600-800

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

192

552 CIRCLE OF JAN STEEN Tavern scene with a young woman playing a lute Oil on panel 29 x 23.5cm; 11½ x 91⁄4in £1,200-1,800

552

553 J. H. MOLS

Belgian 19th Century

AFTER JACOB JORDAENS

Flemish 1593-1698

As the Old Sing, So the Young Pipe Signed J H Mols (lower right) Oil on canvas 31.7 x 43.5cm; 12½ x 17in After the original in the Royal Museum of Fine Arts, Antwerp (inv. no.677) £200-300

553 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

193

554

554 CIRCLE OF JAN GRIFFIER I Extensive mountainous river landscape with shepherds, travellers and boatmen, and a castle in the distance Oil on panel 34.5 x 44.7cm; 13½ x 17½in £700-1,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

194

555 JOSEPH VAN BREDAEL Flemish 1688-1739

Cavalry battle outside the walls of a town Signed with initials JB (lower right) Oil on copper 15.3 x 20.4cm; 6 x 8in £1,500-2,500

555

556

556 KAREL BREYDEL Flemish 1678-1733

A cavalry skirmish with fallen horses; A cavalry battle in a mountainous landscape Two, both oil on panel 14.2 x 20.3cm; 5½ x 8in; 14.2 x 20.6cm; 5½ x 8in (2) Provenance: Each Christie’s, London, Old Master & English Pictures, 24 July 1987, lots 129 & 132 £1,500-2,500

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

195

557

557 JOSEPH VAN BREDAEL

Flemish 1688-1739

A winter landscape, with horse-drawn cart, a hunter and his dogs and figures skating below a town Signed with initials iB (lower right) Oil on copper 15.5 x 19.7cm; 6 x 73⁄4in Provenance: In the family of the present owner by 1930s; And by descent This newly discovered work was a favoured composition of Joseph van Bredael. Klaus Ertz records three autograph versions and two putative versions of varying sizes on both copper and panel (K. Ertz and C. Nitze-Ertz, Josef van Bredael 1688-1739 (Lingen, 2006), nos. E27-E29; and F30-F31). Additionally an unsigned version on copper was sold at Christie’s, London (4 December 2013, lot 139). The composition seems to derive from a work by Jan Breughel I and Joos de Momper II in the Staatliche Museen, Kassel (no.GK 51). £10,000-15,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

196

558

558 PETER MONAMY 1681-1749

Men-of-war at anchor Oil on canvas 28 x 45.2cm; 11 x 173⁄4in Provenance: The Parker Gallery, London £2,000-3,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

197

559

559 FOLLOWER OF JACOBUS STORCK Dutch canal scene with elegant figures in boats and on the bank Bears a signature A.STORK (lower left) Oil on canvas laid on board 74.2 x 107.5cm; 291⁄4 x 421⁄4in Provenance: From the collection of Professor Anne Birrell (1950-2020). Professor Birrell taught Chinese and Chinese literature at Cambridge University and the City University of New York. Her publications include Popular Songs and Ballads of Han China, New Songs from a Jade Terrace, and Chinese Mythology: An Introduction. £3,000-5,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

198

560

561

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

199

560 FOLLOWER OF CHARLES BROOKING The evening gun Oil on canvas 40.1 x 58.9cm; 153⁄4 x 223⁄4in Provenance: Sir Humphrey Browne CBE; J. Leger & Son, London, 1959 (as Brooking); Christie’s, London, 16 July 1965, lot 42 (750gns) (as Brooking); The Collection of Sir Raymond and Lady Smith; And by descent Literature: David Joel, Charles Brooking 1723-1759 and the 18th Century British Marine Painters (Antiques Collectors’ Club, 2000), p.114, cat. no.1E (as Follower of Brooking) £600-800

561 ADRIAEN VAN DIEST Dutch 1655-1704

A Mediterranean coastal landscape at dawn, with a port in the distance Signed with monogram (lower centre) Oil on canvas 41.4 x 149.5cm; 161⁄4 x 583⁄4in

562

Provenance: Sotheby’s, London, 20 April 1988, lot 111; Christie’s, London, 1 March 1991, lot 111, where purchased by Sir Peter Moores (1932-2016), Parbold Hall, Lancashire; His posthumous sale, Sotheby’s, London, Old Masters Online, 19 September 2019, lot 163 £4,000-6,000

562 DUTCH SCHOOL c.1700

Fishermen preparing their boat at dawn, with ships at anchor beyond Oil on canvas 59.7 x 73.7cm; 23½ x 29in £700-1,000

563 FOLLOWER OF PETER MONAMY Coastal landscape with ships in calm waters, and a man-o-war firing a salute Bears a signature P.Monamy (lower left) Oil on panel 31 x 39cm; 121⁄4 x 151⁄4in

563

£300-500 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

200

564 ATTRIBUTED TO NICOLAES BERCHEM

Dutch 1620-1683

An Italianate landscape with a couple and their flock on a road Oil on panel laid down on canvas 57.5 x 80.7cm; 223⁄4 x 313⁄4in Provenance: Christie’s, South Kensington, 6 July 1995, lot 448; Where purchased by Edmund de Rothschild (1916-2009); The Trustees of Exbury House £1,500-2,500

564

565 ITALIAN SCHOOL

566 FOLLOWER OF GILLIS MOSTAERT

Italianate wooded river landscape with figures and a town in the distance

Mountainous river landscape with travellers on a path

c.1800

£300-500

Provenance: Sotheby’s, London, 15 March 1993, lot 87 (as Follower of Francesco Zuccarelli), where purchased by the present private collector

567 FOLLOWER OF JOOS DE MOMPER

£300-500

Mountainous river landscape, with figures and a castle beyond Oil on panel 21.2 x 29.5cm; 81⁄4 x 11½in £200-300

565

566

Oil on copper 24.6 x 37.2cm; 93⁄4 x 143⁄4in

Oil on canvas 70.9 x 95.7cm; 28 x 373⁄4in Unframed

567 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

201

568

568 FOLLOWER OF SEBASTIAN VRANCX

569 JAN MARTSZEN DE JONGE

Autumn: A river landscape with peasants treading grapes and an ox being slaughtered by a farmhouse

Dutch c.1609 - after 1648

Battle scene

Signed indistinctly and dated 1639 (lower left) Oil on panel 51.6 x 84.7cm; 201⁄4 x 331⁄4in

Signed with initials and dated 1648 (lower left) Oil on panel

Provenance: Christie’s, London, Old Master Pictures, 17 December 1985, lot 257; English Private Collection

Provenance: Sold on behalf of the Estate of Lady Janet Llewellyn

Signed, inscribed and dated Ch Herbsthoffer Paris 1864 (lower right) Oil on panel 14.1 x 17.9cm; 5½ x 7in

£3,000-6,000

£600-800

569 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

570

570 PETER RUDOLF KARL HERBSTHOFFER German 1821-1876

Soldiers in a marsh landscape

202

571

572

571 FOLLOWER OF JACOB PHILIPP HACKERT

572 JOHANNES JANSON

Italianate landscape with figures by a river, mountains in the distance Oil on canvas 53 x 70.2cm; 203⁄4 x 273⁄4in

Dutch 1729-1784

Landscape with a drover and his flock, and fishermen nearby Signed and dated J Janson f 1783 (lower right) Oil on panel 33.5 x 41.3cm; 131⁄4 x 161⁄4in

£700-1,000

Provenance: Thos. Agnew & Sons Ltd £700-900

573

574

573 CIRCLE OF MICHELE MARIESCHI

574 DUTCH SCHOOL

Capriccio port scene with ruined buildings and figures

c.1800

Oil on canvas 60.1 x 89.5cm; 233⁄4 x 351⁄4in Unframed

Winter landscape with skaters on a frozen river Oil on canvas 77.5 x 110.5cm; 30½ x 43½in

£600-800

£500-800

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

203

575 CIRCLE OF JACOB VAN RUISDAEL Waterfall in a rocky landscape Oil on panel 27.2 x 21.3cm; 103⁄4 x 81⁄4in Provenance: Hotel des Ventes Laval, France, 14 December 2013 (EUR 11,000) £1,500-2,000

576 JAN EVERT MOREL II Dutch 1835-1905

Wooded landscape with a path by a pond Signed JE Morel ft (lower left) Oil on panel 15.1 x 20.6cm; 6 x 8in £200-300

577 CIRCLE OF BENJAMIN GERRITSZ. CUYP The annunciation to the shepherds Oil on panel 36.4 x 49.5cm; 25 x 19½in £300-500

575

576

577

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

204

578

579

578 CIRCLE OF HENDRIK FRANS VAN LINT, CALLED LO STUDIO Figures in an Italianate river landscape Oil on copper, the reverse etched with a scene of a camel, bull and donkey in a landscape 11.3 x 15.6cm; 4½ x 61⁄4in £600-800

579 DUTCH SCHOOL

580 DUTCH SCHOOL

18th Century

River landscape with figures fishing and boating Oil on panel 32.8 x 44.6cm; 13 x 17½in Provenance: Rayner MacConnal, London; Woolley and Wallis, Salisbury, Old Masters, British & European Paintings, 6 March 2019, lot 288, where purchased by the present private collector £400-600

c.1700

Landscape with a watermill Oil on panel 56.9 x 77.4cm; 22½ x 30½in

580

£400-600

581 FOLLOWER OF JAN VAN GOYEN River landscape with fishermen drawing in their nets underneath a ruined tower Oil on canvas 42.4 x 62.6cm; 163⁄4 x 243⁄4in Provenance: Acquired by Edmund de Rothschild (1916-2009), from Christie’s, South Kensington; The Trustees of Exbury House £1,000-1,500

581 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

205

582 FOLLOWER OF TIZIANO VECELLIO, CALLED TITIAN Portrait of a gentleman, possibly Pietro Aretino (1492-1556), wearing a fur-lined coat and pearl earring Oil on canvas 65.7 x 57.5cm; 253⁄4 x 22½in £3,000-5,000

582

583 FOLLOWER OF PIETRO BELLOTTI Study of a man wearing a fur over one shoulder Oil on canvas 48.4 x 35.5cm; 19 x 14in Unframed £600-1,000

584 FOLLOWER OF SALVATOR ROSA Head of a Roman soldier Oil on canvas 33.2 x 28.4cm; 13 x 111⁄4in £200-300

583 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

584

206

585

586

585 FOLLOWER OF JEAN-BAPTISTE GREUZE Portrait of a young woman, bust length, in a painted oval Oil on canvas 46.5 x 38.2cm; 181⁄4 x 15in £700-1,000

586 FRENCH SCHOOL

18th Century

Portrait of a young boy in a blue coat with gold buttons Oil on panel 30.2 x 24.6cm; 12 x 93⁄4in £400-600

587 AFTER NICOLAS LANCRET La Camargo Dancing 587

Oil on board 74.3 x 100.5cm; 291⁄4 x 39½in After the original in the National Gallery of Art, Washington D.C. (no.1937.1.89) £150-250

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

207

588

588 PHILIBERT-LOUIS DEBUCOURT

French 1755-1832

A village fête, with figures dancing Oil on panel 21 x 16.4cm; 81⁄4 x 6½in Provenance: E Le Roy & Cie, Paris; Arthur Tooth & Sons, Ltd £3,000-5,000 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

208

589 ROBERT HARRINGTON 1800-1882

Portrait of Matilda, a bay horse, with a groom and dog in a stable Signed and dated R Harrington/1829 (centre left), and inscribed and dated Matilda/1829 (lower centre) Oil on canvas 63.2 x 75.5cm; 243⁄4 x 293⁄4in Provenance: Gavin Graham Gallery, London, where purchased by the present owner Matilda was best known for winning the St Leger Stakes in 1827. £1,000-1,500

589

590

591

590 JOHN CORDREY

591 JOHN CORDREY

c.1765-1825

The London to Maldon coach

A mailcoach passing a milestone 84 miles from London

Indistinctly signed and dated ***Cordrey/18** (lower left) Oil on canvas 41.5 x 59.5cm; 161⁄4 x 23½in

Dated 1804 (to milestone) Oil on canvas 41.8 x 59.6cm; 16½ x 23½in

Provenance: Arthur Ackermann & Son, Ltd; The Collection of Sir Raymond and Lady Smith; And by descent

£1,200-1,800

£1,200-1,800 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

209

592

593

592 FOLLOWER OF RICHARD WILSON

593 FOLLOWER OF RICHARD WILSON

Italianate landscape with figures before a ruin

Italianate landscape with a fisherman and laundress by a waterfall

Oil on canvas 40.2 x 51.6cm; 153⁄4 x 201⁄4in

Oil on canvas 35.8 x 45.8cm; 14 x 18in

£500-700

£400-600

594

595

594 AFTER GEORGE MORLAND

595 FOLLOWER OF GEORGE MORLAND

The Country Stable

A figure, two horses and a dog outside a cottage

Oil on canvas 64.2 x 76.4cm; 251⁄4 x 30in

Oil on canvas 76 x 63.7cm; 30 x 25in

Provenance: Cochrane Family, Redcastle, Co. Donegal; Private Collection, Ireland

£200-300

The present work derives from mezzotints by William Ward (1766-1826), and later by John Raphael Smith (1752-1812), examples of which are in the British Museum, after Morland’s untraced original. £400-600 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

210

596

596 ATTRIBUTED TO ANNE VALLAYER-COSTER

597 NICOLAS DE LARGILLIÈRE

Still life with pears, cherries, an apple and carnations on a ledge

Portrait of Monsieur Aubert, General Director of the Bridges and Roads of France, three-quarter-length, by a writing table

French 1744-1818

Oil on canvas laid on panel 31 x 37.2cm; 121⁄4 x 143⁄4in Provenance: Christie’s, London, Important Old Master Pictures Part 2, 19 April 1985, lot 71; English Private Collection £4,000-6,000

French 1656-1746

Inscribed A Monsieur/M*nsi*** Aubert/ Controlle* général des Ponts/ Chaussée de France (lower left) Oil on canvas laid on panel 134.5 x 103cm; 53 x 40½in

Literature: R. Brown, Bulletin of the Art Division, Los Angeles County Museum, VIII, 1957, pp.8-9, no.4; S. Schaefer and P. Husco, European Paintings and Sculpture in the Los Angeles County Museum of Art (Los Angeles, 1987), p. 53, illustrated, as dated c.1735; To be included in the forthcoming Catalogue raisonné de l’Oeuve de Nicolas de Largillière, by Dr Dominique Brême, as a work of c.1725-1730 £12,000-18,000

Provenance: Arnold S. Kirkeby (1901-1962); By whom given to Los Angeles County Museum of Art in 1955; By whom sold, Sotheby’s, New York, 10 January 1991, lot 82; Christie’s, London, 7 July 2010, lot 186, where purchased after the sale by the executors of the late Edmund de Rothschild (1916-2009); The Trustees of Exbury House

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

211

597 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

212

598 CIRCLE OF ENOCH SEEMAN

599 CIRCLE OF JOHN RILEY

Portrait of a gentleman, half-length, wearing a blue coat in a painted oval

Portrait of a gentleman, half-length, in gilded armour in a painted oval

Oil on canvas 76.5 x 63.7cm; 30 x 25in

Oil on canvas 76 x 63.7cm; 30 x 25in

£400-600

Provenance: Vicars Bros., London £600-800

600 ENGLISH SCHOOL

17th Century

Portrait of Rev. Charles Adams, bust-length, in a painted oval Oil on canvas 75 x 63cm; 29½ x 243⁄4in Provenance: Sir Edmund Verney, 6th Baronet (b.1950), Claydon House, Bucks; By whom sold, Humbert & Ellis, 10 November 2019, lot 714 £400-600

598

599

600

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

213

601 ENGLISH SCHOOL c.1700

Portrait of a gentleman wearing a brown coat, lace collar and black cap, in a painted oval Oil on canvas 76.5 x 63.7cm; 30 x 25in Provenance: By descent to the present owner £1,000-1,500

601

602

602 FOLLOWER OF CORNELIUS JOHNSON Portrait of Catharine Russell, née Brydges, Countess of Bedford (1580-1656/57), bust-length

603 MANNER OF SIR ANTHONY VAN DYCK Study of a young boy, bust-length

Oil on canvas, circular 45.3cm; 173⁄4in diameter

Oil on canvas 29.4 x 25.4cm; 11½ x 10in

£600-800

£400-600

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

603

214

604

604 ATTRIBUTED TO GEORGE SMITH OF CHICHESTER 1714-1776

Still life with meat, bread, cheese, fruit and vegetables on a table Oil on canvas 63.5 x 92.5cm; 25 x 36½in Provenance: Sotheby’s, London, The British Sale: Paintings & Watercolours, 27 November 2003, lot 199 £2,500-4,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

215

605

605 GIJSBERT GILLISZ. DE HONDECOETER Dutch 1604-1653

A cockerel, chickens and ducks in a farmyard Oil on canvas 86.4 x 75.8cm; 34 x 293⁄4in £5,000-8,000 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

216

606

607

606 CIRCLE OF SIR ANTHONY VAN DYCK

Mid 17th Century

Portrait of Lady Dorothy Sidney, called ‘Saccharissa’, later Countess of Sunderland (1617-1684)

Portrait of a gentleman, half-length, wearing armour and standing near an orange tree

Inscribed SACCHARISSA (lower left) and VAN DYCK-EQUES (lower right), and further inscribed Saccharifsa - Countefs of Sunderland/Sir Ant. Vandyck pinxit/ - See Waller’s Poem (to verso) Oil on canvas, in a feigned roundel 41.4 x 43.3cm; 161⁄4 x 17in

Oil on canvas 52.2 x 43.8cm; 20½ x 171⁄4in

Provenance: Private Collection, Worcestershire

607 DUTCH SCHOOL

Provenance: By descent in a noble family; From whom acquired by the present owner £1,000-1,500

608 FOLLOWER OF SIR ANTHONY VAN DYCK

Lady Dorothy Sidney was the daughter of Robert Sidney, 2nd Earl of Leicester, and she was celebrated for her beauty, wit, charm and intelligence. In c.1635, when eighteen years old, she rejected a marriage proposal from the poet Edmund Waller who addressed famous verses to her, referring to her as ‘Saccharissa’. She was painted by Sir Anthony Van Dyck several times. This work depicts the sitter at a young age and may have been cut down.

Provenance: Countess of Craven (according to label)

£800-1,200

£1,000-1,500

Portrait of Sir Henry Rich, 1st Earl of Holland (1590-1649), wearing armour and The Order of the Garter, in a painted oval Oil on canvas 73.3 x 58.3cm; 283⁄4 x 23in

608

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217

609

609 NICOLAES MAES Dutch 1634-1693

Portrait of a young man, three-quarter length, in a Japanese rok, holding a hunting spear and carving words into a tree Inscribed HEER.V/AES/**N (centre right to tree) Oil on canvas 69.8 x 58.5cm; 27½ x 23in

Provenance: Gooden & Fox, London The composition of this work closely relates to Nicolaes Maes’s portrait of Christiaan van de Blocquery (1647-1713) (see Christie’s, Amsterdam, 13 May 2014, lot 46). It may be that the inscription on the tree is a vanitas motto (as in the portrait of van de Blocquery), or it may be a clue as to the sitter’s identity. We are grateful to Dr Leσn Krempel for confirming the attribution of this work based on photographs. Dr Krempel considers the portrait to be stylistically reminiscent of Maes’ paintings of the 1670s and 1680s. £8,000-12,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

218

610 ATTRIBUTED TO JUSTUS SUSTERMANS Flemish 1597-1681

Portrait of Marie Jeanne Baptiste, Duchess of Savoy (1644-1724), half-length in a painted oval Indistinctly inscribed (upper right) Oil on canvas 73.5 x 62.2cm; 29 x 24½in £2,000-3,000

611 CIRCLE OF OTTO VAN VEEN Portrait of a cleric, bust-length Oil on copper, oval, the reverse with the stamp of the coppersmith Peeter Staas, dated 1608, and with the hand of Antwerp 45.6 x 34.7cm; 18 x 133⁄4in Provenance: Christie’s, London, Old Master Pictures, 7 July 1995, lot 221, where purchased by the present private collector £600-800

612 DUTCH SCHOOL c.1700

Portrait of a gentleman, half length, wearing a blue waistcoat and ochre wrap Oil on canvas 74 x 54.5cm; 29 x 21½in Unframed £400-600

610

611

612 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

219

613 STUDIO OF SIR PETER LELY Portrait of a young boy in a landscape, resting his elbow on a rock and with an open book Oil on canvas 69 x 61cm; 271⁄4 x 24in £1,200-1,800

613

614 SIR GODFREY KNELLER BT. German 1646-1723

Portrait of Sir William Twisden, 3rd Bt. (1635-1697), half-length, wearing a lace collar and brown cloak Oil on canvas 76.5 x 64.5cm; 30 x 25in Provenance: Shepherd Bros., London £1,000-1,500

614 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

220

615 ENGLISH SCHOOL c.1760

Portrait of a girl, half-length, in a grey dress and blue wrap

616 AFTER THOMAS GAINSBOROUGH Portrait of Mrs Richard Brinsley Sheridan Oil on canvas 73.3 x 60.9cm; 283⁄4 x 24in

Oil on canvas 53.5 x 43cm; 21 x 17in

Based on the original in The National Gallery of Art, Washington D.C. (inv. no. 1937.1.92).

£600-800

£300-400

617 FOLLOWER OF THOMAS GAINSBOROUGH Portrait of a lady, bust-length, wearing a blue gown in a feigned oval, possibly a family member of the Earl of Egremont Oil on canvas 74.9 x 63.5cm; 29½ x 25in Provenance: By repute in the collection of George Wyndham, 4th Earl of Egremont (1786-1845); Agnew’s, London; Mr Glover, The Horns, Gutter Lane, Cheapside, by 1888; George Harris, 192 East Surrey Grove, Peckham; By whom sold, Messers Foster’s, London, 10 July 1907, by Mr Kosmann, London (51gns); From whom acquired by Seymour Bathurst, 7th Earl Bathurst (1864-1943), 11 July 1907; By descent in the collection of the Earls of Bathurst until purchased by the present owner Literature: S. Bathurst, 7th Earl Bathurst, Catalogue of the Bathurst Collection of Pictures (London, 1908), pp. 236-237, illustrated (as ‘J. Hoppner’)

615

£1,000-2,000

616

617 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

221

618

618 ATTRIBUTED TO SIR JOSHUA REYNOLDS PRA, FRS, FRSA

1723-1792

Portrait of Mary Palmer, later Marchioness Thomond, the artist’s niece, half-length, wearing a black dress and black feathered hat Oil on canvas 76.4 x 63.5cm; 30 x 25in Together with Joseph Collyer (1748-1827) after Sir Joshua Reynolds; Miss Palmer; aquatint; 9.9 x 7.6cm; 33⁄4 x 3in (2) Provenance: Woolley and Wallis, Salisbury, 13 March 2013, lot 234, where purchased by the present private collector Engraved: Joseph Collyer, aquatint, 1785 David Mannings’ catalogue raissoné (New Haven and London, 2000) lists two autograph versions of this portrait, both untraced. £3,000-5,000 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

222

619 SIR JOSHUA REYNOLDS PRA, FRS, FRSA

1723-1792

Girl leaning on a pedestal, ‘The Laughing Girl’ Oil on canvas 76.4 x 63.5cm; 30 x 25in Provenance: Painted for the Polygraphic Society, 1787; Their sale, Christie’s, London, 14 November 1793, where purchased by John Opie RA (1761-1807); His posthumous sale, Peter Coxe, London, 6 June 1807, lot 108, where purchased by William Lowther, 1st Earl of Lonsdale (1757-1844) (£451.10s); By descent to William Lowther, 2nd Earl of Lonsdale (1787-1872); By descent to Henry Lowther, 3rd Earl of Lonsdale (1818-1876); By descent to St George Lowther, 4th Earl of Lonsdale (1855-1882); His sale, Christie, Manson and Woods, London, 8 March 1879, lot 5 (unsold); By descent to Hugh Lowther, 5th Earl of Lonsdale (1857-1944); His sale, Christie, Manson and Woods, London, 18 June 1887, lot 819, where purchased by Thos. Agnew & Sons; From whom purchased by James Orrock RI, ROI (1829-1913), 23 June 1887; Arthur Sanderson Esq. by c.1900; His sale, Christie, Manson and Woods, London, 6 May 1910, lot 120 (unsold); Christie, Manson and Woods, London, Important Pictures by Old Masters, 2 July 1937, lot 21, where purchased by The Fine Art Society, London (£199); The Fine Art Society, London, November 1937; Private Collection, Berkshire; And by descent

Literature: James Northcote, The Life of Sir Joshua Reynolds (London, 1819), vol. II, p.350; Joseph Farington, The Farington Diary, ed. James Greig (London, Hutchinson & Co.), vol. I, p.18; Algernon Graves and William Vine Cronin, A History of the Works of Sir Joshua Reynolds (London, 1899), vol. III, p.1167, and vol. IV, p.1456; Sir Walter Armstrong, Sir Joshua Reynolds: First President of the Royal Academy (London, 1910), p.240; Martin Postle, Sir Joshua Reynolds: The Subject Pictures (Cambridge University Press, 1995), pp.106-107; Martin Postle, in David Mannings, Sir Joshua Reynolds, A complete catalogue of his paintings (New Haven and London, 2000), text vol., p. 532, cat. no.2074 (untraced) Exhibited: London, British Institution, 1813, no.81; London, British Institution, 1823, no.39; London, British Institution, 1833, no.44; London, British Institution, 1843, no.2; London, Royal Academy, 1876, no.2 Engraved: W. Bond, in stipple, 1813, as ‘The Laughing Girl. Engraved from a highly finished Enamel, painted by H. Bone Esq. from the original picture now in the possession of Lord Lonsdale’; J. Singleton, small oval stipple; G.S. Shury, 1864

Despite its illustrious provenance, this fine example of Sir Joshua Reynolds’ ‘fancy pictures’ has not been seen since 1937, and has only been recently rediscovered, after hanging for decades unrecognised on the walls of a family home. Reynolds painted two distinct versions of this subject, popularly known as ‘The Laughing Girl’, which Martin Postle has labelled Type A and Type B. The original version of Type A is at Kenwood House, probably painted in 1782, and shows a girl wearing a cream coloured dress, golden shawl and hair held back by a hairband. It is thought that Reynolds may have originally painted Type B, to which the present version belongs, as a pendant to Rembrandt’s Girl at a window (Dulwich Picture Gallery, no.163). Reynolds painted the present work in 1787 for the Polygraphic Society, a commercial venture which produced facsimile copies of both old masters and modern paintings. When the society closed, the painting was bought by the artist John Opie. On 25 November 1793 Joseph Farington (1747-1831) recorded in his diary that ‘Opie has bought a three-quarter picture painted by Sir Joshua Reynolds, for which he gave to the Proprietors of the Polygraphic Manufactory 60 guineas. The subject of a girl resting on her arms. Opie thinks Sir Joshua was the greatest colourist that we have any knowledge of by their works, including the Italian and Flemish masters’. Whilst in Opie’s collection the painting was also copied by the noted enamel painter Henry Bone (1755-1834), and Bone’s squared drawing of Reynolds’ work is in the National Portrait Gallery (no.D17474). After Opie’s death, the painting was purchased at auction by William Lowther, 1st Earl of Lonsdale, when it was described as ‘The Laughing Girl - one of his [Reynolds’] best performances, if not his very best - it is Perfection itself! and has all the great merits of Rembrandt, with the taste and beauty of Correggio’. It seems to have been whilst it was in the collections of successive Earls of Lonsdale that the present work achieved wider popularity, partly due to its regular appearance in exhibitions, and partly due to its dissemination through engravings. Reynolds began to paint ‘fancy pictures’, so called to distinguish them from traditional commissioned portraits, in the early 1770s and became increasingly fixated on the genre towards the end of his career. While he could complete the face of a portrait sitter within a matter of hours, his subject pictures often absorbed him for months. As Postle notes, ‘it is clear from Reynolds’ own preoccupation with them, and the critical coverage they received during his day, that the subject pictures lay at the very heart of Reynolds’ practice as a painter’. Postle lists four autograph versions of this composition, of which the present work is the only one recorded as untraced. However, there are also numerous copies, which are a testament to the success and popularity of the scene, and a reflection of the importance of this rediscovered work. £15,000-20,000

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223

619

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224

620 CIRCLE OF JOHANN HEINRICH TISCHBEIN THE ELDER Portrait of a noblewoman, half-length, in a red dress holding a fan Oil on canvas 86.8 x 73.5cm; 341⁄4 x 29in £1,500-2,500

620

621 CENTRAL EUROPEAN SCHOOL

18th Century

Portrait of a gentleman. half-length, wearing a green coat Oil on copper 36.5 x 31.5cm; 141⁄4 x 12½in Unframed £300-500

621 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

225

622

622 AFTER LOUIS GAUFFIER Portrait of Elizabeth, Lady Webster, later Lady Holland (1771-1845), full-length, in a white dress and feathered hat, with her spaniel, Pierrot, on a chaise-longue, with a guitar Oil on canvas 101.8 x 134.7cm; 40 x 53in After the original in a private collection (see Sotheby’s, New York, Master Paintings, 26 May 2016, lot 83). £3,000-5,000

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226

623

623 JOHN PAUL

c.1830-c.1890

A view of the Thames with Old London Bridge Oil on canvas 76.1 x 127cm; 30 x 50in Provenance: The collection of Alfred Morrison (1821-1897); And by descent to Lord Margadale of Islay, at Fonthill House, Tisbury, Wiltshire The present work shows Old London Bridge from the east as it appeared in the mid 18th Century. At the southern end is the Great Stone Gateway, Nonesuch House in the middle, and at the northern end a block of ten houses that George Dance designed in 1745. At one point the longest habitable bridge ever built, it comprised nearly 140 houses and shops, rising up through four stories. The houses were eventually removed in the 1760s, but even then the bridge was too narrow for the 90,000 people a day who used it, and it was eventually replaced in 1832. £5,000-7,000

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227

624

624 JOHN PAUL

c.1830-c.1890

A view of Northumberland House at Charing Cross, London Oil on canvas 91 x 127.1cm; 353⁄4 x 50in Provenance: The collection of Alfred Morrison (1821-1897); And by descent to Lord Margadale of Islay, at Fonthill House, Tisbury, Wiltshire Northumberland House was the London residence of the Percy family. It stood at the western end of the Strand, and before it was demolished in 1874 it overlooked Trafalgar Square. £4,000-6,000

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228

625

625 EDWARD BRADLEY act.1824-1867

A view of Westminster Abbey from the Surrey side of Westminster Bridge Oil on canvas 41 x 61.6cm; 161⁄4 x 241⁄4in Exhibited: Probably London, Royal Academy, 1825, no.364 £2,000-3,000

626 ENGLISH SCHOOL c.1800

A view of the Thames from the terrace of Somerset House, looking towards the City

626

Oil on canvas 51.1 x 83.7cm; 20 x 33in Unframed Provenance: The Collection of Sir Raymond and Lady Smith; And by descent £1,000-1,500

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229

627 CHARLES BROOKING 1723-1759

Morning A two-decker before a light breeze with a lugger under sail; Evening - A ship dropping a pilot in the downs, with a two-decker under easy sail A pair, the former indistinctly signed C.Br**** (to spur); the latter with traces of a signature (lower left) Both oil on canvas 27.3 x 41.3cm; 103⁄4 x 161⁄4in; 27.6 x 41.1cm; 103⁄4 x 161⁄4in (2) Provenance: Both with Newhouse Galleries, New York, as Peter Monamy; Sotheby’s, London, The Marine Sale, 3 May 2000, lot 13, as Peter Monamy Charles Brooking painted both of these compositions on more than one occasion, and they were also engraved (see David Joel, Charles Brooking 1723-1759 and the 18th Century British Marine Painters (Antiques Collectors Club, 2000), nos. 246A-C, 263, 603 & 606). £3,500-4,500

627

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230

628 CIRCLE OF FRANCIS ALLEYNE Portrait of a gentleman, half-length, in a green coat and waistcoat; Portrait of a lady, half-length, wearing a white silk dress with lace and pearl trim A pair, both oil on copper Each 21.6 x 16.8cm; 8½ x 6½in (2) Provenance: From the family collections of Captain George Lionel Jameson OBE (1880-1961) and his descendants £400-600

629 ENGLISH SCHOOL

Late 18th Century

Portrait of a female artist, bust-length, holding a pen 628

Oil on canvas 53.5 x 43.2cm; 21 x 17in £600-800

630 FOLLOWER OF GAINSBOROUGH DUPONT Portrait of a lady, half-length, wearing a white dress, blue ribbon, and pearl necklace, earrings and a blue-feathered headpiece Oil on canvas 65.5 x 49.6cm; 253⁄4 x 19½in Unframed £200-300

629

630

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231

631

631 CIRCLE OF THOMAS HUDSON Portrait of James Barry, 4th Earl of Barrymore (1667-1748), three-quarter length, wearing a red coat with gold brocade, standing by a column with an equestrian battle in the background Oil on canvas 127.5 x 102cm; 501⁄4 x 401⁄4in £2,000-3,000

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232

632

633

632 ENGLISH SCHOOL c.1760

Portrait of a gentleman, bust-length, wearing a blue coat and red brocaded waistcoat, in a painted oval Oil on canvas 76.4 x 63.7cm; 30 x 25in £100-500

633 ENGLISH SCHOOL

Late 18th Century

Portrait of a child in a red coat, three-quarter length, with a dog and holding a bow and arrow Oil on canvas 76.7 x 63.2cm; 301⁄4 x 243⁄4in £500-700

634 CIRCLE OF ARTHUR DEVIS Portrait of a gentleman, full-length, in a green coat and red waistcoat, standing by a chair Oil on canvas 50.6 x 44.4cm; 20 x 17½in Unframed £200-300

634 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

233

635 CIRCLE OF THOMAS PHILLIPS Portrait of two children with a spaniel Oil on canvas 62.3 x 74.6cm; 24½ x 291⁄4in £1,000-1,500

636 CIRCLE OF WILLIAM BEECHEY Portrait of a boy, half-length, wearing a black coat and yellow waistcoat Oil on canvas 61 x 51cm; 24 x 20in £2,000-3,000

637 ENGLISH SCHOOL

Early 19th Century

Portrait of a gentleman, half-length, wearing a black coat and white stock Oil on canvas 76.3 x 63.5cm; 30 x 25in £300-400

635

636

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637

234

638

639

638 BRITISH SCHOOL

639 FOLLOWER OF SIR FRANCIS GRANT

Portrait of Edward Rogers of Dowdeswell, three-quarters length, in uniform

Portrait of an officer, half-length, in uniform

19th Century

Oil on canvas 111.5 x 92.2cm; 433⁄4 x 361⁄4in £800-1,200

Oil on canvas 76.8 x 64cm; 301⁄4 x 251⁄4in £400-600

640 ATTRIBUTED TO SIR THOMAS LAWRENCE PRA, FRS 1769-1830

Portrait of Prince Hoare (1755-1834), bust-length, in a black coat and white stock Oil on canvas 53.5 x 43.6cm; 21 x 17in Provenance: Kelvingrove House, Glasgow; Scottish Private Collection; English Private Collection Prince Hoare was a celebrated artist and playwright and son of the artist William Hoare of Bath (c.1707-1792). Prince Hoare had been a friend of Lawrence’s for around forty years and Sir Thomas is known to have referred to him affectionately as ‘My old Bath friend’. Another, less finished version of this sketch is recorded (see Kenneth Garlick, Sir Thomas Lawrence: A Complete Catalogue of the Oil Paintings, Oxford, 1989, no.411), and was sold at Sotheby’s, 4th December 2014, lot 218 (£23,750).

640

£800-1,200

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235

641

641 SIR THOMAS LAWRENCE PRA, FRS 1769-1830

Portrait of a gentleman, half-length, wearing a black coat and white stock Oil on canvas 76.8 x 63.7cm; 301⁄4 x 25in £3,000-5,000

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236

642

642 AUGUSTE-PAUL-CHARLES ANASTASI

643 AUGUSTE-PAUL-CHARLES ANASTASI

644 AUGUSTE-PAUL-CHARLES ANASTASI

French 1820-1889

Noyers de l’Ile et Côteau de la Jonchère, Bougival

Berge et Rivière Bougival

Sentier dans les Rochers à Pont-Aven, Bretagne

Bears artist’s wax seal to stretcher Oil on canvas 42.7 x 58.1cm; 163⁄4 x 223⁄4in Provenance: The artist’s studio sale, Durand-Ruel, 3-8 March 1873, no.121 £1,000-1,500

643

Bears artist’s wax seal to verso Oil on board 27.1 x 35.3cm; 103⁄4 x 14in Provenance: The artist’s studio sale, Durand-Ruel, 3-8 March 1873, no.203 £600-800

Bears artist’s wax seal to stretcher Oil on canvas 24.4 x 32.2cm; 9½ x 123⁄4in Provenance: The artist’s studio sale, Durand-Ruel, 3-8 March 1873, no.66 £600-800

644 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

237

645

645 AUGUSTE-PAUL-CHARLES ANASTASI

646 AUGUSTE-PAUL-CHARLES ANASTASI

647 AUGUSTE-PAUL-CHARLES ANASTASI

French 1820-1889

Landscape with poppies in a field

Troncs de Frênes et Buissons, Normandie

Étude de Ciel, Berry

Bears artist’s wax seal to stretcher Oil on canvas 22.7 x 32.1cm; 9 x 123⁄4in

Bears artist’s wax seal to verso Oil on board 25.8 x 33.3cm; 101⁄4 x 13in

Bears artist’s wax seal to stretcher Oil on canvas 24 x 39cm; 9½ x 151⁄4in

£600-800

Provenance: The artist’s studio sale, Durand-Ruel, 3-8 March 1873, no.379

Provenance: The artist’s studio sale, Durand-Ruel, 3-8 March 1873, no.132

£500-700

646

647

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238

648

649

648 AUGUSTE-PAUL-CHARLES ANASTASI

649 AUGUSTE-PAUL-CHARLES ANASTASI

French 1820-1889

Gorges d’Apremont avant les Pins Fontainbleu

Étude des Roseaux, Berry

Bears artist’s wax seal to verso Oil on board 27 x 32.4cm; 10½ x 123⁄4in

Bears artist’s wax seal to stretcher Oil on canvas 28.5 x 40.2cm; 111⁄4 x 153⁄4in

Provenance: The artist’s studio sale, Durand-Ruel, 3-8 March 1873, no.277

Provenance: The artist’s studio sale, Durand-Ruel, 3-8 March 1873, no.383

£400-600

650 AUGUSTE-PAUL-CHARLES ANASTASI

French 1820-1889

Terrains et Chêne, Belle-Croix Fontainebleau Bears artist’s wax seal to stretcher Oil on canvas 33 x 41cm; 13 x 161⁄4in Provenance: The artist’s studio sale, Durand-Ruel, 3-8 March 1873, no.232 £400-600

650

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239

651

651 CHARLES-FRANÇOIS DAUBIGNY French 1817-1878

Farm buildings in a French landscape Signed Daubigny (lower right) Oil on board 25.6 x 34.3cm; 10 x 13½in Provenance: Messums, London £6,000-8,000

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240

652 LOUIS BELANGER

French 1756-1816

Figures outside old fortifications with an estuary beyond Signed and dated Louis Belanger/1812 (lower centre) Oil on canvas 85.8 x 132cm; 333⁄4 x 52in £1,500-2,500

652

653 PIERRE TETAR VAN ELVEN

Dutch 1828-1908

View of a riverside town, with figures rowing in the foreground Signed with initials P.T.V.E (lower right) Oil on canvas 91.5 x 121.7cm; 36 x 473⁄4in Provenance: Property of a deceased estate £1,000-1,500

653 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

241

654

654 PIERRE EMMANUEL DAMOYE

French 1847-1916

655 JULIUS GODET

act.1844-1884

656 ÉMILE LAMBINET

Landscape with figures by a wheat field

Landscape with figures on a path

Landscape with washerwomen by a river, and cattle grazing on the far bank

Signed J Godet (lower left) Oil on board 23.3 x 33.5cm; 91⁄4 x 131⁄4in

Signed and dated Emile Lambinet 1856 (lower left) Oil on panel 20 x 31.3cm; 73⁄4 x 121⁄4in

£200-300

Provenance: P. Polak, London; From a private Cornish country estate

Signed E DAMOYE (lower left) Oil on board 28 x 49.3cm; 11 x 19½in £1,000-1,500

French 1813-1877

£600-800

655

656

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242

657

657 ANDRIES VERMEULEN

658 ADOLF STADEMANN

659 JEAN MICHIEL RUYTEN

Dutch winter landscape with skaters and other figures on a frozen river

Winter landscape with skaters on a frozen pond

Winter landscape with figures on a frozen river

Dutch 1763-1814

German 1824-1895

Signed A.vermeulen (lower right to boat) Oil on canvas 62 x 82.5cm; 24½ x 32½in £4,000-6,000

Belgian 1813-1881

Signed Stademann (lower left) Oil on panel 34.3 x 52.6cm; 13½ x 203⁄4in Provenance: M. Newman Ltd, London, where purchased by the previous private collector; By descent

Oil on panel 31.5 x 45.4cm; 12½ x 173⁄4in Provenance: Frost and Reed £700-900

£400-600

658

659 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

243

660

660 THOMAS SIDNEY COOPER RA

1803-1902

Sheep in a winter landscape Signed and dated T.S.Cooper 1861 (lower right) Oil on canvas 77 x 107cm; 30¼ x 42¼in £8,000-12,000

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244

661 PATRICK NASMYTH

Scottish 1787-1831

Landscape with cattle watering near a cottage Signed and dated PATK Nasmyth 1813 (lower left) Oil on canvas 36 x 52cm; 141⁄4 x 20½in £700-1,000

661

662

662 JOHN FREDERICK TENNANT

1796-1872

Landscape with a gypsy encampment at dusk; Landscape with figures and cattle by a river A pair, the former signed and dated JTennant 1830 (lower right), the latter signed and dated JTennant 1830 (lower left) Both oil on panel Each 31.5 x 46.3cm; 12½ x 181⁄4in (2) £1,500-2,500

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245

663 ALEXANDER NASMYTH

Scottish 1758-1840

Figures by a loch at sunset with a ruined castle beyond; Two figures and a dog amongst the rocks by a loch at sunset A pair, both oil on canvas Each 46 x 60.8cm; 18 x 24in (2) £4,000-6,000

663 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

246

664 ANN WETHERILL

c.1700-1788

A river landscape with figures and cattle below a ruined tower Signed Ann Wetherill/Pinxit (lower left) Oil on canvas 56.8 x 72.5cm; 221⁄4 x 28½in £500-800

664

665 GEORGE ARMFIELD 1808-1893

Landscape with figures and sheep on a path near a lake, a village beyond Signed and dated G.Armfield/1847 (lower left) Oil on canvas 66.6 x 89cm; 261⁄4 x 35in Provenance: By descent to the present owner £500-700

665

666 ANDREW WILSON Scottish 1780-1848

An aqueduct in Savoy from Chamonix Road Oil on panel 28 x 35.6cm; 11 x 14in Provenance: Fine Art Society, London and Edinburgh, October 1973; Sir Owen Aisher (1900-1993); By descent to The Muro Collection £500-800

666 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

247

667

667 WILLIAM COLLINS RA 1788-1847

A Fish Auction on the South Coast of Devonshire Signed and dated W.Collins/1823 (to the boat) Oil on canvas 85 x 116cm; 33½ x 453⁄4in Provenance: Commissioned by George Capell-Coningsby, 5th Earl of Essex (1757-1839), Cassiobury House, in 1823 (250gns); By descent to Arthur Capell, 6th Earl of Essex (1803-1892), Cassiobury House; Christie, Manson and Woods, Catalogue of modern pictures, collected early in the century by the late Rt. Hon. George, fifth Earl of Essex, 22 July 1893, lot 42; Roldan, Buenos Aires, 25 May 1968

Literature: W. Wilkie Collins, Memoirs of the Life of William Collins, Esq., RA (London, 1848), vol I, pp. 215-216, vol II, p.345; The Athenaeum, no.3431, 29 July 1893, p.169; Duncan Macmillan, ‘A journey through England and Scotland: Wilkie and other influences on French art of the 1820s’, in The British Art Journal (vol.2, no.3, 2001), p.33 Exhibited: London, The Royal Academy, 1823, no.67; Manchester, Art Treasures Exhibition, May-October 1857, no.611 The 1823 Royal Academy exhibition catalogue describes the scene in the present work as ‘A Fish Auction on the South coast of Devonshire, where it is the custom of the fishermen to substitute the dropping of a stone, for the stroke of the auctioneer’s hammer’. Although a label on the back says that the work was purchased by Agnews from Christie’s in 1862, the painting was still in the collection of the Earls of Essex in 1893 so this appears to be erroneous. £5,000-8,000

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248

668 CIRCLE OF JOSEPH THORS River landscape with a figure in a boat, a cottage beyond Oil on canvas 30.8 x 41cm; 12 x 161⁄4in £100-150

669 ATTRIBUTED TO WILLIAM HAVELL

668

669

670

671

1782-1857

River landscape with a fisherman and a mother and child on a path Oil on canvas 35.2 x 52.8cm; 133⁄4 x 203⁄4in £300-500

670 SAMUEL BOUGH RSA 1822-1878

Figures in a Scottish landscape, possibly with Arthur’s Seat in the distance Signed S Bough (lower right) Oil on panel 22.4 x 30.5cm; 83⁄4 x 12in £300-500

672

671 WALTER WILLIAMS 1834-1906

River landscape with a figure angling, a windmill beyond, and cattle on the far bank Oil on canvas 76.7 x 127cm; 301⁄4 x 50in

673

Provenance: Mandell’s Gallery, Norwich; Sotheby’s, 27 October 1992, lot 181, where purchased by the previous owner; By whom sold Mallams, Cheltenham, 10 June 2015, lot 657, where purchased by the present private collector £200-300

672 CIRCLE OF JOHN CONSTABLE

19th Century

Figure sitting in a dune landscape

Gypsies around a campfire at night

Inscribed J.Constable (to verso) Oil on canvas 14.9 x 19.5cm; 53⁄4 x 73⁄4in

Oil on canvas 51 x 76.5cm; 20 x 30in

£150-250

673 ENGLISH SCHOOL

£200-300

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249

674

674 JAMES WEBB 1825-1895

A view of the Rhine with Marksburg Castle above the town of Braubach Signed and dated James Webb/65 (lower right) and inscribed Castle of Marksburg (lower left) Oil on canvas 72.2 x 118cm; 28½ x 46½in Provenance: Mandell’s Gallery, Norwich £4,000-6,000

675 JOHN MAGGS 1819-1896

The Salisbury-Exeter coach along the High Street, Salisbury Signed and dated J.C Maggs/1889 (lower left) Oil on canvas 35.9 x 66.6cm; 141⁄4 x 261⁄4in £700-1,000

675 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

250

676

677

678

676 GARRINGTON SWEETING

677 ROBERT GALLON

678 THOMAS SMYTHE

Landscape with a man leading his family in a wagon on a road; Landscape with a drover on horseback and his flock under stormy skies

Landscape with cottages; Landscape with a figure on a path near a river

Digging out a warren path; A mother and child on the road home

A pair, both signed R.Gallon (lower left) Both oil on canvas Each 30.7 x 45.9cm; 12 x 18in (2)

A pair, both signed T Smythe (lower left) Both oil on canvas Each 30.8 x 46.2cm; 121⁄4 x 181⁄4in (2)

£1,000-1,500

Provenance: Oscar and Peter Johnson Ltd., London

act.1845-1865

A pair, both signed Garrington Sweeting (lower left) Both oil on canvas Each 45.7 x 61.7cm; 18 x 241⁄4in (2) £800-1,200

1845-1925

1825-1907

£1,000-1,500 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

251

679 DAVID COX SNR. OWS, RWS 1783-1859

A stop on the way Oil on panel 21.5 x 31.8cm; 8½ x 12½in Provenance: Arthur Tooth & Sons, London; P. Polak, London; From a private Cornish country estate £600-1,000

680 DAVID COX SNR. OWS, RWS 1783-1859

Landscape with figures on a path Oil on board 19.5 x 27.2cm; 73⁄4 x 103⁄4in Provenance: Christie, Manson & Woods, 15 February 1892, where purchased by W.H.Bacon (according to label); Private Collection; And by descent

679

£200-300

681 THOMAS SPINKS

1847-1927

The River Lledr Signed and dated T.SPINKS 1910 (lower right) Oil on panel 40 x 62cm; 153⁄4 x 24½in £500-800

682 THOMAS STANLEY BARBER d.1899

The church pool, Betws-y-Coed Signed T.S.Barber (lower right) Oil on canvas 50.7 x 76.2cm; 20 x 30in £600-800

680

681 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

682

252

683 GEORGE WRIGHT

1852-1916

Landscape with figures outside a cottage Signed and dated GWright 1882 (GW in ligature, lower left) Oil on canvas 51 x 76.3cm; 20 x 30in £300-500

683

684

684 DAVID BATES 1840-1921

A wayside inn near Malvern Signed and dated David Bates 1882 (lower left), and signed, dated and inscribed A Wayside Inn near Malvern/David Bates/1882 (to verso) Oil on canvas 35.4 x 46cm; 14 x 18in £300-500

685

686

685 ENGLISH SCHOOL

19th Century

Landscape with figures filling jugs at a stream, with a cottage beyond Oil on canvas 35.8 x 45.8cm; 14 x 18in Provenance: From a private Cornish country estate £300-500

687

686 DANIEL SHERRIN

688

1868-1942

687 JOHN COTTON

b.1844

688 WILLIAM MANNERS

View of the River Conwy, Betws-y-Coed

Medley-Weir, Oxford; Autumn Scene at Godstow, Oxford, from the top of Port Meadow

River landscape with figures on a path; Landscape with a figure and two horses on the road at dusk

A pair, the former signed and dated John Cotton 1896 (lower right), the latter signed John Cotton (lower right) and dated 1895 (lower left), and each further inscribed to stretcher Both oil on canvas Each 30.5 x 46cm; 12 x 18in (2)

Two, the former signed and dated WMANNERS 1906 (lower right), the latter signed W.MANNERS (lower left) Both oil on panel 19.6 x 29.6cm; 73⁄4 x 113⁄4in; 14.7 x 24.2cm; 53⁄4 x 9½in (2)

£200-300

Signed D.Sherrin (lower left) Oil on canvas 61.3 x 107cm; 241⁄4 x 421⁄4in Provenance: Omell Galleries, London £400-600

1860-1930

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

253

689

689 ARTHUR JOSEPH MEADOWS

690 ARTHUR JOSEPH MEADOWS

1843-1907

A view of the Pont Neuf, Paris, with Notre-Dame beyond

On the Medway; Off the Dutch coast

Signed Arthur Meadows/1898 (lower right) Oil on canvas 30.5 x 51cm; 12 x 20in

A pair, both signed and dated Arthur J Meadows/1890 (lower left) Both oil on canvas Each 24.1 x 29.5cm; 9½ x 11½in (2)

Provenance: The Christie Galleries, Broadway, where purchased by Gordon W Quance LLM (1931-2017), March 1973; By direction of the executors of the late Sylvia Quance (d.20 September 2020)

Provenance: Frost and Reed; From a private Cornish country estate

£1,500-2,500

690 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

£1,000-2,000

254

691

692

691 W. H. REED

692 CLARENCE HENRY ROE

693 JAN VAN DER LINDE

694 HENRY H. PARKER

Highland landscape with cattle watering

Highland landscape with a loch in the distance

Landscape with a figure on a path, a windmill in the distance

Signed W.H.Reed (lower left) Oil on canvas 76.1 x 127.4cm; 30 x 501⁄4in

Signed Clarence Roe (lower left) Oil on canvasboard 19.1 x 39.6cm; 7½ x 15½in

Signed J vd Linde (lower right) Oil on canvas 22.2 x 28.5cm; 83⁄4 x 111⁄4in

A view of the River Thames near Henley, with cattle grazing

£300-500

£100-150

£150-250

Late 19th Century

1850-1909

Dutch 1864-1945

1858-1930

Signed Henry H.Parker (lower right), and signed and inscribed Nr Henley On Thames/ Henry.H.Parker (to verso) Oil on canvas 21 x 30.8cm; 81⁄4 x 121⁄4in £200-300

695 ENGLISH SCHOOL Early 19th Century

Landscape with two figures by a tower Oil on panel 30.5 x 41cm; 12 x 161⁄4in £150-250

693

694

696 GEORGE WILLIAM GRAHAM act.1875-1889

Harvesting in a highland landscape Signed G W GRAHAM (lower left) Oil on canvas 20.8 x 30.7cm; 81⁄4 x 113⁄4in Provenance: Studio Arts Gallery £150-250

695

696

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

255

697 WILLIAM MELLOR

1851-1931

River landscape Signed William Mellor (lower right) Oil on canvas 61.7 x 92.2cm; 241⁄4 x 361⁄4in £1,000-1,500

698 FOLLOWER OF JOHN FREDERICK HERRING SNR. Taking the flock home at dusk Oil on canvas 44.2 x 59.8cm; 17½ x 23½in Provenance: From a private Cornish country estate £600-800

697

698

700

699 JOSEPH THORS

700 GEORGE COLE

Landscape with a woman near a pond, a field of sheep in the distance

Landscape with cattle watering near Tring

Dutch 1835-1920

Signed J THORS (lower right) Oil on canvas 25.4 x 35.7cm; 10 x 14in Provenance: Maple & Co., Ltd, London

699 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

£600-800

1810-1883

Indistinctly signed and dated G Cole 18** (lower left), and inscribed Geo. Cole RBA (to verso) Oil on canvas 76.5 x 63.7cm; 30 x 243⁄4in £600-800

256

701 JOHN FERNELEY JNR. 1815-1862

A bay hunter and a grey hunter, Ainderby and Heslington, in a landscape with Beverley Minster in the distance Signed, dated and inscribed John Ferneley Jnr/York/1839 (lower right) Oil on canvas 86.5 x 111.5cm; 34 x 44in Provenance: John Scott (1794-1871); And by descent John Scott (1794-1871) was a leading nineteenth-century horse trainer, known as ‘The Wizard of the North’, and brother to the famous jockey Bill Scott (1797-1848). Career highlights included sixteen St Leger wins, nine Oaks wins, and six Epsom Derby wins. He was also the first trainer to win the English Triple Crown. In 1825 he bought Whitewall Stables in Malton, Yorkshire, where he was able to stable 1000 horses, and this remained his home for the rest of his life. £1,200-1,800

701

702

703

702 CONRAD FREYBERG

703 ENGLISH SCHOOL

German 1842-1915

Late 19th Century

Study of two horses: Kleine Spinne and Vionville

Behind time

Signed and dated C Freyberg 1874 (lower right) Oil on canvas 39.1 x 76cm; 15½ x 30in

Inscribed Behind Time (lower centre) Oil on canvas 50.9 x 61cm; 20 x 24in

Kleine Spinne (Little Spider) was ridden by Crown Prince Frederick of Prussia (1831-1888), the future Emperor Frederick III. Prince Freidrich Karl of Prussia (1828-1885) rode Vionville in August 1870 at The Battle of Mars-La-Tour.

Provenance: R. A. Atkins, 19 July 1911; Frost and Reed, Bristol

£500-700

£300-500

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

257

704 JOHN FREDERICK HERRING SNR. 1795-1865

A chestnut mare and her foal in a landscape Signed and dated JF Herring Sen 1853 (lower right) Oil on panel 24.2 x 29.8cm; 9½ x 113⁄4in Provenance: MacConnal Mason & Son Ltd., London; Sotheby’s, London, 20 November 1985, lot 134 £1,200-1,800

704

705

706

705 ENGLISH SCHOOL

706 CIRCLE OF JAMES LODER OF BATH

19th Century

Horse and terrier in a landscape Oil on canvas 72.7 x 86.6cm; 28½ x 34in £600-800

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

Portrait of a bay hunter and a dog in a stable Oil on canvas 64 x 76.2cm; 251⁄4 x 30in £1,000-1,500

258

707 HERBERT WILLIAM WEEKES 1841-1914

A mutual admiration Signed W Weekes (lower right) Oil on canvas 51 x 40.8cm; 20 x 16in £600-1,000

708 ALFRED WILLIAM STRUTT

1856-1924

Study for Stop! Stop! Stop! Oil on panel 19.1 x 24.3cm; 7½ x 9½in £800-1,200

709 ALFRED WILLIAM STRUTT

1856-1924

Study of a chestnut horse Oil on paper 23.5 x 30.5cm; 91⁄4 x 12in £300-500

707

708

709 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

259

710

710 WILLIAM HENRY DAVIS

711 ALFRED WHEELER

712 EDWIN LODER OF BATH

1783-1865

1852-1932

1827-1885

A lurcher in a landscape with hares

Portrait of five foxhounds

Ratting in a stable

Signed and dated WH Davis 1839. (lower centre) Oil on canvas 45.5 x 60.9cm; 18 x 24in

Signed, dated and inscribed A Wheeler/1842/COMRADE/ Fidocol/Ventnor/Saunterer/Contest (along lower edge) Oil on canvas 30.5 x 50.9cm; 12 x 20in

Signed E Loder (lower left) Oil on canvas 25.5 x 35.5cm; 10 x 14in

£1,200-1,800

£300-400

711 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

712

£300-500

260

713

714

713 ARTHUR HENRY DAVIS c.1847-1895

Sheep Reposing Signed Arthur H Davis (lower centre), signed and inscribed (Sheep Reposing)/ Arthur Henry Davis fecit and further extensively inscribed (all to verso) Oil on board 19.4 x 25cm; 73⁄4 x 93⁄4in £200-400

714 GEORGE ARMFIELD

715 GEORGE ARMFIELD

1808-1893

Terriers surprising a fox

Spaniels putting up a mallard

Signed Armfield (lower left) Oil on canvas 40 x 61cm; 153⁄4 x 24in

Oil on canvas 20.5 x 25.5cm; 8 x 10in £250-350

£300-500

715

716

716 EDWARD GARRAWAY 19th Century

Going to Work; Off Home A pair, the former signed and dated E Garraway/1890 (lower left) and inscribed “Going to Work” (lower centre); the latter signed and dated E Garraway/1890 (lower right) and inscribed “Off Home” (lower centre) Both oil on board Each 37.5 x 59.2cm; 143⁄4 x 231⁄4in (2) £300-500

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

261

718

717

719

717 ATTRIBUTED TO JOHANNES CHRISTIAN DEIKER

German 1822-1895

A fox in the snow Oil on canvas 68.4 x 55.7cm; 27 x 22in Unframed £200-300

720

718 JACQUES-ÉMILE BLANCHE

719 CONSTANCE F. D’OYLY

Study of a pheasant

Portrait of Punch, a terrier

Oil on canvas 35.6 x 53.5cm; 14 x 21in

Signed C.F.D’Oyly (lower right) and inscribed PUNCH (upper left) Oil on canvasboard 29.7 x 27.4cm; 113⁄4 x 103⁄4in

French 1861-1942

This work is recorded in the online Catalogue Raisonné of Jacques-Émile Blanche by Jane Roberts and Muriel Molines (www.jeblanche-catalogue.com) under the number RM 413. £200-300

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

exh.1908-1911

£100-200

720 AFTER RICHARD ANSDELL The English Gamekeeper Oil on canvas 68 x 52cm; 263⁄4 x 20½in After the original formerly at Gleneagles and sold, Sotheby’s, London, 31 August 2005, lot 1036 £700-1,000

262

721 ‡ EDGAR HUNT

1876-1953

A rabbit, dove and pigeons in a barn; Chickens in a barn A pair, both signed and dated E Hunt 1919 Both oil on canvas Each 20.5 x 28.4cm; 8 x 111⁄4in (2) £6,000-10,000

721

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

263

722 ‡ EDGAR HUNT

1876-1953

Chickens in a barn Signed and indistinctly dated E Hunt **** (lower left) Oil on canvas 20.7 x 25.7cm; 81⁄4 x 10in £2,000-3,000

722

723

723 ALBERTUS VERHOESEN Dutch 1806-1881

A peacock and chickens by a ruin; A turkey and chickens by a ruin A pair, both indistinctly signed (lower left) Both oil on panel Each 12.7 x 16.2cm; 5 x 6¼in (2) Provenance: From a private Cornish country estate £800-1,200 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

264

724

724 HENRY REDMORE

1820-1888

Picking up the pilot Signed H Redmore (lower left) Oil on canvas 58 x 89cm; 223⁄4 x 35in Provenance: Frost and Reed, London; Private Collection, UK £4,000-6,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

265

725

725 ATTRIBUTED TO HENRY REDMORE

1820-1888

Shipping in choppy waters by a pier Oil on canvas 60.8 x 91.5cm; 24 x 36in £2,000-3,000

726 ENGLISH SCHOOL

19th Century

Coastal landscape with shipping boats in choppy waters, and figures on the shore Indistinctly signed (lower left) Oil on canvas 61 x 106.5cm; 24 x 42in Provenance: The Christie Galleries, Broadway, where purchased by Gordon W Quance LLM (1931-2017), March 1973 (as Adolphus Knell); By direction of the executors of the late Sylvia Quance (d.20 September 2020) £400-600

726

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

727

727 CIRCLE OF WILLIAM CALCOTT KNELL Ships of the line after a battle with sailors salvaging Oil on canvas 51 x 76.5cm; 20 x 30in £500-700

266

728

728 THOMAS ROSE MILES RCA act.1869-1906

729 EDWIN FLETCHER

1857-1945

730 WILLIAM HENRY WILLIAMSON

Wind and Sea Rising, off the Isle of Sheppey

Shipping in a calm harbour

Fishing boats in choppy waters

Signed T R Miles (lower left), and further signed and inscribed (off the Isle of Sheppey)/”Wind & Sea Rising” (to verso) Oil on canvas 41 x 66cm; 161⁄4 x 26in

Signed E.Fletcher (lower right) Oil on canvas 51.1 x 76.4cm; 20 x 30in

Signed and dated W H Williamson/1874 (lower left) Oil on canvas 30.5 x 45.7cm; 12 x 18in

£1,200-1,800

Provenance: Frost & Reed, 1962; Private Collection; And by descent

1820-1883

£200-300

£300-500

729

730 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

267

731

731 JAMES MEADOWS SNR.

1798-1864

Shipping boats in choppy waters off the coast at Staithes Signed and dated J.MEADOWS Sen./1859 (lower right) Oil on canvas 50.8 x 76.4cm; 20 x 30in Provenance: Duncan R. Miller Fine Arts, London; Where purchased by the present private collector £2,000-3,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

268

732

732 CHARLES THORNLEY

act.1858-1893

Coastal landscape, with fishermen and St Michael’s Mount in the distance; Coastal landscape with fishing boats and figures around a fire A pair, both signed THORNLEY (the former lower right, the latter lower left) Both oil on canvas Each 35.8 x 30.5cm; 14 x 12in (2) Provenance: The collection of J. L. Lockwood, Broadway, Worcs; Richard Hagen, Broadway, where purchased by Gordon W Quance LLM (1931-2017), August 1976; By direction of the executors of the late Sylvia Quance (d.20 September 2020) £800-1,200

733 ADOLPHUS KNELL

act.1860-1890

On The Home Voyage Signed and dated Adolphus Knell 1884 (lower right) and inscribed On The Home Voyage (to verso) Oil on panel 50.8 x 40.2cm; 20 x 153⁄4in £400-600

733

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

269

734

734 WILLIAM ADOLPHUS KNELL 1805-1875

The crew of the Nemesis attacking 500 Chinese soldiers at Taishan, 8 March 1842; Chinese being taken prisoner at Taishan, 8 March, 1842 A pair, the latter signed W A Knell (lower right) Both oil on canvas Each 33.7 x 53.7cm; 131⁄4 x 221⁄4in (2) Provenance: From a private Cornish country estate £3,000-4,000 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

270

735 ENGLISH SCHOOL c.1800

Coastal landscape with fishermen and travellers on a path across the water from a cave, with shipping beyond Oil on canvas 73.6 x 124.2cm; 29 x 49in £800-1,200

735

736 SIR WALTER WESTLEY RUSSELL CVO, RA 1867-1949

Coastal landscape with figures on a beach Signed WRussell (lower left) Oil on board 23.9 x 34cm; 9½ x 131⁄4in Provenance: Lady Mary Meynell; Melford Fine Arts, Suffolk

737 ENGLISH SCHOOL

738 WALTER LINSEY MEEGAN

Coastal landscape with figures on the shore around a camp fire, shipping and a port in the distance

Whitby harbour by moonlight

18th Century

Oil on canvas 77.5 x 108cm; 30½ x 42½in

1859-1944

Signed W Meegan (lower left) Oil on canvas 30.9 x 45.8cm; 12 x 18in £150-250

£300-500

£200-300

736

737

738

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

271

739 ABRAHAM HULK JNR.

Dutch 1851-1922

Seascape with fishing boats Signed A Hulk (lower right) Oil on panel 15.2 x 20.4cm; 6 x 8in £800-1,200

739

740 GUSTAVE DE BREANSKI

741 GUSTAVE DE BREANSKI

Coastal landscape with a fisherman unloading the catch

Coastal landscape with fishing boats

Signed Gustave de Breanski (lower right) Oil on canvas 41.3 x 61.5cm; 161⁄4 x 241⁄4in

Signed and dated Gustave de Bréanski./1887 (lower right) Oil on canvas 60.2 x 50.7cm; 233⁄4 x 20in

£300-500

£500-700

1856-1898

740

742 SIR WILLIAM FETTES DOUGLAS PRSA Scottish 1822-1891

On the coast at Newhaven Oil on canvas 35.6 x 30.2cm; 14 x 12in Provenance: Sir Owen Aisher (1900-1993); By descent to The Muro Collection £300-500

741

742

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

272

743

743 EDMUND AUBREY HUNT

744 RICHARD WANE RBA

745 ENGLISH SCHOOL

A view of the Venetian Lagoon

The lobster fisherman

Coastal landscape with shipping in calm waters and island fortresses

Signed R.Wane (lower right) Oil on canvas 30.4 x 50.9cm; 12 x 20in

Signed with monogram and dated 1875 Oil on canvas 61 x 110cm; 24 x 431⁄4in

£300-500

Provenance: From the collection of Professor Anne Birrell (1950-2020). Professor Birrell taught Chinese and Chinese literature at Cambridge University and the City University of New York. Her publications include Popular Songs and Ballads of Han China, New Songs from a Jade Terrace, and Chinese Mythology: An Introduction.

American 1855-1922

Signed E Aubrey Hunt (lower right) Oil on canvas 72.7 x 112.8cm; 28½ x 44½in £1,500-2,500

1852-1904

1875

£600-800

744

745 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

273

746

746 JOHN MILLER MARSHALL

act.1880-1925

River landscape with barges Signed J Miller Marshall (lower left) Oil on canvas 56 x 102cm; 22 x 40in £1,000-1,500

747 WILLIAM HOWARD 1800-1850

Moritzburg on the Elbe Signed Wm Howard (lower right) Oil on canvas 76.5 x 127cm; 30 x 50in Provenance: Hampshire Gallery, Bournemouth, 1984; Private Collection, Dorset; By whom sold posthumously, Woolley and Wallis, Salisbury, Old Masters, British & European Paintings, 6 March 2019, lot 342, where purchased by the present private collector

747

£500-700

748 E. ROLINS

Late 19th Century

A shipping boat in choppy coastal waters Signed and dated E.Rolins/1893 (lower left) Oil on canvas 30 x 61.2cm; 113⁄4 x 24in £150-200

748 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

274

749 WALTER GREAVES

750 WALTER GREAVES

The Black Lion, Church Street, Chelsea

Landscape with sheep in a meadow by a stream

1846-1930

Signed and dated W Greaves/1860 (lower right) Oil on paper 32 x 40.5cm; 123⁄4 x 16in £400-600

Signed and indistinctly dated W Greaves 1* (lower right) Oil on canvas 36.2 x 46cm; 141⁄4 x 18in Provenance: Woolley and Wallis, Salisbury, 8 October 2008, lot 420 £300-500

749

750

751

752

753

751 WALTER GREAVES 1846-1930

752 W. MORGAN

Late 19th Century

753 ELLEN PARTRIDGE

Springtime, East Keswick

Figures in a moonlit street

Near Berkswell, Warwickshire

Signed and indistinctly dated W GREAVES **9* (lower right), and further signed and inscribed Springtime/East Keswick/W Greaves (to verso) Oil on board 25.3 x 35.4cm; 10 x 14in

Signed and dated W Morgan 1881 (lower left) Oil on canvas 33.8 x 44.2cm; 131⁄4 x 17½in

Signed and dated E. Partridge/1879 (lower right) Oil on canvas 49 x 74.3cm; 191⁄4 x 291⁄4in

Provenance: Christie’s, London, 20th Century British Art, 11 March 2004, lot 61 £150-250

£800-1,200

act.1844-1894

Provenance: The Christie Galleries, Broadway, where purchased by Gordon W Quance LLM (1931-2017), December 1972; By direction of the executors of the late Sylvia Quance (d.20 September 2020) £200-300

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

275

754

754 JAMES PEEL RBA 1811-1906

Morecambe Bay Signed J Peel (lower right) Oil on canvas 58.3 x 95.8cm; 23 x 373⁄4in Provenance: Sale of the Peel Collection, Newcastle-on-Tyne, 16 July 1907 lot 12; William Anderson & Sons & Hedley; Woolley and Wallis, Salisbury, 11 March 2015, lot 531 £800-1,200

755 EDOARDO DI MARTINO CVO

Italian 1838-1912

Coastal landscape with figures and boats on the beach

755

Signed E De Martino (lower left) Oil on canvas 20.5 x 30.5cm; 8 x 12in £700-1,000

756 JOHN JAMES WILSON

1818-1875

Coastal landscape with shipping boats and figures Signed JWilson (lower right) Oil on board 28.8 x 48.4cm; 111⁄4 x 19in £300-500

756 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

276

757

757 AUGUST FINKE

Austrian 19th Century

A view of Constantinople, with bathers by Leander’s Tower Signed A Finke (lower right) Oil on canvas 73.5 x 100cm; 29 x 39½in £6,000-8,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

277

758

758 ITALIAN SCHOOL 19th Century

A panoramic view of Constantinople from above Bebek Signed with initials and dated CR 1885 (lower right) Oil on canvas 115 x 196cm; 451⁄4 x 771⁄4in Provenance: Christie’s, London, 18 June 1998, lot 213; Christie’s, London, 19th Century Art Including Ottomans and Orientalists, 19 June 2003, lot 2 £15,000-20,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

278

759

759 ARTHUR TREVOR HADDON RBA

760 E. ALTRUI

A view of Venice with flower, fruit and fish sellers

A view of Rome with a traveller on a path; A figure on a terrace above Amalfi; A traveller on a path above Sorrento; A fisherman and his boat on the shore of Lake Maggiore; A view of Lake Como with Bellagio beyond

1864-1941

Signed TREVOR. HADDON. R.B.A (lower right) Oil on canvas 95 x 153cm; 37½ x 601⁄4in £1,500-2,500

Italian Early 20th Century

Five, each signed E. Altrui Each oil on board Each 9.5 x 13.6cm; 33⁄4 x 51⁄4in (5) Provenance: Alfredo Candid & Co., Florence; Frost and Reed £1,000-1,500

760 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

279

761

761 WILLIAM MEADOWS act.1870-1895

Entrance to a canal, Venice Signed W MEADOWS (lower left) Oil on canvas 30.8 x 51cm; 12 x 20in £800-1,200

762 WILLIAM MEADOWS act.1870-1895

Venetian view with Santa Maria della Salute in the distance; Venetian view with a bridge over a canal A pair, both signed W MEADOWS (lower left) Both oil on canvas Each 40.5 x 20.5cm; 16 x 8in (2) £400-600

762 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

280

763 LUIGI MARIA GALEA

Maltese 1847-1917

Figures and goats in the hills above Valletta Signed, dated and inscribed L M Galea/Malta 1911 (lower right) Oil on board 29.3 x 59.6cm; 11½ x 23½in £1,200-1,800

763

764 GIUSEPPE CARELLI

765 OSCAR RICCIARDI

766 OSCAR RICCIARDI

Italian 1858-1921

Italian 1864-1935

Figures on a path, Salerno; Fishermen in their boats, Naples

Neapolitan coastal town with fishermen bringing in their nets

Neapolitan coastal landscape with fishermen at dawn

A pair, the former signed and inscribed Gius Carelli/Salerno (lower left); the latter signed and inscribed Giusepp Carelli/Napoli (lower left) Both oil on board Each 22.8 x 40.8cm; 9 x 16in (2)

Signed Ricciardi (lower right) Oil on board 23.7 x 33.6cm; 91⁄4 x 131⁄4in

Signed Ricciardi (lower left) Oil on panel 19.2 x 32.5cm; 7½ x 123⁄4in

£200-300

£600-800

764

765

766 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

281

767

767 EMMA CIARDI Italian 1879-1933

Promenade à la Mode Signed Emma Ciardi (lower right) Oil on canvas 30.3 x 61.5cm; 12 x 241⁄4in Provenance: Gorringes, Lewes, Winter Fine Sale, 4 December 2018, lot 439 £2,000-3,000

768 ‡ ARTHUR DRUMMOND

1871-1951

Homage to Bastet Signed Arthur Drummond (lower left) Oil on panel 25.1 x 35.5cm; 10 x 14in Provenance: Christie’s, London, British Victorian Pictures, 3 November 1994, lot 51 £1,000-1,500

768

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

282

769 ANTONIO SCOGNAMIGLIO

Italian Late 19th Century

A Middle Eastern beauty at a well Signed and inscribed Cav. A. Scognamiglio/Cairo (lower left) Oil on canvas 39.3 x 26.4cm; 15½ x 10½in £1,000-1,500

770 ADRIANO BONIFAZI Italian 1858-1914

Young boy with a red head scarf; Young girl with a blue head scarf A pair, both signed ABonifazi (upper left), and inscribed and dated Capri 1881 (upper right) Both oil on panel Each 23.3 x 18.7cm; 91⁄4 x 71⁄4in (2) Provenance: Frost and Reed, December 1953 £800-1,200

769

770 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

283

771

771 JAN PORTIELJE

Belgian 1829-1908

A young beauty Signed and inscribed Portielje.anvers (lower right), and with artist’s seal (to reverse) Oil on panel 58.9 x 48cm; 231⁄4 x 19in Provenance: Christie’s, South Kensington, 19th Century European Art including Orientalist Art, 12 September 2013, lot 172, where purchased by the present private collector £4,000-6,000 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

284

772 FOLLOWER OF ELOISE HARRIET STANNARD Still life with a basket of peaches, plums and grapes on a ledge; Still life with a pineapple, grapes, peaches and plums A pair, both oil on canvas Each 48.5 x 58.7cm; 19 x 23in (2) Provenance: From the family collections of Captain George Lionel Jameson OBE (1880-1961) and his descendants £600-800

772

773 FOLLOWER OF ELOISE HARRIET STANNARD Still life with raspberries, grapes, plums, a peach and a pear Bears a signature and date E H Stannard/1871 (lower left) Oil on canvas 50.9 x 61cm; 20 x 24in £200-300

774 A. J. TATHAM

Early 20th Century

773

774

Still life with a basket of flowers on a stone ledge Signed A J Tatham (lower right) Oil on panel 62.7 x 77cm; 243⁄4 x 301⁄4in £600-800

775 MANNER OF JAN DAVIDSZ. DE HEEM Still life with flowers in a stone urn Bears a signature and date Jan De Heem 1750 (lower left) Oil on canvas 114.2 x 63.7cm; 45 x 25in Provenance: From the family collections of Captain George Lionel Jameson OBE (1880-1961) and his descendants £600-800

776 DUTCH SCHOOL c.1900

775

776

Still life with flowers and fruit on a marble ledge Oil on board 30.2 x 26.3cm; 12 x 101⁄4in Provenance: From a private Cornish country estate £300-500

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

285

777

777 H.R.H. VICTORIA, THE PRINCESS ROYAL 1840-1901

Still life with marguerites, sunflowers, roses, glassware, shells and a fan on a table top covered in silk drapery Signed and dated Victoria C. Pss. Royal/1886 (lower right) Oil on canvas 103 x 131cm; 40½ x 51½in Together with copies of letters from The Princess Royal, Henry Ponsonby, the Queen’s Private Secretary, and Count Götz von Seckendorff, the Princess Royal’s Private Secretary Provenance: Given by Queen Victoria, the Princess Royal and Princess Beatrice to Charles Henfrey, as a thank you present for the loan of Villa Clara, Lake Como in 1879; And by descent to the previous owner £8,000-12,000

777 (framed)

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

286

778 SPANISH SCHOOL c.1900

Portrait of a young man in a red shirt and broad-brimmed hat Oil on canvas 60.6 x 50.5cm; 233⁄4 x 20in Unframed £200-300

779 JAN VAN BEERS

Belgian 1852-1927

Portrait of a young woman in oriental costume

778

779

Signed and inscribed JAN VAN BEERS/PARIS (lower right) Oil on panel 27.2 x 20.5cm; 103⁄4 x 8in £250-350

780 ENGLISH SCHOOL

19th Century

Boy fishing on a riverbank Indistinctly signed Jenki** (lower left) Oil on board 28.3 x 21.1cm; 111⁄4 x 81⁄4in Provenance: From the collection of Professor Anne Birrell (1950-2020). Professor Birrell taught Chinese and Chinese literature at Cambridge University and the City University of New York. Her publications include Popular Songs and Ballads of Han China, New Songs from a Jade Terrace, and Chinese Mythology: An Introduction. £150-250

781 AFTER FRANCISCO JOSÉ DE GOYA Y LUCIENTES 780

781

Dios la perdone: Y era su Madre (For Heaven’s Sake: and it was her Mother) Bears a signature Goya (lower left) 29 x 20.3cm; 11½ x 8in Provenance: Sotheby’s, Paris, Bacri Frères Antiquaires, Paris - Collection Jacques Bacri, lot 136 £400-600

782 IMRE GERGELY

782

783 GINI

Hungarian 1868-1914

Italian c.1900

A family walking through a garden

A young boy hiding behind a wall

Signed Gergely Imre (lower let) Oil on canvas 45 x 35cm; 173⁄4 x 133⁄4in

Signed Gini (lower left) Oil on canvas 31.8 x 20.8cm; 12½ x 181⁄4in

£200-300

£150-250

783 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

287

784 FOLLOWER OF WILLIAM EDWARD FROST Bacchus and Ariadne Oil on canvas 35.6 x 30.8cm; 14 x 121⁄4in £1,000-1,500

784

785

785 JOHN BRETT ARA

1831-1902

Portrait study of Daisy, the artist’s daughter, aged 19 months Dated and inscribed Sketch of Daisy/age 19 months/aug 13 1874 (upper right) and signed and inscribed Presented to Pollie/august 16th 1874/John Brett (to verso) Oil on board 20.9 x 17cm; 81⁄4 x 63⁄4in Provenance: Given by the artist to his wife Mary Brett, 16 August 1874; By descent to the sitter, Daisy Watson (née Brett); Maas Gallery, London, 1991; Private Collection Literature: Christiana Payne and Charles Brett, John Brett Pre-Raphaelite Landscape Painter (Yale, 2010), p.217, no 713 (unseen and unlocated by the author and listed as (?)pencil) We are grateful to Charles Brett for his assistance cataloguing the present work, and for the following information: This charming study of his second child, and eldest daughter, Daisy, was painted in Guernsey, where Brett and his family spent the summer of 1874. A few days later he presented it to his wife Mary (also known as Pollie). After her death in 1911, it was inherited by the sitter (then Daisy Watson), and passed down in her family until its acquisition by the Maas Gallery in 1991. Brett made oil studies of all his seven children at some point in their early years, although from 1879 onwards he preferred to use the camera to record their activities. £1,200-1,800

786 ‡ WILLIAM MERRETT HODGES

1891-1961

AFTER DANTE GABRIEL ROSSETTI 1828-1882

The Boat of Love Inscribed THE BOAT OF LOVE/by/W. MERRETT HODGES/After/DANTE GABRIEL ROSSETTI/ BORN 1828 DIED 1882/Original/City Art Gallery/Birmingham (to verso) Oil on canvas 84.5 x 63.5cm; 331⁄4 x 25in Unframed £500-700 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

786

288

787

788

787 HENRY DE CLERCK

788 GUSTAV OTTO MÜLLER

789 ENGLISH SCHOOL

790 ENGLISH SCHOOL

Belgium act.1886-1900

German 1827-1922

19th Century

Winter landscape with a man and barge horse by a canal

British troops attacking the Redan, during the Siege of Sevastopol

View of a country house from the gardens

Interior of Winchester Cathedral

Signed H De Clerck (lower left) Oil on canvas 49.7 x 69.5cm; 19½ x 27in

Signed and dated Gustav Müller. 1855. (lower right) Oil on panel 18.9 x 23cm; 7½ x 9in

Oil on panel, circular 12cm diameter

Oil on canvas 61 x 43.6cm; 24 x 171⁄4in

£80-120

£200-300

£300-400

789

790 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

289

791

791 LOUIS BLOCK 1860-1909

The Corner of the Library Oil on canvas 27.2 x 53.5cm; 103⁄4 x 21in £2,000-3,000

792 ÉDOUARD DETAILLE French 1848-1912

Un soldat de la cavalerie Signed, dated and inscribed au colonel Brugères/cordial souvenir/ EDOUARD DETAILLE/nov. 1880 (lower left) Oil on canvas 42.4 x 30.3cm; 163⁄4 x 12in Provenance: Colonel Brugères (a gift from the artist); Sotheby’s, London, 25 March 1981, lot 286; Stanley J. Seeger (1930-2011); Tennants, Leyburn, An Attic Sale - The Collections of the late Stanley J. Seeger; 16 May 2015, lot 223; Private Collection, England For another work by Detaille, see lot 133. £1,000-1,500

792 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

290

793 ENGLISH SCHOOL c.1900

Study of a girl holding a posy Oil on panel 34.1 x 25.1cm; 13½ x 10in £300-500

794 WILLIAM UNDERHILL act.1847-1870

Feeding the lamb Signed and dated W Underhill/1847 (centre left) Oil on canvas 90.4 x 70.6cm; 35½ x 273⁄4in A label on the stretcher reads Grannie (Clementine Cooper) feeding the lamb with her elder sister Ellen Butler, who did not marry

793

794

£400-600

795 EDWARD RICHARD WHITE act.1864-1908

Primrose morning Oil on panel 32.5 x 20.3cm; 123⁄4 x 8in Exhibited: London, Royal Academy, 1901, no.632 £300-500

796 WILLIAM GALE

1823-1909

A simple Child, That lightly draws its breath, And feels its life in every limb, What should it know of death? Signed with monogram (lower right), and extensively inscribed and dated aug 1876 (to label, possibly a later hand) Oil on board 33.9 x 23.8cm; 131⁄4 x 91⁄4in

795

796

£300-500

797 BRITISH SCHOOL c.1900

A fisherwoman standing on the riverbank Oil on canvas 61 x 46cm; 24 x 181⁄4in £300-500

798 ENGLISH SCHOOL

19th Century

A mother and child feeding chickens and a donkey in a stable Oil on canvas 65 x 54cm; 25½ x 211⁄4in Provenance: By descent to the present owner

797

798

£150-250

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

291

799

799 EMILE EISMAN-SEMENOWSKY

Polish 1857-1911

Portrait of a lady, three-quarter length, wearing a red and cream striped dress and holding a champagne coupe aloft Signed and inscribed Eisman-Semenowsky/Paris (upper right) Oil on canvas 55.2 x 38.3cm; 213⁄4 x 15in £1,000-1,500

800

800 GEORGE SHERIDAN KNOWLES

1863-1931

Girl dressed in pink holding lillies Signed with monogram (lower right) Oil on canvas 76.5 x 56cm; 30 x 22in Provenance: Christie’s, London, British, Victorian and Scottish Paintings, 7 March 2002, lot 560 £1,200-1,800

801 EDWARD DEANES act.1860-1912

They Must Take That Signed and dated E Deanes 1879 (lower left), and further signed and inscribed with artist’s address to verso Oil on canvas 61.2 x 50.8cm; 24 x 20in £1,000-1,500

801 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

292

802 MATTHEW JAMES LAWLESS 1837-1864

AND WILLIAM HENRY KNIGHT 1823-1863

Bo-Peep - Children playing hide and seek in an interior Signed with Lawless’ monogram, dated 1862, and inscribed Figures by W.H.Knight (lower right) Oil on canvas 25.4 x 20.7cm; 10 x 81⁄4in £600-1,000

803 AUGUST DE WILDE Belgian 1819-1886

Stolen vanity Signed and dated A De Wilde/1847 (upper right) Oil on panel 25.7 x 20.4cm; 10 x 8in Provenance: The collection of the Earl of Morton; W. H. Patterson, London, where purchased by Gordon W Quance LLM (1931-2017), May 1973; By direction of the executors of the late Sylvia Quance (d.20 September 2020) £300-500

804 AUGUST VON WILLE

805 GERARD PORTIELJE

In the wine cellar

A writer at his desk

Signed a v Wille (lower left) Oil on canvas 28.8 x 26cm; 113⁄4 x 101⁄4in

Signed, dated and inscribed Gerard Portielje Anvers 1880 (lower right) Oil on panel 32.9 x 23.3cm; 13 x 91⁄4in

German 1828-1887

£200-300

Provenance: By descent to the present owner £4,000-6,000

802

803

Belgian 1856-1929

804

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

293

805 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

294

806 FRANZ MEYERHEIM German 1838-1880

Interior with an old lady spinning wool and a child Signed and dated Franz Meyerheim 1860 (lower right) Oil on canvas 44.5 x 36.5cm; 17½ x 141⁄4in Provenance: English Private Collection £300-500

807 GEORGE FOX 1816-1910

Tales of the Past Signed and dated Geo Fox 82 (lower left) Oil on panel 32.4 x 21.9cm; 123⁄4 x 8½in

806

Provenance: M. Newman, London; Sir Owen Aisher (1900-1993); By descent to The Muro Collection

807

£500-800

808 SOLOMON HART RA 1806-1881

Juvenile Architecture Oil on panel 27.1 x 21.2cm; 103⁄4 x 81⁄4in Provenance: Col. John Bolton (d.1837), Storrs Hall Windermere; By descent to his cousin Rev. Thomas Staniforth (d. 1890); By descent to Annabella, Lady Boughey (d.1914) née Littledale, wife of Sir Thomas Fletcher Boughey, 4th Bt. (1836-1906), Sundorne Castle, Shropshire; By descent with Sundorne to her cousin Lt. Col. William Alfred Littledale Fletcher, D.S.O. (1869-1919), Sundorne Castle, Shropshire; Christie’s, London, 15 May 1914; Col. Sir Clement Molyneux Royds, C.B., K.J.St.J. (1842-1916) £800-1,200

809 SIR WILLIAM QUILLER ORCHARDSON RA

1832-1910

The Reception Signed W Q Orchardson (lower right) Oil on canvas 76.1 x 61cm; 30 x 24in Provenance: Sir Walter Brown, 1925; The Fine Art Society, London, May 1985; Private Collection, UK Exhibited: Edinburgh, Scottish National Exhibition, 1908; Kirkcaldy, Kirkcaldy Art Gallery, Inaugural Loan Exhibition, 1925; Kirkcaldy, Kirkcaldy Art Gallery, 1928 £5,000-8,000

808 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

295

809 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

296

810

811

810 AMÉDÉE GUERARD

811 ALFRED HOLST TOURRIER

Mother and daughter in an interior

Soldiers playing cards in an interior

Signed and dated Am Guerard 66 (lower left) Oil on canvas 44.2 x 33cm; 17½ x 13in

Signed with initials and dated AHT/79 (to table edge) Oil on canvas 71.3 x 61.3cm; 28 x 241⁄4in Unframed

French 1824-1898

£400-600

1836-1892

£400-600

812 ATTRIBUTED TO ALFRED LYS BALDRY

813 JEAN-BAPTISTE CARPEAUX

1858-1939

French 1827-1875

Woman standing in a garden holding a clipping

L’amour désarmé

Signed with initials and dated ALB 85 (lower right) Oil on canvas 61.1 x 30.8cm; 24 x 12in £200-300

Oil on panel 46.2 x 28.8cm; 181⁄4 x 111⁄4in Provenance: Couper Gallery, London, 1962 Literature: Apollo, December 1962 (illustrated); Patrick Ramade, Carpeaux peintre, exh. cat. (Musée des Beaux Arts de Valenciennes, 1999), p.260 (location unknown) £4,000-6,000

812 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

297

813 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

298

814

815

814 DENNIS WOOD DEANE

815 ANDRÉ COLLIN

A woman peeling vegetables at a fireside

Bavarians in an interior

c.1822-1900

Belgian 1862-1930

Indistinctly signed D W DE*** (lower left) Oil on canvas 45.8 x 61.3cm; 18 x 241⁄4in £300-500

816 GEORGE P. MANLEY 1848-1906

A Kentish Interior Dated 1859 (lower left) Oil on panel 25.1 x 32.8cm; 93⁄4 x 13in

816

Signed A Collin (lower left) Oil on panel 21.4 x 26.1cm; 8½ x 101⁄4in £300-500

Provenance: In the family of the present owner for at least four generations Exhibited: London, Royal Academy, 1859, no.638 £200-300

816A ‡ FRANZ XAVIER WÖLFLE

German 1887-1972

Old man wearing a maroon coat holding a pipe; Old man wearing a blue coat smoking a pipe A pair, both signed FX.Wölfle (upper right, FX in ligature) Both oil on board Each 17.2 x 13.2cm; 6¾ x 5¼in (2) Provenance: Frost and Reed, April 1955 and September 1952 £200-300

816A See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

299

817

817 ‡ MARGARET DOVASTON

818 ALFRED CHARLES HAVELL

819 GEORGE GOODWIN KILBURNE RI, ROI, RBA

The day’s bag

If she will not when she may

Welcome Refreshment

Signed M.Dovaston (lower right) Oil on canvas 49 x 67cm; 191⁄4 x 261⁄4in

Signed A.C.Havell (lower left) Oil on panel 17.2 x 25.1cm; 63⁄4 x 10in

Signed and dated -GGOODWIN KILBURNE 97- (lower right) Oil on panel 24.6 x 17.1cm; 93⁄4 x 63⁄4in

Provenance: H. Blairman & Sons, London

£400-600

Provenance: Frost and Reed

1884-1955

1855-1928

£4,000-6,000

818 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

1839-1924

£500-700

819

300

820 CUZCO SCHOOL The heavenly and earthly trinities Oil on canvas 41 x 32.8cm; 161⁄4 x 13in £500-700

821 CUZCO SCHOOL St. Michael vanquishing the devil Oil on paper laid on board 27.4 x 19.3cm; 103⁄4 x 7½in £300-500

820

821

822 PERSIAN SCHOOL 19th Century

Portrait of a mullah kneeling on a terrace, a landscape beyond Oil on canvas 84.2 x 44.5cm; 331⁄4 x 17½in £300-500

823 RUSSIAN SCHOOL Icon with St. Zosima and St. Savvaty Tempera on panel 22.2 x 17.7cm; 83⁄4 x 7in Provenance: Maria Andipa Icon Gallery, London £200-300

822

823

824 RUSSIAN SCHOOL Triptych icon of the Virgin Hodegetria surrounded by saints, flanked by angels and further depictions of saints Tempera and gilt on wood 33.1 x 47.6cm; 13 x 183⁄4in (open) £300-500

824 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

301

825 RUSSIAN SCHOOL Icon of the Virgin and Child surrounded by saints Tempera and traces of gilt on panel 31.3 x 26.2cm; 121⁄4 x 101⁄4in Provenance: Purchased in Venice, 1986 (according to label) £500-700

826 RUSSIAN SCHOOL Menaion icon Inscribed throughout in Cyrillic Tempera on panel 35.6 x 30.9cm; 14 x 121⁄4in Provenance: English Private Collection

825

826

827

828

£200-400

827 RUSSIAN SCHOOL Icon of The Old Testament Trinity Inscribed in Cyrillic Tempera on panel 35.9 x 28.6cm; 141⁄4 x 111⁄4in Provenance: Maria Andipa Icon Gallery, London; English Private Collection £200-400

828 RUSSIAN SCHOOL Icon of The Mother of Joy to Those who Grieve; Icon of St George slaying the dragon Two, both tempera and gilt on panel 30.5 x 26cm; 12 x 101⁄4in; 31.2 x 26.3cm; 121⁄4 x 10½in (2) Provenance: ‘The Mother of Joy’, Phillips, 13 December 1999, lot 6 £250-350

829 RUSSIAN SCHOOL Icon of St. Sergius of Radonezh Tempera on panel 27.2 x 22.9cm; 103⁄4 x 9in £200-300

830 RUSSIAN SCHOOL Icon with the Virgin and Child Tempera on panel 16.4 x 11cm; 6½ x 41⁄4in £200-300

829 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

830

302

831 JOSEPH SYDNEY WILLIS HODGES 1828-1900

Portrait of Frederick Vernon Williams, Master of the Eridge Hunt, dressed in his hunting coat Signed Sydney Hodges (lower left) Oil on canvas 145.7 x 102cm; 571⁄4 x 401⁄4in Provenance: Presented by members of the Eridge Hunt to the sitter on his marriage, 20 April 1892; And by descent £400-600

831

832

832 HUGH DE TWENEBROKES GLAZEBROOK

1855-1937

Portrait of Sidney Williams, three-quarter-length, holding a shotgun Indistinctly signed (lower left) Oil on canvas 106.3 x 76.2cm; 413⁄4 x 30in Provenance: By descent from the sitter £400-600

833 BRITISH SCHOOL c.1900

Portrait of Nita Williams, three-quarter length, wearing a blue dress and black shawl Oil on canvas 104.5 x 76.6cm; 411⁄4 x 301⁄4in Provenance: By descent from the sitter Nita Williams was wife of Sidney Williams (lot 832). £400-600

834 EDITH CORBET

1846-1920

Portrait of Alice Williams, née Herbert, in a white dress with lace shawl, standing in an interior Signed Edith Corbet/1897 (lower left) Oil on canvas 148.4 x 100.5cm; 58½ x 39½in Provenance: By descent from the sitter Alice Williams and Edith Corbet were friends, and studied together in Florence. She was the niece of the Earl of Pembroke, and married Frederick Williams (lot 831). £5,000-8,000

833 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

303

834 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

304

835 ENGLISH SCHOOL c.1900

Portrait of a boy, bust-length, wearing a sailor suit Oil on canvas 43.9 x 38.2cm; 171⁄4 x 15in Unframed £150-250

836 ENGLISH SCHOOL

19th Century

Portrait of a young girl sitting in a landscape with a spaniel Oil on panel 34.5 x 29cm; 13½ x 11½in, framed as an oval

835

836

Together with English School 19th Century; Portrait of a young lady in a white evening dress; oil on canvas; 34.2 x 29cm; 13½ x 11½in, framed as as oval (2) £200-300

837 ENGLISH SCHOOL c.1850

Portrait study of a gentleman Oil on board, oval 36.8 x 29.5cm; 14½ x 11½in £200-300

838 THOMAS FREDERICK MASON SHEARD 1866-1921

Self portrait Oil on canvas 91.8 x 71.2cm; 36 x 28in

837

838

Provenance: Lord Margadale of Islay, at Fonthill House, Tisbury, Wiltshire £100-200

839 JAN HAVERKAMP

Belgian 19th/20th Century

Portrait of a lady, half-length, wearing a black dress with a gold brooch; Portrait of a gentleman, bust-length, wearing black tie Two, the former signed and indistinctly inscribed Jan Haverkamp/Oscar Delete** (lower right) Oil on canvas; oil on board 65 x 50cm; 25½ x 193⁄4in; 43.6 x 36cm; 171⁄4 x 141⁄4in (2) £200-300

839 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

305

840

841

840 B. A. BUTLER 19th Century

AFTER FRANZ XAVER WINTERHALTER German 1805-1873

Portrait of Queen Victoria (1819-1901), three-quarter-length, wearing a white silk dress and the insignia of the Order of the Garter Signed and inscribed Her Most Gracious Majesty/ VICTORIA/ Queen of Great Britain & Ireland/&/ Empress of the Indies/ PAINTED IN THE YEAR OF HER DIAMOND JUBILEE/FROM WINTERHALTER’S PICTURE/IN THE PALACE OF VERSAILLES/By B A Butler (to reverse) Oil on canvas 127.4 x 96.3cm; 501⁄4 x 38in Provenance: Woolley and Wallis, Salisbury, Fine Old Masters & 19th Century Paintings, 10 December 2014, lot 225, where purchased by the present private collector After Winterhalter’s version in the Château de Versailles (inv. no. MV 4675). £2,000-3,000

841 CIRCLE OF FRANZ XAVER WINTERHALTER

842 CIRCLE OF SIR JOHN LAVERY

Portrait of Mary Ann Boord (d.1852), née Newstead, of Harefield Grove, half-length in a lace-trimmed red dress with lace cap

Portrait of a young lady, half-length, wearing a black dress

Oil on canvas, oval 92.8 x 76.9cm; 36½ x 901⁄4in

£800-1,200

Oil on canvas 81.1 x 63.5cm; 32 x 25in

£800-1,200

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

842

306

843

844

845

843 CIRCLE OF GEORGE CHINNERY Portrait of a lady seated by a window Oil on canvas 63.6 x 55cm; 25 x 213⁄4in £700-1,000

846

844 CONTINENTAL SCHOOL

845 CIRCLE OF GEORGE CHINNERY

19th Century

Portrait of a gentleman, bust-length, in a black coat

Portrait of a gentleman, half-length, wearing a black coat and black stock

Portrait of a lady, half-length, wearing a black dress with lace collar and a white bonnet

Oil on canvas 60.8 x 50.8cm; 24 x 20in

Oil on canvas laid on board 72.5 x 60cm; 28½ x 23½in

Oil on panel 27.3 x 22cm; 103⁄4 x 83⁄4in

£300-500

£200-300

19th Century

846 ENGLISH SCHOOL

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

307

847 FREDERICK DANIEL HARDY

1827-1911

Interior with two figures conversing whilst a child sleeps Signed and dated F.D.Hardy/1879 (lower left) Oil on canvas 50.8 x 61.4cm; 20 x 24½in £1,000-1,500

848 FREDERICK RICHARD PICKERSGILL RA

1820-1900

The visitor Signed with monogram and dated 71 (lower rght) Oil on panel 19.6 x 43cm; 73⁄4 x 17in Provenance: Lionel de Rothschild (1882-1942); Edmund de Rothschild (1916-2009); The Trustees of Exbury House £800-1,200

847

848

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

308

849 CHARLES GRANT

act.1825-1839

A Girl with Flowers Signed, inscribed and dated A Girl with Flowers/C Grant/1838 and further inscribed with artist’s address (to verso) Oil on canvas 52.2 x 43.4cm; 20½ x 17in Exhibited: London, Royal Academy, 1938, no.443 £300-400

850 ENGLISH SCHOOL c.1840

849

850

Portrait of a gentleman, half-length, seated holding a book Oil on canvas 30.6 x 25.6cm; 12 x 10in £200-300

851 FOLLOWER OF FRANCIS GRANT Portrait of a gentleman, wearing a black coat and brown waistcoat, seated in an interior holding a cane and top hat Oil on canvas 91.8 x 71cm; 361⁄4 x 28in £500-700

851

852

852 WILLIAM FREDERICK YEAMES RA

1835-1918

Portrait of Mr Shannon, director of Coutts, seated in an interior Signed and dated W F YEAMES/1893 (lower left) Oil on canvas 115.4 x 89.8cm; 45½ x 351⁄4in

Literature: M. H. Stephen Smith, Art and Anecdote: Recollections of William Frederick Yeames, R.A. (London, Hutchinson & Co), p.217 Exhibited: London, Royal Academy, no.335 Mr Shannon was a lifelong friend of the William Frederick Yeames. £300-500

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

309

853 JAMES SANT CVO, RA 1820-1916

Portrait of Alexander Boord (1872-1925), full-length, holding a book Signed with monogram (lower right) Oil on canvas 145.7 x 86.1cm; 571⁄4 x 34in Exhibited: London, Royal Academy, no.814 Alec Boord was the youngest son of Sir Thomas Boord, 1st Bt. (1838-1912), the Conservative MP for Greenwich from 1873-1895. £1,500-2,500

854 SEΑN KEATING

Irish 1889-1977

AFTER SIR WILLIAM ORPEN KBE, RA, RHA Irish 1878-1931

Portrait of James Hugh Smith-Barry (1816-1856), bust-length, wearing a black coat and blue waistcoat Oil on canvas 61.1 x 46cm; 24 x 18in Together with a collection of letters from Sir William Orpen to Lord Barrymore relating to the work. Provenance: Commissioned in 1916 from Sean Keating via Sir William Orpen, by Arthur Hugh Smith-Barry, 1st Baron Barrymore (1843-1925); And by descent According to the enclosed letters, in 1904 Lord Barrymore commissioned Sir William Orpen to paint a posthumous portrait of his father, based on an 1854 pastel sketch by James Rannie Swinton (1816-1888), which was hung at Fota House. Orpen discusses the difficulty of painting from a drawing, as well as advising Lord Barrymore how best to light the work. In 1916, Lord Barrymore evidently wanted a second version to hang in his Cheshire home, Marbury Hall. Apparently Orpen was not able to accept the commission but he arranged for his former pupil Sean Keating to undertake the work. £800-1,200

853

855 ALFRED HITCHENS 1861-1942

Portrait of Geoffrey Mercer (1896-1966) as a boy, seated in a landscape, wearing a grey suit and holding a hunting crop Signed and dated Alfred Hitchens 1905 (lower left) Oil on canvas 114.7 x 91.5cm; 451⁄4 x 36in Provenance: By descent from the sitter to the present owner £500-700

854 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

855

310

856 ‡ WILLIAM LEE HANKEY RWS, RI, ROI, RE, NS 1869-1952

Continental street view Signed W LEE-HANKEY (lower right) Oil on canvas 49.5 x 59.9cm; 19½ x 23½in Provenance: Christie’s, London, Victorian & Traditionalist Pictures, 12 March 2008, lot 149 £1,500-2,500

856

857

858

857 ‡ WILLIAM LEE HANKEY RWS, RI, ROI, RE, NS

858 ‡ WILLIAM LEE HANKEY RWS, RI, ROI, RE, NS

The flower market, Menton

The angler’s corner

Signed W LEE-HANKEY (lower right) Oil on canvas 49.8 x 60cm; 19½ x 233⁄4in

Signed W LEE-HANKEY (lower left) Oil on canvas 51 x 61.3cm; 20 x 241⁄4in

Provenance: Christie’s, London, Victorian & Traditionalist Pictures, 12 March 2008, lot 150

Provenance: M. Newman Ltd, London

£1,200-1,800

£600-1,000

1869-1952

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

311

859

860

861

862

859 ‡ ANDREW BEER

860 ‡ ANDREW BEER

861 ‡ ANDREW BEER

862 ‡ ANDREW BEER

Portrait of a blue hen racing pigeon

Portrait of a blue cheq hen racing pigeon

Portrait of a blue cheq cock racing pigeon

Portrait of Avondale Lad, a red cheq cock racing pigeon

Signed Andrew Beer (lower right) and inscribed with racing history (along lower edge) Oil on canvas 30.7 x 41cm; 12 x 16¼in

Signed Andrew Beer (lower right) and inscribed with racing history (along lower edge) Oil on canvas 36.1 x 40.7cm; 14¼ x 16in

Signed Andrew Beer (lower right) and inscribed with racing history (along lower edge) Oil on canvas 31.1 x 40.8cm; 121⁄4 x 16in

Signed Andrew Beer (lower right) and inscribed with racing history (along lower edge) Oil on board 28.7 x 39.2cm; 111⁄4 x 15½in

£500-700

1862-1954

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 321

1862-1954

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INDEX OF ARTISTS A Ackermann, Willem 501 Aldegrever, Heinrich 65 Aldridge, Frederick James 153 Alexander, William 243 Alleyne, Francis, Circle of 628 Allingham, Helen 180, 181, 182, 183, 814, 185, 186, 187, 188, 189, 190, 191, 192 Altrui, E. 760 Anastasi, Auguste-Paul-Charles 642, 643, 644, 645, 646, 647, 648, 649, 650 Anderson, Sophie 508 Anderson, William, Attributed to 306 Andrews, Doris Godfrey 448 Anglo-Indian School 256 Ansdell, Richard, After 720 Anspach, Johannes, Attributed to 107 Appiani, Francesco 85 Armfield, George 665, 714, 715 Atkins, Samuel 113 Atkinson, John Augustus 264 Austin, Samuel, Attributed to 336 B Baker, Thomas 300 Baldry, Alfred Lys, Attributed to 812 Barry, John 34 Bates, David 684 Battista, Giovanni 145, 146 Batty, Robert 319 Bauer, Ferdinand 165 Baumgartner, Johann Wolfgang, After 360 Beach, Thomas 471 Beale, Mary, Circle of 349, 468 Beauclerk, Diana, Attributed to 417 Beechey, William, Circle of 636 Beer, Andrew 859, 860, 861, 862 van Beers, Jan 779 Belanger, Louis 652 Bellotti, Pietro, Follower of 583 Bennett, William 139 Bennett, William Mineard 494 Berchem, Nicolaes, Attributed to 564 Berchet, Pierre 390, 391 Besler, Basilius, After 71, 72 Bettes, John, the Younger 458 Birket Foster, Myles 135 Blanche, Jacques-Emile 718 van Blarenberghe, Louis Nicolas 374 van Blarenberghe, Louis Nicolas, Circle of 375 van Bleeck, Richard, Attributed to 482 Bleuler, Johann Ludwig 335 Block, Louis 791 Boddington, Edwin Henry 484

Boddington, Henry John 486 Boel, Pieter 537 Bone, Henry Pierce 1 Bonifazi, Adriano 770 Bosschaert, Jean-Baptiste, Follower of 540 Boucher, François 376 Bough, Samuel 670 Bowles, John, after Giorgio Fossati 441 Bowyer, Robert, Attributed to 13 Boys, Thomas Shotter 140 Boys, Thomas Shotter, Circle of 294 Brabazon, Hercules Brabazon 340 Bradley, Edward 625 van Bredael, Joseph 555, 557 Brett, John 785 Brewtnall, Edward Frederick 204 Breydel, Karel 556 British School 253, 255, 331, 443, 450, 483, 512, 638, 797, 833 Brooking, Charles 627 Brooking, Charles, Follower of 560 Bucknall, Ernest Pile 230 Bunbury, Henry 396 Burt, Albin Roberts 58 Butler, B. A. , after Franz Xaver Winterhalter 840 Byng, Edward 91 C Calderon, Charles Clément 503 Canaletto 372 Carelli, Giuseppe 764 Carpeaux, Jean-Baptiste 813 Carriera, Rosalba, After 95 Carwitham, John 442 Casissa, Nicola, Attributed to 464 Cassie, James 487 Casteels, Pieter, III, Follower of 529 Central European School 621 Chalon, Alfred Edward 393 Chamberlayne, William John, Attributed to 257 Chatelain, Jean-Baptiste-Claude 259 Chinnery, George 320 Chinnery, George, Circle of 843, 845 Ciardi, Emma 767 Cipriani, Giovanni Battista 369 Clark, Thomas 345 van Cleve, Joos, Follower of 526 Closterman, John, Follower of 467 Codde, Pieter, Circle of 544 Cole, Benjamin 67 Cole, George 700 Coleman, Edward 499 Collet, John 479 Collier, Edward, Circle of 386 Collier, Thomas 152 Collin, André 815

Collins, William 667 Condy, Nicholas 114 Constable, John, Circle of 672 Constable, John, Follower of 416 Continental School 50, 310, 354, 507, 530, 547, 844 Cooper, Thomas Sidney 660 Copley Fielding, Anthony Vandyke 120, 280, 281, 282 Corbet, Edith 834 Cordrey, John 590, 591 Cosway, Richard, Circle of 41 Cotman, John Joseph, Attributed to 322 Cotton, John 687 Courbet, Gustave, Follower of 451 Cox, David, Snr. 121, 321, 679, 680 Cristall, Joshua 317 Crosse, Richard 20 Cruickshank, William 154 Cuyp, Benjamin Gerritsz., Circle of 577 Cuzco School 820, 821 D Damoye, Pierre Emmanuel 654 Daniel, Abraham 30 Daniell, Thomas 76, 127 Daniell, William 125, 126 Daubigny, Charles-François 651 Davies, David 236 Davis, Arthur Henry 713 Davis, John Scarlett, Attributed to 273 Davis, William Henry 710 Dawson, Henry 308 de Breanski, Gustave 740, 741 de Clerck, Henry 787 de Goya y Lucientes, Francisco José, After 781 de Graves, Philip 90 de Heem, Jan Davidsz., Manner of 775 de Honcoeter, Gijsbert Gillisz. 605 de la Tour, Maurice Quentin, After 97 de Lajoüe, Jacques, Attributed to 425 de Largillière, Nicolas 597 de Loutherbourg, Philip James 404 de Momper, Joos, Follower of 567 de Noter, David Emil Joseph 502 de Twenebrokes Glazebrook, Hugh 832 de Vos, Maerten, Follower of 523, 524, 525 de Wil, August 803 de Wint, Peter 270, 271 de Wint, Peter, Attributed to 272 de Wit, Jacob 549 Deane, Charles , Circle of 509 Deanes, Edward 801 Debucourt, Philibert-Louis 588

Deiker, Johannes Christian, Attributed to 717 Delafosse, Jean-Charles, Circle of 356 van der Linde, Jan 693 Desprez, Louis-Jean 429 Detaille, Édouard 133, 792 Devis, Anthony 128 Devis, Arthur William, Attributed to 497 Devis, Arthur, Circle of 634 Devoto, John 389 di Martino, Edoardo 755 van Diest, Adriaen 561 Dighton, Robert 130 Dovaston, Margaret 817 Downman, John 108 D’Oyly, Constance F. 719 Drummond, Arthur 768 Drummond, Samuel 423 Dudley, Thomas 234 Duffield, William 500 Dujardin, Karel, After 368 Duncan, Edward 141 Duncan, Edward, Circle of 283 Dupont, Gainsborough, Follower of 630 Dutch School 5, 89, 94, 373, 427, 475, 562, 574, 579, 580, 607, 612, 776 van Dyck, Anthony, After 348 van Dyck, Anthony, Circle of 606 van Dyck, Anthony, Follower of 608 van Dyck, Anthony, Manner of 603 E East, Alfred 228 Edridge, Henry 27 Egley, WIlliam, Follower of 61 Eisman-Semenowsky, Emile 799 Elgood, George Samuel 318 van Elven, Pierre Tetar 653 English School 6, 8, 10, 11, 12, 14, 17, 18, 21, 22, 23, 24, 28, 29, 32, 35, 36, 37, 38, 39, 40, 42, 43, 44, 46, 47, 48, 49, 62, 63, 119, 131, 132, 251, 291, 312, 313, 343, 346, 379, 392, 394, 395, 400, 405, 408, 433, 435, 449, 444, 445, 446, 470, 481, 495, 600, 601, 615, 626, 629, 632, 633, 637, 673, 685, 695, 703, 705, 726, 735, 737, 793, 745, 780, 789, 790, 798, 835, 836, 837, 846, 850 Etty, William 419 Evans, William 325 F Fagnani, Giuseppe Faithorne , William Ferneley, John, Jnr. Fettes Douglas, William Finke, August

207 347 701 742 757

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INDEX OF ARTISTS Flaxman, John 398, 399 Fletcher, Edwin 729 Floris, Frans, the Elder, Circle of 543 Fontebasso, Francesco 363 Fox, George 807 Frederick Lewis, John, Circle of 208 French School 51, 52, 53, 54, 100, 101, 102, 355, 378, 437, 454, 476, 546, 353, 586, 557 Freyberg, Conrad 702 Fripp, George Arthur 315, 316 Fripp, George Arthur, Attributed to 314 Frost, William Edward, Follower of 784 G Gainsborough, Thomas, After 109, 616 Gainsborough, Thomas, Follower of 617 Gale, William 796 Galea, Luigi Maria 763 Galien-Laloue, Eugène 239, 240 Gallon, Robert 677 Garden, William Fraser 235 Gardner, Daniel, Attributed to 106 Garrard, George 420, 421 Garraway, Edward 716 Gaskell, George Arthur 205 Gastineau, Henry 136 Gauffier, Louis, After 622 Gergely, Imre 782 Ghezzi, Pier Leone 366 Giaquinto, Corrado 362 Gibson, Patrick 434 Gini 783 Girtin, Thomas 292 Glendening, Alfred Augustus, Jnr. 172 Godet, Julius 655 Goodall, Edward 70 Goodall, Walter 173 Goodwin, Albert 226, 227 Gosse, Edward W. 80 Gould, John 73, 74 van Goyen, Jan, Follower of 581 Gozzard, James Walter 171 Graham, George William 696 Grant, Charles 849 Grant, Francis, Follower of 639, 851 Gravelot, Hubert-François 388 Greaves, Henry 213 Greaves, Walter 214, 215, 216, 217, 218, 219, 220, 221, 749, 750, 751 Greenhill, John, Attributed to 250 Greuze, Jean-Baptiste, Follower of 585 Griffier, Jan, I, Circle of 554 Grose, Daniel Charles 344 Guardi, Francesco, Follower of 504 Guardi, Giacomo 92

Guerard, Amédée 810 Guérin, Pierre-Narcisse, Follower of 365 Guthrie, James, Circle of 206 H H.R.H Victoria, The Princess Royal 777 Hackert, Jacob Philipp, Follower of 571 Haddon, Arthur Trevor 759 van Haensbergen, Jan 459 Halswelle, Keeley, Circle of 511 Hamilton, Hugh Douglas 110 Hamilton, Hugh Douglas, Circle of 111 Hamilton, William 397 Hand, Thomas 510 Hankey, William Lee 856, 857, 858 Harding, James Duffield 298 Hardy, Frederick Daniel 847 Hardy, James, Jnr. 498 Harrington, Robert 589 Hart, Solomon 808 Havell, Alfred C. 818 Havell, William, Attributed to 669 Havell, William, Circle of 268 Haverkamp, Jan 839 Hearne, Thomas 410, 411 van Heil, Daniel, Circle of 364 Herbsthoffer, Peter Rudolf Karl 570 von Herkomer, Hubert 201 Herring, John Frederick, Snr. 704 Herring, John Frederick, Snr., Follower of 698 Heuer, Wilhelm 81 Highmore, Joseph, Attributed to 385 Hill, James John 491 Hills, Robert 265, 333 Hitchens, Alfred 855 Hodges, Joseph Sydney Willis 831 Hodges, William Merrett 786 Hodgkins, William Matthew 342 Holder, Gottlieb 59 Holland, James 295, 430, 447 Holland, James, Follower of 293 Hone, Horace 16 Hoskins, John 4 Howard, William 747 Howitt, Samuel 296 Hudson, Thomas 480 Hudson, Thomas, Circle of 631 Hulk, Abraham, Jnr. 739 Hull, Thomas H. 33 Hull, William 151 Hunt, Edgar 721, 722 Hunt, Edmund Aubrey 743 Hunt, William Henry 332 Hunt, William Henry, Circle of 266 Hunt, William Henry, Follower of 263 Huysmans, Jacob, Circle of 456

van Huysum, Jacob, Attributed to 465 I Indian School Italian School

244, 245, 246, 247, 248 86, 505, 516, 517, 520, 565, 758

J James Wilson 488, 756 Janson, Johannes 117, 572 Jean, Philip 25 Johnson, Cornelius, Follower of 602 Johnson, Harry John 341 Juvarra, Filippo, Circle of 359 K Keating, Seán 854 Kick, Simon, After 542 Kilburne, George Goodwin 210, 211, 212, 819 Knell, Adolphus 733 Knell, William Adolphus 734 Knell, William Calcott, Circle of 727 Kneller, Godfrey 93, 614 Kneller, Godfrey, and Studio 466 Kneller, Godfrey, Attributed to 381 Knight, Charles 415 Knowles, George Sheridan 800 L Lacroix de Marseille, Follower of 426 Lambinet, Émile 656 Lancret, Nicolas, After 587 Lancret, Nicolas, Circle of 377 Lanscroon, Gerard, Circle of 460 Lavery, John, Circle of 842 Lawless, Matthew James 802 Lawrence, Thomas 641 Lawrence, Thomas, Attributed to 640 Le Pautre, Jean 387 Lear, Edward 157, 158, 159, 160, 161, 162, 163 Lear, Edward, Follower of 261 Lefevre d’Orgeval, André-Claude Martin 55 Leitch, William Leighton 138, 438 Lely, Peter, Circle of 469 Lely, Peter, Studio of 613 Lens, Andrew Benjamin 19 Lens, Bernard, III, Attributed to 3 Lequeutre, Joseph Hippolyte 452 L’Evêque, Henri, After 79 Lewis, Frederick Christian 304 Lewis, John Frederick, Attributed to 209 Liotard, Jean-Étienne, Follower of 367 Lo Studio, Circle of 578

Loder of Bath, Edwin 712 Loder of Bath, James, Circle of 706 Lotto, Lorenzo, After 519 Lound, Thomas 148 Luttrell, Edward 249 M Maclise, Daniel 334 Maes, Nicolaes 609 Maggs, John 675 Maltese School 147 Manley, George P. 816 Manners, William 688 Maratta, Carlo, Circle of 84 Marieschi, Michele, Circle of 573 Marshall, John Miller 746 Martin, John, Circle of 303 Martszen, Jan, de Jonge 569 Meadows, Arthur Joseph 689, 690 Meadows, James, Snr. 731 Meadows, William 761, 762 Meegan, Walter Linsey 738 Melbye, Wilhelm 463 Mellor, William 697 Metford, Samuel 64 Meyerheim, Franz 806 van Mierevelt, Michiel Jansz. 545 van Mierevelt, Michiel Jansz., Follower of 455 Miles, Thomas Rose 728 Mitchell, J. T. 45 Mole, 174, 175 Mols, J. H. 553 Monamy, Peter 558 Monamy, Peter, Attributed to 461 Monamy, Peter, Follower of 563 Morel, Jan Evert, II 576 Morgan, W. 752 Morison Wimperis, Edmund 155 Morland, George, After 594 Morland, George, Follower of 595 Morland, Henry Robert, Circle of 551 Mostaert, Gillis, Follower of 566 Muckley, William Jabez 167 Müller, Gustav Otto 788 Müller, William James 164, 275, 276, 278, 279 Müller, William James, Attributed to 277 Munn, Paul Sandby 323 Murillo, Bartolomé Esteban, After 521 N Naish, William 15 Nasmyth, Alexander 663 Nasmyth, Patrick 661 Neapolitan School 144, 414 Neefs, Pieter, the Elder, Circle of 534 Neuman, P. J. 548 Nicholl, Andrew 168, 169

314

INDEX OF ARTISTS Nicholl, Andrew, Circle of Nicholson, Francis Nicholson, Francis, Circle of Nicholson, M. Niemann, Edmund John Niven, Jean Norie, Orlando Northern European School

403 124 123 496 489 232 134 428

O Orchardson, William Quiller 809 Orpen, Arthur Herbert 309 Overton, Henry 439 Owen, Samuel 307 Palmer, Harold Sutton 170 Parker, Henry H. 694 Parmigianino, After 515 Partridge, Ellen 753 Partridge, John 418 Paul, John 623, 624 Payne, William 122 P Peel, James 754 Pennington, John 485 Persian School 822 Perugino, After 527 Pickersgill, Frederick Richard 848 Piranesi, Giovanni Battista 69 Plimer, Andrew, Attributed to 26 Pocock, Nicholas 267 Pond, Arthur 477 Portielje, Jan 771 Portielje. Gerard 805 Potter, Charles 231 Pouncy, Benjamin Thomas 299 Pouncy, Benjamin Thomas, Attributed to 262 Prout, Samuel, Circle of 149 Pseudo-Granacci, Attributed to 518 Pyne, William Henry, Circle of 406 R Redmore, Henry 724 Redmore, Henry, Attributed to 725 Reed, Lancelot Elford 490 Reed, W. H. 691 Reid, R. Paton 506 van Reymerswale, Marinus, After 528 Reynolds, Joshua 619 Reynolds, Joshua, After 78, 112 Reynolds, Joshua, Attributed to 618 Ricci, Marco 371 Ricci, Marco, After 436 Ricciardi, Oscar 765, 766 Richardson, Edward M. 137 Richardson, Jonathan, Snr. 351 Richmond, Thomas 31 Rigaud, Jacques 68 Riley, John, Circle of 599 Riley, John, Follower of 457 Rivers, Leopold 233

Roberts, David 337, 338 Roberts, David, After 75 Robertson, Andrew 60 Robson, George Fennell 301 Roe, Clarence Henry 692 Rolins, E. 748 Roman School 532 Romney, George, Circle of 478 Rosa, Salvator, Follower of 584 Rottenhammer, Hans, I, Attributed to 541 Roussoff, Alexandre Nicolaievich 241 Rowbotham, Thomas Charles Leeson 156 Rowe, Ernest Arthur 176 Rowlandson, Thomas 129 van Ruisdael, Jacob, Circle of 575 Russell, Walter Westley 736 Russian School 823, 824, 825, 826, 827, 828, 829, 830 Ruyten, Jean Michiel 659 Ryland, Henry 202, 203 S Sandby, Paul 98, 99 Sandby, Thomas 409 Sant, James 853 Sartorius, John Nost, After 77 Sassoferrato, Circle of 522 Schafer, Henry Thomas 150 Schinkel, Karl Friedrich, After 440 School of Posillipo 143 van Schrieck, Otto Marseus, Follower of 531 Scognamiglio, Antonio 769 Scottish School 288 Seeman, Enoch, Circle of 598 Severn, Arthur 329 Shalders, George 492 Sharpe née Paterson, Caroline 193 Sheard, Thomas Frederick Mason 838 Sherrin, Daniel 686 Sillett, James, Attributed to 289 Sleter, Francesco 361 Smart, John 7 Smart, John, Circle of 9 Smirke, Robert 305 Smith of Chichester, George, Attributed to 604 Smith, C. L., After 413 Smith, Carlton Alfred 179 Smith, H. C. 473 Smith, Samuel 66 Smythe, Thomas 678 Snaffles 82, 83 Snape, Martin 229 Solimena, Francesco, Attributed to 357 Soltau, Otto 166 Soltau, Otto, Circle of 290 Spanish School 536, 778

Spinks, Thomas 681 Spöhler, Jan Jacob 493 Stademann, Adolf 658 Stanley Barber 682 Stannard, Eloise Harriet, Follower of 772, 773 Stannard, Henry John Sylvester 177 Stannard, Joseph 330 Steen, Jan, Circle of 552 van Steenwijck, Hendrick, the Younger, Circle of 535 Storck, Jacobus, Follower of 559 Stothard, Thomas 105, 380 Strutt, Alfred William 197, 198, 199, 200, 708, 709 Strutt, William 194, 195, 196 Stuart, H. M. S. 2 Sustermans, Justus, Attributed to 610 Swaine, Francis 462 Sweeting, Garrington 676 Swinburne, Edward 311 T Tatham, A. J. 774 Taverner, William, Attributed to 432 Taverner, William, Circle of 269 Tennant, John Frederick 662 Thomas Phillips, Thomas, Circle of 635 Thomassin, Philippe 358 Thomson of Duddingston, John 431 Thorburn, Archibald 222, 223, 224, 339 Thornhill, James 382, 383 Thornley, Charles 732 Thors, Joseph 699 Thors, Joseph, Circle of 668 Tingqua, After 242 Tischbein, Johann Heinrich, the Elder, Circle of 620 Titian, Follower of 582 Toma, Gioacchino 453 Tourrier, Alfred Holst 811 Troost, Cornelis, Circle of 384 Turner of Oxford, William 422 Turner of Oxford, William, Attributed to 324 Turner, J.M.W., After 115, 260 Turner, J.M.W., Circle of 116 U Underhill, William

794

V Vallayer-Coster, Anne, Attributed to 596 Varley, Cornelius 286, 287 Varley, Cornelius, Follower of 118 Varley, John, Snr. 284, 285 van Veen, Otto, Circle of 611 Venetian School 370

Verhoesen, Albertus 723 Vermeulen, Andries 657 Vertue, George 352 Vertue, James, After 103 Vickers, Alfred Gomersal 327 Vickers, Alfred Gomersal, After 326 Vickers, Alfred Gomersal, Attributed to 328 Vickers, Alfred Gomersal, Circle of 424 Vivien, Joseph, After 96 van Vliet, Hendrick, Follower of 533 Vrancx, Sebastian, Follower of 568 van Vucht, Gerrit 538, 539 W Waite, Robert Thorne 237 Wale, Samuel 412 Wane, Richard 744 Ward, James 302 Warren, Henry 407 Warwick-Smith, John 258 Webb, James 674 Weber, Antoine Jean 142 Weekes, Herbert William 707 Wetherill, Ann 664 Wheeler, Alfred 711 White, Edward Richard 795 Wilkie, David, Follower of 252 Wilkins, John, Attributed to 474 von Wille, August 804 Williams, Hugh William 297 Williams, Walter 671 Williamson, William Henry 730 Wilson, Andrew 666 Wilson, Charles Edward 178 Wilson, Richard 401, 402 Wilson, Richard, Circle of 254 Wilson, Richard, Follower of 592, 593 Wimperis, Jenny 274 Winterhalter, Franz Xaver, Circle of 841 Wölfle, Franz Xavier 816A Wood Deane, Dennis 814 Woodforde, Samuel 104 Worlidge, Thomas 88 Wright of Derby, Joseph, Follower of 550 Wright, George 683 Wright, Richard Henry 238 Wutky, Michael, Attributed to 472 Wyllie, William Lionel 225 Y Yeames, William Frederick Z Zanetti, Antonio Maria Zincke, Christian Friedrich, Attributed to

852

87 56, 350

315

MODERN BRITISH & 20TH CENTURY ART TUESDAY 7TH & WEDNESDAY 8TH DECEMBER 2021 CLOSING DATE FOR ENTRIES 13TH OCTOBER

Dame Elisabeth Frink CH, DBE, RA (1930-1993) Horse Maquette Signed and numbered Frink 1/8 (to bronze base) Bronze on a black marble base, 1980 32.2 x 33.7 x 9.8cm (excluding marble base) Provenance: Presented by Queen Elizabeth II on behalf of Goodwood Racecourse to Edwin McAlpine, Baron McAlpine of Moffat (1907-1990), July 1980; And by descent Estimate £60,000 - 80,000*

ENQUIRIES Victor Fauvelle | +44 (0)1722 446961 vf@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

ARTS & CRAFTS TUESDAY 24TH AUGUST 2021

DESIGN WEDNESDAY 25TH AUGUST 2021

Hans Coper (1920-1981) Bottle with disc top Estimate £8,000 - 12,000* Dame Lucie Rie (1902-1995) A small porcelain sgraffito bowl Estimate £500 - 1,000* Dame Lucie Rie (1902-1995) A porcelain bowl covered with a yellow glaze Estimate £2,000 - 4,000* PROVENANCE: THE COLLECTION OF DAVID COACHWORTH AND PETER MYERS

ENQUIRIES Michael Jeffery | +44 (0) 1722 424505 | mj@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

THE ROBIN SIMPSON COLLECTION OF COMMEMORATIVE CERAMICS WEDNESDAY 8TH SEPTEMBER 2021

ENQUIRIES Clare Durham | +44 (0) 1722 424507 | cd@woolleyandwallis.co.uk

FURNITURE, WORKS OF ART & CLOCKS WEDNESDAY 22ND SEPTEMBER 2021

A pair of George III mahogany open armchairs attributed to Thomas Chippendale (detail) Provenance: A Private Collection purchased from Partridge Fine Arts, 6th November 1984 Estimate £8,000 - 12,000* ENQUIRIES Mark Yuan-Richards | +44 (0) 1722 411854 | myr@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

UPPER SLAUGHTER MANOR, THE COLLECTION OF MICHEÁL & ELIZABETH FELLER TUESDAY 9TH & WEDNESDAY 10TH NOVEMBER 2021

ENQUIRIES Mark Yuan-Richards | +44 (0) 1722 411854 | myr@woolleyandwallis.co.uk

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AUCTION INFORMATION OPENING HOURS Castle Street Salerooms Monday to Friday 9am – 5.30pm Castle Gate Offices Monday to Friday 9am – 5.30pm VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on +44 (0)1722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies. PLEASE NOTE: Registering with thesaleroom.com or through our website does not automatically register you with us. BIDDING AT AUCTION See below for the different options for bidding. Please note that you may be asked to provide two forms of identification, even if you have bid with us before, in order that we are compliant with Money Laundering Regulations. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

LIVE ONLINE BIDDING Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens. BUYER’S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter. CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true. SALE RESULTS These will be posted on our website shortly after the sale. PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping

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Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier. EXPORTING YOUR PROPERTY FROM THE UK If you are exporting your property, import taxes, customs duties and other fees may apply at the country of destination. It is also your responsibility to ensure that your shipment can be lawfully imported to the destination country. Please note that due to the withdrawal of the Retail Export Scheme by HMRC, we are unable to provide VAT refund documentation (C88) for hand-carried exports. In order to qualify for a VAT refund, your lots must be exported by a shipper and valid export documentation must be provided

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released. The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €10,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present. Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard

CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/ ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a ‡ symbol are potentially subject to a levy. Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

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Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Where practical, payment can be made and purchases collected during the auction.

Please enquire for the accepted exchange rate on the day of the sale.

We reserve the right to add storage charges to all lots not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000

LOT SYMBOLS VAT Lots marked with a dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

FIREARMS Lots marked Ƒ in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/ purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally authorised to acquire the lot that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but are not allowed to take physical possession of it. The auctioneers will reoffer the lot on behalf of the buyer in a future auction; or may accept instructions to dispose of it by some other legal means, at their discretion.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4%) inclusive thereafter. 5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. (As at 31st December 2020. Please refer to SOFAA website for updates to the Terms and Conditions). 6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale). 7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. 8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash). 12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges. TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7. 7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it. 11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque five weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale. CONDITIONS OF SALE

Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2.

(h) The singular includes the plural and vice versa as appropriate.

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2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS

Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE

The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4%) inclusive thereafter.

5. VALUE ADDED TAX

Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT (a) (i) (ii) (b)

Immediately a lot is sold you will: give to us, if requested, proof of identity, and pay to us the total amount due in pounds sterling Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. (c) In line with new legislation we reserve the right to investigate and identify the source of any funds received by us. The completion of the sale of a Lot will be postponed or cancelled at our discretion if further time is needed for investigation, or if you are in breach of your warranties as a buyer, or if we consider the sale to be unlawful or in any way cause liabilities or be detrimental to either Woolley and Wallis or the Seller.

7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense collect any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (if later) after which you shall be responsible for any collection, storage and insurance charges. (c) No purchase may be collected and we shall not release any lot to you or your agent until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY

All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur

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liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS

Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY

The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY

The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE

The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

concession only; in all other respects these Conditions shall be construed as having full force and effect. 21. English law applies to the interpretation of these Conditions. 22. Prior written consent must be sought by the buyer or any other party for the use of any images, illustrations and written materials produced by or for Woolley & Wallis relating to a lot or sale, including the contents of a catalogue. Copyright for any of the aforementioned will remain the property of Woolley & Wallis, subject to the provisions of the Copyright, Designs and Patents Act 1988. Woolley & Wallis and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights to it. PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS

In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

Glossary

(a)

(b) (c) (d) (e) (f) (g) (h) (i)

Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable. Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. Attributed to Edward Lear: In our opinion probably a work by the artist but less certainty as to authorship is expressed than in the preceding category. Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. After Edward Lear: In our opinion a copy of a known work of the artist. The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. Dimensions are given height before width. Pictures are framed unless otherwise stated.

(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

(j) (k)

15. FORGERIES

BOOKS AUCTIONS

Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

Please enquire for the accepted exchange rate on the day of the sale.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular

If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

Lots marked with a ‡ symbol are potentially subject to the levy.

PRIVACY NOTICE FOR CUSTOMERS WHAT THIS PRIVACY NOTICE DOES This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you. This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you. DATA CONTROLLER AND CONTACT DETAILS Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 1998 (DPA) and the General Data Protection Regulation (GDPR). If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details: • By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51-61 Castle Street, Salisbury, SP1 3SU. •

By email – privacyofficer@woolleyandwallis.co.uk

•

By telephone – +44 (0)1722 424599

HOW WE COLLECT YOUR PERSONAL DATA We collect your personal data from the following sources: •

From you when you: - interact with us before entering into a contract with us, for example when you express your interest in our Services; - instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions; - communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account; - in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below.

•

From third parties such as:

- other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you; - thesaleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on thesaleroom.com) of individuals who register for one of our auctions (please see thesaleroom. com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (thesaleroom.com’s payment provider); - sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided); - shipping companies whom you hire to collect items you purchased from us.

THE CATEGORIES OF PERSONAL DATA WE COLLECT We may collect the following personal data about you: • your name and contact details including address, telephone and email address; • your image, as captured by CCTV, if you attend our premises; • personal identification documents, including copies of government-issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details); • account details and other information relating to your transactions/dealings with us and your use of our Services; • payment details such as credit card and bank account details; • credit and payment history (where you open an account with us as a buyer or bidder); • information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and • other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information. We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following: • to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services); • once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents. In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies. LEGITIMATE INTERESTS We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following: • to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance; • to deal with any concerns or feedback you may have in the performance of the Services; • for our internal business record keeping and processes; • to seek advice on our rights and obligations, including obtaining legal advice; • to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes; • to customise our website and marketing communications in line with your particular interests or preferences; • to collect money owed to us or our consignors; • to carry out background and credit checks in relation to bidders and buyers. In this respect we will provide your data to the following: • • • • •

our professional advisors; the-saleroom.com; debt collection agencies; third parties who assist us with our marketing; our website and email management software provider.

LEGAL OBLIGATIONS We may also process your Personal Data for our compliance with our legal obligations. In this respect, we may use your Personal Data for the following: • to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks; • in order to assist with investigations (including criminal investigations) carried out by competent authorities; In this respect we will provide your data to the following: • •

external auditors; the police and other competent authorities, including HMRC;

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326 CONSENT

HOW LONG YOUR INFORMATION IS KEPT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services. SPECIAL CATEGORIES OF PERSONAL DATA We process special categories of personal data for the following reasons: • if it is necessary to protect your or another person’s vital interests (for example, where you have a life-threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention); • if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers); We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events). INTERNATIONAL TRANSFERS OF DATA We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company. We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey. PROFILING We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

In particular: • in relation to CCTV images taken when you attend our premises, we will retain these for a few months; • in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services; • we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive; • in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market. YOUR LEGAL RIGHTS Under the DPA you have the following rights: • to obtain access to, and copies of, the personal data that we hold about you; • to require that we cease processing your personal data if the processing is causing you damage or distress; • to require us not to send you marketing communications. • to require us to correct the personal data we hold about you if it is incorrect; • to require us to erase your personal data; • to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal); • to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller; • to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights. Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply. If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available at: www.ico.org.uk

327

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WILTON & WARMINSTER

CENTRAL CAR PARK

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Valuations are a core part of our business and are usually carried out by a senior specialist or director. Accuracy, speed and above all confidentiality are paramount.

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INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

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AMESBURY & MARLBOROUGH

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VALUATIONS

LONDON, ANDOVER & WINCHESTER

CASTLE RD A345

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

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WOOLLEY & WALLIS SALEROOMS

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PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

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A354 DORCHESTER WEYMOUTH & BLANDFORD

Woolley and Wallis valuations are accepted by all leading insurance companies.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales. Contact Amanda Lawrence +44 (0)1722 424509 | valuations@woolleyandwallis.co.uk FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on +44 (0)1722 424500. DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO OLD SARUM

MARLBOROUGH & SWINDON

Old Sarum Park

WOOLLEY & WALLIS Castle Gate WOOLLEY & WALLIS Salisbury Salerooms

WOOLLEY & WALLIS

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1st Self Access Storage

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A345 Castle Rd

SALISBURY AMESBURY

A36

Clifford Street, Mayfair

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Sarum Business Park

Westover Garage

Woolley & Wallis Unit 1B Castle Gate Business Park Old Sarum Salisbury SP4 6QX

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Kia Motors

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Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

Old Sarum

17 (2nd floor) Clifford Street, London W1S 3RQ (open by appointment only)

Woolley & Wallis Salisbury Salerooms Ltd. 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Registered in England No.02998482 VAT No: 631 9832 29

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough.

328

ABSENTEE BID FORM

OLD MASTERS, BRITISH & EUROPEAN PAINTINGS

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

WEDNESDAY 11TH & THURSDAY 12TH AUGUST 2021 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Business printed in the catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. BUYER’S PREMIUM Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

Billing Name (please print) �� Address �� ___________________________ Postcode �� Daytime Telephone �� Email �� ID may be required even if you have bid with us before. Signature ��

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: +44 (0)1722 424500 Fax: +44 (0)1722 424508

Brief Description of lot

Price excluding buyer’s premium & VAT

AUCTION CALENDAR AUGUST 11th & 12th Old Masters, British & European Paintings 24th

Arts & Crafts

25th

Design

SEPTEMBER 8th

The Robin Simpson Collection of Commemorative Ceramics

22nd

Furniture, Works of Art & Clocks

OCTOBER 5th & 6th

Silver & Objects of Vertu

7th

English & European Ceramics & Glass

20th

British Art Pottery & Design

NOVEMBER 9th & 10th Upper Slaughter Manor, The Collection of Micheál & Elizabeth Feller 17th & 18th Fine Jewellery 23rd

Fine Chinese Paintings & Works of Art, Japanese Works of Art

24th

Asian Art II

DECEMBER 7th & 8th

Modern British & 20th Century Art

14th

Medals & Coins, Arms & Armour

15th

African & Oceanic Art | Antiquities

Dates may be subject to change +44 (0)1722 424500 enquiries@woolleyandwallis.co.uk 51-61 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk *Price includes buyer’s premium

ENTRIES ARE CURRENTLY BEING ACCEPTED FOR OUR UPCOMING AUCTIONS George Gower (c.1540-1596) Portrait of a gentleman, traditionally identified as Thomas Arundell, later 1st Baron Arundell of Wardour (c.1560-1639) SOLD FOR £102,500*