Antiques & Jewellery
Wednesday 15th May 2024
Wednesday 15th May at 9.30am at Farleigh Court Golf Club, Old Farleigh Road, Warlingham, CR6 9PE 0208 468 1010 VIEWING
Monday 13th May 3pm - 6pm
Tuesday 14th May 9am - 5pm
Wednesday 15th May 9am - 12noon
PLEASE NOTE THAT THIS IS A LIVE ONLINE AUCTION WITH NO ROOM BIDDING WE REQUEST THAT PHOTO ID IS BROUGHT TO VIEWING
Director: Catherine Southon
Specialists: Tom Blest
Victoria Clay
Administrator: David Pratt
Auction Assistant: Albert Radford
Auction Enquiries
and Information: 0208 468 1010
Email: info@catherinesouthon.co.uk
Farleigh Court Golf Club, Old Farleigh Road, Warlingham, CR6 9PE. We will be situated at Farleigh Court from Monday 13th May until Friday 17th May
Please note that the condition of items are not noted in the catalogue. Condition reports can be viewed on www.the-saleroom.com
All payments should be made by bank transfer, debit card or through www.the-saleroom.com.
Please note that we no longer accept payment by cash or credit card.
This auction is online only with no in-person bidding. Online bidding is available via our website at a nominal additional fee of 1% + VAT. We also offer bidding by telephone and by the placing of absentee bids.
Bidding is also available via the-saleroom.com for which the additional fee is 4.95% + VAT.
Items can be collected from the auction venue, Farleigh Golf Club, on Wednesday 15th 9:30am – 6pm, Thursday 16th 9.00am – 5pm, Friday 17th 9am – 2.30pm. LARGE ITEMS (W lots): Must be collected from the Auction venue by 1pm Friday 17th. Please arrange transport before this deadline. Uncollected lots marked with a W will be transported to our offsite storage facility and collection can be arranged by appointment only. Additional fees may apply. Non Warehouse Lots can be collected from our office by appointment from Monday May 20th from 10.00am at Chislehurst Business Centre, 1 Bromley Lane, Chislehurst, Kent BR7 6LH by appointment only. We are able to post small non-breakable items.
Mail Boxes Etc.
Tel: +44 (0) 208 649 9777
Email: info@mbecroydon. co. uk
Pack & Send
Tel: +44 (0) 203 818 1980
Email: croydon@packsend. co. uk
Jentel
Tel: 012687 76777
Email: enquiries@jentelpacking. co. uk
The Company trades as Catherine Southon Auctioneers & Valuers Ltd. The Company’s registered office is: Lygon House, 50 London Road, Bromley, BR1 3RA. Company Registration Number 08020183. Registered in England and Wales.
Wednesday 15th May at 9.30am
1. W A George I burr walnut cabinet on chest early 18th century, the moulded cornice over a pair of cupboard doors enclosing an arrangement of ten drawers around a central cupboard enclosing four secret drawers, the lower section with a pull out writing slide inset with baize over three graduated long drawers, carrying handles to sides, raised on bracket feet and rolled leather casters, mounted with brass handles and lockplates, height 148cm, width 100.3cm, depth 47cm £1,000-£1,500
2. W A Charles II joined oak geometric panel fronted chest of drawers late 17th century, the three plank top with moulded edge over two short and three long drawers with brass drop ring handles and escutcheon, on compressed bun feet, height 93.5cm, width 119cm, depth 51cm £300-£400
3. W A George I style figured walnut and burr walnut bachelors chest of drawers 19th century, the foldover top with caddy moulded top over four featherbanded graduated drawers, on bracket feet, height 76.5 x width 76.5cm, depth 36.5cm £500-£800
4. A William IV rosewood canterbury after a design by J. C. Loudon the four x framed dividers carved with laurel wreath, over a drawer with applied stiff leaves, on tapering turned legs with brass socket casters, height 52cm, width 48cm, depth 38cm £150-£250
5. W A William birds eye maple duet music stand with opposing lyre form music rests adjustable on a ratchet, raised on am adjustable turned and lappet carved column on a shaped triform base and compressed bun feet, bears bone label for Edwards & Roberts Wardour St, 126 Piccadilly 532, Oxford St London, height 116cm £200-£300
6. W An early Victorian rosewood framed four fold room screen in the manner of Jennens and Bettridge the frame enclosing canvas panels, black ground to one side and dark green to the other, decorated in polychrome oils and gilt with exotic birds, flower baskets, urns and trailing floral garlands among gilt Rococo chinoiserie scrolling foliage, height 190cm, length 287cm
Purchased Harrods Antiques
Fair 2013 £600-£800
7. W A set of six Victorian Gothic Revival oak side chairs in the manner of A.W. N. Pugin similar in design to the House of Commons
‘Portcullis’ Chairs. each with studded green leather back and seat, the backs with brass carrying handle raised on chamfered legs united by an H stretcher, the front legs with casters (6), height 92.5, width 49cm, depth 49cm £300-£400 7
8. A Victorian mahogany cylindrical fluted pedestal pot cupboard
the top inset with marble, opening to reveal a single shelf, on plinth base, height 79cm £100-£150
9. W A late Victorian Sheraton Revival painted satinwood corner display cabinet
canted front, the mirror backed interior with glass shelves, on tapering legs, height 173.4cm, width 76.5cm, depth 50.5cm £150-£250
10. W An Edwardian upholstered sofa in the manner of Howard and Sons rectangular back, single loose cushion seat and back, raised on square tapering legs and brass casters, covered in blue patterned fabric, height 83cm, width 172cm, depth 96cm £100-£150
11. W An Edwardian mahogany and leather tub shaped swivel desk chair the scroll back and seat in green studded leather, the pierced x frame back on turned supports on four downswept supports on ceramic casters, height 80cm, width 70cm, depth 65cm £150-£250
12. An early 20th century oak framed child’s Orkney chair with scroll arms, straw back and drop in rush seat, height 82.5cm, width 53cm, depth 55cm £200-£300
13. W A late 19th century Anglo-Indian hardwood and brass inlaid Savonarola style folding armchair
Hoshiarpur, the pierced backrest in the form of opposing peacocks, the arms terminating in leopards heads with bone inlaid eyes and teeth, on a folding x frame base, height 95.5cm, width 73.5cm, depth 50cm £200-£300
14. Anglo-Indian brass inlaid teak nest of four occasional tables
20th century, rectangular, inlaid with floral brass, height 53.5cm, width 53.5cm, depth 38cm £50-£80
15. An Antelope chair designed by Ernest Race for the Festival of The Festival of Britain, 1951 white enamelled metal frame with painted bentwood seat, height 77.5cm, width 55cm, depth 54cm £80-£120
16. A mid 20th century Brazilian swivel desk chair designed by Jean Gillon upholstered in buttoned tan leather, adjustable, on chrome plated four spoke base on casters, bears label
Italma Wood Art design by Jean Gillon, height 90.5cm, width 58cm, depth 61cm
17. A pair Elizabeth II limed oak 1977 Silver Jubilee chairs upholstered in blue velvet with gold braiding and stitched ERII Cypher Silver Jubilee 1952-1977 to back, each bearing plaque, each bearing metal plaque ‘Replica of Peers Chairs as used in Westminster Abbey for the Coronation of Her Majesty Queen Elizabeth II Manufactured by Hands of Wycombe 1997, numbered 2145 and 2149 (2), height 84cm, width 49cm, depth 45cm £200-£300
18. Robert ‘Mouseman’ Thompson of Kilburn. A carved oak ashtray carved mouse signature, total approx. length 10cm, total approx. width 7.5cm £70-£90
19. An early 19th century figured mahogany miniature chest of drawers with two short over three graduated long drawers with turned handles, over shaped apron, on bracket feet, height 31cm, width 27.7cm, depth 18.7cm
20. An early Victorian mahogany miniature apprentice piece chest of drawers
with two short and three long barbers pole crossbanded drawers with turned knob handles, raised on turned feet, height 25cm, width 22cm, depth 12cm £100-£150
21. A late 19th century Russian Vishnyakov lacquered tea caddy and two other boxes
first rectangular the lid painted with figures on a horse drawn wagon, foil lined bearing Vishnyakov stamp together with an oval box painted with a harvesting scene and a rectangular box decorate with a shepherd, both with red interiors (3), first 13.6cm £100-£150
22. A late 19th century French thuya wood jewellery box buttoned pink plush interior, height 9cm, width 20.5cm, depth 20cm
23. An early 19th century rosewood tea caddy fitted interior with central glass mixing bowl etched with a band of scrolling flowers and foliage and twin canisters with hinged lids, height 14.7cm, width 30.5cm, depth 14.8cm
24. Ø A Japanese shibayama ivory handled malacca walking stick the handle decorated with insects, signed, silver collar with presentation inscription dated 1914, length 93cm
IMPORTANT NOTE: This item has been registered as exempt from the UK Ivory Act 2018. Ivory declaration submission number reference: TBQSHQH9 £100-£150
25. Ø An Edwardian novelty walking cane
the Japanese carved ivory pommel in the from of a frog with glass eyes, foliate scroll embossed collar with vacant shield reserve, ebonised tapering shaft, length 89cm
IMPORTANT NOTE: This item has been registered as exempt from the UK Ivory Act 2018. Ivory declaration submission number reference: T57E6VPX £150-£250
26. Ø A late 19th century scrimshaw handled walking stick the ivory handle engraved with a narwhal, half spiral twist carved wood shaft with horn ferrule, length 97.5cm
IMPORTANT NOTE: This item has been registered as exempt from the UK Ivory Act 2018. Ivory declaration submission number reference: 7HQYKZHK
27. Ø An early 20th century novelty walking stick
the carved ivory handle in the form of a barking dogs head with glass eyes, silver collar hallmarked London, 1923, Thomas Davis, with foliate engraved decoration and shield shaped reserve bearing initials, malacca shaft, length 88cm
IMPORTANT NOTE: This item has been registered as exempt from the UK Ivory Act 2018. Ivory declaration submission number reference: XTHN61HG £100-£150
28. Ø Georges Duvernet (1870-1955)
‘Oblivion’ An Art Deco bronze and ivory figure c.1925 modelled as a crouching female dancer wearing a detachable headdress holding an alabaster urn in both hands, on a square tapering variegated onyx plinth, stamped with foundry mark L.N Paris J.L for Les Neveux de J Lehmann, Made in France and numbered 454, engraved signature Duvernet to top of plinth, height 49cm
IMPORTANT NOTE: This item has been registered as exempt from the UK Ivory Act 2018. Ivory declaration submission number reference: YDYR2758 £600-£800
29. ‡ Brian Willsher (British, 1930-2010)
‘Untitled’, A large abstract composition layered hardwood sculpture of waisted linear form, signed in pen to underside Brian Willsher 1993, height 58.8cm £400-£600
30. A 19th Century sampler depicting a house, with a floral and foliate border and inscription “Good when he gives supremely good / Norless when he denies / Eencrosses from his sovereign hand / Are blessings in disguise / Hannah Wringleys Work Aged 9”, framed, within frame 40.5 x 31.5cm, overall size 46 x 37cm £150-£250
31. A mid 19th Century sampler, dated 1841 depicting a house, deers, beehives and floral and foliate motives, inscribed “’Pleasures of Religion / Tis religion that can give / Sweetest pleasures while we live / ‘Tis religion must supply / solid comfort when we die / After death, its joy will be / lasting eternity ! / Be the living God my friend / Then my bill shall never end.” rosewood frame with gilt slip, within frame 37.3 x 41.8cm, overall size 51.5 x 56.3cm £400-£600
32. An impressive 19th Century wool-work depicting Queen Elizabeth Woodville claiming Sanctuary, kneeling before the Abbot of Westminster and the Duke of York, 1st October 1470, with gouache details to figures and statue, inscribed to mount “Queen Elizabeth Woodville taking Sanctuary in Westminster Abbey, with the Duke of York”, framed, within frame 70.5 x 48cm, overall size 91.5 x 65.5cm £400-£600
33. A George IV rosewood double sided desk top book tray with turned spindle H shaped superstructure with scroll end supports and twin carrying handles on a moulded plinth base, length 43.5cm, depth 33.2cm, height 20.5cm £250-£350
34. A mid 19th century large black and gilt chinoiserie tole tray rectangular, decorated with figures in landscapes and sprays on foliage, 72.5 x 54cm £80-£120
35. Indian School. A collection of illuminated manuscripts and miniatures to include a procession with elephants and seated figures in howdahs back, a portrait of a Maharajah riding a composite elephant, both gouache on parchment, a set of four illuminated leaves of hunting scenes on elephant back, various other gouache miniature studies of processions and hunting scenes with elephants, mounted and framed (12), various, largest overall 26 x 38cm £200-£300
36. A collection of fifteen tapestry cushions various sizes, mostly geometric floral designs in pinks, cream, greens and greys (15), various largest approx. 36 x 36cm £100-£150
37. A pair of late 19th century French gilt bronze and alabaster cassolettes in Louis X VI style, in the from of atheniennes, the reversible tops with finials and a candle sconce, raised on Mercury head monopodia supports, on circular bases (2), height 23.5cm £200-£300
38. An Afghan Belouch tribal rug
early 20th century, brown ground, the central panel with a trellis field of hooked guls in red and dark blue, within multiple borders, 165 x 108cm £150-£250
39. A South West Persian Shiraz tribal rug
early 20th century, the central field with three hooked lozenges on a brick red ground within multiple geometric borders, 103 x 146cm £100-£150
40. A mixed weave soumac Kelim rug
late 20th century, the striped central field with geometric rows within multiple borders, 208 x 104.5cm £150-£250
41. An Army and Navy stitched tan leather travelling trunk and contents the trunk with carrying handles and straps, lined and bearing Army and Navy Label contain a Chinese cream ground shawl with floral embroidered border and knotted fringe, gilt metal, a horn comb with gilt metal frame decorated with simulated pearls and black enamel Greek key border, a fan with bone guards and sticks with gauze leaf painted with flowers and Brussels lace, a small ostrich feather and faux tortoiseshell fan, a christening robe, various lace and children’s clothing, first length 51.5cm, depth 29cm, height 27cm £80-£120
42. A mid 19th century bronze relief of Flora and a pair of Sèvres style plaques first with velvet backing in rosewood frame with gilt slip, second oval with ormolu mounts in hardwood cushion frames (3), first 17.6 x 15cm £50-£80
43. An early 20th century shop display mannequin or dress makers dummy linen torso, on adjustable wooden tripod base, stencilled 32B 25W, height 157cm £50-£80
44. Two pairs of early 20th century leather hunting boots with trees the first tan leather lace up boots with leather heel and soles and tab stitching, and wooden shoe trees with engraved name of owner Patty Burke, the second two tone black ad burgundy boots with wooden shoe trees (2), the first approx size 5 £80-£120
45. A Japanese Meiji period patinated bronze table lamp in the form of a rearing four clawed dragon with flames clutching a pearl, signed, height 59cm including fitting £100-£150
46. Eugen Wagner (German, 1871-1942) A patinated bronze nude c.1920
a standing female nude, signed to base E Wagner, raised on a marble plinth base, height 33cm £250-£350
47. An Austrian Art Nouveau cold painted spelter and glass figural centrepiece c.1900
the purple iridescent glass bowl in the manner of Loetz, raised on a figural stem in the form of a maiden in flowing robes on spreading base, height 45.7cm £200-£300
48. After the antique a Grand Tour style patinated bronze study of a centaur modern, on rectangular plinth base, height 40.2cm £100-£150
49. John Henry Foley R.A. Irish (1818-1874) A patinated bronze of a Youth at a Stream cast nude dipping his toe in the water, drapery hanging off his shoulder and holding the tree by his side in his right, over his head. stamped J. H. Foley Sculp Executed For The Art Union of London 1846, height 53.4cm £800-£1,200
50. After Joseph-Michel-Ange Pollet (1814-1870)
‘Une Heure de la Nuit or ‘Leveil’ a patinated bronze of the nude goddess Aurora rising with falling drapery on a naturalistic base, signed Pollet scpt, and stamped E. Colin.& Cie Paris, height 45cm £300-£400
51. Two late 19th century French Barbedienne patinated bronze busts after the antique two busts of a classical maiden on socle bases, the smaller raised on a black and red marble plinth base, both signed F. Barbedienne Fondeur, 58, with Reduction Mecanique A. Collas Brevete stamp, numbered 58 and 67 (2), first height 25.8cm, second 27cm £100-£150
52. A pair of Art Deco gilt bronze painted spelter and alabaster figures of dancers in the manner of Josef Lorenzl each modelled as young lady balanced on her right leg, the left outstretched, holding aloft an alabaster ball in one hand and raised on circular pedestal base, unsigned, height 32.5cm £100-£200
53. After Serge Yourievitch (1876-1969)
“La Danseuse Nattova”, bronze, the rectangular base inscribed “S.Yourievitch Sculp”, black veined marble plinth base, total approx. height 26.5cm £200-£300
54. ‡ Tom Merrifield (British, 1933-2021)
Untitled bronze of a ballerina, signed to the base, numbered 17/25, total approx. height 24cm £100-£150
55. A late Victorian Sheraton Revival mahogany and marquetry long case clock with moonphase
13” arched brass dial with silvered chapter ring with applied brass Arabic numerals, foliate engraved spandrels, moonphase to arch with silvered calendar scale, subsidiary seconds dial, and chime /silent, Westminster Chimes, /Whittington Chimes selection dials, signed J. Smith & Sons, St Johns Square Clerkenwell, three train 1⁄4 striking brass movement striking on eight tubular gongs, with mercury jar compensated pendulum and three brass weights, the hood with a glazed door flanked by stop fluted gilt metal mounted Corinthian columns and pierced sound frets, fitted with a surmount with gilt brass pineapple finials, the trunk with conforming quarter engaged pilasters over a box base, all over with fine marquetry inlaid decoration of urns and swags, height 265cm £1,000-£1,500
56. A late Victorian oak cased bracket clock circular steel dial with Roman numerals, minute track and blued steel hands, brass five pillar twin fusee movement striking on coiled gong, architectural with pierced grilles to sides, height 46cm £80-£120
57. A late 19th century French four glass gilt brass mantel clock white enamel dial with black Roman numerals and visible Brocot escapement, 8 day movement striking on a coiled gong stamped Medaille D’argent S Marti et Cie 1889, twin glass mercury compensated pendulum, height 25cm £100-£150
58. A late Victorian oak stick barometer by Wright & Co Westminster the case with architectural pediment and carved decoration, white scales, twin adjusters and mercury thermometer, height 99cm £150-£250
59. A 16th century English pewter whistle top spoon wrythen zoomorphic stem with whistle top, length 13.9cm
Discovered by the vendor on the banks of the Thames in the 1990s and authenticated by The Museum of London £200-£300
60. A Medieval silver annular brooch
13th /14th century, of hexafoil design formed of six lobes, narrowed section for hinged pin, diameter 27mm
Discovered in the Thames by the current owner and authenticated by The Museum of London £100-£150
61. After Hans Holbein the Younger (1497/8-1543)
“An unidentified woman c. 15268”, coloured chalk on laid paper, mounted and framed, within mount 37.5 x 25.5cm, overall size 57.3 x 43.3cm
62. Karel Frans Phillappeau (Dutch, 1825-1897)
‘A young woman carrying a basket’ watercolour, signed lower right, mounted and framed, within mount 35.2 x 42.5cm, overall size 44 x 52.4cm
63. After Gerrit Postma ‘Portrait of a shoe seller’, watercolour, inscribed lower left, mounted and framed, within mount 28 x 38.5cm, overall size 35.6 x 46.7cm £100-£200
64. European School, 17th Century
“A portrait of an elderly Ministerial man”, oil on canvas, inscribed “anno 1666 / AE 78”, framed, within frame 79 x 61cm, overall size 95.5 x 77cm
65. British School, Follower of Sir Peter Lely (1618-1680)
‘half length portrait of a lady’, oval, oil on canvas, 18th century carved giltwood frame, within frame 76 x 61cm, overall size 95 x 80cm
66. Follower of Rosalba Carriera “Possibly Madam Pompadour, depicted as the Goddess Artemis” pastel, within an oval frame, total approx. diameter 58cm
67
67. Jacques Leon Dusautoy (French, 1817-1894)
‘A seated lady looking at a fountain’ oil on canvas, signed lower left, framed, within frame 20 x 15cm, overall size 29.5 x 24.5cm
68. British School, early 19th century
after Sir Godfrey Kneller, Portrait of Mr and Mrs Digby, oil on board, gilt frames, within frame 17.2 x 12cm, overall size 23 x 17.5cm
69. English School, Early 19th Century
“A portrait of a gentleman”, oil on canvas, within frame 45.3 x 35cm, overall size 55.3 x 45cm £100-£150
70. British School, 19th Century
“Portrait of a lady”, c.1835, oil on board, indistinctly signed lower right, framed, within frame 34 x 26cm, overall size 45 x 37.3cm
71. British School, 19th Century
“A portrait of a seated gentleman holding a newspaper”, oil on board, framed, within frame 18.5 x 16cm, overall size 27 x 24.5cm £100-£150
72. Five 19th century portraits
Portrait of Napoleon and a gentleman, watercolour, gilt frames, portrait of Henri de la Rochejaquelin, watercolour en grisaille, a pencil portrait of seated gentleman, initialled and dated 1847, gilt gesso scroll frame, and other of a lady dated 1878 (5), first overall 22.2 x 17.5cm £80-£120
73. 19th Century School. Nine portraits of ladies to include a watercolour portrait in the oval, signed George Brown, 1826, rosewood frame with gilt slip, an oval portrait of lady in a theatre box, a crayon study of young girl with ringlets holding a dove, birdseye maple frame with gilt slip, half length pencil and watercolour portrait of a lady facing left, dated verso 1837, maple frame, pencil and watercolour study of two ladies reading book, indistinctly signed, Isabella Stand? and dated 1847, watercolour portrait of lady with fruit in her hair initialled H.N.V, watercolour portrait of lady facing right c.1840, rosewood frame with gilt slip, a watercolour study of two young ladies c.1835 and an oval overpainted photograph, all mounted and framed (9), varied, the largest: 37.5 x 32.3cm £150-£250
74. Leonard Frank Skeats (British, 1874-1943)
“A portrait of a gentleman”, oil on canvas, signed to lower right corner, framed, within frame 59 x 49cm, overall size 74 x 64cm £200-£300
75. A pair of portraits
depicting a young girl and boy, signed lower right hand corner “I R Marsh”, framed, within frame 29.7 x 19.3cm, overall size 39.5 x 29.3cm £80-£120
76. Dutch School, Mid/Late 19th Century
“A still life of flowers” oil on board, signed ‘Jan’ to right foreground, framed, within frame 76 x 61cm, overall size 93 x 78cm £100-£150
77. Dutch School, Mid/Late 19th Century
“A still life of flowers with a window” oil on canvas, signed ‘Jan’ to foreground, framed, within frame 76 x 60cm, overall 88 x 78cm £100-£150
78. Follower of Philip Wouwerman, Late 17th/Early 18th Century
“A scene of a hunting party” oil on canvas, unframed, overall size
36.5 x 49cm
Label to reverse: “Bought, by my father, at the Marquis of Blandfords sale, Whiteknights Park, Reading, in or about the year 1829 / Sold as a Wouwerman”
£400-£600
79. 18th/early 19th century Continental School, After Claude Lorraine (1682-1682)
‘Figures in an Italianate landscape’ oil on canvas, early 19th century gilt gesso frame, within frame 25.5 x 36cm, overall size
38.5 x 48,5cm £300-£500
80. M. Donat (French, 19th Century)
“Figures in a snow covered landscape”, oil on board, signed lower right, framed, within frame 15.3 x 23cm, overall size 42 x 49cm £200-£300
81. John Mulcaster Carrick (British, 1833-1896)
‘Twickenham’ oil on board, signed lower right, mounted and framed, within mount 29 x 47cm, frame size 50.5 x 67cm £400-£600
82. Arthur Joseph Meadows (British, 1843-1907)
“Fishing boats leaving Dover harbour”, oil on canvas laid on board, signed lower left, set within a gilt frame, within frame 22 x 44cm, overall size 42 x 64.5cm £800-£1,200
83. Alexander Young (British, 1865-1923)
‘Scottish Harbour’, oil on canvas, signed lower right and dated 1912, framed and under glaze, within frame 48 x 74cm, overall size 74 x 99cm £1,000-£1,500
84. Edward Brice Stanley Montefiore (British 1855-1918)
‘A View of Westbury on Severn’, oil on canvas laid on board, initialled “EBSM” to lower right corner together with another by the same hand “Two Apple Trees”, oil on canvas laid on board, initialled lower left (2), the first within frame 27 x 22cm, overall size 34 x 29cm, the second within frame 26.6 x 22cm, overall size 31 x 26.3cm £100-£150
85. Henry Joseph Wood (British, 1869-1944)
‘The Avenue, Coire, near Paris’, oil on canvas, monogrammed lower left, framed, within frame 39.5 x 29cm, overall size 57 x 47cm £200-£300
86. Hellmut Eichrodt (1872-1943)
A rare landscape by the artist, oil on canvas, signed lower left, framed, within frame 47 x 53cm, overall size 68 x 74cm £400-£600
87. Walter Gilbert Wiles (South African, 1975-1966)
‘An impressive view of the Veldt’ oil on canvas, signed lower left, unframed, overall size 92 x 61.5cm £300-£400
88. A group of four oil paintings
Continental School, 19th Century
“A couple in a open landscape”, oil on canvas, framed; Continental School “A pair walking at sunrise”, oil on canvas, framed; European School, Early 19th century “Portrait of a boy”, oil on canvas, unframed and a French School, 20th Century, “View of a lake”, oil on canvas, framed (4), dimensions in order of cataloguing: within frame 28.5 x 22cm, overall size 32.5.x 26cm; within frame 26 x 18.5cm, overall size 36 x 29cm; overall size 22 x 18cm, within frame 25 x 14.7cm, overall size 32 x 22cm £80-£100
89. W. Bosanquet (20th Century)
“A study of iris”, oil on board, signed lower right corner, framed, within frame 74.4 x 49.3cm, overall frame size 90 x 65cm £200-£300
90. Jacques Blanchard (French, 1912-1992)
“A still life of eggs, a teacup and saucer and a milk jug” oil on board, signed lower right “Jacques Blanchard”, framed, within frame 20.5 x 25.8cm, overall size 36.5 x 41.5cm
£200-£300
91. ‡ Robert Dumont Smith (British, 1908-1994)
A pair of miniature floral still lifes, gouache on board, signed lower right, framed (2), within frame approx. 7.5 x 11cm, overall size 14 x 18cm
92. ‡ Robert Dumont Smith (British, 1908-1994)
“A large sailing scene” oil on canvas, signed lower right, framed, within frame 69 x 51cm, overall size 85 x 67cm
£100-£200
93. ‡ A pair of sailing scenes by Robert Dumont Smith (British, 1908-1994)
oil on canvas, signed to lower right corners, framed (2), within frame 31 x 23.8cm, overall size 42 x 34cm £100-£200
94. ‡ Leonard Long (Australian, 1911-2013)
‘A coastal view’, oil on board, signed lower left, mount and framed, complete with a summary of his life and cross-section of his work written by the artist, with a personal inscription (2), within mount 15.5 x 10.7cm, overall size 31.2 x 26cm
Given to the family by the artist, hence by descent £200-£300
95. French Impressionist School, 20th Century
‘A view of a restaurant in Paris’ oil on canvas, signed lower left, framed, within frame 50 x 40cm, overall size 65.3 x 55cm
£200-£300
96. Bozi Bernardo (Italian, 1916-1980)
Two Street views of the San Pietro area’, heavy impasto, signed lower right, framed (2), first within frame 30.5 x 34.8cm, overall size 44 x 57cm, second within frame 30 x 40.3cm, overall size 44.3 x 54.5cm £100-£150
97. Bozi Bernardo (Italian, 1916-1980)
‘An abstract view of buildings’, heavy impasto, signed lower right, framed, within frame 51 x 36.5cm, overall size 64 x 50cm
£80-£120
98. ‡ Samuel John Lamorna Birch. RA, RWS, RWA (British, 1869-1955)
‘Landscape with trees and country road’, watercolour, signed bottom left, gilt mount, gilt gesso, within mount 19 x 35cm, overall 43 x 59cm
£100-£150
99. Herbert Menzies Marshall (British, 1841-1913)
“A view of the Tower of London” watercolour on paper laid on board, signed lower left corner, framed, within frame 30.5 x 20.2cm, overall size 41.2 x 31cm £150-£250
100. Augustus Osborne
Lamplough (British, 1877-1930)
A pair of views of Venice, both entitled lower right, mounted and framed, within mount 18 x 28.8cm, overall size 37.5 x 49.5cm £150-£250
101. Robert Stieler (German, 1847-1908)
A group of three Continental town scenes, watercolour on paper, signed, framed (3), within frame 46.8 x 36cm, overall size 51.4 x 40.6cm £100-£150
102. ‡ Pamela Kay (British, B. 1939)
“The Gate of the Arsenale, Venice”, watercolour, signed lower right, mounted and framed, within mount 50.5 x 36.7cm, overall size 73.2 x 58cm £100-£150
103. Follower of Peter Ronald Buchanan (The Tout)
“A 1920s caricature” pastel on grey paper, signed lower right “R Van Castelle / Casino De Se Lunaire”, mounted and framed, within mount 44 x 29.4cm, overall size 56.5 x 41.3cm £80-£120
104. Pat Maclaurin, 20th Century
“A ballerina grand jete”, pastel on paper, signed lower right, mounted and framed, within mount 33.5 x 45cm, overall size 53 x 64.3cm £100-£150
105. ‡ Tom Merrifield (British, 1933-2021)
“A seated ballet dancer”, print, signed below image, numbered 105/150, mounted and framed, plate size 455 x 345mm, overall size 68.5 x 54.5cm £150-£200
106. ‡ Tom Merrifield (British,1933-2021)
“A poised ballet dancer”, limited edition print, signed in pencil below image, numbered 46/150, mounted and framed, plate size 450 x 345mm, overall size 68.5 x 55.4cm £150-£200
107. ‡ Michael Challenger (British, B.1939)
“Red Snort”, screen print on paper, artists proof, signed lower right corner, dated 1971, mounted and framed, within mount 43 x 63.3cm, overall size 62 x 80cm £200-£300
108. Piranesi, Giovanni Battista (1720-1778) Two plates from ‘Vedute di Roma’ (Views of Rome) 19th century impressions, ‘Veduta interna dell’ Atrio del Portico
Ottavia’ and ‘Veduta del Tempio di Giove Tonante’ plate, etchings, on wove paper with margins, first with Calcographia Camerale blind stamp to bottom right of plate second to margin edge, Hogarth frames (2), first impression 54 x 40cm, overall 61.5 x 88cm, impression 59 x 39cm, overall 62.5 x 88cm £200-£300
109. Hedley Fitton (British, 1859-1929) Four drypoint etchings
‘Morning, Saint-Etienne-du-Mont, Paris’, ‘Church of The Three Kings, St Emilion, Guyenne’, ‘Cour Du Corbeau, Strasbourg’ and ‘Pont D’Avignon’, each signed in pencil, mounted, framed (4), first impression 61 x 40cm £200-£300
110. Four late 18th century black and white mezzotints published by Carington Bowles
comprising after Robert Pyle, ‘Plenty’, ‘The House-Maid Asleep’, after Mercier ‘The House-maid Asleep’, ‘the Sythe Man’s Refreshment’ and the ‘The fair Nosegay girl’, mezzotints on laid paper, ebonised frames (4), each 24 x 15.7cm £80-£120
111. After George Morland. Four late 18th century stipple engravings with hand colouring engraved by Edmund Scott, ‘Boys Robbing an Orchard’, ‘Boys Skating’, ‘Boys Bathing’ and ‘The Angry farmer’, ebonsied and gilt carved wood Hogarth frames, caption pasted verso and bearing printed trade label for J & W Freeman Carvers & Guilders, Norwich (4), within frame 28 x 37cm, overall 33.7 x 42.5cm £80-£120
112. After George Morland. A late 18th century colour stipple engraving ‘The First Pledge of Love’, engraved by W Ward published 1788, verre eglomised mount, gilt gesso frame, overall 41 x 40.5cm £50-£80
113. Six late 18th century copper engravings from Staunton’s ‘An Authentic Account of an Embassy from the King of Great Brtain to the Emporer of China’ comprising Sydenham Edwards del: ‘The Pelicanus Sinensis or Fishing Corvorant of China’ and ‘The Fire-backed pheasant of Java’, together with William Alexander del: ‘The Rock of Quang-Yin, with an Excavation near its Base, serving as a Temple and Dwelling for several priests of Fo’, ‘Natives of Cochin-China, Playing at Shittlecock with their feet’, ‘Punishment of the Tcha’ and ‘View of Turon Bay’, published 1796 by G.Nicol (6), impression 30.5 x 35.5cm, overall 43.5 x 57.5cm £80-£120
114. Four albums of late 18th/early 19th century fashion plates c.1770-1870, from various magazines, mostly with hand colouring, some with text plates. approx. 400, various £200-£300
115. Three 19th century stipple engravings comprising a pair of colour stipple engravings of courting couples, oval, mounted giltwood frames, together with a portrait of Admiral Mitchell engraved by John Chapman, oval, rosewood frame with gilt slip (3), first each overall 29 x 25.2cm £50-£80
116. ▲ London. Tallis’s Illustrated Plan of London and Its Environs, in commemoration of the Great Exhibition of Industry of All Nations 1851 a steel engraved dissected folding map in eighteen sections backed on linen, a detailed street map with by Rapkin bordered by forty nine small views of London by H. Lacey, London John Tallis, marbled endpanels, embossed cloth, overall 54.5 x 75cm £200-£300
117. ▲ London. Bowles’s Reduced New Pocket Plan of the Cities of London and Westminster with the Borough of Southwark, exhibiting the New Buildings to 1797, and engraved dissected folding map in sixteen sections, backed on linen and with hand colouring, London, Bowles and Carver, overall 56.2 x 39.5cm £100-£200
118. ▲ London. A New and Correct Plan of London, Westminster and Southwark, with several additional Improvements, not in any former Survey an engraved dissected folding map in twelve sections backed on linen, London R and J Dodsley, overall 36.5 x 69cm £100-£150
119. ▲ London. Reynolds’ Large Coloured Map of London and its Suburbs with visitors Guide, Street Directory Views etc. first an engraved folding map with hand colouring, 1878, London, James Reynolds, red cloth with paper label, together with London Drawn & engraved expressly for the Post Office Directory 1896, a folding map backed on linen, Kelly & Co. (2), first overall 69 101cm, second overall 75.5 x 109cm £80-£120
120. ▲ Thames. Ravenstein’s Oarsmen’s and Anglers Map of the River Thames from its source to London Bridge a concertina style folding map backed on linen with hand colouring to river, c.1880, label for James Wyld, London, embossed cloth with paper label, overall 15.8 x 260cm £80-£120
113 (part)
121. ▲ Railwayana, Walker’s A New Map of England & Wales with part of Scotland showing the Mail Coach, Turnpike & Railroads, Canals & C. a steel engraved folding dissected map in twenty four sections, backed in linen and with outline hand colouring drawn by Kemp (George), London, 1842, Longman & Co, original red embossed cloth with paper label, overall 65.2 x 77cm £100-£150
122. ▲ London, Wyld’s New Map of London, 1877
London, James Wyld, 1876, an engraved dissected map in forty sections backed on linen with some colouring, original paper covered boards, overall 55.5 x 97.1cm £100-£150
123. ▲ London. Mogg’s Stranger’s Guide Through London and entirely New Plan. ….’
steel engraved dissected folding map with hand colouring in twelve sections backed on linen, London, Edward Mogg, 1836, backed in card, original card slipcase with paper label, overall 30 x 60cm £150-£250
124. ▲ London. Fraser’s Panoramic Plan of London
London, 1831, James Fraser, a steel engraved folding map dissected in fifteen sections and backed on linen. Original red cloth with original paper label, folding map 57 x 43cm £300-£400
125. ▲ London. Lewis (Samuel)
A plan of London and its Environs shewing the Boundaries shewing the Boundaries of the Cities of London and Westminster, Metropolitan Boroughs and Parishes, an engraved dissected map in forty five sections with hand colouring, London, S Lewis & Co. c.1851, gilt tooled fine grain red morocco, 95 x 113.5cm £300-£400
126. ▲ London. Mogg (Edward) An Entire New Plan of the Cities of London & Westminster with the Borough of Southwark, Comprehending the New Buildings and other Alterations to the Year 1809, an engraved dissected folding map in twenty four sections backed on linen with hand colouring, London, 1809, Edward Mogg, Vth edition, contained within a navy blue card slip case with orange and black printed label, 91 x 48cm £200-£300
127. ▲ London. Cruchley’s New Plan of London improved to 1830 an engraved dissected map in thirty six sections, backed on linen and with hand colouring, London, G.F Cruchley, marbled green endpanels, overall 54 x 138cm £300-£400
128. De Bry (Theodor) IX
Expurgnatio Civitatis S. Augustini In America Sitae
a copper engraved map c.1600 with wash colouring, Latin text below. Based on Boazios map of 1589 this engraving illustrates the attack of St Augustin by Franicis Drake on the settlement on May 28 and 29, 1586., from de Bry’s Grand Voyages, 1599 (America Part VIII), mounted framed, within mount 19.3 x 21.5cm £80-£120
129. Monmouth, Speed, John. The Countye of Monmouth with the sittuation of the Shire-towe Described Ann 1610
John Sudbury & George Humble, 1st edition (1611), an engraved map with outline hand colouring, inset plan town plan of Monmouth, mounted, framed, within mount 39 x. 52cm, overall 58.5 x 70.5cm £150-£200
130. Four County Maps from Camden’s Britannia comprising Saxton (Christopher) and Hole (William): Oxfordshire. Oxoniensis Comitatus vulgo Oxfordshyre qui pars olim Dobunorum (1637) and Buckinghamshire. Buckingha Comitatus, in quo olim insederunt Cattieuchlani (1610), Saxton (Christopher) and Kipp (William): Cambridgeshire. Cambridge Comitatus quem olim Iceni Insdereunt (1610)and Warwickshire. Warwici comitatus a Cornaviis olim inhabitus, all with hand colouring, mounted framed (4), first within mount 28 x 29.5cm, overall 45 x 46.5cm £200-£300
131. A Japanese Meiji period cloisonné koro and cover of compressed form profusely decorated in polychrome enamels with shaped phoenix reserves over a band of chrysanthemums and foliage, the cover with bud finial, height 7.2cm, diameter 10.8cm £80-£120
132. A 19th century Chinese pewter peach shaped snuff box swing opening bearing character marks to underside, width 5.5cm £80-£120
133. A Chinese Canton famille rose porcelain moon flask late 19th / early 20th century, of typical from with twin moulded bat form handles, the body with circular reserves, one painted with courtiers and mounted warriors in a landscape, the reverse with pheasants on rockwork with flowers and a magnolia in blossom within dense lotus and scrolling foliate borders on a turquoise ground, height 39.5cm £200-£300
134. 19th century Chinese Canton famille rose porcelain part tea and coffee service and other items typically decorated with panels of figures on terraces, birds, butterflies and flowers, comprising a teapot and cover, a milk jug, two tea cups and saucers, five coffee cups and saucers, and a plate together with a twin handled cup and cover, a pen box and cover and a rectangular dish (qty), teapot handled to spout 22cm £200-£300
135. A pair of 19th century Chinese Canton porcelain vases of baluster form, decorated with panels of bird and butterflies amongst foliage, against a dense foliate ground (2), height 13.5cm £50-£80
136. A Chinese blue and white ginger jar and cover late 19th/early 20th century, decorated with shaped reserves containing vases of flowers on stands and other precious objects, against a cracked ice and prunus blossom ground, four character Qianlong mark, height 25.5cm £100-£150
137. A late 19th century Chinese blue and white porcelain fish bowl of tapering bulbous boy with lipped rim decorated with flowering prunus branches on a cracked ice ground, height 23cm, diameter at rim £80-£120
138. An 18th/19th century Chinese porcelain blue and white and iron snuff bottle of cylindrical form, decorated with figure at a gateway and a mounted figure and procession, six character underlgaze blue, height 8.2cm £100-£150
139. Chinese School. Two scroll paintings early 20th century, watercolour and ink, first depicting scholars by a terrace in a garden setting, unsigned, second depicting a scholar and attendant in a landscape with rockwork and bamboo, signed (2), first overall 140 x 36.5cm £80-£120
140. Two Chinese woven silk panels first depicting the Shanghai Bund, signed Kou Hwa Artistic Silk-Weaving Factory Hangchow China, and another (2), first 21 x 87.5cm £50-£80
A buyer’s premium of 26.4% inclusive of VAT @ 20% will be applied to each lot. Lots marked ‡ will be subject to an additional fee - please see page 96. 20
141. A pair of French two light crystal and gilt painted metal ‘Parrot’ wall appliques c.1960 attributed to Maison Bagues, the backplate in the form of a parrot perched on an urn issuing leaf and flower scroll arms with drip pans and moulded glass nozzles (2), height 47cm, width 24cm £1,000-£1,500
142. A Lalique frosted and polished crystal nude figure ‘Danseuse bras leve’ second half 20th century, signed to base Lalique R France, bears label to underside ‘Au Vase Etrusque Paris’, height 23.6cm £150-£250
143. Marc Lalique (French 1900-1977) A Pan or Faune frosted glass table lamp designed c.1950, of tapering form decorated in relief with twin fauns playing the pipes, fitted with cover on a gunmetal circular socle base, signed Lalique France, Overall height 32.2cm £600-£800
144. A Lalique ‘Roses’ pattern crystal bowl of square flared form, the frosted sides moulded with trellised roses, etched signature ‘Lalique France’, height 8cm, width 24.4cm, depth 24.4cm £80-£120
145. Mid 20th century Italian Murano Art glass large sommerso centrepiece bowl a vase and a cockerel sculpture, first of moulded sculptural form in red, orange and green, the vase of twisted design in red, yellow and blue (3), first length 56cm, second height 29cm £80-£120
146. A Murano Fratelli Toso Millefiori twin handle ‘Carnivale’ vase c.1920 height 20.5cm £50-£80
147. A Mdina glass ‘Tiger’ pattern side stripe lollipop vase signed Mdina, bears paper label, height 23cm £80-£120
148. After Louis Kley (1833-1911)
A pair of continental white glazed porcelain busts emblematic of the seasons
‘Printemps ‘ and ‘Autmune’, modelled as children on socle bases, underglaze blue pseudo cross swords mark with dot, height 24.5cm £80-£120
149. Two late 19th century Sèvres style porcelain trinket boxes firs of heart shape the lid painted with a portrait of Rubens, the reeded sides with floral reserves on claret ground decorated with raised gilt scrolls, gilt brass mounts, second decorated with a green trellis and flowers, both bearing overglaze interlaced Ls in blue (2), first width 8cm £50-£80
150. A pair of late 19th century Dresden Helena Wolfsohn double gourd shaped porcelain vases and covers blue ground decorated with panels of Watteauesque figures in landscapes, pseudo cross swords mark (2), height 20.5cm £80-£120
151. A late 19th century Meissen chocolate cup, cover and saucer and other items
first ogee shaped, the cover with bud finial, decorated with panels of Watteauesque figures in a landscape on a claret ground, underglaze blue cross swords mark with double slash together with similarly decorated plate, underglaze blue cross swords mark with double slash and a Dresden covered bowl with twin maidens mask handles, over glaze blue pseudo cross swords mark and a Meissen double salt with loop handle decorated with birds, double slash (4), first height 11.5cm £100-£150
152. Two late 19th century Dresden allegorical figures after Meissen originals by Schonheit from the Five Senses probably by Helena Wolfsohn, ‘Touch’ modelled as a lady seated by a table with a birdcage and ‘Sight’ modelled as a lady seated at a dressing table, both with underglaze blue Augustus Rex mark, together with two other similar continental figures, ‘Taste’ and ‘Smell’ (4), first height 14cm £80-£120
153. Late 19th century continental porcelain figures and busts comprising a pair of Italian Le Nove figures of Pulcinella and Columbina from the Commedia dell’Arte, both bearing underglaze blue star marks, a Dresden figure by Carl Thieme of Cupid holding a floral garland and a quiver on the ground before him, title “Je les ramene’, underglaze blue factory mark, and a pair of Meissen style kinderbusts of after models by J.J. Ksandler of Prince Louis Charles de Bourbon and Princess Marie Zephyrine de Bourbon (5), first height 21cm £70-£90
154. Four pieces of Moorcroft pottery comprising a ‘Wisteria Plum’ square twin handled serving plate, c1918-1929, blue ground, impressed Moorcroft Made in England, an ‘Anemone’ bowl, impressed marks, a small ‘Pansy bowl’, William Moorcroft Potters to The Late Queen Mary paper label and a Walter Moorcroft ‘Laelia Autumnalis’ dish, impressed and painted marks in blue (4), first handle to handle 26cm £100-£150
155. A Moorcroft pottery Flamminian ware dish retailed by Liberty & Co pink powder glazed, the domed centre framed by three stylised leaf and berry roundels, printed green mark Made For Liberty & Co, diameter 26.1cm £100-£150
156. A Moorcroft ‘Natural Pottery’ vase c.1935-1939 of ribbed baluster form, pale blue/ green glaze, impressed factory mark with facsimile signature, height 20.5cm £80-£120
157. Three Beswick Huntsmen and a Jockey comprising a jockey on a grey horse 1862gloss, Rearing Huntsman on a chestnut horse 868 gloss and 2 x Huntsman on a chestnut horse 1501gloss (4), first height 20cm £150-£200
158. Four Beswick horses comprising Chestnut Bois Roussel Racehorse 701gloss, Chestnut Arab “Barham” 1771 gloss, Chestnut Rearing welsh Cob 1014 gloss and Black Hackney Horse 1361 (a/f) (4), first height 20cm £100-£200
159. Five Beswick Fish comprising Salmon 2066 gloss on matte base, Angel Fish 1047, Roach 1874 x 2, Perch 1875 (5), first height 18cm £80-£120
160. A Shelley harlequin ‘Dainty’ shape Daisy pattern tea service for six comprising six teacups and saucers and six tea plates, each trio in different colour, ‘Dainty Blue 051⁄28’, ‘Dainty Brown 051/8’, ‘Dainty Green 053’, ‘Dainty Mauve 051/M’, ‘Dainty Pink 051/P’, ‘Dainty Yellow 051/Y’, printed marks, saucer diameter 14.5cm £80-£120
161. Clarice Cliff Bizarrea Biarritz shaped Viscaria pattern side plate decorated in colours, printed Royal Staffordshire marks, length 22.5cm £80-£120
162. A Clarice Cliff three piece Aura Daisy Bizarre pottery cruet set and other items first bonjour shape in pink palette, hand painted with daisies and with feathered border, comprising mustard pot and cover and salt and pepper casters, printed Bizarre backstamp together with a Lynton shape Honeydew pattern sugar bowl, and a Spring Crocus pattern coffee cup and saucer, printed marks (6), first height 6.5cm £80-£120
163. Daisy Makeig-Jones for Wedgwood lustre a ‘Butterfly’ lustre bowl, Z4827 octagonal tapering form, ruby exterior decorated with gilt insects and chinoiserie border, mother of pearl lustre interior with butterflies and central medallion, printed gilt factory marks, height 11cm, diameter 22cm £80-£120
164. Daisy Makeig-Jones for Wedgwood lustre a ‘Dragon’ lustre bowl, Z4901 purple and green mottled exterior decorated in gilt with chasing dragons, blue and magenta mottled interior decorated in gilt with butterflies and central medallion, printed gilt factory marks, height 11.2cm, diameter 26.5cm £100-£150
165. Daisy Makeig-Jones for Wedgwood lustre a ‘Dragon’ lustre vase, Z4901 of shouldered tapering form, purple and green mottled ground decorated in gilt with chasing dragons, mottled blue interior printed gilt factory marks, height 19cm £100-£150
166. Three 19th century Sunderland pink lustre plaques comprising a rectangular plaque, transfer decorated with a ship and the verse ‘May Peace & Plenty on our Nation Smile, and Trade with Commerce Bless the British Isle’, a rectangular plaque ‘God is Love’ and a circular plaque ‘Thou god, see’st Me.’ (3), first 21 x 23.5cm £60-£80
167. An early 19th century Staffordshire pearlware plaque square, moulded in relief with a double profile portraits facing right within a wreath initialled E * A in Pratt colours, 19.5 x 19.5cm £80-£120
168. Two early 19th century Staffordshire pearlware commemorative jugs first relief moulded with profile portrait of Admiral Lord Nelson and Captain Berry together with jug moulded in relief with half length portraits of the Duke of Wellington and General Hill with lustre rim (2), first height 13.5cm, second height 13cm £50-£80
169. A mid 19th century Staffordshire blue and white ‘Etruscan’ Series wash jug and basin unmarked, probably Elkin, Knight & Bridgwood, printed with a pattern of Neoclassical figures within acanthus borders (2), height 26.5cm £50-£80
170. Early 19th century Wedgwood creamware comprising an oval dish painted with Myrtle’, titled verso and impressed Wedgwood, a large Queens ware oval serving dish with trailing fruiting vine border crested with lion’s head impaled with an arrow, a matching side plate repaired, a comport with trailing ivy border, a dinner plate and a pair of twin handle sauce tureens lacking covers (7), first length 28cm, second length 51cm £80-£120
171. Late 18th and 19th century blue and white transfer decorated pearlware to include a Spode ‘Buffalo pattern’ dinner plate, ‘Banana Tree’ dinner plate, ‘Chinese Traders’ dinner plate, Spode ‘Bridge of Lucano’ plate, Herculanuem Greek pattern dessert plate, ‘Village Church’ fluted dessert dish, square fluted dessert dish decorated with a view of the ruins of an Abbey, a vegetable dish and cover, various mugs, a leaf pickle dish, jar or tea canister with cover, two jugs, etc, various £80-£120
172. Two late 18th/early 19th century Staffordshire pearlware busts first of the poet and diplomat Matthew Prior, c.1790, Enoch Wood type, wearing a turban and with draped robes on a faux marble socle base, impressed Prior twice, second of the philosopher John Locke, modelled wearing a red cloak draped on his shoulders, on a socle base with faux marble decoration (2), first height 19.2cm, second height 23.5cm £100-£150
173. Four early 19th century Staffordshire pearlware figures of biblical characters comprising ‘St John’, dressed in robes and holding a goblet, titled, second ‘The Widow of Zarephath’, seated with barrel to one side and a ewer to the other inscribed ‘meal’ and ‘oil’, third, ‘Elijah and The Ravens’ Enoch Wood type, c.1820, and another of the ‘The Widow of Zarephath’. seated with bocage (4), first height 19.5cm, second height 25.5cm £80-£120
174. Four early 19th century Staffordshire pearlware figures of musicians comprising a bagpipe player with bocage c.1820 with black hat, a female tambourine player, c.1820, a figure of a man playing the hurdy gurdy titled ‘Flemish Music’ and a lady playing the mandolin, on a stiff leaf moulded square base (4), first height 23cm, first height 24.5cm £80-£120
175. Early 19th century Staffordshire pearlware figures of rustic characters
comprising a figure of a Gardener by Ralph Wood Junior holding a, spade and standing by pedestal with a plant pot with bocage back, a figure of ‘the Lost Sheep found’, Enoch Wood type, a sportsman holding a musket and powder flask standing before a bocage and a mower with scythe (4), first height 23cm £100-£150
176. Late 18th century Staffordshire pearlware figure group of Faith Hope and Charity c.1790, modelled standing, Faith standing next to a shield bearing a cross Charity holding a baby and with two children at her side, Hope standing with an anchor, on bases moulded with leaf decoration (3), Charity height 24.5cm £80-£120
177. Seven early 19th century Staffordshire pearlware allegorical figures comprising Charity modelled as a woman holding a baby with two children by her side on a base moulded with leaf decoration, a similar Pratt type figure of Charity, a two small figures of Charity with child holding a cross, two figures of Hope standing next to an anchor, and faith holding a cross and open bible and a figure of Justice (7), First height 23.5cm £100-£150
178. Early 19th century Staffordshire pearlware figures of the Seasons and Old Age comprising a Pratt type figure of Winter c.1790 modelled as boy huddled in a red cloak, a figure of Winter skating on ice, two figures of Summer holding a flower basket and a figure of Autumn holding grapes and a wine cup, together with a near pair of figures of Old Age the man on crutches and the woman holding a basket with a walking stick titled ‘Age’ (7), first height 21cm £80-£120
179. Late 18th/early 19th century Staffordshire pearlware figures of goddesses and other emblematic figures comprising Hygeia, Wood type holding a ewer and a snake coiled round her arm standing next to a flaming altar, a similar figure of the goddess Hygeia, a figure of Medea at the Altar of Diana, on marbled base, figure of Andromache weeping over the ashes of Hector, figure of Apollo, holding a lyre, figure of Ceres holding the Horn of Plenty, figure of Peace, a large figure of Venus, two small figures of Venus standing next to Cupid and a dolphin, a figure of Pomona, a figure of Comedy, a figure of Ceres holding a bushel of corn and a sickle and a figure holding a lantern (13), first height 23.5cm £200-£300
180. Early 19th century Staffordshire pearlware figures comprising an arbour group, the songsters, a pair of recumbent deer, figure of a boy holding a bird’s nest, a figure of a girl holding a parakeet, figure of a boy holding a goose, late 18th century Prattware figures of Winter and Apollo, a pair of Walton type figures of a boy and a girl holding a cat and a dog, a John Walton figure of a shepherdess, a figure probably emblematic of Summer holding a flower basket, another figure of Summer, etc. (16), first height 24cm £100-£150
181. A collection of 19th century pottery jugs and mugs to include lustre decorated relief jugs, decorated with a huntsmen, a stag and hinds and a fruiting vine, a Prattware relief jug depicting children playing impressed Mischievous Sport and Sportive Innocence, a Felspathic stoneware jug, probably Castleford, a pair of Bacchus mugs, a relief decorated frog mug, a late 18th century black Jasperware ale mug decorated with a hunting scene, various relief mugs (qty), first height 15cm £80-£120
182. A late 18th century pearlware tea canister and a sparrowbeak cream jug first c.1780, of shaped rectangular form with fluted corner columns, decorated in underglaze blue with carnations and floral sprigs, second c.1790 of baluster form, decorated with pagoda in a landscape (2), first height 11cm, second height 8.6cm £50-£80
183. ‡ Julian Stair (b.1955) A porcelain footed bowl c.1985 white body with blue geometric design to interior and exterior, painted signature, diameter 18.3cm, height 10.7cm £200-£300
184. ‡ David Leach (British, 1911-2005) A porcelain bowl c.1985 cleadon glazed, the exterior painted with a broad blue brushed band decorated with a repeating blue wave pattern and iron red trailed dots, impressed DL seal, diameter 17.6cm, height 9.5cm
The Chestnut Gallery collection. Acquired from the Artist in 1985 £150-£250
185. Max Mayer. (20th century)
A shallow stoneware dish blue pitted glazed with brown rim, impressed m, diameter 22.1cm, height 5.7cm
Dr Max Mayer was Lucie Rie’s GP and a keen amateur potter becoming her student after his retirement in 1985, Sheila Harrison Fine Art, London, 1989 £80-£120
186. ‡ James Tower. (1919-1988)
A footed earthenware bowl c.1955 of tapering form, decorated with an abstract design of circles and dots in brown over a white tin glaze, painted signature, diameter 19cm, height 12.5cm
Dr Max Mayer was Lucie Rie’s GP and a keen amateur potter becoming her student after his retirement in 1985, Sheila Harrison Fine Art, London, 1989 £100-£150
187. A collection of 19th century and later silhouette portraits various portraits to include a portrait of lady facing right titled Mrs Dickenson and dated 1828, watercolour on paper bears Miers & Field trade label, a scissor cut portrait of a gentleman wearing a mortarboard with bronzing, others of boys, all in black lacquered papier mâché frames with gilt hangers, a portrait of a woman wearing a cap facing left with verre eglomise mount and moulded papier mâché frame, a pair of a lady and gentleman in birdseye maple frames and various others in 19th century style (14), first overall 15 x 12.7cm £200-£300
188. After John Buncombe (1795-1825) Three silhouette portraits of officers first ‘Edward Berkley Portman, an officer of the 56th foot, the Essex Regiment’, watercolour, gilt gesso frame, second ‘Captain Clement William Whitby, The 17th Regiment, maple frame and another (3), first overall 35.5 x 30.5cm £80-£120
189. Early 19th century British School. A pair of Silhouettes portraits of ladies one facing right wearing a turban, dress and laced edge fichu, the other facing left wearing a bonnet and a dress with a frilled collar, painted on card, black lacquered papier mâché frames with gilt metal mounts and acorn and oak leaf hangers, together with two other silhouettes, one of a gentleman facing left wearing a broad lapelled jacket, stiff collar and a cap, and lady facing left her hair tied in a bun with a comb and in ringlets, wearing a puffed sleeve dress, oval, both bronzed and painted on card in similar frames (4), overall 14.8 x 12.4cm £150-£250
190. Mrs Isabella Beetham, British, (c.1753-1825) Two silhouette portraits of gentlemen both bust length, hair en queue and tied with a bow, wearing a jacket and frilled chemise, first facing right, painted on glass backed with plaster, oval, ebonised moulded frame, bears printed trade label verso, ‘Profiles in Miniature by Mrs Beetham, No 27 Fleet Street, second, attrib to Mrs Isabella Beetham, facing left, painted on convex glass backed with card, gilt gesso frame (2), first overall 14 x 11.3cm £150-£250
191. Studio of John Miers (1758-1821) and John Field (1772-1848) Three silhouette portraits
first bust length of a lady facing right, her hair upswept and curled and wearing a decollete dress edged with lace, painted and bronzed on plaster, oval second bust length of a gentleman facing right wearing a coat, painted on plaster inscribed verso Dr Andrews Dean of Canterbury, both in black lacquered papier mâché frames with gilt brass mounts, one with leaf acorn and oak leaf hanger, the other with acanthus leaf, both bearing printed Miers & Field trade label verso, together with bust length portrait of a gentleman facing right wearing a coat and frilled chemise, painted on plaster, oval, ebonised pearwood frame (3), first overall 15 x 12.5cm £200-£300
192. Studio of John Miers (1758-1821) and John Field (1772-1848) Three silhouette portraits of gentlemen bust length, first facing right and the other two facing left, all wearing broad lapelled coats, stocks and jabots, painted on plaster, bronzed, oval, black lacquered papier mâché framed with gilt metal mounts and hangers, first bearing printed trade label for Miers, the other two Miers & Field 111, Strand, London (3), first overall 15.2 x 13cm £250-£350
193. Early 19th century British School, manner of Mrs Isabella Beetham (c.1753-1825) A pair of silhouettes both bust length and painted on convex glass and backed with plaster, oval, the lady facing right wearing a hat and fichu with a large bow, the gentleman facing left, his hair in pigtail tied with a bow and wearing a coat and a frilled chemise, backed with plaster, ebonised oval framed with leaf moulded borders (2), each overall 13 x 11.3cm £100-£150
194. Thomas Lovell, British (c.1760-1806) Silhouette of a boy bust length facing left, wearing coat, stock and frilled chemise, painted on plaster, oval, black lacquered papier mâché frame with brass mount and anthemion hanger, bears printed trade label verso Thomas Lovell, 32 Bread Street Cheapside, London, bears label for Pollak Collection no 96, overall 14.4 x 12.8cm £100-£150
195. George Bruce (c.1775-1846) Silhouette portrait of a gentleman bust length facing right his hair in pigtail tied a ribbon and wearing a coat, stock and frilled chemise, painted on plaster, oval, black lacquered papier mâché frame with gilt brass anthemion hanger, bears printed trade label verso, bears old label for Pollak Collection No. 97, overall 14.8x 12.4cm £100-£150
196. John Miers, British (1758-1821)
Silhouette portrait of a lady
bust length facing right, her hair curled and wearing a dress with a frilled collar, painted on plaster, oval, under convex glass with verre eglomise border, black lacquered papier mâché frame, printed trade label no 11 verso, overall 16 x 13.5cm £100-£150
197. John Miers, British (1758-1821)
A silhouette portrait of a lady
bust length facing left, hair hair a la conseilleur tied with a bow wearing a large hat with bows and feathers and wearing a fichu, painted on plaster under convex glass, oval, pressed brass frame with beaded inner and gadrooned outer border, bears printed trade label verso for J. Miers Leeds, bears old label for Pollak Collection No.85, overall 12 x 9.9cm £100-£150
198. John Miers, British (1758-1821)
A silhouette portrait of a military officer
bust length facing right, his pigtail wig tied with a bow and wearing a tricorn hat with cockade to one side, a jacket and frilled chemise, painted on plaster, oval under convex glass with ebonsied moulded pearwood frame, bears printed trade label verso for J. Miers Leeds, overall 14.6 x 12.2cm £100-£150
199. Charles Rosenberg, Austrian (1745-1844)
A silhouette portrait of a gentleman bust length facing left wearing a coat against a salmon pink ground, reverse black on convex glass within a decorative wreath verre eglomise border, oval, ebonised moulded pearwood frame, bears printed trade label verso ‘Mr Rosenberg of Bath Profile Painter to their Majesties and Royal family’, overall 12.5 x 9.9cm £150-£250
200. Arthur Lea of Portsmouth, British (1769-1828) Portrait of a naval officer facing right wearing a jacket with epaulettes, stock and frilled chemise, verse painted in shades of grey on convex glass, gilt verre eglomise border, against white plaster, oval black lacquered papier mâché frame, overall 15.4 x 13.6cm £200-£300
A buyer’s premium of 26.4% inclusive of VAT @ 20% will be applied to each lot.
Lots marked ‡ will be subject to an additional fee - please see page 96. 26
201. Henry Herve attrib. British (fl c.1800-1820) Silhouette of a gentleman bust length in profile facing right with wavy hair and sideburns wearing a coat, stock, cravat and frilled chemise, reverse painted on convex glass on pink background with highlights against a black surround, black lacquered papier mâché frame with brass anthemion hanger, part legible fragmentary printed trade label verso reading ‘PATENT MACHINE’, overall 14.4 x 12.6cm £200-£300
202. Jacob Spornberg. Finnish (1768-c.1840) Silhouette portrait of gentleman oval red on black painted on convex glass, brass frame, black lacquered frame with thistle rose and shamrock hanger, overall 13.6 x 11.7cm
Bears paper collection label 249 Sue McKechnie’s Collection £200-£300
203. Studio of John Miers, British (1758-1821) A pair of silhouette portraits of a lady and gentleman bust length, gentleman facing right wearing a pig tail wig tied with a ribbon, coat and frilled cravat, the lady facing left, wearing a dress with frilled collar and ribbon tied veil over here hair, painted on white plaster, oval, convex glass with verre eglomise border, ebonsied moulded oval pearwood frames, bear printed paper trade labels verso ‘John Miers (late of Leeds) no 162 opposite the New Church, Stand, London, 99 (2), overall 18 x 14.7cm £300-£500
204. William Hamlet the Elder, British (fl 1785-1816) A Silhouette painted on glass
Interior scene with a gentleman seated, reading a letter addressed ‘Beverely, Yorks’ and begins ‘Dear Brother’ by a table set with a book and inkstand, giltwood frame, bears printed paper trade label verso ‘Hamlet Profile Painter to her Majesty and the Royal Family No 12 union Street Bath’, bears label for ‘225 Sue McKechnie’s Collection’, overall 29.7 x 23.5cm £200-£300
205. David Paton. Scottish (fl 1660 - c.1709)
Portraits of George 11th Baron Ross and William 12th Baron Ross, of Halkhead or Hawkhead, facing right wearing full bottomed curled wig, robes and cravat, plumbago and Indian ink on vellum, oval, ebonised moulded pearwood frames, hand written labels verso and inventory numbers cat No 633 and 634 (2), first 9.3 x 7.9ozt, overall 13.7 x 11.7cm, second 10.1 x 7.7cm, overall 14.5 x 12.2cm £400-£600
206. Mid 19th century British School. Five portrait miniatures comprising a pair of portraits of a lady and a gentleman, c.1820, watercolour on card, black lacquered framed with acorn hangers, together with three other portraits, all watercolour on card (5), first overall 13 x 11cm £100-£150
207. Ø 19th century Italian School. A miniature painting
‘Adoration of the Christ Child’, watercolour on ivory under convex glass, gilt gesso frame, overall 15.9 x 18.7cm
IMPORTANT NOTE: This item has been registered as exempt from the UK Ivory Act 2018. Ivory declaration submission number reference: WS3N8V9Q £100-£150
208. Ø Early 19th century British School. Portrait miniature Walter Rudston-Reed (1820-1829)
Lying on his side holding a toy whip, seated beside a black dog, watercolour on ivory, under convex glass, black lacquered papier mâché frame, gilt brass fruiting vine hanger, hand written paper label verso ‘ Walter reed youngest brother of Elizabeth Faulconer wife of Thomas Faulconer. This picture was always called “Little Walter” as he died when a young boy - uncle to Robert Faulconer’, overall
IMPORTANT NOTE: This item has been registered as exempt from the UK Ivory Act 2018. Ivory declaration submission number reference: 9FR9M6WV £200-£300
209. Ø Mid 19th Century British School. A pair of portrait miniatures c.1840
‘Portrait of a gentleman’, facing right wearing a black coat, and a ‘Portrait of a lady’ facing left, her hair parted in ringlets, watercolour on ivory, period gilt gesso frames (2), each 19 x 17cm
IMPORTANT NOTE: This item has been registered as exempt from the UK Ivory Act 2018. Ivory declaration submission number reference: YASVLLLK £100-£150
210. Ø Mid 19th century British School. Portrait miniature of a lady c.1835
facing right, her hair parted and in ringlets, watercolour on ivory, black lacquered papier mâché frame with gilt acorn hanger, overall 17.8 x 15.8cm
IMPORTANT NOTE: This item has been registered as exempt from the UK Ivory Act 2018. Ivory declaration submission number reference: QXJWBRQ2 £80-£120
211. Ø Early 19th century British School
A portrait miniature of a young lady c.1830, facing right her hair parted and curled in ringlets, wearing a coral necklace and pink dress, oval, watercolour on ivory, gilt metal frame, 9.8 x 7.9cm
IMPORTANT NOTE: This item has been registered as exempt from the UK Ivory Act 2018. Ivory declaration submission number reference: V5UUN72F £80-£120
212. Ø Late 19th Century
A portrait miniature of a young lady, oval, watercolour on ivory set within a bracelet panel fitting, metal untested, total approx. diameter 5.2cm, total approx. weight 18.7g
IMPORTANT NOTE: This item has been registered as exempt from the UK Ivory Act 2018. Ivory declaration submission number reference: CEB3XLWH £100-£150
213. Austrian Viennese gilt metal and enamel miniature salon furniture c.1900 comprising a large glazed vitrine display cabinet, with canted sides, a firescreen and a suite formed of a bureau plat with frieze drawer, a settee, two armchairs and two side tables, each piece painted with Watteauesque fete champetre scenes (8), cabinet height 19cm, width 15.5cm £1,000-£1,500
214. Boucheron. Paris. A small gold mounted banded russet agate dish oval form raised on a foot, mounted with gold ropetwist borders, bears plaque signed Boucheron Paris, length 7.7cm £200-£300
215. A George V silver mounted tortoiseshell carriage timepiece circular white enamel dial with black Arabic numerals, minute track and blued steel hands, 8 day French brass movement, plain tortoiseshell case of rectangular form with silver carrying handle, hinges and ball feet, hallmarked for London, 1911, maker mark H A & Co, inlaid with pique work initials, height with upright handle 11.5cm £200-£300
216. A Victorian blonde tortoiseshell visiting card case and other items
first rectangular with hinged lid crossbanded with mother pearl, together with a gilt pair of sprung lorgnettes a cased pair of silver gilt ribbon slides mounted wit paste set crescents, a cased set of silver and mother of pearl dress buttons and a cased set of gilt mounted mother of pearl dress buttons with matching pin (5), first height 10.1cm £80-£120
217. A collection of 19th century and later scent bottles comprising a French white opaline scent bottle applied with green coiled snake with flower bud stopper and trailing leaf decoration, an apple green crystal scent bottle, a silver mounted scent bottle and stopper with overlaid pierced and engraved decoration with faceted stopper, stamped Patented 11 900/1000, a green scent bottle, a pair of silver mounted cut glass scent bottles, a spherical from Muranoscent bottle with a spiral trail of red on a clear ground and two other silver mounted cut glass scent bottles (8), first height 21cm £100-£150
218. A George III gold mounted tortoiseshell snuff box and other snuff boxes
first of circular rounded from with concentric reeded decoration, the hinged cover with gold hinge, thumbpiece and vacant circular reserve together with a fruitwood treen snuff box in the from of a pair of bellows inlaid with mother of pearl, bone and brass pique work with sliding cover, a pair of miniature horn bellows, a burr wood snuff box of octagonal cylinder form, horn lined and a Scottish Mauchlineware sycamore snuff box, the hinged lid with painted transfer of a mating cockerel and hen entitled ‘Gratis’ (5), first diameter 4cm second length 11cm £100-£150
219. A collection of 19th century and later mostly treen and papier mâché snuff boxes
to include a rectangular burrwood and tortoiseshell lined snuff box, a circular burrwood tortoiseshell snuff box inlaid with portrait of the Duke of Wellington, curved treen snuff box, various papier mâché boxes to include one mounted with a silver shield shaped reserve, others with simulated tortoiseshell painted decoration, others with pewter and shell inlaid decoration, an oval Old Sheffield plate snuff box mounted with a coin, Dutch brass snuff box, a Black Forrest snuff box dated 1864, five French rosewood snuff boxes inlaid or bound in white metal of to include examples inlaid with an airplane, a ploughman with cattle inscribed La Bretonne, clover leaves, a French olivewood Les Palmiers souvenir sabot snuff box etc (26), first length 10cm £100-£150
220. A collection of 19th Century and later century horn snuff boxes
to include two Scottish ovoid examples with applied silver shield shaped reserves to the covers, by William Dunningham & Co Aberdeen, c.1900 other probably Scottish oval shaped boxes, a rectangular horn and tortoiseshell snuff box, another inlaid with a mother of pearl flower pique work flower, a round box inlaid with bone and pique work, various, first length 8cm £100-£150
221. Four early 19th century continental snuff boxes comprising a French circular tortoiseshell box, the lid inset with a gilt portrait relief medallion of Marie Louise, a French carved ebony and gilt metal mounted circular box, the lid with a fixe sous verre view of the ‘Palais du Corps Legislatif’, a circular papier mâché box printed with a triple portrait ‘Les 3 Souverains Allies Pacificateurs de L’Europe’ Prince Klemens von Metternich, Viscount Castlereagh and Charles Talleyrand and a circular cream painted Stobwasser style snuff box the lid printed and hand coloured with a genre scene, entitled ‘Js er lebendig?’, first diameter 8.3cm £100-£150
222. A collection of snuff mulls and boxes comprising a cow horn mull incised with scrimshaw work with panels of snakes, a fish, birds and plants within geometric borders the dated 1843, a Scottish brass mounted horn snuff mull with butterfly hinge c.1800, a French rectangular bone snuff box c.1800, the lid carved in low relief with a flower basket and crossed spade and rake, a circular pressed horn love box, the lid centred with roundel containing twin flaming hearts pierced with an arrow over initials M.R, the base inscribed John Johnson, Grenadier 1878, an oval silver snuff box, unmarked, the lid mounted with mother of pearl, a mussel shell snuff box and a hoof snuff box with plated metal fittings (7), first length 12cm £150-£250
223. A silver-gilt and enamel replica of the Alfred Jewel by Payne & Son c.1900 unmarked, the upper pear shaped face depicting a polychrome enamel image of a standing male figure under a rock crystal cover, the frame pierced with the text ‘+AELFRED MEC HEH GEWYRCAN’ (Alfred ordered me to be made) with pelleted border and textured band, issuing beast head with socket with bar for suspension, the reverse engraved with scrolling foliate decoration with printed paper label by Payne & Sons dated 1901 and numbered 306, in a fitted red leather and satin lined case stamped Payne and Son Oxford, length 6.4cm £500-£800
A buyer’s premium of 26.4% inclusive of VAT @ 20% will be applied to each lot. Lots marked ‡ will be subject to an additional fee - please see page 96.
224. An Indian Colonial silver card case unmarked, Calcutta, c.1900, rectangular with hinged cover, repoussé embossed with a village scene with figures, houses and trees, length 9cm, weight approx. 4.06ozt £80-£120
225. A George V silver and enamel Felix the Cat page marker
Chester, 1923, Charles Horner, length 7.5cm, weight approx. 0.14ozt £80-£120
226. An Egyptian Revival silver-gilt propelling pencil and a brass and champlevé enamel desk seal
early 20th century, first unmarked, in the form of a sarcophagus with telescopic action with suspension ring, the seal with a profile bust of a pharaoh to one side, the other painted with a view of the Sphinx (2), first length extended 6cm £60-£80
227. A George V silver Regimental matchbox cover
London, 1915, Sampson Mordan & Co, of plain rectangular hinged form stamped Dunhill’s design Rd 642237, engraved with insignia for Princess Beatrices Isle of Wight Rifles and date 1915-1916, interior gilt, length 4.5cm, weight approx. 1.08ozt £80-£120
228. Ø A late Victorian silver card case/aide memoire
Birmingham, 1894, A & J Zimmerman Ltd, of rectangular form with all over foliate engraved decoration and central reserve engraved with initials, leather lined gilt interior with ivory aide memoire and divisions for cards, stamps and holder for pencil, 7.7 x 10.5cm, total weight 4.23ozt
IMPORTANT NOTE: This item has been registered as exempt from the UK Ivory Act 2018. Ivory declaration submission number reference: 5QXJADNN £80-£120
229. A George V engine turned silver cigarette case and two other silver cases first Birmingham, 1924, maker mark R.N, rectangular with cut off corners and sliding action together with a late Victorian case, Birmingham, 1895, Thomas Acott & Co, rectangular with curved gadrooned ends and engraved scrolling foliate and leaf decoration engraved B Thompson and a George V curved rectangular case with foliate engraved decoration, initialled (3), first 11.5 x 8.9cm, total weight approx. 11.84ozt £150-£200
230. A George V silver and 9ct gold engine turned cigarette Chester, 1920, Hamilton & Co (Calcutta), rectangular with fine guilloché decoration and raised foliate chased border and thumbpiece, the hinged lid inset with a plain 9ct gold circular reserve, interior gilt, length 7.9cm, depth 6.5cm 3.83ozt £100-£150
231. An early 20th century Japanese silver, copper and niello cigarette case stamped sterling, of curved rectangular form, decorated with a continuous landscape with a view of Mt Fuji and boats, signed, length 10.9cm, weight approx. 3.93ozt £70-£90
232. A group of silver cigarette cases
1940s silver rectangular cigarette case, with engine turned design, with initials ‘BMG’, stamped with Birmingham hallmarks; 1930s silver gilt square cigarette case with rounded corners, chased with initials ‘A.S.G’, stamped with Birmingham hallmarks; 1920s silver gilt cigarette case, stamped “Bros” with Birmingham hallmarks together with a swizzle stick, stamped “Silver” and a cigarillo holder (5), total approx. diameters of cigarette holders in order of cataloguing 10cm, 10cm, 9.7cm, total approx. weight of cigarette holders 10.16ozt £150-£200
233. An Elizabeth II engine turned silver cigarette case
Birmingham, 1952, A Wilcox, of rectangular curved hip fitting from, cover with sunken hinge and raised thumbpiece, interior gilt, initialled, 9 x 8cm, weight approx. 5.12 £80-£120
234. Two George V silver cigarette cases
first Birmingham, 1933 William Neale & Son, second Birmingham, 1935, S Blanckensee & Son, both rectangular with engine turned decoration, gilt interiors, both engraved with initials to interior (2), First 12.4 x 8.4cm, weight approx. 11.74ozt £150-£200
235. An Edwardian small silver hip flask and other silver various dates, makers, first Birmingham, 1916, A & J Zimmerman Ltd, plain rectangular from with screw fitting mushroom cap, initialled, together with a late Victorian foliate embossed trinket box, Birmingham, 1900 Horton & Allday, a late Victorian vesta case of plain oblong form, initialled, an Elizabeth II engine turned snuff box, an engine turned propelling pencil, a small tortoiseshell box mounted with silver cartouche and a novelty electroplated golfing pepper pot in the form of a golf ball and clubs (7), first height 9.5cm, weight approx. 5.24ozt £80-£120
236. A late Victorian silver mounted black leather cigar case and other items
first Birmingham, 1874, Vaughton & Sons, together with plain silver vesta case, Chester, 1901, Robert Pringle & Sons, a P.S.A silver fob attached to a chain with T bar, a silver case pencil, a Perry & Co engine turned gilt metal propelling pencil, a Charrington’s Pale Ale novelty bottle opener and a Lund Patent steel corkscrew and a brass fob (qty), first length 12.4cm £70-£90
237. A George V silver and blue guilloché enamel powder compact and two silver pocket watches
first Birmingham, 1921, Cohen & Charles, circular, with suspension ring, interior gilt together with an open faced keyless pocket watch and a small open faced lever pocket watch (3), first diameter 5cm £60-£80
238. A George V silver and blue guilloché enamel powder compact and other silver items
first Birmingham, 1936 Crisford and Norris Ltd, an Italian silver medal for Tribunal of wines Romagna 1971, suspended on chain, cased Maltese silver 2 pound and 1 pound 1972 two coin set, and Italian key ring engraved with name and date (4), first diameter 6.4cm, weight approx. 7.47ozt £100-£150
239. A small collection of silver to include compacts and vesta cases various dates, makers, comprising an Art Deco engine turned circular powder compact initialled A S, a hexagonal powder compact with suspension ring and linear engine turned decoration to cover, a late Victorian foliate engraved vesta case, a George V vesta case with linear engine turned decoration and vacant shield shape reserve, a pill pot with planished cover, a Charles Horner thimble, a pair of late Victorian embossed pin dishes, a George III silver topped cut glass jar, a seal top spoon with scroll capital terminal, a plated vesta case etc (qty), various, total weight approx. 5.93ozt £80-£120
240. A modern silver four fold pocket photograph frame and three folding fruit knives
first London import marks, 1970, Ari D Norman, plain rectangular form with oval apertures, together with three late Victorian silver folding pocket knives, of which two with engraved mother of pearl grips, the other tortoiseshell (4), first height 5.5cm, weighable silver approx. 196ozt £70-£90
241. An Edwardian cased set of four silver painted guilloché enamel buttons
Birmingham, 1904, Douglas Clock Co Ltd, circular painted with flowers on a translucent pale blue ground, in a fitted leather cased, each diameter 24mm, weight approx. 0.83ozt £100-£150
242. A late Victorian silver pin dish, a French circular box and a scent bottle
first Birmingham, 1897, Henry Matthews, oval with raised fluted sides and embossed with winged cherubs heads, second French control marks and French makers marks, engine turned with gilt interior, third triangular clear glass body with screw fitting cap (3), first length 14.7cm, weight approx. 3.22ozt £80-£120
243. A George V silver cased set of bones dominoes, an Art deco fourfold pocket photograph frame and a propelling pencil
first Chester, 1911, Grey and Co, the plain rectangular case with sliding bone domino cover containing as set of miniature bone dominoes, second, unmarked, rectangular form with engine turned decoration folding clasp, the pencil with engine turned decoration, Birmingham, 1933, William Suckling Ltd (3), first length 6.7cm, weighable silver approx. 1.81ozt £100-£150
244. A Sampson and Mordan silver propelling pencil and other silver vertu
first of hexagonal form with engine turned decoration, sliding action and bloodstone set terminal, stamped S Mordan & Co, a Russian Caucasian silver and niello miniature scent bottle and stopper c1900 of ewer form, makers marks WA bearing the word ‘Kavkaz’ in Cyrillic, and early 19th century Dutch novelty cachou box in the form of a armoire, 1825, Pieter Geijskes with hinged lid and engraved decoration, a Victorian folding fruit knife with wrythen fluted grips, a Victorian ‘Sherry’ London, 1840, Reid & Son, and an Edwardian cut glass scent bottle and stopper (6), first length 12cm, weighable silver approx. 2.74ozt £100-£150
245. An Edwardian silver snuff box and a Victorian scent bottle
first Chester, 1902, George Nathan & Ridley Hayes, rectangular, the hinged lid embossed with putti in a landscape, the sides with foliate embossed decoration, second London, 1908, Goldsmiths & Silversmiths Co Ltd, circular flattened from with gadrooned decoration and screw fitting cap (2), first length 6.1cm, second height 4.1cm, weight approx. 1.58ozt £80-£120
246. A late Victorian silver double sovereign case Birmingham, 1886, Deakin & Francis Ltd, oblong form with foliate engraved decoration with vacant circular reserve and suspension ring, length 7.4cm, weight approx. 1.28ozt £70-£90
247. A set of four early 19th century Scottish silver wine labels and two others first Edinburgh, no date letter George McHattie, oval with gadrooned borders on chains, engraved ‘Gin’, ‘Hollands’, ‘Rum’ and ‘Whisky”, together with an oval label with reeded border engraved ‘Port’, London, 1812, John Rich and rectangular label with canted corners and reeded borders engraved ‘Sherry’, London, 1817 John Reilly (6), first each length 3.9cm, weight approx. 1.52ozt £150-£250
248. A George III silver snuff box Birmingham, 1791, makers mark IT, of panelled navette form with bright cut engraved decoration, the lid with flush hinge, interior gilt, bears central reserve engraved with initials D.H, length 8.5cm, weight approx. 2.11ozt £150-£250
249. A George III silver cased scent bottle
Birmingham, 1789, Samuel Pemberton, plain faceted tapering form, with hinged cover and bright cut borders, containing a clear faceted glass scent bottle and stopper, height 4.4cm, weight approx. 0.38ozt £70-£80
250. An early 19th century French .950 silver snuff box and cover French control marks for Paris 1909-1819, makers mark PNB, of plain circular form with pull off cover, interior gilt, initialled and crested, diameter 7.2cm, weight approx. 2.99ozt £100-£150
251. Two early Victorian silver vinaigrettes first Birmingham, 1845, Nathaniel Mills, oval shaped from engraved with panels of engine turned decoration within foliate scrolls and central vacant reserve heightened with gilt, interior with hinged foliate pierced grille, second Birmingham, 1841, Nathaniel Mills, rectangular form with shaped outline and engraved scroll engraved decoration and reserve engraved with initials, interior gilt with hinged pierced foliate grille (2), first length 4cm, weight approx. 1.31ozt £150-£250
252. Three George III and later silver vinaigrettes
first Birmingham, 1834, maker mark TS, rectangular with foliate chased thumbpiece and reeded sides, bright cut engraved with a basketweave pattern and bearing rectangular reserve engraved with initials, interior gilt with hinged foliate pierced grille, second Birmingham, 1804, William Boot, rectangular with canted corners and suspension ring the hinged lid engraved with bright cut floral decoration, gilt interior with pierced filigree work grille, third Birmingham, 1828, Unite & Hilliard, rectangular with raised foliate borders and reeded sides and engraved floral decoration, initialled (3), first length 3.6cm, weight approx. 1.99ozt £150-£250
253. Three George IV/William IV and early Victorian engine turned silver vinaigrettes
the largest London, 1852, Joseph Foxall & Co, rectangular with suspension ring, gilt interior with hinged pierced grill, bearing shield shaped cartouche engraved with initials, second Birmingham, 1822, Taylor & Perry rectangular with raised foliate thumbpiece reeded sides and vacant reserve, interior gilt with hinged pierced grille and another similar vinaigrette, Birmingham, 1821 Ledsam & Vale (3), first length 4.8cm, weight approx. 2.23ozt £150-£250
254. An early Victorian silver and malachite vinaigrette
Birmingham, 1857, James Fenton, of circular lobed flowerhead design with foliate engraved decoration and suspension ring, gilt interior with hinged foliate pierced grille, diameter 3cm, weight approx. 0.52ozt £100-£150
255. Six George III and later silver vinaigrettes comprising a plain oval vinaigrette, London, 1800, makers mark T H, initialled, gilt interior with foliate pierced grille, a rectangular vinaigrette with Birmingham, 1799, maker mark indistinct, the lid and base with fluted starbust design, interior with hinged grilled, a rectangular vinaigrette with suspension ring, bright cut engraved with acorns and oak leaves, Birmingham, 1830, Joseph Bettridge, gilt interior with pierced grille, a small vinaigrette engraved with bright cut vermicelli, Birmingham, 1816, Joseph Wilmore, gilt interior with plain pierced grille, a plain vinaigrette with canted corners and suspension ring, Birmingham, 1799, Samuel Pemberton, and Georgian style vinaigrette stamped 925 Sterling (6), first length 3.5cm, weight approx. 1.89ozt
£200-£300
256. A George III silver vinaigrette
Birmingham, 1814, Joseph Wilmore, of rectangular ribbed form engraved with part pricked chequer pattern, gilt interior with hinged pierced grilled engraved scrolling leaves and a flowerhead, initialled to side A.S, length 4.1cm £150-£250
257. An early Victorian silver vinaigrette
Birmingham, 1849, Nathaniel Mills, of rectangular form with shaped outline, the hinged cover engraved with a view of the west end of York Minster, engine turned sides and base with shield shaped cartouche engraved with initials, interior gilt with hinged foliate pierced grille, length 3.8cm, weight approx. 0.57ozt
£200-£300
258. A William IV silver-gilt ‘castle top’ vinaigrette
Birmingham, 1837, Nathaniel Mills, rectangular, the hinged lid embossed with a view of Abbotsford the home of Sir Walter Scott within raised foliate borders and tooled sides, the base engine turned with vacant reserve, gilt interior with hinged foliate pierced grille, length 4.2cm, weight approx. 0.95ozt
£300-£400
259. John Lennon Interest:
A silver engraved John Lennon and Yoko Ono Double Fantasy Sterling silver box retailed by Cartier given to his ex bank manager at the bank of Tokyo the rectangular box engraved to the lid with Double Fantasy Christmas 1980 N.Y.C John & Yoko, by Schroth’s Silversmiths, cedar lined, contained within original Cartier blue pouch, Cartier outer case, Cartier paper wrapping, letter from Jerry Caron (at Lenono, Studio One) on. headed paper and an airwaybill and outer paper envelope, weight approx 6.38ozt, length 10.3cm
These boxes were commissioned by John Lennon and Yoko Ono as Christmas gifts for friends and it is believed only 12 were made. John Lennon was tragically killed on December 8th but Yoko Ono fulfilled Lennon’s wishes and sent them to the intended after Christmas. This example was given to the bank manager at Bank of Tokyi. Sold on behalf of ex manager at Bank of Tokyo who was gifted the box from Yoko on December 30, 1980 shortly after John Lennon’s death on 8th December £3,000-£5,000
260. A pair of early 20th century silver plated on copper wine coolers of part fluted campana form with twin scroll handles and gadrooned rim, fitted with removable liners (2), height 25.3cm
261. A large Mappin & Webb silver plated twin handled campana form wine cooler urn shaped with twin foliate handles and gadrooned rim, on a stepped pedestal foot, stamped Mappin & Webb Silver Plate on copper, height 22cm £70-£90
262. A pair of 20th century continental electroplated tazzas each with shallow circular bowl raised on dolphin form supports on cast lobed circular bases (2), height 25.5cm £80-£120
263. A large Victorian Old Sheffield Plate twin handled tray oval shaped form with raised moulded border with foliate twin handles and foliate capped gadrooned border, engraved with flowers and scrolling foliage, handle to handle 76cm £80-£120
264. A collection of electroplated items comprising a Neoclassical style twin handled soup tureen and cover of urn form, three meat domes of various sizes, a pair of early 19th century Old Sheffield plate bottle coasters with turned wooden bases, another bottle coaster, a rectangular twin handled tray and a salver (qty), firs height 27cm, handle to handle 40.5cm £80-£120
265. Nine early 20th century Walker and Hall electroplated punch cups each of plain urn form with a scroll handle on a spreading foot fitted with clear glass liners (9), height 12.8cm £50-£80
266. A set of late Victorian electroplated table and dessert knives comprising twelve table knives and ten dessert knives, the plated steel blades stamped, J. Nowill & Sons Sheffield, plain faceted tapering handles, the dessert knives contained in a fitted mahogany case, table knife length 26cm, dessert knife length 22cm, Some blades have move forward from handles and some have some minor areas of blistering £80-£120
267. A Danish Georg Jensen electroplated Bernadotte twelve setting canteen of flatware Georg Jensen Denmark EPNS, comprising twelve table knives, twelve dessert forks, twelve dessert spoons, twelve table knives and twelve dessert knives with stainless steel blades, twelve fish knives and forks, eleven pastry forks, eleven teaspoons, eleven coffee spoons, three large serving spoons, four small serving forks, two cheese knives, two butter knives, two fish serving knives, two large cold meat forks and one medium cold meat fork (qty), table fork 19.1cm £200-£300
268. A late Victorian silver seven piece cruet set London, 1896, Charles Edwards, embossed with scrolling acanthus leaf decoration, comprising a mustard pot with hinged domed cover and blue glass liner, a pair of pepper pots and four cauldron salts with crimped rims and gilt interiors, engraved with a monogram (7), height of mustard pot 9cm, total weight approx. 13.31ozt £150-£250
269. An Elizabeth II presentation silver Armada dish and two Armada pin dishes first London, 1952, Coronation mark, D & J Welby Ltd, embossed with Tudor rose to centre and with feature marks, engraved E.V.E from his friends N.T.G.B 1949-1953 together with the pin dishes, London, 1963 and 1969 by William Comyns Ltd, with feature marks, one engraved 6.11.69 (3), first diameter 15cm, weight approx. 7.93ozt £100-£150
270. A George III silver christening mug and other silver and plated items various dates, makers, first marks rubbed, makers mark but London, makers mark S.M? for Samuel Meriton II, of tapering form with banded of reeded decoration with angular scroll handle, interior gilt together with a pair of silver mounted glass coasters, Birmingham, 1924, Adie Brothers Ltd, a larger similar coaster, unmarked, a pair of dwarf candlesticks with beaded borders and weighted bases, cased 1937 coronation commemorative anointing spoon, a silver mounted glass scent bottle, a napkin ring, etc, together with two hip flasks with plated fittings (qty), first height 6.5cm, weighable silver approx. 5.8ozt £100-£150
271. Two Elizabeth II silver prize armada dishes and two cased christening sets first, London, 1992 William Comyns & Sons Ltd, second, Sheffield, 1993 Henry Hutton & Co, both engraved ‘The Triple Lily Challenge for 1992 and 1993 together with a cased knife forks and spoon christening set and another (qty), diameter 10.9cm, weight approx. 7.96ozt £80-£120
272. A George III silver ogee baluster cream jug and other silver first, London, 1775, Charles Hougham, embossed with floral decoration with wavy edged rim and scroll handle on a domed foot, initialled, a cased Elizabeth II three piece cruet set, Birmingham, 1961, William Suckling Ltd, of plain design with gadrooned rims, a late Victorian silver mounted glass novelty boot table vesta, together with and Old Sheffield plate urn shaped pedestal coffee pot (qty), first height 10.4cm, weight approx. 6.57ozt £80-£120
273. A Victorian silver christening mug and other silver
various dates, makers marks, first London, 1862, George Unite, of lobed baluster form with foliate engraved decoration with a scroll handle on a spreading foot, initialled and dated 1868, together with a cased three piece mother of pearl handled christening set, Birmingham, 1883, George Unite, the case stamped Hamilton & Co. Calcutta, an Art Nouveau embossed hand mirror stamped sterling, a heart shaped chamber stick lacking nozzle, an engine turned cigarette case, a foliate engraved vesta case and four matched Old English pattern teaspoons (qty), first height 9.8cm, weighable silver approx. 9ozt £150-£250
A buyer’s premium of 26.4% inclusive of VAT @ 20% will be applied to each lot. Lots marked ‡ will be subject to an additional fee - please see page 96. 36
274. A collection of silver and plated items
comprising an Indian colonial repoussé silver soap ball box in jungle pattern, Lucknow c.1890 together with two silver Yard O LED propelling pencil, another silver pencil, and a plated Eversharp pencil, an Indian colonial napkin ring, initialled, a teaspoon (qty), first diameter 6cm, weighable silver approx. 2.85ozt £60-£80
275. George V and an Elizabeth II silver sugar casters in 18th century style
first London, 1924, Goldsmiths & Silversmiths Co. Ltd, of plain baluster form, with pull off pierced domed cover, second London, 1960, C J Vander Ltd, of plain ogee baluster, the pull off cover engraved with diaper panels, retailed by Harrods, both on a domed circular spreading foot (2), first height 15.5cm, weight approx. 10.35ozt £140-£180
276. A George III silver milk jug and two Victorian mother of pearl handled butter knives
first London, 1818, maker mark rubbed, of oblong bellied form engraved with a bright cut band of acorns, scrolling oak leaves and flowers with gadrooned borders and leaf capped angular reed handled on ball feet, interior gilt and initialled, together with two butter knives with carved mother of pearl handles, one with Greek key engraved blade, Birmingham, 1870 George Unite, the other Birmingham, 1854, Hillard & Thomason, initialled (3), first length 16.5cm, weight of jug only 5.46ozt £80-£120
277. A late Victorian silver nurses buckle, a compact and other items
first Birmingham, 1898, Cornelius Desormeaux Saunders and James Francis Hollings, in two parts, cast in relief with winged cherubs head in a central shaped reserve within a pierced foliate scroll border together with an Elizabeth II circular engine turned powder compact, a pair of small Edwardian silver topped clear scent bottles, an American silver lidded cut glass powder jar by Gorham, and another silver topped cut glass dress table jar, all engraved with initials (6), first length 12cm, weighable silver approx. 9.07ozt £140-£180
278. A George V silver capstan inkwell, two bonbon dishes and other items
first Chester, 1914, Robert Pringle & Son, with hinged cover and weighted base fitted with a clear glass liner together with an Edwardian, cigar cutter, London, 1903, Cohen and Charles, an Elizabeth II embossed oval pedestal bonbon dish, a pierced bonbon dish stamped sterling, a small twin handled four division toast rack, a pair of Georgian style scissor action sugar tongs, an .800 sifter spoon, a pair of oval foliate engraved napkin rings and an American wheatsheaf pattern spoon (qty), first diameter 11.5cm, weighable silver approx. 11.119ozt £150-£250
279. A pair of George VI Art Deco silver four division toast racks, two shell dishes and a pair of napkin rings
first Birmingham, 1938, plain design with geometric finials, one butter shell, Sheffield, 1905, Atkin Brothers, the other 1902, J Nowill & Sons, the napkin rings with foliate engraved decoration, Sheffield, 1906, Atkin Brothers (6), first 8.4cm, weight approx. 10.83ozt £150-£200
280. A George V silver pedestal bonbon dish, a twin handled sugar basin and two pairs of sugar tongs
first Birmingham, 1905, William Hutton & Sons Ltd, petal edged with beaded rim, second Birmingham, 1902, Henry Williamson Ltd of half fluted design, and two pairs of sugar tongs (4), first height 4.8cm, weight approx. 7.29ozt £80-£120
281. A collection of silver to include a sugar caster, pair of pedestal salts etc. various dates, makers, comprising a baluster from sugar caster in Georgian style, London, 1928, William Comyns & Sons, a cased pair of twin handled pedestal salts with gilt wells and spoons, Birmingham, 1919, Jones & Crompton, initialled, a pair of Art Deco engine turned lozenge shaped napkin rings, Sheffield, 1947, Walker & Hall, cased pair of Belmont II pattern fruit spoons, a pair of half gadrooned oblong bellied salts on ball feet and a pair of pepper pots (Qty), first height 16.5cm, weight approx. 12.33ozt £150-£200
282. A George V silver five piece silver backed dressing table set
London, 1923, Mappin and Webb, engraved with linear engine turned decoration and vacant circular reserve, comprising hand mirror, pair of hair brushes and pair of clothes brushes (5), length hand mirror 27.5cm
£80-£120
283. A George VI silver and blue guilloché enamel four piece dressing table set
London, 1937, William Comyns & Sons Ltd, comprising hand mirror, hair brush, clothes brush and a cut glass powder pot (4), hand mirror length 25cm £100-£150
284. A George V silver pedestal dish and other silver
various dates makers, first Sheffield, 1915, Walker & Hall Ltd, octagonal with pierced rim on a spreading foot, a pair of square ashtrays, a tea strainer, a salt lacking liner, a cased set of six Old English pattern coffee spoons (tongs absent), two napkin rings, etc (qty), first diameter 15.5cm, weight approx. 19.91ozt £250-£350
285. An Elizabeth II silver goblet and other silver
first Sheffield, 1972, Mappin & Webb, plain design with feature hallmarks, together with an Edwardian mother of pearl handled butter knife with foliate engraved blade, Birmingham, 1903, William Devenport, a salt with blue glass liner and a napkin ring (4), first height 13.7cm, weight approx. 5.2ozt £80-£120
286. A collection of silver items various makers marks, dates, comprising a cased set of six bean terminal coffee spoons, two cased spoons and two napkin rings (Qty), various, weight approx. 4.59ozt £50-£80
287. An Elizabeth II silver sugar cased and other silver
first Sheffield, 1984, Mappin & Webb, of tapering form with pull off pierced domed cover, a cased set of twelve Italian .800 coffee spoons, a Victorian cauldron salt with blue glass liner, a small Indian cutch cauldron salt, a pepper pot, a sifter spoon, a pair of sugar tongs with claw terminals, etc (qty), first height 18cm, weight approx. 14.45ozt £180-£220
288. Two modern Indian silver bowls
first stamped indistinctly SILVER of circular tapering form with a foliate repoussé band on feet, second stamped M.A.S.SILVER, with a flared foliate embossed rim (2), weight approx. 8.53ozt £100-£150
289. Two Elizabeth II silver armada dishes
first London, 1979, William Comyns & Sons Ltd, second London, 1971, Mappin & Webb, of typical form with feature hallmarks (2), first diameter 12cm weight approx. 6.96ozt £80-£120
290. An Elizabeth II presentation silver half pint tankard
London, 1957, Cohen & Charles Ltd, of plain bellied from with scroll handled, raised on spreading circular foot, with engraved presentation inscription, height 12cm, weight approx. 10.75ozt £140-£180
291. A pair of Italian .800 silver and blue glass salt and pepper shakers and other items first stamped 800, of blue glass urn form, fitted with domed covers, the bases embossed with stiff leaf decoration on spreading circular foot, together with a George V silver cigarette case of curbed rectangular form with linear engine turned decoration, initialled W.W. London, 1917, Goldsmiths & Silversmiths Co Ltd, and a snuff box, Chester, 1909, Samson Mordan & Co Ltd, of plain rectangular form, the hinged lid with raised reserve, initialled, interior gilt (4), first height 13cm, weight approx. 66.66ozt £80-£120
292. A Victorian silver christening mug and a spill vase first London, 1875, George Fox, with S scroll handle with heart terminal, foliate engraved border and embossed with beaded decoration, on a circular foot, crested and initialled and engraved ‘Angel’, second London, 1897, Edward Barnard & Sons Ltd, of trumpet from with a wavy edged rim, weighted base (2), first height 8.5cm, weighable silver approx. 4.47ozt £80-£120
293. A George V silver salver Chester, 1924, Barker Brothers, square with raised moulded pie crust border raised on scroll legs with hoof feet, 21 x 21cm, weight approx. 13.55ozt £180-£220
294. A collection of silver to include a late Victorian christening mug
various dates, makers marks, the mug of plain tapering form engraved Beatrix, London, 1900 Mappin Bros, an Elizabeth II bottle coaster with pierced sides and turned wood base, London, 1990, a shell. butter dish, Birmingham, 1904, Barker Brothers, a twin handled sugar basin, a pierced an embossed bonbon dish a silver bladed knife with filled handled and a continental Hanau sifter spoon (qty), first height 8.3cm, weighable silver approx. 11.01ozt £150-£250
295. Two silver sugar casters and an inkwell
first London, 1909, Goldsmiths & Silversmiths Co, Ltd, of urn form with reeded borders, second Sheffield, 1924, Walker & Hall, of octagonal baluster form, together with a silver mounted glass inkwell, Chester, 1901, James Deakin & Sons, first height 15.7cm, weight approx. 7.95ozt £100-£150
296. A late Victorian Neoclassical sugar caster, a Hanau caster and another
first Sheffield, 1901, Hawksworth, Eyre & Co, of fluted urn form embossed with medallions and swags, pull of pierced cover raised on a circular foot and square base, second, London import marks for 1891, Edwin Thompson Bryant, of ogee baluster form, cast with panels of putti and flower, bayonet fitting domed cover, third, Birmingham, 1932, Joseph Gloster Ltd, of baluster form with engine turned decoration, bakelite lined (3), first height 19.5cm, weighable silver approx. 12.74ozt £150-£250
297. A collection of silver and plated items
various dates and makers, comprising a George V engine turned table cigarette box, London, 1924, maker mark rubbed, wood lined an early George III cream boat, London, marks rubbed, embossed with flowers and scrolls on hoof feet, an oval pierced mustard pot and an oblong bellied half gadrooned mustard pot both with blue glass liners, a cased set of six butter knives with filled silver handles etc, together with an empire style plated coffee pot with fruitwood handle and a Victorian mahogany cased set of twelve mother of pearl handled electroplated fruit knives and forks (qty), various, weighable silver approx. 6.53ozt £100-£150
298. A collection of silver and electroplated items
various dates, makers marks, comprising a four division toast rack, Sheffield, 1945, W & J AB, a large late Victorian embossed silver mounted hobnail cut scent bottle with internal stopper, Birmingham, Birmingham, 1901, William Devenport, a similar smaller sent, a set of six coffee spoons, six George IV/WilliamIV matched Old English pattern teaspoons, etc, together with a cut glass preserve pot with plated mounts and mechanical action stamped Patent No5518 by Hukin & Heath pair of plated egg shaped salt and pepper shakers and a clear glass scent bottle (qty), first length 7.8cm, weight approx. 11.6ozt £150-£200
299. An Elizabeth II silver pepper mill and other silver
first London, 1975, William Comyns & Sons Ltd, of churn form together with a late Victorian carved mother of pearl handled butter knife, an American sifter spoon, two ‘Brandy’ and ‘Port’ decanter labels, a set of six Maltese .917 coffee spoons with twisted stems and cross terminals, an early Victorian fiddle and shell condiment spoon, etc (qty), first height 9.2cm, weighable silver approx. 6.22ozt £100-£150
300. An Edwardian embossed silver hand mirror, clothes brushes and other items
first Birmingham, 1905, W I Broadway & Co together with a hair brush, three clothes brushes, silver mounted red velvet box and silver handled shoe horn, glove stretcher and button hook (9), first length 24.5cm £80-£120
301. A collection of silver various dates and makers marks, comprising a sugar basin and milk jug of plain form with wavy edged rim, Birmingham, 1909, E S Barnsley & Co, a late Victorian patent tea infuser spoon, Birmingham, 1900, H J Cooper & Co Ltd, an octagonal urn form pepper pot, a salt of half gadrooned oblong bellied form, a plain dwarf taperstick with weighted base, a cased set of six coffee spoons, a jam spoon, a napkin ring, an egg cup, a pair of bright cut George III sugar tongs, a set of eleven coffee spoons, a matched set of William IV/early Victorian fiddle pattern teaspoons, initialled, a jam spoon, a silver backed clothes brush etc, together with a miniature electroplated saucepan (qty), various, weighable silver approx. 22.24ozt £300-£400
302. A set of six Norwegian silver gilt and plique a jour enamel coffee spoons and other silver first stamped 900 MF for Marius Hammer, scrolling stem handles with plique a jour flower and leaf terminals, together with a large continental probably Hanau serving spoon with figural terminal, London import marks, 1895, Lewis Lewis, a sifter spoon with lily terminal, a set of six nailhead terminal coffee spoons and two cased egg cups and spoons, one with presentation inscription (qty), first length 10.8cm, weight approx. 9.77ozt £100-£150
303. A late Victorian silver five piece dressing table set and other items
first Birmingham, 1893, Henry Matthews, comprising a hand mirror, a pair of hairbrushes, a clothes brush and a faceted glass jar with silver top, gadroon embossed decoration with scroll framed reserves and green man masks, initialled, together with two silver handled button hooks and manicure file (8), hand mirror length 28.2cm £80-£120
304. An early Victorian silver cauldron salt, a sugar basin and a George III mustard pot
first London, 1841, Robert Hennell III, of plain form with gadrooned rim on scroll feet, second London, 1894, Charles Boyton, of tapering form with wavy edged rim on scroll legs with pad feet together, third makers rubbed but probably London 1796, makers mark A sugar basin of plain oval bellied form with reeded borders, hinged cover and angular handle, interior gilt (3), first diameter 8cm, weight approx. 14.54ozt £180-£220
305. A late George III silver twin handled sugar basin
London, 1812, Samuel Hennell, of half fluted boat form with gadrooned rims and reeded handles, on ball feet, interior gilt crested, handle to handle 20.5cm, weight approx. 10.22ozt £140-£180
306. Victorian and later silver to include cream jugs and sugar basin
various date, makers, comprising a late Victorian cream jug, Birmingham, 1897, Edward Samuel Jones of half fluted design with engraved decoration, a small cream jug embossed with putti and scrolls, Chester, 1901, Stokes & Ireland Ltd, an Edwardian sugar basin with petal shaped bowl on a domed foot and with gilt interior, Birmingham, date letter rubbed, E.S.Barnsley & Co, a small cream jug, a pair of embossed bonbon dishes and a pedestal bonbon dish with pierced bowl (7), weight approx. 17.04ozt £250-£350
307. An Edwardian silver dish and other silver
various dates, makers marks, first Sheffield, 1909, James Dixon & Sons, of oval form with pierced and embossed decoration together with a late Victorian twin handled butter dish and matching egg cup, a George V christening cup and a modern Armada style pin dish (5), first length 17cm, weight approx. 11.93ozt £150-£200
308. A George V silver dish and other silver
first London, 1914, Corke Brothers & Co, of oval form with pierce sides raised on scroll legs, together with a Victorian small cream jug, London, 1889, Charles Boyton, half fluted with rope-work girdle, crimped rim and scroll handle, an engine turned small cigarette case, two napkin rings, pair .835 Hildersheimer rose pattern salt spoons etc (qty), first length 18cm, weight approx. 12.73ozt
£150-£200
309. A collection of silver to include a George V three piece cruet set
various dates, makers, comprising a three piece cruet set, Birmingham, 1935, Jubilee mark, Adie Brothers
Ltd, of plain bellied form with Celtic strapwork border fitted with blue glass liners, an Edwardian sauce boat in Georgian style, Chester, 1910, George Nathan & Ridley Hayes, a set of eleven continental .800 silvergilt coffee spoons, a sifter spoon, London, 1902, Josiah Williams & Co and a napkin ring engraved ‘Rosalind’ (qty), various, weight approx. 13.28ozt £180-£220
310. A George V presentation silver table cigarette box
London, 1930, Padgett & Branham
Ltd, rectangular, plain sides and engine turned lid, engraved “All Day George And Don’t Forget Me good Luck and Good Health Wyndham
E. Hart” cedar lined, length 17.1cm, total weight approx. 15.75ozt £80-£120
311. A George V silver-gilt and harlequin guilloché enamel cased set of coffee spoons and other silver
first Birmingham, 1926, Levi & Salaman, each with rectangular shovel shaped bowls, together with a pair of napkin rings with gadrooned rims, Sheffield, 1907, Martin, Hall & Co and a cased set of six coffee spoons with bean terminals (4), first length 9.7cm, weight approx. 4.99ozt £80-£120
312. Birmingham Mint. A cased limited edition set of twelve silver Royal Palaces ingots in a fitted walnut case, weight approx. 12.13ozt £140-£180
313. John Pinches. 1000 Years of British Monarchy cased set of fifty silver ingots
Birmingham, 1975, John Pinches, each ingot depicting a different monarchs bust with associated scene, contained in a fitted walnut case, each ingot length 4.5cm, total weight approx. 105.85ozt £1,400-£1,800
314. A collection of silver and plated items
various dates makers marks, comprising a George III punch ladle, London, 1787, makers mark indistinct, oval bowl with beaded rim, twisted baleen handle, a George V spill vase, Birmingham, 1918, Robert Pringle, of square section trumpet shape with petal edged rim on a weighted base, an Edwardian silver topped dressing table jar, a Victorian dressing table jar and two scent bottle with plated tops engraved with a crest and a large leather and EPBM hipflask (7), various £70-£90
315. A collection of silver to include a bottle holder and toast racks various dates, makers, comprising a late Victorian bottle holder, London, 1899 William Comyns Ltd, embossed with scenes of courting couples within scroll borders, on a spreading foot, together with a George V six division toast rack, Sheffield, 1912 James Deakin & Sons with presentation inscription, a four division arched toast rack, a tea strainer on stand, another tea strainer, a modern photograph frame, a cigarette case, pair George III sugar tongs and two other pairs of tongs (10), first height 7.5cm, weight approx £250-£350
316. Two Edwardian silver mounted photograph frames and four modern frames
first Birmingham, 1908, William Devenport, square with reeded borders and circular aperture, second London, 1902, Goldsmiths & Silversmiths Co, the surround pierced and embossed with figures, animals and scrolling foliate, the modern frames in late Victorian style, all with easel strut supports (6), first height 11.5cm, aperture diameter 9cm £100-£150
317. A late Victorian silver tea caddy
Chester, 1896, George Nathan & Ridley Hayes, of bombé lobed form embossed with flowers and scrolls with gadrooned lower border, the hinged domed cover with wrythen finial raised on lion paw, height 13cm, weight approx. 7.65ozt £150-£250
318. An Elizabeth II silver table cigarette box
Birmingham, 1973, Francis Howard Ltd, of plain rectangular form, with hinged engine turned lid with vacant rectangular reserve, cedar lined interior with single division, on bracket feet, length 16cm, total weight approx. 16.86ozt £100-£150
319. A George V silver table cigarette box
London, 1926, William Comyns & Sons Ltd, rectangular with all over engine turned decoration, the hinged lid with rectangular reserve engraved with initials J.N, cedar lined with divisions, length 19.5cm, total weight approx. 14.89ozt £100-£150
320. A William IV rosewood travelling toilet box with silver mounted fittings
London, 1836, Archibald Douglas, the case brass bound with fitted jewellery drawer, flush handles to sides and shaped reserve and bearing initials the fitted leather lined interior with ten silver mounted clear glass jars and bottles, later associated silver handled manicure items, a lift out tray and mirror to lid, the lock stamped J Bramah 124 Piccadilly, weighable silver approx. 5.75ozt £200-£300
321. An early Victorian silver chamberstick
London, 1841, Edward, John & William Barnard, circular form with scroll and shell border and scroll handle, removable drip pan and conical snuffer, crested with the head of a greyhound, height 10cm, diameter 15.5cm, weight approx. 11.78ozt £200-£300
322. A George III silver chamberstick
London, 1776, John Arnell, circular with moulded rim and scroll handle, removable drip pan and conical snuffer, crested with the head of a greyhound, height 11cm, diameter 13.5cm, weight approx. 11.88ozt £200-£300
323. An early 20th century Norwegian .830 silver five light candelabrum stamped 830S, issuing five lights with integral drip pans raised on a weighted oval base, height 21cm, length 38cm £100-£150
324. A pair of late Victorian silver dwarf Corinthian column candlesticks
Sheffield, 1887, James Charles Jay, stop fluted, fitted with shaped detachable drip pans with beaded rims on square stepped weighted bases, crested with a bishops mitre and the motto ‘in Cruce Spero’ (2), height 15.2cm £100-£150
325. A pair of George V silver candlesticks
Sheffield, 1931, William Huttons & Sons, of rectangular form with knopped baluster stems fitted with detachable drip pans with gadrooned rims and borders, on spreading weighted rectangular bases, initialled A.T. and dated 1st May 1934 (3), height 23.5cm £100-£150
326. A mid 20th century South East Asian silver dish unmarked, of oval form with raised moulded petal border and beaded rim engraved V for Victory, on feet, length 28.2cm, weight approx. 9.56ozt £100-£150
327. A large George V silver salver
London, 1912, Henry Hodson Plante, circular with raised piecrust border and gadrooned rim, raised on legs with stepped pad feet, initialled C and engraved verso H Blenner Hassell twice 1888-1913, diameter 42cm, weight approx. 55.26ozt £700-£900
328. An Elizabeth II silver presentation card tray in Georgian style
Birmingham, 1957, Garrard & Co Ltd, of square shaped form with raised moulded border on scroll feet, engraved To Chris Tooley Well done! 1958, stamped Garrard & Co Ltd 112 Regent St London, 14.3 x 14.3cm, weight approx. 6.96ozt £80-£120
329. A George III silver pen tray
London, 1781, John Schofield, of plain silver boat shape with flange handles, raised rim with beaded borders and paterae terminals, raised on splayed bracket feet, initialled, the base with late presentation inscription ‘James Johnstone Bevan the gift of his Brother Charles James Bevan
September A.D. 1853’, length 24cm, weight approx. 3.85ozt £70-£90
330. A mid 18th century Irish small silver salver
Dublin, no date letter, sponsors mark W T.? William Townsend, circular with raised borders with husk and scroll rim, engraved with a band of birds, fruiting vines and scrolls, on stepped hoof feet, crested, scratch weight to reverse 9”15”0, diameter 19.8cm, weight approx. 9.29ozt £150-£250
331. A George V silver-gilt presentation waiter
London, 1931, Cooper Brothers & Sons, of plainer circular form with raised border with shaped rim, engraved 1883-1933 ‘To our Darling Grandparents on the Occasion of their Golden Wedding’, diameter 20.2cm, 8.92ozt £100-£150
332. A George VI silver three piece tea service
Birmingham, 1938, Elkington & Co, of oblong bellied form with gadrooned rims on compressed ball feet, comprising teapot with ebonised handle and final, twin handled sugar basin and milk jug (3), teapot handle to spout 27.5cm, weight approx. 31.87ozt £400-£450
333. A late Victorian silver bachelors teapot
London, 1888, Walter & John Barnard, of circular tapering half fluted form, flanged with shell capped gadrooned rim, fruitwood loop handle with scroll thumbpiece and fluted knop finial, on a circular foot, handle to spout 22cm, weight approx. 10.72ozt
£150-£250
334. A George V matched silver four piece tea and coffee service and a matching electroplated spirit kettle of oblong bellied form with gadrooned rims on ball feet, comprising a teapot, Birmingham, 1905, makers mark rubbed, a coffee pot, Birmingham, 1906, makers mark rubbed both fitted with ebonised handles and finials, and a twin handled sugar basin and milk jug, Birmingham, 1909, makers mark rubbed, together with an electroplated spirit kettle on stand with burner (5), teapot handle to spout 28.5cm, weight approx. 61.73ozt
£800-£1,200
335. A late Victorian silver five piece tea and coffee service
Sheffield, 1880/1886/1887, Elkington & Co, comprising of oval tapering half fluted form, comprising teapot, pedestal coffee pot and spirit kettle on stand with burner fitted with ebonised handles and finials, a twin handled sugar basin and a cream jug, initialled, stamped Elkington & Co Ltd Silversmiths 22 Regent St London (5), teapot handle to spout 27.5cm, weight approx. 100ozt
£1,400-£1,800
336. A late Victorian silver three piece bachelors tea service
London, 1891, Charles Stuart Harris, of ovoid tapering half fluted form with gadrooned rims, comprising teapot with acanthus leaf embossed spout, flanged rim, ebonised loop handle with scroll thumbpiece and fluted knop finial, twin handled sugar basin and milk jug with gilt interiors (3), teapot handle to spout 23cm, weight approx. 16.68ozt
£250-£350
337. An Edwardian silver coffee pot
London, 1904, Charles Stuart Harris Ltd, of half gadrooned baluster form with foliate cased decoration and vacant reserve, with hinged domed cover, ebonised wooden finial and turned side handle, on shell feet, height 21.5cm
£200-£300
339. A George V Art Deco silver three piece tea service
338. A pair of Edwardian silver cafe au lait pots
Sheffield, 1903, J & J Maxfield Ltd, of plain tapering form with flared base with hinged domed covers, ebonised turned side handles and finials (2), height 17cm, weight approx. 16.08ozt
£200-£250
London, 1932 William Comyns & Sons Ltd, of plain circular tapering form with raised border with geometric fan motif, comprising teapot with hinged cover with ebonised wooden finial and angular handle on a spreading foot, together with a twin handled sugar basin and a cream jug, stamped RED 787667 (3), teapot handle to spout 24.5cm, weight approx. 32.83ozt £400-£600
340. A George V silver three piece bachelors tea set
Birmingham, 1922, Deakin & Francis, of plain bellied form on spreading foot comprising a teapot with hinged cover, wooden finial and handle, a twin handled sugar basin and a cream jug (3), teapot handle to spout 19cm, weight approx. 9.56ozt £100-£150
341. A George V silver three piece part tea service
Sheffield, 1912, Walker and Hall Ltd, of oblong form with gadrooned rims on ball feet, comprising a teapot and hot water jug with ebonised handles and finials and a cream jug (3), teapot handle to spout 29cm, weight approx. 54.75ozt £700-£800
342. A late Victorian pierced silver footed twin handled basket
Chester 1901, George Nathan & Ridley Hayes, oval form pierced with foliate scrolls, vacant shield shaped reserves and draped swags with raised scroll border on a spreading foot, length 20.2cm, weight approx. 9.54ozt £150-£250
343. A George V cased silver porringer and spoon
first London, 1911, Goldsmiths and Silversmiths Co Ltd, of plain form with twin leaf capped ring handles and ribbon and reed girdle on domed spreading foot, interior gilt accompanied by a matching ribbon and reed spoon, London, 1911, Charles Clement Piling, in a fitted velvet and silk lined leather case, handle to handle 16.9cm, weight approx. 10.28ozt £150-£250
344. An Elizabeth II large silver Armada dish
London, 1964, Reid & Sons Ltd, of typical design with feature hallmarks and planished centre, diameter 35.8cm, weight approx. 51.21ozt £600-£800
345. An Edwardian silver rose bowl
London, 1909, Harrison Brothers & Howson, of tapering form with petal edged rim and embossed with a band of roses and foliage, on spreading circular foot, height 13.5cm, weight approx. 18.33ozt £300-£400
346. A George V silver twin handled tazza
Sheffield, 1915, Walker & Hall Ltd, of hexagonal shallow form with sinuous whiplash handles, raised on a domed pedestal foot, height 16cm, handle to handle 31.5cm, weight approx. 20.37ozt £250-£350
347. A late Victorian silver swing handled sugar basket
Sheffield, 1877, Fenton Brothers, of oval tapering form with foliate engraved decoration and beaded rims on a pedestal foot, length 17.5cm, weight approx. 7.62ozt £80-£120
348. An Edwardian Art Nouveau silver and enamel sugar bowl
Birmingham, 1905, S Blanckensee & Son Ltd, of plain bellied form with flared rim, repoussé decorated with a floral motif applied with blue and green enamel, height 6.5cm, weight approx. 2.22ozt £70-£90
349. A late Victorian Masonic presentation silver punch bowl
London, 1898, Edward Barnard & Sons Ltd, embossed with scrolls, shells and foliate decoration, on a domed spreading foot, engraved with emblem for Whitby Lodge No 4309 and presentation inscription dated 1924, height 20.2cm, diameter 35cm, weight approx. 54.52ozt £700-£900
350. A late Victorian silver mounted cut glass claret jug
London, 1888, Horace Woodward & Co, the collar chased with scrolling foliate decoration and vacant reserve with hinged domed cover with acanthus leaf finial and scroll handle, flattened ovoid clear body cut with hobnail decoration on a circular foot, height 32cm £100-£150
351. A George IV silver cream jug
London, 1829, William Bateman II, of compressed lobed melon form with leaf capped scroll handle and foliate rim, on leaf scroll cast circular base with shell capped paw feet, interior gilt, handle to spout 16cm, weight approx. 8.07ozt £100-£150
352. A George III silver provincial cream jug, a pedestal salt and a fiddle pattern fish slice
first Newcastle, no date letter, Thomas Watson, of oblong bellied form with gadrooned rim and reeded handled terminating in a shell and bifurcated scroll, on reeded foot rim, initialled, second London, 1800, Abstinando King, of plain form with reeded border and gilt well crested, third London, 1825, maker marks WS (3), first height 9cm, weight approx. 11.82ozt £150-£250
353. An Edwardian silver coffee pot on an associated silver stand with burner
the pot London, 1909, William Comyns & Sons, plain bellied form with hinged domed cover and split cane scroll handle, the burner London, 1895, Henry Stratford, engraved with a crest (3), height 21.5cm, weight approx
£250-£350
354. Matched William IV/early Victorian silver fiddle pattern flatware
mostly, various dates, makers, comprising ten dessert forks, mostly initialled W and four dessert spoons together with a tablespoon and three George III Old English pattern tablespoons (qty), various, weight approx. 25.99
£300-£400
355. An Elizabeth II cased set of twelve silver ‘The Royal Horticultural Society Flower spoons’ Sheffield, 1974, John Pinches, each with threaded terminals embossed in gilt with a different flower, with certificate, in a fitted teak case, length 12.9cm, weight approx. 9.53ozt £140-£180
356. Late Victorian matched silver Old English pattern flatware
London, various dates, mostly 1895/1900, Mappin & Webb/Josiah Williams & Co, comprising two table forks, nine dessert forks and a dessert spoon, initialled R (12), various, weight approx. 21.68ozt £300-£400
357. A matched set of twelve George IV/early Victorian silver fiddle pattern table forks
all London, some 1824/25, 1845/47, makers William Moore/ I.B, Charles Boyton I etc. Some initialled, all crested with a Greyhounds head (12), length 21cm, weight approx. 30ozt £400-£500
358. Early Victorian silver fiddle pattern dessert spoons and forks
all London, various dates 1845/47, various makers, comprising five dessert spoons and three dessert forks, all crested with a greyhounds head, together an Old English pattern table fork and a George III fiddle pattern tablespoon, 1811, George Wintle (10), various, weight approx. 15.8ozt £200-£250
359. Nine George III silver Old English pattern tablespoons
all London, four 1803 Peter, Ann & William Bateman and five 1804, George Smith II & William Fearn, crested with the head of a greyhound (9), length 22.2cm, weight approx. 19.8ozt £250-£350
360. A set of six George III silver Old English pattern dessert spoons
London, 1804, Peter, Ann & William Bateman, crested with the head of a greyhound (6), length 17.9cm, weight approx. 8.29ozt £100-£150
361. Five Victorian silver fiddle pattern tablespoons and three George III Old English pattern tablespoons comprising five fiddle pattern tablespoons, of which four London, 1859/1861/1862, George Adams, together with a pair of Old English pattern tablespoons, London, 1809 John Cotton & Thomas Head II initialled and another George III tablespoon (8), first length 22.5cm, weight approx. 18.34ozt £200-£300
362. Six George IV silver fiddle pattern dessert spoons
London, 1825, Jonathan Hayne, initialled (6), weight approx. 7.69ozt £100-£150
363. George III and later silver teaspoons and sugar tongs various dates, makers, comprising a set of five Old English pattern teaspoons, London, 1808, makers mark WE, initialled, four early Victorian fiddle pattern teaspoons, London, 1841, John & Henry Lias, initialled, a pair of bright cut sugar tongs, London, Hester Bateman, a pair of Old English bead sugar tongs, London, 1861, Francis Higgins, a pair of Tudor pattern sugar tongs, London, 1873, George Adams, etc, together with a George III Old Sheffield plate cream jug (qty), first length 14cm, weight approx. 14.41ozt £180-£220
364. A George I Britannia standard silver Hanoverian pattern rattail tablespoon and a George III double ended marrow scoop first London, 1720, John Smith I, crested, second London, 1763, Thomas & William Chawner (2), first length 18.8cm, weight approx. 2.86ozt £80-£120
365. A mid 18th century Channel Island silver Hanoverian pattern tablespoon and the others first struck P.A once for Pierre Amiraux of Jersey, with double drop heel and scratch engraved initials M.MS together with a George II Hanoverian pattern tablespoon, London, 1723, Edward Jennings, and pair of George III Old English pattern tablespoons, London, 1778, Stephen Adams I (4), first length 19.5cm, weight approx. 7.78ozt £100-£150
366. Five George IV provincial Old English pattern dessert spoons
Newcastle, 1824/25/26, John Walton, initialled (5), length 17.8cm, weight approx. 5.28ozt £80-£120
367. George IV and later silver spoons various dates, makers marks, comprising an Old English pattern tablespoon, London, 1827, Henry Hyams, crested, an Old English pattern sauce ladle, three Victorian Scottish single struck Queens pattern teaspoons, Glasgow, 1857, J & P D, a George III Irish bright cut Celtic point dessert spoon, a matched set of six Old English pattern teaspoons, a pair of sugar tongs, etc. (qty), first length 22cm, weight approx. 12.16ozt £140-£180
368. A collection of silver spoons various dates, makers marks, comprising a pair of late Victorian serving spoons, London, 1898, William Hutton & Sons Ltd in 17th century style with wide circular bowls and cast figural handles with trefoil terminals, a pair of egg cups and covers, Sheffield, 1978, C S of ovoid plain form geometric border on a foliate cast foot rim, a cast Salters Company spoon with shell bowl and coat of arms terminal, Sheffield, 1927, J.W &T, a set of six Roman design coffee spoons, Birmingham, 1964, William Suckling (qty), first length 17.7cm, weight approx. 10.14ozt £100-£150
369. A late Victorian set of six mother of pearl handled silver fruit knives and fork Sheffield, 1889, Martin, Hall & Co, length of knives 21cm £100-£150
A buyer’s premium of 26.4% inclusive of VAT @ 20% will be applied to each lot. Lots marked ‡ will be subject to an additional fee - please see page 96. 46
370. A Victorian silver prize goblet
London, 1859, Joseph Angell II, in renaissance style, the tapering bowl half lobed over embossed decoration, raised on knopped stem and domed foot, interior gilt, bears inscription ‘2nd Surrey Artillery Vol Brigade Single Ladies Prize Won by Private B Baldry No1 Battery Annual Competition 1865’, height 19.4cm, weight approx. 7.47ozt £150-£250
371. A George V Regimental silver hipflask
Sheffield, 1918, James Dixon & Sons, of plain rectangular curved form with bayonet fitting hinged mushroom cap and detachable cup, bears regimental insignia for 2/5th Battalion Loyal North Lancashire `regiment Xmas 1918 B.E.F. France to capt 7 Quartermaster Hill From Lt Colonel C.F. Hitchins D.S.O. for Good Service to the Battalion, height 13cm, weight approx. 7.2ozt £150-£200
372. A George III Neoclassical silver sugar vase
London, 1769, makers mark I.K probably John King, of tapering vase form, the body pierced with a band of vertical slats with beaded borders over a central pierced panel embossed with husk garlands over a band of stiff leaves, raised on three elongated supports capped with rams heads and terminating in hoof feet, liner absent, height 13cm weight approx. 8.36ozt £150-£250
373. An Elizabeth II Modernist silver King Edward the Martyr loving cup and cover London, 1977, Toye, Kenning & Spencer, feature hallmarks, the twin handled straight sided cup decorated with a textured band, the cover with textured finial engraved ‘To The Memory of King Edward the Martyr Slain At Corfe Castle AD 978, interior gilt, numbered 250/500, height 17.8cm, weight approx. 9.46ozt £140-£180
374. Stuart Devlin. (1931-2018) An Elizabeth II Modernist silver and parcel-gilt beaker
London, 1969, Stuart Devlin, of tapering form, with a broad polished rim over a lower section with applied pierced textured decoration on a matte ground, on a circular gilt foot, interior gilt, height 11.2cm, weight approx. 12.65ozt £500-£800
375. Stuart Devlin. (1931-2018) An Elizabeth II Modernist set of silver and parcel-gilt goblets
London, 1970, Stuart Devlin, planished tapering bowls with gilt interiors, raised on gilt tapering stems and slightly domed bases with spiralling textured decoration (6), height 17.7cm, weight approx. 34.96ozt £1,000-£1,500
376. Stuart Devlin. (1931-2018) An Elizabeth II Modernist silver and parcel-gilt goblet commemorating the 25th Anniversary of Charles as Prince of Wales 1958-1983 the polished tapering bowl raised on three graduated tiers of Prince of Wales plumes engraved with the dates 1958-1983 on a slender stem and spreading circular foot, height 21.8cm, weight approx. 7.04ozt £200-£300
377. A George V silver mounted easel back dressing table mirror Birmingham, 1923, Henry Matthews, rectangular with bevel edged mirror plate framed with engine turned and scrolling foliate borders with vacant circular cartouche, oak back with strut support, height 30.7cm, width 22.5cm £100-£150
378. An 18th century silver punch ladle and a George III Old English pattern basting spoon first unmarked the round single lipped bowl with applied foliate rim, the bowl engraved with the arms of the Worshipful Company of Blacksmiths, twisted baleen handled with silver tip, second London, 1803, William Sumner, crested (2), first length 34.2cm, weighable silver approx. 3.39ozt £80-£120
379. A cased pair of late 19th century Russian .84 silver napkin rings
St Petersburg, makers mark HR?, chased with a band of strapwork, raised foliate tooled and beaded borders, engraved to interior with facsimile signature, in a fitted case stamped Grachev St Petersburg, diameter 47mm, 4.21ozt £150-£250
380. A set of six Elizabeth II silver napkin rings
London, 1977, Jubilee mark, JMM, plain curved design with flat bases and feature marks (6), width 5cm, weight approx. 7.03ozt £100-£150
381. An Edwardian silver inkstand Birmingham, 1907, A Willis & Co, rectangular form with raised border with shell capped gadrooned rims, on ball and claw feet, fitted with twin clear faced glass inkwells of compressed form with hinged cover, length 20.5cm, weight approx. 8.93ozt £100-£150
382. A pair of late Victorian silver open salts in Renaissance style first Sheffield, 1882, Charles Favell, of triangular shaped form with embossed decoration and central circular wells on ball feet (2), length 8.7cm, weight approx. 3.38ozt £80-£120
383. A late Victorian Scottish presentation silver quaich
Edinburgh, 1881, Marshall & Sons, of circular lobed form with pierced and engraved handles, the interior chased to centre with acanthus leaves, on a circular foot, engraved with presentation inscription, handle to handle 18cm, weight approx. 4.1ozt £80-£120
384. A late Victorian cased pair of cast fruiting vine grape shears
London, 1901, William Hutton & Sons Ltd, the handles in the form of fruiting vines, length 17.8cm, weight approx. 5.01ozt £80-£120
385. An Edwardian silver-gilt replica of The Tudor (Holms) Cup
Chester, 1910, George Nathan and Ridley Hayes, the font shaped cup with chased fishscale decoration and bearing inscription ‘Benedictus Deus In Dona Suis Ame’, raised on lobed stem and circular foot with conforming decoration, height 10.5cm, weight approx. 11.15ozt £200-£250
386. An Elizabeth II Channel Islands Britannia standard silver Guernsey can and a Guernsey Christening cup first London, 1999, makers mark N ST J Paint & Son, of typical form with scroll handle and cover, second Birmingham, no date letter but 2002, Golden Jubilee mark, Martyn Guille, of typical form with beaded twin scroll handles on circular foot (2), first height 11.5cm, weight approx. 7.77ozt
£100-£150
387. A George III silver double-ended marrow scoop
London, 1797, makers mark indistinct, length 21.1cm, weight approx. 0.68ozt
£50-£80
388. A late Victorian silver mounted glass ‘Glug Glug’ decanter and stopper marks rubbed but probably London, 1899, maker mark indistinct, wrythen moulded clear glass body, the mount pierced and embossed with putti and scrolls, height 27.3cm
£80-£120
389. A Victorian silver hip flask
London, 1879, Wright & Davies, oval form with clear glass body with hinged bayonet fitting mushroom cap and detachable cup with gilt interior, height 13.8cm £140-£180
390. Ø A Chinese export silver teapot Shanghai c.1900, stamped WH 90 for Wang Hing, artisans character mark, of compressed from densely repoussé embossed with flowering prunus branches and birds, with hinged domed cover with branch finial and simulated bamboo loop handle with ivory insulators, on circular foot with splayed feet cast with bamboo leaves, handle to spout length 24cm, weight approx. 22.28ozt
IMPORTANT NOTE: This item has been registered as exempt from the UK Ivory Act 2018. Ivory declaration submission number reference: 8Q5ASZRQ £400-£600
391. A lady’s 9ct gold open faced keyless pocket watch
the dial with an engine turned leafy centre with outer Roman numerals, the back with a central initialled cartouche and entwined scrolls, caseback stamped, ‘K9 11646’, case diam. 30mm, overall weight approx 25.3g £80-£120
392. A Garrard 9ct self winding pocket watch
the silvered dial with gilt Roman numerals, gilt hand and subsidiary seconds, with presentation inscription to the reverse, total weight approx 54.9 approx, case diameter approx 45mm £200-£300
393. An open faced keyless pocket watch
the white enamelled dial with Roman numerals, subsidiary seconds, paint/repair in between II and III, base metal dust cover, inside cover marked K, case diameter 45mm, gross weight 75.3g approx £250-£350
394. An 18K key wind open faced pocket watch
the chapter ring with Roman numerals, blued steel hands, floral decoration to the centre, gold dust cover and inside of case marked 18K, total weight approx 35g, dial diameter 37mm £300-£400
395. A 9ct gold open faced self winding pocket watch
the enamel dial with Roman numerals and subsidiary seconds and minute track, marked on the inside of the cover and winder 375, with dust cover marked 375, case diameter approx 48mm, total gross weight approx 82g £300-£400
396. A Krohne & Sesemann Victorian gold cased open faced pocket thermometer fob
the silvered dial with Arabic and black and brown numerals and numbered 1136, with inscription to the reverse, total weight approx 12g, diameter of dial approx 2.5mm £400-£600
397. A 1940s Rolex stainless steel Oyster Royal precision bracelet wristwatch retailed by Dobbies Ltd Nairobi, the champagne dial with baton and Roman numerals, subsidiary seconds, case number 370150, diameter of case 3cm £200-£300
398. An 18ct gold Buler gentleman’s quartz wristwatch
the gold coloured dial with baton numerals and presentation inscription to the reverse of the case, the reverse of case marked 750 and numbered 7048, in outer maker’s case, diameter approx 34mm £200-£300
399. A Tudor stainless steel gentleman’s self winding wristwatch the silver dial with raised gilt Arabic numerals, gilt hands and minute hand, with later leather strap and case, diameter of case 35mm £100-£150
400. A Gentleman’s stainless steel Omega Seamaster Professional 200M wristwatch REF. 212.30 black wave dial with luminous white hour marker, date aperture at 3 o’ clock, polished sword hands with luminous tips, quartz movement, cal. 1538, serial number 9081****rotating black bezel, screw back case with Seamaster emblem, Omega crowns and Helium escape valve, rubber bracelet with stainless steel Omega buckle, accompanied by a spare Omega 1503/825 stainless steel bracelet with deployment clasp by warranty card date 24.10.09 and pictograms card in wallet with instruction booklet, Omega Seamaster Planet Ocean cleaning cloth and Swiss Watch Company Invoice dated 20.10.10 in a red leather box and outer with outer cardboard cover, dial diameter 32mm, case diameter including winding crown 45mm £800-£1,200
401. A Rolex stainless steel calendar Oysterdate wristwatch serial number 186350, the silvered dial with applied polished baton hour markers with luminous dot marker, polished baton hands with luminous inserts, magnified date aperture at 3, centre seconds, diameter of case approx. 36mm £1,000-£1,500
402. A Breitling Repetition quartz gentleman’s wristwatch
serial number 181952, the signed dial with luminous Arabic and baton numerals and luminous tipped hands and double digital display aperture, with rotating bezel and metal bracelet, together with original box, outer card case certificate and other papers, diameter of case approx 38mm £200-£300
403. A Rolex Oyster Perpetual Stainless Steel Submariner Model number 16610, serial number K800735 black dial, luminous dot markers, baton quarters, Mercedes hands with luminous inserts, centre seconds, magnified date aperture, case brushed and tonneau form with screw down back, oyster link steel strap, clasp numbered 93250, together with leather Rolex box and outer card case, purchase receipt from 2002, shop tag, Rolex tag, paper guarantee, papers and Rolex submariner anchor, case width approx 4.1cm £6,000-£8,000
404. An 18K Roskoff gentleman’s wristwatch
the rectangular dial with Arabic numerals, case marked 18K on the reverse, manual wind, leather strap, diameter of case approx 22mm £200-£300
405. A gentleman’s Jaeger-LeCoultre stainless steel Memovox automatic wristwatch c.1960s circular stainless steep dial with gold dagger batons and quarterly Arabic numerals, inner rotating dial with pointer to set alarm, dauphne hands, automatic bumper movement, screw back case stamped Memovox and numbered 726706, leather strap bracelet, dial diameter 33mm, case diameter 36mm £600-£800
406. A Longines Hydroconquest 30bar/300meter stainless steel gentleman’s wristwatch
serial number 38362292, automatic, blue dial, Arabic and baton numerals, date aperture, rotating bezel, sapphire crystal glass, stainless steel bracelet contained within a presentation box with outer card case and service manual, diameter of case approx 38mm £500-£700
A buyer’s premium of 26.4% inclusive of VAT @ 20% will be applied to each lot. Lots marked ‡ will be subject to an additional fee - please see page 96.
407. A gentleman’s Oris stainless steel automatic Diver’s wristwatch ref 7609 circular blue wave with raised silver hour dagger markers with luminous inserts, subsidiary seconds dial between 9 and 12 o’clock, outer seconds in white, blue enamel fluted rotating bezel with tachymeter scale, stainless steel bracelet with deployment clasp signed Oris, dial diameter 38mm, case diameter 46mm £300-£400
408. A lady’s Rolex oyster perpetual wristwatch circular black dial, with luminous baton and Arabic numerals, to a stainless steel bracelet, stamped to clasp “SteelNox / Rolex / Swiss Made”, numbered 78240, dial diameter approx. 20mm, case diameter 25mm £500-£800
409. A lady’s Rolex stainless steel and 18K gold diamond set Oyster Perpetual Datejust bracelet wristwatch Model number 179173, Serial number g698713, automatic, the gold crystal dial with applied diamond set hour markers, magnified date aperture at 3, gilt baton hands with centre seconds, with steel and gold jubilee link bracelet, contained within a Rolex box with Rolex guarantee card, booklets, additional bracelet link and Rolex tag, diameter of case approximately 2.8mm approx £2,500-£3,500
410. An 18ct white gold and diamond lady’s Long Island wristwatch by Franck Muller model number 1000 SC D 1P, the engine-turned silvered dial with diamond-set centre, Arabic numerals, blued steel hand, two-part case in 18k white gold, brushed and polished, bezel partially set with pave set brilliantcut diamonds, screwed case back, case numbered 120, white leather strap (worn), contained within a Black crock leather carrying case and guarantee with Harrods retail stamp, case, dial and movement signed, total weight approx. 85g, width of case approx 31mm £2,500-£3,500
411. A lady’s 18ct gold Longines Evidenza wristwatch Ref. L2 1756 6 tonneau shaped silvered dial with Roman numerals, minute track, subsidiary seconds dial and blued steel leaf hands, case back marked L2 175 6 EFCo Longines 18 Carat Gold 32742172, stamped with Swiss control marks, leather strap bracelet, case length 29mm, gross weight approx. 20.5g
£200-£300
412. A lady’s wristwatch
circular white dial with black Roman numerals, minute track, subsidiary seconds dial, 15 jewel movement, case stamped “9.375”, flexible link strap, unmarked, total approx. weight (incl. movement) 28.7g £150-£250
413. A 9ct gold cased lady’s wristwatch circular white dial, with gilt dot outer minute markers, Arabic numerals and blue steeled hands, 15 jewel movement, stamped with hallmarks to cased, numbered 220817, with an expandable bracelet marked indistinctly “9ct”, total approx. weight (incl. movement) 20g £200-£300
414. A lady’s 9ct gold wristwatch by Audax circular white dial with raised Arabic and baton numerals, outer dot minute track, numbered ‘074282’, stamped with hallmarks, with articulated brick link bracelet and fold over clasp, total approx weight (without movement) 9.6g £140-£180
415. An Omega Constellation Chronometer Automatic lady’s watch wristwatch the white dial with gilt baton hours, gilt and luminescent hands, with gilt metal bezel with Roman Numerals, Omega crown, numbered to case 58170298, stainless steel and gold end bar bracelet with monogrammed clasp, total approx. weight 49.5g £200-£300
416. A lady’s Rotary wristwatch circular white dial, with Roman numerals, minute track, signed Rotary, Quartz movement, flexible 9ct gold brick-link bracelet, stamped with hallmarks, with safety chain, total approx. weight (incl. movement) 23.2g £200-£300
417. A 14K Tiffany lady’s wristwatch
the rectangular dial with Roman numerals, self winding, leather Tiffany strap, contained within a Tiffany pochette, box, warranty, reverse of case marked 585, diameter of dial 16mm
£300-£500
418. A lady’s Rolex Precision 9ct white gold wristwatch
circular silvered dial, with baton hour markers, textured articulated strap, stamped with hallmarks to clasp, total approx. weight (incl. movement) 20g £200-£300
419. A 1930s platinum, white gold and diamond lady’s cocktail bracelet wristwatch
the rectangular dial with Arabic numerals, blued steel hands, with platinum case set with diamond case, reverse of the case and inside of case stamped PLATINUM, manual wind, six jewel movement, the clasp stamped 9ct gold, total length 16.5mm, total weight approx 21g
£300-£400
420. A 9ct gold lady’s Tissot bracelet wristwatch
the silvered circular dial with baton numerals, manual wind, textured strap with clasp marked 375, total weight approx 36.8g
£350-£450
421. Two lady’s fob watches
the first; 9ct gold lady’s open face fob watch, circular dial with gilt chapter ring, Roman numerals, dot minute markers and chased floral decoration to the centre, the second; a lady’s fob watch, with white circular dial, Arabic numerals and gilt minute markers, stamped “0.585” (2), total approx. weight of 9ct gold fob (incl. movement) 20.5g, total approx. diameter. 3cm, total approx. weight of 19.5g
£200-£300
422. An 18ct gold Boucheron lady’s bracelet manual wind, square gold coloured dial with gilt hands, numbered on the reverse 77580, the case signed Boucheron Paris, with open link bracelet and suede pouch, total weight 44.9g
£1,000-£1,500
A buyer’s premium of 26.4% inclusive of VAT @ 20% will be applied to each lot. Lots marked ‡ will be subject to an additional fee - please see page 96.
423. A 9ct gold lady’s Tissot wristwatch
the oval gold coloured dial with baton numerals, with textured strap stamped on the clasp 375, manual wind, in original case, total weight approx 18g £150-£250
424. A lady’s manual wind white gold diamond and emerald Omega wristwatch the oval dial with baton numerals, emerald and diamond bezel, indistinct import marks to the reverse of the case, with unmarked flexible link bracelet, contained in Omega hard case, total weight 49.2cm £2,000-£3,000
425. An 18ct manual wind white gold and enamel lady’s wristwatch
the engine turned blue enamel dial with gilt Arabic numerals and gilt hands, with bezel set with old cut diamonds, on a fine mesh strap with sliding buckle stamped 18ct contained within a fitted velvet lined case retailed by Goldsmiths and Silversmiths, width of dial approx 25mm £800-£1,200
426. A mid/late 19th century pearl and diamond-set necklace
the front section comprising old-cut diamond and seed pearl festoons alternating with half pearl-set star links and centring on a pearl and diamond cluster suspending a detachable slightly baroque ovoid pearl with diamond-set cap, to the knife-edge bar link back chain with alternating diamond and diamond collets, with later trace link chain extensions, silver and yellow gold setting, fitted leather case with impressed continental crown to the interior silk, necklace length 39cm; pearl drop length (including cap) 19.3mm, width 8.1mm, 1.72g
Offered with a report numbered 5781-1728, dated 18 March 2024 from the Gemmological Certification Services, London, stating that the pearl drop is natural saltwater with no indication of treatment £3,000-£5,000
427. A string of cultured pearls featuring a diamond set clasp, stamped “750”, of pale pinkish hue, total approx. length 68cm £400-£600
428. A string of cultured pearls of graduating form, creamy yellow hue, clasp set with a cultured pearl, stamped “18K”, total approx. length 45cm £80-£120
429. Four strand cultured pearl necklace of even size, with shield motif, set with a colourless gem and four cultured pearls, stamped ‘750’, total approx. length 42cm £250-£350
430. A cultured pearl bracelet two rows of cultured pearls of creamy hue, with a rectangular clasp, stamped “750”, total approx. length 18cm, total approx. weight 13.3g £80-£120
431. Three strand cultured pearl necklace of even form, with a cultured pearl floral cluster push clasp, with a wire-work mount, stamped “750/18K”, with securing side clasp, total approx. length 40cm, total approx. weight of clasp 4g £300-£500
432. A double strand of jade beads of uniform size, with 9ct gold peridot and pearl clasp, in a rope-twist open work design, total approx. length 49cm, total approx. weight clasp 4g £200-£300
433. A two strand hardstone bead choker necklace to the early 19th century shell cameo and yellow gold clasp
the mottled carnelian spherical beads measuring 9mm in diameter to the oval cameo of Cupid shaking the lion’s paw, collet-set above the yellow gold alternating textured flowerhead and plain spherical bead oval clasp, with two continental control marks, with folding suedette case for N Bloom, shorter length 36.5cm, 78.8g £200-£300
434. A 19th century Chinese Hediao nut double strand necklace
carved Heido nuts, set between faceted garnet beads, associated gilt clasp, set with coloured gems, approx. bead diameter 1.4cm, total approx. length 36cm, total approx. weight 47.7g £100-£150
435. 18ct gold and diamond necklace featuring claw set round brilliantcut diamonds, attached to a flexible link chain, stamped to clasp tongue with hallmarks, total approx. length 40cm, total approx. weight 13.5g £300-£400
A wire-work fringe necklace
circular and oval wire-work motifs, suspending five open wire-work drops, to the trace-link back chain, total approx. length 44cm, total approx. weight 7.5g £180-£220
437. A stylish 18ct gold twisted knot necklace
featuring a fancy C link chain, of adjustable design, total approx. length 84.5cm, total approx. weight 120g £3,500-£4,500
438. A impressive fancy-link D section necklace and bracelet of adjustable length, necklace can be extended with the bracelet, stamped “750” to clasp, total approx. length of necklace (not extended) 44cm, total approx. length of bracelet 20.3cm, total approx. length of necklace (with bracelet extension) 65cm, total approx. weight 276.3g £8,000-£12,000
439. 9ct gold textured necklace of interlocking circular links, stamped with Birmingham hallmarks, total approx. length 40.5cm, total approx. weight 75.6g £1,200-£1,800
440. A multi-strand matching necklace and bracelet retailed by Mappin & Webb multi-strands of silver ball and curb-link chains, with large circular dog clip, stamped with hallmarks, complete with Mappin & Webb case (2), total approx. weight 123g, total approx. length of the bracelet 15cm, total approx. length of the necklace 41cm £100-£150
441. A four-bar gate bracelet indistinctly stamped “9ct”, with heart padlock clasp chased with a foliate design, stamped “9ct”, with safety chain, total approx. weight 14.8g £150-£200
442. A charm bracelet stamped to clasp “750”, suspending various charms including an Elizabeth II full sovereign, dated 1966, head facing right, George slaying the dragon to rev, within a loose mount; 10 Pesos gold coin, set within a loose mount; a bull’s head; an open work poodle pendant, stamped to suspension loop “750”, total approx. weight 44.8g £1,000-£1,500
443. A gem and hardstone set charm bracelet
gold cable link chain suspending various charms including an agate fob, a turquoise charm, a fob set with a foiled purple gem, a carved bloodstone bead, two yellow faceted gem charms and a carved red hardstone charm, total approx. length 19cm, total approx. weight 67.7g £400-£600
444. A blue enamel and silver panel bracelet designed by Agnar Skrede (1929-2004) for David Andersen
apart of the “Wave” series, stamped “D-A NORWAY STERLING”, total approx. length 18cm, total approx. weight 60.9g £100-£150
445. A diamond-set flexible link bracelet
the 11 brilliant-cut diamond-set hexagonal collets each separated by a double bar link, concealed clasp
446. A collection of bracelets
9ct gold fine trace-link chain, stamped with hallmarks; 9ct gold fine S link chain, stamped with London import marks; fetter and three link chain, stamped “750” and fine boxlink chain, stamped “9K” to tag (4), total approx. weight of hallmarked gold 2.4g, total approx. weight of lot 9.1g, total approx. length 23cm £200-£300
447. 9ct gold charm bracelet
9ct gold curb-link bracelet, stamped to each like “9 375”, suspending variously stamped charms, including a corgi, a lion, a tiger, an octopus and a strawberry, with 9ct gold heart padlock clasp, with a safety chain, total approx. weight 80.8g £900-£1,100
448. A curb link bracelet stamped to “18c” to push clasp, total approx. weight 13.1g, total approx. length 19cm
£400-£500
449. Cartier. Love bracelet featuring crossed 18ct rose and white gold bands, set with twelve round brilliant cut diamonds, and screw head design, with screw fitting, total approx. weight 46.3g, a close fit on a 16cm, diameter wrist
£5,000-£6,000
450. 9ct gold curb-link bracelet stamped to link “9.375”, with 9ct gold heart padlock clasp, stamped with hallmarks, and safety chain, total approx. weight 15g
£180-£220
451. A curb-link bracelet stamped to clasp tongue “15ct”, suspending four Persian Ahmad, Shah Hay-Toman 25 Kurus, Ottoman, total approx. weight 11.9g
£300-£400
452. A fancy-link gate bracelet stamped “9.375” with 9ct gold heart padlock clasp, stamped with hallmarks and safety chain, total approx. weight 35g
£500-£550
453. 9ct gold gate bracelet
stamped with hallmarks, with heartpadlock clasp and safety chain, total approx. weight 19.2g £200-£300
454. A 9ct gold charm bracelet suspending various charms including a crown, a banjo, a horn, a hedgehog etc, mostly all stamped with 9ct gold hallmarks, some stamped “9ct” suspended from a fancy link bracelet, total approx. length 19cm, total approx. weight 49.5g
£600-£800
455. 9ct gold twisted chain bracelet stamped to each link “9.375”, suspending a swivel fob charm, with a heart padlock clasp, stamped “15ct” with safety chain, total approx. weight 32.3g
£450-£550
456. 9ct gold gate bracelet stamped with Birmingham hallmarks and convention marks, with a heart padlock clasp, stamped “375” and safety chain, total approx. weight 26.7g £400-£500
457. A Victorian Scottish agate panel bracelet
featuring four carved agate panels, with push clasp chased with a scrolling design, total approx. length 16.5cm, total approx. weight 48.1g £100-£150
458. 19th Century beaded coral hinged bangle featuring circular and ovoid coral, with push clasp, unmarked, total approx. weight 61.6g £100-£150
459. Silver twisted love knot bangle by Hans Hansen stamped “Hans Hansen / 925S / Denmark”, total approx. diameter 7.2cm, total approx. weight 1.88ozt £100-£150
460. Silver and faceted rock crystal bangle designed by Niels Erik From bezel-set circular mix-cut rock crystal (quartz), set to a plain tapering bangle, stamped “Sterling / Denmark / NE From / 925S”, total approx. diameter 6.3cm, total approx. weight 1.19ozt £80-£120
461. A group of Indian bangles mixed textured designs, tests as high carat, total approx. weight 54.2g
£1,500-£2,000
462. A pair of bangles of hexagonal form, etched starburst design, stamped “22K” (2), total approx. diameter 6.8cm, total approx. weight 19.5g
£600-£800
463. A pair of Chinese bangles with a chased abstract design, stamped with a Chinese character “2 90%” (2), total approx. weight 13.5g
£400-£600
464. A group of six bangles a pair of 9ct gold twisted bangles, stamped with hallmarks; a bangle with a chased design, stamped “750”; twisted hinged bangle, stamped to clasp “filled” and stamped indistinctly and two other unmarked bangles (6), total approx. weight of hallmarked gold 5.6g, total approx. weight of bangle stamped “750” 3.3g, total approx. weight of unmarked bangles 12g, total approx. weight of filled bangle 15.3g
£250-£350
465. A diamond-set evening watch the square dial with Arabic numerals and dot markers to the diamond-set bezel, and lugs of various designs to the tapering engraved box link strap bracelet set with brilliant-cut diamonds, length approx 19cm, 28.3g £500-£800
466. An impressive early 20th century diamond-set brooch of ornate slightly bombé openwork linear and cusped design, the central line of graduated old brilliant-cut diamond collets within the old-cut diamond-set border, length 7.4cm, 15.9g £4,000-£6,000
467. An impressive triple full hoop diamond-set eternity ring the central line of 16 princess-cut diamonds, each with an estimated spread weight of 0.45-0.50cts, bordered to either side with a line of brilliant-cut diamonds, stamped ‘PLATINUM’, ring size N1⁄2 (leading edge), 16.7g £4,000-£6,000
468. A diamond single stone ring
the brilliant-cut diamond weighing 3.12cts, claw-set to the plain tapering platinum shank, London hallmark, ring size J1⁄2, 5.8g £8,000-£12,000
469. A diamond single stone bar brooch
the old brilliant-cut diamond estimated to weigh approx. 1.5cts, coronet-set to the bifurcated bar brooch, brooch length 4.5cm, 4.2g £1,200-£1,800
470. A diamond bar brooch
the central millegrain collet set with an old brilliant-cut diamond within a surround of six single-cut diamond collets to the bifurcated bar, length 5.9cm, 3.8g £300-£500
471. A sapphire and diamond-set brooch
the openwork bow set with single-cu t and rose-cut diamonds with a calibré-cut sapphire collet to the centre, stamped ‘18Ct & PT’, width 3.2cm, 4.7g £200-£300
472. 9ct gold cable-link guard chain stamped to clasp “A.C.C. 9ct” and stamped to link “9c”, total approx. length 73cm, total approx. weight 41.2g
£500-£700
473. 9ct gold fetter link chain stamped to links “9.375”, suspending t-bar, total approx. length 36cm, total approx. weight 29.8g
£400-£500
474. Two curb-link chains tests for high carat, total approx. length 12.3cm, total approx. weight 48.6g
£1,200-£1,800
475. A collection of accessories
9ct gold flattened curb-link chain, stamped with London import marks; 9ct gold fetter link chain, stamped with London import marks; 9ct gold fine fetter link chain, stamped with London import marks; 9ct gold fetter and three link chain, stamped with import marks; fine twisted fancy link chain, stamped “585” and other items (qty), total approx. length of the first 52.5cm, total approx. weight of 9ct gold 18.7g, total approx. weight of other items 14.4g
£400-£600
476. A collection of chains
9ct gold flattened box-link chain, stamped with hallmarks to tag; 9ct gold fine belcher chain, stamped with hallmarks to link; fine elongated oblong cable link chain; fine curb-link chain, stamped to clasp “375”; fine trace-link chain, unmarked (5), total approx. weight of hallmarked gold 12.5g, total approx. weight of lot 19.1g
£300-£400
477. 18ct gold diamond single stone necklace
round brilliant cut diamond, bezel set, suspended from a bar chain, stamped with hallmarks together with 9ct gold diamond single stone necklace, suspended on a serpentine chain, stamped to tag with hallmarks and 9ct gold box link chain (3), total approx. lengths 39cm, 40.5cm, 60cm weight of 18ct gold 3.4g, total approx. weight of 9ct gold 6.4g £150-£250
478. A curb-link bracelet
indistinctly stamped for 9ct gold together with a watch chain stamped “9c” (2), total approx. weight of curb-link chain 13.2g, total approx. weight of watch-chain 8g, total approx. length 23cm £200-£300
479. A collection of chains
9ct yellow gold twisted rope chain, stamped with hallmarks to clasp; 9ct gold flattened curb-link chain, stamped with hallmarks to clasp; a flat curblink chain stamped 375 to the bolt ring clasp, a fine curb-link chain, stamped “9ct” to clasp; a flattened curb-link chain, stamped “9ct” to clasp and an unmarked chain, total approx. weight of hallmarked gold 14.7g, total approx. weight of other items 20.5g (5) £450-£550
480. 9ct gold double Albert watch chain
stamped to each link “9.375”, suspending T-bar and a hardstone set swivel fob, total approx. length 40cm, total approx. weight 85.6g £900-£1,100
481. A twisted chain and other items stamped “21” to clasp, together with; a charm depicting the head of Christ, and inscribed “Dio Ti Protegga”, stamped “750” and a fine trace-link chain, total approx. lengths 39.8cm, 40.3cm, total approx. weight of chains 6.1g, total approx. weight of charm 1.9g £150-£250
482. Two 9ct gold chains
9ct gold rope chain, stamped with hallmarks to tag together with 9ct gold curb-link chain, stamped with hallmarks (2), total approx. length 61cm, total approx. weight 24.1g
£240-£280
483. Twisted rope chain stamped to tag ‘750’, total approx. length 89cm, total approx. weight 34.5g £800-£1,200
484. A Victorian painted ceramic and gold mounted brooch depicting an angel, set within a gold brooch mount, with twisted rope border, total approx. diameter 5.2cm, total approx. weight 26.8g £60-£80
485. A group of three brooches citrine set gold open work brooch, central oval mix-cut citrine, bezel set to a scrolling gold mount, with safety chain; gold memorial brooch, central swivel glazed panel, one side set with plaited hair, set to a scrolling mount, with safety chain; a gold cameo brooch, cameo shell depicting a classical figure, bezel set to a gold mount, stamped “9ct” with safety chain (3), total approx. diameter (in order of cataloguing) 5cm, 6.5cm, 4cm, total approx. weight 38.4g £250-£350
486. A Victorian oval shell cameo brooch carved to depict the head and shoulders of probably Demeter and Persephone, both with floral garlands in their hair, and the attributes of a sheaf of corn, crescent moon and stars and with a dove perched on a quiver of arrows, collet-set within a yellow gold frame applied with a ropetwist border, length 6.7cm, width 4.8cm £100-£150
488. A early / mid Victorian agate, enamel and yellow gold brooch the central oval banded agate cabochon collet-set the above the yellow gold wirework surround decorated with white enamel circles and bead centres, a rectangular banded agate to each of the protruding cardinal points, glazed compartment to the reverse, overall length 5.0cm, 4.3cm, 20.7g £200-£300
487. A mid Victorian gem-set and yellow gold insect bar brooch the two knife edge bars with a sphere terminal applied to the centre with an insect, with an oval opal cabochon abdomen, red stone (probably spinel) thorax and half pearl wings, contemporary fitted case, width 6.1cm, 5.1g (pin not gold) £250-£350
489. A mid 19th century turquoise and yellow gold locket brooch of circular domed form, a lasquécut diamond to the centre within a turquoise surround, the outer surround with applied bead and wire work decoration and set at intervals with a turquoise collet, glazed compartment to the reverse, total approx. diameter 3.1cm, total approx. weight 9.6g £150-£250
490. Two brooches the first; a seed-pearl star-burst brooch, with integral suspension loop, stamped to reverse “18ct”, the second; an amethyst set brooch, closed back setting, possibly foiled, of open work design with chased details (2), total approx. diameter (the first) 3.5cm, total approx. diameter (the second) 3cm, total approx. weight (the first) 5.3g, total approx. weight (the second)brooch 4.7g £150-£250
491. A turquoise and diamond brooch
the slightly bombé flowerhead cluster composed of triple wirework ‘C’ scrolls claw-set with turquoise cabochons and eight brilliant-cut diamonds, stamped with various marks including country, maker and ‘18’, over all length 6.1cm, width 4/2cm, 26g
£800-£1,200
492. A shell cameo brooch depicting a young lady, set within an yellow-metal frame, stamped “750”, total approx weight 10g, total approx diameter 4cm
£100-£150
493. Two Edwardian brooches the first; an Edwardian amethyst and seed pearl brooch, of open-worlk scrolling design, centrally-set with an oval amethyst surrounded by four circular-cut amethysts and seed pearl border, amethyst pear collet-set drop, stamped “W & Bros 9ct”; the second; an Edwardian opal and seed pearl brooch, of open-scrolling design, centrally-set with a circular cabochon opal surrounded by a border of seed pearls, one opal claw-set drop and integral suspension loop (2), total approx. diameter 2.7g, total approx. weight 7.7g £150-£250
494. A shell cameo ‘angel skin’ brooch depicting a female Grecian figure, set within a scallop edge mount, stamped “9c”, total approx. diameter within mount 5cm, total approx. diameter overall 6cm, total approx. weight 18.2g £100-£150
495. A continental 18ct gold brooch in the form of a lady, blue and pale pink enamel, set with a single colourless gem to the figure, stamped with hallmarks, with suspension loop fitting, total approx. diameter 4.5cm, total approx. weight 5.7g £150-£250
496. An enamel Kingfisher brooch green, red and white enamel Kingfisher, with an orange enamel fish in its beak, perched on a branch, stamped 750, with safety chain, total approx. diameter 2.5cm, total approx. weight 5.6g £150-£200
497. An open wire-work fringe brooch with interlocking wire-work floral motifs set to a bar brooch setting, stamped “1000” to the back, total approx. length 5cm, total approx. drop length 5.5cm £100-£150
498. A Late 19th / Early 20th Century diamond and pearl set floral brooch of open-work design, set with rose-cut diamonds of graduating form, pearl set to centre with four surrounding pearls, stamped with Austrian import marks, total approx. diameter 2.5cm, total approx. weight 5.2g £100-£150
499. A mid Victorian banded agate brooch the oval agate cabochon collet-set above the yellow gold surround applied with bead and wirework decoration, width 3.3cm, 12.7g £100-£150
500. A 15ct gold bar brooch set with a rose-cut diamond to the centre and surrounding floral motifs together with another of similar design, indistinctly stamped ‘9ct’ (2), total approx. weight of 15ct gold 3.4g, total approx. weight of other item 4.8g, total approx. length 4.2cm £80-£120
501. A double swallow brooch
pearl and turquoise set swallows, on separate brooch mounts with attached chain decoration, total approx. weight 3.3g, total approx. diameter 2cm £100-£150
502. A mid Victorian diamond-set and enamel brooch
the yellow gold openwork circle set with old brilliant-cut diamonds and applied with a four ‘C’ scroll guilloché blue enamel swirl, a cushion-shaped old brilliant-cut diamond colletset to the centre, a small glazed compartment to the reverse, fitted case for Benzie of Cowes, maximum width 2.6cm, 7.0g £400-£600
503. A gold South African Prospectors brooch, circa 1900 spade and nugget motif, stamped “18ct”, with a safety chain complete with original box inscribed “Goch Pollock & Co. Jewellers & Co. Johannesburg”, total approx. length 6.3cm, total approx. weight 6.2g
504. A sapphire, pearl and diamond-set bar brooch
the central oval mixed-cut sapphire with a pearl (untested) and four rose-cut diamonds to each side, mounted in silver and yellow gold, fitted gilt tooled and leather case, length 5cm, 7.6g
505. Three Edwardian brooches:
an diamond-set arrow brooch, applied with ‘1924’ in calibré-cut sapphires; together with a 15ct yellow gold and enamel brooch by Benzie applied with an enamel flag depicting the letter ‘L’ for ‘’you should stop your vessel instantly’, pin deficient; and a Royal Navy enamel crown brooch, arrow: width 4.9cm, 4.0g; flag 2.1g
506. Two Victorian gold sentimental brooches
the first; pearl and blue gem set floral brooch, with a sentimental window to the back, the second; circular gold brooch, with applied floral design to centre, with a sentimental window to back (2), total approx. diameter of the first 3cm, total approx. diameter of the second 3.7cm, total approx. weight 28.4g
£400-£600
507. Two gem set brooches
the first; 9ct gold red gem and pear set circular brooch, stamped with import marks, the second; an amethyst and pearl brooch, of open work design featuring two square-cut amethysts in an pearl set open work frame (2), total approx. weight of the circular brooch 2.8g, total approx. weight of amethyst brooch 4.5g
£100-£150
508. A cultured pearl and diamond bar brooch
the two row bar set with three cultured pearls separated by a brilliant-cut diamond coronet flowerhead, control marks stamped to the pin, length 6.1cm, 5.3g £150-£250
509. A Victorian 9ct gold bar brooch stamped with hallmarks, set with pinkish gemstones and half pearls to central panel, with a sentimental window to the reverse together with an 18ct gold lady’s wristwatch, circular dial with black Arabic numerals, outer minute track, 17 jewel movement, on a black material strap, clasp stamped “rolled gold” and an agate set brooch, central cabochon agate set above encircling vine leaf border (3), total approx. weight of watch (incl. movement) 10g, total approx. weight of bar brooch 2.4g, total approx. weight of lot 17.9g £180-£220
510. A stylish two tone necklace of ball and barrel design, stamped with London import marks, stamped “MN & WB”, total approx. length 82cm, total approx. weight 46.5g
£500-£700
511. 9ct gold modernist plaque brooch by Pleasance Kirk of a shaped square design, with a textured surface, stamped with hallmarks and stamped ‘PEK’, complete with box, total approx. diameter 4.5cm, total approx. weight 12.9g £180-£220
512. An attractive 18ct gold heart link bracelet by Garrard of interlocking heart link design, with push clasp and securing clasps, stamped with hallmarks, stamped “Garrard” and “G & Co”, total approx. length 17.5cm, total approx. weight 97.6g
£3,000-£5,000
513. A 1950s 9ct gold articulated belt buckle bracelet flexible guerteltier design, with oversized buckle fastening, stamped with London hallmarks, total approx. length 21.7cm, total approx. weight 55.6g
£800-£1,200
514. An Italian flexible link bracelet interchanging ovoid and addorsed C terminals, with concealed push clasp, stamped “750”, total approx. length 21.5cm, total approx. weight 19.5g
£600-£800
515. An abstract seed pearl brooch of scrolling open work design, with seed pearl terminals, tests as high carat, total approx. diameter 3.5cm, total approx. weight 19.9g
£600-£800
516. A pair of 14K gold double barrel cufflinks stamped with hallmarks, total approx. weight 18.9g
£350-£450
517. A pair of diamond-set ear pendants
en suite with the previous lot, each comprising a tapering line of graduated wirework clusters, each centrally-set with a brilliant-cut diamond, unsigned but presumably by Garrards, leather and gilt tooled fitted case for Garrard, length 2.6cm, 5.5g £500-£700
518. A diamond-set flexible link bracelet by Garrard
the graduated line of 18ct yellow gold wirework clusters, each centrally-set with a brilliant-cut diamond, concealed box clasp, signed ‘G&Co’, London import mark; leather gilt tooled case for Garrard, length 18.5cm, 20.1g £1,000-£1,500
519. A 9ct gold articulated necklace with a flexible fish scale design, stamped with hallmarks to box clasp, total approx. length 37cm, total approx. weight 47.4g £750-£1,000
520. A pair of mid 19th century yellow gold and gem-set ear pendants
each oval bloomed gold hollow plaques applied with a cross set with alternating cushion-cu t rubies and old brilliant-cut diamonds, suspended from a detachable snake’s head hook, overall length 4.4cm approx, combined 8.4g £400-£600
521. A pair of citrine drop earrings
four oval mix-cut citrines, bezel-set of slightly graduating form with screw backs (2), total approx. length 3.8cm, total approx. weight 8.8g £150-£250
522. A pair of garnet ear-pendants
oval mix-cut garnet collet-set, suspended from a garnet three stone cluster surmount, total approx. length 3.5cm, total approx. weight 14.9 £300-£400
523. An amethyst and diamond-set ring and a pair of ear-studs the oval mixed-cut amethyst ring claw-set with two pairs of brilliant-cut diamonds, the earrings each set with a pair of brilliant-cut diamonds, total weight 11.5g £300-£400
524. A pair of carnelian Islamic earclips
the squared plaques with Islamic script inset within frame with beaded border, the reverse with French control marks for 18ct, diameter approx 22mm £80-£120
525. ‘Happy Diamonds Icons’ heart ear-studs by Chopard 18ct white gold featuring round brilliant-cut diamonds, total approx. 0.10ct, free between two synthetic sapphire windows inscribed ‘Chopard’, stamped to stem “750”, complete with original box and certificate of origin, total approx. weight 5.2g, total approx. diameter 8mm £300-£400
526. A pair of green quartz ear-studs by Sasha Ratiu
round mix-cut green quartz, claws set with brownish gemstones, within a Sasha Ratiu box, total approx. diameter 1.5cm, total approx. weight 9.6g £200-£300
527. A pair of coral and diamond ear-studs by Sasha Ratiu featuring carved coral in a floral design, set with two round brilliant cut diamonds, mounted on a yellow metal backing, total approx. diameter 1.7cm, total approx. weight 12.4g £250-£350
528. Two pairs of ear-pendants the first; a pair of two-toned e ar-pendants, central white metal panel chased with wood-like pattern, the second; a pair of oblong-shaped ear-pendants of graduating design, indistinctly stamped “18K” (4), total approx. weight 12g £300-£400
529. A collection of diamond set earrings
a pair of diamond stud earrings, set above a gold swirling surround, stamped “375” to stem; a pair of single stone diamond earrings, claw set to yellow metal mounts; three stone diamond ear-pendants, of graduating form, set to yellow metal mounts and a pair of diamond stud earrings, claw set to white metal mounts (4), total approx. weight of ‘375’ marked earrings 1.4g, total approx. weight of other items 2.2g
£400-£600
530. A pair of cultured mabé pearl and diamond cluster ear-studs central cultured mabé pearl, of pinky cream lustre, set above a diamond border, mounted in 18ct white gold, stamped with hallmarks to stem, total approx. diameter 1.5cm, total approx. weight 9.6g
£200-£300
531. A pair of large black Tahitian pearl ear-studs total approx. diameter 1.7cm, total approx. weight 13.3g
£200-£300
532. A pair of grey Tahitian cultured pearl ear studs each with a diameter of 11.2mm11.4mm, total approx. weight 4.8g
£80-£120
533. A group of earrings a pair of 9ct gold swirl stud earrings, stamped with hallmarks to stem; a pair of 9ct gold twisted knot stud earrings, stamped with hallmarks to stem; a pair of blue gem bezel set stud earrings, indistinctly stamped to stem; a pair of green and colourless gem set earrings, indistinctly stamped to stem; a pair of tri-coloured earrings; a pair of ‘Always and Forever’ colourless gem set earrings; a pair of ball stud earrings; a pair of twisted hoop earrings and a single twisted knot stud earring (qty), total approx. weight of hallmarked items 7.3g, total approx. weight of other items 11.6g £200-£300
534. A pair of 9ct gold, emerald and diamond ear-pendants pear-cut emerald drop, suspended from a diamond chip and emerald surmount, stamped to stems with hallmarks, total approx. length 1.2cm, total approx. weight 1.4g £80-£120
535. A pair of amethyst ear-studs central round brilliant cut amethysts, bezel-set above a wire-work border, total approx. diameter 1.2cm, total approx. weight 3.9g £100-£150
536. A mid 19th century rock crystal, pearl and coral pendant the central oval rock crystal with the entwined enamelled initials ‘H S B’ to the entrelac yellow gold border alternately collet-set with a seed pearl and a coral sphere, coral-set suspensory loop, case for J W Benson, length excluding bail 4.0cm, width 5.1cm, 17.0g £150-£250
537. A 9ct gold, hardstone and diamond-set pendant the oval chalcedony plaque applied with the profile head and shoulders of a girl, the floral garland in her hair with diamond-set detail, to the entrelac applied border and engraved suspensory loop, length (excluding bail) 5.0cm, width 3.8cm, 35.3g £200-£300
538. A late 19th/early 20th century coral and diamond-set cameo pendant the oval carved angle skin coral depicting the head and shoulders of a maiden with roses in her hair to the diamond-set bow surmount, closed back yellow back setting, suspended from an associated fine trace link chain necklace, pendant length 4.1cm, width 2.6cm, 12.3g £300-£400
A buyer’s premium of 26.4% inclusive of VAT @ 20% will be applied to each lot. Lots marked ‡ will be subject to an additional fee - please see page 96.
539. A late 19th century/early 20th century diamond and pearl pendant by Child and Child of openwork scrolling triangular design with rose-cut diamond collets at intervals, suspending two pearls (untested), chain link connections, closed back silver setting stamped with sunflower mark and indistinctly two ‘C’s’, overall length 5cm, max width 2.2cm, 2.6g
£150-£250
540. A diamond-set parure comprising a link torc necklace with pendant, a hinged bangle and a pair of ear clips, channel-set with a total of 32 brilliant-cut diamonds, all stamped ‘14K’, the pendant with maker’s mark, total approx. pendant length 3.9cm, total approx. width 1.8cm, bangle inner diameter 6.1cm, total approx. weight 30.8g £1,500-£2,000
541. A collection of pendants synthetic ruby pendant, oval mix-cut, claw set to pendant fitting; chased cross pendant, stamped “585”; open wire-work floral pearl (untested) pendant; floral pendant, stamped “9ct A*D Foreign”; an Ankh pendant, set with colourless gem, with suspension loop and two pendant pieces (qty), total approx. weight 12.2g £200-£300
542. A pearl and diamond pendant necklace an ovoid pearl, suspended from a collet-set round brilliant-cut diamond, on 18ct gold fine curb-link chain, stamped with hallmarks to tag, total approx. length 41.5cm, total approx. weight 3.2g £80-£120
543. A Chinese ‘Blessing’ medallion with applied dragon and phoenix motif and character for ‘Blessing’, stamped “14K”, total approx. diameter 3.6cm, total approx. diameter 13.8g £200-£300
544. An oval opal pendant the asymmetric cabochon opal measuring 3.3 x 1.8 x 1.1cm displaying mostly reds and greens tot he double claw setting and plain suspensory loop, 9.3g £800-£1,200
545. A Edwardian style citrine drop pendant suspended on a chain pear mix-cut citrine, claw-set above a seed pearl set border suspended from a circular citrine and seed pearl surmount suspended from a flexible fancy link chain, stamped “375” to clasp, total approx. weight of pendant 4.3g, total approx. length of chain 60cm, total approx. weight of chain 10g
£200-£300
545A. A Victorian sentimental locket chased with scrolling floral and foliate design, internal glazed compartment containing brown plaited hair £250-£350
546. A late Victorian oval locket chased in Aesthetic Movement style with two swallows and cherry blossom to the central panel, raised above a geometric border, total approx. diameter 4.2cm, total approx. weight 19.2g £250-£350
547. A Renaissance Revival enamel and gem-set pendant in the manner of Reinhold Vasters, the 3D yellow gold polychrome enamelled mermaid looking in a hand mirror whilst dressing her hair with jewels, the surmount box-set with an oval ruby with red glass top (untested) to the centre within an ‘C’ scrollwork enamelled surround suspending a baroque pearl (untested), chain link connections, continental (possibly French) control mark, later fitted case for N Bloom, width 7.5cm approx, length 9.0cm approx, 44.7g
Parke Bernet Galleries, New York: Melvin Gutman, 17 October 1969, lot 99;, Parke Bernet Galleries, New York: Baron Max von Goldschmidt-Rothschild, part II, 13-14 April 1950, lot 95 £2,000-£3,000
548. Ø A French 19th century pearl and mixed metal painted locket the central oval ivory plaque painted with Cupid presenting a nosegay to young lady, to the half pearl border and the floral and foliate outer surround, hinged glazed compartment to the reverse, mounted in silver and yellow gold, French control mark and maker’s lozenge ‘A.C’ stamped to the pearl-set suspensory loop, later case for N Bloom, overall length 7.1cm approx, width 4.1cm, 23.3g
IMPORTANT NOTE: This item has been registered as exempt from the UK Ivory Act 2018. Ivory declaration submission number reference: 5CU78RKH £200-£300
549. An opal and diamond ring central cabochon opal, set between two ovoid-shape mix-cut diamonds, with four diamond points set to a scrolling gallery with a tapering shank, ring size M, total approx. weight 3.7g £300-£400
550. An Edwardian 18ct gold turquoise ring turquoise pear cabochon, bezel set to scrolled shoulders, tapering to a plain band, stamped with Birmingham hallmarks, ring size O, total approx. weight 3.7g £100-£150
551. A two coloured signet ring the central applied plaque box-set with a brilliant-cut diamond above the tapering ridged shank stamped ‘18CT’, ring size Q1⁄2, 9.4g £250-£350
552. A diamond single stone ring the modified old brilliant-cut diamondclaw-set to the bifurcated shoulder and plain tapering shank stamped ‘18ct PLAT’, ring size K, 1.1g £80-£120
553. A sapphire and diamond-set ring
the central square-cut sapphire within a surround of single-cut diamonds to the plain tapering shank stamped ‘18CT’, ring size P, 2.7g £100-£150
554. A collection of gem set rings
ruby and diamond set ring, central oval mix-cut ruby, bezel set between four circular diamonds, set to a plain shank, stamped “750”; blue gem set ring, stamped “14k”; a blue step-cut gem set ring, stamped “14k”; sapphire eternity ring, set to one half with mix-cut circular sapphires, to a plain tapering band, stamped “14k”; a wedding band, stamped “585” and two other gem-set rings (qty), total approx. weight 20.3g £300-£400
555. An 18ct gold lady’s band
with a textured chased design, stamped with London hallmarks, total approx. weight 3.7g, ring size P £80-£120
556. A diamond cluster ring
the seven brilliant-cut diamonds claw-set to the plain tapering shank stamped ‘18ct’, ring size N, 4.6g £300-£500
557. An ‘alexandrine’ ring
the synthetic corundum collet set above the shaped plaque with raised ruby-set collets, the shank stamped ‘14K’, ring size P, 4.2g £80-£120
558. A late 19th Century sapphire and diamond-set ring the three graduated circular mix-cut sapphires with round mix-cut diamonds between, to the 18ct yellow gold scrolling gallery and plain shank, Birmingham hallmarks, ring size K, total approx. weight 4.2g £200-£300
559. A mid 20th century red tourmaline and diamond-set ring the oval mixed-cut rubelite claw-set with a brilliant-cut diamond to either side about the ropetwist wirework shoulders and shank, ring size M/N, 6.4g £200-£300
560. A smokey quartz set a single stone oval mix-cut smokey quartz ring, set to a trifurcated shank, together with a matching set of smokey quartz ear-studs (3), ring size K/L, total approx. weight 13.4g £100-£150
561. A yellow beryl single stone ring the rectangular step cut-cornered heliodor obliquely-set between the scrolling shoulders, ring size M, 7.4g £200-£300
562. A group of gem set rings single stone citrine ring, central oval mix-cut citrine, claw-set above a floral setting to trifurcated shoulders and tapering band, stamped “750”; a single stone amethyst ring, oval mix-cut amethyst to a plain band; synthetic colour-change corundum, step-cut set to claw setting, with plain shank; a singe stone garnet ring, bezel set to a plain shank stamped “750” (4), ring sizes L/M, N, H, O, total approx. weight 25.6g £300-£400
563. An opal and diamond-set ring the three slightly graduated circular opal cabochons each separated by two old-cut diamonds to the pierced scrolling gallery, ring size H, 2.3g £250-£350
564. A green sapphire and opal five stone ring each of the three cushion-shaped green sapphires separated by a circular opal cabochon, diamonds points between, to the pierced and scrolling gallery, the shank stamped ‘18’, ring size M, 4.7g £200-£300
565. A synthetic ruby and white stone ring
the oval synthetic ruby claw-set above the surround of white stones to the plain 18ct yellow gold shank, Birmingham hallmark, ring size N, 3.4g £80-£120
566. Two 18ct gold bands both stamped ‘750, ring sizes P/Q, T, total approx. weight 9.9g £250-£350
567. A Victorian diamond set buckle ring featuring a round brilliantcut diamond, ring size T, total approx. weight 5.5g £200-£300
568. Synthetic ruby dress ring central rectangular cut synthetic ruby, tension set to tapering shank, stamped “750”, ring size V, total approx. weight 11.5g £200-£300
569. A floral ruby cluster ring seven circular-cut rubies, set above an open-work floral mount, to a plain tapering shank, stamped “750” together with a diamond single stone ring, within a raised open setting, stamped “750” (2), ring sizes N, O, total approx. weight 9.2g £200-£300
570. A diamond three stone ring each old brilliant-cut diamond coronet-set to the tapering plain shank, ring size Q, 3.9g
£200-£300
571. A diamond single stone ring the cushion-shaped old brilliant-cut diamond coronet-set to the plain shank, ring size P, 2.1g £200-£300
572. A 22ct gold band stamped with hallmarks, together with another band, stamped “22ct” (2), ring sizes I, P, total approx. weight of hallmarked ring 5.7g, total approx. weight of ring stamped “22ct” 6.6g £300-£400
573. A group of five rings 18ct gold and diamond gypsy ring, set with one round brilliant cut diamond, stamped with hallmarks; colourless gem single stone ring, stamped to shank “18ct”; pearl (untested) and colourless gem set cluster ring, with bifurcated shoulders, set to a plain tapering shank; navette plaque ring, with a portrait of a young man, set to a plain shank; five stone turquoise ring (5), ring sizes K/L, J, O, L, J, total approx. weight of 18ct gold 3.7g, total approx. weight of ring stamped “18ct” 2.1g, total approx. weight of unmarked rings 10.8g £400-£600
574. A diamond-set and 18ct yellow gold ring/pendant the heart-shaped motif set with brilliant-cut diamonds, detachable from the ring shank to form a pendant, London import hallmark, ring size L, 5.6g £200-£300
575. A group of three rings sapphire and diamond cluster ring, central oval mix-cut sapphire, claw set above a diamond surround, set to a plain 18ct gold shank, stamped with hallmarks; 18ct white gold eternity ring, set with diamonds, stamped with hallmarks; a pearl and blue gem set ring, pearl set above open-work mount with four blue gems, to a plain shank (3), ring sizes N, I/J, I/J, total approx. weight of 18ct gold 8.1g, total approx. weight of pearl ring 2.7g £200-£300
576. A collection of rings 9ct gold and colourless gem stone single stone ring, claw set to a plain shank, stamped with hallmarks; 9ct gold and cultured pearl ring, with three cultured pearls in a close back setting, stamped with hallmarks; gemstone set eternity ring, stamped with hallmarks; panel ring, set with rectangular onyx to a plain shank, indistinctly stamped and a unmarked band (5), ring sizes M, L, L, O/P, N, total approx. weight (excl. unmarked ring) 23.4g £200-£300
577. A group of three rings colour change synthetic corundum single stone ring, central round brilliant-cut claw set to a open-work gallery with heart motifs, to a plain shank; zircon single stone ring, central round brilliant-cut claw set to an openwork gallery with heart motifs, to a plain shank, stamped “14c”, inscribed “30.4.1952” and a zircon single stone ring, set to a plain shank, inscribed with dates “7.9.66” (3), ring sizes L/M, O, L, total approx. weight 9.9g £200-£300
578. Two 22ct gold bands both stamped with hallmarks (2), ring sizes N, L/M, total approx. weight 12g £350-£450
579. A group of gem-set dress rings
single stone quartz set ring, featuring purplish-pink rectangular step cut quarts between pink pear-cut gemstones, set to 9ct gold band, stamped with hallmarks; tanzanite three stone ring, central oval-cut tanzanite set between two mix-cut tanzanites, raised above a diamondset border, to a plain shank, stamped “9K”; mystic topaz single stone ring, central oval-cut mystic purple/green topaz, claw set to colourless gemstone set shoulders; a pearl and colourless gemstone set ring, of open work design, set to 9ct gold tapering band, stamped with hallmarks and a 9ct gold smokey quartz single stone ring, stamped with hallmarks (5), ring sizes N, P, P, P/Q, M/N, total approx. weight 21.5g £250-£350
580. 9ct gold and diamond stacking ring
consisting of three separate rings, of 9ct yellow and white gold, set with round brilliant cut diamonds together with 9ct gold and diamond crossover ring, set with tapering baguettecut diamonds and round brilliant-cut diamonds set to a 9ct gold mount, stamped with hallmarks (4), ring sizes N, total approx. weight 9.3g £100-£150
581. A diamond single stone ring the marquise diamond obliquely-set above the scrolling 18ct yellow gold shank, Sheffield hallmark, ring size N, 3.6g £200-£300
582. A diamond set gypsy ring mix-cut single stone diamond, set to 18ct gold shank, stamped with hallmarks, ring size Q, total approx. weight 3.6g £100-£150
583. An 18ct gold and diamond three stone ring
three round brilliant-cut stone, with chased bifurcated shoulder to a plain tapering shank, stamped with hallmarks, ring size M, total approx. weight 3.3g
£100-£150
584. Two diamond five stone rings
the first: five stone diamond ring, of graduating form, set within a navette surround to a plain shank stamped with indistinct hallmarks for 18ct gold; the second, five stone diamond ring, of graduating form, claw set to a plain shank, stamped “18ct” (2), ring sizes N, O, total approx. weight 5.7g
£200-£300
585. A late Victorian cased jeweller’s sample set of 18ct gold cased buckle rings
all of slightly varying carved floral and foliate designs, stamped ‘REG NCR Co / 18ct gold cased’, set within a leather display case, ring sizes
P,N,N/O,N/O, N, M/N, L/M, L, J, I/J, total approx. weight 41.3g
£80-£120
586. A sapphire and diamond three stone ring
central square step-cut sapphire, claw set between two round brilliant-cut diamonds, with pierced shoulders to tapering to a plain shank, stamped “750”, ring size L, total approx. weight 3.9g £400-£600
587. An attractive 18ct white gold sapphire and diamond daisy cluster
central round brilliant-cut cornflower blue sapphire, with a round brilliant-cut diamond surround, set to a plain tapering shank, stamped with hallmarks, ring size M/N, total approx. weight 3.5g £800-£1,200
588. A ruby and diamond three stone ring
central ruby cabochon, set between two round brilliant-cut diamonds, to a plain tapering shank, ring size I/J, total approx. weight 3.3g £150-£250
589. A sapphire and diamond three stone ring
central rectangular step-cut sapphire, set between two round brilliant-cut diamonds, in a closed back setting to a plain tapering shank, ring size O, total approx. weight 12.3g £400-£600
590. 18ct gold two-toned gentleman’s ring of square form, with geometric design, stamped with convention marks, ring size U, total approx. weight 17.8g £500-£700
591. 1970s American Navy commemorative ring by Jostens
central blue oval gem, in a closed back setting, to a highly decorative shank, inscribed “United States Navy / 1970”, ring size V, total approx. weight 18.5g £200-£300
592. A three stone ruby ring the three mixed-cut rubies box-set within the top of the wide band ring, leading edge U1⁄2, 10.6g £300-£400
593. Two 18ct gold rings
18ct gold bi-coloured cross over ring, stamped with hallmarks and, 18ct gold open-work ring, of Celtic design, stamped with hallmarks (2), ring sizes W, O, total approx. weight 15.3g £400-£600
594. A collection of rings
9ct gold cameo set ring, stamped with hallmarks; synthetic colour-change corundum single stone ring; pale smokey quarts single stone ring, set to a bifurcated shank, stamped “9ct”; a pearl ring, central pearl set with a round cut pink gemstone, with a green enamel border; a turquoise three stone ring, set to a trifurcated band; malachite set ring, central malachite disc bezel set to a plain shank and a sapphire set ring (7), ring sizes N/O, P, O, N, R, N, O, total approx. weight of hallmarked gold 3.1g, total approx. weight of other rings 26.9g £200-£300
595. A collection of rings
9ct gold and emerald set stacking ring set, central rectangular step-cut emerald, clawset between colourless gem set shoulders, to a tapering shank, stamped with hallmarks and convention marks together with two emerald and colourless gem set rings; 9ct gold and pearl set ring, stamped with hallmarks; 9ct gold five stone ring, set with pale blue gems, of slightly graduating form, set to a plain tapering shank, stamped with hallmarks and convention marks; 9ct gold, emerald and colourless gem set ring, central oval-cut emerald, set above emerald and colourless gem set shoulders, to a tapering band, stamped with hallmarks and convention marks and a five banded ring, unmarked (7), ring sizes R, total approx. weight of marked items 11.3g £200-£300
596. 9ct gold tri-coloured Russian ring
stamped with hallmarks, together with a chased ring, stamped “platinum”, ring size Q, O, total approx. weight of 9ct gold 5.4g, total approx. weight of other ring 3.7g
£100-£150
597. Two 9ct gold rings
9ct gold rose gold ring, stamped with hallmarks and a 9ct gold signet ring, stamped with hallmarks (2), ring sizes W, S, total approx. weight 19g
£180-£220
598. Two diamond rings
the first; five stone diamond ring, featuring round brilliant cut diamonds of graduating form, claw set to a plain shank, stamped “18ct & Pt”, the second; diamond single stone ring, the square plaque centrally-set with a round brilliant-cut diamond, with chased shoulders to a plain shank, stamped “Plat 18ct” (2), ring size P & M/N, total approx. weight of five stone ring 2.5, total approx. weight of single stone ring 2.6g
£150-£250
599. An emerald and diamond ring rectangular step-cut emerald, between tapered-baguette cut diamond set shoulders, terminating in round brilliant-cut diamonds to a plain shank, stamped “585”, ring size N/O, total approx. weight 2.5g £250-£350
600. An 18ct white gold and diamond solitaire
featuring a single round brilliant cut diamond, set to a plain tapering shank, ring size O/P, total approx. weight 2.6g £100-£150
601. An 18ct gold and emerald wishbone ring
featuring round brilliant cut emeralds to a plain shank, stamped with London hallmarks, ring size N, total approx. weight 3.1g £80-£120
602. 18ct gold diamond and turquoise set ring
three turquoise cabochons, of slightly graduating form, set between mix-cut diamonds, set to a pierced gallery, to a plain tapering shank together with a Victorian 15ct gold turquoise and seed pearl set ring, central panel set with circular turquoise cabochon in a seed pearl surround terminating in two cabochon turquoise settings, to a plain shank (2), ring sizes I, I/J, total approx. weight of 18ct 2.8g, total approx. weight of 15ct 3.1g £200-£300
603. A collection of gem set rings convertible ring gem set ring, one side set a cubic zirconia cluster, the other side set with a blue gem, set between a two cubic zirconia, stamped with hallmarks; single stone sapphire ring, centrally set rectangular step-cut sapphire, set above a colourless gem set border, set to a plain shank, stamped “18ct”; a sapphire and diamond set floral cluster ring, stamped “18ct”; a gemset single stone ring, possibly beryl, claw set to a plain shank, stamped “18K” and a pearl and green gem and pearl (untested) set ring (5), ring sizes O, N/O, N/O, L, O, total approx. weight of 9ct gold 4.4g, total approx. weight of other rings 11.3g £300-£400
604. A diamond five stone ring
claw-set with a line of graduated old brilliant-cut diamonds to the plain tapering shank stamped ‘18ct’, ring size R, 2.7g £200-£300
605. A group of three rings
French art deco ring, stamped ‘0750’ with French marks; a wedding band, indistinctly stamped “18ct” and 9ct gold signet ring, chased with initials, stamped with Birmingham hallmarks (3), ring sizes N, Q/R, T, total approx. weight (excl. 9ct gold ring) 10.9, total approx. weight of 9ct gold 5.6g £350-£450
606. A gentleman’s single stone diamond ring
central rose cut diamond, set to a plain tapering shank, indistinctly stamped “18c”, ring size Q, total approx. weight 8.2g £250-£350
607. A cultured pearl and diamond ring
central pearl, set between four mix-cut diamonds to bifurcated shoulders, mounted to a white metal shank stamped “0750”, ring size Q, total approx. weight 3.6g £150-£250
608. An early 19th century gold and pearl-set memorial ring
the central oval cluster with glazed compartment containing plaited hair within a scalloped border of pearls, bifurcated pearl-set shoulders to the partially ridged shank, closed back yellow gold setting, ring size O, 4.2g £200-£300
609. A diamond-set cross-over ring
the two rose-cut diamond daisy clusters oblique-set to two old brilliantcut diamond-set collets, diamond-set shoulders, ring size R, 4.6g £200-£300
610. A diamond clover ring featuring a clover design, set with rose cut diamonds, claw set to a white metal mount, to a thin yellow metal shank, ring size Q, total approx. weight 2.5g £150-£250
611. A sapphire and diamond-set cluster ring
the oval mixed-cut sapphire estimated to weigh 2.5-3.0cts, millegrain-set to the two diamond-set borders, each shoulder collet-set with two single-cut diamonds to the triple wirework shank stamped with control mark (possibly French), ring size O1⁄2, 4.4g £600-£800
612. An Edwardian sapphire and diamond-set ring
the three graduated circular mixed-cut sapphires with diamonds between, to the scrolling gallery and plain shank, stamped “18”, ring size O, total approx. weight 3.2g £600-£800
613. A diamond and platinum ring
the three graduated princess-cut diamonds to the plain tapering platinum shank, London and convention hallmarks, ring size K1⁄2, 4.8g £200-£300
614. A double leopard head ring
two colourless and dark gem set cross over leopard heads, to a tapering band, stamped “750”, ring size N, total approx. weight 6g £300-£400
615. Two gem set rings
the first; 18ct gold and diamond three stone ring, bezel set to open work gallery, to a plain shank, stamped with hallmarks, the second; diamond and pink gem-set three stone ring, central pink gemstone set between two round mix-cut diamonds, to a plain shank (2), ring sizes L, M, total approx. weight of 18ct gold 2.2g, total approx. weight of other ring 1.9g £150-£250
616. A diamond single stone ring
the old brilliant-cut diamond estimated to spread 0.80- 1.00cts, coronet set above the plain tapering shank stamped ‘18CT’, ring size J1⁄2, 1.5g £300-£400
617. Two gold rings 22ct gold wedding band, stamped with hallmarks and 9ct gold wedding band, stamped with hallmarks (2), ring sizes K, L, total approx. weight of 22ct gold 4.8g, total approx. weight of 9ct gold 3.2g £150-£200
618. A collection of rings 20th Century 18ct gold almandine-pyrope garnet single stone ring, central oval mix-cut claw set to chased shoulders, stamped with Birmingham hallmarks; 18ct gold buckle ring, chased with scrolling foliate design, stamped with Birmingham hallmarks; 18ct gold and twisted knot ring, with three rose cut colourless gem settings, to a plain tapering shank, stamped with London hallmarks; 18ct gold buckle ring, with two colourless gem settings, stamped with hallmarks and a signet ring, chased with initials, indistinctly stamped (5), ring sizes Q, N, P, P/Q, O/P, total approx. weight 26.7g £500-£600
619. A diamond and 18ct white gold cluster ring
the central oval brilliant-cut diamond to the brilliantcut diamond-set border, each shoulder set with six similarly-cut diamonds, partially closed-back 18ct white gold setting, London hallmark, ring size M, 4.8g £200-£300
620. A three stone diamond ring
the slightly graduated old brilliant-cut diamonds coronet-set to the three stone single-cut diamondset shoulders, ring size H/I, 4.4g £800-£1,200
621. A diamond and 18ct white gold half hoop eternity ring
the top section tensionset with six brilliant-cut diamonds, separated by a baguette-cut diamond, to the 18ct white gold band, London hallmark, ring size I/J, 4.9g £300-£400
622. A 22ct gold wedding band
stamped with Birmingham hallmarks, ring size U, total approx. weight 8.9g £250-£350
623. Two 18ct gold bands 18ct yellow gold band, stamped with hallmarks and 18ct white gold band stamped with hallmarks, ring sizes L/M, Q, total approx. weight 6.9g £200-£300
624. A 22ct gold wedding band
stamped with hallmarks, ring size M, total approx. weight 5.8g £150-£200
625. An 18ct white gold, diamond and demantoid garnet snake & heart pendant by Theo Fennell from the Devil ‘Art collection, pave-set heart and snake with brilliant-cut diamond and demantoid garnets, with a diamondset bail, signed ‘Devil Art’, stamped to bail “750”, total approx. diameter 1.8cm, total approx. weight 8.2g £400-£600
626. An impressive heart pendant on a chain by Theo Fennell from the ‘Art Collection, pavé-set ruby heart with devil horn detail, inscribed “Theo Fennell London / Devil “Art”, suspended on an 18ct white gold cable link chain with diamond set ball terminals, marked on the pendant bail 750, chain with hallmarks; with case and outer box for Theo Fennell, total approx. diameter 45cm, total approx. weight of the heart pendant 38.9g, total approx. weight of chain 24.7g £2,000-£2,500
627. A 18ct white gold charm bracelet by Theo Fennell cable-chain links pave-set with rubies and diamonds, suspending an arrow pierced heart charm, pave-set with rubies, with a diamond bail, inscribed “Theo Fennell / London / ‘Art’, marked on the clasp of chain 750 and also charm, complete with original box, total approx. length 18cm, total approx. weight 24.5g £1,000-£1,500
628. A green beryl and diamond-set ‘Cradle’ ring by Theo Fennell the rectangular step-cut green beryl stated to weigh 22.05cts to the intricate 18ct white gold surround, basket and tapering shank set throughout with brilliant-cut diamonds, maker’s initials and London hallmark, ring size M1⁄2, 17.1g £1,000-£1,500
629. A pair of devil heart ear-studs by Theo Fennell pave-set rubies, set in 18ct white gold heart, stamped with hallmarks, total approx. diameter 1cm, total approx. weight 6.3g £500-£800
630. An aquamarine and diamondset pendant on an 18ct white gold chain by Stephen Webster the openwork triangular diamond-set pendant surmount suspending an everted faceted pipkin aquamarine, the reverse stamped ‘18K, SW, 11475’ and with maker’s logo, to the 18ct white gold spiga chain with triangular plaque stamped with maker’s name and logo, London hallmark, pendant length 6.1cm including loop, 6.4g; chain 43cm, 5.7g £400-£500
631. A rock crystal and diamondset pendant and 18ct yellow gold necklace by Stephen Webster
from the ‘Crystal Haze’ collection, the detachable pendant continuing a faceted ovoid rock crystal with a brownish-red closed engraved backing, stamped ‘18, SW, and maker’s logo’ to the diamondset border and suspensory loop, suspended from the 18ct yellow gold belcher link chain necklace with shaped diamond-set spacers at intervals, with triangular plaque stamped ‘18K, SW and maker’s logo’, London hallmark, pendant length with loop 4.0cm, width 2.2cm, 10.6g; necklace length 54cm, 30.6g £1,000-£1,500
632. A rock crystal and diamond-set hinged bangle by Stephen Webster
from the ‘Crystal Haze’ collection, of bifurcated sprung form with top opening, the central oval rose-cut rock crystal with a closed back pale green backing (a/f), raised above a brilliant cut diamond and openwork tapering band, stamped “SW / 18k” and with maker’s monogram and logo, with signed contemporary maroon box with interior cushion, both with maker’s logo, inner diameter 5.4cm approx, total weight 51.9g £1,000-£1,500
633. A pair of rock crystal and diamond set ear-studs by Stephen Webster
from the ‘Crystal Haze’ collection, each central pear rose-cut rock crystal, with a coloured pale green closed backing, to the brilliant-cut diamond-set surround, stamped “8730 / SW / 18K” and maker’s logo, with maker’s contemporary box, total approx. diameter 1.9cm, total approx. weight 3.7g £400-£600
634. A cherry amber necklace & matching earrings of graduating form, total approx. weight of the earrings 5.2g, total approx. weight of necklace 33.1g, total approx. length 46cm £100-£150
635. An mid 20th century Native American Navajo Nation turquoise squash blossom necklace, central horseshoe shaped pendant, set with turquoise terminals approx. diameter 7cm, to a beaded chain set with twelve turquoise set blossoms, approx. 5.5cm in length, total approx. length 65.5cm, total approx. weight 255.4g
£400-£600
636. A jewellery box with costume jewellery a pair of 9ct gold twisted knot earrings, stamped with hallmarks to stem; a multi-strand coral necklace; a red hard stone beaded necklace; a red Bakelite beaded necklace; Scottish style horse shoe charm with hardstone settings; a pair of ovoid ear-clips, set with a black gem cabochon, stamped “HS 925S”; a cultured pearl necklace, clasp stamped “JKa 750”; a pair of mother of pearl earrings, set to 9ct gold backs, stamped to stem with hallmarks; cultured pearl cluster stud earrings; a green, blue and pink paste set brooch; a plaited hair memorial brooch; a pink and white gem set fob; a small gilt metal compass; a pair of marcasite set stud earrings and green hardstone bangle with beige jewellery box (qty), total approx. weight 2.9g £100-£150
637. 18ct gold floral brooch and other items in the form of a calla lily, set with two pink gemstones, stamped with hallmarks together with 9ct gold signet ring, stamped with hallmarks; a curb-link bracelet, indistinctly stamped to links “9C”, with a heart padlock clasp; “BABY” bar brooch, stamped “9ct” and a stick pin, stamped “15ct” (5), ring size X, total approx. weight of 18ct gold 7.1g, total approx. weight of hallmarked 9ct gold 5.1g £250-£350
638. An emerald and diamond-set demi parure the front section of the necklace set with a graduated curved row of alternating vertical lines of rectangular-cut emeralds and brilliant-cut diamonds, the box clasp stamped ‘14K’, the hinged bangle and the pair of quarter hoop earrings (post and clip fittings) en suite, all stamped ‘14K’, necklace length approx 48cm, 25.9g; bangle inner diamter approx 6cm, 19.7; earrings 4.8g £1,000-£1,500
639. A blue topaz and diamond-set pendant necklace and a matching pair of ear clips by Stern the pendant claw-set with an oval mixed-cut blue topaz to a brilliantcut diamond-set surmount stamped with ‘star’ maker’s mark, suspended from a flexible torc necklace with a diamond-set clasp stamped with maker’s lozenge, the ear clips en suite, the clip fittings with pierced star motif, all stamped ‘750’, together with maker’s cruciform folding case and outer box stamped ‘H. Stern’, pendant: total length 20.6cm, blue topaz 14.1 x 12.1 x 7.3mm; necklace length approx 44cm, 15.2g; approx total weight 30.6g
£1,000-£1,500
640. A diamond-set pendant and a matching pair of ear pendants each designed as an openwork circle with an articulated asymmetric tassel of brilliant-cut diamond collets, each stamped ‘18K’; together with a flexible torc necklace stamped ‘14K’, pendant and earring maximum length 6.5cm, combined weight 28.0g; necklace length approx 40cm, 13.0g
£1,200-£1,600
641. A collection of costume jewellery
five stone diamond ring, illusion set to a scrolling mount, plain shank stamped “18ct”; a citrine single stone ring, oval mix-cut citrine set to a plain shank; an amber cabochon bar brooch and a pair of amber cabochon set earrings; two cameo set brooches and a cameo set stick pin; a scallop bangle, of pierced open-work design, depicting Egyptian scenes and an open-work necklace, stamped “sterling” and a five strand cultured pearl necklace with a pair of floral ear-clips set with a cultured pearl set to centre (qty) £100-£150
642. A collection of 9ct gold jewellery
pair of 9ct gold and pearl set oyster shaped ear-clips, of abstract design, stamped with hallmarks; 9ct gold and pearl set open-work ring, stamped with Birmingham hallmarks; 9ct gold and pearl set floral stick pin, stamped with hallmarks and a tiger brooch, with red gem set eyes, stamped with hallmarks (4), ring size N, total approx. weight 24.6g £300-£400
A buyer’s premium of 26.4% inclusive of VAT @ 20% will be applied to each lot. Lots marked ‡ will be subject to an additional fee - please see page 96.
643. A group of lady’s accessories including brooches and pendants an Edwardian circular seed pearl and amethyst set pendant, in the style of a wreath, stamped “9c” to reverse; a floral chalcedony brooch, the oval chalcedony plaque applied with floral motive within a black enamel scalloped edge border; a Snipe bar brooch, featuring the head of a Snipe, holding a colourless gem in its beak, with a pink gem set collar; a boat charm and an imp charm (5), total approx. diameter of brooch 5cm, total approx. weight of pendant 3.1g, total approx. weight of other items 24.9g £200-£300
644. A propelling pencil suspended on a fine flattened curb-link chain, stamped to tag 395, total approx. weight of pencil 8g, total approx. weight of chain 11.4g, total approx. length 69cm £150-£200
645. A collection of costume jewellery
a charm bracelet suspending charms, variously stamped “silver”; a double row of cultured pearls of graduating form; a Northern blue butterfly wing pendant, stamped to back “sterling silver”; a natural glass knapped arrow head, with metal pendant fitting; a group of 6 dress buttons; a nephrite pendant with a pendant fitting stamped “9ct”; a shell cameo brooch and a hoof charm (qty) £80-£120
646. A group of lady’s accessories
floral bar brooch, featuring two tulips, set with a pink gem, stamped indistinctly “750”; 18ct gold fine curblink chain, suspending a green hard-stone heart pendant; an S link chain suspending an initial charm, stamped to charm “NOVA 14K”; 9ct gold crucifix charm, indistinctly stamped with hallmarks and a Wedgwood plaque brooch (5), total approx. weight (excl. Wedgwood) 17.1g £300-£400
647. A collection of pendants and chains 9ct gold fine curb-link chain, stamped with hallmarks to tag, suspending a octagonal locket, chased with a scrolling design, stamped “375”; 9ct gold pendant, with rose motif, stamped with Birmingham hallmarks; 9ct gold oval locket, chased with scrolling design, stamped with hallmarks; an egg pendant, set with colourless gems, variously stamped to suspension link and a flattened curb-link chain (6), total approx. length 48cm, total approx. weight 19.2g £200-£300
648. A collection of earrings
a pair of 9ct gold hoop earrings, with star details, stamped with hallmarks; a pair of twisted knot earrings, stamped to stem “375”; a pair of earpendants, stamped to stem “375: a pair of dark pearl earrings, stamped “750” to stem; a pair of ear-pendants, stamped “583”; a pair of ear-pendants, stamped “585”; a pair of hoops, stamped to stem “10K” and other assorted earrings variously stamped (qty), total approx. weight of hallmarked gold 2.7g £400-£600
649. A selection of costume jewellery
9ct gold and cultured pearl ring, set with diamond points, stamped with hallmarks; string of Mikimoto cultured pearls in original soft leather case; an amber set brooch and amber set earrings; silver hinged bangle, likely hollow, chased with a floral and foliate design to one half, stamped with hallmarks; Victorian silver brooch, with floral and foliate motifs, with sentimental window to reverse, stamped with Birmingham hallmarks; charm bracelet suspending various charms; a pair of ruby drop earrings, ovoid faceted ruby suspended from a beaded surmount; a pair of colourless paste pave-set earrings, stamped to reverse “Dior”; twisted cuff bangle, stamped “925”; gem-set flexible panel necklace; faceted beaded bracelet, featuring faceted dark purplish-red oblong gemstones, stamped to clasp “1⁄2 0 14k GF” and other items (qty), ring size L/M, total approx. weight of 9ct gold 2.5g, total approx. weight of silver bangle 0.93ozt, weight of silver brooch 0.20ozt £100-£150 649
650. A collection of topaz set jewellery
topaz pendant, featuring a round mix-cut topaz, claw set to 9ct white gold white mount, suspended from a fine trace-link chain, stamped “9k” to clasp with a pair of matching 9ct gold and topaz set stud-earrings, including a topaz and colourless gem set necklace, stamped “375”; a pair of 9ct white gold topaz set ear pendants, featuring a pear-cut topaz, claw set to 9ct white gold surmount and a blue-gem set cross pendant (5), total approx. weight 4.6g, total approx. chain lengths 45cm and 42cm £150-£250
651. A collection of brooches and other items
an open-work pearl and pink gem set bar brooch, stamped “15ct”; blue gemstone and seed pearl set floral brooch, indistinctly stamped; an amethyst set open-work brooch; a curb-link bar brooch; pink gem and seed pearl set bar brooch; a paste floral cluster bar brooch; a floral cluster head stick pin; banded hardstone cross pendant and a camel charm (9), total approx. weight of brooch stamped “15ct” 3.3g, total approx. weight of blue gemstone set brooch 2.8g, total approx. weight of other items 23.3g
£200-£300
652. An assortment of pendants
9ct gold cross pendant, stamped with hallmarks; 9ct gold teddy bear pendant, with moveable head, stamped with hallmarks, suspended on a 9ct gold flattened curb-link chain; 9ct gold Snoopy the dog pendant, stamped with hallmarks; 9ct gold Woodstock the bird pendant, stamped with hallmarks and 9ct gold bear set with colourless gemstones, stamped with hallmarks to suspension loop (6), total approx. weight 31.9g, total approx. length of chain 50cm £400-£500
653. Three stick pins
three stone ruby stick pin, set with three rectangular cut rubies; a fox head stick pin, with pink-gem cabochon set eyes; a colourless singe-stone set stick pin and a quartz brooch, pearl star motif set into cabochon quartz, foiled back (4), total approx. weight of stick pins 4.9g, total approx. weight of brooch 18.1g £80-£120
654. A group of accessories
15ct gold gypsy ring, stamped with hallmarks; a floral stick pin, set with a blue gem, stamped to pin head ‘15ct’ and a shield stick pin set with half pearls and a pink gem (3), total approx. weight of hallmarked gold 1.6g, total approx. weight of other items 4.2g £80-£120
655. A collection of lady’s accessories
9ct gold garnet and pearl set brooch, oval garnets bezel set between pearls to 9ct gold mount, stamped with London hallmarks; sapphire and diamond set bar brooch; a string of pearls (untested), of graduating form with a 9ct gold clasp in the shape of a bow; an open work brooch with wheat design, indistinctly stamped “15ct”; a banded agate stick pin; a turquoise set stick pin and a pair of green gem drop pendants, stamped “18” to backs (qty), total approx. weight of hallmarked gold 3.6g, total approx. weight of wheat brooch 3.9g, total approx. weight of sapphire brooch 4.5g, total approx weight of ear pendants 2.4g, total approx. weight of stick pins 5.5g
£200-£300
656. A collection of lady’s accessories
18ct gold band, stamped with hallmarks; 9ct gold signet ring, stamped with hallmarks; an opal set ring, featuring four cabochon opals, deficient of fifth setting, set to a scrolling mount, to a plain shank; an adjustable silver buckle bangle by Charles Horner, stamped with hallmarks; turquoise set bar brooch, central cabochon turquoise set above a seed pearl set bar brooch, stamped “9ct”; a green gem set ring, square step-cut green gem claw set to a plain mount, stamped “9ct” and a blue gem-set ring, deficient of two settings, stamped to shank “9ct” (7), ring size M/N, O, O, N, M, total approx. weight of 18ct gold 2.9g, total approx. weight of hallmarked gold 2.6g, total approx. weight of silver bangle 0.81ozt, total approx. weight of other items 7.8g
£140-£180
657. A 19th century flat cut garnet and seed pearl pendant
the central rhomboidal garnet colletset above a seed pearl border, the outer border of collet-set garnets with drop, closed back yellow gold setting; together with an oval 15ct yellow gold and seed pearl brooch containing a painted landscape; and a 9ct yellow gold mounted revolving faceted citrine fob pendant (3), garnet pendant: length excluding bail 4cm, width 2.2cm, 3.7g; £100-£200
658. A group of accessories
Victorian double heart brooch, inscribed “Mizpah”, with safety chain; a single stone diamond ring set to an unmarked shank; ruby set stick pin, stamped to back of pin head ‘15ct’; a gem set bar brooch with foliate motifs and horse-shoe brooch, stamped “Sterling Silver” (5), total approx. weight of lot 12.9g £100-£150
659. A continental bracelet and earrings
bi-coloured bracelet, with interchanging addorsed C and ovoid links, stamped to the push clasp with hallmarks and inscribed “Italy” and a pair of cameo mother of pearl panel ear-pendants, with screw-backs, stamped “14k” to stems (2), total approx. weight of bracelet 8.2g, total approx. weight of earrings
£80-£120
660. A collection of gentleman’s accessories
9ct gold identity bracelet, stamped with hallmarks; 9ct gold twisted rope chain, in two parts, stamped with import marks; 9ct gold band, stamped with hallmarks; 9ct gold signet ring, stamped with hallmarks; 9ct gold St. Christopher pendant, stamped with hallmarks and a piece of curb-link chain (6), ring sizes R, O, total approx. weight (excl. curb-link chain) 38g £600-£700
661. A collection of early 19th century and later hardstone and gem-set fob seals
an amethyst swivel fob, with a stag head intaglio; a bloodstone set fob, carved with the name “Millie” into the surface; rock crystal fob, with an initial intaglio to the base; four carnelian set fobs, two of which are initial intaglios and two white hard-stone set fobs (9), total approx. weight 79.3g £80-£100
662. Two early 19th century gold cased fobs
the first of ornate design with scrolling acanthus, shells and floral motifs, with a fox head to each side, the carnelian seal intaglio- engraved with an ostrich standing on a torsade with a snake in its beak and the motto ‘Et just et vray’ [And fair and true]; the second engraved with acanthus and with applied cannetille and two wirework flowerhead and turquoise clusters (a/f), the amethyst seal vacant, the first: height 3.6cm, seal base 2.4cm x 2.2cm, 19.3g; the second height 2.6cm, seal base 1.6mm x 1.4mm, 5.8g £250-£350
663. A collection of lady’s accessories
garnet brooch in the shape of a wreath, stamped to pin “375”; an opal set brooch, stamped “9ct”; a brooch in the shape of a bow, chased with scrolling floral and foliate design; jockey and race horse marcasite set brooch with a red enamel helmet; mother of pearl and marcasite set panel ring; various charms, etc. (qty) £100-£150
664. A pair of 9ct gold cufflinks with engine-turned design, stamped with London hallmarks, dated 1950s, total approx. weight 10g, total approx. diameter 1.6cm £140-£180
665. A pair of gentleman’s silver and guilloché enamel cufflinks
London, 1911, J Aitkin & Son, oval in blue and pearlescent enamel with chain backs, in a fitted leather case, weight approx.8.6g £50-£80
666. A pair of Cropp & Farr jockey cap and crop 9ct and enamel cufflinks
the turquoise and white enamelled hat with 9ct chain and 9ct riding crop, in retailers case for Boodle & Dunthorne a/f, total weight 6.5g £100-£150
667. A pair of Dunhill horse bit cufflinks stamped to side “Dunhill”, together with a pair of 9ct gold rectangular cufflinks, stamped with hallmarks (4), total approx. weight of 9ct gold cufflinks 3.9g, total approx. weight of Dunhill cufflinks 8.1g £80-£100
668. A pair of 18ct gold oval cufflinks
with engine-turned design, stamped with Birmingham hallmarks, total approx. diameter 2cm, total approx. weight 15.1g £400-£600
669. A pair of amethyst cufflinks featuring step-cut amethysts, bezel set, unmarked, together with one amethyst set cufflink, stepcut with claw setting and chain back, indistinctly stamped (3), total approx. weight 13.2g, total approx. weight of single cufflink 7.4g £150-£250
670. A pair of early 20th century 9ct gold oval cufflinks with chain backs, stamped with London hallmarks, total approx. diameter 1.8cm, total approx. weight 6.2g £80-£120
671. A collection of accessories
three 9ct gold dress studs, stamped with hallmarks; four dress studs, variously stamped “9ct”; a pair of 9ct gold pearl set floral earrings, with screw backs, stamped with hallmarks to stem; 9ct gold snake link chain, stamped with London import marks and hallmarks; a purple gem set bar brooch and a trace link chain, indistinctly stamped to link (qty), total approx. weight of hallmarked gold 7.6g, total approx. length of chains 40cm £200-£300
672. Two George III Third-Guinea brooches
the first: dated 1808, laureate head facing right, rev. crown and date within legend, set within a rope twist border, in a rub over mount with brooch fitting, stamped “15ct”, with suspension lope the second: dated 1810, laureate head facing right, rev. crown and date within legend, similarly set to a rope twist border, rub over mount with brooch fitting, stamped “15ct”, with suspension lope (2), total diameter approx. (excl. border) 1.7cm, total weight approx. 9.6g £250-£350
673. Four Half Guinea brooches
the first: A George III half guinea brooch, dated 1803, laureate head facing right, rev. crowned shield, the second; A George III half guinea brooch, dated 1801, laureate head facing right, rev. crowned shield of arms, the third; A George III half guinea brooch, dated 1804, laureate head facing right, rev. crowned shield of arms, the fourth; A George III half guinea brooch, dated 1778, laureate head facing right, rev. crowned quartered shield of arms, all within twisted rope border, set in a rub-over mount, with brooch fitting, stamped “15ct”, total diameter approx. 2cm, total weight approx. 26.6g £700-£900
674. A George III Guinea brooch, dated 1786
laureate head facing right, rev. crowned shield of arms, within a twisted rope border, in a rub-over mount with brooch fitting, stamped “15ct”, total diameter approx. 2.4cm, total weight approx. 11.2g
£350-£450
675. A George III Spade Guinea pendant, 1787
laureate head facing right, rev. crown and date within legend, soldered scroll bale with suspension loop, total diameter approx. 2.4cm, total weight approx. 9.2g
£300-£400
676. A Victorian target brooch adapted from a coin, engraved with initials within in concentric borders rev. laureate head of Victoria, with brooch fitting, total diameter approx. 3.1g, total weight approx. 8.4g
£250-£350
677. A Victorian full sovereign, dated 1900
veiled head facing left, George slaying the dragon to reverse, soldered scroll bale, total diameter approx. 2.2cm, total approx. weight 8.7g
£300-£350
678. Edward VII full sovereign, dated 1908
head facing right, George slaying the dragon to reverse, set within a loose mount with suspension loop, suspended on a popcorn chain, indistinctly marked, total length approx. 52.3cm, total weight approx. 15.3g
£350-£400
679. George V full sovereign mounted ring
dated 1912, set within a loose ring mount, ring size O/P, total approx. weight 11.1g
£350-£450
680. George V full sovereign, dated 1913
with George slaying the dragon, in a loose mount, set to a brooch fitting, with heart motifs, total diameter approx. (incl. brooch fitting) 5.3cm, total weight approx. 13.8g
£350-£450
681. An Elizabeth full sovereign, dated 1967
head facing right, George slaying the dragon to reverse, set within a loose mount brooch, total sovereign diameter approx. 2.2cm, total diameter incl. brooch fitting approx. 3cm, total weight approx. 11.5g
£350-£450
682. Elizabeth II half sovereign mounted in a ring
dated 1982, head facing right, George slaying the dragon displayed in a loose mount, to an unmarked band, ring size P, total weight approx. 10g
£200-£300
683. An Italian 40th Giornata Mondiale Del Risparmio coin, dated 1964 suspended in an loose mount to a key ring fitting, stamped “750”, total approx. diameter 2.8cm, total approx. weight 19g £500-£700
684. A collection of jewellery including a single stone topaz ring, step-cut, claw set to a plain tapering shank, stamped “9ct”; a pair of colourless gem set earrings, set in 9ct gold; a collection of gem set earrings; a pair of twisted knot earrings; a set of dress buttons retailed by Harrods, decorated with the Harrods building; a cultured pearl bracelet, with a colourless gem-set clasp;’ a marquisite set owl brooch; a bloodhound brooch/pendant, stamped “sterling” and a frog brooch (qty), total approx. weight of 9ct gold 1.2g
£100-£150
685. A collection of silver and costume jewellery blue enamel circular brooch by Rachel Gogerly; purple enamel brooch by Rachel Gogerly; a pair of blue star enamel ear-clips by Rachel Gogerly; an assortment of Rachel Gogerly ear-clips; a twisted grape vine triangular brooch by Pleasance Kirk; cabochon moss agate set ring; a three strand coral piece necklace; a hardstone and gem-set necklace; an assortment of chunky beaded necklaces and other items (qty) £200-£300
686. A collection of costume jewellery including an early 20th century French chunky chain and matching bracelet by Charles Murat; a twisted coral bead necklace; two large dyed green beaded necklaces; a long cultured pearl and colourless paste chain; a yellow paste set circular brooch; a carved coral set stick pin; a pair of dyed green crackled quartz ear clips; a large chunky chain bracelet set with cabochon gems and suspending various charms; a multi-strand coral necklace and a nephrite beaded necklace suspending a rock crystal fob (qty) £100-£150
687. A collection of costume jewellery an amethyst pendant, square cut amethyst set to a 9ct gold mount, suspended from a fancy link chain, together with a pair of matching 9ct gold and amethyst earstuds; two cultured pearl necklaces, clasps stamped “375”; an amethyst and cultured pearl necklaces; two lady’s wristwatches with gem set bracelets; a silver cross pendant, stamped with hallmarks; a cameo brooch within an openwork frame; an open-work brooch with a sentimental window containing dried floral sample and a pendant, stamped “Siam Sterling”, total approx. weight of 9ct gold 6.9g, total approx. weight of silver cross 1.4g £100-£150
688. A collection of costume jewellery a silver open-work pendant, stamped with hallmarks, suspended on a trace-link chain; a silver Celtic style pendant, stamped with hallmarks; a twisted rope chain and bracelet; a long twisted rope chain, stamped ‘Silver’; a charm bracelet, suspending various charms, stamped ‘sterling’ to clasp; a chunky identity bracelet; an agate set oval brooch; a tied bow wire-work brooch, stamped ‘Sterling Foreign’; signet ring, stamped ‘9ct & Silver’; a gold plated pocket watch by Hampden Watch Co, with white circular dial with blue steeled hands and Roman numerals numbered 514491; matching cultured pearl necklace and bracelet; a pair of cufflinks and other items (qty) £100-£150
689. A collection of costume jewellery cameo panel bracelet, with concealed clasp, unmarked; an imitation opal set bar brooch, set between colourless gems and imitation moonstone, stamped “9ct”, with safety chain; green dyed crackled quartz ring, set above a surround of marcasite, to a scrolling shank; an oval open-work brooch set with marcasite; a dragon fly brooch set with marcasite, stamped “Sterling silver”; a colourless gem set swallow brooch; a shell cameo pendant, cameo of a figure set within a scrolling yellow metal border and a portrait of a lady set within a brooch setting (qty) £100-£150
690. A collection of Tiffany & Co jewellery “Please Return to Tiffany & Co’ silver chain necklace, thick cable link chain suspending disc pendant stamped “Please Return to Tiffany & Co. / New York / 92” stamped with hallmarks together with bracelet of similar design and silver bangle by Tiffany & Co, stamped “925 T & Co 1837” dated 1997, stamped with hallmarks (3), total approx. chain length 35cm, total approx. length of bracelet 17cm, total approx. weight 3.90ozt £200-£400
691. 1920s Egyptian Revival beaded evening bag featuring opaque and translucent russet, mustard yellow, cream, gold coloured, green, red and white beads, in an intricate lattice design depicting profiles of Egyptian style heads with a beaded fringe, blue silk interior with slide pocket, faux bone hinged clasp and single blue and white beaded strap, to be sold with a copy of Homes & Antiques Magazine, December issue 1995, which features the item, total approx. diameter 20cm
Sold at Christies in 1995, 5th December Costume and Textiles Sale £100-£150
692. A Christian Dior 2000 Maris Pearl shoulder green python bag with inside zipper pocket, green leather shoulder strap with metal beading, magnetic push clasp, width of bag 26cm
Please note that all the proceeds of this lot will be donated to charity in support of Ukraine £200-£300
693. A Louis Vuitton Sully MM handbag monogram design, canvas, gold-coloured hardware, thick leather single hand strap, three internal slip pockets, with a faux-tortoiseshell lock and keychain, total approx. height 33cm, total approx. width 35cm, total approx. depth 13cm £800-£1,000
694. Louis Vuitton monogram garment/suit carrier of brown monogram design with beige trim, gold coloured hardware, large inner garment compartment with detachable shoe bag, two small inner compartments, with side securing clasps, with integral outer hanger, with detachable shoulder strap, complete with original dust cover, a single hanger, luggage label with lock and keys, total approx. length (opened and suspended by hanger) 90cm, total approx. measurements (when closed) 55 x 45cm £400-£600
695. Louis Vuitton Houston Pomme D’Amour ‘tote’ bag of red vernis leather, stamped with Louis Vuitton monogram design, with beige straps, with gold coloured hard wear, with internal zip pocket and two slip pockets, complete with dust cover, total approx. height 25cm, total approx. width 29cm, total approx. diameter 15cm £300-£400
696. A pink studded shoulder bag by Valentino Garavani ‘Rockstud spike’ design, colour ‘Pink PP’, made in Italy, gold coloured hard ware, convertible to hand held clutch with a removable chain, complete with dust cover, total approx. measurements 23.3 x 14.5cm £200-£300
697. Louis Vuitton Ramatuelle shoulder bag early 2000s, of epi leather in taupe, with internal slip pocket, with folder magnetic flap, with adjustable strap, total approx. height 30cm, total approx. width 22cm, total approx. depth 5.5cm £180-£220
698. 1990s baguette shoulder bag by Fendi of double F design, brown canvas with brown leather trimmings, silver-coloured hardware, magnetic fastening, with internal zip pocket, stamped “Fendi Made in Italy”, with original dust cover, total approx. height 17cm, total approx. length 26cm £100-£150
699. A Vivienne Westwood green purse or long wallet of envelope style with gilt push button Westwood emblem, button with red silk lined interior, complete with card to interior, box and tissue paper, length of purse 18cm £60-£80
700. A pair of court shoes Gina set with grey and dark grey crystals, with box and dust cover, together with an ensuite clutch handbag, similarly designed, and a silver clutch handbag, with large buckle motif set with colourless crystals (3), shoe size lady’s 4 £80-£100
701. An attractive Chanel chunky pearl necklace from the 2005 Autumn collection, featuring large imitation pearls, with an impressive flower motif, set with colourless gemstones with a imitation pearl centre, stamped to the back ‘Chanel / 05 / A / Made in France’, complete with Chanel padded box, total approx. length 40cm £300-£500
702. A lion’s head brooch by Chanel dated 2001 Autumn collection, set with black crystals and addorssed C to lion’s muzzle, stamped to reverse ‘Chanel / 01 / A / France’, total approx. diameter 4cm, total approx. weight 31.8g £150-£250
703. A lion’s head stick pin by Chanel stamped to reverse ‘Chanel / Made in France’, total approx. diameter 6.5cm, total approx. weight 9.6g £80-£120
704. A pair of Chanel dangle bauble earrings
gold and white coloured beads in clusters with addorssed C, total approx. drop length 4cm, total approx. weight 34.9g £150-£250
705. A silk bandana/scarf by Hermes turquoise, with ‘Hermes Ranch’ design, total approx. measurement 53 x 53cm
With receipt of purchase £80-£120
706. A pair of 70s sunglasses by Yves Saint Laurent oversized yellow tinted frame, with green marbled arms, inscribed “ YvesSaintLaurent / France 651” together with a fabric sunglasses holder by Yves Saint Laurent, total approx. diameter of frame 14cm £80-£120
707. A pair of Chanel sunglasses of smokey pink gradient design, numbered ‘5067 c.671/8G 120’, with case and dust cleaner, total approx. diameter 13.5cm £60-£80
708. ▲ Illustrated Books. Various titles
comprising Wilde, Oscar, A House of Pomegrantes illustrated by Jessie M King, 1915 sixth edition, dec blue cloth, Wilde, Oscar, The Happy Prince and other Stories illustrated by Charles Robinson, 1913, Rubaiyat of Omar Khayyam illustrated by Edmund Dulac, Hodder & Stoughton, Undine illustrated by Arthur Rackham, 1919, Coleridge (Samuel Taylor) The Rime of the Ancient Mariner in Seven Parts presented by Willy Pogany, George Harrap, Tristram and Isolde illustrated by Evelyn Paul, George Harrap, Aldin (Cecil), Dogs of Character, 1927 and Kipling (Rudyard) Just So Stories, 1919 (8) £200-£300
709. The Coronations of George IV and Victoria. A pamphlet and a broadside first The Coronation. A correct description of the Forms and Ceremonies to be observed at the ensuing coronation together with a concise account of the Procession, London c. 1820, 12mo, printed by J. Bailey, folding woodcut plate of the procession with hand colouring, pp. 24, ‘A Grand Procession in the Abbey Coronation of her Sacred Majesty
Queen Victoria’ with wood cut illustration of the procession, printed and Sold by J. Catnach, and another broadside ‘The Prayers of Britain, for the preservation of Her Majesty
Queen Caroline (3) £100-£150
710. ▲ The Entire Ceremonies of the Coronations of His Majesty
King Charles II and of her Majesty
Queen Mary, Consort to James II London, for W.Owen et al, 1761, first edition, b & w engraved frontis, engraved folding plate, The Magnificent Form usually observed in the Procession to the Coronations of the Kings & Queens of England also the Representation of the several Royal and Sacred Habits, Imperial Crowns, Scepters, Orbs, Rings, & c, with which their Majesties are Crowned and Invested, …’, 4to, original boards, pp 50 £300-£400
711. Broadsides. Panorama, Reinagle and Barker’s Panorama, Strand, and Panorama, Leicester Square first ‘A view of the Bay of Naples: to which has been added a representation of the recent Great Eruption of Mount Vesuvius’ / ‘A View of the Beautiful City of Florence, double sided, printed by J Adlard 1806, second ‘A View of Leicester Square (2), each 28 x 22.5cm £80-£120
712. A mid 18th century portrait of Murderess Miss (Mary)
Molly Blandy who with her own and her sweethearts Contrivance did Barbarously and Inhumanly Poison her own Father for his Estate, etching laid down on card, printed for B Dickenson, London, c.1752, overall 33.9 x 22cm £80-£120
713. Execution broadside. The Life, Trial and Execution, of Serafin Manzano for the Wilful Murder of Mrs Trowbridge at Ashcombe, Wilts. Who was executed in front of the Gaol at Devizes. woodcut of gallows at head, printed by West Devizes, c.1860, overall 49.5 x 24.5cm £200-£300
714. Execution broadside. Love, Jealousy, and Murder. Awful execution of J.T. Whitworth for … the Wilful Murder of his sweetheart Sally Hare at Tropham, Saint John’s, near Rotherham, Upon Saturday, 1859 in front of York Castle’
woodcut of gallows at head, folds printed by John Chapman, Bristol, 49.8 x 25cm £150-£250
715. Execution Broadside. Account of the Trial, & C. of Jonathan Cook
July 29, 1823, in …. Fisherton, for a RAPE on Lydia Lawrence, inset woodcut of scaffold and gallows, printed by Easton Sarum, 25 x 19cm £100-£150
716. Ephemera. A collection of colour printed sample branded trade labels printed by James Upton Ltd, Birmingham early 20th century, a varied and interesting collection of brand labels to include bottle labels for cider, beer, spirits, wines, fortified wines, and soft drinks, labels for preserves, canned and potted goods, puddings, confectionary, sweets, cosmetics, soap and perfume, mostly contained in albums, some loose, various
Leslie Darlington, salesman/ representative for James Upton Ltd £200-£300
717. Broadsides and ephemera. 18th century and later to include The Whimsical effect of Reading the Newspaper Crossways c.1800 printed by Kent Printing-Office, Deptford Bridge, a Sun Fire Insurance Proposal broadside, feb 10 1752, a Sun Fire Insurance and a certificate dated 1755, etc (qty), first 32.5 x 24.2cm £80-£120
A buyer’s premium of 26.4% inclusive of VAT @ 20% will be applied to each lot.
Lots marked ‡ will be subject to an additional fee - please see page 96.
718. A small collection of 1970s cricket ephemera comprising the Australian squad list with signatures from the inaugural cricket world cup, 1975, they were beaten by 17 runs against the West Indies in final at Lords, signatures include; I.M. Chappell, G.S. Chappell, D.K Lillee, R.W Marsh, J.R. Thomson; Australian squad list with signatures for their 1977 tour to the United Kingdom, they played 20 matches, 5 test match ashes series, England won 3-0, 3 match one day international series, England won 2-1, they played 12 other matches against counties and invitational teams, signatures include; G. Chappell, R. Marsh, K. Hughes, J. Thomson; Kent County Cricket club squad list with signatures for their match against the touring Australian squad of 1977, signatures include; D.L. Underwood, this match ended in a draw, there are two signatures missing from the Kent 1977 squad, these are those of G.S. Clinton and C. J. Tavare. (3), 27.7cm x 21cm, 25.7cm x 23cm, 15.3cm x 22.6cm £80-£120
719. Autographs. Charlie Chaplin signed in black ink on a card, accompanied by an typed open Invitation issued by the Foreign Press Association to their members for a Luncheon held at the Dorchester Hotel, Luncheon with Charlie Chaplin invited as the guest of honour on the 29th August 1957 and Dutch newspaper cutting relating to the event, pasted down, framed, overall 37.5 x 30cm £100-£200
720. A late 19th century J Heely & Sons Patent The “Empire” steel double lever corkscrew stamped The “Empire” J. Heely & Sons Patent, bronze painted finish, length 13cm £200-£300
721. A Bruce Bairnsfather patinated bronze ‘Old Bill’ car radiator mascot with flared moustache, scarf and brodie helmet bearing signature, on threaded screw, stamped copyright RD 689204 mounted on a black painted bronze socle, height 12.5cm £150-£250 723
722. Three World War II Japanese Prisoner of War pictures
depicting ‘Batu caves K.L’, a mountainous landscape with buildings and a Noh theatre scene, etched on Pacific 24-Hour Ration aluminium tin lids, of which two signed T Kawai and one titled, mounted framed (3), each 13 x 12cm, overall 25 x 23xcm
Lieutenant Colonel Robert Grant, British Indian Army £200-£300
723. Post 1902 Royal Engineers Home Service spiked helmet belonging to Colonel George de Cardonnel Elmsall Findlay VC MC & Bar, 409th (Lowland) Field Company R.E. T.F.
black cloth helmet with gilt brass front trim, gilt brass cross piece embossed with roses and spike and helmet plate with King’s crown over regimental crest, velvet backed scaled brass chinstrap and side rosette bosses, interior with leather headband and faux red silk lining, stamped Hawkes & Co and inventory number in black marker U408 contained in a black japanned metal storage tin with brass label for Hawke & Co 14 Picadilly London and name plaque engraved ‘G de C E Findlay Esq, Royal Engineers’, bearing inventory number U 408 in white paint and old paper label for Chatham, height 27cm
Royal Engineers Chatham Museum, 1967 until deaccessioned in the early 1980s, George Findlay was awarded the Victoria Cross ‘for most conspicuous bravery and devotion during the forcing of the Sambre-Oise Canal at the Lock, 2 miles South of Catillon, on the 4th November, 1918, when in charge of the bridging operations at this crossing., Maj. Findlay was with the leading bridging and assaulting parties which came under heavy fire while trying to cross the dyke between the forming up line and the Lock. The casualties were severe, and the advance was stopped. Nevertheless, under heavy and incessant fire he collected what men he could and repaired the Bridges, in spite of heavy casualties in officers and other ranks. Although wounded, Maj. Findlay continued his task and after two unsuccessful efforts, owing to his men being swept down, he eventually placed the bridge in position across the Lock, and was the first man across, subsequently remaining at this post of danger til further work was completed., His cool and gallant behaviour inspired volunteers from different units at a critical time when men became casualties almost as soon as they joined him in the fire-swept zone, and it was due to Maj. Findlay’s gallantry and devotion to duty that this most important crossing was effected’ War Office, 15th May 1919 £1,000-£1,500
724. A post 1901 Lieutenants Dress Uniform Tunic, Wiltshire Regiment
the tunic of scarlet cloth with buff collar and cuffs, stand up collar with cross pattee collar dogs and gilt braid edging, the cuffs also with gilt embroidery and braiding, the gilt knotted cords to shoulders with two pips, gilt Regimental button, quilted lining £100-£150
725. A Besson 10/10 professional Bb trumpet
nickel-silver outer slide tubes, mother of pearl finger button inserts, plated mouthpiece, numbered 296895 in a fitted case, length 55cm £80-£120
726. Led Zeppelin Interest. A signed Fender Squier Affinity Telecaster electric guitar signed by Robert Plant, Jimmy Page & John Paul Jones, cherry red body with white pickguard, Serial number CY05020663, accompanied by a certificate from ATU Memorabilia, length 98cm £300-£400
727. A Mont Blanc Meisterstuck No. 146 LeGrand Barley silver 75th Anniversary fountain pen stamped with 925 convention mark, engine turned guillloche decoration to barrel and cap with mother of pearl cap star, the cap bears inscription “75 years of passion and soul’ with a diamond set as the O in passion, fitted with an 18K nib, numbered 1159/1924 and bearing serial number, in a fitted case with Service Guide, length 14.5cm £250-£350
728. A Mont Blanc Boheme Rollerball ballpoint pen
black resin with gold plated fittings, serial number XY1023485, in a fitted Mont Blanc case, length 11cm £80-£120
729. A collection of fountain pens to include a black Conway Stewart 77, a marbled Conway Stewart 85L, a red Parker 65, grey Parker 51, Parker 45, a black Swan 6, a green snakeskin Swan Mabie Todd, a striped Pelikan 400, a marbled The De La Rue Pen by Onoto, a marbled Burnham fountain pen, Mabie Todd Blackbird self-fillling pen, all fitted with 14k nibs, a silver propelling pencil and other pens in burrwood table top pen cabinet, various £150-£250
730. A WWII four medal group awarded to Jack Ede Cross formed of 1939-1945 War, Defence medal, 1939-35 Star and The France and Germany Star, in box of issue £60-£80
731. WWII Allied landings George VI DSC (Distinguished Service Cross Medal) awarded to Temporary Lieutenant William Frederick Watson D.S.C, R.N.R. unnamed but dated 1944, on ribbon, in original Garrard & Co case of issue, accompanied by framed corresponding Admiralty letter of notification of the award for ‘gallantry, skill and undaunted devotion to duty shown during the landing of Allied forces on the coast of Normandy in June 1944. This award was published in the London Gazette Supplement of 14th November 1944’. Together with a George VI 1939-1945 Defence medal on ribbon and dog tags stamped Watson (4), various £500-£700
732. A four medal group awarded to CH/X 4265 Marine F.E Matthews, Royal Marines formed of 1939-45 war medal, Naval General Service 1915-62 medal G.VI.R with two clasps, Brunei and Malaya, General Service Medal 1962-2007, E.II.R, with two clasps Canal Zone and Borneo and Royal Navy Long Service and Good Conduct E.II.R medal, on ribbons £300-£400
733. World Orders. Three medals first Tunisia. Order of Nichan Iftikhar Officer’s Cross, 4th Class, second, bright silver an enamel suspended on ribbon with rosette, Venezuela. Order of the Liberator, Knight, silver gilt and enamel with profile bust of Simon Bolivar, on ribbon with rosette together with a French medal (3), various £80-£120
734. George V Royal Automobile Club silver medal, 1924
Birmingham 1924, engraved on the other side “Awarded to A.W.Hunt, holder of the R.A.C. driving certificate for 6 years, continuous service with” maker A.W.Stiven esq London, diameter 51mm, weight approx 11.g £50-£80
735. A 22ct gold Battle of Hastings 900th Anniversary Commemorative two medal set issued by Spink & Son Ltd limited edition numbered 66, each William the Conqueror seated facing holding sword and globe under an arch, ‘William the Conqueror 900th Anniversary, rev map of Normandy and Southern England with four ships crossing the channel, The Last Invasion of Britain, 1066, The Battle of Hastings, accompanied by certificate (2), first diameter approx. 58mm, second diameter approx. 39mm, total weight approx. 184.8g £6,000-£8,000
736. A 22ct gold Battle of Britain 25th Anniversary commemorative medallion
limited issue numbered 310 by Toye, Kenning & Spencer Ltd, two fighter planes with search lights over a map of England and Wales Battle of Britain Sept 1940 rev. ‘Never in the field of human conflict was so much owed by so many to so few’, accompanied by certificate, diameter approx. 52mm, weight approx. 91.2g £3,500-£4,500
737. A 22ct gold Battle of Britain 25th Anniversary commemorative medallion
limited issue numbered 310 by Toye, Kenning & Spencer Ltd, two fighter planes with search lights over a map of England and Wales Battle of Britain Sept 1940 rev. ‘Never in the field of human conflict was so much owed by so many to so few’, accompanied by certificate, diameter approx. 39mm, weight approx. 42.2g £1,800-£2,200
738. A 22ct gold Sir Winston
Churchill 1874-1965
commemorative medallion
limited issue numbered 743 by Toye, Kenning & Spencer, bust of Churchill facing, rev Churchill coat of arms
The Rt Hon Sir Winston
Spencer-Churchill, K.G, O.M, C.H. 1874-1965, accompanied by certificate, diameter approx. 39mm, weight approx. 41.2g
£1,500-£2,000
739. A 22ct gold Sir Winston
Churchill 1874-1965
commemorative medallion
limited issue numbered 987 by Toye, Kenning & Spencer, bust of Churchill facing, rev Churchill coat of arms
The Rt Hon Sir Winston
Spencer-Churchill, K.G, O.M, C.H. 1874-1965 accompanied by certificate, diameter approx. 39mm, weight approx. 39.8g
£1,500-£2,000
740. A 22ct gold Sir Winston
Churchill 1874-1965
commemorative medallion
limited issue numbered 741 by Toye, Kenning & Spencer, bust of Churchill facing, rev Churchill coat of arms
The Rt Hon Sir Winston
Spencer-Churchill, K.G, O.M, C.H. 1874-1965 accompanied by certificate, diameter approx. 39mm, weight approx. 40.3g
£1,500-£2,000
741. A 22ct gold Sir Winston Churchill 1874-1965
commemorative medallion
limited issue numbered 928 by Toye, Kenning & Spencer, bust of Churchill facing, rev Churchill coat of arms
The Rt Hon Sir Winston Spencer-Churchill, K.G, O.M, C.H. 1874-1965 accompanied by certificate, diameter approx. 39mm, weight approx. 40.1g
£1,500-£2,000
742. A 22ct gold commemorative Albert Schweitzer Memorial Medallion 1875-1965
limited issue numbered 92 by Toye, Kenning & Spencer Ltd, bust of Albert Scweitzer right, titled with dates, rev hand holding a cross with figures and sheet music, Missionary Theologian Humanitarian Philosopher Doctor Musician, accompanied by certificate, diameter approx. 75mm, weight approx. 409.8g £16,000-£18,000
743. Cook Islands. Elizabeth II $500 dollars 2001 Moby Dick silver commemorative coin portrait of Elizabeth facing right, rev Moby Dick, mounted in a wood frame with brass porthole surround, bears brass plaque Cook Islands 2001 Moby Dick Mintage 600 pcs No. 473, diameter approx. 115mm, weight approx. 64.3ozt £800-£1,200
744. Danbury Mint. A History of the English-Speaking Peoples. A set of 50 22ct gold plated silver medals limited edition no 500/7500, contained in an album, accompanied by certificates, each diameter approx. 45mm, weight approx. 65ozt £600-£800
745. USA. Silver 1lb proof Walking Liberty, 2000 .999 fine silver coin
Walking Liberty, rev Heraldic Eagle with shield and thirteen stars above United States of America 1 LB .999 Fine Silver, in capsule, in fitted case, diameter approx. 8.8cm, weight approx. 11.98ozt £150-£250
746. A collection of silver proof and other coins
silver coins to include Royal Mint: Crowns 1935x2,1937 and 1977, 1oz Britannia 2005, £2 pounds: 1995 Piedfort Dove of Peace, 1995 Dove of Peace, 1996 Piedfort Celebration of Football, 1997, 2002 and 2004 First Steam Locomotive. £1 1994. Pobjoy Mint Crown Isle of Man 2004 The Battle of Trafalgar. Tower Mint 25 Ecus, 1992. Tristan da Cunha £5 2014 Prince George. Canada: one dollar 1986 Vancouver train. South Africa 1 Rand 2017. USA: One dollar: 1881,1882, 18831921, 1923, 1994, 1997, 1998, 1999, 2000, together with various cupro-nickel crowns, brilliant uncirculated commemoratives etc. (qty), various, weight approx. 23.72ozt £300-£400
747. The Official Silver Coins of China commemorative proof coin collection comprising 10 Yuan: 1990 Panda, 1997:Panda, Palace of Heavenly Purity, Golden River & Bridges, Bronze Lion, Imperial Throne and Imperial Garden, 1998: Panda, Goddess of the Sea, Goddess of Mercy, Dragon and Square Hole, 1999: Panda, 50th Anniversary of the P.R. of China three coin set, KuanYin with fan and Kuan-Yin with mirror, 2000, Panda, 2001 Panda and 2002
Panda. 5 Yuan: 1984 Soldier Standing, 1990 Li Zicheng, 1992: Cai Wenji and Maritime Discovery, 1995 Emperor Tang Taizong, Mengzi, The Lion dance, 1996 Suspension Bridge, Horse Harnesses, Unicorn and Mechanical Clock, 1997: Peking Opera, Zhuangzi and The Ape King, all in capsules with certificates in two presentation boxes, various total weight approx. 30.9ozt £400-£600
748. Canada. Royal Canadian Mint. A collection of silver and other proof coins comprising one dollar: 1975 Calgary Centennial x2, 1976 Parliament Library, 1977 Silver Jubilee, 1978 Commonwealth Games, 1979 the Griffon, 1980 Arctic Territories, 1982 City of Regina Centennial, 1983 World University Games, 1985 National Parks, 1990 Henry Kelsey and 1991 175th Anniversary Of The Frontenac, together with proof sets for 1973,1981 and 1984, mostly in capsules and cases of issue with outer card sleeves (qty), weight approx. 11.61ozt £100-£150
751. France. Napoleon III, Seven gold 20 Francs, 4 x 1856, 3 x 1857 (7)
Paris Mint, obverse side shows Napoleon III facing right, reverse side shows the denomination above the date within the wreath. (7), each diameter 21mm, total weight approx. 44.9g
£1,600-£2,000
749. France. Napoleon I, Four gold 20 Francs, 1811, 1840, 1841, 1851 all Paris Mint., 1811, obverse side shows Napoleon I facing left, reverse side shows the denomination within the wreath and the date below, lettering empire francais above the wreath., 1840, obverse side shows face of Louis Philippe turned to the left, reverse side shows wreath of laurels surrounding denomination and date., 1841, obverse side shows face of Louis Philippe turned to the left, reverse side shows wreath of laurels surrounding denomination and date., 1851, head of Ceres facing right with ears of corn between a lictor bundle surmounted by a hand of Justice, all under a pointed star, reverse side shows denomination within a crown with date below, lettering outside of wreath; liberte egalite fraternite. (4), each diameter 21mm, total weight approx. 25.5g £1,000-£1,400
750. France. Napoleon III, Seven gold 20 Francs, 1852 x 2, 1854 x 4, 1855
Paris Mint, obverse side shows Napoleon III facing right, reverse side shows the denomination above the date within the wreath. (7), each diameter 21mm, total weight approx. 44.9g £1,600-£2,000
752. France. Napoleon III, Five gold 20 Francs, 1858 (5)
Paris Mint, obverse side shows Napoleon III facing right, reverse side shows the denomination above the date within the wreath. (5), each diameter 21mm, total weight approx. 32.2g
£1,200-£1,600
753. France. Napoleon III, Seven gold 20 Francs, 1859 x 3, 1860 x 4 (7)
Strasbourg Mint on 1860 coins, Paris Mint work on 1859 coins, for all coins obverse side shows Napoleon III facing right, reverse side shows the denomination above the date within the wreath. (7), each diameter 21mm, total weight approx. 45g
£1,600-£2,000
754. France. Napoleon III, Five gold 20 Francs, 1862, 1863, 1864 x 3 (5)
Paris Mint, obverse side shows Napoleon III facing right, reverse side shows the denomination above the date within the wreath. (5), each diameter 21mm, total weight approx. 32.2g
£1,200-£1,600
755. France. Napoleon III, Six gold 20 Francs, 1865 x 2, 1866, 1867 x 2, 1868 (6)
Paris Mint, obverse side shows Napoleon III facing right, reverse side shows the denomination above the date within the wreath. (6), each diameter 21mm, total weight approx. 38.6g £1,400-£1,800
756. France. Third Republic, Four gold 20 Francs, 1875, 1876, 1877, 1878 (4) on all coins; Paris Mint, obverse side shows standing Genius writing the Constitution, rooster at right, fasces at left, reverse side shows the denomination above the date within the wreath. (4), each diameter 21mm, total weight approx. 25.8g £1,000-£1,400
757. France. Third Republic, Six gold 20 Francs, 1890, 1893, 1886, 1897, 1898 x 2 (6) on all coins; Paris Mint, obverse side shows standing Genius writing the Constitution, rooster at right, fasces at left, reverse side shows the denomination above the date within the wreath. (6), each diameter 21mm, total weight approx. 38.7g £1,400-£1,800
758. France. Third Republic, Five gold 20 Francs, 1902, 1907 x 3, 1909 (5)
obverse side showing Marianne facing right and wearing the Phrygian cap and a crown of oak branch, lettering shows republique francaise, reverse side shows lettering liberte, egalite, fraternite surrounding a cock with a proud, puffed-up bust, walking to the left on a ground line decorated with grasses and flowers. The value of the 20 franc coin is also visible, with the number 20 on the left of the cock and fcs on the right, the date is underneath. (5), each diameter 21mm, total weight approx. 32.2g £1,200-£1,600
759. France. Third Republic, Five gold 20 Francs, 1908 (5)
obverse side showing Marianne facing right and wearing the Phrygian cap and a crown of oak branch, lettering shows republique francaise, reverse side shows lettering liberte, egalite, fraternite surrounding a cock with a proud, puffed-up bust, walking to the left on a ground line decorated with grasses and flowers. The value of the 20 franc coin is also visible, with the number 20 on the left of the cock and fcs on the right, the date is underneath. (5), each diameter 21mm, total weight approx. 32.2g £1,200-£1,600
760. France. Third Republic, Seven gold 20 Francs, 1909 x 3, 1910 x 4 (7)
obverse side showing Marianne facing right and wearing the Phrygian cap and a crown of oak branch, lettering shows republique francaise, reverse side shows lettering liberte, egalite, fraternite surrounding a cock with a proud, puffed-up bust, walking to the left on a ground line decorated with grasses and flowers. The value of the 20 franc coin is also visible, with the number 20 on the left of the cock and fcs on the right, the date is underneath. (7), each diameter 21mm, total weight approx. 45.1g £1,600-£2,000
761. France. Third Republic, Six gold 20 Francs, 1910 (6) obverse side showing Marianne facing right and wearing the Phrygian cap and a crown of oak branch, lettering shows republique francaise, reverse side shows lettering liberte, egalite, fraternite surrounding a cock with a proud, puffed-up bust, walking to the left on a ground line decorated with grasses and flowers. The value of the 20 franc coin is also visible, with the number 20 on the left of the cock and fcs on the right, the date is underneath. (6), each diameter 21mm, total weight approx. 38.4g £1,400-£1,800
762. France. Third Republic,
Six gold 20 Francs, 1910 (6) obverse side showing Marianne facing right and wearing the Phrygian cap and a crown of oak branch, lettering shows republique francaise, reverse side shows lettering liberte, egalite, fraternite surrounding a cock with a proud, puffed-up bust, walking to the left on a ground line decorated with grasses and flowers. The value of the 20 franc coin is also visible, with the number 20 on the left of the cock and fcs on the right, the date is underneath. (6), each diameter 21mm, total weight approx. 38.4g £1,400-£1,800
763. France. Third Republic, Five gold 20 Francs, 1910 (5) obverse side showing Marianne facing right and wearing the Phrygian cap and a crown of oak branch, lettering shows republique francaise, reverse side shows lettering liberte, egalite, fraternite surrounding a cock with a proud, puffed-up bust, walking to the left on a ground line decorated with grasses and flowers. The value of the 20 franc coin is also visible, with the number 20 on the left of the cock and fcs on the right, the date is underneath. (5), each diameter 21mm, total weight approx. 32.2g £1,200-£1,600
764. France. Third Republic, Five gold 20 Francs, 1911 (5) obverse side showing Marianne facing right and wearing the Phrygian cap and a crown of oak branch, lettering shows republique francaise, reverse side shows lettering liberte, egalite, fraternite surrounding a cock with a proud, puffed-up bust, walking to the left on a ground line decorated with grasses and flowers. The value of the 20 franc coin is also visible, with the number 20 on the left of the cock and fcs on the right, the date is underneath. (5), each diameter 21mm, total weight approx. 32.2g £1,200-£1,600
765. France. Third Republic,
Five gold 20 Francs, 1911 (5)
obverse side showing Marianne facing right and wearing the Phrygian cap and a crown of oak branch, lettering shows republique francaise, reverse side shows lettering liberte, egalite, fraternite surrounding a cock with a proud, puffed-up bust, walking to the left on a ground line decorated with grasses and flowers. The value of the 20 franc coin is also visible, with the number 20 on the left of the cock and fcs on the right, the date is underneath. (5), each diameter 21mm, total weight approx. 32.2g £1,200-£1,600
766. France. Third Republic, Five gold 20 Francs, 1913 x 4, 1914 x 1 (5)
obverse side showing Marianne facing right and wearing the Phrygian cap and a crown of oak branch, lettering shows republique
francaise, reverse side shows lettering liberte, egalite, fraternite surrounding a cock with a proud, puffed-up bust, walking to the left on a ground line decorated with grasses and flowers. The value of the 20 franc coin is also visible, with the number 20 on the left of the cock and fcs on the right, the date is underneath. (5), each diameter 21mm, total weight approx. 32.2g £1,200-£1,600
767. USA 10 Dollar 1901 Double Eagle Coin in capsule, obverse side shows Liberty (coronet head) facing left, surrounded by 13 stars, with the date below, reverse side shows heraldic eagle with Union shield and holding 3 arrows and an olive branch, diameter 26mm, weight approx. 20.4g (incl. case) £600-£800
768. An American 1904 $20 dollar double eagle
Liberty gold coin
Philadelphia mint, the obverse showing Liberty head surrounded by thirteen stars, reverse side shows heraldic eagle with Union shield and holding 3 arrows and an olive branch, diameter approx. 34mm, weight approx. 33.4g £1,200-£1,600
769. An American 1904 $20 dollar double eagle
Liberty gold coin
Philadelphia mint, the obverse showing Liberty head surrounded by thirteen stars, reverse side shows heraldic eagle with Union shield and holding 3 arrows and an olive branch, diameter approx. 34mm, weight approx. 33.5g £1,200-£1,600
770. An American 1904 $20 dollar double eagle
Liberty gold coin Philadelphia mint, the obverse showing Liberty head surrounded by thirteen stars, reverse side shows heraldic eagle with Union shield and holding 3 arrows and an olive branch, diameter approx. 34mm, weight approx. 33.4g £1,200-£1,600
771. An American 1904 $20 dollar double eagle
Liberty gold coin
Philadelphia mint, the obverse showing Liberty head surrounded by thirteen stars, reverse side shows heraldic eagle with Union shield and holding 3 arrows and an olive branch, diameter approx. 34mm, weight approx. 33.5g £1,200-£1,600
772. An American 1904 $20 dollar double eagle Liberty gold coin Philadelphia mint, the obverse showing Liberty head surrounded by thirteen stars, reverse side shows heraldic eagle with Union shield and holding 3 arrows and an olive branch, diameter approx. 34mm, weight approx. 33.4g £1,200-£1,600
773. An American 1904 $20 dollar double eagle
Liberty gold coin
Philadelphia mint, the obverse showing Liberty head surrounded by thirteen stars, reverse side shows heraldic eagle with Union shield and holding 3 arrows and an olive branch, diameter approx. 34mm, weight approx. 33.4g
£1,200-£1,600
774. An American 1904 $20 dollar double eagle
Liberty gold coin
Philadelphia mint, the obverse showing Liberty head surrounded by thirteen stars, reverse side shows heraldic eagle with Union shield and holding 3 arrows and an olive branch, diameter approx. 34mm, weight approx. 34g
£1,200-£1,600
775. An American 1904 $20 dollar double eagle
Liberty gold coin Philadelphia mint, the obverse showing Liberty head surrounded by thirteen stars, reverse side shows heraldic eagle with Union shield and holding 3 arrows and an olive branch, diameter approx. 34mm, weight approx. 33.4g
£1,200-£1,600
776. An American 1904 $20 dollar double eagle
Liberty gold coin
Philadelphia mint, the obverse showing Liberty head surrounded by thirteen stars, reverse side shows heraldic eagle with Union shield and holding 3 arrows and an olive branch, diameter approx. 34mm, weight approx. 34g
£1,200-£1,600
777. An American 1904 $20 dollar double eagle
Liberty gold coin
Philadelphia mint, the obverse showing Liberty head surrounded by thirteen stars, reverse side shows heraldic eagle with Union shield and holding 3 arrows and an olive branch, diameter approx. 34mm, weight approx. 34g
£1,200-£1,600
778. USA 20 Dollar 1907 Double Eagle Coin
San Francisco Mint, obverse side shows Liberty (coronet head) facing left, surrounded by 13 stars, with the date below, reverse side shows heraldic eagle with Union shield and holding 3 arrows and an olive branch, diameter approx. 33mm, weight approx. 33.4g
£1,200-£1,600
779. Queen Victoria Sovereign, 1900 obverse side depicts Queen Victoria facing left, reverse side shows St George slaying the dragon, date below, diameter 21mm, weight approx. 8.1g
£300-£350
780. George V Sovereign, 1913 obverse side depicts King George V facing left, reverse side shows St George slaying the dragon, date below, diameter 21mm, weight approx. 7.9g
£300-£350
781. George V Half Sovereign, 1914 obverse side depicts King George V facing left, reverse side shows St George slaying the dragon, date below, diameter 19mm, weight approx. 4.1g
£150-£200
782. Elizabeth II Sovereign, 1958 obverse side shows Queen Elizabeth II facing right, reverse side shows St George slaying the dragon, date below, diameter 22mm, weight approx. 7.9g
£300-£350
783. Elizabeth II Sovereign, 1976 obverse side shows Queen Elizabeth II, reverse side shows St George slaying the dragon, date below, diameter 22mm, weight approx. 7.9g
£300-£350
784. Edward III, double leopard, 22ct gold proof coin number 2318 of 5000 minted, year 1344, obverse side, representation of King Edward III of England on the throne, under a gothic portico decorated with fleur-de-lis. He is carrying a sceptre in his right hand and a orb in his left hand. He is surrounded by two leopards. Reverse side, royal cross within a quadriobe cantoned by four leopards, diameter 22mm, approx. weight 4.2g
£150-£200
785. Pobjoy Mint Two Elizabeth II Isle of Man gold 1⁄2 5 crowns, 1998 and 1999
both depicting cats, together with a Royal Mint Barbados Queen Elizabeth The Queen Mother Lady of the Century Silver one dollar, with certificate, all in capsules (3), crowns each diameter 13.9mm, total weight approx, 2.48g £70-£90
786. Elizabeth II Half Sovereign & Quarter Sovereign, 2000 Half Sovereign, obverse side shows Queen Elizabeth II facing right, reverse side shows St George slaying the Dragon. Quarter Sovereign, obverse side shows Queen Elizabeth II facing right, reverse side shows royal airforce pilot with plane in the background, the words that circle the coin says “Royal Air Force, 1918-2018, 100 years” (2), diameter 19mm, approx. weight 3.9g, 14mm, approx. weight. (incl. case) 16g £150-£250
787. Elizabeth II Sovereign, 2000 obverse side shows Queen Elizabeth II facing right, reverse side shows St George slaying the dragon, date below, diameter approx. 21mm, weight approx. 8.1g £300-£350
788. Elizabeth II Sovereign, 2002 commemorative issue for 50th anniversary of Queen Elizabeth II, obverse side shows Queen Elizabeth II facing right, reverse side shows Crowned quartered Royal shield within wreath, date below, diameter approx. 22mm, weight approx. 8g £300-£350
789. Elizabeth II Sovereign, 2005 obverse side shows Queen Elizabeth II facing right, reverse side shows St George slaying the dragon, date below, diameter approx. 21mm, weight approx. 8g
£300-£350
790. Elizabeth II Sovereign, 2017 in capsule, obverse side shows Queen Elizabeth II facing right, reverse side shows St George with sword behind head, about to slay the dragon, date below, diameter approx. 22.05mm, weight approx. 8g
£300-£350
791. Elizabeth II Sovereign, 2018 in capsule, obverse side shows Queen Elizabeth II facing right, reverse side shows St George slaying the dragon, date below, diameter approx. 22.05mm, weight approx. 7.98g
£300-£350
Each auction is prepared in advance and is on public view at the saleroom for one day before the sale, and the morning of the sale. No passes or appointments are required
All lots are offered subject to Catherine Southon Auctioneers & Valuers Ltd’s Conditions of Business
Estimates are published as a guide only and are subject to review. The actual hammer price of a lot may be higher or lower than the range of figures given and there are no predetermined starting prices. Estimates may be subject to revision. Published estimates are exclusive of buyer’s premium and VAT
All lots are subject to reserves. The reserve price is never higher than the low pre-sale estimate
A buyer’s premium of 26.4% is applicable to all the lots in this sale.
The buyer’s premium is inclusive of VAT at the current standard rate (20%),
Lots are normally offered for sale under the auctioneers margin scheme and VAT is payable on the buyer’s premium by all buyers
Lots marked with a dagger † will be offered under normal UK VAT rules and VAT will be charged on both the hammer price and the buyer’s premium
Lots marked with a will be exempt from VAT
All auctions are on public view the day before the sale and on the morning of the sale
All prospective bidders are encouraged to attend the pre-sale exhibition and view the lots in person. If this is not possible, we will be pleased to provide a brief condition report where practical. All condition reports are provided in good faith. Buyers are reminded that it is their responsibility to satisfy themselves of the condition of lots. All weights and measurements are approximate only. Please refer to Conditions of Business for further information
To bid with us you must register to obtain a bidding number. You will be asked to provide proof of identity. All lots sold will be invoiced in the name and address in which the paddle has been registered and will not and cannot be transferred to other names or addresses. If you instruct an agent to bid on your behalf, you will need to provide a letter of authority to this effect.
Catherine Southon Auctioneers & Valuers Ltd is pleased to execute bids on behalf of clients unable to attend the sale in person. All bids should be submitted in writing and in good time, no later than 4.00pm on the day prior to the sale. No absentee or telephone bidding requests will be accepted without a landline telephone number. Lots will be purchased as cheaply as possible (subject to other bids received, reserves and competition in the saleroom), It will be possible to arrange auction room telephone bidding, but subject always to the availability of lines and staffing. These services are offered free of charge and are subject to our Conditions of Business
Payment is due in sterling immediately after the sale and before purchases can be released. Payment in person can be made in the saleroom on the day of the auction. After this, payments must be made by post, card transactions by telephone or electronic transfer to our bank. Catherine Southon Auctioneers & Valuers Ltd welcomes the following methods of payment:
We are pleased to accept Debit Cards
STERLING CHEQUE OR CASH
Cheques are not acceptable tender unless agreed in advance by Catherine Southon Auctioneers & Valuers Ltd.
We are no longer accepting cash.
Wire transfers can be made directly to our bank:
National Westminster Bank plc
33 High Street
West Wickham
Kent BR4 0WH
Please refer to the office for bank details
PLEASE NOTE THAT THE FULL AMOUNT OWED MUST BE TRANSFERRED.
CATHERINE SOUTHON AUCTIONEERS & VALUERS LTD WILL NOT ACCEPT TRANSFER CHARGES. ALL BANK TRANSFER/COMMISSION CHARGES MUST BE PAID BY THE BUYER
This lot contains elephant ivory and is therefore subject to both CITES regulations and the UK Ivory act 2018. Please be advised that several countries, including those in the EU and the USA, now prohibit the importation of ivory items unless under specific conditions. It is the buyers responsibility to obtain any export or import licenses, certifications and any other required documentation. Prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding. The Ivory declaration submission reference number can be found in the catalogue description of the lot.
All Lots marked with the Y symbol are sold in compliance with CITES regulations. The Cites Transaction Specific Certificate number can be found in the catalogue description of the lot.
For more information visit http://www.defra.gov.uk/ahvla-en/import-exports/cites
When exporting outside the UK, Regulations maybe found at: https://www.gov.uk/guidance/cites-imports-and-exports#how-to-apply Furniture made of Brazilian Rosewood (Dalbergia Negra)
To comply with CITES Regulations on post-1947 furniture made of Brazilian Rosewood, all post-war rosewood furniture items have Article 10 certificates.
If you are purchasing rosewood furniture for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate.
It is the responsibility of commercial buyers to ensure a copy of the certificate is obtained from Catherine Southon Auctioneers.
Where a work is catalogued with the name(s) or recognized pseudonym(s) of an artist, it is our opinion that it is a work by the named artist.
In other instances, the following expressions are used:
“Attributed to…” denotes that in our opinion the work is probably by the named artist or the named artist has made a contribution to the work.
“Circle of…” denotes that in our opinion the work shows the stylistic influences of the named artist and dates from the period of the named artist.
“Follower of…” denotes that in our opinion the work shows the stylistic influences of the named artist but probably dates from a later period to that of the named artist.
“Manner of…” denotes that in our opinion the work is a copy or pastiche of a work or works by the named artist and dates from a later period to that of the named artist.
“After…’ denotes that in our opinion the work is a copy by another artist or a printed reproduction of a known work by the named artist.
The terms “signed” and/or “dated” denote that in our opinion the work has been signed and/or dated by the named artist.
The terms “bears signature” and/or “bears date” denote that in our opinion the work has been signed and/or dated by a hand other than that of the named or quoted artist.
Measurements of pictures are given height before width.
The Conditions of Business for Sellers govern all aspects of the consignment, report, holding and sale of Property by Catherine Southon Auctioneers & Valuers Ltd and the Conditions of Business for Buyers, as printed in sale catalogues and available from Catherine Southon Auctioneers & Valuers Ltd upon request. Catherine Southon Auctioneers & Valuers Ltd act as agent for Sellers.
Conditions of Business for Buyers and/or Sellers may be amended by additional terms printed in the sale catalogue and/or by notices posted up in the saleroom or announced by the auctioneer.
“Seller” is the owner of the Property, their agent, executors or the person in possession of the Property (as appropriate)
“The Company” means Catherine Southon Auctioneers & Valuers Ltd., Lygon House, 50 London Road, Bromley, BR1 3RA, Company registration number
“Seller’s Commission” is the commission The Company charges Sellers of Property.
“Expenses” are The Company’s expenses, fees and charges relating to the Property, including legal expenses, insurance charges, illustration fees, administration fees, customs duties, shipping and packing costs and any other expenses and VAT on these amounts
“Buyer’s Premium” is the commission The Company charges Buyers of Property
“Hammer Price” is the highest bid for the Property accepted by the auctioneer
“Reserve Price” is the minimum Hammer Price at which the Property may be sold, as agreed between the Seller and The Company
“Net Sale Proceeds” are the proceeds of sale actually received by The Company, less Seller’s Commission, Buyer’s Premium and Expenses.
“Property” means any item or items of any kind accepted by The Company with a view to its or their sale at auction
“Buyer” means the bidder (including a commission bidder) whom The Company has accepted by the fall of the auctioneer’s hammer
“Deliberate Forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description.
The Seller’s Commission, Hammer Price, Buyer’s Premium and all Expenses are subject to VAT, where applicable
(a) The Seller warrants to The Company and the Buyer that:-
(i) the Seller is the owner of the Property or is properly authorised to sell it;
(ii) the Seller shall transfer possession and good title in the Property to the Buyer, free from any third party claims;
(iii) the Seller has provided all relevant information about the ownership, condition, authenticity, attribution, provenance and import/export history of the Property;
(iv) there are no copyright or other restrictions on The Company’s rights to produce and publish images of the Property.
(b) The Seller will indemnify The Company, its directors, employees, officers and Buyers of the Property against all losses and damages resulting from a breach of any of these warranties or other Conditions of Business. The Company may cancel, rescind or postpone sales of Property where it reasonably believes that there has been or may be a breach of these warranties or any other Conditions of Business by the Seller
(a) The Company shall have sole discretion as to how Property is described, illustrated and marketed, and the date, venue and conduct of the sale.
(b) All oral or written estimates, appraisals and reports are statements of opinion only, and may not be relied upon as a prediction of the sale price and may be revised from time to time by The Company. The Company is not responsible for error of description (made either orally or in any catalogue) or for the genuineness or authenticity of any lot
(c) The Company may, without obligation, consult with third party experts and carry out such other research for the Property as it deems necessary. The Company may transfer possession of the Property to such third parties and shall not be responsible for the acts and omissions of such third parties
(d) The Company shall have the absolute right to produce and publish images of any Property consigned for sale and will retain copyright in any such images it produces
(e) The Company will charge a Buyer’s Premium on the sale of the Property at The
Company’s standard rates. The Company reserves the right to pay out of its commissions a fee to any third party introducing Sellers or Property to it
(f) Sellers are prohibited from bidding on their own Property.
(a) If the Seller withdraws any Property from sale after their written agreement to sell it, The Company may charge the Seller 50% of the Seller’s Commission and Buyer’s Premium that The Company would have received had the Property sold at its mid estimate, plus all Expenses (the “Withdrawal Fee”),
(b) The Company may withdraw any Property from sale without liability for any of the following reasons:- if (i) it reasonably believes that the authenticity or attribution is questionable; (ii) it reasonably believes that the Seller’s Warranties or other Conditions of Business have been breached; (iii) there is a competing ownership claim or lien over the Property; (iv) the Property does not have all licences and permits required by law, including those required under the Convention on the International Trade in Endangered Species (CITES); (v) the condition of the Property has deteriorated since consignment; (vi) the auction has been postponed for any reason.
(c) If the Property is withdrawn for any of reasons 3(b)(ii), or (iii) the Seller shall pay the Withdrawal Fee, as per Condition 3(a), If withdrawn for any other reason, the Property shall be returned to the Seller at the Seller’s expense.
(a) The Company shall not be liable for any errors or omissions in any written or oral information provided to Sellers or for acts or omissions relating to the conduct of the auction or any other matter relating to the sale of Property, whether negligent or otherwise, subject always to Condition 4(c),
(b) Without prejudice to Condition 4(a), any claim against The Company shall be limited to the Net Sale Proceeds for the relevant Property. The Company shall not in any circumstances be liable for any indirect or consequential losses
(c) The Company’s liability to the Seller in respect of death or personal injury caused by The Company’s negligent acts or omissions shall not be excluded or limited
(a) Unless otherwise agreed in writing, The Company will assume the risk of loss or damage to Property received from the Seller until:-
(i) risk passes to the Buyer; or
(ii) if unsold, 30 days after the sale or when released to the Seller (whichever is earlier); or
(iii) 6 months after receipt of the Property by The Company, if not consigned for sale
(b) If damage or loss occurs whilst the Property is at the risk of The Company, the maximum amount of The Company’s liability shall be:
(i) the Hammer Price of the Property, if sold;
(ii) the Reserve Price of the Property or as otherwise stated on the Property Receipt, if unsold; or
(iii) the mid estimate, if not offered for sale (or The Company’s reasonable estimate of auction value where there are no pre-sale estimates);
less Seller’s Commission and Expenses
(c) The Company will not be liable for any loss or damage caused by:- (i) normal wear and tear, gradual deterioration or inherent vice or defect; (ii) errors in processing; (iii) war or radioactive contamination
If any Property is an asset of the Seller’s business, the Seller must notify The Company on delivery of the Property to The Company, whether or not he is registered for VAT purposes and if so, his registered number and whether or not he intends to operate the VAT Used Goods Scheme covering amongst other goods, works of art and antiques
If any Property fails to sell at auction, The Company shall be entitled for a period of 35 days after the auction to sell the Property privately for no less than the Reserve Price (unless otherwise agreed with the Seller) and on the terms of these Conditions of Business.
(a) Subject in all cases to prior receipt of cleared funds by The Company and subject to rescission of the sale under Condition 10, 35 days after the sale date or 5 working days after receipt of cleared funds from the Buyer (whichever is later), The Company shall send the Seller the Net Sale Proceeds in pounds sterling, less any other amounts owed by the Seller to The Company.
(b) The Company shall not be obliged to check the ability of Buyers to pay for Property and shall have absolute discretion whether to use any of the rights and remedies against defaulting Buyers contained in the Conditions of Business for Buyers.
(a) The Company will advise Sellers whether or not their Property has sold. Unsold Property may either:-
(i) be reconsigned for sale; or
(ii) be collected by the Seller, in which case a Reduced Commission of 50% of the Seller’s Commission may be payable calculated as if the Property sold for its Reserve Price (where applicable), plus relevant Expenses.
(b) If the Seller does not reconsign or collect the Property within 60 days of the auction as per Condition 8(a) (i) or (ii) above, The Company shall be released from any duty of bailment and may in its sole discretion be entitled to:-
(i) transfer the Property to independent storage at the Seller’s expense; or
(ii) re-offer the Property at auction for no less than 50% of the original Reserve Price agreed with the Seller (where applicable), and subject to the Seller’s Commission on the
1. INTRODUCTION
(a) The contractual relationship of Catherine Southon Auctioneers & Valuers Ltd and Sellers with prospective Buyers is governed by:
(i) these Conditions of Business for Buyers;
(ii) the Conditions of Business for Sellers displayed in the saleroom and available from Catherine Southon Auctioneers & Valuers Ltd;
(iii) any additional notices and terms printed in the sale catalogue, in each case as amended by any saleroom notice or auctioneer’s announcement
(b) As auctioneer, Catherine Southon Auctioneers & Valuers Ltd acts as agent for the Seller. Occasionally, Catherine Southon Auctioneers & Valuers Ltd may own or have a financial interest in a lot
2. DEFINITIONS
“Bidder” is any person making, attempting or considering making a bid, including Buyers;
“Buyer” is the person who makes the highest bid or offer accepted by the auctioneer, including a Buyer’s principal when bidding as agent;
“Seller” is the person offering a lot for sale, including their agent, or executors;
“THE COMPANY” means Catherine Southon Auctioneers & Valuers Ltd., registered office: Lygon House, 50 London Road, Bromley BR1 3RA. Company Registration number: 08020183;
“Buyer’s Expenses” are any costs or expenses due to Catherine Southon Auctioneers & Valuers Ltd from the Buyer;
“Buyer’s Premium” is the commission payable by the Buyer on the Hammer Price at the current rate of 26.4% (inc VAT);
“Hammer Price” is the highest bid for the Property accepted by the auctioneer at the auction or the post auction sale price;
“Purchase Price” is the Hammer Price plus applicable Buyer’s Premium and Buyer’s Expenses;
“Reserve Price” (where applicable) is the minimum Hammer Price at which the Seller has agreed to sell a lot
The Buyer’s Premium, Buyer’s Expenses and Hammer Price are subject to VAT, where applicable
re-sale plus all relevant Expenses
(c) If the Seller deposits the Property with The Company for more than 1 year and neither collects or consigns it for sale, The Company shall be entitled to sell such Property at a future sale conducted by The Company or elsewhere, with estimates and reserves at The Company’s discretion, after giving the Seller 60 days written notice sent to the Seller’s last known address
The Company may rescind the sale where it reasonably believes that the Property is a Deliberate Forgery, in which case The Company shall send the Seller a notice of such rescission. The Seller agrees to return to The Company the Net Sale Proceeds received from the sale of such Property together with any additional Expenses incurred by The Company. The Company will return the Property to the Seller upon receipt of the Net Sale Proceeds and Expenses, unless prevented from doing so for reasons beyond The Company’s control
(a) The Company will use information supplied by Sellers or otherwise obtained lawfully by The Company for the provision of auction related services, client administration, marketing and as otherwise required by law.
(b) By agreeing to these Conditions of Business, the Seller agrees to the processing of their personal information and to the disclosure of such information to third parties world-wide for the purposes outlined in Condition 11(a),
(a) If any part of these Conditions of Business be held unenforceable, the remaining parts shall remain in full force and effect
b) These Conditions of Business shall be interpreted in accordance with English Law under the exclusive jurisdiction of the English Courts, in favour of The Company.
(a) THE COMPANYs knowledge of lots is partly dependent on information provided by the Seller and THE COMPANY is unable to exercise exhaustive due diligence on each lot. Each lot is available for examination before sale. Bidders are responsible for carrying out examinations and research before sale to satisfy themselves over the condition of lots and accuracy of descriptions
(b) All oral and/or written information provided to Bidders relating to lots, including descriptions in the catalogue, condition reports or elsewhere are statements of THE COMPANY’s opinion and not representations of fact. Each lot is sold by the Seller with any and all errors of description, faults and imperfections. All weights and measurements are approximate and should not be relied upon as fact. Estimates may not be relied on as a prediction of the selling price or value of the lot and may be revised from time to time at THE COMPANY’s absolute discretion
(a) THE COMPANY shall refund the Purchase Price to the Buyer in circumstances where it deems that the lot is a Counterfeit
(b) Subject to Condition 4(a), neither THE COMPANY nor the Seller: (i) is liable for any errors or omissions in any oral or written information provided to Bidders by THE COMPANY, whether negligent or otherwise; (ii) gives any guarantee or warranty to Bidders and any implied warranties and conditions are excluded (save in so far as such obligations cannot be excluded by English law), other than the express warranties given by the Seller to the Buyer (for which the Seller is solely responsible) under the Conditions of Business for Sellers; (iii) accepts responsibility to Bidders for acts or omissions (whether negligent or otherwise) by THE COMPANY in connection with the conduct of auctions or for any matter relating to the sale of any lot
(c) Without prejudice to Condition 4(b), any claim against THE COMPANY and/ or the Seller by a Bidder is limited to the Purchase Price for the relevant lot. Neither THE COMPANY nor the Seller shall be liable for any indirect or consequential losses
(d) Nothing in Condition 4 shall exclude or limit the liability of THE COMPANY or the Seller for death or personal injury caused by the negligent acts or omissions of THE COMPANY or the Seller continued over page
(a) THE COMPANY has absolute discretion to refuse admission to the auction. Before sale, Bidders must complete a Registration Form and supply such information and references as THE COMPANY requires. Bidders are personally liable for their bid and are jointly and severally liable with their principal, if bidding as agent (in which case THE COMPANY’s prior and express consent must be obtained)
(b) THE COMPANY advises Bidders to attend the auction, but THE COMPANY will endeavour to execute absentee written bids provided that they are, in THE COMPANY’s opinion, received in sufficient time and in legible form
(c) When available, written and telephone bidding is offered as a free service at the Bidder’s risk and subject to THE COMPANY’s other commitments; THE COMPANY is therefore not liable for failure to execute such bids. Telephone bidding may be recorded
THE COMPANY and the Seller make no representations or warranties as to whether any lot is subject to import, export or copyright restrictions. It is the Buyer’s sole responsibility to obtain any copyright clearance or any necessary import, export or other licence required by law, including licenses required by law under the International Trade in Endangered Species (CITES)
(a) The auctioneer has discretion to refuse bids, withdraw or re-offer lots for sale (including after the fall of the hammer) if (s)he believes that there may be an error or dispute, and may also take such other action as (s)he reasonably deems necessary.(b) The auctioneer will commence and advance the bidding in such increments as (s)he considers appropriate and is entitled to place bids on the Seller’s behalf up to the Reserve Price for the lot, where applicable
(c) Subject to Condition 7(a), the contract between the Buyer and the Seller is concluded on the striking of the auctioneer’s hammer
(d) Any post-auction sale of lots shall incorporate these Conditions of Business
(a) Unless otherwise agreed in advance, payment of the Purchase Price is due in pounds sterling immediately after the auction (the “Payment Date”)
(b) Title in a lot will not pass to the Buyer until THE COMPANY has received the Purchase Price in cleared funds. THE COMPANY will generally not release a lot to a Buyer before payment. Earlier release shall not affect passing of title or the Buyer’s obligation to pay the Purchase Price, as above
(c) The refusal of any licence or permit required by law, as outlined in Condition 6, shall not affect the Buyer’s obligation to pay for the lot, as per Condition 8(a)
(d) The Buyer must arrange collection of lots immediately after the sale on the day of the auction, or until 12noon on the day after the auction; failing this, only on prior agreement, a mutually convenient day agreed by The Company and the Buyer. Purchased lots are at the Buyer’s risk from the earlier of (i) collection or release to a nominated carrier (ii) 5 working days after the auction. Until risk passes, THE COMPANY will compensate the Buyer for any loss or damage to the lot up to a maximum of the Purchase Price actually paid by the Buyer. THE COMPANY’s assumption of risk is subject to the exclusions detailed in Condition 5(d) of the Conditions of Business for Sellers.
(e) All packing and handling of lots is at the Buyer’s risk. THE COMPANY will not be liable for any acts or omissions of third party packers or shippers
Without prejudice to any rights that the Seller may have, if the Buyer without prior agreement fails to make payment for the lot within 5 working days of the auction, THE COMPANY may in its sole discretion exercise 1 or more of the following remedies:-
(a) store the lot at its premises or elsewhere at the Buyer’s sole risk and expense;
(b) cancel the sale of the lot;
(c) set off any amounts owed to the Buyer by THE COMPANY against any amounts owed to THE COMPANY by the Buyer for the lot;
(d) reject future bids from the Buyer;
(e) charge interest at 4% per annum above NatWest Bank Base Rate from the Payment Date to the date that the Purchase Price is received in cleared funds;
(f) re-sell the lot by auction or privately, with estimates and reserves at THE COMPANY’s discretion, in which case the Buyer will be liable for any shortfall between the original
Purchase Price and the amount achieved on re-sale, including all costs incurred in such re-sale;
(g) Exercise a lien over any Buyer’s Property in THE COMPANY’s possession, applying the sale proceeds to any amounts owed by the Buyer to THE COMPANY. THE COMPANY shall give the Buyer 14 days written notice before exercising such lien;
(h) commence legal proceedings to recover the Purchase Price for the lot, plus interest and legal costs;
(i) disclose the Buyer’s details to the Seller to enable the Seller to commence legal proceedings
(a) If the Buyer pays the Purchase Price but does not collect the lot within 10 working days of the auction, the lot will be stored at the Buyer’s expense and risk at THE COMPANY’s premises or in independent storage
(b) If a lot is paid for but uncollected within 1 month of the auction, following 60 days written notice to the Buyer, THE COMPANY will re-sell the lot by auction or privately, with estimates and reserves at THE COMPANY’s discretion. The sale proceeds, less all THE COMPANY’s costs, will be forfeited unless collected by the Buyer within 2 years of the original auction
(a) THE COMPANY will use information supplied by Bidders or otherwise obtained lawfully by THE COMPANY for the provision of auction related services, client administration, marketing and as otherwise required by law
(b) By agreeing to these Conditions of Business, the Bidder agrees to the processing of their personal information and to the disclosure of such information to third parties world-wide for the purposes outlined in Condition 11(a) and to Sellers as per Condition 9(i)
12. MISCELLANEOUS
(a) All images of lots, catalogue descriptions and all other materials produced by THE COMPANY are the copyright of THE COMPANY
(b) These Conditions of Business are not assignable by any Buyer without THE COMPANY’s prior written consent, but are binding on Bidders’ successors, assigns and representatives
(c) The materials listed in Condition 1(a) set out the entire agreement between the parties
(d) If any part of these Conditions of Business be held unenforceable, the remaining parts shall remain in full force and effect
(e) These Conditions of Business shall be interpreted in accordance with English Law, under the exclusive jurisdiction of the English Courts, in favour of THE COMPANY.
From 14th February 2006 all UK art market professionals (which includes, but is not limited to: auctioneers, dealers, galleries, agents and other intermediaries) are required to collect a royalty payment for all works of art that have been produced by living artists. This payment is only calculated on qualifying works of art which are sold for a hammer price more than £1,000.
Since 1st April 2024 price thresholds are calculated in pounds rather than euros in accordance with The Design Right, Artist’s Resale Right and Copyright (Amendment) Regulations 2023.
All items in this catalogue marked with ‡ are potentially qualifying items, and the royalty charge will be applied if the hammer price achieved is more than £1,000. The royalty charge will be added to all relevant invoices, and must be paid before items can be cleared. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’), no handling costs or additional fees with respect to these charges will be retained by the auctioneer.
The royalty charge that will be applied to qualifying items which achieve a hammer price of more than £1,000, but less than £50,000 is 4% payable by the buyer. For qualifying items that sell for more than £50,000 a sliding scale of royalty charges will apply – for a complete list of the royalty charges ad threshold levels, please see www.dacs.org.uk. There is no VAT payable on this charge.
For all questions relating to the regulations regarding Driot de Suite royalty charges, please see www.dacs.org.uk, telephone +44 (0) 845 410 3410, or email arr@dacs.org.uk
