FESTIVALFOCUS YOUR WEEKLY CLASSICAL MUSIC GUIDE
SUPPLEMENT TO THE ASPEN TIMES
Don’t Miss... A Recital by Sharon Isbin and Isabel Leonard Thursday, August 9 at 8 pm at Harris Concert Hall Acclaimed classical guitarist Sharon Isbin and AMFS alumna and mezzosoprano Isabel Leonard present a Spanishthemed program.
Le Cinema, La Musique Film Series Every Monday in August at 7:30 pm The AMFS and Aspen Film present a series of French films centered around music. See the August 6, 13, and 27 shows at the Isis Theater and the August 20 show at the Temporary in Willits.
Just 13 days of music left!
MONDAY, AUGUST 6, 2018
VOL 29, NO. 7
Feltsman plays beloved Grieg Concerto CAITLIN CAUSEY Festival Focus Writer
A venerated fixture of the Aspen Music Festival and School (AMFS) returns for his 26th consecutive season this week, performing at the Benedict Music Tent on August 12. Pianist Vladimir Feltsman will take the stage with the Aspen Festival Orchestra for Grieg’s much-loved Piano Concerto in A minor. “Everyone who comes will hear it and know what it is. The Grieg concerto is one of the most beloved concertos in the repertoire of any piano player,” he says of the iconic piece. “I played it first when I was 11 years old; I’m now 66 and still enjoying it. It’s a marvelous, marvelous work.” After a recent performance of the concerto, a critic remarked that Feltsman presented a “deep understanding of its lyricism” and that “his elegant reading of its second movement reminds you why Grieg’s Piano Concerto is on every list of the top five ever written.”
Born in Moscow, Feltsman debuted with the Moscow Philharmonic at just 11 years old. By 19, he won the Grand Prix at the Marguerite Long International Piano Competition in Paris. In 1987, at 35 years old, Feltsman came to the United States seeking greater artistic freedom than he was allowed in what was then the Soviet Union; in the decades since, Feltsman has appeared with virtually every major orchestra in America and around the globe. He now teaches at the Mannes College of Music in New York City and at the State University of New York New Paltz, where he’s also the founder and artistic director of the international PianoSummer program. With such a busy and rewarding career established, why has Feltsman taken the time to play in Aspen each and every summer for more than a quarter century? See Feltsman, Festival Focus page 3
Pianist Vladimir Feltsman plays Grieg’s Piano Concerto in A minor with the Aspen Festival Orchestra on August 12 at 4 pm in the Benedict Music Tent.
Pianist Yang and Aspen Santa Fe Ballet present collaboration CHRISTINA THOMSEN Festival Focus Writer
Pianist and AMFS alumna Joyce Yang performs Schumann’s Carnaval with dancers from the Aspen Santa Fe Ballet on August 10 and 11 at the Aspen District Theater.
When pianist Joyce Yang first watched a performance by the Nederlands Dans Theater almost ten years ago, she didn’t realize it would change the way she thought about the music she’d been playing her whole life. But by the end of the show, an idea had taken root in her mind that wouldn’t disappear. “I was amazed that another art form could completely change the way I thought about my own art. I began to think about what it would be like to work alongside a choreographer and dancers to bring others that same transformative experience.” This idea grew into a collabora-
tion of live music and dance performed by Yang and the Aspen Santa Fe Ballet. Yang, a Van Cliburn International Piano Competition silver medalist and Grammynominated pianist, regularly performs in solo recitals and collaborations with the world’s top orchestras and chamber musicians. An alumna of the Aspen Music Festival and School (AMFS), her growing international career hasn’t stopped her from returning to Aspen for the past twelve summers as a guest artist. The Aspen Santa Fe Ballet (ASFB), known for its versatility and risk-taking, was the perfect match for Yang’s blossoming vision. “I’ve always imagined things when I prac-
tice and perform,” explains Yang. “It’s all about colors and shapes, and when I realized I could have that, not just in my imagination, but happening before my eyes, it was like being able to see for the first time.” Jorma Elo, choreographer-in-residence at the Boston Ballet, and a pianist himself, has been working with the Aspen Santa Fe Ballet for more than twenty years and was the obvious choice for this new and exciting partnership. When deciding on the centerpiece of the performance, Yang says she knew she wanted to play something by Robert Schumann, who she describes as a “visually enticing composer—vivid See Ballet, Festival Focus page 3
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