Catherine Southon 15 September

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A N T IQU ES & COL L ECTA BL ES

60. Alexander MacNeil (Scottish, active c.1913-1940) ‘Where Lugar Flows’, oil on board, framed and glazed in period giltwood frame, historic label to verso inscribed ‘“Where Lugar Flows” Alexander MacNeil, 144 West Regent St, Glasgow’, Board approx. 19.5 x 26cm, overall approx. 30.5 x 38cm £200-£300

63. ‡ Paul Bassingthwaighte (British, b.1963) ‘Man with dog’, oil on canvas, signed to reverse of canvas, label for Quantum Contemporary Art Gallery, London, to reverse, framed and glazed, canvas 61.5 x 76cm, overall 74 x 89cm £150-£250

61. ‡ Christopher Osborne (British, b. 1947) ‘Passing Showers, Poynings’, oil on canvas, signed lower left and signed and titled on canvas reverse, framed, canvas approx. 40 x 56cm, overall approx. 56 x 71cm £80-£120

64. Joseph Adam (Scottish, 1819-1886) ‘Highland landscape with a stone bridge’, oil on canvas laid on board, signed bottom right J Adam, oak frame, canvas on board 74.5 x 124.6cm, overall 92.5 x 144.5cm £300-£400

62. ‡ C. R. D’Oyly John (British, 1906-1993) ‘On the Costa Brava’, oil on canvas, signed lower right, framed, bears labels on the reverse for Frost & Reed, canvas approx. 26 x 36cm, overall approx. 38 x 48cm £200-£400

65. Attrib. F. James (19th century, English School) ‘Shipping on the Thames at the Royal Naval College, Greenwich’, oil, unsigned, 71.5 x 107cm £300-£400 A b u y e r’s p re m i u m o f 24% i n c l u s iv e o f VAT @ 2 0% w i l l b e a p p l i e d t o e a c h l o t. Lo t s m a rke d ‡ w i l l b e s u b j e c t t o a n a d d i ti o n a l fe e - p l e a s e s e e p a g e 104 .

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