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Arredare significa rendere agevole l'uso dello spazio, dotarlo di attrezzature e strumenti, necessari allo svolgimento delle attività umane e al soddisfacimento dei propri bisogni. Bisogni non solo primari, legati all'uso e alla risposta funzionale dei luoghi, ma che includano anche necessità psicologiche, rappresentative e di identificazione personale con l'ambiente costruito.
Lo spazio architettonico e le attrezzature di arredo sono quindi disponibili al proprio utilizzo e il loro effetto va oltre il momento pratico del semplice appagamento di esigenze elementari in quanto l'arredamento determina una dimensione estetica del vivere quotidiano attraverso la forma stessa dell'abitare.
È l'uomo a creare il suo ambiente e l'arredo, quest'ultimo in particolare, appartiene direttamente alla sua coscienza ed a quel patrimonio spirituale che si è venuto gradatamente formando nel corso dei secoli.
L'arredamento in sé non è però considerato una vera e propria forma d'arte, ma piuttosto un insieme di arti differenti e di tecniche in un vasto campo che va da quelle maggiormante impegnative a quelle che richiedono un impegno più relativo e sono soprattutto una questione di gusto.
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Nel tardo Rinascimento in Italia nasce il Barocco che in architettura proponeva motivi che influenzarono anche l'arte del mobile, dell'arredamento.
In quest'ultimo, comunque, il passaggio fu graduale perchè alcuni mobili continuarono a mantenere qualcosa di medioevale. L'arricchimento progressivo delle forme e delle strutture si manifesta su alcuni elementi che diventeranno successivamente parte predominante del mobile.
In sintesi, la caratteristica propria dei mobili e delle varie decorazioni dell'epoca è data dal movimento, con la predilezione per le linee curve e sinuose, con lo sfoggio di dorature e di materiali pregiati; l'oro, in questo stile, è molto presente.
Un ulteriore ammorbidimento delle forme lo si ha con la nascita del Rococò, dove predominano le laccature veneziane che assumono sfumature proprie e si sviluppano in due sensi: laccature figurate e laccature floreali. Si cerca di creare un ambiente intimo e raccolto dove un arredamento proporzionato, ridotto e fine divenga soprattutto il regno della donna...
...riproponiamo tutto questo con
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Furnishing means making easier the use of space, equip it with tools and equipment, necessary for the performance of human activities and the satisfaction of their needs. Needs not only primary, related to the use and the functional response of places, but that also include psychological needs, representative and personal identification with the built environment.
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The architectural space and equipment of furniture are then available ti their use and their effect goes beyond the simple practical moment of fulfillment of basic needs as the furniture determines an aesthetic dimension of everyday life through the very form of living.
He is the man to create his own environment and decor, the latter in particular, belongs directly to his conscience and the spiritual heritage that has been gradually formed in the course of centuries.
The decor itself is not, however, considered a real art form, but rather a set of different limbs and techniques in an area as wide as those more demanding than those which require a commitment more relative and are especially a matter of taste.
In the late Renaissance, the Baroque was born in Italy in brand new architecture proposed reasons which influenced the art of furniture, furnishings.
In the latter, however, the transition was gradual because some furniture continued to maintain something medieval.
The progressive enrichment of the forms and structures occurs on some elements that subsequently become predominant part of the cabinet.
In summary, the characteristic of the furniture and other decorations of the period is given by the movement, with a predilection for the lines and sinuous curves, with the display of gilding and precious materials, gold, in this style, it is very present.
A further softening of the forms it has with the birth of the Rococo, dominated by the Venetian lacquer taking his own nuances and develop in two ways: lacquer and lacquer figured floral.
We try to create an intimate and cozy furnishings where proportionate, and reduced end becomes primarily the realm of woman...
...again present all this with
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>
> art.
Vetrina una porta intarsiata (apertura
Glass cabinet inlay (open
Finitura /
L.
> art.
13005
Vetrina una porta intarsiata (apertura
cabinet inlay (open sx)
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Finitura / Finish: 13005
> art.
Mobile porta
Finitura /
intarsiato
13005
Pannello con mensola
Finitura /
13005
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> art. 12
Vetrina una porta (apertura dx)
Glass cabinet (open dx) Finitura / Finish: 13003
L. 71 P. 53 H. 215
> art. 13
Vetrina una porta (apertura sx)
Glass cabinet (open sx) Finitura / Finish: 13003
L. 71 P. 53 H. 215
> art. 16
Mobile porta TV TV stand
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Finitura / Finish: 13003
L. 190 P. 49 H. 66
> art. 18
Mensola Shelf
Finitura / Finish: 13003
L. 124 P. 20 H. 2,5
> art. 12
Vetrina una porta (apertura dx)
Glass cabinet (open dx) Finitura /
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Finish: 13003
L. 71 P. 53 H. 215
> art. 13
Vetrina una porta (apertura sx)
Glass cabinet (open sx) Finitura /
Finish: 13003
L. 71 P. 53 H. 215
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