Wednesday 4th June 2025
Art on Paper: Posters from the Zacron Collection
To be included in the Fine Art Auction 25th June
From the Private Collection of Professor Zacron Dip RA — Designer of the Led Zeppelin III Album Cover
The Interior Sale
Wednesday 4th June at 11.00am
Kingsley House, 5 High Street, Chislehurst, Kent, BR7 5AB
020 8396 6970
VIEWING
Thursday 29th May 10am – 4pm
Friday 30th May 10am – 4pm
Monday 2nd June 10am – 4pm
Tuesday 3rd June 10am – 4pm
Wednesday 4th June 9am – 11am
PHOTOGRAPHIC ID IS REQUIRED FOR VIEWING AND TO REGISTER FOR IN-PERSON BIDDING
IMPORTANT NOTICES
Please note that the condition of items are not noted in the catalogue. Condition reports can be viewed on www.the-saleroom.com
AUCTION VENUE
Kingsley House, 5 High Street, Chislehurst, Kent, BR7 5AB, Parking available at the adjacent Hornbrook House public car park.
AUCTIONS
LIVE INTERNET BIDDING
ONLINE BIDDING IS AVAILABLE VIA OUR WEBSITE WITH NO ADDITIONAL FEE. We also offer bidding by telephone and by the placing of absentee bids.
Bidding is also available via the-saleroom.com for which the additional fee is 4.95% + VAT.
The Company trades as Catherine Southon Auctioneers & Valuers Ltd. The Company’s registered office is: Lygon House, 50 London Road, Bromley, BR1 3RA. Company Registration Number 08020183. Registered in England and Wales.
Large items (W lots) will be available for collection the day after the sale, from 5th June
1. A William and Mary cushion framed mirror of rectangular form, the walnut oyster veneered frame enclosing a bevelled mirror, 79 x 65cm £200-£300
2. A Regency gilt wood pier mirror the rectangular bevelled glass mirror plate, flanked by pilasters, with floral capitals, beneath a scrolled foliate frieze and cornice decorated with balls, width 61cm, depth 10.5cm, height 97cm
£150-£200
3. A Regency giltwood pier mirror the beaded broken arch pediment with a carved shell finial, above dentil moulding, and ribbon and swag frieze, the bevelled glass mirror plate, framed by an entwined running relief border, width 66cm, depth 8cm, height 188cm
£300-£500
4. An Omani studwork wedding chest or mandoos late 19th/early 20th century, heavily brass mounted, the hinged lid above three short drawers, with twin carrying handles, width 50cm; depth 31cm; height 28th
£120-£180
5. W An oak hall stand late 19th/early 20th century, foliate scroll frieze above central carved Flemish style figural inn interior inn high relief, the open frame with six hat pegs, tri-compartmental stick stand below, width 106.5cm, depth 39cm, height 205cm
£120-£180
6. W A mid to late 18th century oak box settle moulded top-rail above panelled back, twin scroll arms, hinged plank seat, panelled base with stile ends, length 166cm, height 134cm
£400-£600
7. W An oak side table mid to late 18th century, the plain top above two drawers with brass handles, raised on tapering supports and pad feet, width 113cm, depth 55cm, height 69.5cm
£100-£150
8. W An oak coffer 17th century and later, the carved frieze above a four panelled front, raised on stile feet, width 150cm, depth 58cm, height 68cm
£300-£500
9. W A 19th century oak dresser the top with a carved apron, to a boarded back, with an integral clock above a single door, flanked by three shelves, over one short drawer and two long, raised on cabriole supports, width 136cm, depth 50cm, height 201cm
£200-£300
10. A group of three oak stools comprising a square form example with a plain top over a carved frieze, on turned wood supports, and a pair of similar rectangular examples, the tops with cared stylised flowers (3), the largest 31.5cm square, height 45cm
£60-£80
11. A carved oak wall mirror late 19th century, French, in the manner Gabriel Viardot, modelled as a Chinese-style dragon, its claws grasping a crescent moon bevelled mirror plate, width 38cm, height 51cm
£200-£300
12. An oak bible box 17th century and later, the front with carved floral motifs, the sides with stylised cockerels, width 73cm, depth 50cm, height 27cm
£150-£250
13. An oak spinning wheel 18th century, probably Welsh, the large circular wheel with turned spokes, the table with a small lamp having a fabric shade, raised on turned tripod supports, with a treadle, length 74cm, height 100cm
£80-£120
14. Two Welsh oak spinning chairs late 19th to early 20th century, the pierced back with carved Celtic style decoration, raised on turned supports (2), the largest width 34cm, depth 33cm, height 96cm
£100-£150
15. An American mahogany piano stool by Joshua Briggs of Peterborough, New Hampshire, late 19th century, overstuffed hinged seat, label to interior, raised on four cabriole legs with turned roundel decoration, width 47cm, depth 37cm; height 50cm
£80-£120
16. Workshop of Robert ‘Mouseman’ Thompson (Kilburn): A nest of three English oak tables
1970s, with carved mouse signature (3) together with a price list from 1970s listing the tables, the largest width 61.5cm, depth 37cm, height 47cm
£600-£800
17. Workshop of Robert ‘Mouseman’ Thompson (Kilburn): An English oak coffee table
1970s, the octagonal top raised on a cruciform base, with carved mouse signature, width 50cm, depth 49.5cm, height 47cm
£400-£600
18. A Victorian mahogany wall mirror
Arts and Crafts style, cruciform frame, labelled verso, width 43cm, height 49.5cm
£100-£150
19. W A set of ten Regency mahogany dining chairs comprising eight singles and two armchairs, the reeded bar backs above drop-in seats, raised on sabre supports (10), the armchair width 52cm wide, depth 46cm, height 90cm, seat height 48cm
£600-£700
20. W A late George III mahogany dining table
with two extra leaves, raised on triple turned pillars, each with four outswept reeded legs to brass castors, total extended length 342cm; width 117cm; height 87.5cm
£300-£400
21. W A George III mahogany drum table
the circular top inset with tooled red leather, above four drawers and four dummy drawers, raised on a turned column, to four splayed legs, on brass castors, diameter 109cm, height 73.5cm
£600-£800
22. A charming 19th century mahogany writing desk
the brass galleried sides over a leather top with lift up reading slope, to a single compartment drawer, and two dummy drawers, raised on tapering supports united by a stretcher, width 60.5cm, depth 45.5cm, height 78cm
£300-£500
23. W A Victorian walnut credenza
the frieze with an inlaid Classical style urn, above a glazed central door with gilt metal mounts, flanked by curved glazed doors with two interior velvet lined shelves, raised on bun feet, width 147cm, depth 38.5cm, height 103cm
£500-£700
24. W A fine Dutch walnut and marquetry inlaid bomber bureau
second half 18th century, with elaborate foliate urn and scroll decoration, the fall front with pull-out slides, enclosing a fitted interior with a central cupboard, flanked by an arrangement of drawers, pigeon-holes and secret compartments sliding well and inset writing surface, over two short and two long graduated drawers, flanked by hinged canted corners, opening to reveal four hidden long drawers, to a shaped moulded apron, raised on claw feet, width 111cm, depth 42cm, height 111cm
£700-£1,000
25. W A George III mahogany open armchair and two other chairs
the first with carved serpentine top-rail with scrolls, swags and shell in relief, pierced splat, scroll arms with floral relief decoration, overstuffed seat, cabriole front legs to ball and claw feet; together with a Hepplewhite style mahogany dining chair, oval pierced back, overstuffed seat, reeded square tapered legs; also an early 18th century high-back oak chair, possibly North of England, carved top-rail, slat-back, solid seat, turned legs and stretchers, first width 64cm; depth 49cm; height 99cm
£120-£180
26. A George II mahogany foldover card table the serpentine front, raised on cabriole supports, on claw and ball feet, width 82cm, depth 40.5cm, height 73cm
£300-£500
27. W Garden Statuary: A lead figure of a putto mid 20th century, the standing weathered figure dancing with ribbon, on square base, height 94cm £200-£300
28. W Garden Statuary: A pair of composite stone putti each covered with drapery and holding flower-laden vases above their heads, raised on a socle (2), height 140cm £400-£600
29. A pair of Victorian mahogany wine tables each with moulded circular top, raised on baluster turned columns to three carved scrolling legs; together with an oak coffee table, circular top raised on four turned legs; and a Black Forest style carved wall bracket (4), first width 46cm, height 68cm; second diameter 61cm; third height 60cm
£80-£120
30. W A Victorian mahogany display cabinet
with a bow front glazed door, enclosing two glass shelves, width 72cm, depth 50cm, height 171.5cm £100-£150
31. W A Victorian painted cast iron pub table
with a circular wood top, over three supports modelled as Britannia, raised on claw and ball feet, diameter 60cm, height 72cm
£70-£100
32. A mahogany nursing chair 19th century, with leather butttonback upholstery, outswept scrollwork legs, roundel detail, turned stretchers, height 77cm
£80-£120
33. A 17th century style chestnut armchair
possibly Spanish, late 19th century, with a Baroque style crested ladder-back, to an upholstered seat in red fabric with fringe detailing, raised on square section legs, united by stretchers, height 115cm, width 56cm
Provenance: The Estate of Tom Merrifield (Australian, 1932-2021)
£40-£60
34. W A Victorian mahogany loo table moulded oval tilt-top, raised on bulbous baluster turned column to four outswept scroll legs, porcelain casters, width 117cm
£80-£120
35. W A George III oak bureau bookcase associated top and base, moulded cornice over twin panelled doors, opening to reveal shelved interior with bank of small drawers, the bureau base with fall-flap, fitted interior of pigeon-holes and drawers, two short and two long graduated drawers below, bracket supports, width 99cm, depth 54cm, height 195cm
£80-£120
36. A Charles II walnut open armchair
rectabgular back with upholstered panel, surmounted by putti and foliate scroll top-rail, flanked by further pierced scrollwork and barleytwist supports, topped by finials, the crisply carved acanthus scroll capped arms enclosing an overstuffed seat, all raised on barleytwist and carved legs to stretcher, width 63cm; depth 49cm; height 116cm
Provenance: Christie’s Auctioneers, London £300-£500
37. A Sheraton Revival painted satinwood armchair
shield-shape back with central Neo-Classical figural panel, within ribbon and swag field, scroll arms, upholstered oval seat, cabriole legs, width 69cm, height 90cm £150-£250
38. W A Victorian walnut and marquetry inlaid pier cabinet with a stylised foliate marquetry inlaid frieze, to a single glazed door, enclosing a single shelf, raised on a plinth base, width 82, depth 32.5cm, height 104cm
£100-£150
39. W A 19th century style mahogany twin pedestal desk the top with three gilt tooled leather insets, above an arrangement of nine drawers, on plinth bases, width 137cm, depth 78cm, height 78cm
£100-£150
40. W Ø An interchangeable cylinder musical box on stand
Swiss, circa 1880, the 8cm cylinder musical box playing 20 airs as listed on the attached tune sheet, with zither attachment and tune indicator, contained within a walnut veneered case with two drawers below, supported on a walnut veneered stand with rosewood cross banding with large drawer for additional cylinders (missing), with ivory escutcheon to box and stand, overall width of 74cm, overall height 102cm
£1,000-£1,500
IMPORTANT NOTE: This item has been registered as exempt from the UK Ivory Act 2018. Ivory declaration submission number reference: 6125425W
41. W A 19 5/8-inch German 1900s walnut cased coin operated Polyphon
the metal discs playing on two combs with side winding handle, later converted to electricity illuminating when coin drops, with carved pediment, and later disc storage bin, together with a large collection of metal discs and a number of letters relating to repairs from 1950s, height of the Polyphon 127cm, total height with disc storage approx 210cm
£1,000-£1,500
42. W A 19th century walnut commode with two long serpentine drawers, above a carved apron, on tapering supports, width 71cm, depth 41cm, height 72cm
£200-£300
43. A Damascus occasional table late 19th to early 20th century, of hexagonal form, inlaid with a mother of pearl chequer board style design, width 34cm, depth 30cm, height 48.5cm
£80-£120
44. W Arne Vodder (Danish 1926-2009) for Sibast
a set of eight teak dining chairs, including two carvers, with Sibast and Danish control labels, shaped top-railsd, spindle-backs, original wool covered drop-in seats, raised on turned tapered legs, each height 99cm
£1,000-£1,500
45. W Arne Vodder (Danish 1926-2009) for Sibast a teak sideboard, of rectangular form, central bank of five graduated drawers, flanked by twin shelved cupboards with sliding doors, all raised of turned tapered legs, width 224cm; depth 48cm; height 80cm
£1,000-£1,500
46. W A Merrow & Associates oak sideboard possibly by Richard Young, mid 20th century, the two sliding doors enclosing a fitted interior with two drawers and two glass shelves, with chrome handles and end supports, raised on a chrome base, width 183cm, depth 45.5cm, height 76cm £800-£1,200
47. A pair of Alvar Aalto style stools based on the Model 60 design for Artek, the circular top on four bentwood supports (2), height 68cm £100-£150
48. Harvey Guzzini (Italian 1929-2020) a pair of 1970s Bud Grande pendant ceiling lights, with a rounded caramel acrylic shade (2), diameter 44cm, height 40cm £150-£250
49. W Maurice Burke (Canadian, 1921-2013) for Arkana
a set of six ‘Tulip’ chairs, comprising four singles and two armchairs, in black fibreglass, with pale upholstered pad seats, on aluminium cruciform bases, and a table, the simulated rosewood laminate top over an aluminium pedestal base (7), Table width 187cm, depth 108.5cm, height 73cm, Chairs width 50cm, depth 38cm, height 79.5cm, seat height 45cm
£500-£800
50. An Art Deco wall mirror the walnut veneered frame, of octagonal form, with incised diamonds, 71 x 112cm
£100-£150
51. Maurice Burke (Canadian 1921-2013) for Arkana a tulip side table, c.1960, with a circular top, over a painted white metal base, diameter 59.5cm
£80-£120
52. W A Natuzzi Italia ‘Wisdom’ floor lamp contemporary, on an arc style chrome base, with a cream shade, height 180cm £150-£250
53. W Modern Design. After Le Corbusier: A pair of LC4 Chaise Longue late 20th century iconic design attributed to Le Corbusier, Pierre Jeanneret, and Charlotte Perriand. Featuring a tubular chrome-plated metal frame, an unattached black steel base and a suspended structure of rubber and metal supports. Upholstered in black leather with a matching cylindrical headrest. height 66cm, length 160cm, width 55cm
£300-£500
IMPORTANT NOTE: We do not provide any warranty or guarantee as to the safety of this item or the compliance with The Furniture and Furnishings (Fire) (Safety) Regulations 1988. For this reason, it should not be used in a private home or reupholstered, it is sold as a ‘work of art’
54. Senior Carmichael: a mixed wood bow armchair, made from timbers felled during the 1987 hurricane, turned tubular top-rail supported on two front faceted sabre legs and twin back legs emitting from centre of rail, solid shaped seat with carved inscription ‘Hurrican 1987’; together with associated box containing furniture maker’s card, width 62cm; depth 48cm; height 74cm
£200-£300
55. A 20th century South Asian carved hardwood mirror in the form of a window, with two shutter style doors, framed by pierced foliate decoration to panels above and sides, 90 x 80cm £80-£120
56. A pair of leather and wood Lancashire clogs mid 19th century, with a stitched floral motif, the soles with nailed metal calkers, no. 771961 (2), length 27cm £60-£80
57. A folk art painted pine doll’s crib 19th century, with a carved headboard, painted with initials ‘MA’, on rocking supports, width 15cm, depth 44cm, height 39cm
£80-£120
58. A Victorian mahogany apothecary box the lid opening to reveal a divided interior containing fifteen square glass bottles of varying sizes with securing rod lifting out to reveal a drawer below containing further glass bottles and tin containers, with sliding compartments with glass pestle and mortar and further glass jars, with brass recessed carrying handles to the sizes, width of case 26.5cm, height of case 23cm £400-£600
59. A mahogany apothecary box mid 19th century, containing a number of square glass bottles some with original paper labels, with push button brass lock, width of case approx 21cm, height approx 11cm
£80-£120
60. An Ackermann artist’s watercolour box early 19th century, the tooled leather interior complete with paints, charcoal, chalk, pottery water cup, palettes and paper label inscribed ‘Ackermann Manufacturer of Superior Watercolours’, together with a Lorimer’s Patent Drawing Apparatus or travelling easel, complete with certificate and papers (2), the Ackermann box width 24cm, the Lorimer’s drawing apparatus width 30.5cm £150-£250
61. An abalone and brass jewellery box late 19th century, French, of rectangular serpentine form, each panel inset with an oval abalone roundel, to engraved floral decoration, the hinged lid opening to reveal a burgundy velvet lined interior, raised on four ball feet, width 13cm, depth 8.5cm, height 10.5cm
£80-£100
62. A set of De Grave, Short & Fanner mahogany diamond scales 29th century, the shaped octagonal case lifting up to reveal recessed paper diamond chart to interior lid, the scales with brass cupped pans, with hinged compartment for weights, with hidden compartment for brass tweezers to the side, total length of case 14cm £60-£100
63. The Lister Collection of specimen Wood Samples containing 43 timber specimens, including maple, ash, poplar, American oak, elm, cedar, pitch pine, sycamore, and lignum vite, each with a paper label, each specimen approx. 2 x 4.2cm, the case 20.5 x 6cm
£80-£120
64. A Japanese gold lacquer box and cover
Edo or Meiji period, 19th century, shaped as a takarabune, the takamaki-e, kirikane, kinji and hiramaki-e lacquer depicting a treasure boat surrounded by a sedge of cranes in flight, the sail decorated with brocase patterns including asa-no-ha and shippotsunagi, the boat laden with attributes of the Shichifukujin (the Seven Gods of Fortune), including Daikoku’s mallet, to a nashiji interior, width 17.5cm, depth 12cm, height 4.5cm
£400-£600
65. A group of Japanese gold and black lacquer inro Meiji period, comprising a seven case example, rendered in hiramaki-e with a bird catching a koi, a six case example decorated with fans, a five case example decorated with clouds (3), the largest height 9.5cm
£200-£300
66. Ø A Chinese export lacquer tea caddy
Qing dynasty, mid 19th century, of octagonal form, the sides decorated with palace scenes of figures eating food, the reverse with shipping boats on a river, the hinged lid opening to reveal two base metal compartments, engraved with birds within a floral border, with ivory handles, the whole raised on claw feet, width 19.5cm, depth 14cm, height 14cm
£300-£500
IMPORTANT NOTE: This item has been registered as exempt from the UK Ivory Act 2018. Ivory declaration submission number reference: SLPTEU1A
67. An Anglo-Indian repoussé giltmetal photograph easel frame of shaped rectangular form, with oval aperture, surmounted by twinelephants and bordered by elaborate foliate scrollwork, height 35cm
£100-£150
68. A Baccarat crystal glass and ormolu centrepiece
69. A silver mounted banded agate bon bon dish
19th century, Continental, with base metal mounts modelled as St George and the dragon, the scrolled base mounted with clear and red paste stones, width 16cm, depth 9cm, height 14cm
£100-£150
70. A silvered metal figure of Vladimir Lenin modelled seated, stamped ‘E’ to base, height 23.5cm, length of base 13.5cm, width 8cm
£40-£60
71. A chrome plated car mascot by A Renevey, 1920s, French, of a horse and jockey, signed, width 11cm, height 12cm
£200-£300
72. A Veritas Stoves cast iron heater late 19th century, of hexagonal form, painted white, with a removable lid, hinged door, painted black carry handles, and pierced decoration, height 85cm
£80-£120
73. A cast iron wall shelf and bracket 19th century, in the manner of Coalbrookdale, each depicting squirrels amongst scrolling foliage, with diamond registration mark (2), the shelf width 15cm, the bracket height 26cm
£80-£120
74. A painted enamel portrait miniature late 19th century, French, of a painted lady wearing a feathered hat, on a dark green guilloche enamel background, signed Volney, mounted in a silk and Classical style ormolu frame, decorated with laurel wreaths, 14.5 x 11.5cm
£60-£90
75. A Parian ware bust and watch holder mid 19th century, modelled as a young woman wearing a laurel wreath, raised on a socle, the veined marble pocket watch holder, of architectural form, modelled as a Classical style arch (2), the bust height 21cm, the watch holder height 23cm
£80-£120
76. A group of Asian and Ethnographic decorative items including a carved octagonal wooden ritual box, likely Indian or Tibetan, 19th century, with pierced floral decoration and detachable lid, a set of five wooden early 20th century lacquered cylindrical boxes, a small Japanese black lacquered snuff box with inlaid detail, a Chinese stitched quilted textile shoe (8), carved box with lid height approx 21cm, shoe length 14cm
£100-£150
77. A Russian icon 19th century, tempera on wood, gilt, depicting three saints below Christ, width 18cm, height 22cm
£200-£300
78. A Russian icon 19th century, of the Madonna and Child, tempera on wood, in a gilt metal oklad, with an engraved inscription, width 24.5cm, height 28cm high
£300-£500
79. After the Antique 20th century, a reconstituted stone horse head, on a painted metal stand, height 73.5cm
£120-£180
80. A group of four 19th century bois durci portrait roundels attributed to François Lepage (French, 1796-1871), the, reliefs depicting Victoria Queen of England, Empress Eugénie, Empereur Napoleon III and their only child Louis-Napoléon, Prince Imperial, in gilt brass frames, with hanging loop, the plaques engraved with ‘Bois Durci’ to reverse, diameter(s) 12cm, Chislehurst Society, (ask society for more info)
£150-£250
81. A painted wood log box and cover and other items 20th century, in the form of a barrel, together with three smoothing irons, a plunger, a pair of iron, cauldrons, a collection of fire tools, and two copper pots (qty.), the plunger height 107cm
£80-£120
82. A Victorian brass wool winder late 19th century, the hexagonal wheel with an enamel counter, inscribed ‘John Nesbitt, Maker, 42 Market Street, Manchester’, on a stepped mahogany plinth, width 69.5cm, depth 58cm, height 41.5cm
£150-£250
83. A pair of painted wood axes 19th century, possibly used as advertising or shop signs, inscribed ‘JWW’ and ‘SWW’ (2), width 45cm, height 51cm
£50-£70
84. W A large wooden stirrer or paddle, 19th century single section with T handle attached with iron band, height 320cm
£200-£300
85. A group of three carved wood walking sticks comprising a Japanese bamboo example, with incised figures of Geisha among flowers, another with the handle modelled as an old man, and a smugglers cane, with two twist off compartments containing glass flasks (3), the largest height 93cm
£50-£80
86. A yew wood Prisoner of War walking stick
South Africa, Boer War (1899-1902), the handle modelled as a clenched fist, leading to an inscription reading ‘POW, St Helena, A Prisent to W. Mewman from his son, Ben’, above a bird with the letters ‘ZAR’ and stylised reptiles, the base with a steel cap, height 90cm
£200-£300
87. A pair of Continental sword handle candlesticks, 19th century and later with brass sconces and drip-trays, raised upon cut-down blades, pierced hoop guards with leather and wirework entwined grips, domed brass bases with relief decoration, height 26cm
£80-£120
88. A collection of plough team items
19th century, including a pair of shire horse hams, a yoke, harnesses, and seven various horse brasses (qty.), the yoke length 89cm
£80-£120
89. A Norwegian copper fish kettle early 20th century, with turned wood handles, to a tinned interior with lift out stainer, handle to handle 55.5cm
£50-£80
90. A George III mahogany wheel barometer the broken pediment, leading to a thermometer gauge, and 8” silvered dial with blue steel hands and pointer, signed C Merlo Dorchester, the boxwood strung case with inlaid marquetry shell and flower head patterae, height 99cm
£50-£80
91. A Victorian oak wheel barometer, Negretti and Zambra silvered dials, heavily carved case; together with an early 19th century inlaid mahogany wheel barometer, silvered dial marked Sala Holborn; together with a further example (3), the first height 96cm
£150-£250
92. A group of Victorian desk items comprising an Ashford black marble specimen inlaid tazza, a similar paperweight, inlaid with a cross, three daguerreotype photographs, a base metal crucifix, a mother of pearl and papier mâché desk stand, with two glass inkwells, a pair of cased spectacles, and a pair of leather binoculars (9), the tazza height 16cm £100-£200
93. A group of treen items 20th century, comprising a miniature oak stool, a folk art horse, with moving head and tail, mounted on a clamp, a box modelled as a dog’s head, and a puzzle money box in the form of a house (4), the stool width 21.5cm, depth 16cm, height 19cm
£70-£100
94. A pair of Victorian brass oil lamps the central clear glass chimney, leading to a floral moulded opaque glass shade, above a facet cut reservoir, over a baluster form column, with floral decoration, raised on a foliate circular base (2), total height 73cm
£100-£150
95. A pair of Victorian cast iron fire dogs in the form of a recumbent lion and unicorn (2), width 57cm, height 47cm £150-£250
96. W A Victorian fairground figure of a monkey the papier mâché figure with a painted face and glass eyes, dressed in a silk jacket, wearing a lace cravat, riding a carved wood and painted iron tricycle in the form of a horse, total height 104cm
£250-£350
97. A collection of brass fire andirons, dogs and tools early 20th century, to include a pair modelled as spaniels, another with perched heron, and another of a boy holding a basket, and various fireplace tongs and shovels (12), the largest height 35cm
£150-£250
98. A copper coal scuttle with Persian style decoration of a palm tree flanked by figures, birds and lions holding swords, beneath Arabic script, and a brass carry handle, width 43cm, height 34cm
£60-£80
99. An Art Nouveau copper fire fender late 19th to early 20th century, with stylised foliate motifs, width 104cm, depth 23cm, height 15cm
£80-£120
100. A brass fire fender 19th century, with a stylised floral frieze, to acanthus leaf corners, width 115cm, depth 38cm, height 17cm
£80-£120
101. An Art Nouveau brass and copper fire fender late 19th to early 20th century, with stylised floral motifs, width 145cm, depth 44cm, height 7cm
£80-£120
102. A pair of spelter Art Nouveau figural lamps early 20th century French, modelled as a young boy and girl holding roses, beside a rose bush, signed L.F Moreau (2), height 75cm
£100-£200
103. A group of three cast iron door stoppers modelled as Punch and Judy, and Winston Churchill (3), the largest height 39cm
£100-£200
104. A cased model of a frigate 20th century, possibly the ‘USS Bonhomme Richard (1765)’, in painted blue and glazed case, width 69.5cm, depth 26cm, height 56cm
£100-£150
105. A pair of Soviet style Modernist pottery figures mid to late 20th century, modelled as a lady and gentleman, wearing suits, on a plinth base (2), width 24.5cm, depth 14.5cm, height 20.5cm
£100-£150
106. A set of brass kitchen scales inscribed ‘To Weigh’, ‘10 LBS’, with two weights, together with a Victorian brass tobacco box, with Islamic style decoration, and a wood lined interior and a Joseph Bourne & Sons stoneware jug, mid 20th century, by Milner gray, for Courage & Co Ltd, inscribed ‘take courage’, beneath a cockerel roundel (3), the scales width 41cm, For a similar example to the Bourne & Sons jug, please see the V&A accession no. CIRC.49-1951
£60-£80
107. A George II needlework sampler by S.E.F, 1745, with lines of practise stitches, to the alphabet, numbers and crowns, above flowers and birds, 48.5 x 35cm, framed and glazed 56 x 43cm, £200-£400
108. From a single owner Private Collection
A George III needlework sampler, by Mary Coal, March 24th 1774, silk on linen, with alternating lines of floral bands and alphabet, to a bible passage, above flowering planters and trees, 44 x 27cm, framed and glazed
50.5 x 35cm
£500-£700
109. A group of four needlework samplers comprising;, an example by Lucy Porter, age 9, on hessian, with a line of alphabet, to a bible verse, above flower laden vases, another by Anne Hendersen, 1811, with lines of alphabet, above crowns, an example inscribed ‘An Emblem of Friendship’, above animals amongst trees, to a floral border, and a similar example, with lines of alphabet, above trees, to a foliate border (4), the largest 18.5 x 42.5cm, framed and glazed
51 x 25.5cm
£150-£250
110. A Victorian needlework sampler by Maria Lorance, 1843, silk on linen, with alternating lines of alphabet and numbers, the centre with birds and trees, to a passage, above castles, together with a similar example, by Isabella Vincent, aged 12, Selborne, 1855, with the alphabet above a house flanked by birds and trees (2), 1843 example) 54 x 32cm, framed and glazed 57 x 36cm, 1845 example) 36 x 39cm, framed and glazed 45 x 48cm
£120-£180
111. A George III needlework sampler by Charlotte Woods, aged 12, 1809, silk on linen, finely decorated with birds and winged putti, the central scene depicting a woman beneath a tree, beside Georgian house, to a floral border, 41.5 x 32cm, framed and glazed 46 x 37cm
£200-£400
112. A pair of Victorian wool samplers by Faith A. E. Sharman, aged 9, and Sarah Ann Mary Sharman, aged 10, 1895, each with lines of alphabet, above a house a trees (2), 40 x 31cm, framed and glazed
50.5 x 41cm
£200-£400
113. A group of three needlework samplers comprising an example by Jane Reeves, March 24th 1864, another by Mary Jane Winstanley, December 18th 1819, and an earlier green thread example, all with alphabet lines (3), Jane Reeves) 28.5 x 28.5cm, framed and glazed 38 x 37cm, Mary Jane) 32.5 x 32cm, framed and glazed 36 x 36cm, Green thread) 30 x 29cm, framed and glazed 42 x 40.5cm
£150-£250
114. A Victorian needlework sampler by Susannah Sharpline, 1884, silk on linen, with a passage, above a Georgian house, flanked by deer and trees, to birds and flower-laden vases, and a floral border, 41.5 x 28cm, framed and glazed 46.5 x 33cm
£300-£500
115. A Victorian needlework sampler by H. Mary Sunley 1888, depicting a map of Palestine in the Time of Our Saviour, 58 x 46.5cm, framed and glazed 63 x 51.5cm
£80-£120
116. A Scottish needlework sampler by Sarah Learmont, Dumfries, 20th Oct 1845, with lines of alphabet, above a Georgian house, flanked by a figure, flowers, a tree and a cat, 41 x 33.5cm, framed and glazed 43 x 36cm
£150-£250
117. A George III needlework sampler by Jane Heley, aged 14, 1807, silk in linen, with a line of alphabet, above a verse, the centre depicting animals amongst flower-laden vases and trees, to a foliate border, together with a George IV sampler, by Hannah Judes Knight, aged 8, 1828, silk on linen, with a verse titled ‘My Mother’, to trees and birds, and a floral border (2), George III example) 31 x 30.5cm, framed and glazed 43 x 42.5cm, George IV example) 28 x 31cm, framed and glazed 36 x 39cm
£200-£400
118. A group of three small alphabet samplers by Maris Kelsall 1803, Elizabeth Lingwood and Alice Charlotte Lingwood, 1851 (3), Kelsall) 9 x 12.5cm, framed and glazed 18 c 21cm, Lingwood pair) 20 x 16.5cm framed and glazed 36.5 x 21cm
£120-£180
119. A Victorian wool sampler by Tryphena Griffin, 1896, with a verse titled ‘My Mother’ to a floral border, together with another, late 19th to early 20th century, silk on linen, of a fireplace and hearth, and a commemorative sampler, in remembrance of ‘my dear father who died Jan 2nd 1894’ (3), the largest 33 x 29cm, framed and glazed 56 x 49cm
£100-£150
120. A Victorian needlework sampler by Charlotte Butchers, 1840, silk on linen, depicting Adam and Eve under the Tree of Knowledge, amongst flower-laden vases, birds, and animals, to a floral border, 40 x 31.5cm, framed and glazed 45 x 36.5cm £120-£180
121. by Louise E. Lainé, Mars 1841 with a verse titled ‘Repentance et Vigilance’, to Classical style urns and butterflies, enclosed in a floral border, 39.5 x 37cm, framed and glazed 43 x 40cm £100-£150
122. A George III map needlework sampler by Jane Kemp, 1801, silk on linen, of oval form, depicting the counties of England and Wales, to a floral border, 49 x 41.5cm, framed 53 x 45.5cm
£150-£250
123. A Victorian needlework sampler by Mary, aged 11, October 1848, silk on linen, with an alphabet, above a bible passage, to a depiction of Adam and Eve under the Tree of Knowledge, amongst deer, flowers and a Georgian house, 64.5 x 64.5cm framed and glazed
69.5 x 69.5cm
£300-£500
124. A Victorian needlework sampler by Mary Ann Bizley, Canterbury, September 1885, depicting bible verses, the Apostles Creed, above Psalm 23, The Lord is My Shepherd, together with another similar example, 19th century, by Catherine Selby, black alphabet and letters, on hessian (2), Canterbury) 35.5 x 42.5cm, framed and glazed 51.5 x 57cm, Alphabet) 49 x 55.5cm, framed and glazed 54 x 59.5cm
£100-£200
125. A George IV needlework sampler by Ann Scott, Boston, 1823, aged 8, with lines of alphabet and numbers, the centre depicting the Percy Bysse Shelley poem ‘Witch of Atlas’, above birds and trees, to a floral border, 45 x 42cm, framed and glazed
47.5 x 44cm
£200-£400
126. A needlework sampler early to mid 19th-century, by Mary Murton, silk on linen, with alphabet lines, above a passage and trees flanked by deer, to a floral border, 28 x 27cm, framed and glazed 31 x 30cm
Provenance: From a single-owner private collection
£300-£500
127. A George I needlework sampler by Hannah Bowyer, 1727, with alternating lines of alphabet and decorative stitching, in pink, blue, green and yellow thread, 32.5 x 19cm, framed and glazed 37 x 23.5cm
£300-£500
128. A Queen Anne needlework sampler dated 1709, with finely woven alternating lines of alphabet, to fleur de lis and flowers, in blue, green and yellow thread, 33.5 x 22cm, framed and glazed 43 x 30.5cm
£400-£600
129. After Auguste Moreau late 20th century, a patinated bronze figure group, of two putti holding flowers, seated on rockwork, signed Aug Moreau, on a polished oval green marble base, height 21.5cm
£100-£150
130. After Pierre Tourgueneff (1853-1912) a bronzed figure of an Archer, 20th century, modelled as a medieval archer drawing his bow with sword and quiver at his side, on a green veined marble plinth, width 44cm, height 96cm
£300-£500
131. W A large bronze figure of a parrot, 20th century realistically modelled perched upright on a branch, leading to a spreading root base, height 134cm
£400-£600
132. W A large bronze figure of a parrot 20th century, realistically modelled perched downwards on a branch, leading to a spreading root base, height 140cm
£400-£600
133. A pair of Japanese bronze okimono Meiji period, modelled as standing geese, one with its neck raised, the other craning forward (2), 13cm and 19cm high
£300-£500
134. A large bronze pig mid 20th century, realistically modelled, unsigned, width 45cm, depth 10cm, height 24cm
£150-£200
135. After René Charles Masse 20th century, a pair of painted spelter figures, of Wellington and Nelson, standing in military uniform, titled ‘Waterloo’ and ‘Trafalgar’, on wooden bases, signed (2), height 48cm
£80-£120
136. An Art Nouveau style pewter charger, in the manner of WMF decorated in relief with classical maiden and fruiting vine, within foliate scrollwork border; together with an allegorical repoussé copper wall calendar, entitled ‘Father Time’, on wooden plaque; together with a St John’s ‘Richmond and Barnes Scout Association Norrington First Aid Trophy’, silver plate mounted on oak shield-form plaque (3), charger diameter 30cm
£80-£120
137. A pair of bronze doll head moulds early 20th century, with a gilt finish, for the front and back of the head (2), width 10cm
£180-£220
140. Eight figural table match strikers
20th century, including two painted spelter Highland soldiers on plinth bases; a Tower of London Beefeater; a pair of armoured soldiers holding banners; an Art Deco dancer on bakelite base; after Franz Bergmann, a figure of George VI; and another example, first height 25cm
£200-£300
138. A pair of Hixon Staffordshire alabaster ashtrays, 20th century of oval form, mounted with bronzed figures of dogs, of labelled to bases; together with a bronzed figure of a greyhound, modelled standing, on mahogany plinth base; a bronzed rectangular resin plaque, racing dogs relief detail; and a cold-painted spelter spaniel, ashtrays width 14cm
£50-£70
139. A figure of a bronze boy 20th century, modelled standing with his hands in his pockets, marked ‘Frechdachs’, on a stepped marble base, together with a cold painted Bergmann style bronze figure or ashtray, of a man wearing a fez, seated on a carpet, unsigned, and another bronze, modelled as a bull, unsigned (3), the boy height 20cm, the carpet seller length 11.5cm, the bull length 7cm
£50-£70
141. Eight various novelty table match strikers
20th century, including after Franz Bergman, a painted spelter group of carpet sellers and camel, plinth base; together with a painted spelter Dick Turpin and Black Bess group; with various other horse and wildlife examples, first height 19cm
£200-£300
142. A brass table lighter mid 20th century, in the form of a lighthouse, on a stepped circular base, diameter 8cm, height 17cm
£80-£120
143. A group of Austrian cold painted bronze insects early 20th century, comprising three grasshoppers of graduating size, a crane fly, a ladybird and horsefly (6), length 0.5 - 9cm
£300-£500
144. A group of Austrian cold painted bronze birds early 20th century, including a parakeet by Fritz Bermann, a blue tit, three pigeons, a kingfisher, and a pheasant together with a clay turkey (8), the largest height 4cm
£300-£500
145. A group of Austrian cold painted Beatrix Potter figures
20th century, including Jemima Puddle-Duck, Mr Tod the fox, Samuel Whiskers, and Timmy Tiptoes (6), the largest height 4cm
£80-£120
146. A Franz Bergmann cold painted bronze figure late 19th century, of a wild boar, realistically modelled standing on all fours, stamped to underside, length 7.5cm
£80-£120
147. A group of Austrian cold painted bronze figures early 20th century, modelled as Beatrix Potter figures, including Mr Tod the fox, Jemima Puddle-Duck, Timmy Tiptoes and Hunca Munca (8), the largest height 2cm
£200-£400
148. A group of Austrian cold painted bronze figures early 20th century, comprising an oryx antelope, terrier dogs, a milkmaid with two cows, a miniature rabbit, lion and fox, a carved wood zebra, a base metal soldier, and a clay mouse (11), the largest height 4cm
£150-£250
149. A group of four Austrian cold painted nodding bronze figures 20th century, comprising three anthropomorphic cats, wearing dresses and bonnets, a pug dog, together with a miniature cold painted bronze, of Beatrix Potter characters, Timmy Tiptoes and Goody beneath an umbrella (5), the largest 8cm high
£400-£600
150. An Ottoman gilt copper tombak ewer and basin 18th to 19th century, Turkish, the ewer a hinged domed lid, leading to a pyrifom body, with incised linear decoration, and a serpentine handle and spout, the basin with planished decoration, to a stylised floral rim (2), the ewer height 39.5cm, the basin diameter 37cm
£80-£120
151. An oak 30 hour longcase clock early 19th century and later, repainted square dial inscribed ‘W. Ballards Cranbrook’, hood with fret-cut pediment and three gilt-metal finials, floral spandresl and date aperture, striking movement, with pendulum and weight, total height 195cm
£100-£150
152. A black japanned longcase clock by William Trippett, London, circa 1720, movement and case later associated, 12-inch dial with wheatear border, crown and cherub spandrels, signed Wm Trippett, London, matted centre with subsidiary second dial, ringed winding holes and engraved date aperture, engraved sun boss in the arch, the movement with five knopped and ringed pillars (one pillar missing), internal locking plate striking on a bell, the associated and later case with refreshed chinoiserie decoration in gilt, 238cm high, 50cm wide, 25cm deep
£700-£900
153. A Victorian mahogany longcase regulator
English, circa 1840, 12-inch silvered dial with outer minute ring enclosing subsidiary seconds and hours dial and signed Tickell’s Regulator, the substantial movement with six knopped pillars, high count train with dead beat escapement and maintaining power, the pendulum with wood rod, roller suspension, massive lenticular bob and graduated rating nut, the case ball and spire finial, broken-arch cresting, arched trunk door and crossbanded plinth with splay bracket feet, height 212cm, width 46.5cm, depth 25cm
£1,000-£1,500
154. An Irish mahogany longcase clock, Robert Fishbourne, Carlow, circa 1770, movement and case associated, 13 1/2-inch dial with winged cherub spandrels, signed Robt Fishbourne, Carlow, engraved centre with subsidiary seconds dial and date aperture, the later arch decorated with a dragon, rack and bell striking movement, the associated case with swan neck cresting, fluted hood pillars, brokenarch trunk door and rebuilt panelled plinth, height 230cm
£700-£1,000
155. A miniature carriage timepiece by Charles Frodsham, commemorating the 1977 Silver Jubilee, the enamel dial with Roman numerals, enclosed within a gilt metal case, flanked by caryatids, width 6cm, depth 5cm, height 8cm
£200-£200
156. A Louis XVI style alabaster mantel clock late 19th century, French, mounted with a spelter winged putto, above an enamel dial with Arabic numerals, width 26cm, depth 11.5cm, height 37cm
£80-£120
157. A brass mantel clock late 19th century, French, surmounted by a gilt Classical style scholar, the enamel dial with Arabic numerals, the case with scrolled foliate decoration, enclosing a two train movement striking on a bell, stamped Japy Freres, no. 63626, width 27cm, depth 19cm, height 47cm
£100-£150
158. A French spelter mantel clock early 20th century, surmounted by a panther leaping on its prey, signed ‘Durand’, the floral decorated enamel dial, with Arabic numerals, signed ‘J. Poudou, Lezignan’, mounted on a stepped marble base, raised on gilt metal feet, width 37cm, depth 15.5cm, height 35.5cm
£100-£150
159. A Hovis Bread brass advertising wall clock early 20th century, the enamel dial inscribed ‘Hovis Bread Prize Clock’, with a subsidiary seconds dial, diameter 23.5cm
£80-£120
160. A Victorian mahogany cased wall clock by Inglis & Son, York, single fusee 8 day movement, circular Roman dial, diameter 30cm
£120-£180
161. A mahogany cased Air Ministry wall clock mid 20th century mahogany, Smiths’ Astral, with a single fusee 8 day movement, circular Roman dial with subsidiary seconds, marked A.M. 1942, diameter 30cm
£150-£250
162. An oak wall clock early 20th century, painted circular Roman dial inscribed ‘Smiths London’, twin train 8 day movement, case with moulded, carved, beaded and finial details, height 66cm
£80-£120
163. A Victorian mahogany bracket clock the enamel dial with Roman numerals, the case inlaid with gilt metal scrollwork, enclosing a single train movement, raised on bun feet, height 30cm
£60-£90
164. A Louis XV style gilt-metal mantel clock, 19th century
French, the foliate scrollwork case, with a silvered dial with Roman numerals Roman, enclosing a single train movement, height 30cm
£80-£120
165. A Victorian brass skeleton clock with 8 day fusee movement, silvered Roman chapter ring, Roman numerals, elaborate fretwork frame, mahogany base and glass dome, height 42cm
£250-£350
166. A Victorian ‘Cathedral’ brass skeleton clock 8 day single fusee movement, silvered Roman chapter ring, elaborate fretwork architectural frame, mahogany base with glass dome, height 27cm
£150-£250
167. A Louis XV style ormolu miniature timepiece the enamel dial with Roman numerals, with an elaborate foliate scrollwork case, raised on four integral elongated cabriole legs, height 23cm
£80-£120
168. A late gilt-brass carriage timepiece and another French, the enamel dial with Arabic numerals, to an elaborate foliate scroll relief face, together with a smaller brass 20th century example, with plain enamel dial with Roman numerals, within a bevelled glass case (2), height 10cm and 12.5cm
£80-£120
169. A large French gilt bronze and white marble mantel clock circa 1870, the 3 1/2 inch enamelled dial signed J.B.Marchand A Paris, with bell striking movement, the case surmounted by a classical female and her young student, the plinth with gilt foliate mount on scrolled feet, height 63.5cm, width 65cm, depth 27cm
£400-£600
170. A French gilt bronze mantel clock circa 1860, the 3 1/4-inch enamel dial, bell striking movement, the drum mounted beside a seated figure of a Renaissance scholar, the moulded base on scroll feet and centred by a plaque inscribed Tasso, height 40cm, width 55cm, depth 18cm
£300-£500
171. Continental School (19th century)
‘A portrait of a considered young man’, pencil and charcoal on paper, unsigned, in oval wooden frame with gilt lining, glazed, within frame 46.5cm x 39.5cm, overall 60 x 53cm, Label verso; J. Manton 1867
£50-£80
172. Brian Pugh (Welsh, 20th/21st century)
‘Owls’, pencil / charcoal on paper, signed ‘Brian Pugh 1988’ in pencil to bottom left, framed, glazed and mounted, within mount 49 x 38cm, overall 70 x 58.5cm
£100-£150
173. British School (20th Century)
‘A portrait of a soldier’, oil on canvas, appears to be signed and dated ‘J. Larham 1916’ to bottom right, in gilt wood frame, within frame 49.5 x 39.5cm, overall 73 x 63cm
£70-£100
174. Romantic School (19th century)
‘Lovers and The Devil’, oil on tin, unsigned, indecipherable markings to reverse, with gilt frame, within frame 16.5 x 12.5cm, overall 25 x 21cm
£100-£150
175. English Provincial School (17th/18th century)
Interior with seated gentleman, oil on canvas, unsigned, relined, with gilt frame, within frame 29.5 x 34.5cm, overall 41.5 x 47.5cm
£100-£150
176. A portrait of Henry VIII and a court scene (19th century) a pair of Tudor-themed works comprising an oil on board portrait of Henry VIII and a possible handfinished print of a courtly interior scene, both unsigned and with gilt frames (2), within frame 20 x 15cm, overall 47 x 40cm
£100-£150
177. Continental School (19th century)
‘Gentleman in his study’, oil on canvas, with indecipherable signature to bottom left, relined, with gilt frame, within frame 29 x 24cm, overall 44 x 39cm
£80-£120
178. E.S. England (fl. 1890-1910)
‘Chickens in a farmyard barn’, oil on board, signed ‘E.S. England’ to lower left, with gilt frame, within frame 21.5 x 29.5cm, overall 41 x 49cm
£200-£300
179. Continental School, 1891.
‘A portrait of a man’, oil on canvas, signed ‘E.J’ and dated 1891 to bottom right, relined, with gilt and gesso period frame, within frame 10 x 18cm, overall 35.5 x 28.5cm
£100-£150
180. Two Naïve School oil paintings (19th century) oils on board, one depicting a rustic alpine chalet, the other an interior tavern scene with figures, both unsigned and with gilt frames, within frame 14 x 14cm, overall 32.5 x 32.5cm
£80-£120
181. Attributed to John Varley (British, 1778-1842)
‘Chiswick Church’, watercolour, framed, glazed and mounted, within mount 18.5 x 26.5cm, overall 34 x 43cm
£50-£70
182. Oliver Clare (British, 1853-1927) ‘Still Life of Grapes and Plums’ oil on card, signed by artist bottom right, framed, glazed and mounted, within mount 16 x 22cm, overall 38 x 44.5cm
£120-£180
183. Hugh Collins (British, 1860-1896)
‘Pay Your Debts’, oil on canvas, signed ‘Hugh Collins’ to bottom left, relined, with gilt frame, within frame 50.5 x 66cm, overall 62 x 78cm
£80-£120
184. Maud Withers (British, 19th Century) ‘Still Life’ watercolour, signed and dated ‘Maud Withers 1890’, framed, glazed and mounted, within mount 19 x 29.5cm, overall 34 x 44.5cm
£50-£80
185. R.M. Campbell (British, 19th Century)
‘The Old Farm, Dulwich Park’, watercolour, signed ‘R.M.Campbell’ to lower right, label verso, framed, glazed and mounted, within mount 18 x 26.5cm, overall 34 x 42cm
£80-£120
186. J. C. Uren (British, 1845-1932)
‘St. Michael’s Mount’, ‘Rouen’ & others, a collection of seven watercolours, first; ‘St. Michaels Mount’ signed ‘J.C.Uren FSA’ to bottom left, second; a view of ‘Rouen’ titled bottom left, a figural beach scene and rural forest scene signed ‘Allan Smith’ to bottom right in both, scene by the pond titled ‘Little Peaver Cheshire’ to bottom left, with indecipherable signature below, a rural scene signed ‘JMJ’ for Joyce M. Jones to bottom left, lastly a rural figural scene with people and animals outside a barn, indecipherably signed to bottom left, all works framed, glazed and mounted (7), Rouen; within mount 37 x 26cm, overall 55 x 42cm
£80-£120
187. George Cole (British, 1810-1883)
‘Cottages by the River’, signed lower right, oil on canvas, framed and glazed, within frame 34 x 52cm, overall 54 x 71cm
£50-£70
188. Fritz Mock (Swiss, 1867-1919)
‘Girl by the Quay’, watercolour, signed ‘F.Mock’ to bottom right, framed, glazed and mounted, within mount 42 x 31cm, overall 66.5 x 54cm
£80-£120
189. Madeline Hughes (American, 1814-1907)
‘Together by the beach’, watercolours, both signed ‘A. Poisson’ in pencil to bottom left and right respectively, this is a pseudonym used by Hughes, both framed, glazed and mounted, first within mount 25 x 66.5cm, overall 50 x 90cm £100-£150
190. A pair of Chinese School portraits (early 20th Century) watercolour and pencil, portrait of peasant female worker signed ‘D.Chan’ to bottom right, other unsigned, both framed, glazed and mounted (2), first within mount 20.5 x 25.5cm, overall 35 x 39cm £200-£300
191. Constance Penstone (South African, 1865-1928)
‘Walking Towards Table Mountain’, watercolour, signed ‘C. Penstone’ to bottom right, framed, glazed and mounted, within mount 17 x 35.5cm, overall 37 x 55.5cm, Label verso; additional documentation on the artist and ‘This painting was given to me by … whose grandfather William Morum was a director of Morum’s Oriental Stores which had branches in Cairo and Cape Town…’ £100-£150
192. Dutch School (20th Century)
‘Sailboat in Dangerous Waters’, oil on board, indistinctly signed to lower right, wooden gilt frame, within frame 29.5cm x 38cm, overall 37 x 47cm
£50-£70
193. ‡ Graham McKean (Scottish, b.1962)
‘Old Man of Arran’, oil pastel on card, signed bottom left by artist, framed, glazed and mounted, within mount 28 x 20, overall 46.5 x 39cm
Provenance: gifted directly from artist
£80-£120
194. Dorothy Lightfoot (British, 1902-2002)
‘Sailing Away’, oil on board, signed ‘D. Lightfoot’ to bottom left, framed, overall 46.5 x 57cm
£80-£120
(1 of 4)
195. Jane Hickman (British Contemporary Artist)
‘Fruit and Flowers’, four batik paintings on fabric, all signed ‘Jane Hickman’ in pencil to lower right, all framed, glazed and mounted (4), largest within mount 23 x 40cm, overall 48 x 62cm
£80-£120
196. Vic Granger (British, b. 1931)
‘A Black and White Greyhound’, gouache, signed by artist and dated 1978 bottom left, framed, glazed and mounted, within mount 35.5 x 43cm, overall 63.5 x 70.5cm
£80-£120
197. Keith (J.K.) Burtonshaw (British, 1930-2008)
‘Rural Living’, watercolours, first signed and dated ‘JK. Burtonshaw 29th June 1967’ to bottom right, second signed ‘C.G. Christison’ to bottom left in pencil, both framed, glazed and mounted, first within mount 37 x 50cm, overall 54 x 65.5cm
£60-£80
198. Jean Shire (British, 20th Century)
‘Oast Houses Kent’, the first watercolour, unsigned, second; pen, ink and wash, signed by artist bottom right, both framed, glazed and mounted (2), first within mount 33 x 38cm, overall 46 x 53cm, second label verso; “Oast HousesKent” Ink and Wash by Jean Shire
£60-£80
199. John Fineran (British, 1935-2022)
‘Through the Rose Arch’, oil on board, signed, titled and inscribed verso, framed, within frame 75 x 121cm, overall 33 x 130cm
£100-£150
200. Danny Cawley (British Contemporary Artist)
‘Down Is Up’, acrylic / mixed media on canvas, signed and titled by artist to the reverse; ‘painted in Manchester, UK by Danny Cawley’, with two additional signatures, canvas wrapped around wooden frame, overall 101 x 101cm
£80-£120
201. Joe Goode (American, b.1937)
Untitled (Green), 1969, from Blue Cloud Series, Offset lithograph in colour, signed and dated ‘Joe Goode 69’, numbered 59/75, printed on wove paper, framed, glazed and mounted, within mount 42 x 39cm, overall 61 x 50cm
£80-£120
202. Moshe Givati (Israeli, 1934-2012)
‘Architectonic Fragment’, Screenprint in colour, signed in pencil lower right ‘M. Givati’, numbered 36/100 bottom left, printed on wove paper, framed, glazed and mounted, image 65 x 50cm, overall 78 x 58.5cm
£70-£90
203. Joe Goode (American, b.1937)
Untitled, 1969, from Blue Cloud Series, Offset lithograph in colour, signed and dated ‘Joe Goode 69’, numbered 59/75, printed on wove paper, framed, glazed and mounted, within mount 42 x 39cm, overall 61 x 50cm
£80-£120
204. ‡ Glynn Boyd Harte (British, 1948-2003)
Noilly Rouge, Hotel du Rhin Dieppe, pair of lithographs numbered 13/50 and 18/50 bottom left, both signed in pencil by artist bottom right, framed, glazed and mounted, within mount(s) 26.5 x 19cm
£80-£120
205. Les Maîtres de l’Affiche: Pan, 1895 by Jules Chéret (French, 1836-1932), original lithographic poster, bears embossed stamp ‘Les Maîtres de L’Affiche Imperie Chaix’, to bottom right, pl.67, printed by Chaix, Paris, unframed, image 29.5 x 23cm, overall 41.5 x 30.5cm, Acquired directly by vendors from Tommy Roberts (1942-2012), the influential fashion entrepreneur and founder of the iconic ‘Mr Freedom’ boutique £80-£120
206. Djanira da Mota e Silva (Brazilian, 1914-1979) ‘Fonte em Santa Catarina 1972’ ‘Spring in Santa Catarina 1972’, abstract print on card / paper, edition print 1/100, 1/29, signed bottom right by artist, framed and glazed, within frame 42.5 x 59cm, overall 45 x 61.5cm, Acquired in 1974 by vendor’s father who was a project manager for an oil refinery built for Petrobas (Brazilian stateowned oil company) near Rio de Janeiro in the early 1970s. At the end of the project he was given this print as a thank you for his efforts. It has remained in family since £300-£500
207. ‡ Graham Sutherland (British, 1903-1980) Menton. Tropical France. 1964. lithographic poster in colours, on wove paper, printed signature top right ‘Sutherland, 5.1.64’, printed by Mourlot, framed and backed on board, poster 79 x 57cm £300-£500
208. Vintage Poster: London Aerodrome
Hendon
‘You’ve Never Really Lived Until You Have Flown.’, The Graham-White co, ltd, Meerloo Publicity Service, printed on wove paper, framed, glazed and mounted, Overall 43 x 64cm £100-£150
206
209. A collection of 19th Century architectural prints including; Terence H. Lambert (British, 1891-1976) ‘In Staple Inn’, etching, titled, numbered 19/250, signed and dated 1915 below. Benjamin Winkles, c.1863-42, hand coloured steel engravings by B.Winkles, from Winkles’s Cathedrals; Norwich Cathedral West Front, after a drawing by R. Garland, plate 85, Ripon Cathedral, drawn by C. Warren from a sketch by B. Baud, Ely Cathedral North West View, drawn by Halbot Browne. Followed by three more hand coloured steel engravings depicting ‘The Parish Church, Greenwich’, ‘The Dane John’ and ‘Charlton House’, and a final print depicting the west from of Westminster Abbey, all prints framed, glazed and mounted (8), largest overall 45 x 33cm £80-£120
210. A collection of four decorative reverse prints on glass 20th century in earlier style, comprising Queen Elizabeth I; golfers; still life of flowers and a ballooning scene, all with bird’s eye maple veneered frames (4), largest overall 77.5 x 59.5cm
£100-£150
211. Women of Fashion. A group of 19th Century aquatints and other prints aquatints; Journal Des Demoiselles, et petit courrier des dames réunis, Modes de Paris, 1831, The newest Fashions for January, 1845, Habit of a Countefs of Holland & Zealand in 1200, etching; Morning Dress, British lady’s mag. vol 1, plate 40, Dec 1817, all are mounted, with gilt frames, glazed, together with three pairs of costume studies; one pair of drawings, one of prints, both in formal historic costume, additional pearly King and Queen in naïve style, all framed, glazed and mounted (10), first within mount 27.5 x 20cm, overall 45 x 37cm £80-£120
212. After Francis Wheatley (British, 1747-1801) ‘Turnips & Carrots’
Cries of London, coloured print, after engraver T. Gaugain, framed and glazed, overall 25 x 19cm
£40-£60
213. A group of 19th Century engravings and stipple prints comprising two black and white engravings after 17th / 18th century scenes, both in gilt frames, three oval framed stipple engravings, two with hand colouring, in the manner of angelica Kauffman, depicting neoclassical female figures in allegorical / domestic settings, all works are framed and glazed (5), female portrait overall 45 x 37.5cm
£50-£70
214. After John Leech (British, 1817-1864)
‘Ruggles and Master George’, lithographic print with ‘John Leech’ signature to bottom left, accompanying dialogue to the right, framed, glazed and mounted, within mount 43 x 60cm, overall 67 x 87cm
£100-£150
215. Les Maîtres de l’Affiche: Cigaretten Laferme Dresden, 1899 by Fritz Rehm (German, 1871-1928), original lithographic poster, bears embossed stamp ‘Les Maîtres de L’Affiche Imperie Chaix’ to bottom right, pl.124, printed by Chaix, Paris, framed and glazed, image 29.5 x 23cm, overall 41.5 x 30.5cm, Acquired directly by vendors from Tommy Roberts (1942-2012), the influential fashion entrepreneur and founder of the iconic ‘Mr Freedom’ boutique
£80-£120
216. Les Maîtres de l’Affiche: Cirage Jacquot et Cie, 1896 by Lucien Lefèvre (French, 1850-1902), original lithographic poster, bears embossed stamp ‘Les Maîtres de L’Affiche Imperie Chaix’ to bottom right, pl.90, printed by Chaix, Paris, framed and glazed, image 29.5 x 23cm, overall 41.5 x 30.5cm, Acquired directly by vendors from Tommy Roberts (1942-2012), the influential fashion entrepreneur and founder of the iconic ‘Mr Freedom’ boutique
£80-£120
217. Les Maîtres de l’Affiche: Chocolat Carpentier, 1897 by Henry Gerbault (French, 1863-1930), original lithographic poster, bears embossed stamp ‘Les Maîtres de L’Affiche Imperie Chaix’ to bottom right, pl.83, printed by Chaix, Paris, framed and glazed, image 29.5 x 23cm, overall 41.5 x 30.5cm, Acquired directly by vendors from Tommy Roberts (1942-2012), the influential fashion entrepreneur and founder of the iconic ‘Mr Freedom’ boutique
£80-£120
218. Les Maîtres de l’Affiche: Lessive Figaro, 1893 by Léo Gausson (French, 1860-1944), original lithographic poster, bears embossed stamp ‘Les Maîtres de L’Affiche Imperie Chaix’ to bottom right, pl.71, printed by Chaix, Paris, framed and glazed, image 29.5 x 23cm, overall 41.5 x 30.5cm, Acquired directly by vendors from Tommy Roberts (1942-2012), the influential fashion entrepreneur and founder of the iconic ‘Mr Freedom’ boutique
£80-£120
219. Auguste Brouet (French, 1872-1941)
‘Assemblée en Camargue’, a pair of etchings, first; titled ‘Assemblé en Camargue’ with ‘Chalcographie Du Louvre’ printed below, to bottom left ‘Gravure Originale’, to bottom right ‘D’Auguste Brouet’, second; signed ‘A.Brouet’ and numbered 7/16 in pencil to the bottom right and left respectively, both framed, glazed and mounted, first within mount 23.5 x 33cm, overall 43 x 50.5cm
£80-£120
220. Joseph Martin Kronheim (German, 1810-1896) ‘Les Albaniens’ a pair of ‘Baxter Process’ colour prints, both unsigned / numbered, framed, glazed and mounted, within mount 23 x 32cm, overall 53 x 60cm
£50-£80
221. Graham Illingworth (British, b.1953)
‘What you see is not what you get’, trio of limited edition silkscreens on arches velin, each numbered 43/295 and signed by artist in pencil to bottom, artist proofs: 25, prints released in 1995, with certificate of authenticity, all framed, glazed and mounted, first within mount 57 x 47cm, overall 76 x 66cm
£200-£300
222. Graham Illingworth (British, b.1953)
‘The Encapsulation of a Spirit’, limited edition silkscreen on arches velin, numbered 5/295 and signed by artist in pencil to bottom, artist proofs: 25, print released in 1996, with certificate of authenticity, framed, glazed and mounted, within mount 76 x 56cm, overall 101 x 81cm £150-£250
223. Graham Illingworth (British, b.1953)
‘Before The Cock Crows Twice’, limited edition silkscreen on arches velin, numbered 255/295 and signed by artist in pencil to bottom, artist proofs: 25, print released in 1997, with certificate of authenticity, framed, glazed and mounted, within mount 52 x 52cm, overall 85 x 85cm £150-£250
224. An early Victorian tinsel print entitled ‘Mr Macready as Rob Roy MacGregor, London Pub by A Park, 47 Leonard S’ Finsbury’, depicting an actor dressed as a Scottish Highland soldier in a kilt, holding an axe and shield with a thistle roundel, 28 x 22cm, framed and glazed 36 x 30cm
£80-£120
225. A Japanese Meiji period shakudo cigarette box
Meiji period, Kuroda workshop, of rectangular form, the hinged lid decorated in gold, silver and copper with goose in flight under a full moon, signed bottom right, raised on bracket feet, the gilt interior gilt signed to underside Kuroda, Kyoto, with an associated rosewood stand (2), height 4cm, width 11.3cm, depth 7.7cm
£200-£300
226. A pair of Japanese bronze and mixed metal vases
Meiji period, inlaid in silver, gilt and shibuichi, depicting heron wading in water, signed with character marks (2), height 17cm
£100-£150
227. A pair of Japanese brass vases
Meiji period or later, inlaid with copper and mixed metal birds among flowers (2), height 15cm
£50-£70
228. A Japanese Satsuma ware vase
Meiji period, the flared rim, leading to densely decorated gilt borders, and panels depicting seated figures within a traditional interior, height 46.5cm
£100-£150
229. A Japanese wakizashi Edo or Meiji period, the shagreen tsuka wrapped in blue ito, concealing a menuki, to a quatrefoil tsuba with blossoming flowers, in a lacquered wood saya decorated with dragons, overall length 97.5cm, the blade 69.5cm, the saya 77cm £150-£250
230. A Japanese bronze okimono Meiji period or later, modelled as a monkey with fruit in its hand, unsigned, height 12cm
£300-£500
231. Two Japanese cloisonne dishes
Meiji period, each circular, decorated with perched birds within foliage and blossom, on blue grounds, floral borders (2), diameter 37cm and 30cm respectively
£150-£250
232. A lacquer cinnabar snuff bottle and stopper late 19th to early 20th century, Chinese, decorated with flowers, koi fish and precious objects, width 5.5cm, height 7.5cm
£80-£120
233. Chinese School (early 20th Century) A scroll ‘Benefit Painting’ depicting an old man chasing an egret down a hillside, various inscriptions, including translation ‘freehand work of Huang Guyuan’ and ‘10th month of the lunar calendar early winter’ with other details and seals, watercolour on paper, height of image 93cm
Provenance: Acquired in China c.1930’s, thence by descent
£800-£1,200
234. A group of Chinese and South East Asian items to include a Korean embroidered scroll, depicting a man playing the flute to a woman, a book of Chinese Popular Tales, by H. F Chiang; a Chinese black ink block, with character marks; and three bronze knife money (qty.), scroll height 97cm
£80-£120
235. A group of Chinese miniature Shiwan figures
early to mid 20th century, mudman style, including men and women, dressed in robes, holding various precious objects and a crane, in polychrome glaze (11), the largest height 5cm
£80-£120
236. A group of three Bohemian glass vases
19th century, comprising an example cased in opal over green, the central scene depicting an anthropomorphic fox holding a bowl, to panels of painted flowers and gilt foliate decoration, another opal over cranberry, and a similar clear glass example (3), the largest height 26cm
£150-£250
237. A group of three Empoli glassware
modern, comprising two large vases: one caramel, one orange, both with a butterscotch stem and foot, and a small blue vase with clear stem and foot (3), first height 30cm, diameter of rim 4.5cm
£50-£80
238. An Art Nouveau WMF silver plated vase
c.1900, of slender twin-handled form, with scrolling flowers, stamped marks, height 29cm
£80-£120
239. An Art Nouveau WMF claret jug
early 20th century, German, of slender tapering form, the engraved glass set within pewter mounts, the neck cast with stylised flowers, the base with maidens, stamped marks, height 24cm
£120-£180
240. A Jacobite wine glass mid 18th century, the bell form bowl with scratched engraving, indistinctly marked ‘…Jane Golding Lion…’, over a plain stem, with an air tear, raised on a conical foot, with further indistinct inscriptions, height 17cm
£300-£500
242. A pair of Jacobite drinking glasses 18th century, the round funnel bowl, engraved with a rose and closed bud, over a double series air twist stem, raised on a conical foot (2), height 15.7cm
£100-£150
241. A near pair of cordial glasses 18th century, the funnel bowls engraved with stylised flowers, to a facet cut stem (2), the largest height 17.5cm
£100-£150
243. An air twist wine glass mid 18th century, the trumpet bowl, over a multi series air twist stem, raised on a conical foot, height 15.5cm
£150-£200
244. An air twist wine glass 18th century, the large moulded round funnel bowl, over an air twist stem, raised on a conical foot, height 17.5cm
£80-£120
245. A Waterford style glass table lamp, 20th century star and hobnail cut-glass bulbous shade, on gilt-metal supports, waisted cut-glass column to domed base, height 51cm
£150-£200
246. René Lalique (1860-1945) ‘Souris’, c.1925, a clear glass seal stamp, modelled as a mouse, on a circular base, signed ‘R Lalique France’, height 6cm
£200-£300
247. A Bohemian glass bowl circa 1922, probably by Sklárská škola, Novy Bar, Czech Republic, enamelled with stylised birds, among blue foliage, the centre panels with red flowers, on a circular foot, diameter 21cm, height 9cm
£100-£150
248. Sergio Constantini (Italian, b.1956) for Artigianato Muranese, a group of three Murano glass items, from the ‘Cesto’ collection, c.1970, comprising two vases and a bowl, in trailed amber glass, signed, with original label (3), the vases height 30 and 34.5cm, the bowl diameter 39cm
£300-£500
249. Loredano Rosin (Italian 1936-1992)
a large Murano glass sculpture of oval form, with chalcedony and air bubble inclusions, above a lotus style inclusion, etched signature, height 35.5cm
£400-£600
250. Vicke Lindstrand (Swedish, 1904-1938) a ‘Zebra’ red and white striped sommerso glass vase, designed in 1952 for Kosta, three lined acid stamp, etched number LH1115, height 16.5cm £100-£150
251. A group of four Nailsea glass flasks mid 19th century, comprising two with white, blue and red trailed decoration, a further red trailed and a yellow ribbed example (4), the largest 25.5cm £120-£180
252. A group of five Nailsea glass double gimmel flasks mid 19th century, comprising two white and one blue trailed example, a red glass, and a green glass example (5), the largest 27.5cm £150-£250
253. Two Victorian glass rolling pins comprising a clear, blue and red pulled loop Nailsea example, and another green glass example (2), width 32 and 38cm
£60-£90
254. A large Bristol blue glass mariner’s rolling pin early 19th century, gilt decorated and inscribed ‘A Present from Thos. Stone 1812’, with clipper ship detail, length 70cm £70-£90
255. A Nailsea style glass frigger late 19th century, modelled as a peacock, exotic birds and doves, arranged around a fountain, beneath a glass dome, total height 35cm £100-£150
256. A collection of clear glass apothecary bottles and stoppers
19th century, all with gilt labels, variously inscribed, including ‘ACID. ACETYLSAL’, ‘TINCT: MYRRHÆ’ and ‘OL: CARYOPHYL’ (10), tallest height 20cm
£100-£200
257. A group of three glass poison bottles and stoppers
19th century, comprising two green and one blue, of circular ribbed form, the gilt labels inscribed ‘TINCT:CAMOH:SO (POINSON)’, ‘ACID:ACET:GLAC’, and ‘SYR:AURANTII’ (3), the largest height 25.5cm
£80-£120
258. A pair of pottery apothecary or ointment jars
19th century, French, inscribed ‘Sirup Mannae’ and ‘Ungt Paraffini’, to a white ground (2), diameter 9.5cm, height 17cm
£80-£120
259. A pair of pottery apothecary jars and covers, 19th century with gilt labels inscribed ‘P:ALO et MYR’ and ‘UNG:HYD:OXR’, to a pink ground, with domed covers (2), diameter, 9cm, height 14cm
£300-£400
260. A 19th century silver mounted enamel bonbonniere
Continental, modelled as a recumbent spaniel, the base and interior decorated with flowers, width 8.5cm, height 5.5cm
£200-£300
261. A pair of Paris porcelain twin handled campana urns
19th century, moulded with a band of bosses and twin mask gilt handles, decorated with raised gilt scroll framed reserved painted with polychrome floral bouquets against a claret ground, raised on square plinth bases, (2), height 25.2cm
£100-£150
262. A Rosenthal Versace porcelain composite dinner service
formed of La Mer series;, comprising four dinner plates, four side plates, a square form ashtray, four teacups and saucers, two coffee cups, four bowls, and a sugar bowl and cover, the Medusa Red series;, comprising three teacups and saucers, and a Medusa Rose teacup and saucer (qty), the largest diameter plate 24cm
£200-£300
263. A pair of Versace Medusa wine bottle stoppers by Rosenthal, with a frosted and blue glass moulded medusa double head, above a clear glass peg, with etched ‘Rosethal Versace’ mark, and plastic label stating ‘over 24% lead crystal Austria’, in their original boxes (2), height(s) 13cm, diameter 5.5cm at widest point
£50-£80
264. An Art Deco lustre ware coffee set
Czechoslovakian, comprising four teacups, six saucers, a cream jug, sugar bowl, and coffee pot, with a border formed of triangles, to an orange ground (13), the coffee pot height 19.5cm
£60-£90
265. A Skotterup owl stoneware money box
c.1880, Danish, modelled as a standing owl perched on a small branch, with relief moulded and incised feathers, in a pale blue glaze, height 25cm
£400-£600
266. A pair of Zsolnay Pecs pottery vases, 19th century Hungarian, in the Islamic taste, of bottle form, densely decorated with peacocks amongst flowing foliage, painted marks to the base (2), diameter 8cm, height 32.5cm
£80-£120
267. A pair of Continental porcelain urns 19th century, possibly French, the handles modelled as winged maidens, the body with painted scenes of a mother and children, the reverse with landscape panels, to a gilt ground, unsigned (2), height 27.5cm
£300-£500
268. A group of Moorcroft pottery including three ‘Daydreams’ pattern pieces, comprising two vases, and a pin dish, dated 2003, a ‘Snowberry’ pattern jug, dated 2002, and a ‘Queens Choice’ pattern pin dish, dated 2000, printed and painted marks (5), the larger vase 24cm high, the smaller 13cm high, the jug 12cm high, the pin dishes 12cm, diameter
£100-£150
269. A modern Moorcroft ‘Queen’s Choice’ table lamp designed by Emma Bossons, squat baluster form with tube lined colourful fruit and flowers on a dark blue ground, glazed, raised upon a fitted circular plinth base, base diameter 19cm, height with shade 44cm
£150-£250
270. A Chinese famille rose jar & Copeland jasperware pot Chinese jar, 19th century, enamelled with figures in interiors and birds, with lid, Copeland jasperware pot with classical relief decoration and lid, stamped / marked ‘Copeland, England, 30’ to reverse (2), Chinese jar height 12cm, diameter 4cm
£50-£80
271. A Canton ‘European Subject’ enamel teapot Qing dynasty, Qianlong period, depicting European figures within a mountainous landscape, width 10.5cm, height 11cm
£100-£150
272. A Chinese blue and white pottery planter late 19th century, of octagonal form, decorated with flowers and foliate branches, width 29cm, height 23.5cm
£80-£120
273. A Chinese famille rose porcelain coffee pot and cover Qing dynasty, Qianglong period, decorated with gilt and enamelled flowers, together with a blue and white porcelain vase, with a relief moulded dragon, painted with ladies sat at a dressing table, character marks to the base, and another smaller example, painted with a figures sat beside a vase, amongst foliate decoration, character marks to the base (3), tallest height 21cm
£100-£150
274. A large pair of Chinese Canton famille rose porcelain vases and covers 19th century, of baluster from moulded with twin mask rings handles, the domed covers with gilt dogs of Foo finials, typically decorated with panels of courtiers on terraces against a field of flowers, butterflies, precious objects, on carved hardwood stands (2), height 51.5cm
£200-£300
275. A Chinese export porcelain teapot and cover late 18th century, of bullet form, decorated with a polychrome landscape of a pagoda amongst flowering blossom trees, width 17cm, height 13cm
£100-£150
276. A Chinese famille rose porcelain teapot and cover 18th century, of bullet form, decorated with enamelled figures, width 20cm, height 16cm
£100-£150
277. A Chinese export porcelain teapot and cover Qing dynasty, Qianglong period, the finial modelled as a dog of foo, leading to a lobed form body, decorated with painted and relief flowers, width 18cm, height 13cm
£200-£300
278. A Chinese famille verte porcelain teapot and cover
Qing dynasty, the rectangular lobed body with panels of painted butterflies and blossoming flowers, width 16cm, height 14cm
£200-£300
279. A Chinese blue & white porcelain tureen and cover
Qing dynasty, decorated with a painted landscape, the handles modelled as mythical beasts, width 35cm, depth 24cm, height 25cm
£120-£180
280. A Chinese blue and white porcelain teapot Qianglong period, the crossover handle with a floral base, the ovoid body painted with a coastal landscape of pavilions and figures, width 23cm, height 17cm
£120-£180
281. A Chinese Imari porcelain tea caddy late 18th century/early 19th century, of octagonal form, with alternating panels of iron red and blue painted floral sprays, width 8cm, height 12cm
£50-£80
282. A pair of Chinese porcelain bowls late Qing dynasty, painted with iron red koi fish, to a neutral ribbed ground (2), diameter 12cm £200-£300
283. A Japanese Satsuma jardiniere 19th to 20th century, decorated with figures of Emperors and literati, together with a pair of Chinese blue and white porcelain vases and covers, 20th century, with painted landscapes (3), the vases height 15.5cm
£200-£300
284. A pair of Japanese Imari porcelain plates 19th century, of typical design, the centre with blue flowers and a butterfly to a white ground, leading to gilt borders with stylised floral decoration, character marks to the base (2), diameter(s) 31cm, height(s) 4.5cm
£100-£150
285. A group of Chinese and Japanese wares comprising a Chinese famille rose vase, the central panel with literati, floral decoration to borders; a Chinese celadon vase, late 18th/early 19th century, decorated in enamels with exotic birds and flowers; a pair of Japanese miniature Kutani vases; and two further items, first height 23cm
£70-£100
286. A group of Chinese porcelain platters and plates possibly export, comprising three oval platters and two circular plates, each decorated in blue and with birds in a rural / river landscape, within floral and geometric borders, one circular plate with a differing scene of pagodas and bamboo (5), Largest platter 36 x 27cm
£80-£120
287. A pair of Chinese blue and white porcelain vases
Qing dynasty, early 20th century, of hexagonal form, inscribed with the poem ‘Conversation in the Mountain’ by Li Bai, decorated with fishermen or hermits within a mountainous landscape (2), height 25cm
£200-£300
288. A set of four Chinese blue and white porcelain tea bowls
Qing dynasty, 19th century, decorated with scholarly figures within a landscape, character marks to the base (4), diameter 7cm, height 5.5cm
£100-£150
289. A group of three Japanese Imari scalloped dishes
19th century, each with foliate and floral decoration, compartmental borders (3), the largest 33cm, diameter
£100-£150
290. A Chinese Export polychrome porcelain plate, Qianlong decorated in enamels with the Judgment of Paris, within gilt scrollwork border; together with a Persian crackle-glaze earthenware dish, probably 18th century, handpainted in blue with fish and foliage, first diameter 22cm; second diameter 24cm
£80-£120
291. A Chinese celadon comport 18th century and later, with famille rose exotic birds, flowers and foliage, seal mark to base, with later French gilt-metal bird and foliate scroll mount raised on three feet, diameter 29cm
£80-£120
292. A Victorian oil lamp, with a Japanese Kutani body of cylindrical form, in two sections, gilt-metal mounts, globular shade, glass reservoir, height 61cm
£70-£90
293. A collection of Export blue and white porcelain, 18th/19th century comprising a Chinese Export blue & white porcelain plate, Qianlong, handpainted foliate decoration within borders; with a pair of blue & white miniature crackle vases, 15cm, height; a pair of blue and white plates, Qianlong, 23cm, diameter; a small lidded Export blue and white tureen with cover, late 18th century, 18cm, width; and a blue and white baluster jardiniere, 30cm, diameter, first diameter 22cm
£120-£180
294. A large pair of Cantonese famille-rose vases mid-19th century, of baluster form, with everted shaped rims, twin mythical beast gilt handles and applied lizard adornments, heavily enamelled with figural panels within elaborate bird, butterfly and floral borders (2), height 63cm
£500-£700
295. A Chinese yellow ground pottery fish bowl 19th to 20th century, with alternating panels of dragons and birds among flowers, to a foliate decorated yellow ground, the interior with pained koi fish, raised on a hardwood stand (2), total height 43cm
£250-£350
296. A Chinese ceramic garden seat of an elephant mid 20th century, the elephant with howdah seat and relief embroidered costume, in an emerald green glaze, width 50cm, depth 25cm, height 56.6cm
£150-£250
297. A Japanese porcelain vase Meiji period, of baluster form, with polychrome enamel decoration, of flowers within panels, to a foliate blue ground, character marks to the base, height 55cm
£300-£500
298. A collection of Royal Doulton ‘Doultonville’ character jugs all stamped to bases, comprising 24 of 25 set (24), first height 10cm £80-£120
299. A collection of Royal Doulton Toby and other character jugs 20th century, of various designs and sizes, including Winston Churchill, together with a Kingsware bulbous flask, in the form of a Nightwatchman, c.1930 (16), flask height 20cm, other various £80-£120
300. A collection of nineteen Toby and character jugs, 19th/20th century various including Staffordshire, Arthur Wood, Carltonware, Beswick, and five musical examples (19), ranging in heiught from 14cm to 26cm £150-£200
301. A group of three Sunderland lustre jugs 19th century, comprising a copper example, the centre panel depicting a mother and children, and two silvered floral examples (3), the largest 15cm high £50-£70
302. A pair of Chamberlain’s Worcester porcelain dishes early 18th century, ‘Dragon in Compartments’ pattern, depicting panels of lions and dragons to flower-laden vases and gilt borders (2), diameter 20cm £100-£150
303. A pair of Derby porcelain figures late 18th to early 19th century, after Peter Scheemakers, modelled as John Minton and William Shakespeare, wearing puce cloaks, with gilt highlights, leaning on books, upon Classical style pedestals, raised on a plinth, impressed no. 297 and 305 (2), the largest height 25.5cm £80-£120
304. A Royal Doulton porcelain figure of a fox, 20th century realistically modelled in a seated position, printed marks to the base, ‘BA, NH 2634’ to ‘BA, HN 2634’, height 25cm, tail length approx. 23cm
£200-£300
305. A collection of British and Continental cornflower pattern porcelain various dates and makers, 18th/19th century including a Derby heartshaped dish, 25cm, width; two Bloor Derby dinner plates, 24.5/25cm, diameter; a Paris baluster vase and cover, 24cm high; together with a Royal Copenhagen Flora Danica miniature dish, 7.5cm, diameter; and other items (qty), Various sizes
£300-£500
306. A Royal Crown Derby ‘Darley Abbey’ pattern tea service c.2004, for four settings, with gilt floral decoration to a pale green ground, comprising four dinner plates, four side plates, a teapot, a cream jug, a twinhandled sugar bowl, and three teacups and saucers, printed marks (qty), the largest plate diameter 22cm, the teapot width 29cm
£300-£500
307. A pair of Royal Doulton stoneware vases early 20th century, Fruit and Vine pattern, to a cobalt blue glaze, printed marks, impressed no. 8530H, height 26cm
£80-£120
308. A Staffordshire pottery creamware footbath
19th century, of oval faux coopered moulded form, twin handles, impressed 3 to underneath, together with a pair of white glazed ribbed vases, late 20th century, Italian (3), footbath width 44cm, vases height 39cm
£100-£200
309. A collection of miniature pottery wares
19th/20th century, various dates and sizes, comprising a Chinese blue & white double-gourd vase; a Royal Copenhagen dish; a Royal Worcester jug; a Royal Doulton cup; a Spode jug; a Japanese Satsuma vase and a French overlaid glass vase (7), various heights
£70-£100
310. An English porcelain twin handled baluster vase early 19th century, by Spode or Ridgway, handpainted with vibrant floral and foliate decoration, gilt embellished, white ground, square footed base, marked 115, height 26cm
Provenance: A Private Collection
£80-£120
311. A Mason’s Ironstone twin handled ‘Notable Essence Jar’ and cover c.1815-20, the domed cover with a facetted finial and wide everted neck, the fluted cylindrical body profusely decorated with gilt butterflies and flowers, to a mazarine blue ground, raised on a footed base, height 42cm
Provenance: A Private Collection £100-£150
312. A Mason’s Ironstone twin handled vase late Georgian, the undulating wide everted rim, to a faceted body, with all over gilt butterfly and insect decoration, to a mazarine blue ground, raised on a footed base, height 30cm
Provenance: A Private Collection £100-£150
313. A Copeland porcelain pot pourri and cover mid 19th century, foliate design on black ground, marked Copeland, together with a Mason’s Ironstone lustre ginger jar and cover (2), first height 19cm
Provenance: A Private Collection £70-£100
314. A group of three Mason’s Ironstone Chinese style vases early 19th century, of square form, with waisted necks, handpainted overglaze pink exotic birds on gilt foliage and mazarine blue ground (3), height 26.5cm
Provenance: A Private Collectionillustrated in Godden’s ‘Mason’s China and the Ironstone Wares’, see p183 £100-£150
315. A Miles Mason porcelain twin-handled vase early 19th century, the handles modelled as ram’s heads, the body with an elaborate floral frieze to a gilt ground, and mazarine blue borders, heavily gilt embellished with flowers and lappets, raised on a square white plinth base, impressed underneath ‘M Mason’, height 24cm
Provenance: A Private Collection - Illustrated in Godden’s ‘Mason’s China and the Ironstone Wares’, see p.101 £80-£100
316. A Staffordshire pottery double sided figure
c.1854, of a sailor and a French soldier, modelled with a hand on their hip, the other holding a flag, height 22.5cm
£100-£150
317. A Copeland Spode pottery jug late 19th century, relief decorated with Classical style swags above dancing figures, to a green ground and oatmeal borders, printed and impressed marks, no. 180288, height 17.5cm
£50-£80
318. A Della Robbia pottery vase early 20th century, of baluster form, decorated by Charles Collis, with stags, above a floral band, to a blue ground, impressed marks, no. 443, height 22.5cm
£100-£150
319. A group of five Shorter & Son pottery figures late 19th century, depicting D’Oyly Carte Opera characters, painted and impressed marks to the base (5), the largest height 13cm £120-£180
320. Two pottery Toby jugs late 19th century, comprising a French faience example of a standing man holding a pipe, painted mark ‘JG’ no. 128/1579, and another Staffordshire example (2), the largest height 28cm £80-£120
321. A collection of Wedgwood Jasperware mid 19th century, with Classical style figures in relief, the pottery body dipped in a silvered copper finish, comprising two jugs, a biscuit barrel and a cream jug, impressed marks (4), the largest height 19cm £80-£120
322. Royal Interest: A large Minton porcelain cup and saucer, circa 1842 handpainted with blossoming heather and thistles, gilt rimmed, accompanied with handwritten note ‘cup and saucer of tea & breakfast service made for the use of H.M. Queen Victorian & the Prince Consort at Holyrood Palace in 1842…’, saucer diameter 17cm
Provenance: Private collection
£60-£80
323. A group of Mason’s Ironstone Seaman’s Hospital tableware 19th century, bearing crest of Greenwich Seamen’s Hospital, comprising, a teacup and saucer, a further saucer, a dinner plate and bowl, a drinking glass marked ‘Seamen’s Hospital Dreadnought, 1821-1986’, and a booklet titled ‘The History of The Dreadnought, Seamens Hospital at Greenwich’ (7), drinking glass height 16cm
Provenance: this set was gifted to a long time clerical employee of Greenwich Seamen’s Hospital
£150-£250
324. A Worcester porcelain teacup and saucer the saucer by George Moseley, 1929 date mark, the teacup by Edward Townsend, 1935 dated stamp, both decorated with painted fruit, signed, with printed marks (2), the teacup width 13cm, the saucer diameter 14.5cm
£80-£120
325. Two Royal Worcester porcelain allegorical figural groups
c.1867, depicting Peace and Plenty, each hand painted in enamels and gilt embellished, modelled as central neo-classical maidens flanked by further figures, on stepped and shaped naturalistic plinth bases of cartouche form, the former with green mark to underside, dated (18) 67, the other with impressed mark (2), height respectively 30cm and 28.5cm
£300-£500
326. A Royal Worcester blanc-de-chine figural candlestick late 19th century, modelled as a seated lady playing a lute, on naturalistic base, impressed marks, height 16.5cm
£40-£60
327. A Royal Worcester Oriental figure by Pinder Davis
c.1914, by Pinder Davis, modelled as an Oriental man in feathered cap and long flowing robes, a perched bird of prey on left hand, gilt embellished, plinth base, height 35cm
£80-£120
328. A Victorian graduated set of three pottery meat plates by Ashworth Bros, with painted Chinoiserie decoration of a pagoda and figures among blossoming trees, flowers and birds, printed marks (3), the largest width 43cm £50-£70
329. A group of four stoneware jars 20th century, comprising three with salt glazed tops, including one with a handle (4), the largest height 40cm £40-£60
330. A group of five Royal Doulton porcelain figures from the limited edition Pioneers Collection, comprising Thomas Edison, no. 122, Thomas Jefferson, no. 99, Sir Isaac Newton, no. 233, Michael Faraday, no. 111, and Alexander Graham Bell, no. 115, printed marks (5), the largest height 30cm £300-£500
331. A group of six pottery Toby jugs early 19th century and later, to include Staffordshire and Warty Face examples (6), the largest 24cm high £200-£300
332. A group of four pottery Toby jugs 19th century and later, including a Staffordshire and treacle glazed examples (4), the largest height 26cm £150-£250
333. Two Staffordshire pottery Toby jugs late 19th century, comprising an example of a standing man, holding a book, and another of a seated man with a jug (2), the largest height 33cm
£100-£200
334. Three Staffordshire pottery character jugs late 19th century, modelled as Punch and Judy, two with impressed Rd. No. 139844 (3), the largest 25cm high £60-£90
335. A group of nine pottery character jugs and teapots 19th century, including a Staffordshire novelty teapot modelled as a peg-legged man, a majolica begging spaniel, a jug modelled as Neptune, and another inscribed ‘Beenleigh Rum’ (9), the largest height 26cm £100-£150
336. Keith Murray (New Zealand, 1892-1981) 1940s, a Wedgwood pottery straw ball vase, of ribbed globular form, in a yellow buttermilk glaze, impressed mark ‘Etruria & Barlaston’, signed ‘KM’, height 20cm £150-£250
337. A pair of Wedgwood pottery mugs, 1930s, by Keith Murray
comprising a green and ‘Moonstone’ cream glaze example, printed marks to the base, together with a Wedgwood pottery biscuit barrel and cover, dated 1938, of ribbed circular form, with painted floral decoration, impressed and printed marks to the base (3), mug height 12cm, biscuit barrel height 16cm
£100-£150
338. Two large ‘Warranted Staffordshire’ Willow pattern transfer printed meat dishes late 19th century, both of typical landscape design within multiple borders, one with gravy reservoir (2), width 55cm
£60-£90
339. A graduated set of three Davenport Stone China meat dishes early 19th century, in the Exotic Bird pattern, central fields within similar borders; together with a matching drainer, the largest width 52cm
£100-£150
340. A pair of Victorian Staffordshire zebra flatback figures
comprising a pair of zebras, and a jockey on a horse, together with three further Continental figures, a character jug, and a Castleford-type Feldspathic teapot, early 19th century (8), the largest height 26cm
£150-£250
341. A large Victorian salt-glazed stoneware spirit barrel of oval bellied form, faux hoop and wood effect, bearing relief Royal coat-of-arms; together with a Staffordshire gin barrel, titled plaque, green band, first height 48cm; second height 28cm
£100-£150
342. A Minton majolica vase 1871 date stamp, with an oche strapwork border, to a cobalt blue bowl, supported by three doves, on a triform base, impressed marks, design no. 1482, height 15.5cm £150-£250
343. A Troika pottery slab vase 1970s, designed by Jane Fitzgerald, with white block shapes to a blue ground, signed, width 10.5cm, depth 7.5cm, height 21.5cm
£100-£150
344. A Troika pottery ‘Wheel’ vase c. 1970, by Simone Kilburn, decorator’s marks to the base, width 12cm, height 12.5cm
£60-£80
345. A set of three Clarice Cliff Moderne Casamia pattern twin-handled cups of conical form, with peaked handles, marks to base, width 14.5cm
£80-£120
346. A group of three Capodimonte style porcelain figures 20th century, of Napoleonic soldiers, on plinth bases (3), the largest 31.5cm high
£120-£180
347. A Secessionist majolica jardiniere stand late 19th century, by Rudolph Ditmar of Znaim, Austria, now Znokmo, Czech Republic, the column with stylised floral and foliate decoration, the circular base raised on three crested feet, impressed marks to the underside, height 86cm £80-£120
348. A Zsolnay Pecs porcelain coffee service 20th century, for six settings, floral decorated, gilt embellished, comprising six cups and saucers, a cream jug, sucrier and coffee pot; together with a small assortment of further Zsolnay Pecs and Herend wares (qty.), coffee pot height 18cm
£100-£150
349. A pair of Meissen porcelain allegorical figures late 19th century, representing astronomy and architecture, from the Seven Sciences set, both modelled as classical ladies, square plinth bases, blue cross swords marks, (2), height 17cm
Provenance: A Private Collection £300-£500
350. A Meissen porcelain figure group 19th century, ‘Winter’, an allegorical depiction of a young boy on a sled with an axe, and a young girl warming her hands on a brazier, blue underglaze crossed swords mark, scratched G94, impressed no. 46, width 12.5cm, height 16.5cm
£80-£120
351. A Meissen porcelain bowl late 19th century, decorated with stylised gilt flowers, to a scalloped edge, blue underglaze crossed swords mark, impressed no. 13, diameter 28.5cm
£80-£120
352. A Helena Wolfson polychrome chocolate cup with trembleuse saucer late 19th century, bearing Augustus Rex marks, decorated with alternating panels of figures and flowers; together with a 19th century porcelain figure of a cherub bearing flowers (2), first diameter 14cm; second height 16cm
£70-£100
353. Various decorative porcelain and glasswares late 19th/early 20th century, including a French gilt-metal mounted trinket box; two scent bottles; an inkwell, a further trinket box and a trumpet spill vase, first width 10cm
£70-£100
354. A set of six Limoges porcelain teabowls and saucers, stamped Elite Works, early 20th century serpentine shaped rims, gilt embellished decoration, shallow conical bowls, saucer diameter 13.5cm
£80-£120
355. An extensive Quimper pottery dinner service mid 20th century, French, including dinner plates, side plates, tureens, serving platters, single-handled pans, egg cups, twin-handled bowls, a cream jug, knife rests, salt and pepper shakers, and a sauceboat on stand, painted marks (qty.), various
£500-£700
356. A porcelain centrepiece with Royal provenance 19th century, Continental, the painted flowers to gilt borders, gilt no. 274, with a copy of a letter from Queen Mary’s Lady in Waiting at Marlborough House, width 25cm, height 22cm
Provenance: Gifted from Queen Mary as a present to be raffled in November 1936
£150-£250
357. A pair of pottery bookends 20th century, modelled as seated monkeys with their arms extended, stamped ‘Foreign’ too the base, height 20cm
£60-£80
358. An Italian Maiolica polychrome plaque, the style of Castelli probably 18th century, depicting an Old Testament scene, possibly Susanna and the Elders, of rectangular form, with faux tesserae finish, later gilt frame, 25.5cm by 34cm
£300-£500
359. A flambé ware pottery vase 20th century, the slender neck leading to a bulbous body, in a graduating blue and red glaze, the gilt metal mount with lion masks, printed mark ‘Boch Belgium’, vase height 24cm, total height 30.5cm
£100-£150
360. A pair of novelty Continental pottery jugs of fish
19th century, modelled as fish emerging from water, with blue underglaze Sitzendorf style marks (2), diameter 14cm, height 25cm
£150-£250
361. A Delft polychrome bowl, by De Paauw early to mid 18th century, with blue and red stylised foliate decoration with running scroll border, blue latticework to interior, footed base, mark to underside, diameter 25cm
£200-£300
362. A George III brass combination lock snuff box of oval form, hinged lid with catch and three numbered dials, 8.5cm length; together with two champagne taps, one cased; a cased cheroot holder; a bezique counter; a ‘Watkin’s Bee Meter’; a miniature Roman style bronze lamp and a cased pair of 19th century folding spectacles, lamp length 9cm
£200-£300
363. A collection of assorted vertu mostly 19th century, including two black lacquered papier mâché spectacles cases, handpainted figural panels; two decorative purses and a wallet; three snuff boxes; a sovereign case and a treen thimble case, first height 14cm £100-£150
364. Two WWII handheld signalling lamps including an Aldis Longrange example, with blue and red lenses, together with a Joseph Lucas Morse code lamp, ‘Signalling Daylight Short Range’, no. 7849 (3), the largest length 30cm £100-£150
365. A triple circle WWII Huson (Henry Hughes & Son) cased sextant no. 44641, with index arm and vernier, telescope and interchangeable filters, original paper label dated 1944, in a fitted case, radius 22cm £50-£70
366. A Maurice Stiassnie measuring microscope early 20th century, French, possibly used for measuring the thermal expansion of materials such as metals, with electrical contacts, and interior wiring, the microscope lens with a linear measure, marked ‘M. Stiassnie, Paris’, on a tripod swivel base, width 30.5cm, height 30.5cm
£200-£300
367. A drum sextant by W & S Jones mid 19th century, of circular form engraved above the scale W & S Jones, with silvered scale divided 0-140o with vernier for 0-30o, magnifier, interchangeable filters, with fitted brass cover and part leather case, with sliding sighting hole, overall diameter 6.5cm £100-£150
368. A pair of brass George IV adjustable proportional compass by Thomas Rubergall, 24 Coventry Street, London (1826-1854), with adjustable screw and steel points, in a fitted velvet-lined Moroccan leather case, length 15cm £250-£350
369. A 19th century brass refracting telescope on stand signed on the body tube ‘Callaghan 23A New Bond St. Corner of Conduit St. London’, on associated tripod base, with a lens cap and fitted box, length 92cm when fully extended £100-£200
370. A late Victorian mahogany cased barograph bevelled glass case, brass carrying handle, plinth base, width 36cm £80-£120
371. A pair of hickory shaft golf clubs
c.1890, attributed to Willie Park Jr. (Scottish golfer and club-maker), probably drivers, the leatherwrapped grips, leading to original shafts, the long-nose club heads engraved ‘Wm Park’, one example with a nailed brass base, lengths approx. 103cm
£300-£400
372. A Johnnie Walker advertising figure 20th century modelled as a gentleman holding a monocle and staff, the base inscribed ‘Johnnie Walker Scotch Whisky’, together with a smaller White Label example, modelled as a Scottish Highland soldier, the base inscribed ‘White Label Dewars Scotch Whisky’ (2), first height 36cm
£80-£120
373
373. A Ben Truman advertising figure mid 20th century, of a pirate holding a bottle of beer, with a wooden leg, and another miniature version, above a ship in a bottle, the base inscribed ‘More Hops in Ben Truman’, height 38cm
£150-£250
374. A group of advertising figures 20th century, comprising a pair of Booth’s Gin lions, and a Courage Brewery cockerel, together with a laminated wood tray, by Gerling Sol-Chligs, Sanenwood, inscribed ‘Bass’ (4), the lions width 23cm, the tray diameter 30.5cm
£80-£120
375. A Victorian folk art doll modelled as a chimney sweep, holding a brush, under a glass dome, on a turned wood base, total height 17cm
£100-£150
376. A banjo ukelele ‘banjolele’, by Keech serial number 1525, one piece neck, aluminium resonator ring, hide skin, shield-shape maker’s label, with case, length 55cm
£60-£80
377. An Engliah Seraphone organette late 19th century, in gilt titled and decorated walnut case, hinged cover, plinth base, with winding handle, width 42cm
£60-£90
378. A pair of flintlock pistols, Samuel Nock, London, circa 1815 walnut stock and heavy overcoat, signed flat-top barrel and lock, swan neck cocks with sliding safe catches, engraved trigger guards, brass topped ramrods, length 20.5cm £200-£300
IMPORTANT INFORMATION FOR BIDDERS AND BUYERS
Each auction is prepared in advance and is on public view at the saleroom for one day before the sale, and the morning of the sale. No passes or appointments are required
CONDITIONS OF BUSINESS
All lots are offered subject to Catherine Southon Auctioneers & Valuers Ltd’s Conditions of Business
ESTIMATES AND RESERVES
Estimates are published as a guide only and are subject to review. The actual hammer price of a lot may be higher or lower than the range of figures given and there are no predetermined starting prices. Estimates may be subject to revision. Published estimates are exclusive of buyer’s premium and VAT
All lots are subject to reserves. The reserve price is never higher than the low pre-sale estimate
BUYER’S PREMIUM AND VAT
A buyer’s premium of 27.6% is applicable to all the lots in this sale. The buyer’s premium is inclusive of VAT at the current standard rate (20%), Lots are normally offered for sale under the auctioneers margin scheme and VAT is payable on the buyer’s premium by all buyers
Lots marked with a dagger † will be offered under normal UK VAT rules and VAT will be charged on both the hammer price and the buyer’s premium Lots marked with a will be exempt from VAT
PRE-SALE EXHIBITION
All auctions are on public view the day before the sale and on the morning of the sale
CONDITION REPORTS
All prospective bidders are encouraged to attend the pre-sale exhibition and view the lots in person. If this is not possible, we will be pleased to provide a brief condition report where practical. All condition reports are provided in good faith. Buyers are reminded that it is their responsibility to satisfy themselves of the condition of lots. All weights and measurements are approximate only. Please refer to Conditions of Business for further information
BIDDING IN PERSON
To bid with us you must register to obtain a bidding number. You will be asked to provide proof of identity. All lots sold will be invoiced in the name and address in which the paddle has been registered and will not and cannot be transferred to other names or addresses. If you instruct an agent to bid on your behalf, you will need to provide a letter of authority to this effect.
ABSENTEE & TELEPHONE BIDDING
Catherine Southon Auctioneers & Valuers Ltd is pleased to execute bids on behalf of clients unable to attend the sale in person. All bids should be submitted in writing and in good time, no later than 4.00pm on the day prior to the sale. No absentee or telephone bidding requests will be accepted without a landline telephone number. Lots will be purchased as cheaply as possible (subject to other bids received, reserves and competition in the saleroom), It will be possible to arrange auction room telephone bidding, but subject always to the availability of lines and staffing. These services are offered free of charge and are subject to our Conditions of Business PAYMENT
Payment is due in sterling immediately after the sale and before purchases can be released. Payment in person can be made in the saleroom on the day of the auction. After this, payments must be made by post, card transactions by telephone or electronic transfer to our bank. Catherine Southon Auctioneers & Valuers Ltd welcomes the following methods of payment:
DEBIT CARD
We are pleased to accept Debit Cards
STERLING CHEQUE OR CASH
Cheques are not acceptable tender unless agreed in advance by Catherine Southon Auctioneers & Valuers Ltd.
We are no longer accepting cash.
ELECTRONIC AND WIRE TRANSFERS
Wire transfers can be made directly to our bank: National Westminster Bank plc 33 High Street
West Wickham
Kent BR4 0WH
Please refer to the office for bank details
PLEASE NOTE THAT THE FULL AMOUNT OWED MUST BE TRANSFERRED. CATHERINE SOUTHON AUCTIONEERS & VALUERS LTD WILL NOT ACCEPT TRANSFER CHARGES. ALL BANK TRANSFER/COMMISSION CHARGES MUST BE PAID BY THE BUYER
Ø - IMPORTANT NOTE:
This lot contains elephant ivory and is therefore subject to both CITES regulations and the UK Ivory act 2018. Please be advised that several countries, including those in the EU and the USA, now prohibit the importation of ivory items unless under specific conditions. It is the buyers responsibility to obtain any export or import licenses, certifications and any other required documentation. Prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding. The Ivory declaration submission reference number can be found in the catalogue description of the lot.
Y CITES
All Lots marked with the Y symbol are sold in compliance with CITES regulations. The Cites Transaction Specific Certificate number can be found in the catalogue description of the lot.
For more information visit http://www.defra.gov.uk/ahvla-en/import-exports/cites
When exporting outside the UK, Regulations maybe found at: https://www.gov.uk/guidance/cites-imports-and-exports#how-to-apply
Furniture made of Brazilian Rosewood (Dalbergia Negra)
To comply with CITES Regulations on post-1947 furniture made of Brazilian Rosewood, all post-war rosewood furniture items have Article 10 certificates.
If you are purchasing rosewood furniture for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate.
It is the responsibility of commercial buyers to ensure a copy of the certificate is obtained from Catherine Southon Auctioneers.
CATALOGUING TERMS APPLICABLE TO PAINTINGS, DRAWINGS & PRINTS
Where a work is catalogued with the name(s) or recognized pseudonym(s) of an artist, it is our opinion that it is a work by the named artist.
In other instances, the following expressions are used:
“Attributed to…” denotes that in our opinion the work is probably by the named artist or the named artist has made a contribution to the work.
“Circle of…” denotes that in our opinion the work shows the stylistic influences of the named artist and dates from the period of the named artist.
“Follower of…” denotes that in our opinion the work shows the stylistic influences of the named artist but probably dates from a later period to that of the named artist.
“Manner of…” denotes that in our opinion the work is a copy or pastiche of a work or works by the named artist and dates from a later period to that of the named artist.
“After…’ denotes that in our opinion the work is a copy by another artist or a printed reproduction of a known work by the named artist.
The terms “signed” and/or “dated” denote that in our opinion the work has been signed and/or dated by the named artist.
The terms “bears signature” and/or “bears date” denote that in our opinion the work has been signed and/or dated by a hand other than that of the named or quoted artist.
Measurements of pictures are given height before width.
CONDITIONS OF BUSINESS FOR SELLERS
The Conditions of Business for Sellers govern all aspects of the consignment, report, holding and sale of Property by Catherine Southon Auctioneers & Valuers Ltd and the Conditions of Business for Buyers, as printed in sale catalogues and available from Catherine Southon Auctioneers & Valuers Ltd upon request. Catherine Southon Auctioneers & Valuers Ltd act as agent for Sellers. Conditions of Business for Buyers and/or Sellers may be amended by additional terms printed in the sale catalogue and/or by notices posted up in the saleroom or announced by the auctioneer.
DEFINITIONS
“Seller” is the owner of the Property, their agent, executors or the person in possession of the Property (as appropriate)
“The Company” means Catherine Southon Auctioneers & Valuers Ltd., Lygon House, 50 London Road, Bromley, BR1 3RA, Company registration number
“Seller’s Commission” is the commission The Company charges Sellers of Property.
“Expenses” are The Company’s expenses, fees and charges relating to the Property, including legal expenses, insurance charges, illustration fees, administration fees, customs duties, shipping and packing costs and any other expenses and VAT on these amounts
“Buyer’s Premium” is the commission The Company charges Buyers of Property
“Hammer Price” is the highest bid for the Property accepted by the auctioneer
“Reserve Price” is the minimum Hammer Price at which the Property may be sold, as agreed between the Seller and The Company
“Net Sale Proceeds” are the proceeds of sale actually received by The Company, less Seller’s Commission, Buyer’s Premium and Expenses.
“Property” means any item or items of any kind accepted by The Company with a view to its or their sale at auction
“Buyer” means the bidder (including a commission bidder) whom The Company has accepted by the fall of the auctioneer’s hammer
“Deliberate Forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description.
The Seller’s Commission, Hammer Price, Buyer’s Premium and all Expenses are subject to VAT, where applicable
1. SELLER’S WARRANTIES
(a) The Seller warrants to The Company and the Buyer that:-
(i) the Seller is the owner of the Property or is properly authorised to sell it;
(ii) the Seller shall transfer possession and good title in the Property to the Buyer, free from any third party claims;
(iii) the Seller has provided all relevant information about the ownership, condition, authenticity, attribution, provenance and import/export history of the Property;
(iv) there are no copyright or other restrictions on The Company’s rights to produce and publish images of the Property.
(b) The Seller will indemnify The Company, its directors, employees, officers and Buyers of the Property against all losses and damages resulting from a breach of any of these warranties or other Conditions of Business. The Company may cancel, rescind or postpone sales of Property where it reasonably believes that there has been or may be a breach of these warranties or any other Conditions of Business by the Seller
2. SALE PREPARATION
(a) The Company shall have sole discretion as to how Property is described, illustrated and marketed, and the date, venue and conduct of the sale.
(b) All oral or written estimates, appraisals and reports are statements of opinion only, and may not be relied upon as a prediction of the sale price and may be revised from time to time by The Company. The Company is not responsible for error of description (made either orally or in any catalogue) or for the genuineness or authenticity of any lot
(c) The Company may, without obligation, consult with third party experts and carry out such other research for the Property as it deems necessary. The Company may transfer possession of the Property to such third parties and shall not be responsible for the acts and omissions of such third parties
(d) The Company shall have the absolute right to produce and publish images of any Property consigned for sale and will retain copyright in any such images it produces (e) The Company will charge a Buyer’s Premium on the sale of the Property at
The Company’s standard rates. The Company reserves the right to pay out of its commissions a fee to any third party introducing Sellers or Property to it
(f) Sellers are prohibited from bidding on their own Property.
3. WITHDRAWAL OF PROPERTY
(a) If the Seller withdraws any Property from sale after their written agreement to sell it, The Company may charge the Seller 50% of the Seller’s Commission and Buyer’s Premium that The Company would have received had the Property sold at its mid estimate, plus all Expenses (the “Withdrawal Fee”),
(b) The Company may withdraw any Property from sale without liability for any of the following reasons:- if (i) it reasonably believes that the authenticity or attribution is questionable; (ii) it reasonably believes that the Seller’s Warranties or other Conditions of Business have been breached; (iii) there is a competing ownership claim or lien over the Property; (iv) the Property does not have all licences and permits required by law, including those required under the Convention on the International Trade in Endangered Species (CITES); (v) the condition of the Property has deteriorated since consignment; (vi) the auction has been postponed for any reason.
(c) If the Property is withdrawn for any of reasons 3(b)(ii), or (iii) the Seller shall pay the Withdrawal Fee, as per Condition 3(a), If withdrawn for any other reason, the Property shall be returned to the Seller at the Seller’s expense.
4. EXCLUSION OF LIABILITY
(a) The Company shall not be liable for any errors or omissions in any written or oral information provided to Sellers or for acts or omissions relating to the conduct of the auction or any other matter relating to the sale of Property, whether negligent or otherwise, subject always to Condition 4(c),
(b) Without prejudice to Condition 4(a), any claim against The Company shall be limited to the Net Sale Proceeds for the relevant Property. The Company shall not in any circumstances be liable for any indirect or consequential losses
(c) The Company’s liability to the Seller in respect of death or personal injury caused by The Company’s negligent acts or omissions shall not be excluded or limited
5. LOSS OR DAMAGE TO PROPERTY
(a) Unless otherwise agreed in writing, The Company will assume the risk of loss or damage to Property received from the Seller until:-
(i) risk passes to the Buyer; or
(ii) if unsold, 30 days after the sale or when released to the Seller (whichever is earlier); or
(iii) 6 months after receipt of the Property by The Company, if not consigned for sale
(b) If damage or loss occurs whilst the Property is at the risk of The Company, the maximum amount of The Company’s liability shall be:
(i) the Hammer Price of the Property, if sold;
(ii) the Reserve Price of the Property or as otherwise stated on the Property Receipt, if unsold; or
(iii) the mid estimate, if not offered for sale (or The Company’s reasonable estimate of auction value where there are no pre-sale estimates);
less Seller’s Commission and Expenses
(c) The Company will not be liable for any loss or damage caused by:- (i) normal wear and tear, gradual deterioration or inherent vice or defect; (ii) errors in processing; (iii) war or radioactive contamination
6. VAT
If any Property is an asset of the Seller’s business, the Seller must notify The Company on delivery of the Property to The Company, whether or not he is registered for VAT purposes and if so, his registered number and whether or not he intends to operate the VAT Used Goods Scheme covering amongst other goods, works of art and antiques
7. POST AUCTION SALES
If any Property fails to sell at auction, The Company shall be entitled for a period of 35 days after the auction to sell the Property privately for no less than the Reserve Price (unless otherwise agreed with the Seller) and on the terms of these Conditions of Business.
8. PAYMENT OF NET SALE PROCEEDS
(a) Subject in all cases to prior receipt of cleared funds by The Company and subject to rescission of the sale under Condition 10, 35 days after the sale date or 5 working days after receipt of cleared funds from the Buyer (whichever is later), The Company shall send the Seller the Net Sale Proceeds in pounds sterling, less any other amounts owed by the Seller to The Company.
(b) The Company shall not be obliged to check the ability of Buyers to pay for Property and shall have absolute discretion whether to use any of the rights and remedies against defaulting Buyers contained in the Conditions of Business for Buyers.
9. UNSOLD/ UNCOLLECTED PROPERTY
(a) The Company will advise Sellers whether or not their Property has sold. Unsold Property may either:-
(i) be reconsigned for sale; or
(ii) be collected by the Seller, in which case a Reduced Commission of 50% of the Seller’s Commission may be payable calculated as if the Property sold for its Reserve Price (where applicable), plus relevant Expenses.
(b) If the Seller does not reconsign or collect the Property within 60 days of the auction as per Condition 8(a) (i) or (ii) above, The Company shall be released from any duty of bailment and may in its sole discretion be entitled to:-
(i) transfer the Property to independent storage at the Seller’s expense; or
(ii) re-offer the Property at auction for no less than 50% of the original Reserve Price agreed with the Seller (where applicable), and subject to the Seller’s Commission on the
CONDITIONS OF BUSINESS FOR BUYERS
1. INTRODUCTION
(a) The contractual relationship of Catherine Southon Auctioneers & Valuers Ltd and Sellers with prospective Buyers is governed by:
(i) these Conditions of Business for Buyers;
(ii) the Conditions of Business for Sellers displayed in the saleroom and available from Catherine Southon Auctioneers & Valuers Ltd;
(iii) any additional notices and terms printed in the sale catalogue, in each case as amended by any saleroom notice or auctioneer’s announcement
(b) As auctioneer, Catherine Southon Auctioneers & Valuers Ltd acts as agent for the Seller. Occasionally, Catherine Southon Auctioneers & Valuers Ltd may own or have a financial interest in a lot
2. DEFINITIONS
“Bidder” is any person making, attempting or considering making a bid, including Buyers;
“Buyer” is the person who makes the highest bid or offer accepted by the auctioneer, including a Buyer’s principal when bidding as agent;
“Seller” is the person offering a lot for sale, including their agent, or executors;
“THE COMPANY” means Catherine Southon Auctioneers & Valuers Ltd., registered office: Lygon House, 50 London Road, Bromley BR1 3RA. Company Registration number: 08020183;
“Buyer’s Expenses” are any costs or expenses due to Catherine Southon Auctioneers & Valuers Ltd from the Buyer;
“Buyer’s Premium” is the commission payable by the Buyer on the Hammer Price at the current rate of 26.4% (inc VAT);
“Hammer Price” is the highest bid for the Property accepted by the auctioneer at the auction or the post auction sale price;
“Purchase Price” is the Hammer Price plus applicable Buyer’s Premium and Buyer’s Expenses;
“Reserve Price” (where applicable) is the minimum Hammer Price at which the Seller has agreed to sell a lot
The Buyer’s Premium, Buyer’s Expenses and Hammer Price are subject to VAT, where applicable
re-sale plus all relevant Expenses
(c) If the Seller deposits the Property with The Company for more than 1 year and neither collects or consigns it for sale, The Company shall be entitled to sell such Property at a future sale conducted by The Company or elsewhere, with estimates and reserves at The Company’s discretion, after giving the Seller 60 days written notice sent to the Seller’s last known address
10. RESCISSION OF SALES
The Company may rescind the sale where it reasonably believes that the Property is a Deliberate Forgery, in which case The Company shall send the Seller a notice of such rescission. The Seller agrees to return to The Company the Net Sale Proceeds received from the sale of such Property together with any additional Expenses incurred by The Company. The Company will return the Property to the Seller upon receipt of the Net Sale Proceeds and Expenses, unless prevented from doing so for reasons beyond The Company’s control
11. DATA PROTECTION
(a) The Company will use information supplied by Sellers or otherwise obtained lawfully by The Company for the provision of auction related services, client administration, marketing and as otherwise required by law.
(b) By agreeing to these Conditions of Business, the Seller agrees to the processing of their personal information and to the disclosure of such information to third parties world-wide for the purposes outlined in Condition 11(a),
12. MISCELLANEOUS
(a) If any part of these Conditions of Business be held unenforceable, the remaining parts shall remain in full force and effect
b) These Conditions of Business shall be interpreted in accordance with English Law under the exclusive jurisdiction of the English Courts, in favour of The Company.
3. EXAMINATION OF LOTS
(a) THE COMPANYs knowledge of lots is partly dependent on information provided by the Seller and THE COMPANY is unable to exercise exhaustive due diligence on each lot. Each lot is available for examination before sale. Bidders are responsible for carrying out examinations and research before sale to satisfy themselves over the condition of lots and accuracy of descriptions
(b) All oral and/or written information provided to Bidders relating to lots, including descriptions in the catalogue, condition reports or elsewhere are statements of THE COMPANY’s opinion and not representations of fact. Each lot is sold by the Seller with any and all errors of description, faults and imperfections. All weights and measurements are approximate and should not be relied upon as fact. Estimates may not be relied on as a prediction of the selling price or value of the lot and may be revised from time to time at THE COMPANY’s absolute discretion
4. EXCLUSIONS AND LIMITATIONS OF LIABILITY TO BUYERS
(a) THE COMPANY shall refund the Purchase Price to the Buyer in circumstances where it deems that the lot is a Counterfeit
(b) Subject to Condition 4(a), neither THE COMPANY nor the Seller: (i) is liable for any errors or omissions in any oral or written information provided to Bidders by THE COMPANY, whether negligent or otherwise; (ii) gives any guarantee or warranty to Bidders and any implied warranties and conditions are excluded (save in so far as such obligations cannot be excluded by English law), other than the express warranties given by the Seller to the Buyer (for which the Seller is solely responsible) under the Conditions of Business for Sellers; (iii) accepts responsibility to Bidders for acts or omissions (whether negligent or otherwise) by THE COMPANY in connection with the conduct of auctions or for any matter relating to the sale of any lot
(c) Without prejudice to Condition 4(b), any claim against THE COMPANY and/ or the Seller by a Bidder is limited to the Purchase Price for the relevant lot. Neither THE COMPANY nor the Seller shall be liable for any indirect or consequential losses
(d) Nothing in Condition 4 shall exclude or limit the liability of THE COMPANY or the Seller for death or personal injury caused by the negligent acts or omissions of THE COMPANY or the Seller
continued over page
5. BIDDING AT AUCTION
(a) THE COMPANY has absolute discretion to refuse admission to the auction. Before sale, Bidders must complete a Registration Form and supply such information and references as THE COMPANY requires. Bidders are personally liable for their bid and are jointly and severally liable with their principal, if bidding as agent (in which case THE COMPANY’s prior and express consent must be obtained)
(b) THE COMPANY advises Bidders to attend the auction, but THE COMPANY will endeavour to execute absentee written bids provided that they are, in THE COMPANY’s opinion, received in sufficient time and in legible form
(c) When available, written and telephone bidding is offered as a free service at the Bidder’s risk and subject to THE COMPANY’s other commitments; THE COMPANY is therefore not liable for failure to execute such bids. Telephone bidding may be recorded
6. IMPORT, EXPORT AND COPYRIGHT RESTRICTIONS
THE COMPANY and the Seller make no representations or warranties as to whether any lot is subject to import, export or copyright restrictions. It is the Buyer’s sole responsibility to obtain any copyright clearance or any necessary import, export or other licence required by law, including licenses required by law under the International Trade in Endangered Species (CITES)
7. CONDUCT OF THE AUCTION
(a) The auctioneer has discretion to refuse bids, withdraw or re-offer lots for sale (including after the fall of the hammer) if (s)he believes that there may be an error or dispute, and may also take such other action as (s)he reasonably deems necessary.
(b) The auctioneer will commence and advance the bidding in such increments as (s) he considers appropriate and is entitled to place bids on the Seller’s behalf up to the Reserve Price for the lot, where applicable
(c) Subject to Condition 7(a), the contract between the Buyer and the Seller is concluded on the striking of the auctioneer’s hammer
(d) Any post-auction sale of lots shall incorporate these Conditions of Business
8. PAYMENT AND COLLECTION
(a) Unless otherwise agreed in advance, payment of the Purchase Price is due in pounds sterling immediately after the auction (the “Payment Date”)
(b) Title in a lot will not pass to the Buyer until THE COMPANY has received the Purchase Price in cleared funds. THE COMPANY will generally not release a lot to a Buyer before payment. Earlier release shall not affect passing of title or the Buyer’s obligation to pay the Purchase Price, as above
(c) The refusal of any licence or permit required by law, as outlined in Condition 6, shall not affect the Buyer’s obligation to pay for the lot, as per Condition 8(a)
(d) The Buyer must arrange collection of lots immediately after the sale on the day of the auction, or until 12noon on the day after the auction; failing this, only on prior agreement, a mutually convenient day agreed by The Company and the Buyer.
Purchased lots are at the Buyer’s risk from the earlier of (i) collection or release to a nominated carrier (ii) 5 working days after the auction. Until risk passes, THE COMPANY will compensate the Buyer for any loss or damage to the lot up to a maximum of the Purchase Price actually paid by the Buyer. THE COMPANY’s assumption of risk is subject to the exclusions detailed in Condition 5(d) of the Conditions of Business for Sellers.
(e) All packing and handling of lots is at the Buyer’s risk. THE COMPANY will not be liable for any acts or omissions of third party packers or shippers
9. REMEDIES FOR NON-PAYMENT
Without prejudice to any rights that the Seller may have, if the Buyer without prior agreement fails to make payment for the lot within 5 working days of the auction, THE COMPANY may in its sole discretion exercise 1 or more of the following remedies:-
(a) store the lot at its premises or elsewhere at the Buyer’s sole risk and expense;
(b) cancel the sale of the lot;
(c) set off any amounts owed to the Buyer by THE COMPANY against any amounts owed to THE COMPANY by the Buyer for the lot;
(d) reject future bids from the Buyer;
(e) charge interest at 4% per annum above NatWest Bank Base Rate from the Payment Date to the date that the Purchase Price is received in cleared funds;
(f) re-sell the lot by auction or privately, with estimates and reserves at THE COMPANY’s discretion, in which case the Buyer will be liable for any shortfall between the original
Purchase Price and the amount achieved on re-sale, including all costs incurred in such re-sale;
(g) Exercise a lien over any Buyer’s Property in THE COMPANY’s possession, applying the sale proceeds to any amounts owed by the Buyer to THE COMPANY. THE COMPANY shall give the Buyer 14 days written notice before exercising such lien;
(h) commence legal proceedings to recover the Purchase Price for the lot, plus interest and legal costs;
(i) disclose the Buyer’s details to the Seller to enable the Seller to commence legal proceedings
10. FAILURE TO COLLECT PURCHASES
(a) If the Buyer pays the Purchase Price but does not collect the lot within 10 working days of the auction, the lot will be stored at the Buyer’s expense and risk at THE COMPANY’s premises or in independent storage
(b) If a lot is paid for but uncollected within 1 month of the auction, following 60 days written notice to the Buyer, THE COMPANY will re-sell the lot by auction or privately, with estimates and reserves at THE COMPANY’s discretion. The sale proceeds, less all THE COMPANY’s costs, will be forfeited unless collected by the Buyer within 2 years of the original auction
11. DATA PROTECTION
(a) THE COMPANY will use information supplied by Bidders or otherwise obtained lawfully by THE COMPANY for the provision of auction related services, client administration, marketing and as otherwise required by law
(b) By agreeing to these Conditions of Business, the Bidder agrees to the processing of their personal information and to the disclosure of such information to third parties world-wide for the purposes outlined in Condition 11(a) and to Sellers as per Condition 9(i)
12. MISCELLANEOUS
(a) All images of lots, catalogue descriptions and all other materials produced by THE COMPANY are the copyright of THE COMPANY
(b) These Conditions of Business are not assignable by any Buyer without THE COMPANY’s prior written consent, but are binding on Bidders’ successors, assigns and representatives
(c) The materials listed in Condition 1(a) set out the entire agreement between the parties
(d) If any part of these Conditions of Business be held unenforceable, the remaining parts shall remain in full force and effect
(e) These Conditions of Business shall be interpreted in accordance with English Law, under the exclusive jurisdiction of the English Courts, in favour of THE COMPANY.
13. ARTIST’S RESALE RIGHTS
From 14th February 2006 all UK art market professionals (which includes, but is not limited to: auctioneers, dealers, galleries, agents and other intermediaries) are required to collect a royalty payment for all works of art that have been produced by living artists. This payment is only calculated on qualifying works of art which are sold for a hammer price more than £1,000.
Since 1st April 2024 price thresholds are calculated in pounds rather than euros in accordance with The Design Right, Artist’s Resale Right and Copyright (Amendment) Regulations 2023.
All items in this catalogue marked with ‡ are potentially qualifying items, and the royalty charge will be applied if the hammer price achieved is more than £1,000. The royalty charge will be added to all relevant invoices, and must be paid before items can be cleared. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’), no handling costs or additional fees with respect to these charges will be retained by the auctioneer.
The royalty charge that will be applied to qualifying items which achieve a hammer price of more than £1,000, but less than £50,000 is 4% payable by the buyer. For qualifying items that sell for more than £50,000 a sliding scale of royalty charges will apply – for a complete list of the royalty charges ad threshold levels, please see www.dacs.org.uk. There is no VAT payable on this charge.
For all questions relating to the regulations regarding Driot de Suite royalty charges, please see www.dacs.org.uk, telephone +44 (0) 845 410 3410, or email arr@dacs.org.uk
Fine Art: Traditional to Modern & Contemporary
Wednesday 25th June
John Bratby (1928-1992)
‘Melons on a scattered table cloth’
Signed, oil on canvas
£5,000-7,000
