Aske Günther Andersen, Architecture portfolio 2018

Aske GĂźnther Andersen Architecture portfolio

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cand.arch , Arkitekt MAA a s ke g a n d e rs e n @ g m a il . co m + 4 5

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a s k e g u e n t h e r a n d e r s e n . co m

SELECTED PROJECTS

Et s p i l l e s t e d o g v i d e n s k a b e l i g t t e s t m i l j ø f o r l y d o g r u m i K ø b e n h a v n

#1

Baggesensgade 36

#2

Orangerie

#3

Circle

#4

Resto No. 29

#5

Wearables Lab

#6

Open Learning Spaces

#7

Tokyo

#8

1:1 Model

#9

A Drafting Table for drawings

#10

Körnerstraße - a kitchen space & meeting room

#11

Scaffolding Framework - PHONO 15

#12

Material depository

#13

Seeking the cacophonous and the dream of yet an other moonlanding

Aske Günther Andersen

Cand.arch , Arkitekt MAA

0 2 / 0 3 / 1989

a s k e g a n d e r s e n @ g m a i l . co m

Hermodsgade 25, 4. tv 2 2 0 0 K ø b e nh a v n N

+ 4 5

6 0 1 6 8 4 1 5

a s k e g u e n t h e r a n d e r s e n . co m

WORKING EXPERIENCE

( Re ce n t )

Municipality of Copenhagen 2018/03 | Architect & advisor of local bulding law and regulations KEA - Copenhagen School of Design and Technology 2017/11 - 2018/02 | In-house Architect doing interior design and custom furniture for a wide variety of creative educational disciplines.

In my work as an architect, I move seamlessly between conceptualization and construction in a circular process involving both detail and totality. I’m dedicated as a person and have a keen eye for the contextual factors in both urban planning, landscaping and the outlines of existing building structures.

I’m motivated by my joy of drawing, in which I focus on the balance between exact communication through the medium of architecture and its possibility of experimental exploration.

EDUCATION

SOFTWARE

The Royal Danish Academy of Fine Arts, Schools of Architecture, Design and Conservation, Copenhagen 2013/09 - 2016/11 | Cand.arch.

Master Programme: Architecture, space and time

3D-studio MAX

Technical College, Copenhagen 2012/10 - 2013/07 | Basic training course - Carpentry

VectorWorks

Rhino + V-ray

AutoCAD Günther - Dalsgaard (own company) 2017/01 Projects: 1: Orangerie, Copenhagen.

2: Hounö: Combined showroom and restaurant 3: Cirkel pavillon til Re-think Aarhus (competition entry).

4: The King’s Harbors - an outdoor scene room (competition entry) Freelance architect 2017/01 | Assistant work for Danish artists Kristoffer Ørum, Kristoffer Akselbo and the duo Randi & Katrine, among others.

The Royal Danish Academy of Fine Arts, Schools of Architecture, Design and Conservation, Copenhagen 2009/09 - 2012/06 | Ba.arch.

Bachelor Programme - Dep. 6: Architecture, Space and Form

Blender

“The Art school at Ærø” (Kunsthøjskolen på Ærø), Søby, Ærø, Denmark 2008/09 - 2009/01 | “Folk High School” with own artistic prodiction as focal point

SketchUp

Solid Works

Adobe: Photoshop, Illustrator, InDesign Skt. Knuds Gymnasium | Odense 2005/08 - 2008/06 | Student

Office 365: Exel, Word, Powerpoint

Heide & Von Becherath, Berlin, Germany 2015/04 - 2015/07 | Projects as an intern: 1: Bauhas Museum Dessau (competition entry) 2: Integratives Bauprojekt am ehemaligen Blumengroßmarkt 3: Bio Repository Büro für Konstruktivismus, Berlin, Germany 2014/09 - 2015/02 | Projects as an intern: 1: Architecture magazine: “Architektur in Gebrauch (AG)”, nr. 5-6.

2: Kitchen and common room design for office at Körnerstraße.

3: Rankenstraße: Design sketches (3D) for house in Nuremberg

LANGUAGES Danish

Native speaker

English

Fluent

German Proficient PHONO Festival 2010 - 2017

| Odense, Denmark | Project manager for interior and graphic design

Spanish

Basic communication

BAGGESENGADE A

M U S I C V E N U E A N D S C I E N T I F I C E X P E R I M E N TA L E N V I R O N M E N T F O R S O U N D A N D S PA C E I N

36 C O PENH AGEN

Gr a d u a t e p ro j e c t by A s ke Gü n t e h r A n d e rs e n , Ca n d . a rch .

Th e Roya l D a ni s h Aca d e my of A r t s , Th e S ch o o l s of A rchi t e c t u re , D e s i g n a n d Co n s e r v a t i o n

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Isometri / p programme: g

Floor

Sound Studio (concert) - Sound Lab - Office facilities

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Sound Studio (concert) - Sound Lab / Sound Studio (concert) withh balcony

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Sound and Space Lab - Sound Studio (concert)

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Foyer (A possible concert space and exhibition space)

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Underground foyer - Cloakroom Main Venue (Large concert space) - backstage - Storrage - Bar

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BAGGESENSGADE 36 My final project as a Master’s student, envision a music venue, and laboratory for sound in general, at the address Baggesensgade 36 in Copenhagen.

It has to be both a place for concerts and a creative space where music and sound can emerge, undergo testing and transformation and be heard in a continuing process and ongoing negotiation between space and sound.

Specifically devoted to the electronic scene, this musical exploratorium is ment to generate an interplay between music and space, analogue surroundings and digital sound, the corporeal and the virtual.

The project presents a working space for musical pioneers. Here, they will meet a constant feedback of natural and synthetic sounds, both recorded and computer generated. This results in a gradual evolution towards a more dynamic concept of music and the space in which it resonates.

Specifically, the spatial planning and choice of hard and smooth materials (as opposed to muffling structures like wood) frames and amplifies the special sound of electronic music, rather than providing a neutral, standardized and standardizing venue.

SITE NĂ˜RREBRO: STENGADE / BAGGESENGADE, COPENHAGEN

The building site is a 50 x 20 meter lot. A leftover space from a former demolished building, now used as a parking lot.

NOTATIONS Sound as a tool for architectural articulation Sound, this intangible medium, has on one hand long been subject for exact and sophisticated notation systems. On the other hand has sound and music also served as an ever evloving source for more speculative notations.

In the pracis of making and recording music, new digital interfaces offer new ways of representing sound. New graphic representations are paving the way for live representation of sound and live modification of complex soundscapes. The digital interface is blurring the the relationship between the representation and representet, the �score� and the music.

In this feed-back loop between the musical notation, the sound, and the interface, a new forms of score could arise as a score open for interpretation. This kind of score is not far from what the architect would call a diagram - an experimental architectonic drawing, where the well known precision, objectivity, and communicative transperancy reveals itself as a world of unpredictability and potential movement.

Inspired by the ever evloving relationship between the sound and the representation of sound a set of diagrammatic drawings is deweloped.

The drawings should be seen as abstractions, weaving together possible forces, intensities and spatial condiontions to form a future concert space.

Score, diagram, state forms

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The twelve diagrams of more conceptual kind, forms a set of different architectural state forms, all related to the idea of a musical score with a certain degree of plasticity.

Ultimately the diagrammatic drawings will meet the pragmatics of the build environment, a physical context and a specific site.

Three new drawings are developed as a halvfvay transition from the conceptual, to the actual, mixing the flows of the nearby context, the city and the abstract intensities of a future concert space.

The diagrams is an experimentarium - a tool for development - facing both program, context, construction and the architectural drawing as a reflection itself. <

Kontekst - konstruktion - diagram

BUILDING PROGRAMME 3

SOUND STUDIO ( CONCERT) - SOUND L AB - OFFICE

FACILITIES

The top floor features a larger sound studio and combined concert space to the far West. The mid third of the floor is occupied with three more enclosed and insulated Sound Labs. At the oppersite side of the bigger studio/concert space, is an open administrative office.

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SOUND STUDIO ( CONCERT) - SOUND L AB / SOUND S TUDIO (CONCERT)

At the 2nd floor a bigger Studio/concert space is once again located at the far West end. Two enclosed and insulated Sound Labs is found in the middle, together with an larger open space. From the open space there is also acces to the balcony of a Low-Frequency Studio.

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SOUND

AND

S PACE L AB - SOUND S TUDIO (CONCERT)

The 1st floor features two projection spaces for visual experiments, aiming the kinesthetic aspects of a concert. The main entrance to the Low-Frequency Studio is also found on this floor. The Studio, which can also be used as a special concert space, is an almost cubic space, insulated with high absorbent, and moveable panels convering most of the walls.

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FOYER (A

POSSIBLE CONCERT SPACE AND EXHIBITION SPACE )

The ground floor is mainly a foyer, with the main motive of a ramp leading to the above lying studios and concert spaces. The floor is an open space, a possible concert- and contemporary exhibitionspace.

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With its concrete flooring, glass walls and low ceiling, the accoustics are deliberate resembling that of an empty grosserystore.

The basement is both accessible via two staircases from the inside and via a ramp running along the straight facade on the outside.

-1 U NDERGROUND CLOAKROOM

FOYER

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Just below ground level, a cloakroom, backstage, staff- and technicians spaces are found, all serving as an underground foyer to the bigger concert space in the basement.

-2 / -3 MAIN VENUE (LARGE CONCERT - BACKSTAGE - STORRAGE - BAR

SPACE )

The basement is largely occupied by an underground concert hall. The hall itself is a square space without permanent seating, surrounded by steel balconies in two levels.

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THE SMOOTH AND HAPTIC Morphology and materials, the shiny and the soft, are combined to a whole, where inertia between the building programme and the materials used, offer new spatial experienses, facing both architecture as well as the performative.

Continuous and rigid structures are wrapped in reflections of the materials, video, light and sound.

Temporary spatialities arise within the boundaries of static building structures during each performance. Unforeseen morphologies could occur in this conglomerate of rhythms and shifting currents of ligt and reflection.

Through the plasticity of light and a variation of material transparencies the smooth returns as being haptic in the backlit reflection of daylight, artificial light and video projection - all components in the context of a concert.

Materials of different smoothness and textures allow light, shadow and reflection to form changing depths and surfaces. New depths are sought in the virtual space, a space combining the steady struture with the amorphous light and reflections unfolding the spatial over time.

Images from left:

South facade 1st floor : Hallway: Sound and Space Lab - Sound Studio (concert) -3rd floor : Concerthall

Images from left:

1st floor : Sound and Space Lab - Sound Studio (concert) -2rd floor : Balcony and stairs, Concert hall Ground floor : FoyĂŠr

Orangerie

A winter garden at a rooftop terrace for a privately owned apartment in Copenhagen. Designed in collaboration with Christian Dalsgaard in our jointly owned company, GĂźnther-Dalsgaard.

Circle pavilion

Outdoor venue based on recycling rafter modules.

A competition entry for Re-Think Aarhus 2017.

Made by Aske GĂźnther Andersen / Christian Dalsgaard - 2017

Concept Opstalt 1:200

S ni t 1 : 2 0 0

The Circle Pavilion is a concept for a public roofed outdoor venue based on recycling rafter modules, submitted as a competition entry for Re-Think Aarhus 2017.

In the outskirts of the city of Aarhus, we found a retailer for recycled rafter modules, primarily used by farmers for temporary barn constructions.

These heave steel modules could then be reinserted in a completely different context, resulting in the visually lightweight and bright outlining of a public space for exhibitions and talks.

The recycled rafters are unfurled in a fanlike circular shape, and the roof framework is secured with wires. The structure is the wrapped in fiber textile which allows for diffuse shadow play on the â&#x20AC;&#x2122;wallsâ&#x20AC;&#x2122; of the pavilion.

Plan 1:200

resto no. 29 Restaurant at Gyuldergsgade no. 29, Nørrebro, 2200 Copenhagen.

Interor design of a restaurant for KEA - Copenhagen School of Design and Technology.

Lacation: Guldbergsgade 29 N, 2200 Copenhagen, Nørrebro Groundlevel Besides the overall layout of the restaurant, materials, curtains, plants, and lightning, the project aslo included the design and executive drawings of: •

one 4.5 meter bench in smoaked oak, leather and steel, wall oak mounted.

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three whitepainted benches in slats of wood, wood hinding the radiators from both in- and outside the restaurant.

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one moveable desk in smoaked oak

Wearables Lab

Laboratory interiour for KEA - Copenhagen School of Design and Technology.

Interior design by Aske GĂźnther Andersen The Wearables Lab is a platform from where the students can learn the basics in electronics, build their own wearable devices, understand the role and need of wearable electronics today and how to combine imagination and knowledge to create new and unique devices.

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Wearables Lab - Assembly drawings Laboratory interiour for KEA - Copenhagen School of Design and Technology.

Open learning Spaces

KEA - Copenhagen School of Design and Technology Concept by Aske GĂźnther Andersen

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Three different solutions for both flexible and intimate Open learning Spaces crossing three above lying floors of the Copenhagen School of Design and Technology

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Curtains as semitransparent and mobile space dividers.

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Mobile work situations taking the different educations and different ways of working into consideration.

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A non-permanent creation of more intimate workingspaces, yet with the possibility of a bigger space for occasional presentaions, exhibitions ect..

Music scene in Tokyo Japanoise is one among several geographically specific subgenres of electronic music such as Detroit Techno and Chicago House. Its sound is both locally rooted and has global reach.

In Tokyo, musical and cultural currents interact with the locations provided by the city space. In this project, I have explored the interaction between cityscape, cartography and creative space.

Kartography, Assimilation and individuation - Shibuya Tokyo, a Japanoise district The cartography originates from the area Shibuya / Meguro, in Tokyo. The mapping is both creating an overview of the overall dynamics of the area. At the same time, the drawing retains a diagram, allways with the potential to deviate from the scaleable infrastructure and measureable signs of the builded.

CONTEXT / PROGRAM DIAGRAM / DIMENSIONING: AN ABSTRACTION OF SPATIAL FRAGMENTS AND THEIR INTERN RELATIONS - A FRAMEWORK FOR A CONCERT SPACE, SHIBUYA, TOKYO

CONTEXT / PROGRAMME / COMPONENT PLAN - CONPONENT - DIAGRAM MAPPING AND OF LOCAL DYNAMICS: THE INVESTIGATIVE DRWAING AN A MOVEMENT FROM ABSTRACTION TOWOARDS A FAGMENTED PLAN OF A BUILDING

In the interaction between cityscape, cartography and the creative space, the building can be seen as both component and an entity.

In context of the local sound of Japanoise the building is an entity for any performance taking place within its boundaries. The sounds of the place is both locally rooted and has global reach.

The musical genre and the community around it must be se en as a setting continuously interacting betwe en the music and the city.

1:1 M O D E L

foto of the 1:1 model materials: reused wooden floor, lath of pine and fabric.

the model and exhibition space rebuilded in 3D and rendered: Situation 2

the model and exhibition space rebuilded in 3D and rendered: Situation 1

A DRAFTING TABLE FOR DRAWINGS

Working with

Büroo für Konstruktivvismus 09/2014 - 02/2015, Berlin As ke Gü n t her An d ers e n

KÖRNERSTRASSE A Kitchen space & meeting room for State GbR, y-u-k-i-k-o BÜRO FÜR KONSTRUKTIVISMUS

Scaffolding Framework - PHONO Festival 2015

Images from left: Vizualization 1, Vizualization 2, Plan of the inserted framework of scafolding.

Interior design for PHONO Festival, a festival for electronic and experimental music in Odense, Denmark.

This indoor scaffolding framework defines the venue and audience space, functioning as an architectural total installation.

The translucent plastic walls are illuminated by surrounding projectors, blending inner and outer space.

Fotos fra festivallen

Isometri af den indsatte konstruktion af stillads og plast

MATERIAL DEPOSITORY A R ES E AR CH FACIL IT Y F O R P R ES ERVATIO N TE CHNIQ UES AND THE DE V ELO PM ENT O F NE W M ATER I ALS .

F in a l p ro j e c t , B A . A r c h . 2 012 , Th e Roya l D a ni s h Aca d e my of A r t s , Th e S ch o o l s of A rchi t e c t u re , D e s i g n a n d Co n s e r v a t i o n

A resource storage and laboratory for DFM, the National Danish Institute of Metrology (not to be confused with Meteorology).

Here, scientists from fields such as chemistry and biology could participate in interdisciplinary research to develop new methods of preserving synthetic and biosynthetic materials and experiment with new material designs.

The exterior facade: Double

The walls toward staircase:

Inner facade:

Floor:

layered glass panels, green-

polycarbonate - translucent

Monopan

Cocrete, Polished

gray tinted, interior frosted

The building encompasses both scientific spaces, a depository and a disposal site. The latter is located at the rooftop, where the natural forces of wind and weather will contribute to the process of decomposition.

Site

Diagramatic drawing of the site and surroundings

Hydra 13

The Hydra Project

consists of a number of research seminars

Through continuous abstractions, the drawings show a hidden side

ger

and summer schools on the Greek island of Hydra focusing on the

of the city as a flesh-like living membrane, thereby underlining its

on

topology and morphology of present artificial environments.

dynamic rather than static nature when viewed from above.

The overall project maps the three cities of Berlin, Paris and

The drawings should be seen as a consecutive investigation, a

Tokyo, subjecting their shapeshifting cartographies to a compara-

complex morphological membrane, where topological forces form

The Hydra project has developed a strategic and reflective ap-

tive analysis and interpretation.

contours and allocate structures, that weave together terrain and

proach to the artificial environments of todayâ&#x20AC;&#x2122;s world. The project

town mass in a continuous, coherent malleable web.

can be said to operate in the dense and vibrant complexity of

The current site shows only my contribution to the big-

matter that is forces, forms, and energies, which can be treated

My contribution is a systematic investigation of the cartography of Berlin city.

investigation on

at:

which

informati-

productively by accepting that architecture and design is taking

http://www.karch.dk/hydra/Menu/Publications

you

will

find

further

place in a world of dynamic, continuous and virtually projected.

Three important problems emerges out of this genealogy of the

The Artificial Environment

architectural event:

Topology

Diagrams

Aesthetics

Drawings and Materials

What are the options and implications of the continuity between

What is the â&#x20AC;&#x2DC;fleshâ&#x20AC;&#x2122; that enable diagrams and the workings

How does the aesthetics of the drawings/drawn matter produce

The body of drawings from the Hydra project constitute a topo-

projects, for instance as expressed in drawings and the world:

of elements and entities apprehended from cartography

reflections and knowledge. In particular, what is the potential of

logical landscape with a great many parallels to the architectural

when drawing does not function as representation but as enactive

and reinserted into transformations of real structures of arti-

the intensities emerging out of computer based rendering and its

context in which we find ourselves today. It may be described in

working of a cartographic material which feed back into the topo-

fice, for instance in urban areas as new domains and scales?

related data resources and medialogies?

time and space as a complex traversed by forces, information, and

logies engendered?

synergy; expressing and configuring varied and ambiguous significances through constellations that are both real and virtual.

Seeking the cacophonous and the dream of yet another moon landing A s ke Gü n t h e r A n d e rs e n

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Th e Roya l D a ni s h Aca d e my of A r t s , Th e S ch o o l s of A rcchi t e c t u re , D e s i g n a n d Co n s e r v a t i o n

The architectural drawing as an unsafe environment.

The Architectural drawing are generally associated with precision, objectivity and communicative transparency, but within the drawing itself, systematic structures can be interrupted by shifts in the visual base.

These shifts occur as transformations and conversions of shapes, irrational obstructions and inconsistencies within the system. Thus, alterations and spatial deconstructions create a virtual reservoir of new imagery.

In this project, I strive to challenge the concept of the architectural drawing as such. Looking closer, it becomes evident that allmost every drawing contain deformations, displacements and subtle subversions of their own apparent objectiveness.

Within this idea of the potetiality of ”the new” in every drawing, I am exploring the interaction between cartography, morpology, mapping and abstraction in a number of drawings.

The drawings are developed in a search for a new approach of handeling the vast amount of information you will find in mapping a given site or context. Furthermore the abstraction of the mapping turns into its own diagramatic language - a language of flows and intensities evloving on its own in the search of the possible new.

F o r m o r e p ro j e c t s , g o t o askeguentherandersen.com