Selected Works 2023–2025

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Aryj Khèrouf

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CV/PROFILE

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FUTURE OF ART SCHOOL GEOLOGY RESEARCH CNETER

INHABITING THE SURFACE

04 05 06

YIN & YANG

(BA HONS 1rd Year)

MISCELLANEOUS WORK IN PRACTICE : LOVELL OZANNE

(BA HONS 1rd Year)

2023-Current

ARY KHÉROUF

BA (Hons) Architecture – RIBA Part 1

Liverpool John Moores University

RIBA Part II Diploma

Oxford Brookes University (RIBA Studio)

I’m completing my RIBA Part II Diploma through the RIBA Studio at Oxford Brookes University while working at Lovell Ozanne in Guernsey. I’m interested in how architecture can improve the way people experience their surroundings while also responding responsibly to the environment. For me, a successful project is one that works for its users, fits its context, and reduces its environmental impact.

Painting

Photography Coastal Cleaninig Model Making

Mauy Thai Museums

I tend to experiment between digital tools and physical model making to explore and refine ideas, balancing creativity with technical accuracy. My approach is shaped by collaboration and real-world constraints, with an emphasis on sustainable strategies that improve building performance and long-term resilience.

Travel and varied project experience have given me an appreciation of architecture as cultural, layered, and closely tied to place. A short course in Passivhaus and climate-responsive design has strengthened my commitment to integrating environmental performance into every stage of the design process.

This portfolio presents selected projects that reflect these values ,ideas developed through practical engagement with people, place, and context.

aryjkherouf@gmail.com

www.linkedin.com/in/aryjkhèrouf

issuu.com/aryjkherouf

YEAR EDUCATION EXPERIENCE

American University of Sharjah,U.A.E

Bachelors of Architecture

Sep 2018 - Sep 2019

Modern DesigningTechnology Consulting Office,K.S.A Architectural Intern July 2019- January 2020

Global Day Execuitve Planner 2018-2019

Liverpool John Moores University ,U.K.

BA(Hons)

Sep 2020 - May 2023

Tamimi Company Group Ltd., K.S.A Intern June 2022 - July 2022

Lovell Ozanne & Parteners Ltd., U.K Part 1 Architetcure Assistant October 2023 - Present Contributed to BIM coordination,detailed drawing

Liverpool John Moores University Student Ambassador September 2021 - 2023

Andrew and Louis Ltd., Real Estate Agent Intern October 2022 - December 2022

Design Performance for Climate Action: PassivHaus Introduction (Certified short course)

CDP - Birkenhead Future of Art School

THE FUTURE OF ART IS AN EXCLUSIVE ART SCHOOL

LOCATED IN BIRKENHEAD - EXPLORES HOW ART & THECNOLOGY COMES TOGETHER IN ONE BUILDING.

The design draws on Bauhaus principles, using the circle as a guiding form for both the building’s layout and its circulation. This reference to Bauhaus education reflects the ongoing relationship between art, design, science, and cultural change. By considering new understandings of human biology and psychology, the project imagines future directions for art and design that are both functional and visually compelling.

The scheme integrates emerging fields such as biodesign and bioart, creating opportunities for both aesthetic innovation and practical application. As a cultural landmark, the art school supports the local community by providing spaces for creativity, learning, and artistic exchange, while contributing to Birkenhead’s cultural and economic development.

Urban Context Plan

The Living StaircaseAmpersand Buuilding, London,UK Paul Cocksedge

It illustrates how a functional stair can become a spatial landmark, aligning with my aim to integrate movement and community within the design.

Hamilton Square Station
Hamilton Square Terrace
Birkenhead Town Hall
Birkenhead Cenotaph (Hamilton Square)

Massing Development

WEEK 1

1:500

Initial massing exploring division of site

Spatial Exploration

Abstract Massing Study – early exploration of form and void linking to programs

Abstract Study

WEEK 4

1:500

Introducing transparency and volume contrast

WEEK 6

1:500

Layering and rhythm in façade articulation 1:50

Interior model study

1:500

WEEK 8 1:50

Diagramming circulation flows and sectional relationships across levels.

Site Model

Public + Social Spaces

1. Reception / Lobby

2. Gallery spaces (panels + podiums )

3. Café & seating

4. Outdoor courtyard

5. Brick arched courtyard

Workshops + Labs

6. 3D Workshop

7. IT lab

8. Bio-mimicry lab

9. 3D workshop staff room

Services + Back of House

volumes organise and access

Shifted forms define circulation spine Arched roof introduced to bring light and unify interior spaces.

SECTION A-A

Rear Elevation

EXPLODED FLOOR PLAN

Weather or Not - Geology Research Centre

RELATIONSHIP BETWEEN BUILDING & GEOLOGY

Located in Lake District

This project draws on the mass and geometry of local tectonic formations to create spatial thresholds that immerse visitors in the surrounding landscape. The architecture uses locally sourced materials, embedding the structure into the geology of Gummers How and reinforcing its connection to place. The building envelopes its occupants in the terrain, enhancing both environmental and experiential engagement.

Massing & Spatial Strategy

PROGRAMS

Massing & Spatial Strategy

Functional Mapping

Programme + circulation overlay

Topography Study

CIRCULATION

Courtyard Iteration

Envolpe & wall build up studies

Lower Ground Ground level First level

Located in Liverpool

By designing a multi-storey functional building that services berberic rug shop, weaving workshop, cafe, exhibition space. This responds to the idea of fashion driven practice, creating an atmospheric analogy creating a skin to body. The proposal breaks the contrast of the surrounding heavy masonry with its forward sustainable facade which reminiscences new clothes being placed over the old which complements the modern building opposite the site.

Lower Floor
Ground Floor
First Floor
Second Floor
Third Floor
Roof Plan

function, responding to idea of anthropomorphic analogy

Archifilm - Harmony in Duality Yin and Yang

In Ancient Chinese philosophy, Yin and Yang is a concept of dualism, describing how seemingly opposite or contrary forces may be complementary, interconnected and interdependent in the natural world, thus how they may give rise to each other as they interrelate to one another.

As you begin your first step up the stairs reaching each set of landings, you have the ability to absorb different views. The asymmetry has been influenced by the philosophy of Ying Yang, this is used in the proposal not as lack of symmetry or balance but to evoke feelings of movement as 2 sets of hierarchy black and white. The colour red was influenced by the National Theatre in London ‘the shed’ by Haworth Tompkins, as colour red evokes many emotions such as love, passion, desire are all emphasized on the stage during a performance allowing the building itself to make a statement befitting of its function.

North Elevation

Entry

Entry through shadowed walls creates a sense of anticipation. The first step defines the transition into the spatial sequence.

Viewpoint Ascent

Red beams interrupt the dark corridor, introducing contrast, rhythm, and emotional intensity.

Contrast

Red beams interrupt the dark corridor, introducing contrast, rhythm, and emotional intensity.

The

journey ends in calm symmetry. A framed opening reconnects the user with the outside world.

Interior Model Study: Light, Shadow, and Movement through Compression

Miscilenaenous Works

Medium: Wood,Copper Wire, Paper, Vellum
Medium: Charcoal

EXPERIMENTING WITH RULES OF MATRIX

Medium: Wood,Copper Wire, Paper, Vellum

Medium: Wood,Chipboard

I contributed to the latest design proposal for a new M&S retail store, focusing on visual communication and client engagement. My responsibilities included producing highquality photomontages and Lumion renders that integrated the proposed design into its real-world context. These visuals were used to support client presentations and promotional materials, helping communicate the store’s spatial qualities and commercial appeal. This project deepened my understanding of the role visual storytelling plays in securing client buy-in and demonstrated how effective renderings can bridge the gap between concept and reality.

I contributed to the design development of Le Requin, a private residential project, with a focus on key interior spaces. My involvement included helping to design the boot room and the kitchen interior, where I explored spatial layout, material finishes, and functional detailing to support the client’s lifestyle and preferences. This experience strengthened my understanding of domestic spatial design and how thoughtful interiors can enhance both everyday routines and the overall character of a home.

I designed a comprehensive architectural model of the Guernsey Football Association stadium using Revit, incorporating spatial planning, structural elements, and site context. To visually communicate the proposal and enhance its presentation, I created a short animated video highlighting key design features and spatial sequences. I also produced a series of high-quality rendered images under varying lighting conditions to capture the atmosphere and intended functionality of the space. This project demonstrates my skills in BIM, digital rendering, and multimedia visualisation.

L

The first architectural project I worked on was Le Rondin School Library in Guernsey, designed for children with special educational needs. The aim was to create a calm, inclusive, and sensory-friendly learning environment. I contributed to the project by developing visual renders and building the physical model, which helped communicate the design intent clearly. This experience taught me the value of empathy in architecture and how thoughtful spatial decisions can positively support wellbeing and learning.

M

aryjkherouf@gmail.com

www.linkedin.com/in/aryjkhèrouf

issuu.com/aryjkherouf

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Selected Works 2023–2025 by Aryj Khèrouf - Issuu