Woolley & Wallis Modern Art

WOOLLEY & WALLIS

WOOLLEY & WALLIS SALISBURY SALEROOMS

MODERN BRITISH & 20TH CENTURY ART WEDNESDAY 5TH JUNE 2019

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MODERN BRITISH & 20TH CENTURY ART INCLUDING THE STUDIO OF FREDDA BRILLIANT Wednesday 5th June 2019

Specialist Departments

Auction Calendar

Please dial +44 (0)1722 followed by the number listed below

20th Century Design Michael Jeffery Zoe Smith Asian Art John Axford MRICS ASFAV Jeremy Morgan Amber Lees Sarah Lopez-Ferreiro

424505 446955 424506 +44 (0)7812 601098 424571 424591

Chinese Paintings & Calligraphy Freya Yuan-Richards Amber Lees

424589 424571

English & European Ceramics & Glass Clare Durham

424507

Furniture, Works of Art & Clocks Mark Yuan-Richards Jim Gale Suzy Becsy

411854 339161 411854

Japanese Works of Art Alexandra Aguilar Sarah Lopez-Ferreiro

424583 424591

Jewellery Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Charlotte Glyde

424595 424504 424586

Medals & Coins, Arms & Armour Ned Cowell Zoe Cordey

341469 446980

Paintings Victor Fauvelle

446961

Silver Rupert Slingsby Lucy Chalmers

424501 424594

Tribal Art & Antiquities Will Hobbs Zoe Cordey

339752 446980

Valuations for Insurance & Probate Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA

424509 424598

Marketing Sally Trench Megan Corbett

446959 446960

Accounts Janice Clift (Office Manager)

424500

General Office Sharon Ringwood Pauline Jones Nicola Young Ruth Pike Saleroom Manager David Jordan Castle Gate Manager Matt Hill Castle Gate Reception Sally Litherland Board of Directors Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart FRICS FRSA Managing Director Natalie Milsted FCCA Finance Director Associate Directors Janice Clift Clare Durham Will Hobbs Michael Jeffery Mark Yuan-Richards Rupert Slingsby Marielle Whiting FGA

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • Fax: 01722 424508 • www.woolleyandwallis.co.uk

424500

424500

Asian Art, Chinese Paintings & Japanese Works of Art 21st & 22nd May 2019 12th & 13th November 2019 John Axford +44 (0) 1722 424506 • jea@woolleyandwallis.co.uk Freya Yuan-Richards +44 (0) 1722 424589 • fyr@woolleyandwallis.co.uk Alex Aguilar +44 (0) 1722 424583 • aa@woolleyandwallis.co.uk 20th Century Design 19th June 2019 – Arts & Crafts 16th October 2019 – Design 27th November 2019 – British Art Pottery Michael Jeffery +44 (0) 1722 424505 • mj@woolleyandwallis.co.uk Furniture, Works Of Art & Clocks 3rd July 2019 2nd October 2019 Mark Yuan-Richards +44 (0) 1722 411854 • myr@woolleyandwallis.co.uk Jim Gale +44 (0) 1722 339161 • jg@woolleyandwallis.co.uk Silver 16th & 17th July 2019 – Silver & Objects of Vertu 29th & 30th October 2019 – Fine Silver & Objects of Vertu Rupert Slingsby +44 (0) 1722 424501 • rs@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lc@woolleyandwallis.co.uk Jewellery 18th July 2019 – Jewellery 31st October 2019 – Fine Jewellery Marielle Whiting +44 (0) 1722 424595 • mw@woolleyandwallis.co.uk Jonathan Edwards (Consultant) +44 (0) 1722 424504 • je@woolleyandwallis.co.uk Charlotte Glyde +44 (0) 1722 424586 • cg@woolleyandwallis.co.uk Paintings 4th September 2019 – Old Masters, British & European Paintings 11th December 2019 – Modern British & 20th Century Art Victor Fauvelle +44 (0) 1722 446961 • vf@woolleyandwallis.co.uk English & European Ceramics & Glass 17th September 2019 – The Warner Collection of British Delftware 15th October 2019 Clare Durham +44 (0) 1722 424507 • cd@woolleyandwallis.co.uk Tribal Art & Antiquities 18th September 2019 Will Hobbs +44 (0) 1722 339752 • wh@woolleyandwallis.co.uk Medals & Coins, Arms & Armour 20th November 2019 Ned Cowell +44 (0) 1722 341469 • nc@woolleyandwallis.co.uk

• Entries can usually be accepted up to six weeks prior to the auction • Illustrated catalogues are available about ten days before the sale • Viewing is normally two days prior to the auction and on Saturday mornings • Catalogue subscriptions are available for all sales • Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.uk

MODERN BRITISH & 20TH CENTURY ART at our Castle Street Salerooms, SP1 3SU

Wednesday 5th June 2019 at 11am VIEWING TIMES Saturday 1st June Monday 3rd June Tuesday 4th June Wednesday 5th June

10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 4.00pm 8.30am – 9.45am

ENQUIRIES ARTIST’S RESALE RIGHT / DROIT DE SUITE

‡ This symbol indicates that an additional levy may apply for this lot – please see our Terms & Conditions, Section 21, for details.

Victor Fauvelle Tel: 01722 446961 vf@woolleyandwallis.co.uk

GLOSSARY OF TERMS Please refer to our Terms & Conditions, Section 21, for a glossary of terms used in the cataloguing of paintings.

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COLLECTION OF LOTS ALL lots will be moved from the saleroom back to Castle Gate on 6th and 7th June - collection of lots on these days and Saturday 8th MUST BE by prior arrangement on 01722 424500 or pictures may be in transit and unavailable.

ILLUSTRATIONS

From 10th June collection will be from the Picture department at Unit 1B Castle Gate Business Park, Old Sarum, Salisbury SP4 6QX. If making payment at Castle Gate, cash cannot be accepted.

Front cover: Lot 314 Back cover: Lot 44

Collection of sold and unsold lots must be within 21 days of the sale - failure to collect within this time may result in storage fees.

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Catalogue: £12.00 (£15.00 by post)

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of Fine Art Auctioneers

Fredda Brilliant (1903-1999) By the age of 32 Fredda Brilliant had travelled all over the world, born in Lodz in Poland she emigrated to Australia with her family in 1924, moved to New York in the late 1920s and to Moscow in 1935. Her ability to adapt to these very different places was matched by the desire to succeed in many different media. Although she had been sculpting since the age of four Fredda saw her future career on the stage and she became an accomplished actress, singer and script writer. She married the film producer and writer Herbert Marshall in 1935 in Moscow, and they moved to London in 1937, where she continued her acting career as well as sculpting British and European sitters, many of whom were household names at the time. Even though she had never received any formal training she was very motivated and was renowned for her emotional and physical approach to her art.

Pandit Nehru, the 1st Prime Minister of India, who sat for her many times said of Fredda ‘When she was at work she looked like a mad woman – in day to day life she would without restraint sing out loud in public – tears would flow as easily as laughter and anger’ Fredda and Herbert moved to India in 1950 and they lived there until the early 1960s and it was at this time that she created portraits of the most important figures in modern Indian history, at a time when India was gaining its independence from Britain. In her memoir Biographies in Bronze she repeatedly returns to her goal in her sculpture which was to convey the inner soul of the sitter and she describes the struggles and difficulties she had with many of her commissions. Sitters like Gandhi, Nerhu and Vallabhbhai Patel and Indira Gandhi appealed to her as they were engaged in the monumental task of steering India from colonial rule to independence, a vast responsibility as there were so many vested interests and complexities and to achieve this without conflict and civil war was an overwhelming responsibility. She strove to convey this in her sculptures, which she created as biographies in bronze.

Although Freda was not an activist for women’s rights she was well aware of the inequalities that existed. She said of her female sitters ‘I ask you, how many replicas of women are there about? Boadicea, the nurse Cavell. It is ridiculous, it is unfair’ Her ability to shatter the norms of her day throughout her life was perhaps a reaction to inequality for women in society at this time. In 1936 Laura Knight became the first woman to be elected to a full membership of the Royal Academy since its foundation in 1768, this illustrates how the odds were stacked against women artists, let alone in other areas. She was undoubtedly keen to depict female sitters like Helena Normanton QC, the first woman to practice as a barrister in Britain, see lot 15. Fredda Brilliant’s international reputation, meeting the great and the good, and her great achievements in sculpture would have been remarkable for a man at this time, so for a female Polish émigré from a modest background these achievements are all the more remarkable, achieved by great determination, a very individual personality and great skill in her art.

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1‡ FREDDA BRILLIANT Polish 1903-1999

John Fitzgerald Kennedy (American, 1917-1963), the 35th president of the United States Signed Bronze 24cm high (2) With a book: Fredda Brilliant, Biographies in Bronze (New York: Shapolsky Books, 1986) £400-600

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2‡ FREDDA BRILLIANT

3‡ FREDDA BRILLIANT

Polish 1903-1999

Polish 1903-1999

Mahatma Gandhi (Indian, 1869-1948), two small maquettes, activist and leader of the Indian independence movement against British colonial rule, one a miniature version of the bronze seated Gandhi in Tavistock Square; one walking, as submitted to the Gandhi Memorial Committee

Diana, granddaughter of The Lord Marks of Broughton, founder of Marks and Spencer

Signed and walking Gandhi dated 1963 Both resign 28cm high; 30cm high (4) With a framed photograph of Brilliant with three versions of Gandhi sculptures, also with a book: Fredda Brilliant, Biographies in Bronze (New York: Shapolsky Books, 1986)

Signed and dated 1960 Bronze 49cm high (2) With a book: Fredda Brilliant, Biographies in Bronze (New York: Shapolsky Books, 1986) £150-250

£300-500 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

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4‡ FREDDA BRILLIANT Polish 1903-1999

Terry Thomas (1911-1990), comedian and actor Signed and dated indistinctly Bronze 48cm high (2) With a book: Fredda Brilliant, Biographies in Bronze (New York: Shapolsky Books, 1986) Fredda’s husband made a film with Thomas and notes that in his private life he was ‘an intellectual - a serious, cultured person, never using a joke in personal conversations’ and states that she has ‘captured the Terry who is the one in reality, not the professional comedian’. £200-300

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5‡ FREDDA BRILLIANT Polish 1903-1999

Unknown gentleman Bronze 35cm high (2) With a book: Fredda Brilliant, Biographies in Bronze (New York: Shapolsky Books, 1986) £120-180

6‡ FREDDA BRILLIANT Polish 1903-1999

Unknown Aristocrat Signed and dated 1954 Bronze 38cm high (2) With a book: Fredda Brilliant, Biographies in Bronze (New York: Shapolsky Books, 1986)

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6

£200-300

7‡ FREDDA BRILLIANT Polish 1903-1999

Two paperweights, each depicting a female figure Both bronze Each 14 x 11cm (3) With a book: Fredda Brilliant, Biographies in Bronze (New York: Shapolsky Books, 1986) £100-200

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Lots marked ‡ may be subject to an additional fee - please see ARR information on page 121

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8‡ FREDDA BRILLIANT Polish 1903-1999

The Right Honourable The Lord Elwyn-Jones CH, PC (Welsh, 1909-1989), barrister and Labour politician and Lord High Chancellor of Great Britain 1974-79, Attorney General for England and Wales 1964-70, Shadow Lord Chancellor 1983-1989 Signed and dated 1977 Bronze 64cm high (2) With a book: Fredda Brilliant, Biographies in Bronze (New York: Shapolsky Books, 1986)

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Brilliant describes how despite knowing Elwyn-Jones and his wife, the artist Pearl ‘Polly’ Binder, well, she found depicting his ‘inner self more difficult to explore, due not only to his being an introvert, but also due to his not wanting to share his inner thoughts. This was contrary to his external behaviour; thereby, the work was made more complex for me, yet the result was more interesting’.

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£300-500

9‡ FREDDA BRILLIANT

10 ‡ FREDDA BRILLIANT

Polish 1903-1999

Polish 1903-1999

Jozef Adam Zygmunt Cyrankiewicz (Polish, 1911-1989), Premier of Poland (1947-1952 and 1954-1970), he was a Polish Socialist and after 1948 Communist politician

Joan of Arc, considered a heroine of France for her role during the Lancastrian phase of the Hundred Years’ War, and was canonised as a Roman Catholic saint, with three other unknown heads

Signed and dated 1957 Bronze 57cm high (2) With a book: Fredda Brilliant, Biographies in Bronze (New York: Shapolsky Books, 1986)

One signed All plaster 29cm high; 37cm high; 36cm high; 17cm high (5) With a book: Fredda Brilliant, Biographies in Bronze (New York: Shapolsky Books, 1986)

Brilliant describes how difficult it was to get the sitter to stand still due to his imprisonment during the war but she stepped firmly on his foot and dug her elbow into his ribs to hold him firm against the table!

£100-200

£250-450

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See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

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11 ‡ FREDDA BRILLIANT Polish 1903-1999

The Three Graces All signed and dated 1976 All Bronze Each 75cm high (4) With a book: Fredda Brilliant, Biographies in Bronze (New York: Shapolsky Books, 1986) Although originally designed to be three mourners consoling each other, these actually emerged more as three dancing figures using the artist herself as a model. Brilliant conspired with engineer John Yardley, who was in charge of the team who first put a man on the moon, to make six feet figures of the three graces glide around a ten foot pool to the music of Bach. £600-800

12 ‡ FREDDA BRILLIANT Polish 1903-1999

Christina Noble OBE (Irish, b.1944), children’s rights campaigner, charity worker and writer; A Miscarriage of Psychiatry; The Anonymous Lady Noble is signed and dated 1961 All plaster 28cm high; 36cm high; 59cm high (4) With a book: Fredda Brilliant, Biographies in Bronze (New York: Shapolsky Books, 1986) £100-200

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13 ‡ FREDDA BRILLIANT Polish 1903-1999

Sergei Mikhailovich Eisenstein (Russian, 1898-1948), film director and film theorist, a pioneer in the theory and practice of montage; Vladimir Vladimirovich Mayakovsky (Russian, 1893-1930), poet, playwright, artist, and actor, becoming renowned as a prominent figure of the Russian Futurist movement; Baby Bernstein (Leonard Bernstein, American, 1918-1990), composer, conductor, author, music lecturer, and pianist)

12

Two signed and Bernstein dated 1959 All plaster 40cm high; 54cm high; 21cm high (4) With a book: Fredda Brilliant, Biographies in Bronze (New York: Shapolsky Books, 1986) £100-200

13 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 121

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14 ‡ FREDDA BRILLIANT

15 ‡ FREDDA BRILLIANT

16 ‡ FREDDA BRILLIANT

17 ‡ FREDDA BRILLIANT

Polish 1903-1999

Polish 1903-1999

Polish 1903-1999

Polish 1903-1999

Barbara Rose, Australian grand-niece of Fredda Brilliant

Ora

Helena Florence Normanton, QC (1882-1957), the first woman to practise as a barrister in England

Nadia Nerina (South African, 1927-2008), prima ballerina of the Royal Ballet; Nita Massine, Furriers wife; unknown head

Signed and dated 1961 Bronze 35cm high (2) With a book: Fredda Brilliant, Biographies in Bronze (New York: Shapolsky Books, 1986) £150-250

Signed and dated indistinctly Bronze, wall plaque 21cm high (2) With a book: Fredda Brilliant, Biographies in Bronze (New York: Shapolsky Books, 1986) £80-120

Signed and dated 1955 Plaster 55cm high (2) With a book: Fredda Brilliant, Biographies in Bronze (New York: Shapolsky Books, 1986) Normanton was also the first woman barrister to obtain a client’s divorce, lead a murder trial, conduct a trial in America and appear at the High Court and the Old Bailey.

She was one of the first two female King’s counsels and she also campaigned for women’s rights and suffrage.

One signed and dated 1968 Two plaster and one resin 44cm high; 51cm high; 42cm high, with three of Brilliant’s tools (7) With a book: Fredda Brilliant, Biographies in Bronze (New York: Shapolsky Books, 1986) £100-200

£100-150

17 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

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18 ‡ FREDDA BRILLIANT Polish 1903-1999

Anton Chekhov (Russian, 1860-1904), playwright and short-story writer Signed and dated 1968 Bronze 83cm high (2) With a book: Fredda Brilliant, Biographies in Bronze (New York: Shapolsky Books, 1986) Brilliant wanted to convey Chekov as a writer, a doctor and to include reference to The Seagull, she also knew that because he suffered from tuberculosis he always enjoyed fresh air. Her models for the competition for a statue of Chekhov for Chekhov Boulevard in Moscow, for which this is one, all depict him in his doctor’s smock, on light airy pedestals with the seagull hovering above. When invited, it was strongly implied that she would certainly win the competition and with weak opponents she felt certain of the outcome however, the result in fact was that none of the applicants were chosen. Her friend and fellow sculptor Mr. Neroda remarked ‘Do you think we Russians are going to let a foreign sculptor make a statue of our Chekhov? Not even if he were the best in the world’ £400-600

19 ‡ FREDDA BRILLIANT Polish 1903-1999

Dr Francis Warner, poet, author and Don of St Peter’s College, Oxford University; Sir Maurice Bowra CH, FBA (1898-1971), English classical scholar, literary critic and academic; Galya Yevtushenko, wife to the poet Yevgeny Yevtushenko

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All signed, two dated 1966 and 1962 respectively All plaster 47cm high; 41cm high; 48cm high (4) With a book: Fredda Brilliant, Biographies in Bronze (New York: Shapolsky Books, 1986) £100-200

20 ‡ FREDDA BRILLIANT Polish 1903-1999

Duncan Grant RA (1885-1978), British painter and designer of textiles, pottery, theatre sets and costumes and a member of the Bloomsbury Group; Duncan Max Meldrum (Australian, 1875-1955), Scottish-born Australian painter, known as the founder of Australian Tonalism; Teresa Topolski, daughter of the painter Feliks Topolski RA

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All signed and dated 1975, 1941 and 1951 respectively All plaster 47cm high; 43cm high; 37cm high (4) With a book: Fredda Brilliant, Biographies in Bronze (New York: Shapolsky Books, 1986) £100-200

20 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 121

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Polish 1903-1999

Polish 1903-1999

Three Winged Figures, Prometheus, Christ, Icarus

Sir Isaac James “Ike” Hayward (1884-1976), Trade unionist and local politician; Lord Elwyn Jones (Welsh, 1909-1989), barrister and Labour politician

Signed and dated 1969 Bronze 122cm high (2) With a book: Fredda Brilliant, Biographies in Bronze (New York: Shapolsky Books, 1986)

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This bronze is a symbol of restoration, through learning and ingenuity man resurrects and Brilliant says ‘Whether as Prometheus or Christus or Icarus man will always rise again’ £300-500

Both signed and dated 1961 and 1977 respectively Plaster; resin 57cm high; 66cm high (3) With a book: Fredda Brilliant, Biographies in Bronze (New York: Shapolsky Books, 1986) £100-200

24 ‡ FREDDA BRILLIANT Polish 1903-1999

22 ‡ FREDDA BRILLIANT Polish 1903-1999

Church Doors All plaster 18cm high, 53 x 38cm; 30.5 x 23.5cm; 21 x 16cm; 20.5 x 15.5cm; 26 x 51cm (7) With a book: Fredda Brilliant, Biographies in Bronze (New York: Shapolsky Books, 1986)

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£200-300

Sahibzada Mohammad Ali Bogra (East Pakistani, 1909-1963), third Prime Minister of Pakistan; Ghanshyam Das Birla (1894-1983), an Indian businessman and member of the Birla Family Both signed and dated 1955 Both plaster 57cm high; 72cm high (3) With a book: Fredda Brilliant, Biographies in Bronze (New York: Shapolsky Books, 1986) £100-200

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

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25 ‡ FREDDA BRILLIANT Polish 1903-1999

Dr Francis Warner, poet, author and Don of St Peter’s College, Oxford University Signed Bronze 47cm high (2) With a book: Fredda Brilliant, Biographies in Bronze (New York: Shapolsky Books, 1986) Brilliant writes of her frustrations in achieving this sculpture and of having her artistic flow interrupted by his removal of a wisdom tooth! However she describes him as ‘a sensitive poet.

His poetry moves in harmonious colour with the lyrical and rhythmical stanzas’. £200-300

26 ‡ FREDDA BRILLIANT Polish 1903-1999

The struggle for Goa Signed and dated 1955 Bronze 33cm high (2) With a book: Fredda Brilliant, Biographies in Bronze (New York: Shapolsky Books, 1986) This sculpture refers to the desire of the people of Bombay to ‘liberate’ Goa from Portuguese rule and incorporate it with India. Brilliant was caught up in the unrest, had stones thrown at her in her car and had to flee when the crowds outside the town hall were fired upon by the government. Of this sculpture she stated ‘the artist’s work is to express the environment he lives in as well as predict the future’. £200-300

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27 ‡ FREDDA BRILLIANT

28 ‡ FREDDA BRILLIANT

Polish 1903-1999

Polish 1903-1999

Jozef Adam Zygmunt Cyrankiewicz (Polish, 1911-1989), Polish Socialist and after 1948 Communist politician; Taras Hryhorovych Shevchenko (Ukranian, 1814-1861), poet, writer, artist, public and political figure, as well as folklorist and ethnographer

Carl Bert Albert (1908-2000), American lawyer and politician; Unknown gentleman

Both signed and one dated 1957 Plaster; resin 59cm high; 31cm high (3) With a book: Fredda Brilliant, Biographies in Bronze (New York: Shapolsky Books, 1986) £100-200

27 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 121

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Both signed and dated and 1954 respectively Plaster; resin 58cm high; 59cm high (3) With a book: Fredda Brilliant, Biographies in Bronze (New York: Shapolsky Books, 1986) £100-200

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29 ‡ FREDDA BRILLIANT

30 ‡ FREDDA BRILLIANT

Polish 1903-1999

Polish 1903-1999

Pandit Nehru (Jawaharlal Nehru) (1889-1964), freedom fighter and the first Prime Minister of India, standing figure; Vengalil Krishnan Krishna Menon (Indian, 1896-1974), Indian nationalist, diplomat, and politician, a half face wall plaque

Fatehsinghrao Prataprao Gaekwad (1930-1988), The Maharaja of Baroda (1951-1988)

Both signed, one dated 1985 and one 1949 respectively Resin; plaster 79cm high; 28 x 24cm (4) With a framed photograph of Nehru with the bust, also with a book: Fredda Brilliant, Biographies in Bronze (New York: Shapolsky Books, 1986) £100-200

Signed and dated 1954 Bronze 69cm high (3) With a framed photograph of Brilliant and the Maharaja with the bust, also with a book: Fredda Brilliant, Biographies in Bronze (New York: Shapolsky Books, 1986) The Maharaja was a politician and a cricketer who represented Baroda in the Ranji Trophy between 1946 and 1958, he also wrote the book The Palaces of India in 1980. Brilliant was entranced by his combination of masculinity and beauty and felt him to be an incarnation of Apollo and found a close resemblance to a Greek marble of Alexander the Great. £400-600

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31 ‡ FREDDA BRILLIANT Polish 1903-1999

Satyananda Stokes (born Samuel Evans Stokes, Jr.) (American, 1882-1946), introduced apple cultivation to the Indian state of Himachal Pradesh; An American Sailor (Ward King); Minh (Vietnamese) All signed and dated 1974, 1944 and 1959 respectively All plaster 70cm high; 80cm high; 55cm high (4) With a book: Fredda Brilliant, Biographies in Bronze (New York: Shapolsky Books, 1986)

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£100-200

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

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32 ‡ FREDDA BRILLIANT Polish 1903-1999

Pandit Nehru (Jawaharlal Nehru) (1889-1964), freedom fighter and the first Prime Minister of India; The Eyes of India, Indira Priyadarshini Gandhi (Indian, 1917-1984), the only female Prime Minister of India Eyes of India is signed and dated 1952 Resin; plaster 51cm high; 17cm high (4) With a framed photograph of Brilliant and Nehru with the bust, also with a book: Fredda Brilliant, Biographies in Bronze (New York: Shapolsky Books, 1986) £150-250

33 ‡ FREDDA BRILLIANT Polish 1903-1999

Indira Priyadarshini Gandhi (Indian, 1917-1984), the only female Prime Minister of India Signed and dated 1981 Resin 18cm high (2) With a book: Fredda Brilliant, Biographies in Bronze (New York: Shapolsky Books, 1986) £200-300

34 ‡ FREDDA BRILLIANT Polish 1903-1999

Pandit Nehru (Jawaharlal Nehru) (1889-1964), freedom fighter and the first Prime Minister of India; Mohamed Ali Currim Chagla (Indian, 1900-1981), jurist, diplomat, and Cabinet Minister who served as Chief Justice of the Bombay High Court; Unknown Sikh One signed Resin and two plasters 37cm high; 57cm high; 51cm high (5) With a framed photograph of Brilliant and Nehru with the bust, also with a book: Fredda Brilliant, Biographies in Bronze (New York: Shapolsky Books, 1986)

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£100-200

34 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 121

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37 ‡ FREDDA BRILLIANT

Polish 1903-1999

Polish 1903-1999

Brotherhood

The Last Outcry

Resin 65cm high (2) With a book: Fredda Brilliant, Biographies in Bronze (New York: Shapolsky Books, 1986)

Signed Bronze 67cm high (2) With a book: Fredda Brilliant, Biographies in Bronze (New York: Shapolsky Books, 1986)

£200-300

36 ‡ FREDDA BRILLIANT Polish 1903-1999

The Young Atlas Signed Bronze 52cm high (2) With a book: Fredda Brilliant, Biographies in Bronze (New York: Shapolsky Books, 1986) £100-200

This depicts a shofar, the ram’s horn used on Yom Kippur to call to God for forgiveness, it also in the past was an alarm to warn the people of danger and if some had gone astray it would call them back to righteousness.

Brilliant said the indents in a shofar would normally number 3-5 but wanted 6 to represent the 6 million killed in the holocaust. She used the hand of Rabi Levine from the Moscow Synagogue as a model for the hand after he suggested the shofar as a symbol of the tradegy of the holocaust. £200-300

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37 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

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38 ‡ FREDDA BRILLIANT Polish 1903-1999

Ever Living - The Arm Signed and dated 195* Bronze 93cm high (2) With a book: Fredda Brilliant, Biographies in Bronze (New York: Shapolsky Books, 1986) This sculpture is a powerful symbol of the holocaust with each of the six candles representing a million Jews killed in the gas chambers. The hand was inspired by Fredda seeing the hand of a child protruding from the rubble in Warsaw in 1946, the devastation of the city so great that the remains of victims still remained in the rubble. £400-600

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39 ‡ FREDDA BRILLIANT Polish 1903-1999

The Young Atlas Signed Bronze 52cm high (2) With a book: Fredda Brilliant, Biographies in Bronze (New York: Shapolsky Books, 1986) Brilliant states ‘The Young Atlas… holds up the world, the heavy burden of humanity. Youth bears the burden of age. The past is eternally borne by the now into the future’. £200-300

40 ‡ FREDDA BRILLIANT Polish 1903-1999

The Last Outcry Signed Bronze 67cm high (2) With a book: Fredda Brilliant, Biographies in Bronze (New York: Shapolsky Books, 1986) See lot 37 £200-300

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Lots marked ‡ may be subject to an additional fee - please see ARR information on page 121

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41 ‡ FREDDA BRILLIANT Polish 1903-1999

Mahatma Gandhi (Indian, 1869-1948), activist and leader of the Indian independence movement against British colonial rule Signed and dated 1964 Plaster and resin 93cm high (2) With a book: Fredda Brilliant, Biographies in Bronze (New York: Shapolsky Books, 1986) £400-600

42 ‡ FREDDA BRILLIANT Polish 1903-1999

Vallabhbhai Patel (1875-1950), the first Deputy Prime Minister of India, a founding father of the Republic of India Signed and dated 1956 Bronze 68cm high (3) With a framed photograph of Brilliant with the large version of this sculpture, also with a book: Fredda Brilliant, Biographies in Bronze (New York: Shapolsky Books, 1986) £300-500

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42

43 ‡ FREDDA BRILLIANT Polish 1903-1999

Rajendra Prasad (1884-1963), the first President of India; Pandit Nehru (Jawaharlal Nehru) (1889-1964), freedom fighter and the first Prime Minister of India, half body Both signed, one dated 1952 and one dated 1949 Both plaster 58cm high; 77cm high (4) With a framed photograph of Brilliant with the bust, also with a book: Fredda Brilliant, Biographies in Bronze (New York: Shapolsky Books, 1986)

43

£100-200

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

17

44

44 ‡ FREDDA BRILLIANT Polish 1903-1999

Mahatma Gandhi (Indian, 1869-1948), activist and leader of the Indian independence movement against British colonial rule Signed and dated 1964 Bronze 94.5cm high (3) With a framed photograph of the bronze version in Tavistock Square, London, also with a book: Fredda Brilliant, Biographies in Bronze (New York: Shapolsky Books, 1986) £800-1,200

The monument in Tavistock Square, London Lots marked ‡ may be subject to an additional fee - please see ARR information on page 121

18

Other Properties 45 FOLLOWER OF BARBARA HEPWORTH 20th Century

Pierced form Bronze on a wooden base 42cm high (including base) £200-300

46 ‡ ENGLISH SCHOOL 20/21st Century

Standing skinny man Bronze 55cm high £300-500

45

46

47 ‡ ROBERT GLEN b.1940

Seated Fennec Fox Signed, numbered 2/6 and stamped with foundry mark Bronze on a wooden base 12cm high (13cm with base) £200-300

48 ENGLISH SCHOOL 20th Century

Portrait bust of a woman Bronze 40cm high £200-300

47

48 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

19

49

50

49 C.B.

51 ‡ PHILIPPA DENBY

20th Century

b.1938

Portrait of a gentleman

Lovers

Signed with a monogram Bronze, on a marble base 36m; 51cm with base A resemblance to Albert Einstein has been suggested

Signed and numbered 3/9 Bronze 34.5cm high

£600-800

£250-350

50 ‡ DAVID GERRY PARTRIDGE

51A ‡ GUY TAPLIN

1919-2006

Provenance: From the Estate of Lady Dodds

b.1939

Observer II

Dove

Aluminium with iron nails, in two parts 220cm high (approx)

Signed and titled Painted wood 25cm high (including stand)

£300-500

51

£500-800

51A

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 121

20

52

52 ‡ HENRY MOORE OM, RA 1898-1986

Wall Relief: Three Forms Signed and numbered 8/12, also with foundry stamp: H. NOACK BERLIN Bronze, with a golden brown patina, with associated stand 18 x 33cm (2) Provenance: Woolley & Wallis, Salisbury, 3rd June 2015, lot 114 Literature: Bowness, III, 374; Jianou 360; Melville 502 £10,000-15,000

53 ‡ DAVID WYNNE 1926-2014

The Three Graces Signed, dated 1990 and numbered 3/6 Bronze 84cm high, 60cm base diameter Provenance: From the collection of actor Rupert Everett Esq. £3,000-5,000

53 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

21

54 ‡ CLARE SHERIDAN 1885-1970

Portrait head of Sir Winston Churchill Signed indistinctly, stamped with Morris Singer foundry mark, numbered 13 verso Green patinated bronze on a marble base with presentation plaque 38.5cm high (bronze), 45cm high (including base) Provenance: Presented to Sir Emmanuel and Lady Kaye in recognition of their support for the Blenheim Foundation Private UK collection The version of this head at Blenheim Palace is displayed on a column with plaques dedicated to the 17 benefactors of the foundation who received one of the busts. This head was taken from Clare Sheridan’s portrait of Churchill, which was modelled from life in 1942. Sheridan was a cousin of Churchill and as a fellow artist, she had an amicable friendship with him. £7,000-10,000

54

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 121

22

55 ‡ WALTER J. WATSON 1879-1979

On the moor, Glen Lyon, Perthshire Signed and dated 1910, also signed and titled verso Oil on canvas 41 x 61cm Provenance: R. Jackson & Sons, Southport, 1908 £1,000-1,500

55

56

57

58

56 WALTER F. R. TYNDALE

57 LAURA FIDLER

58 WALTER F. R. TYNDALE

1855-1943

1856-1935

1855-1943

Gravel Pit head, Royden, New Forest

Girl with a red umbrella

Littlecroft, Lyndhurst

Signed Watercolour 22.5 x 17cm Illustration for a postcard by Tyndale which was part of a series

Signed Oil on canvas 61 x 51cm

Signed Watercolour 22.5 x 17cm Illustration to The New Forest, published H. G. Hutchinson, 1904

£200-300

£200-300

£300-500

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

23

59 ‡ FRED APPLEYARD 1874-1963

Among the ruins Oil on canvas 61 x 71cm Provenance: Walker Bagshawe, London £3,000-5,000

59

60

61

60 FREDERICK JOHN WIDGERY

61 WALLER HUGH PATON RSA, RSW

1861-1942

1828-1895

Cliff view of a bay

Seafield Tower No.2

Signed Gouache 35 x 48.5cm

Signed and dated August 1892, also signed and titled on verso Watercolour 30.5 x 52cm

£150-200

Provenance: Bonham’s, Bramham, 13th December 2006, lot 638 McTear’s, Glasgow, 9th August 2015, lot 137 £150-200

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 121

24

63

62

64

62 ILLINGWORTH VARLEY

63 ILLINGWORTH VARLEY

64 ‡ BIRGER BORGMAN

1862-1942

1869-1942

1888-1955

Feeding the goat in an orchard

A Malvern Hills Quarry, 1937

Asgrand, Sater, Sweden

Signed verso Oil on canvas 141 x 48cm

Signed Oil on canvas 36 x 46cm

Signed, also signed, titled and dated 1950 verso Oil on canvas 47 x 64cm

Provenance: From the Estate of Lady Dodds

Provenance: From the Estate of Lady Dodds

£300-500

£1,000-1,500

Exhibited: The Federation of Midland Art Societies £200-300

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

25

65 ‡ MONTAGUE DAWSON 1895-1973

A Thames Hay Barge off the Maplin Sands Lighthouse, in the River Thames estuary Signed Watercolour 51 x 76cm Provenance: Sotheby’s London, Marine Oil Paintings and Watercolours, 31st May 1989, lot 79 Sir Donald Gosling Private collection £2,000-3,000

65

66

67

66 ‡ DAVID ROY MACGREGOR

67 ‡ ATTRIBUTED TO ETHELBERT WHITE RWS

1925-2003

1891-1972

Off the Moroccan coast

Kyrenia Harbour, Girne, Cyprus

Signed, also titled verso Oil on canvas 61 x 91.5cm

Bears added signature Oil on canvas 54 x 65cm

£250-350

£400-600

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 121

26

68 ALEXI HANZEN Russian 1876-1937

The Village of Conques Signed, inscribed Conqu F and dated 1927 Oil on canvas 54.5 x 73.5cm Provenance: MacDougall’s London Russian Art 7th June 2017, lot 99 (confirmed

by V. Petrov prior to this sale) Private Collection England £2,000-3,000

68

69

70

69 ‡ SIR JOHN ARNESBY BROWN RA

70 FRANK WASLEY

1866-1955

1854-1934

Evening after Rain

Venice

Signed with initials, also inscribed verso, possibly by another hand Oil on panel 19 x 24cm

Signed Oil on canvas 61 x 92cm

Provenance: The Fine Art Society Ltd., London, December 1977, No. 6011 Tennants, Leyburn, 10th April 2006, lot 1401

£700-1,000

Exhibited: Royal Academy, 1936, No. 26 £1,000-1,500 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

27

71 ‡ ARTHUR SPOONER 1873-1962

Mother and son Signed Oil on canvas 88 x 68cm £2,000-3,000

71

72 ‡ WILLIAM PENN 1877-1968

Portrait of May Rushworth Signed and dated 1923 Oil on canvas 89 x 50.5cm With a copy of a letter from Richard Rushworth £250-450

73 ‡ PHYLLIS DODD 1899-1995

Portrait of a lady, seated, wearing white Signed verso Oil on canvas 61 x 51cm £200-300

72

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 121

73

28

74 ‡ HENRY LAMB RA 1883-1960

A river landscape, possibly the River Ebble Oil on canvasboard 50 x 60cm £1,000-1,500

74

75

76

75 ADRIEN JACQUES SAUZAY

76 ‡ JAMES PETER QUINN

French 1841-1928

Australian 1870-1951

River landscape with washerwomen by a village

Twilight landscape with figures in a park

Signed Oil on panel 26.5 x 47.5cm

Signed Oil on canvas, unframed 29 x 40cm

Provenance: Bedel & Cie, Le Guarde Meuble Public, 18 Rue St. Augustin

Provenance: Christie’s South Kensington Impressionist and Modern Australian Art, 1st December 1988, lot 139

£800-1,200

£250-350 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

29

77 ADRIAN SCOTT STOKES RA 1854-1935

Evening Glow on Rosengarten Signed Oil on Canvas 71 x 85cm £3,000-5,000

77

78 MARK SENIOR 1862-1927

Evening glow Signed indistinctly, also signed, titled and dated 1912 on a label verso Oil on panel 19 x 24cm Provenance: Michael Parkin Fine Art Ltd., London Tennants, Leyburn, 23rd March 2012, lot 965 £3,000-5,000

78 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 121

30

79

80

79 ‡ SIR ALFRED MUNNINGS KCVO, PRA 1878-1959

Seated lady in a mop cap Signed Watercolour with body colour on buff paper 36 x 26cm

80 ‡ SYLVIA GOSSE 1881-1968

81 PAUL CÉSAR HELLEU

The Nurse

French 1859-1927

Signed Oil on canvas 52 x 41cm

A Parisian lady

£1,200-1,800

Signed Red chalk and pencil heightened with white 49 x 56.5cm £700-1,000

Provenance: From the Estate of Lady Dodds £1,000-1,500

81 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

31

82 ‡ SIR STANLEY SPENCER CBE RA 1891-1959

Study for The Apotheosis of Hilda, 1959 Pencil on paper, squared for transfer 50 x 75cm Provenance: Christie’s London, Sir Stanley Spencer studio sale, 5th November 1998, lot 245 £1,500-2,500

82

83 ‡ PHILIP COLLINGWOOD PRIESTLEY 1901-1972

Sir Stanley Spencer RA painting in the Churchyard at Cookham Signed Oil on canvas 71 x 90cm £2,500-3,500

83 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 121

32

84 ‡ MAX WISLICENUS German 1861-1957

Eos Titled and inscribed verso Oil on board 68 x 47cm £1,000-1,500

85 ‡ DOUGLAS MARTIN AFTER TOM CHADWICK Wayside laundry Inscribed on stretcher verso Pinxit Douglas Martin Oil on linen 61 x 51cm £400-500

86 ROBERT MCGREGOR Scottish 1848-1922

Waiting Signed with initials Oil on board 35.5 x 25cm £300-500

84

85

86 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

33

87

87 LUCIEN PISSARRO French 1863-1944

Duton Hill, Essex Signed with a monogram and dated 1910, also titled verso Oil on canvasboard 32.5 x 39.5cm Provenance: Anthony d’Offay, London Purchased by Michael Thorncroft Esq. 1980 The Artist’s Nephew Woolley & Wallis, Salisbury, 13th December 2016, lot 201 Literature: Anne Thorold, A catalogue of the oil paintings of Lucien Pissarro / compiled by Anne Thorold; with a preface by Christopher Lloyd; and an introduction by John Bensusan-Butt., no. 144, illustrated pg. 91 The painter moved to Epping in Essex in 1893 and painted several views of Duton Hill and the surroundings £8,000-12,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 121

34

88 JACQUES-EMILE BLANCHE French 1861-1942

Racing at Auteuil Signed, also signed, titled and dated 1935 verso Oil on board 33 x 41cm Provenance: Lucien Lefebvre-Foinet, Paris, no. 5117 Exposition Biennale Internationale des Beaux Arts, Venice, 1936 (with the title Courses en Angleterre) Michael Parkin Fine Art Ltd, London, no. 4140 The Estate of Professor Rodney Fitch CBE Exhibitions: 20th Venice Biennale, 1936 Leicester Galleries, May 1939, no. 102 Arthur Tooth & Sons, 1939, no. 32 Leicester Galleries, October 1969, no. 30 £3,000-5,000

88

89 ‡ MICHEL DUREUIL French 1929-2011

Les Salis à Cap d’Antibes Signed Oil on canvas 39 x 47cm Provenance: Arthur Tooth & Sons Ltd, London, 7798 Bonham’s, London, 19th April 2005, lot 5 John Adam’s Fine Art Ltd, London £1,000-1,500

89

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

35

90

90 ‡ EDOUARD CORTÈS French 1882-1969

The July column, Place de la Bastille, Paris at night Signed Oil on canvas 50 x 65cm £12,000-18,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 121

36

91

91 ‡ GEORGES HANNA SABBAGH

92 ALBERT GABRIEL RIGOLOT

93 ‡ VENANCE CURNIER

French-Egyptian 1887-1951

French 1862-1932

French 1889-1971

The Dam, Egypt

Washer-women in a mountainous river landscape

French country landscape

Signed and dated 1926 Oil on canvas 46 x 54cm £3,000-5,000

Signed Oil on canvas 50 x 73cm

Signed Watercolour 30.5 x 46.5cm £200-300

£800-1,200

92

93 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

37

94

94 ‡ GUSTAVE CAMILLE GASTON CARIOT French 1872-1950

Moissons au Soir Signed and dated 1920, also signed, titled and inscribed with the artist address on a label verso Oil on canvas 47 x 79cm Provenance: Stern Pissarro Gallery Christie’s London, Impressionist and Modern Art, 22nd June 2012, lot 258 £5,000-7,000

95 ANDRÉ PAULIN BERTRAND French 1852-1940

Cote d’Azur Signed Oil on canvas 54 x 73cm £1,000-1,500

95

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 121

38

96 ‡ ERIC HENRI KENNINGTON RA 1888-1960

Welayat, Hussain’s Shack Titled Pastel and charcoal on grey paper 46.5 x 68cm Provenance: Sotheby’s, 13 Dec 2007, London, 20th Century British Art, lot 29 In the autumn of 1917 Eric Kennington spent some weeks with the 4th Indian Cavalry Division near the Cambrai sector of the British front. During this time he drew several portraits of the Indian cavalrymen and it was probably during this period that he also drew this image of a temporary shelter. He did spend some time with the Jodhpur Imperial Service Lancers again in 1918 but there was heavy snow during this second trip which is not included in this picture. Thus, this makes the former trip the more likely creation period. £5,000-8,000

96

97

98

97 ‡ ERIC HENRI KENNINGTON RA

98 ‡ ERIC HENRI KENNINGTON RA

1888-1960

1888-1960

Study of a bomb, a telegraph pole and a poppy, France 1919

Studies of a Lewis Gun

Inscribed Watercolour with pastel and pencil 25.5 x 51.5cm

Signed, inscribed and dated ‘16 Pencil 54 x 37cm

Provenance: The E. H. Kennington Estate inventory No. 177, 1960 The Maas Gallery, London, No. 21

Provenance: The E. H. Kennington Estate inventory No. 178, 1960 The Maas Gallery, London, No. 15063

£600-800

£800-1,200 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

39

99 ‡ EDWARD BAWDEN CBE, RA 1903-1989

Fir trees in a mountainous landscape Signed and dated 1949 Pen, ink and watercolour heightened with white 45 x 56cm Provenance: Christie’s, London, 20th Century British Art, 14th July 2011, lot 124 £4,000-6,000

100 ROGER FRY 1866-1934

A flooded river landscape, near Guildford Signed and dated 1910 Oil on canvas 46 x 76cm £3,000-5,000

99

100 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 121

40

101 JAMES HUMBERT CRAIG RHA, RUA Irish 1878-1944

Rosses, County Donegal Signed Oil on card 40 x 53cm £2,000-3,000

101

102 JAMES HUMBERT CRAIG RHA, RUA Irish 1878-1944

View of the Atlantic from Breechy on the Irish Coast Signed Oil on board 22 x 30.5cm Provenance: John Magee Ltd., Belfast £800-1,200

102

103 ‡ CHARLES J. MCAULEY Irish 1910-1999

Whitepark Bay, Country Antrim Signed Oil on canvas 40.5 x 76cm £800-1,200

103 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

41

104 ‡ CHARLES J. MCAULEY Irish 1910-1999

Figures on the coast, possibly Antrim Signed Oil on canvasboard 46 x 60.5cm £700-1,000

105 ‡ CHARLES J. MCAULEY Irish 1910-1999

Cattle by a wooded river, probably the River Dun, County Antrim Signed Oil on board 46 x 70cm £600-800

106 ‡ CHARLES J. MCAULEY

104

Irish 1910-1999

Sheep by a country cottage with a haystack Signed Oil on canvas 35.5 x 49.5cm £500-700

107 ‡ CHARLES J. MCAULEY Irish 1910-1999

The bridge at Cushenden, Country Antrim Signed Oil on board 44 x 61cm £400-600

105

106 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 121

107

42

108 ‡ MARCEL DYF French 1899-1985

Fleur et mandoline Signed Oil on canvas 46 x 55cm Provenance: Catalogue raisonné No. ID1327 £2,000-3,000

109 VICTOR SIMONIN Belgian 1877-1946

Still life of summer flowers on a table Signed Oil on board 63 x 79cm £300-500

110 ‡ CAROLINE LEBURN Scottish 20th Century

Kitchen chair with summer flowers Signed Oil on canvas board 61 x 50cm £150-250

108

109

110

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

43

111

111 ‡ SIR MATTHEW SMITH CBE 1879-1959

Still Life with Gothic Figure Signed with initials Oil on canvas 51 x 61cm Painted in 1944 Provenance: The Arts Council of Great Britain, London The Royal Academy of Art, Diploma Gallery, London, 1960 Arthur Tooth & Sons Ltd, London, Homage to Matthew Smith, 1960 Waddington Galleries, London, B33244 £15,000-20,000

112 ‡ SIR MATTHEW SMITH CBE 1879-1959

Still life of dahlias Thought to be signed in the composition, centre left Coloured crayon on buff paper 56 x 42cm £900-1,200

112 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 121

44

113

114

113 JESSICA DISMORR

114 ‡ JOHN BANTING

115 ‡ HUGH BOYCOTT-BROWN

116 ‡ SIR DAVID MURRAY RA

1885-1939

1902-1972

1909-1990

1896-1962

The Church of Notre-Dame-des- Anges, Collioure, France

Surreal study of a lady

Mykonos, Greece

Corfe Castle

Signed and dated 1941 Pen and red and brown ink with wash 44 x 26cm

Signed, titled verso Oil on board 20 x 40cm

£200-300

£150-250

Inscribed To Mrs Russell-Cotes on her 1893 birthday from David Murray Oil on panel 15 x 23cm

Signed and dated 1925 Watercolour over pencil 37.5 x 27cm

£300-500

£600-800

115

116 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

45

117 ‡ BERTRAM NICHOLLS 1883-1974

View of Dunster Castle, Somerset Signed and dated 1940 Oil on canvas, unframed 55.5 x 76cm Provenance: The Fine Art Society, London, May 1942 Beaulieu Fine Arts, Beaulieu Private collection £1,000-1,500

117

118 ‡ BERTRAM NICHOLLS 1883-1974

La Porte Croisée, Bruges Signed and dated 1935 Oil on canvas laid on panel, unframed 42.5 x 65cm Provenance: The Fine Art Society, London, June 1946 Private collection £800-1,200

118

119 ‡ DUNCAN MCGREGOR WHYTE Scottish 1866-1953

View of Richmond, a bridge over the water Signed and studio stamp verso, numbered 95 Oil on canvas 28 x 37.5cm £1,200-1,800

119 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 121

46

120

121

120 PHIDIAS

123 MODERN BRITISH SCHOOL

20th Century

20th Century

Portrait of L. J. Rousseau, half length wearing a hat and holding a stick

A gentleman artist seated and painting in a sunny window

Signed and dated ‘23 Oil on canvas 92.5 x 73cm £600-800

121 OTTO SIEVERT Danish 1894-1940

122

Nude seated in an interior Signed Oil on canvas 109 x 111cm £500-700

122 MODERN SCHOOL 20th Century

Reclining nude Signed indistinctly, also signed and inscribed indistinctly verso Oil on canvas 62 x 80cm £300-500

Oil on canvas 46 x 61cm £200-300

124 ‡ AUGUSTUS JOHN OM, RA 1878-1961

Portrait head of Jack McNeill Together with the original label from the frame inscribed by Caspar John: Head of Jack McNeil - sister of Dorelia John - by Augustus John from his Studio at Fryern court circa 1910 Charcoal 35 x 25cm Jack McNeil was the sister of Dorelia McNeill, John’s model and later partner that met three years after his marriage to Ida Nettleship in 1901. They went on to have four children together. John also drew portraits of Edie and Jessie NcNeill, Jack’s other sisters.

Provenance: Woolley and Wallis Sale on behalf of the executors of Romilly John 15th April 1987, lot 256 Private collection £4,000-6,000

123

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

47

124

125

125 ‡ AUGUSTUS JOHN OM, RA

126 ‡ AUGUSTUS JOHN OM, RA

1878-1961

1878-1961

Mother and Child

Studies of children (probably the artist’s children) and animals

Signed Sepia watercolour over pen and ink 31 x 18cm

Two sheets, with drawing on both sides in two reversible frames Pencil 15 x 20cm and 14 x 20cm (2)

Provenance: Woolley and Wallis Sale on behalf of the executors of Romilly John 15th April 1987 Private collection

Provenance: Sotheby’s Sale of Ambrose McEvoy’s collection (close friend of John) Corfield of Lymington Ltd 29/6/70 to Mrs James, with receipt Private collection

£800-1,200

£600-800

126 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 121

48

127 ‡ EDWARD BAWDEN CBE, RA 1903-1989

Design for a plate for Josiah Wedgwood & Son; Design for two plates for Josiah Wedgwood & Son; Design for two plates for Josiah Wedgwood & Son, overlapping Three, all signed All ink and watercolour 27 x 27.5cm; 29 x 45cm and 28 x 43.5cm Together with five designs for plates and one for a tea cup for E. Brain and Co. (Foley China) by Enid Marx (1902-1998), pencil and watercolour (9) Provenance: The Fine Art Society, London Christie’s, London, The Collection of Giorgio Marsan and Umberta Nasi,12th-13th December 2007, lot 498 £2,000-3,000

127

128

129

130

128 CHRISTOPHER RICHARD WYNNE NEVINSON ARA

129 ‡ GERALD LESLIE BROCKHURST RA

130 ERIC GILL ARA

1890-1978

1882-1940

1889-1946

Le Casaquin de Laine, The Linen Jacket, 1923/24

Ex Libris - Jacob Weiss; Stay me up with flowers

Romney Marsh Signed Drypoint etching 29 x 45cm Provenance: Taylor & Brown, Glasgow £500-700

Signed Etching, from the only edition of 76, ref. Wright 45 iv/iv; Fletcher 45 iv/iv 19 x 15cm £250-350

Two, one inscribed in pencil lower left P.885 and lower right 585 (in circle); The second with a British Handmade watermark and inscribed verso in pencil P305 and MAS/TLY/P.84 Both woodcuts, unframed 19 x 14cm and 20 x 13cm - sheet size (2) £100-150

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

49

131 ERIC GILL ARA 1882-1940

Illustration from Canticum Canticorum Signed and numbered 12/15, inscribed verso in pencil with title and 31/6, AAS, P.664 LIAM 8.85 Woodcut, Skelton P.664, unframed 22 x 13cm - sheet size £150-250

132 ERIC GILL ARA 1882-1940

Illustration from Canticum Canticorum

131

132

Signed and numbered 14/15, inscribed verso in pencil with title and 366/ATT, P.663 LIAM 8.85 Woodcut Skelton P.663, unframed 17 x 11cm - sheet size £150-250

133 ERIC GILL ARA 1882-1940

Initial T with two female saints meeting Signed and numbered 7/10 Woodcut, unframed 13 x 21cm - sheet size £150-250

133

134

135

134 ERIC GILL ARA

135 ERIC GILL ARA

1882-1940

1882-1940

Initial A with Christ and St Thomas

Initial T with Christ and Simon of Cyrene

Signed and numbered 10/10, also inscribed in pencil 519 top right and verso P.823 MST Woodcut, Skelton P.823, unframed 14 x 18cm - sheet size

Signed and numbered 3/10, Woodcut, unframed 18.5 x 28cm - sheet size £150-250

£150-250 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 121

50

136

137

136 ‡ PATRICIA RHODES

137 ‡ JEANETTE LEUERS

139 J. RAPAPORT

141 JOSEPH CARL

20th Century

b.1942

c.1938

Austrian 1877-1937

The Liverpool Maritime Building at night

A Summer Day

Champeaux

Signed and dated 1969, also signed and titled verso Oil on canvas 63 x 76cm Exhibited: International exposition des beaux-arts de Saigon [part-label verso]

Signed Oil on canvas 51 x 61cm

Signed, titled and dated 1938 Watercolour 40.5 x 33.5cm

Interior of an elegant house

£400-600

Provenance: Michael Woodward Licensing, Tadcaster £600-800

138 KATHARINE CLAUSEN 1886-1936

Still life of tulips and narcissi in a glass vase Signed verso Oil on canvas 43 x 53cm

£100-150

140 ‡ TIMOTHY EASTON

Signed and inscribed Pen, ink, pencil and watercolour heightened with white 37.5 x 50.5cm £100-150

b.1943

Hoar Frost Morning Signed, also signed and titled on verso Oil on canvas 66 x 76.5cm £200-300

Provenance: Bonhams, London, 25th January 2006, lot 26 £300-500

138

139

140

141 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

51

142

143

144

142 ‡ PAUL LUCIEN MAZE

143 ‡ PAUL LUCIEN MAZE

144 ‡ PAUL LUCIEN MAZE

French 1887-1979

French 1887-1979

French 1887-1979

A farmstead in a winter landscape

Notre Dame, Paris, from Pont de l’Archevêché

Woodland

Signed and dated ‘56 Pastel on buff paper 52 x 72cm

Signed Oil on board 33 x 40cm

£800-1,200

Provenance: Christie’s, London, 27th March 1997, lot 63 £800-1,200

Signed and dated ‘52 Pastel on buff paper 54 x 37cm Provenance: Browse & Darby, London, 1983 Purchased by The Lady Charlotte Bonham Carter Christie’s, London, 16th May 1996, lot 208 £600-800

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 121

52

145

146

145 ‡ LEON UNDERWOOD

146 ‡ LEON UNDERWOOD

147 ‡ LEON UNDERWOOD

1890-1975

1890-1975

1890-1975

Retirement of the Autumn leaf

Girls of Tehuantepec, Mexico

Portrait of a young girl in profile

Signed and dated ‘49 Mixed media 34.25 x 48cm

Signed and dated ‘29 Watercolour over pencil 37 x 49.5cm

Signed and dated 1922 Pencil on buff paper 23 x 18.25cm

Provenance: Beaux Arts Gallery, London Christopher Hull Gallery, London, FFA No. 481, Exhibition No. 17

£400-600

£200-300

148 ‡ LEON UNDERWOOD

£600-800

1890-1975

A river landscape in Italy Signed, inscribed indistinctly and dated ‘25 Watercolour 27 x 38.5cm £200-300

149 ‡ LEON UNDERWOOD 1890-1975

Cottage garden with deckchair, 1942 Watercolour 27 x 37cm

147

Provenance: Christopher Hull Gallery, London, FFA No. 480, Exhibition No. 13

148

£250-350

150 ‡ LEON UNDERWOOD 1890-1975

Stretching nude Signed and dated ‘36 Pencil heightened with watercolour on buff paper 35 x 48cm £200-300

149

150 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

53

151

151 ‡ BEN NICHOLSON OM

152 ‡ JOHN MINTON

153 ‡ KEITH VAUGHAN

1894-1982

1917-1957

1912-1977

May 1960 (four), 1960

Winter Landscape

Signed and dated May 1960 on board verso Pencil and oil wash on paper on a prepared board 36 x 51cm

The sculptures of Florence, including Michaelanglo’s David and Cellini’s Perseus

Provenance: Christie’s, London, 20th Century British Art, 17th November 2006, lot 107 Galleria Lorenzelli, Milan, 1960, No.37

Signed and dated 1954 Watercolour 27 x 37cm

Provenance: The Lefèvre Gallery, London

£4,000-6,000

£1,000-1,500

£800-1,200

152 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 121

153

Signed and dated ‘49 Lithograph 42.5 x 51.5cm

54

154

154 MALCOLM DRUMMOND

155 ‡ BERNARD FLEETWOOD-WALKER

156 ‡ ALFRED AARON WOLMARK

1880-1945

1892/3-1965

1877-1961

Farm Yard Scenes

On the Farm, the artist’s son Guy

The Garden Walk

A pair, both oil on board unframed Both 25.5 x 35.5cm (2)

Oil on board 27 x 27cm With a study of the artist’s son Colin verso

Signed with initials, also signed and inscribed Claremont Studio St. Mary’s Terrace on a label verso (under overlap) Oil on canvas 52 x 31.5cm

Provenance: Mrs Margaret Drummond The Arts Council of Great Britain, No. 11 Thomas Agnew & Sons Ltd, London, No. 0963 Sotheby’s, London, 6th December 2000, lot 98 £2,000-3,000

155

Provenance: Dr Peggy Fleetwood-Walker John Lindsay Fine Art Ltd September 1981 Private collection

£1,000-1,500

£400-600

156 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

55

157

157 ‡ ALFRED AARON WOLMARK 1877-1961

158

Gandria, Lugano, Switzerland Signed and dated 1924, also signed and dated 1925 verso and with a label titled and inscribed with the artist’s address verso Oil on panel 35.5 x 46.5cm £600-800

158 ‡ ALFRED AARON WOLMARK 1877-1961

Village scene with cattle by the road Oil on board 51 x 57cm £600-800

159 ‡ ALFRED AARON WOLMARK 1877-1961

159

Figures in a village street Inscribed verso in pencil: 5 o’clock Oil on canvas laid on board 30 x 39.5cm £500-700

160 ‡ ALFRED AARON WOLMARK 1877-1961

Row of cottages Signed and dated 1932 Oil on panel 31.5 x 40cm £500-700

160 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 121

56

161 N. DAVIDS French 19/20th Century

Two figures beside the autumnal tree lined canal Nivernais, Montauté, Epiry, France Signed Oil on canvas 50.5 x 61cm £1,000-1,500

162 N. DAVIDS French 19/20th Century

A sunny courtyard with a lady fetching water from a well Signed Oil on canvas 55.5 x 46.5cm £300-500

161

162

163 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

57

163 KARL WALSER Swiss 1877-1943

Street scene with children holding an umbrella and a man fishing Signed Oil on panel 82 x 55.5cm £800-1,200

164 ‡ ELIOT HODGKIN 1905-1987

In the Ticino Signed and dated ‘50 Oil on canvas 76 x 51cm Provenance: Hazlitt, Gooden & Fox Sotheby’s, London, 23rd November 2005, lot 69 £3,000-5,000

165 ‡ ELIOT HODGKIN 1905-1987

Tonal studies of ceramic vases Four, all signed Three watercolour with bodycolour on grey paper, one on buff paper and one pencil 39.5 x 27.5cm and similar (4) £2,500-3,500

164

165 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 121

58

166 ‡ CHARLES HARDAKER RBA, NEAC b.1934

View of the Church of St Stephen, Walbrook, London Signed with initials and dated ‘63 Oil on canvas 77 x 51cm Provenance: The Lord Mayor’s Art Award £400-600

167 EMILE LECOMTE Belgian 1866-1938

Anvers, Bruxelles Signed, also signed and titled verso Oil on canvas 70.5 x 60.5cm £200-300

166

167

168 VENETIAN SCHOOL 20th Century

Boats on a waterway, buildings beyond Signed Mixed media on paper 38.5 x 58cm £120-180

169 ‡ HARRY EPWORTH ALLEN 1894-1958

Chickens in a farmyard Signed Watercolour 16 x 21cm £200-300

170 ‡ LADY JOAN ZUCKERMAN NÉE ISAACS 1918-2000

168

Norfolk landscape Signed with initials, also signed and titled verso Oil on canvas 51 x 63.5cm With a watercolour of Burnham Thorpe Church (2) £200-300

169

170 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

59

171

172 ‡ WILLIAM GEAR RA

173 R.C.E

American 1917-2014

1915-1997

20th Century

Japanese Girls

Abstract untitled

Surreal landscape at night

Signed Oil on canvas laid on board 76 x 122cm

Signed and dated ‘57 Watercolour 38.5 x 47cm

Signed with initials and dated 1941 Oil on canvas 46 x 62cm

£600-1,000

Provenance: Inscribed on backing board verso by another hand William Gear, Belgrave Gallery, London, Ex. Redfern

£200-400

171 ‡ EDNA HIBEL

£300-500

172

173

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 121

60

174 ‡ GRAHAM SUTHERLAND OM 1903-1980

Portrait of Sir Kenneth Clark, Lord Clark, KCB, FBA, CH, OM (1903-1983) Dated 7.1.62 Watercolour and pencil 26 x 20cm Provenance: Acquired from the artist’s studio, by the Bergamini Gallery, Milan Private collection Exhibited: Varese, Musei Civici di Villa Mirabello, 23rd May - 26th July 1992.

Conegliano, Galleria Comunale d’Arte, Sutherland Ritratti, 2nd March - 28th April 1996, unnumbered Literature: Exhibition catalogue, G. Testori, Sutherland L’atelier dei ritratti, Milan, 1992, p. 44, illustrated Exhibition catalogue, M. Goldin, Sutherland Ritratti, Milan, 1996, p.160, illustrated Lord Clarke’s television series Civilization was a ground breaking series of 13 programmes which was aired worldwide and became a benchmark for all future art documentaries. The opening scene of the first programme focuses on Notre Dame Cathedral in Paris which Lord Clarke considered the pinnacle of Western Art. £5,000-8,000

174

175 ‡ GRAHAM SUTHERLAND OM 1903-1980

Illustration for Hieroglyphics of the Life of Man by Francis Quarles Signed and dated 1943 (twice) Lithograph in colour, three prints on one uncut sheet 51 x 38cm Literature: Francis Quarles, Hieroglyphikes 1637, Menston: Scolar Press Facsimiles 1978.

Malcolm Yorke, The Spirit of the Place. Nine Neo-Romantic Artists and their times, Constable; London 1988, The Blazing Taper on Lofty Hills, illustrated page 131.

Roberto Tassi, Graham Sutherland Complete Graphic Work Nos 46, 47 and 48 Hieroglyphics of the Life of Man, published in 1637, was the sequel to Francis Quarles best-selling Emblems (1635) which was lavishly illustrated, containing five books of meditative verse. £400-600

175 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

61

176

176 ‡ GRAHAM SUTHERLAND OM 1903-1980

Study of a Head Signed and dated 1950 Watercolour and charcoal 30 x 25.5cm Provenance: Waddington Galleries Ltd, London, owner: Mrs M.K. Murphy Gladwell & Patterson, London, No. 8076 £6,000-8,000 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 121

62

180 JOHN HALL THORPE 1874-1947

Cowslips and Primrose Two, both signed Both woodcuts Each 16.5 x 15cm (2) £120-180

181 JOHN HALL THORPE 1874-1947

177

178

Parrots; Summer flowers in a blue vase and fruit

177 ‡ JAMES STROUDLEY

178 ‡ LAURENCE BIDDLE

1906-1988

1888-1968

Both signed Two, both woodcuts with some hand colouring 34 x 26cm and 40 x 26cm (2)

Chrysanthemums in a glass vase

Still life of Pansies, Pelargoniums and Primula in a bowl with Alpine rockery Phlox foliage

Signed, also signed and inscribed on a label verso Oil on board 50 x 60cm Provenance: Louise Kosman Fine Art £350-450

Signed and dated ‘29, also signed, inscribed, dated and numbered 139 on a label verso Oil on board 29.5 x 44cm £600-800

179 JOHN HALL THORPE 1874-1947

Floral still lifes Group of six, all signed All woodcuts, 3 published 1922, and 1 published 1921, framed as a set Five approx. 23.5 x 29cm and one 29 x 24cm (6)

179

£300-500

180

181

£150-250

182 JOHN HALL THORPE 1874-1947

The Chinese Vase; Summer flowers (large) Two, both signed Both woodcuts, the second unframed 47 x 31.5cm and 29.5 x 24.5cm With a print of Sweet peas signed in the print by the same hand (3) £150-250

182

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

63

183 ‡ LAURENCE STEPHEN LOWRY RA 1887-1976

The Harbour Signed and stamped by Fine Art trade guild Limited edition reproduction, printed by Venture prints, 1972 40.5 x 56cm Provenance: Cumbrian Fine Art Galleries, Windermere, No. 2394 £1,000-1,500

184 ‡ MADGE GILL 1882-1961

Martin Luther Inscribed in pencil lower right: Q-NG-DP-6-7 and upper left: 75 Pen and ink over and verso pencil on card, unframed 31.5 x 25cm Provenance: Christie’s New York, Courageous Spirits: Outsider and Vernacular Art, 20th January 2017 lot 504

183

£800-1,200

185 ‡ SIR FRANK BRANGWYN RA 1867-1956

Boats on a canal Signed Sepia etching 18.5 x 12.5cm Provenance: From the Estate of Lady Dodds £60-80

184

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 121

185

64

186 ‡ JULIAN TREVELYAN RA 1910-1988

Still life of grapes, pears and bananas on a table Signed and dated ‘53 Oil on board 33 x 40cm Provenance: Christie’s London 6th December 1990 lot 213 £1,500-2,500

186

187

188

187 ‡ JULIAN TREVELYAN RA

188 ‡ JULIAN TREVELYAN RA

1910-1988

1910-1988

Pebble Mill, 1983

Le Lavoir, The Laundry

Signed, titled and numbered 3/50 Soft ground etching 15 x 25cm

Signed and dated 1936 Watercolour over pencil 34.25 x 51.5cm

Provenance: Bohun Gallery, Henley-on-Thames, Centenary Exhibition of Prints, October 2010

£600-800

£500-800

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

65

189

189 ‡ PATRICK HERON CBE 1920-1999

Still Life with Hyacinths, Plaice and Lemon Signed and dated ‘46 Oil on canvas 52.5 x 63cm Provenance: The Leicester Galleries, January 1950, Exhibition ‘From Gainsborough to Hitchen’s: A Selection of Paintings and Drawings from the Howard Bliss Collection’ listed as Night Still Life London Arts Council, 1951 Christie’s, London, 6th June 2008, lot 98 £50,000-70,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 121

66

190

190 ‥ JOHN PIPER CH 1903-1992

Fawley Bottom, a Buckinghamshire landscape Signed, titled and dated 21 IV 81 Watercolour and gouache 38 x 56cm Provenance: The Solomon Gallery, Dublin ÂŁ6,000-8,000

190 framed

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

67

191

191 ‡ JOHN PIPER CH 1903-1992

St Catherine’s Church, Hoarwithy, Herefordshire Signed Watercolour, bodycolour and chalk over pen and ink 38 x 55.5cm £6,000-8,000

191 framed

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 121

68

192

192 ‡ JOHN PIPER CH 1903-1992

Parsac, France Signed, titled and dated 15.10.61 Gouache and coloured wax crayon 22.5 x 30.5cm Provenance: Brook Street Gallery, London Gladwell & Patterson, London, No. 8075 £3,500-4,500

193 ‡ JOHN PIPER CH 1903-1992

Portmahomack, North Scotland Signed Pen, ink and grisaille washes over pencil 13 x 19cm Created in 1954 Provenance: Gladwell & Patterson, London, No 8074

193

£700-1,000 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

69

194

194 ‡ JOHN PIPER CH 1903-1992

Bishopstone Beach Tide Mill, Newhaven Signed and inscribed Bishopstone Beach Tide Mill Mixed media 36 x 53.5cm Provenance: The Leicester Galleries, London £5,000-8,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 121

70

195 ALEXANDRE FASINI Ukranian 1892-1942

The Athletes Signed and dated ‘93 Oil on canvas 114 x 146cm £2,000-3,000

195

196

197

196 ‡ KAREL APPEL

197 ‡ ETHELBERT WHITE RWS

Dutch 1921-2006

1891-1972

Head and flowers

River landscape

Signed Oil and watercolour with collage 23 x 28cm

Oil on board 43.5 x 53cm

£1,200-1,800

Provenance: Abbott and Holder, London £400-600 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

71

199

198

198 ‡ JOHN WELLS

199 ‡ JOHN WELLS

200 ‡ JOHN WELLS

201 ‡ JOHN WELLS

1907-2000

1907-2000

1907-2000

1907-2000

Christmas Card, 1981

Christmas Card

Christmas Card

Christmas Card

Inscribed to Paul and Pam verso from Johnny and dated Newlyn 1951 Monoprint 9.25 x 12.5cm

Signed, dated 1982, dedicated to Paul and Pam and inscribed Newlyn verso Monoprint 9.5 x 13cm

Signed, dated 1979, dedicated to Pam and Paul and inscribed Newlyn verso Monoprint 9.5 x 13cm

Provenance: Zuleika Gallery, Witney J. P. Hodin and by family descent

Provenance: J. P. Hodin and by family descent

Signed, dated 1960, dedicated and inscribed Newlyn verso Hand coloured etching Monoprint 14.5 x 11.25cm Provenance: J. P. Hodin and by family descent

Exhibited: Zuleika Gallery, Witney

£500-800

£500-800

£500-800

Provenance: J. P. Hodin and by family descent

£500-800

John Wells was a close friend of J.P. Hodin and his wife Pam. They became friends with the St Ives group in the 1960s and wrote about their work.

200

201

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 121

72

202 ‡ RONALD OSSORY DUNLOP RA 1894-1973

French farm scene Signed Oil on canvas 50.5 x 76cm £500-700

202

203 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

73

204

203 ‡ FIELD MARSHAL HAROLD RUPERT LEOFRIC GEORGE ALEXANDER, 1ST EARL ALEXANDER OF TUNIS, KG, GCB, OM, GCMG, CSI, DSO, MC, CD, PC 1891-1969

The Thames near Marlow Signed and dated 1955, titled verso Oil on board 46 x 61cm Provenance: Lord Astor of Hever Castle, Kent

204 ‡ SIR WILLIAM RUSSELL FLINT PRWS, RA Scottish 1880-1969

A mother and daughters on the beach Signed Watercolour 48 x 66cm Provenance: Lord Astor of Hever Castle, Kent £5,000-8,000

£500-700

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 121

74

205

206

205 ‡ CECIL BEATON CBE

206 ‡ CECIL BEATON CBE

1904-1980

1904-1980

10 Costume studies for the play Quadrille by Noel Coward and an ink sketch of 3 ladies

Costume studies for Quadrille, by Noel Coward

11, 3 signed, titled and inscribed with the artist’s address verso, 8 Pelham Place, London SW7 (his home from 1940-1980) 7 titled (one with a design verso) the three inscribed Quadrille verso All pen and ink with one brush and ink, all unframed 3 - 43 x 36cm; 8 - 50 x 37cm (11) £500-700

Three, one signed, all copyright marked, all inscribed Harriet, Act III; Serena Act I; Serena Act II All pen, ink and watercolour over pencil Each approx. 38 x 29cm With a photograph of one of the costumes on stage, including a CD titled The Beaton Image BBC 1984 and a programme for Phoenix Theatre, Quadrille, 1952 (4) £800-1,200

207 ‡ PIETRO ANNIGONI 1910-1988

Queen Elizabeth II, 1954 Signed and numbered 620/850 Lithograph 37 x 29cm Provenance: Blenheim Fine Arts Ltd., London, 20th September 1978 £100-200

207 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

75

208 ‡ EDWARD ARDIZZONE RA 1900-1979

Portrait of the artist’s wife and son Oil on canvas 60 x 50cm The artist’s widow, on selling the painting, described how she dyed her wedding dress to re-use it in hard times and this scene depicts the third time it was dyed Provenance: Purchased from the artist’s widow c.1981 The Estate of Professor Rodney Fitch CBE £4,000-6,000

209 ‡ PETER GREENHAM RA 1909-1992

Mont St Michel Signed, titled and inscribed No 2 on a label verso Oil on board 40 x 33cm Provenance: The Estate of Professor Rodney Fitch CBE Exhibited: Peter Greenham Exhibition, Ashmoleon, Oxford 1989 £500-800

208

210 ‡ DIANA MAXWELL ARMFIELD RA

211 ‡ PETER GREENHAM RA

b.1920

1909-1992

Mountains Above Die

In Savoy

Signed with initials, also signed titled and dated verso Oil on board 20 x 22.5cm

Signed and titled verso Oil on board 34.5 x 50cm

Provenance: The Estate of Professor Rodney Fitch CBE £200-300

Provenance: Royal Academy Summer Exhibition 1978 The Estate of Professor Rodney Fitch CBE £500-700

209

210

211

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 121

76

212

213

212 ‡ CLIFFORD HALL

213 ‡ CLIFFORD HALL

214 ‡ CLIFFORD HALL

215 ‡ CLIFFORD HALL

216 ‡ CLIFFORD HALL

1904-1973

1904-1973

1904-1973

1904-1973

1904-1973

Portrait of Jean

Antwerp

Rue Domat, Paris

Antwerp

Makarska

Signed Oil on panel 19 x 24cm Jean was a French working girl living in London in the early 1960s. The artist painted her with her maid see Sotheby’s Olympia 15th September 2004

Signed and dated ‘64 Oil on board 26 x 36.5cm

Signed Oil on canvas 56 x 34cm

Provenance: Bonham’s Modern Paintings 4th July 1985, lot 187

Provenance: Christie’s London 6th September 2001, lot 90, from the collection Fruin Bruce Charles Bravington, a fellow artist and friend of Clifford Hall

Signed Oil on board 24 x 15cm Painted in 1964 Provenance: Lena Boyle Fine Art, London

Signed, dated August 7th ‘54 and dedicated For Dinah verso Oil on board 24 x 19cm Painted on the artists only visit to Yugoslavia

£200-300

£200-300

£400-600

£450-550

£300-500

214

215

216

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

77

217 ‡ CLIFFORD HALL 1904-1973

Wrapped bather lying in a blue towel Signed Acrylic on board 51 x 104cm Provenance: Christie’s London, 28th June 1982 £300-500

217

218 ‡ CLIFFORD HALL

219 ‡ MERVYN GOODE

1904-1973

b.1948

Smuggler’s Cove

Summer Fishing from the Riverbank

Signed, inscribed verso: Smuggler’s Cove, Holcombe April 1947 Oil on board 25 x 34cm £250-350

Signed, also signed and titled verso Oil on canvas 45.5 x 66cm Provenance: The Wykeham Gallery, Stockbridge, Mervyn Goode: Recent Paintings, 4th-18th November 2006, stock no. 7274/2617

220 ‡ EDWARD WESSON RI 1910-1983

Salisbury Cathedral from the meadows Signed Watercolour over pen and ink 21.5 x 29cm Provenance: Beach’s Book Shop, Salisbury £200-300

£200-300

218

219

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 121

220

78

221 ‡ PHILIP SUTTON RA b.1928

Jennie in Feathered Black Hat Signed verso Oil on canvas 101.5 x 101.5cm Provenance: Rowland, Browse and Delbanco, London Bonham’s, London, 26th September 2007, lot 158 £1,000-1,500

222 ‡ FIKRET MUALLA SAYGI Turkish 1903-1967

Figures Signed and dated ‘55 Gouache 18 x 24cm £400-600

223 ‡ HENRY SANDERS 1918-1992

Lemonade Seller Signed and dated ‘61 Gouache 53 x 40cm £200-300

221

222

223 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

79

224 ‡ KEN HOWARD OBE, RA b.1932

Valerie seated Signed and dated 9/’89 Watercolour 26.5 x 18cm Provenance: Bankside Gallery, London £800-1,200

225 ‡ KEN HOWARD OBE, RA b.1932

Red and Blue Windbreak, Sennan Signed and dated 6/7/’87 Watercolour over pencil 14 x 20cm Provenance: Alton Gallery, Alton, October 1987 £500-800

226 ‡ KEN HOWARD OBE, RA b.1932

Sennen Cove, Cornwall Signed, also titled on verso Oil on panel 31 x 31cm Provenance: The Estate of Professor Rodney Fitch CBE £400-600

224

225 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 121

226

80

227 ‡ ROWLAND HILDER 1905-1993

Oast houses in Kent in winter Signed and dated ‘72 Watercolour over pencil 24 x 34cm £400-600

227

228

229

228 ‡ IAN HOUSTON

229 ‡ IAN HOUSTON

b.1934

b.1934

Barge Leaving the Quay, Edam, Netherlands

Quayside, Hoorn, Holland

Signed Oil on board 25 x 30cm

Signed Oil on board 25.5 x 35.5cm £300-500

Provenance: Artist’s label, ref. H8928 Mandell’s Gallery, Norwich £250-350

230 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

81

231

230 ‡ JULIAN BARROW

231 ‡ FELIX KELLY

b.1939

1914-1994

Vereley House, Burley Street, Ringwood

Hackwood Park

Signed and dated ‘86 Oil on canvas 64 x 76cm

Signed and dated ‘87, also signed, titled and dated on a label verso Oil on board 61 x 81.5cm

£250-400

Provenance: Christie’s, London, 21st April 1998, lot 723 £4,000-6,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 121

82

232 ‡ MARY NEWCOMB 1922-2008

Girl walking on an Embankment Signed with initials Pencil and watercolour 12.25 x 19.5cm Painted in 1980 Exhibited: The Beautiful and the Bizarre, Cork Street, London £700-1,000

232

233 ‡ MARY NEWCOMB 1922-2008

The Windsurfer Signed with initials Pencil 19.5 x 24.5cm Created 1980 Exhibitions: The Beautiful and the Bizarre, Cork Street, London £700-1,000

233

234 ‡ MARY NEWCOMB 1922-2008

Greyhounds; Lurcher Racing verso Titled and numbered 166 verso Coloured pencil and coloured wash 12.75 x 20.5cm Exhibited: The Beautiful and the Bizarre, Cork Street, London £600-800

234 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

83

235 ‡ MARY NEWCOMB 1922-2008

Tremendous Moth Night Signed (incised) and also dated ‘62 (indistinctly) also signed and titled verso Oil on canvas 90 x 70.5cm Provenance: Keys Fine Art Auctioneers, Norwich, 29 Nov 2018, lot 1379 Sworders, 29 July 2014, Stansted, lot 466 £6,000-8,000

235

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 121

84

236 ‡ KIT BARKER 1916-1988

Pembroke Signed, titled and dated ‘71 Oil on canvas 46 x 76cm £600-800

237 ‡ KIT BARKER 1916-1988

Kingley Vale Signed, titled and dated ‘70 verso Oil on canvas 35.5 x 51cm £500-700

236

238 ‡ HARRY FRECKLETON 1890-1979

A quiet afternoon, Bosham Creek, Sussex Signed Oil on canvas 59.75 x 74.75cm Provenance: The Victoria Gallery, Nottingham £300-500

239 ‡ GEORGE AYLING 1887-1960

Polperro Harbour, Cornwall Signed Watercolour 33.5 x 46cm £200-300

237

238

239 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

85

240

241

240 ‡ LIONEL BULMER

241 ‡ HOWARD J. MORGAN

242 WILLIAM TATTON WINTER

243 ‡ LENA ALEXANDER

1919-1992

b.1949

1855-1928

Scottish 1899-1983

Evening, putting out to sea

Playa; Cornwall; Our Garden

Spring Time, North Downs

The yellow rose

Signed Oil on board 40 x 50cm

Three, one signed, dated VIII 93 and titled indistinctly All watercolour 32 x 24.5cm; 31 x 53.5cm; 31.5 x 55.5cm (3)

Signed Watercolour 44.5 x 44.5cm

Signed, signed and titled on a label verso Pastel 52 x 55cm

Provenance: The Jonleigh Gallery, Wonersh, October 1987 Mr and Mrs Bullivant Private Collection

£200-300

£200-300

£300-500

£400-600

242

243

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 121

86

244 ‡ JOHN BRATBY RA 1928-1992

Portrait of Diane Hills seated in an orange armchair Signed, also inscribed verso Diane Hills, Paragon, Blackheath, To Jack, another pressy: this your znd sad nun John, also dated 1971 or 1972 Oil on canvas 122 x 91cm £700-1,000

245 ‡ JOHN BRATBY RA 1928-1992

Self portrait of a man in a hat

244

245

Signed and dated ‘78 and ‘79, also inscribed This is in a hat bought in France and Dear Jack, good wishes verso Oil on canvas 76 x 51cm £800-1,200

246 ‡ JOHN BRATBY RA 1928-1992

Self portrait with chin in hand Signed twice, also inscribed verso Good wishes Jack, This was made in Royal Hill Greenwich in about 1977 Oil on canvas 76 x 51cm £800-1,200

246A ‡ JOHN BRATBY RA 1928-1992

Portrait of Julian Lloyd Webber (b.1951) Signed Oil on canvas 91 x 61cm

246

246A

Provenance: Purchased directly from the artist by the vendor’s father £1,500-2,500

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

87

247 ‡ FRED YATES 1922-2008

Martha’s Sunday Best Signed Oil on canvas 50 x 50cm Provenance: Woolley & Wallis, Salisbury, 29th November 2017, lot 486 £800-1,200

248 ‡ SIMEON STAFFORD b.1956

St Michael’s Mount, Cornwall Signed, also signed on stretcher verso Oil on canvas, unframed 101 x 152cm £1,200-1,800

249 ‡ KEVIN SHARKEY Irish b.1961

Irish landscape

247

Mixed media 80 x 80cm £250-350

250 MANNER OF RENATO NATALI An altercation at the tavern Bears signature Oil on board 34.5 x 48cm £200-300

248

249

250

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 121

88

251

251 ‡ RONALD OSSORY DUNLOP RA

252

252 ‡ PETER BIEGEL

253 ‡ DAVID H. EDWARDS

1894-1973

1913-1987

b.1944

Woodland Path

A muddy track with a ruin in the distant landscape

Cleeve hill, Gloucestershire; Upton St Leonards and Birdlip hill, Gloucestershire

Watercolour on buff paper 32 x 23cm

A pair, both signed Both oil on canvas laid on board Each 35.5 x 25cm (2)

Signed Oil on canvas 40.5 x 51cm £400-600

£300-500

£200-300

253

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

89

254

254 FRANCES MARY HODGKINS 1869-1947

Floral study Signed Gouache 32.5 x 32.5cm Provenance: Private collection, USA £8,000-12,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 121

90

255

256

255 ‡ PRUNELLA CLOUGH

256 ‡ RICHARD SMITH CBE

258 ‡ CHARLES GASSNER

1931-2016

257 ‡ LARRY WAKEFIELD

1919-1999

A Place Revisited

Project for a summer sculpture

1925-1997

Metamorphis

Oil on board 21.5 x 23cm Created 1985

Signed and dated ‘65 Gouache over pencil 43 x 35.25cm

Untitled, pink abstract

Provenance: Annely Juda Fine Art, London, Prunella Clough: 50 Years of Making Art, 28th January - 21st March 2009, no.48

Provenance: Redfern Gallery, London, 27th March 1993, No. 1539 Mr. Gordon House Knoedler Gallery, London, No. 3162

Signed Oil on canvas 60.5 x 76cm

Signed, also titled and numbered 3 on backing board Gouache on grey paper Created 1960s 52.5 x 73cm

£150-250

£120-180

Exhibited: Keith Vaughan and Prunella Clough, Gallery 27 London, 31st August - 4th September 2010

1915-1977

£600-800

£1,500-2,500

257

258 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

91

259

260

259 ‡ HENRY CLIFFE

260 ‡ ALEX MACKENZIE

1919-1983

1923-2002

Self Portrait

Sacred circle, Kingston Russell Dorset, 1991

Signed and dated ‘62 Gouache 53 x 74cm

Signed, titled and dated Nov ‘91, also titled and dated Nov ‘91 verso Watercolour, pencil, collage 17.25 x 12cm

£300-500

Provenance: Artist’s ref. KM/G/148/1130. MC

Provenance: Bonhams, Bath, 16th July 2007, lot 437 £1,200-1,800

Provenance: Bonham’s, Oxford, 15th April 2014, Fine Art and Antiques including Silver, lot 274

261 ‡ ROBERT QUIJADA

262 ‡ JOHN MILLER

20th/21st Century

1931-2002

Construction

Beach

Signed and dated ‘75 Mixed media and collage 40 x 40cm

Signed and titled on backing sheet Gouache 15 x 12.5cm

£300-400

£500-800

261 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 121

262

92

263 ‡ ERIC HOLT 1944-1997

Vying for space Signed and dated 1993/4 Oil on board Overall: 87 x 100cm Painting: 46 x 32cm Provenance: From the family of the artist, one of the last works completed by Eric Holt Exhibited: The Piccadilly Gallery, London £1,500-2,500

263

264 ‡ DORIAN KER

265 ‡ SERGE BAUNE

b.1948

French early 20th Century

Ginger root Tempera on board 19.75 x 31.5cm £250-350

Signed and dated Octobre 1917, inscribed on the top of the frame Pastel in a decorative border 60 x 44cm (without border) £200-300

264

265

Portrait of the artist’s daughter Roberte Baune

266

266 ‡ BERNARD DUNSTAN RA 1920-2017

Sidney C. Hutchison, Secretary of the Royal Academy from 1968 to 1982 Inscribed To Sidney from B.D. May ‘79 Pencil on buff paper 8.5 x 7.5cm Provenance: The collection of Sidney C. Huchison £150-250

267

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

93

267 ‡ DAVID ROLT

269 ‡ CALLUM INNES

271 ‡ HAMISH FULTON

1916-1985

b.1962

b.1946

The Elm tree

Untitled

Signed with initials Oil on canvas 69 x 51cm

Signed and numbered 9/140, paper blind stamped ARTISTICO + FABRANO Photopolymer intaglio with chine collee, published Tate St. Ives, 2005 27 x 26cm (print size), 48 x 44cm (sheet size) Created in 2004

East, South, West, North, 1989

£200-300

268 ‡ JOHANNES PHOKELA South African b.1966

Signed and numbered 93/100 Photo Lithograph 20.5 x 58.5cm (within mount) Provenance: Edward Totah Gallery, London Graeme Murray Gallery, Edinburgh £200-300

£300-500

Size 14

272 ‡ HAMISH FULTON

Oil on paper 86 x 65cm

270 ‡ JAMES WOOD

Provenance: Simon Mee Fine Art

1889-1975

Bird Rock

£600-800

Untitled, abstract Signed and dated ‘63 Oil on board 42.5 x 52.5cm

Signed and inscribed Studio Proof 1 Photogravure with screenprint 23.5 x 14.5cm (plate size), 63 x 43cm (sheet size)

£150-250

£200-300

269

b.1946

268

270

271 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 121

272

94

273 ‡ DAVID JONES 1895-1974

The Chester Play of the Deluge A set of ten, all woodcuts, mounted, unframed Each 27.5 x 21cm (sheet size) (10) £400-500

274 ‡ DAVID JONES 1895-1974

The Whale; The Depth closed me round about - Illustrations From the Book of Jonah Two both woodcuts, unframed Each 25 x 16.5cm (sheet size) (2) £100-150

273

275 ‡ ERIC FRASER 1902-1984

Illustrations for the Arabian Nights (The Book of the Thousand Nights and one Night) A set of four All signed All pen and ink Each 25.5 x 15cm (4) From the edition by Dr. J. C. Mardrus & Powys Mathers, published by the Folio Society

274

£300-500

275 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

95

276

277

276 ‡ THEODORE MENDEZ

277 ‡ SERGE LABÉGORRE

278 ‡ JOHN DAVIES

1934-1997

French b.1932

Figures, 1969

Newspaper Composition 1962/1973

Veut du Sud

Pen, ink, gouache and watercolour with pastel 29 x 35.5cm

Signed and dated 1962/1973 verso Oil and newspaper on canvas 61 x 51cm

Signed, titled in a label verso Oil on panel 33 x 46cm £300-500

b.1946

Provenance: Bonhams, 10th September 2014, lot 129 £250-350

£400-600

278

279 ‡ DAME ELISABETH FRINK RA 1930-1993

Bookplates for The Iliad by Homer, translated by E.V. Rieu for the Folio Society Set of 15, all lithographs, published

by Curwen Press, 1975 Each 24 x 15cm (15) Provenance: Sally Hunter Fine Art, British design and illustration, November 2008 Woolley & Wallis, Salisbury, 9th December 2015, lot 127 £250-350

279 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 121

96

280

280 ‡ COLIN SELF

282 ‡ BILL JACKLIN

b.1941

b.1943

Power & Beauty No. 2; Prelude to 1000 Objects No. 1 Two, the first signed, titled and numbered 19/75, the second signed, titled, numbered 20/60 and dated 25/8/71 verso The first screenprint and second etching with aquatint EA1052 and 1040, both unframed 69 x 105cm and 54 x 68.5cm (sheet sizes) (2) Provenance: Private collection £150-250

281

282

281 ‡ NIGEL HALL b.1943

Dialogue Signed and dated ‘75 Aquatint, artist’s proof, EA 409, unframed 70 x 88.5cm (sheet size) Provenance: Private Collection £100-150

Seven of Diamonds Signed, inscribed and numbered 1/50 Aquatint, unframed 17 x 12cm (plate size) Provenance: Private Collection £40-60

283 ‡ TADEK BEUTLICH Polish 1922-2011

Bion; Pollination I Two, both signed, titled and numbered 73/75 and 59/75 Both lithographs, unframed Each 96 x 67cm (sheet sizes) (2) Provenance: Private collection £100-200

284 ‡ SIR EDUARDO PAOLOZZI RA 1924-2005

General Dynamic F.U.N. 5, all signed, artists proofs, dated 1965-70 All lithographs, unframed Each 25.5 x 38cm (5) Provenance: Private Collection £400-600

283 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

97

285 ‡ SIR EDUARDO PAOLOZZI RA 1924-2005

Moonstrips Empire News 7, all signed one numbered 417/500, the others artist’s proofs All lithographs, unframed Each 38 x 25.5cm (7) Provenance: Private Collection £500-700

286 ‡ PATRICK PROCTOR RA 1936-2003

Two polar spirits; Samuel Taylor Coleridge

284

Two, both signed Both aquatints, artist’s proof, EA945 and EA 937, unframed Each 32 x 21.5cm (sheet size) (2) Provenance: Private collection £200-300

287 ‡ UZO EGONU Nigerian 1931-1996

Sacrificial Cocks; Second Sacrificial Cocks; Still life with Silver Teapot; Old Spinning Wheel; Flute Player and Dancers 5, all signed, titled and dated ‘73 and ‘74 Three lithographs and two etchings, all artist’s proofs, unframed Each 58 x 79cm and similar (5) Provenance: Private Collection £400-600

286

287 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 121

285

98

288

289

288 ‡ ANTHONY GROSS RA

289 ‡ MICHAEL ENGLISH

290 ‡ JEAN DUBUFFET

1941-2009

French 1901-1985

1905-1984

Yellow No. 1 end of 45.140 BR type 4 I-C-C-I Diesel Electric Locomotive

Vache, from Banque De L’Hourloupe

Signed, titled, dated May 1979 and numbered 35/85 Screenprint, hand spraying, BFK Rives paper, EA374, unframed 76.5 x 109cm (sheet size)

Lithograph, unframed 78 x 58cm

Village dance at Saux no. 1; Dancers at Saux No 2; Postman’s House Three, all signed, titled and numbered 2/75, 2/75 and 29/50 All etchings, unframed 16 x 24.5cm and smaller (3) Provenance: Private Collection £300-400

Provenance: Woolley & Wallis, Salisbury, 26th November 2013, lot 218 Private collection

Provenance: Private Collection

291 ‡ PATRICK PROCTOR RA

1934-2000

1936-2003

Phoenix No. 401

A ship mast high

Signed and dated 1980 Screenprint, unique, unframed 56 x 71cm

Signed Artist’s proof, EA938, unframed 65 x 49.5cm (sheet size) Provenance: Private Collection

£100-200

292 ‡ IAN STEPHENSON

Provenance: Private Collection £100-150

£150-250

Literature: Tessa Sidey Editions Alecto - Original Graphics, Multiple Originals 1960-1981, Lund Humphries, page 108, catalogue number 374 £200-300

290

291

292 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

99

293 ‡ JOHN BELLANY CBE, RA Scottish 1942-1913

Coastal landscape with red sky Signed Oil on canvas 50 x 61cm £1,500-2,500

294 ‡ JOHN BELLANY CBE, RA Scottish 1942-1913

Harbour view with figures and clock Signed Watercolour over pencil 38 x 28cm £800-1,200

295 ‡ JOHN BELLANY CBE, RA Scottish 1942-1913

The artist’s holiday home in Italy Signed Watercolour over pencil 57 x 76cm £800-1,200

293

294

295

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 121

100

296 ‡ DOROTHEA TANNING

298 ‡ SIR DAVID MUIRHEAD BONE RWS

300 ‡ DONALD PLENDERLEITH

Bateau Bleu, The Grotto, 1950

Scottish 1876-1956

1921-1995

Leaving Palermo

Brookland Church

Signed and numbered HH/200 Colour lithograph 49 x 34cm

Signed Watercolour over pencil 17.25 x 34cm

Signed, dated 1959, titled Woodcut 20 x 30cm (plate size)

Provenance: P. & D. Colnaghi & Co. Ltd. London

Provenance: T. & R. Annan & Sons, Glasgow

£100-150

£1,000-1,500

£200-300

297 ‡ LINDY GUINNESS

299 ‡ NORMAN ACKROYD RA

1910-2012

b.1941

The Village of Vatheia on the Mani Peninsula, Greece

b.1938

Signed, also signed, dated 1974 and numbered No 16 verso Oil on canvas 36 x 45.5cm

Signed, titled dated ‘64 and numbered 1/4 Aquatint 41 x 49.5cm

Wet Evening

Provenance: The Octagon Gallery, Belfast

Provenance: Market Print Gallery, Exeter, October 1977, No. 4

£300-500

£200-300

296

297

299

298

300 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

101

301

302

301 ‡ LEONARD LONG OAM Australian 1911-2013

Arriving at the mill Wauchope team, North New South Wales Signed and dated 1982 Oil on board 71 x 91cm £300-500

302 ‡ LEONARD LONG OAM Australian 1911-2013

Murray River Pastoral, Talmalmo, New South Wales; South-West weather, Strath Creek, Victoria

303

304

Both signed and dated 1982 Both oil on board Each 12.5 x 23cm (2) £150-250

303 ‡ DENISE CAMPBELL Australian b.1952

Glasgow in the rain Signed and dated 1977 Oil on canvas 72 x 86cm With a watercolour view of Glasgow signed and dated ‘75 44 x 58cm (2) £100-150

304 ‡ DENISE CAMPBELL

305

Australian b.1952

305 ‡ HARRY GORDON

306 ‡ HARRY GORDON

20th Century

20th Century

Nude with sunflower

Interior of the Old Bedford Theatre, Camden Town, London

The Storey’s Creek Tin Mine, Storey’s Creek, Tasmania Signed and dated 1996 Oil on canvas 137 x 127cm With a watercolour and mixed media study of the same subject signed and dated ‘81 51 x 71cm (2)

Signed and dated ‘64 Oil on canvas 102 x 76cm £100-150

£150-250 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 121

306

Signed Oil on board 62 x 51cm

With a watercolour of plaster figure and stage details from the theatre, signed and dated ‘62 48 x 36cm (2) £100-150

102

307

307 ‡ EMILY KAME KNGWARREYE Australian c.1910-1996

Emily’s Country Acrylic on canvas 91 x 122cm Painted in 1995 Provenance: Aboriginal Gallery of Dreamings, Melbourne, Australia, purchased 18th March 1995 by the father of the present owner, with certificate £6,000-10,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

103

308

308 ‡ EMILY KAME KNGWARREYE

309 ‡ EMILY KAME KNGWARREYE

Australian c.1910-1996

Australian c.1910-1996

Body Decoration

Body Decoration

Acrylic on canvas 88 x 180cm Painted in 1995

Acrylic on canvas 91 x 180cm Painted in 1995

Provenance: Aboriginal Gallery of Dreamings, Melbourne, Australia, purchased 6th July 1995 by the father of the present owner, with certificate

Provenance: Aboriginal Gallery of Dreamings, Melbourne, Australia, purchased 6th July 1995 by the father of the present owner, with certificate

£6,000-10,000

£6,000-10,000

309 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 121

104

310 ‡ JOHN BUCK b.1951

Bird and leaves Signed and dated 2010 Monoprint 50 x 65cm £400-600

310

311 ‡ JOHN SERGEANT 1937-2010

Venice Signed, titled and dated 1973 Watercolour 23 x 32cm With a further watercolour of the Palais de Louvre, 1973, by the same hand (2) Provenance: The Estate of Professor Rodney Fitch CBE £150-250

311

312 ‡ MARJ BOND RGI, RSW Scottish b.1939

Mother Goddess Signed Mixed media on paper 26 x 25cm £250-350

313 LUIGI BERLOCH 20th Century

Accordian player Signed indistinctly, also signed indistinctly, titled and dated ‘81 verso Oil on board 32 x 28cm £200-300

312

313 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

105

314 ‡ LEON MORROCCO b.1942

Still life of fruit in a bowl and a large plate on a table Signed and dated ‘93 Oil on board 35 x 35cm £1,000-1,500

315 ‡ JOE HARGAN DA, PPAI, PA Scottish b.1952

Turkish delight Signed and dated ‘92 Oil on canvas 25.5 x 25.5cm Provenance: The Contemporary Fine Art Gallery, Eton £500-700

316 ‡ JOE HARGAN DA, PPAI, PA Scottish b.1952

Jess Signed and dated ‘92 Oil on canvas 25.5 x 25.5cm Provenance: The Contemporary Fine Art Gallery, Eton £600-800

314

315 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 121

316

106

317 ‡ ROBBIE WRAITH b.1952

Standing female nude Charcoal, unframed 50 x 35cm £200-300

318 ‡ ROBBIE WRAITH b.1952

Corinne II Signed, also titled verso Charcoal heightened with white, unframed 50 x 35cm £200-300

319 ‡ ROBBIE WRAITH b.1952

317

318

Still life of hanging garlic Signed Oil on board, unframed 22.25 x 16cm £150-250

320 ‡ ROBBIE WRAITH b.1952

Venice, Santa Maria della Salute with Gondolas Signed Oil on board, unframed 30.5 x 23cm £200-300

321 ‡ SARA ROSSBERG b.1952

Hands on Head I; Face in Hands I

319

320

Two, both signed with initials and dated 1992 Both pencil 37 x 31cm and 33 x 33cm (2) Provenance: Stiebel Modern, New York £200-300

322 ‡ SARA ROSSBERG b.1952

Head and Body 2; Yellow Arm Two, both signed with initials and dated 1991 Both watercolour and pencil Each 44 x 59cm

321

322

Provenance: Stiebel Modern, New York With another, mixed media of Head and Shoulders, 1995 by the same hand 39 x 57.5cm (3) £300-500

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

107

323

323 ‡ ANDREW MACARA NEAC, RBA

324 ‡ ANDREW MACARA NEAC, RBA

325 ‡ ANDREW MACARA NEAC, RBA

b.1944

b.1944

b.1944

Rethymnon, Crete, Greece

Balcony, Agios Nikolaos, Crete, Greece

Cerve, near San Bartolomeo, Alassio, Italy

Signed, also titled and dated May 1991-93 verso Oil on canvas 51 x 101cm

Signed and dated 1987 Oil on canvas 50.5 x 61cm

Signed and dated 1987, also titled verso Oil on canvas 60.5 x 76cm

£700-1,000

Provenance: Fosse Gallery, Cheltenham

£500-700

£500-700

324

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 121

325

108

327

326

326 ‡ PETER JOYCE

327 ‡ PETER JOYCE

328 ‡ FRASER TAYLOR

b.1964

b.1964

b.1960

Below the Lynchetts

Porthmeor Study 2

Boats on the shore

Signed with initials and dated ‘05, also signed, titled and dated ‘05 and 2005 on verso Acrylic on board 94 x 33.25cm

Signed with initials and dated ‘04, also signed, titled and dated ‘04 and 2004 on verso Acrylic on board 24 x 69cm

A pair, both signed and dated ‘88 Both oil on board Each 30 x 84cm (2)

Provenance: Maltby Art Gallery, Winchester, Peter Joyce Solo exhibition 2005

Provenance: Maltby Art Gallery, Winchester, Peter Joyce Solo exhibition 2005

£500-800

£500-800

Provenance: Thumb Gallery, London, No. 2264 £400-600

328 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

109

329 ‡ JONATHAN SAINSBURY b.1951

Glen Tarken - Ptarmigan Signed and dated ‘90 Watercolour 47 x 74cm Provenance: The William Marler Gallery £800-1,200

330 ‡ ROBERT GILLMOR b.1936

Young Lapwings Signed, titled, dated March 1961 and numbered 10/12 Colour linocut 16.5 x 30.5cm £200-300

329

331 ‡ JOHN CYRIL HARRISON

332 ‡ JOHN CYRIL HARRISON

1898-1985

1898-1985

Widgeon over the coast at sunset

Three Capercaille over a wooded stream

Signed Watercolour 32 x 46cm

Signed Watercolour 32 x 46cm

£400-600

£400-600

330

331 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 121

332

110

333

334

333 ‡ PATRICK CAULFIELD RA

334 ‡ DAVID GRAUX

335 ‡ FRÉDÉRIC LE GUÉVEL

336 ‡ ROBBIE WRAITH

1936-2005

b.1970

French 20th Century

b.1952

Lung Chuan Ware and Window; Brown Pot

Et S’Eprendre

Your ad here

Dark Interior

Signed and dated 2011 Oil on canvas, unframed 80 x 40cm

Signed Oil on canvas, unframed 89 x 116cm

£300-500

£400-600

Signed and dated 1994, also signed and titled verso Oil on panel 40 x 45.5cm

Two, both signed and dated 6/45 and 40/80 Both screenprints, the first from the White Ware series 107 x 81cm (sheet size) and 78 x 56cm (visible size) (2)

Provenance: The Mall Galleries, Olympia, 1998

£600-800

335

£400-600

336 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

111

337

338

337 ‡ DAVID INSHAW

338 ‡ DAVID INSHAW

339 ‡ SOPHIE RYDER

b.1943

b.1943

b.1944

Hare and Owl

Silbury Hill at Night

Signed and dated ‘94 and numbered AP4 Etching with aquatint 62 x 58cm (plate size)

Signed and dated ‘94 and numbered 33/35 Etching with aquatint 45 x 54cm (plate size)

Minotaur and Hare seated at Airlie; Hare with dancers by moonlight

£400-600

£400-600

Two, both signed and dated ‘95 and numbered 28/50 and 32/70 Both etchings with aquatint 29 x 29cm and 23.5 x 17cm (plate sizes) £250-350

339 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 121

112

340 ‡ HOWARD PHIPPS b.1954

A Silver Diadem; Chesil Beach in February; A Beech shaded Hollow Cranborne Chase; For Lucy 4, all signed, titled, variously dated and numbered All wood engravings 9 x 10cm and smaller (4) £300-500

340

341 ‡ HOWARD PHIPPS b.1954

Edge of Wood Broadchalke; Salisbury Interior Everyman Bookshop; Ivy study; Still life of cheese and bread 4, all signed, variously dated, titled and numbered All wood engravings 6 x 10cm and smaller (4) £300-500

342 ‡ HOWARD PHIPPS b.1954

The River Ebble at Fifield Bavant; Boat Houses at Chapman’s Pool Dorset

341

2, Both signed, titled and variously dated and numbered Both Linocuts 30 x 30cm and 25 x 30cm (2) £200-300

342 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

113

343

344

343 ‡ GORDON BENINGFIELD

345 ‡ GORDON BENINGFIELD

1936-1998

1936-1998

Peacock Butterflies

Small tortoiseshell butterflies

Signed Watercolour with bodycolour 34.5 x 24cm

Signed Watercolour with bodycolour 34.5 x 24.5cm

Provenance: A.E. Dutton & Son Fine Art Galleries, Chester

Provenance: A.E. Dutton & Son Fine Art Galleries, Chester

£600-800

£600-800

344 ‡ GORDON BENINGFIELD 1936-1998

Small Pearl Bordered Fritillary Signed Watercolour 24.5 x 17.25cm £400-600

345 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 121

114

346

347

348

349

350

346 ‡ FRANCES MABEL HOLLAMS

347 ‡ FRANCES MABEL HOLLAMS

348 ‡ JACQUIE JONES

349 ‡ JACQUIE JONES

350 ‡ EDWARD S. BILLIN

b.1961

b.1961

1911-1995

1877-1963

1877-1963

Ascot

The first three, 1998

Silver Tail

Brown Owl

Signed, titled and dated 1936 Oil on panel 33 x 45cm

Signed, titled and dated ‘39 Oil on panel 34 x 45.5cm

Signed Watercolour 55 x 72cm

Signed Watercolour 30 x 39cm

Dog portraits, one of a dachshund and one of a dalmatian

Provenance: From the Estate of Lady Dodds

Provenance: The Park Gallery, London, No. D384 From the Estate of Lady Dodds

£200-300

£100-150

£400-500

£500-600

A pair, both signed Both oil on canvas Each 25.5 x 35.5cm (2) £150-250

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

115

351

352

351 ‡ ROSMARY SARAH WELCH

352 ‡ ROSMARY SARAH WELCH

353 ‡ RICHARD B. TALBOT KELLY

354 ‡ EDWIN PENNY

b.1946

b.1946

1896-1971

Ploughing

Crossing the Ford

Magpie

A hobby on a branch among the reeds

Signed Pastel 45.5 x 61cm

Signed Oil on canvas 56 x 76cm

Signed with initials Watercolour 65 x 51.5cm

Signed Watercolour 50.5 x 36cm

£300-500

£600-800

Provenance: Bourne Gallery, Reigate

£200-300

1930-2016

354

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 121

1860-1954

A Stonechat on a bracken stalk Signed Watercolour with bodycolour 21.5 x 15cm £150-250

£200-300

353

355 ‡ GEORGE EDWARD LODGE

355

116

INDEX OF ARTISTS A Ackroyd, Norman Alexander, Field Marshall Harold R L G Alexander, Lena Allen, Harry E Annigoni, Pietro Appel, Karel Appleyard, Fred Ardizzone, Edward Ayling, George

299 203 243 169 207 196 59 208 239

B Banting, John 114 Barker, Kit 236, 237 Barrow, Julian 230 Baune, Serge 265 Bawden, Edward 99, 127 205, 206 Beaton, Cecil Bellany, John 293, 294, 295 Beningfield, Gordon 343, 344, 345 Bertrand, Andre P 95 283 Beutlich, Tadek Biddle, Laurence 178 Biegel, Peter 252 350 Billin, Edward S Blanche, Jaques-Emile 88 Bond, Marj 312 Bone, Sir David M 298 Borgman, Birger 64 Boycott-Brown, Hugh 115 Brangwyn, Sir Frank 185 Bratby, John 244, 245, 246, 246A Brilliant, Fredda 1 to 44 Brockhurst, Gerald L 129 Brown, Sir John A 69 Buck, John 310 240 Bulmer, Lionel C C.B. 49 Campbell, Denise 303, 304 Cariot, Gustave C G 94 Carl, Joseph 141 Caulfield, Patrick 333 Clausen, Katharine 138 Cliffe, Henry 259 Clough, Prunella 255 Cortes, Edouard 90 101, 102 Craig, James H Curnier, Venance 93 D Davids, N Davies, John Dawson, Montague Denby, Philippa Dismorr, Jessica Dodd, Phyllis Drummond, Malcom Dubuffet, Jean Dunlop, Ronald O Dunlop, Ronald O Dunstan, Bernard Dureuil, Michel Dyf, Marcel E Easton, Timothy Edwards, David H Egonu, Uzo

161, 162 278 65 54 113 73 154 290 251 202 266 89 108 140 253 287

English School 20/21st Century 46 English School 20th Century 48 English, Michael 289 F Fasini, Alexandre 195 57 Fidler, Laura Fleetwood-Walker, Bernard 155 Flint, Sir William R 204 275 Fraser, Eric Freckleton, Harry 238 279 Frink, Elizabeth 100 Fry, Rodger Fulton, Hamish 271, 272 G Gassner, Charles 258 172 Gear, William Gill, Eric 130, 131, 132, 133,

134, 135 184 Gill, Madge Gillmor, Robert 330 Glen, Robert 47 Goode, Mervyn 219 Gordon, Harry 305, 306 Gosse, Sylvia 80 Graux, David 334 Greenham, Peter 209, 211 Gross, Anthony 288 Guevel, Frederic le 335 Guinness, Lindy 297 H Hall, Clifford 212, 213, 214,

215, 216, 217, 218 Hall, Nigel 281 Hanzen, Alexi 68 Hardaker, Charles 166 Hargan, Joe 315, 316 Harrison, John C 331, 332 Helleu, Paul C 81 Hepworth, Foll. of Barbara 45 Heron, Patrick 189 Hibel, Edna 171 Hilder, Rowland 227 Hodgkin, Eliot 164, 165 Hodgkins, Frances M 254 Hollams, Frances M 346, 347 Holt, Eric 263 Houston, Ian 228, 229 Howard, Ken 224, 225, 226 I Innes, Callum Inshaw, David Jacklin, Bill

269 337, 338 282

J John, Augustus Jones, David Jones, Jacquie Joyce, Peter

124, 125, 126 273, 274 348, 349 326, 327

K Kelly, Felix Kelly, Richard B T Kennington, Eric H Ker, Dorian Kngwarreye, Emily K

231 353 96, 97, 98 264 307, 308, 309

L Labegorre, Serge Lamb, Henry Leburn, Caroline Lecomte, Emile Leures, Jeanette Lodge, George E Long, Leonard Lowry, Lawrence S

277 74 110 167 137 355 301, 302 183

M Macara, Andrew 323, 324, 325 66 Macgregor, David R 260 Mackenzie, Alex Martin, Douglas after Tom Chadwick 85 Maze, Paul L 143, 144 142 Maze, Paul L McAuley, Charles J 103, 104, 105,

106, 107 McGregor, Robert 86 Mendez, Theodore 276 262 Miller, John Minton, John 152 Modern British School 123 Modern School 20th Century 122 Moore, Henry 53 241 Morgan, Howard J Morrocco, Leon 314 Munnings, Sir Alfred 79 116 Murray, Sir David N Natali, Manner of Renato 250 Nevinson, Christopher R W 128 Newcombe, Mary 232, 233, 234, 235 Nicholls, Bertram 117, 118 151 Nicholson, Ben P Paolozzi, Sir Eduardo 284, 285 Partridge, David G 50 Paton, Waller H 61 Penn, William 72 Penny, Edwin 354 Phidias 120 Phipps, Howard 340, 341, 342 268 Phokela, Johannes Piper, John 190, 191, 192, 193, 194 Pissaro, Lucien 87 Plenderleith, Donald 300 Priestley, Philip C 83 Proctor, Patrick 286, 291 Q Quijada, Robert Quinn, James P

261 76

R R.C.E. 173 Rapaport, J 139 Rhodes, Patricia 136 Rigolot, Albert G 92 267 Rolt, David Rossberg, Sara 321, 322 Russian School, 20th Century 313 Ryder, Sophie 339

S Sabbagh, Georges H 91 Sainsbury, Jonathan 329 Sanders, Henry 223 Sauzay, Adrian J 75 Saygi, Fikret M 222 280 Self, Colin Senior, Mark 78 Sergeant, John 311 Sharkey, Kevin 249 Sheridan, Clare 51 Sievert, Otto 121 Simonin, Victor 109 Smith, Richard 256 Smith, Sir Matthew 111, 112 Spencer, Sir Stanley 82 71 Spooner, Arthur Stafford, Simeon 248 Stephenson, Ian 292 Stokes, Adrian S 77 177 Stroudley, James Sutherland, Graham V 174, 175, 176 Sutton, Philip 221 T Tanning, Dorothea 296 Taplin, Guy 50A Taylor, Fraser 328 Thorpe, John H 179, 180, 181, 182, Trevelyan, Julian 186, 187, 188 Tyndale, Walter F R 56, 58 U Underwood, Leon

145, 146, 147, 148, 149, 150

V Varley, Illingworth Vaughan, Keith Venetian School

62, 63 153 168

W Wakefield, Larry 257 Walser, Karl 163 Wasley, Frank 70 Watson, Walter J 55 Welch, Rosmary S 351, 352 198, 199, 200, 201 Wells, John Wesson, Edward 220 White, Attrib. to Ethelbert 67 White, Ethelbert 197 Whyte, Duncan M 119 Widgery, Frederick J 60 Winter, William T 242 Wislicenus, Max 84 Wolmark, Alfred A 156, 157,

158, 159, 160 Wood, James 270 Wraith, Robbie 317, 318,

319, 320, 336 Wynne, David 52 Y Yates, Fred

247

Z Zuckerman, Lady Joan nee Isaacs 170

Old Masters, British & European Paintings Wednesday 4th September 2019 Entries are now being accepted for this sale

William Callow (1812-1908) The Grand Canal with Santa Maria della Salute, Venice Oil on canvas, 57 x 85.5cm Estimate: ÂŁ2,500-3,500*

ENQUIRIES: Victor Fauvelle | Tel: +44 (0)1722 446961 | vf@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

Fine Silver & Objects of Vertu Tuesday 29th October 2019 Entries are now being accepted for this sale

A modern silver rose bowl, by Leslie Durbin, London 1985 Estimate: ÂŁ1,500-2,000* ENQUIRIES: Rupert Slingsby | Tel: +44 (0)1722 424501 | rs@woolleyandwallis.co.uk Lucy Chalmers | Tel: +44 (0)1722 424594 | lc@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

British Art Pottery Wednesday 27th November 2019 Closing date for entries 2nd October 2019

Linda Gunn-Russell (born 1953) Two vessels from a private collection

ENQUIRIES: Michael Jeffery | Tel: +44 (0)1722 424505 | mj@woolleyandwallis.co.uk Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

120

Auction Information OPENING HOURS Castle Street Salerooms Monday to Friday 9am – 5.30pm and 10am – 1pm on Saturdays Castle Gate Offices Monday to Friday 9am – 5.30pm VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered.

REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales.

To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies.

PLEASE NOTE: Registering with thesaleroom.com or through our website does not automatically register you with us.

COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

BUYER’S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

LIVE ONLINE BIDDING Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens.

CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS These will be posted on our website shortly after the sale.

PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping 01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk Kimdan Ltd 07973 389436 andy@kimdan.co.uk Mailboxes 01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover Pack & Send 0845 465 0564 sales@packsend.co.uk www.packsend.co.uk Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

121

PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported.

The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €10,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present.

Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard

ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a ‡ symbol are potentially subject to a levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Debit cards: Delta, Switch, Connect, American Express, Union Pay

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Where practical, payment can be made and purchases collected during the auction.

Please enquire for the accepted exchange rate on the day of the sale.

Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

Royalties for Droit de Suite are as follows: Up to €50,000 4% 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000

LOT SYMBOLS VAT Lots marked with a dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium.

In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

FIREARMS Lots marked Ƒ in the catalogue are subject to the UK firearms/shotgun licencing regime, and may only be viewed and/or purchased by individuals with appropriate licences.

Such lots are offered on an auctioneer’s permit, and must be collected prior to the expiry thereof. For further information, please contact Ned Cowell.

122

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS

INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed.

Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4%) inclusive thereafter.

5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition.

In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium.

They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate.

To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls.

Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense.

The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds.

The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

123 11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred.

We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque five weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale.

You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE

Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS

Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE

The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4%) inclusive thereafter.

5. VALUE ADDED TAX

Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT (a) (i) (ii) (b)

Immediately a lot is sold you will: give to us, if requested, proof of identity, and pay to us the total amount due in pounds sterling Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for.

8. REMEDIES FOR PURCHASES

NON-PAYMENT

OR

FAILURE

TO

COLLECT

(a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY

All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements.

Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

124 10. COMMISSION BIDS

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS

Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable.

Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY

The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY

The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE

The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

Glossary

(a)

(b) (c) (d) (e) (f) (g) (h) (i) (j) (k)

15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition.

The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL

(b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000

16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable.

Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named.

Attributed to Edward Lear: In our opinion probably a work by the artist but less certainty as to authorship is expressed than in the preceding category.

Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction.

Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil.

Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil.

Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date.

After Edward Lear: In our opinion a copy of a known work of the artist.

The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand.

Dimensions are given height before width.

Pictures are framed unless otherwise stated.

BOOK AUCTIONS

(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

Lots marked with a ‡ symbol are potentially subject to the levy.

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PRIVACY NOTICE FOR CUSTOMERS WHAT THIS PRIVACY NOTICE DOES This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you.

This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you.

DATA CONTROLLER AND CONTACT DETAILS Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 1998 (DPA) and, once in force, the General Data Protection Regulation (GDPR).

If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details: • By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51-61 Castle Street, Salisbury, SP1 3SU. •

By email – privacyofficer@woolleyandwallis.co.uk

•

By telephone – +44 (0)1722 424599

HOW WE COLLECT YOUR PERSONAL DATA We collect your personal data from the following sources:

•

From you when you: - interact with us before entering into a contract with us, for example when you express your interest in our Services; - instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions; - communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account; - in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below.

•

From third parties such as:

- other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you; - thesaleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on thesaleroom.com) of individuals who register for one of our auctions (please see thesaleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (thesaleroom.com’s payment provider); - sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided); - shipping companies whom you hire to collect items you purchased from us.

THE CATEGORIES OF PERSONAL DATA WE COLLECT We may collect the following personal data about you: • your name and contact details including address, telephone and email address; • your image, as captured by CCTV, if you attend our premises; • personal identification documents, including copies of governmentissued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details); • account details and other information relating to your transactions/ dealings with us and your use of our Services; • payment details such as credit card and bank account details; • credit and payment history (where you open an account with us as a buyer or bidder); • information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and • other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following: • to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services); • once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents.

In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies.

LEGITIMATE INTERESTS We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following: • to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance; • to deal with any concerns or feedback you may have in the performance of the Services; • for our internal business record keeping and processes; • to seek advice on our rights and obligations, including obtaining legal advice; • to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes; • to customise our website and marketing communications in line with your particular interests or preferences; • to collect money owed to us or our consignors; • to carry out background and credit checks in relation to bidders and buyers.

In this respect we will provide your data to the following: • our professional advisors; • thesaleroom.com; • debt collection agencies; • third parties who assist us with our marketing; • our website and email management software provider.

LEGAL OBLIGATIONS We may also process your Personal Data for our compliance with our legal obligations. In this respect, we may use your Personal Data for the following: • to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks; • in order to assist with investigations (including criminal investigations) carried out by competent authorities; In this respect we will provide your data to the following: • •

external auditors; the police and other competent authorities, including HMRC;

126 CONSENT

HOW LONG YOUR INFORMATION IS KEPT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services.

SPECIAL CATEGORIES OF PERSONAL DATA We process special categories of personal data for the following reasons: • if it is necessary to protect your or another person’s vital interests (for example, where you have a life-threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention); • if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers); We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events).

INTERNATIONAL TRANSFERS OF DATA We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company.

We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey.

PROFILING We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

In particular: • in relation to CCTV images taken when you attend our premises, we will retain these for a few months; • in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services; • we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive; • in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market.

YOUR LEGAL RIGHTS Under the DPA you have the following rights: • to obtain access to, and copies of, the personal data that we hold about you; • to require that we cease processing your personal data if the processing is causing you damage or distress; • to require us not to send you marketing communications.

• to require us to correct the personal data we hold about you if it is incorrect; • to require us to erase your personal data; • to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal); • to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller; • to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights.

Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply.

If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available at: www.ico.org.uk

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INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

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Valuations are a core part of our business and are usually carried out by a senior specialist or director. Accuracy, speed and above all confidentiality are paramount.

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For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

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Woolley and Wallis valuations are accepted by all leading insurance companies.

PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

Contact Amanda Lawrence 01722 424509 FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO OLD SARUM Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

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Kia Motors

Woolley & Wallis Unit 1B Castle Gate Business Park Old Sarum Salisbury SP4 6QX

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A345 Castle Rd

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Old Sarum

17 (2nd floor) Clifford Street, London W1S 3RQ (open by appointment only)

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough.

Woolley & Wallis Salisbury Salerooms Ltd. 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Registered in England No.2998482 VAT No: 631 9832 29

Design & Production by

EXCELLENCE IN DESIGN & PRINT

128

Woolley & Wallis Absentee Bid Form Modern British & 20th Century Art Wednesday 5th June 2019 PW050619

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/ or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print) ���������������������������� ��������������������������������������������������� Address �������������������������������������������� ��������������������������������������������������� ��������������������������������������������������� _________________________ Postcode ����������������� Daytime Telephone ���������������������������������� Email ����������������������������������������������� All accounts must be settled within 21 days. ID is required for all first time bidders.

Signature �������������������������������������������

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508

Brief Description

Price excluding buyer’s premium & VAT

Specialist Departments

Auction Calendar

Please dial +44 (0)1722 followed by the number listed below

20th Century Design Michael Jeffery Zoe Smith Asian Art John Axford MRICS ASFAV Jeremy Morgan Amber Lees Sarah Lopez-Ferreiro

424505 446955 424506 +44 (0)7812 601098 424571 424591

Chinese Paintings & Calligraphy Freya Yuan-Richards Amber Lees

424589 424571

English & European Ceramics & Glass Clare Durham

424507

Furniture, Works of Art & Clocks Mark Yuan-Richards Jim Gale Suzy Becsy

411854 339161 411854

Japanese Works of Art Alexandra Aguilar Sarah Lopez-Ferreiro

424583 424591

Jewellery Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Charlotte Glyde

424595 424504 424586

Medals & Coins, Arms & Armour Ned Cowell Zoe Cordey

341469 446980

Paintings Victor Fauvelle

446961

Silver Rupert Slingsby Lucy Chalmers

424501 424594

Tribal Art & Antiquities Will Hobbs Zoe Cordey

339752 446980

Valuations for Insurance & Probate Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA

424509 424598

Marketing Sally Trench Megan Corbett

446959 446960

Accounts Janice Clift (Office Manager)

424500

General Office Sharon Ringwood Pauline Jones Nicola Young Ruth Pike Saleroom Manager David Jordan Castle Gate Manager Matt Hill Castle Gate Reception Sally Litherland Board of Directors Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart FRICS FRSA Managing Director Natalie Milsted FCCA Finance Director Associate Directors Janice Clift Clare Durham Will Hobbs Michael Jeffery Mark Yuan-Richards Rupert Slingsby Marielle Whiting FGA

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • Fax: 01722 424508 • www.woolleyandwallis.co.uk

424500

424500

Asian Art, Chinese Paintings & Japanese Works of Art 21st & 22nd May 2019 12th & 13th November 2019 John Axford +44 (0) 1722 424506 • jea@woolleyandwallis.co.uk Freya Yuan-Richards +44 (0) 1722 424589 • fyr@woolleyandwallis.co.uk Alex Aguilar +44 (0) 1722 424583 • aa@woolleyandwallis.co.uk 20th Century Design 19th June 2019 – Arts & Crafts 16th October 2019 – Design 27th November 2019 – British Art Pottery Michael Jeffery +44 (0) 1722 424505 • mj@woolleyandwallis.co.uk Furniture, Works Of Art & Clocks 3rd July 2019 2nd October 2019 Mark Yuan-Richards +44 (0) 1722 411854 • myr@woolleyandwallis.co.uk Jim Gale +44 (0) 1722 339161 • jg@woolleyandwallis.co.uk Silver 16th & 17th July 2019 – Silver & Objects of Vertu 29th & 30th October 2019 – Fine Silver & Objects of Vertu Rupert Slingsby +44 (0) 1722 424501 • rs@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lc@woolleyandwallis.co.uk Jewellery 18th July 2019 – Jewellery 31st October 2019 – Fine Jewellery Marielle Whiting +44 (0) 1722 424595 • mw@woolleyandwallis.co.uk Jonathan Edwards (Consultant) +44 (0) 1722 424504 • je@woolleyandwallis.co.uk Charlotte Glyde +44 (0) 1722 424586 • cg@woolleyandwallis.co.uk Paintings 4th September 2019 – Old Masters, British & European Paintings 11th December 2019 – Modern British & 20th Century Art Victor Fauvelle +44 (0) 1722 446961 • vf@woolleyandwallis.co.uk English & European Ceramics & Glass 17th September 2019 – The Warner Collection of British Delftware 15th October 2019 Clare Durham +44 (0) 1722 424507 • cd@woolleyandwallis.co.uk Tribal Art & Antiquities 18th September 2019 Will Hobbs +44 (0) 1722 339752 • wh@woolleyandwallis.co.uk Medals & Coins, Arms & Armour 20th November 2019 Ned Cowell +44 (0) 1722 341469 • nc@woolleyandwallis.co.uk

• Entries can usually be accepted up to six weeks prior to the auction • Illustrated catalogues are available about ten days before the sale • Viewing is normally two days prior to the auction and on Saturday mornings • Catalogue subscriptions are available for all sales • Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.uk

www.woolleyandwallis.co.uk