Academic Portfolio of Selected Works (2017-2021)

UNDERGRADUATE ARCHITECTURAL PORTFOLIO

SELECTED WORKS 2017 - 2021

ARUSHI KEJARIWAL

This portfolio is a curation of selected works from 2017 - 2021. It consists of projects that have fostered greater learning, unlearning and understanding through research, observation and experimentation.

Arushi Kejariwal

arushikejariwal@gmail.com +91 8879212908 Mumbai, India 11-Oct-1998

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EDUCATION

SOCIAL RESPONSIBILITIES

2017-2022

Balwant Sheth School of Architecture (B.Arch)

2020

2002-2015

Arya Vidya Mandir Bandra West (ICSE)

2015-2017

PACE Junior Science College (HSC)

WORKSHOPS | SUMMER SCHOOLS 2020

MUMBAI

AYNA - HEAL THYSELF - Mental Health Awareness Project

Webinar, Rotaract Club of Mumbai Nariman Point

2019

2017

MUMBAI

MUMBAI

SUMMER SCHOOL 2019:MATHEMATICS OF FOLDING

2019

MUMBAI

Rotaract Club of Mumbai Nariman Point Graphic Designing

2020

MUMBAI

Rotaract Club of Mumbai Nariman Point Graphic Designing

2010-2015

MUMBAI

MUMBAI

2021-PRESENT ENTREPRENEURIAL VENTURE

NOMADIC FORMS - Generating Art Using Drawing Machines

Bespoke Embroidery Arts

2019-PRESENT SHUTTERSTOCK CONTRIBUTOR

Curated portfolio of photographs on Shutterstock

2020

CURVED CREASE FOLDING AND DIGITAL FABRICATIONS

2020-2021

EMERGENCE IN NATURE Installation Exhibit at BSSA

IDHA LABS: KARIGARI- FURNITURE DESIGN CHALLENGE

DIRECTOR OF DIGITAL COMMUNICATIONS AND GRAPHIC DESIGN Rotaract Club of Mumbai Nariman Point

2020

ELECTED GENERAL SECRETARY

2017-2020

ELECTED CLASS REPRESENTATIVE BATCH OF 2022

BSSA, NMIMS

BSSA, NMIMS

Participation

CERTIFICATIONS 2020

SOLAR DECATHLON INDIA

2020

MUMBAI

VOLUME ZERO: LITTLE BIG LOO RETHINKING PUBLIC TOILETS 2020

Participation - Industry Partner

Participation

2018

MUMBAI

PLAYSCAPES - ESQUISSE

2017

MUMBAI

RETHINKING FLEA MARKETS - ESQUISSE

INTRODUCTION ILLUSTRATOR WITH PHOTOSHOP Frameboxx

2019

MATHEMATICS OF FOLDING-Curved Crease Folding and Digital Fabrications BSSA Summer School

Rank 3 - Intra Class Competition - BSSA Rank 2 - Intra Class Competition - BSSA

PUBLICATIONS PARAMETRIC SOFTWARES - Coding and Scripting through Grasshopper and Rhino3D Co-Author

2017-2019

For startup Molekuls

ACCOLADES

MUMBAI

MUMBAI

FREELANCE VIDEO EDITING

Advance Basic Design Studio, Installation Exhibit at BSSA

2020

2019

Arya Vidya Mandir Bandra West

ROTARY YOUTH LEADERSHIP AWARDS PROGRAM

COMPETITIONS 2021

COMMUNITY SERVICE Student Volunteer

Installation Exhibit at BSSA

2017

FUNDRAISING CAMPAIGN TO BUILD HOUSES IN RURAL MAHARASHTRA

EXPERIENCE

EXHIBITIONS MUMBAI

AYNA - HEAL THYSELF - Mental Health Awareness Project

Curved Crease Folding and Digital Fabrications

Advait: workshop for Architecture Students

2020

MUMBAI

STUDY TRIP DOCUMENTATION Landscape of Legacies - Bhutan Parallel Planes - Ahmedabad Along the Ganges - Rishikesh Living Histories - Jodhpur & Jaisalmer Treasured Pasts - Aurangabad

Co-Author

SKILLS ADVANCED

Adobe Photoshop Adobe Illustrator Adobe AfterEffects Adobe Indesign Autodesk AutoCAD McNeel Rhinoceros Twinmotion

LANGUAGES

BASIC

Keyshot Grasshopper Autodesk Revit Autodesk 3DSMax Autodesk Maya Blender

OTHERS

Model Making Hand Drafting Fabrication Laser cutting, Wood Work, Metal Work Embroidery

English Hindi

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Contents

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PERCEPTION THROUGH SLIVERS Design Studio

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Year 03 | Semester 05 | 2019

REIMAGINING RUINS Design Studio

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Year 03 | Semester 05 | 2019

HEALTH & SANITATION Design Studio

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Year 03 | Semester 06 | 2020

PARADIGM SHIFTS IN EDUCATION Design Studio

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Year 04 | Semester 08 | 2020

REALIGNMENT OF MARKET FABRIC Urban Design Studio

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Year 04 | Semester 08 | 2020

WORKING DRAWINGS

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Year 03 | Semester 06 | 2020

EXHIBITIONS Emergence in Nature

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Year 02 | Semester 03 | 2018

Nomadic Forms

Year 03 | Semester 05 | 2019

PUBLICATIONS

70

COMPETITIONS

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ON GOING DESIGN DISSERTATION

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PERCEPTION THROUGH SLIVERS Academic Year 03 | Semester 05 | 2019

Program Visitor’s Center Site Paro, Bhutan Mentor Ar. Anand Patel, Mrs. Mugdha Kubade 6

SOFTWARES USED: RHINO & TWINMOTION

Putting the study trip learnings to use, this studio focused on context-specific design. Bhutan’s terrains were extremely interesting as a design project. Taking into consideration the rich history as well as the natural environment of the place, the contemporary structure to be designed must differentiate from the surroundings but at the same time be in conformity with them.

Framing views inwards and outwards, creating gradual revelations as one moves through the structure. The building opens up to the landscape with framed apertures and key views that the user experiences while moving between the different rooms.

In order to maintain this delicate balance, the project was integrated into the site, keeping in mind that it only accentuates the existing built forms without taking any of the attention away from them. This was addressed by focusing on the lines of sight.

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PERCEPTION THROUGH SLIVERS | ACADEMIC

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The experience of the trip summarized in the form of key themes using various mediums.

From top to bottom 1. Monumentality 2. Movement and Flow 3. Framed views

Through layering, overlapping and insertions of various masses and elements, slivers are formed. These voids serve as a medium of visual connectivity with the surrounding environment, as well as a source of light and ventilation.

The project aims to seamlessly integrate itself within the site by keeping in mind to be an accessory to the existing historical buildings and in no way overpower its context.

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A

PERCEPTION THROUGH SLIVERS | ACADEMIC

SITE PLAN

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Close attention was also paid to the atmospheric conditions where adaptations of light, shadow and space orientations were made in accordance to the natural light and weather patterns passing over and through the building. The longer axis of the building was aligned to the direction of the prevailing winds and a deep overhang was provided for shade.

Unity and harmony within the structure as well as with the surrounding context was obtained through the method of repetition and continuity with respect to the colour, shape, texture, directions and angles of the building. The retaining walls of the contoured site were integrated within the building as well to somewhat blur the boundaries of the inside and outside.

PLAN AT 1.5M

B’

PLAN AT -2.0M

B

A’

PLAN AT -4.0M

PLAN AT -6.0M 11

PERCEPTION THROUGH SLIVERS | ACADEMIC

SECTION AA’

12 SECTION BB’

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14

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reimagining ruins Academic Year 03 | Semester 05 | 2019

Program Visitor’s Center Site Vasai, Maharashtra Mentor Ar. Anand Patel, Mrs. Mugdha Kubade 16

SOFTWARES USED: RHINO & TWINMOTION

The Vasai fort, with its glorious past and interesting history, today has become a ruin. The fort is free to enter; unfortunately, it is not easy to navigate and, thus, there is no information about the monuments in the fort. It has layers of history to narrate to a visitor and also has a deeply woven story with the neighbouring Koli villages and other locals. Therefore, this studio focused on the theme of “the future of this past.”

The intent of the project is to unearth and examine the nature of the relationship between the “old” and the “new.” To create a place that not only acknowledges and celebrates the past, but also paves the way for its future. Keeping in mind the various stakeholders and the tangible and intangible elements of this site, this visitor’s center aims to serve as a space of congregation and information.

The easiest way out would be to have a clean slate, a tabula rasa, which would allow us to re-build and expand without any restrictions. However, the aim was to design more sensitively. The question, in today’s time, was how do we build on an existing past, a place where the old and the new exist together.

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01.

Through the use of various materials, this folly depicts the co-existing of various entities within one common boundary ie. the Fort walls.

Each element having their own characteristics and individuality but are tied together by one common factor.

02.

REIMAGINING RUINS | ACADEMIC

The arch here represent the support that the Fort provides to its stakeholders.

Held together by delicate strings, it serves to elevate and uplift the people, providing support, and security.

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03.

These intertwined pathways portray the interlocking and overlapping journeys of inhabitants throughout the history The Fort (built in 1184) was controlled by the Portuguese till the 17th century and was taken over by the Marathas in the 18th century. After which came the East India Company and the British rule till 1947. However, the Fort was inhabited by the local Koli community (fishermen) throughout this period.

05.

Using minimal material in contrast to the existing heavy stones, this installation reimagines the completion of broken elements. It does not mean to rebuild the past in anyway but only to accentuate it and bring attention to what once existed.

04.

This folly represents the delicate balance of the ecosystem in and around the fort.

A central mass (the fort) serves as a core to all those dependent on it - the migratory birds, trees, built structure and the people inhabiting this area.

06.

At a larger scale, using existing clues of the form and shapes, missing parts of the structure were added. This way, one gets a more holistic idea of what used to be and is encouraged to appreciate its monumentality.

The first phase of the studio included a folly exercise. The siting and location of the folly, as well as the idea of conceptualising the installation, was an outcome of the in-depth site analysis. The learning and conclusions from the site study influenced the siting of this place. Taking on different interpretations, the designs of today will be the history of tomorrow. The intent of the project is to revive the memory of the fort, if not the fort itself, to revitalize and rejuvenate the fort and its layers of history.

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REIMAGINING RUINS | ACADEMIC

B’

A

20 B

A’

Reimagining the ruins does not necessarily mean reconstructing them. The idea of giving a holistic view and experience of a particular space is what this project aims to achieve.

Keeping the historical as well as the cultural significance intact, the structure is interwoven within the ruins to curate a journey through it. The impermanence of the structure is highlighted by placing it against a background of the timeless ruins.

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REIMAGINING RUINS | ACADEMIC

SECTION AA’

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SECTION BB’

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HEALTH & SANITATION Academic Year 03 | Semester 06 | 2020

Program Mixed-use Site Juhu, Mumbai Mentor Mr. Prashant Prabhu, Ms. Pranali Patel 24

SOFTWARES USED: RHINO & TWINMOTION

The context of the site includes Colleges, Food stalls, Open grounds and the Nehru Nagar Slum area. Slum dwellers experience manifold deprivations; not only houses unfit for habitation but also lack of adequate food, education, health and basic services.

These dire conditions give rise to several issues including malnutrition. Their poverty results in impaired development of the education and health care systems which further gives rise to socio economic and political inequity. This indirectly worsens the food security of reducing the intake, thus causing malnutrition.

Affecting mostly children under the age of 5, signs are visible in the form of growth faltering, weight loss and overall impaired development.

Compromised immunity, infection, and diseases cause energy loss and reduced productivity, leading them right back on the track of poverty, thereby trapping them in this vicious cycle.

Solutions to this epidemic include nutritional improvement, supplementation of essential vitamins, easy access to fresh and uncontaminated fruits and vegetables from safe sources, subsidised prices of foods, etc. Along with eating right, a certain amount of physical activity is also required to be able to live a healthy life. This project aims to address the issues of starvation, malnutrition, food contamination, and food insecurity through urban micro-farming, nutritional rehabilitation, and providing sound and credible knowledge to those in need.

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JUNCTION NULLAH (SEWER) FOOTPATH ROADS

ROAD NETWORKS

SLUM DWELLERS GENERAL PUBLIC STUDENTS

USER BASED NODES

HEALTH & SANITATION | ACADEMIC

Site Analysis

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Observations made on site included that a high density of formal and informal built-form existed in and around the area. There was an amalgamation of various stakeholders, including slum dwellers, hawkers, students, residents, etc. An organic growth of the slum and certain other informal spaces of tin and tarpaulin were also seen. It also enabled public activity of various scales owing to the market being in close proximity. This site was well connected to other parts of the city through the network of bus stops, as well as the train station and airport being close by. An essential element of this site included the Swachh Bharat Public Toilet that catered to a footfall of over 3,000 every day. Due to poor drainage, since private bathrooms could not be constructed within the slum, the slum dwellers were dependent on this facility for their daily use.

SAFE UNSAFE

SAFETY

STATIONERY SHOP OPEN GROUNDS CIVIC AMENITIES FOOD STALLS HAWKERS

ACTIVITIES

S

SA MEN FE TY TA L

EN

TS

DS EE N

L IA

L RE PHYSICA CENTERS

TI HABILITA

ON

CO NSI STE N

T EL

SE PL WA AN GE TS TR E & RE ATM CY E CL NT IN G

ECT RIC

ITY

L S

IE IT IL C FA

NTERS NITY CE COMMU KING SPACE AND CO WOR

FARM E

RS

EN

CS LINI

O

G VE

W OM

E

C ON RITI NUT

S TR N CE UR CO SO T OD ET ES P FO ARK C NI ’S M GE ER HY RM D FA ATE OC ALL S CE ER SPA HAWK TO

L AB ET

D N VE

RS O

ES US HO

CLEAN AND REGULAR WATER SUPPLY

SO C

ERS WK HA

TH BA

ANITATIO N &S

CHILDREN

H

E HOLDE RS AK ST

CTO RS

IN DI VI

S ET IL

L ICA YS PH

HEA LT

TO

L UA D

DO

24 S F F RE OR AN / 7 C E O CH PLAY SA D L MM ILD FO FE OD UN RE GI N R E NG ITY W NV C E O IR NT M O ER EN N M S EN T

LER DWEL

PSYCHIATRIC HOSPIT ALS REHAB ILITATIO N CENT ERS FAM ILY P L AN N PED I NG IAT R IC AC CLI ZO CIDE NIC NE NT

SLUM

D

LI C UB LP RA NE GE

ST U

HEALT H

INTENT URBAN MICRO FARM

MALNUTRITION • Reduced food intake due to worsening food security.

• Affects children under the age of 5 years.

• Growth faltering and weight loss due to micronutrient deficiencies.

• Increases susceptibility to infections and diseases.

• Leads to impaired physical and mental development.

HYDROPONICS Hydroponics is the method of growing plants in a nutrient rich water-based environment WITHOUT THE USE OF SOIL

DISEASES CAUSED

• Marasmus • Kwashiorkar • Lack of immunity - Measles - Malaria - Diarrhoea - Pneumonia

SOLUTIONS Individual Level • Nutritional Rehabilitation • Vitamin A supplementation • Having 700 calories per meal as per the UN

Social Level • Increase in income • Food grains to be made available at even more subsidised rates • Rise in food prices should be curbed

Government Subsidies In the 2018 budget, the Food Subsidy allocated was 1.69 Lakh Crores which was increased by 7.5% t0 1.85 Lakh Crores in 2019.

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OVERALL PROGRAM

HEALTH & SANITATION | ACADEMIC

CLINIC

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MARKET

A more collaborative framework would be approached that includes stakeholders’ feedback and participation at various stages, which is essential when addressing a public health need. The stakeholders under consideration would be the slum dwellers, the students of neighbouring colleges, the general public around the area, farmers, plant enthusiasts, nutritionists, hawkers, children, and vendors.

COMMUNAL MESS

FARM ON A GRID

FARM AS A FABRIC OVER BUILT FORM

BUILT FORM INSERTED INTO FARM MASS

FARM LAYERS CREATING POCKETS FOR BUILT FORM

FARM WEAVING THROUGH BUILT FORM

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HEALTH & SANITATION | ACADEMIC

B’

C

A

B

30 ROUND FLOOR PLAN C’

PRODUCED BY AN AUTODESK STUDENT VERSION

A’

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HEALTH & SANITATION | ACADEMIC

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HEALTH & SANITATION | ACADEMIC

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The project will also serve as an important hub in the supply chain of the food market, thus acting as a source of income for the slum dwellers. It aims to draw in crowds by being a public experience of food and nature and a convenient node for traders, buyers, and visitors. It will also create an environment that fosters walking, running, cycling and other sports, along with giving access to healthy food, making urban micro-farming the backbone for health improvement.

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HEALTH & SANITATION - CONSTRUCTION DETAILS | ACADEMIC

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HEALTH & SANITATION - CONSTRUCTION DETAILS | ACADEMIC

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paradigms shifts in education Academic Year 04 | Semester 08 | 2020

Program Education Site Mumbai University Campus, Kalina, Mumbai Mentor Ar. Milind Merchant 40

SOFTWARES USED: RHINO & TWINMOTION

This studio aimed at observing and, thereafter, designing for an institute in an urban space. Mumbai University’s Kalina campus is a space with a symbiotic partnership with the city. The key themes to focus on here were pedagogy, environmental thinking, and social good.

Taking inference from the current situation, the question of theory versus practical education has arisen. Learning is a constantly evolving process, so this project was an attempt to study the future changes in education and how they affect the space where said education takes place. Off-line and on-line modes of learning were compared in terms of who it impacted the most and how.

Three key elements of a learning environment were found: pedagogy, technology, and space. It was observed that an interdisciplinary and cross-disciplinary way of learning was the way forward. This way, all domains would have the opportunity to benefit from one another, resulting in the more holistic development of an individual and preparing them for the professional world. Digital technologies are ingrained throughout, and can substitute, supplement, and complement the existing model of education.

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PARADIGM SHIFTS IN EDUCATION | ACADEMIC

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A’

B’ A

PARADIGM SHIFTS IN EDUCATION | ACADEMIC

B

44

Various typologies of classrooms were implemented to serve different purposes with respect to scale, functionality, levels of cocreation, etc. Hybrid common learning spaces were integrated and combined with socializing, group study, and independent study spaces within the same overall space. The blended learning program provided a seamless cohesion between the digital and physical realms. This was obtained through staggered

functionality, starting from the public and moving upwards to students, faculty and academics with overlapping junctions.

Post-pandemic return to a hybrid campus would require a heightened support network for students to ensure equitable access to tech and education.

SECTION AA’

SECTION BB’

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STUDENT HOUSING DOUBLE OCCUPANCY (WORK & PLAY) TERRACE GARDEN

3

CLASSROOMS IN BETWEEN SPACES PRACTICE ROOMS

2

PARADIGM SHIFTS IN EDUCATION | ACADEMIC

STUDENT HOUSING DOUBLE OCCUPANCY (LIVE) SINGLE OCCUPANCY

46

1

CLASSROOMS MAKER - SPACES IN BETWEEN SPACES OUTDOOR LEARNING

STUDIO OFFICES LIBRARY FACULTY SPACES CLASSROOMS

G

THOROUGHFARE FOYER STUDENT COMMONS

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REALIGNMENT OF MARKET FABRIC - urban design Academic Year 04 | Semester 08 | 2020 Program Mixed-use Site Badi Chaupar, Jaipur, India Mentor Ar. Prachi Donde, Ar. Ritu Mohanty, Ar. Nishant Modi, Ar. Prakriti Mehta 48

Team Members Shreya Gupta Khush Khandelwal Nikhil Kishnani Richa Solanki Tirth Gajra

SOFTWARES USED: RHINO & PHOTOSHOP

This studio focused on understanding the urban context at a larger scale and implementing design strategies for its betterment.

We based our study around the old walled city parts of Jaipur (Rajasthan) and explored the history, heritage, and urbanism as a transformative process there. As one of the first planned cities, the walled city still functions in today’s times owing to its exceptional grid organisation. It is composed of all amenities laid out in zones, followed by a network of street hierarchies.

Instances at various micro and macro levels were studied to understand the character of the site, which had to be dealt with the utmost sensitivity. Street interactions at various thresholds experienced dynamic temporal changes with the changing street typologies.

The Katlas (markets) characterised these streets and portrayed the diverse forms of relationships seen on site. Observing the buyerseller identities within these informal and formal establishments helped us unlearn and relearn various factors responsible for the traditional market set up and design in accordance with it. This resulted in a project that stayed true to its roots but, at the same time, allowed us to recreate certain parts in a contemporary form.

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Primary Street

Secondary Street

Tertiary Street

10 9 8 7 6 5 4 3 2 1 0

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PM AM

-1 -2 -3

REALIGNMENT OF MARKET FABRIC - URBAN DESIGN | ACADEMIC

-4

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PEDESTRIAN 4 WHEELER

-5

3 WHEELER

-6

2 WHEELER

-7

HAND CART

-8

HAWKERS

-9 -10

Taking forward these studies of typology, forms, formations and how these shape communities & vice versa, we formalised strategies for the challenges that we realised were important to be addressed in order to continue the legacy of the area. The narrow bustling market alleyways filled with vendors, hawkers and shopkeepers, both mobile and static, have stood the test of time and maintained their functionality. However, certain parts come across as dim lit, inefficiently drained, and bereft of urban elements. The project proposes urban design strategies, at a small scale but with big impacts. Concepts of minimal intervention and adaptive reuse were practiced to insert functional programs carefully scattered throughout the site.

Image source @ Mapaplan

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REALIGNMENT OF MARKET FABRIC - URBAN DESIGN | ACADEMIC

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Prioritize the Pedestrians

Strengthening Market with Activity Nodes

Consistent density of people

Strengthening Accessibility

Regulation of Built-Form

Pedestrianized the market street and facilitate the infrastructure to provide connection and ease of movement for locals and tourists within adjacent markets and tourist destinations

Create new opportunities catering to the experiential character of the market street.

Provide public amenities as well.

Implementation of activities (like night market) that encourage public interaction throughout the day.

Proposing new connections to provide permeability and increase walk-ability with multiple access points between markets and neighborhood blocks.

Respect and celebrate the unique heritage and character of the historical commercial hub.

Facilitate diverse and flexible built uses that serves the needs of trade and commerce.

Purohit Ji Ka Katla is a famous market area right behind the Badi Chaupar . The market houses some of the most traditional shops of the city. There are little, beautiful streets that are organized in geometrical shapes.

History Katla, as fondly called by people was actually a place to keep horses and carriages of the royal family.

Each shop has steps that leads to another room where horses were kept earlier but now are just used as a storage rooms, which means that this is one of the oldest markets of the Pink City.

Current Katla, today is famous for wedding shopping, and attracts consumer crowd from all over the North India.

REALIGNMENT OF EXISTING FORMS & FABRICS A S A COHE S I V E URBA N NE T WORK FOR THE E ASE OF MOBILIT Y & H E R I TAG E VA LUAT I O N 53

Adding engaging street uses and definition. Additional formalisation of food vendors & hawkers.

Utilising wide secondary streets, for street furniture, comfort spots etc.

Further adding spacious informal congregational nodes, for the labourers, shopkeepers, workmen, as well as visitors.

REALIGNMENT OF MARKET FABRIC - URBAN DESIGN | ACADEMIC

Landscaping features, integrated with the road network.

Building on the road junctions, while widening them to allow for more cart & work flexibility and crowd management.

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Covering & adding safety measures for hazardous equipment on the centre of cul de sacs.

Implementing legacy walls, to improve the aesthetic & visual comfort of the area.

Adding necessary signages & fire safety measures, for too congested areas. Utilising the courtyard spaces as prominent, breathing spaces, for the other road networks.

Connectivity for pedestrians Arena for Underground Metro Entry.

Integrating the metro into the fabric of the area.

Adding frontage for the shops behind the metro entry.

Adding connectivity into the Baramda by theatrical steps.

Distributing pedestrian density vertically.

Connecting the Chaupar circle to the inner streets & facilitating crowd management.

Re-utilizing untended structures, to aid the temple nearby, therefore managing overcrowding for functions around the junctions.

Revitalizing semi open public courtyards for e-rickshaw stand and providing designated space for vehicular parking.

Using the surrounding ground floor space of dilapidated building, for administrative & informative functions.

Reorganizing warehouse space for the shops providing space for circulation and cultural activities.

Providing public toilets for the market and water facility as public common features.

Giving the local market a more defined heritage character to engage the users and also provide an incentive to the stakeholders to take care of the streets itself.

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PRE-FINAL FORM

FORM ON SITE

working drawings Academic Year 03 | Semester 06 | 2019

Program Mixed-use Community Centre Site Kalbadevi, Mumbai Mentor Mr. Amrik Singh 56

EXPLODED ISOME TRIC VIEW

The project was based on the concepts of development of Kalbadevi (urban high density market) in terms of growth with respect to a timeline. Visually evident changes seen in the materials of the built forms help arranging them in chronological order. The structures morphed into its next form when elements of other materials were added onto them.

PRODUCED BY AN AUTODESK STUDENT VERSION

D

N O T E S 1.

THIS DRAWING IS A PROPERTY OF ARUSHI KEJARIWAL AND SHALL NOT BE REPRODUCED WITHOUT WRITTEN PERMISSION.

2.

THE COMMENCEMENT OF CONSTRUCTION SUBJECT TO APPROVALS FROM ALL COMPETENT AUTHORITIES.

G+4

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E X E C U T I O N N O T E S

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G+1

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ALL EXISTING GROUND LEVELS TO BE VERIFIED BY THE CONTRACTOR BEFORE COMMENCING THE WORK.

2.

ALL DIMENSIONS ARE UNFINISHED AND ARE IN MM UNLESS OTHERWISE SPECIFIED. ALL DIMENSIONS SHOULD BE VERIFIED AT SITE.

3.

DISCREPANCIES IF ANY SHOULD BE BROUGHT TO THE ARCHITECTS NOTICE BEFORE COMMENCING THE WORK.

4.

DO NOT SCALE THE DRAWING. ONLY WRITTEN DIMENSIONS TO BE FOLLOWED.

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39590

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CEMENT

39590

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TEAKWOOD

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MILD STEEL

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W: WINDOW; D: DOOR C: COLUMN; B: BEAM

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KALBADEVI, MUMBAI

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COMMUNITY CENTRE DESIGNED FOLLOWING INSTANCES OF VISUAL GROWTH AND DEVELOPMENT BASED ON THE TIMELINE OF THE AREA AROUND KALBADEVI ROAD.

1. LOCATION PLAN IT DETERMINES THE LOCATION OF THE SITE WITH REFERENCE TO ROADS AND LANDMARKS. IT ALSO DETERMINES THE WIDTH OF THE ROADS, STREETS AND THE LANES. LOADING VEHICLES TAKE MORE NUMBER OF ROUNDS IN SMALLER PLOTS, ADDING TO THE COST.

G+4

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ALL ANGLES ARE AT 90 UNLESS SPECIFIED.

BRICKWORK

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ALL BRICK WORK IS ENGLISH BOND.

9.

PLASTER

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FOR DOORS AND WINDOWS REFER TO RESPECTIVE DOOR AND WINDOW SCHEDULE DRAWINGS.

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SECURITY CABIN

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25360

PROPOSED SITE

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INTERNAL PLASTER 15MM AND EXTERNAL PLASTER 25MM.

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THIS DRAWING TO BE READ IN CONJUNCTION WITH RELEVANT ARCHITECTURAL, STRUCTURAL AND SERVICES DRAWINGS.

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PRODUCED BY AN AUTODESK STUDENT VERSION

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PRODUCED BY AN AUTODESK STUDENT VERSION

PROPOSED BUILDING

38775

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25360

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G+3 G+2

THE SITE CAN BE ACCESSED FROM ONE DIRECTION: a) FROM WADI ROAD TO THE FRONT OF THE STRUCTURE EXISTING SITE PLOT AREA: 1500 SQ.M PROPOSED STRUCTURE AREA: 500 SQ.M

LOCATION PLAN WORKING DRAWING NAME : ARUSHI KEJARIWAL CLASS : III YEAR ROLL NO. : 12

SCALE : 1:500

DATE :

SHEET NO. : 01

PRODUCED BY AN AUTODESK STUDENT VERSION PRODUCED BY AN AUTODESK STUDENT VERSION

N O T E S

E

K

B A B U G E

G+5

G+1

A

R

39590

25360

2.

THE COMMENCEMENT OF CONSTRUCTION SUBJECT TO APPROVALS FROM ALL COMPETENT AUTHORITIES.

G+3

E X E C U T I O N N O T E S

G+2

1.

ALL EXISTING GROUND LEVELS TO BE VERIFIED BY THE CONTRACTOR BEFORE COMMENCING THE WORK.

2.

ALL DIMENSIONS ARE UNFINISHED AND ARE IN MM UNLESS OTHERWISE SPECIFIED. ALL DIMENSIONS SHOULD BE VERIFIED AT SITE.

3.

DISCREPANCIES IF ANY SHOULD BE BROUGHT TO THE ARCHITECTS NOTICE BEFORE COMMENCING THE WORK.

4.

DO NOT SCALE THE DRAWING. ONLY WRITTEN DIMENSIONS TO BE FOLLOWED.

5.

THIS DRAWING TO BE READ IN CONJUNCTION WITH RELEVANT ARCHITECTURAL, STRUCTURAL AND SERVICES DRAWINGS.

6.

INTERNAL PLASTER 15MM AND EXTERNAL PLASTER 25MM.

7.

FOR DOORS AND WINDOWS REFER TO RESPECTIVE DOOR AND WINDOW SCHEDULE DRAWINGS.

8.

ALL BRICK WORK IS ENGLISH BOND.

9.

ALL ANGLES ARE AT 90 UNLESS SPECIFIED.

D I

38775

22490

I

22490

PRODUCED BY AN AUTODESK STUDENT VERSION

PLASTER

W

W

BRICKWORK

G+4

CEMENT

M

M

TEAKWOOD

MILD STEEL

8

8 . 2

25360

W: WINDOW; D: DOOR C: COLUMN; B: BEAM

S

ENTRY

I

39590

R

O

A

D

3.

G+3

E

PROPOSED SITE PLAN

C O N C E P T COMMUNITY CENTRE DESIGNED FOLLOWING INSTANCES OF VISUAL GROWTH AND DEVELOPMENT BASED ON THE TIMELINE OF THE AREA AROUND KALBADEVI ROAD.

LOCATION PLAN WORKING DRAWING NAME : ARUSHI KEJARIWAL CLASS : III YEAR ROLL NO. : 12

SCALE : 1:100

DATE :

SHEET NO. : 02

PRODUCED BY AN AUTODESK STUDENT VERSION

G+3

T

IT ENABLESEXISTING SITE PLAN

IT DETERMINES THE EXACT LOCATION OF THE BUILDING PLACEMENT ON SITE, THE PLINTH AREA WITHIN THE SITE BOUNDARY WITH ALL THE OFFSET DIMENSIONS AND ANGLES. THE CONTRACTOR TO FILL UP THE TENDER IN CONJUNCTION WITH ALL THE TENDER DRAWINGS AND DOCUMENTS. THE OPEN AREA AROUND THE BUILT UP PLINTH AREA HELPS IN ACCESSING THE POSSIBILITY OF PUTTING UP SITE OFFICE, MATERIAL STORAGE, LABS, ETC TO THE CONTRACTOR

IT DETERMINES THE EXACT LOCATION OF THE BUILDING PLACEMENT ON SITE. IT DEFINES THE LOCATION OF THE EXISTING TREES, LEVELS, EXISTING STRUCTURES AND ABUTTING STRUCTURES ON SITE. PLAIN FLAT GROUND. IT ENABLES THE CONTRACTOR TO FILL UP THE TENDER IN CONJUNCTION WITH ALL THE TENDER DRAWINGS AND DOCUMENTS. THE OPEN AREA AROUND THE BUILT UP PLINTH AREA HELPS IN ACCESSING THE POSSIBILITY OF PUTTING UP SITE TO THE CONTRACTOR.

G+2

I

KALBADEVI, MUMBAI 2.

D

PRODUCED BY AN AUTODESK STUDENT VERSION

D

E

E

38775

M

G+6

THIS DRAWING IS A PROPERTY OF ARUSHI KEJARIWAL AND SHALL NOT BE REPRODUCED WITHOUT WRITTEN PERMISSION.

N

T

U

G+4

1.

57

PRODUCED BY AN AUTOD

PRODUCED BY AN AUTODESK STUDENT VERSION

N O T E S 1.

THIS DRAWING IS A PROPERTY OF ARUSHI KEJARIWAL AND SHALL NOT BE REPRODUCED WITHOUT WRITTEN PERMISSION.

2.

THE COMMENCEMENT OF CONSTRUCTION SUBJECT TO APPROVALS FROM ALL COMPETENT AUTHORITIES.

1

3

2

5

4

6

8

7

9

10 11

0

3 95

12 13

E X E C U T I O N N O T E S

25070

C6A

3840

B6

B7

B45

C4C 230

B8

B36

C1E

C8D B9

B46

B13

C

B57

B54

C8E

ALL DIMENSIONS ARE UNFINISHED AND ARE IN MM UNLESS OTHERWISE SPECIFIED. ALL DIMENSIONS SHOULD BE VERIFIED AT SITE.

3.

DISCREPANCIES IF ANY SHOULD BE BROUGHT TO THE ARCHITECTS NOTICE BEFORE COMMENCING THE WORK.

4.

DO NOT SCALE THE DRAWING. ONLY WRITTEN DIMENSIONS TO BE FOLLOWED.

5.

THIS DRAWING TO BE READ IN CONJUNCTION WITH RELEVANT ARCHITECTURAL, STRUCTURAL AND SERVICES DRAWINGS.

6.

INTERNAL PLASTER 15MM AND EXTERNAL PLASTER 25MM.

7.

FOR DOORS AND WINDOWS REFER TO RESPECTIVE DOOR AND WINDOW SCHEDULE DRAWINGS.

8.

ALL BRICK WORK IS ENGLISH BOND.

9.

ALL ANGLES ARE AT 90 UNLESS SPECIFIED.

D

B11

B49

C3E

C2E

C13C

B10

B41

B12

B56

C10D

ALL EXISTING GROUND LEVELS TO BE VERIFIED BY THE CONTRACTOR BEFORE COMMENCING THE WORK.

2.

A B

B53

1.

6880

C12E

B15

B14

G

B37

C2F

R3540

B58

BRICKWORK

C3F

B16

H

B50

B42

STAIRCASE BLOCK

3230

B33

C1F

C7G

C9G

B18

B17

C13G

C11G

B19

B20

60

60

3230

PLASTER

F

F

B21

G

CEMENT

B38

23 0

4330

B43

C5H

35

0

B47

C3J

C2J

J

B51

B23

B22

4330

B34 B61

B59

B55

C8J

+6.45M

E

TEAKWOOD

PRODUCED BY AN AUTODESK STUDENT VERSION

PRODUCED BY AN AUTODESK STUDENT VERSION

E

B48

C7C

17030

B32

C13B B5

60

C2D

D

C10A

TOILET 350

60

C1D

60

3970

B4

B40

TOILET C

60

4090

B3

B2

B35

B31

5450

C3A

350

B1

60

2090

17030

B

60

3090

5510

C2A

230

C1A

60

6880 A

60

4300

3840

7230

PRODUCED BY AN AUTODESK STUDENT VERSION

30 95

6815

6815

UGT

OHT STAIRCASE BLOCK

MILD STEEL

C12J J

B25

B24

W: WINDOW; D: DOOR C: COLUMN; B: BEAM

B39

S

B52

B44

B60

I

T

E

KALBADEVI, MUMBAI

C O N C E P T 5 B26

C2L

7230

B27

C3L 60

4300

C6L 60

3090

C9K

B28

C10K

B29

COMMUNITY CENTRE DESIGNED FOLLOWING INSTANCES OF VISUAL GROWTH AND DEVELOPMENT BASED ON THE TIMELINE OF THE AREA AROUND KALBADEVI ROAD.

C13K

B30

6880 60

2090

60

4090

60

3970

SETTING OUT PLAN

25070

SETTING OUT PLAN

H

WORKING DRAWING

IT IS A PLAN FOR PLOTTING EXACT LOCATION OF COLUMNS IN CONJUNCTION WITH CENTER LINES AND ITS DIMENSIONS FOR EXECUTION OF FOUNDATION. 8

9

10 11

12 13

9000

7

0

6

4

17

3

2

11

1

NAME : ARUSHI KEJARIWAL

CENTERLINES ARE THE LINES AT THE CENTER OF 230(ASSUMED) WIDE PLINTH BEAM. THE PLINTH BEAM ACTS AS A TIE BETWEEN THE COLUMNS AND AS A MEMBER FOR STABILITY TO THE FOUNDATION.

CLASS : III YEAR ROLL NO. : 12

INTERSECTION OF TWO CENTER LINES ARE DEFINING THE EXACT LOCATION OF THE COLUMN. SO LOCATION OF FOUNDATION IS DEFINED

SCALE : 1:50

METHODOLOGY OF SETTING OUT PLAN: 1. TRIANGULATION WITH ANGLES AND OFFSETS. 2. GRID SYSTEM WITH ANGLES AND OFFSETS. 3. COORDINATE SYSTEM.

SECURITY CABIN

DATE :

SHEET NO. : 03

ESK STUDENT VERSION

PRODUCED BY AN AUTODESK STUDENT VERSION PRODUCED BY AN AUTODESK STUDENT VERSION

PRODUCED BY AN AUTOD

N O T E S 1.

THIS DRAWING IS A PROPERTY OF ARUSHI KEJARIWAL AND SHALL NOT BE REPRODUCED WITHOUT WRITTEN PERMISSION.

2.

THE COMMENCEMENT OF CONSTRUCTION SUBJECT TO APPROVALS FROM ALL COMPETENT AUTHORITIES.

E X E C U T I O N N O T E S

D7

5570 7000

3000

TOILET

D6

3080

D6 700

+0.45M

1120

SHOP +0.45M

10100

D2 1100

3610

1100

+0.45M

STORE ROOM

6840

1200

PRODUCED BY AN AUTODESK STUDENT VERSION

DO NOT SCALE THE DRAWING. ONLY WRITTEN DIMENSIONS TO BE FOLLOWED. THIS DRAWING TO BE READ IN CONJUNCTION WITH RELEVANT ARCHITECTURAL, STRUCTURAL AND SERVICES DRAWINGS.

6.

INTERNAL PLASTER 15MM AND EXTERNAL PLASTER 25MM.

7.

FOR DOORS AND WINDOWS REFER TO RESPECTIVE DOOR AND WINDOW SCHEDULE DRAWINGS.

8.

ALL BRICK WORK IS ENGLISH BOND.

9.

ALL ANGLES ARE AT 90 UNLESS SPECIFIED.

D5

D8

1275

3990

PLASTER

3420

3000

7000

KITCHEN 7950 +0.45M

BRICKWORK

11500

5150

7950

CEMENT

D4 1100

60

C2A B1

C

F

B40

C4C

C2D B6

B7

B32

B36

C1E

C2E

B8

B41

C3E B13

B12

G

B3

B35

C1D

E

B33

B14

B37

C1F

B42

C3F

C2F B16

H

3090

C3A B2

B31

B18

B17

B34 B60

4330

4240

1500

D3

1500

4240

TEAKWOOD

5

4

60

4300

C1A

D

PRODUCED BY AN AUTODESK STUDENT VERSION

D3

B38

B43

W4 MILD STEEL

C5H

6505

B23

B22

B24

D2

ADMIN OFFICE

S

I

T

E

KALBADEVI, MUMBAI 5170

+0.45M

W: WINDOW; D: DOOR C: COLUMN; B: BEAM

+0.45M

2905

D1 W7

B39

B44

C O N C E P T COMMUNITY CENTRE DESIGNED FOLLOWING INSTANCES OF VISUAL GROWTH AND DEVELOPMENT BASED ON THE TIMELINE OF THE AREA AROUND KALBADEVI ROAD.

1500

5 60

RECEPTION

C3J

C2J

J

CAFE

+0.45M

5080

W1

5000

1100

9355

2095

C2L

K

B26

GROUND FLOOR PLAN

7230

B27

C3L

L

60

4300

3090 25070

WORKING DRAWING

H

NAME : ARUSHI KEJARIWAL CLASS : III YEAR

1

2

3

4

ROLL NO. : 12

SCALE : 1:50

DATE :

SHEET NO. : 04

ESK STUDENT VERSION

WORKING DRAWINGS | ACADEMIC

4.

5.

D5

+0.45M

16800

D2

1275

6250

2700

2000

MULTIPURPOSE

PRODUCED BY AN AUTODESK STUDENT VERSION

58

DISCREPANCIES IF ANY SHOULD BE BROUGHT TO THE ARCHITECTS NOTICE BEFORE COMMENCING THE WORK.

+0.45M

14770

W1

3.

TOILET

700

W1

W3

D7

5420

D7

3

7230

A B

5450

W3

D7

ALL DIMENSIONS ARE UNFINISHED AND ARE IN MM UNLESS OTHERWISE SPECIFIED. ALL DIMENSIONS SHOULD BE VERIFIED AT SITE.

60

W2

D7

2.

W6

3840

W6

3230

W6

2

25070

22270

W6

1

60

W6

ALL EXISTING GROUND LEVELS TO BE VERIFIED BY THE CONTRACTOR BEFORE COMMENCING THE WORK.

PRODUCED BY AN AUTODESK STUDENT VERSION

W6

1.

PRODUCED BY AN AUTODESK STUDENT VERSION

DESK STUDENT VERSION

N O T E S

N O T E S 1.

THIS DRAWING IS A PROPERTY OF ARUSHI KEJARIWAL AND SHALL NOT BE REPRODUCED WITHOUT WRITTEN PERMISSION.

1.

THIS DRAWING IS A PROPERTY OF ARUSHI KEJARIWAL AND SHALL NOT BE REPRODUCED WITHOUT WRITTEN PERMISSION.

2.

THE COMMENCEMENT OF CONSTRUCTION SUBJECT TO APPROVALS FROM ALL COMPETENT AUTHORITIES.

2.

THE COMMENCEMENT OF CONSTRUCTION SUBJECT TO APPROVALS FROM ALL COMPETENT AUTHORITIES.

1

3

2

5

4

E X E C U T I O N N O T E S

FOR DOORS AND WINDOWS REFER TO RESPECTIVE DOOR AND WINDOW SCHEDULE DRAWINGS.

8.

ALL BRICK WORK IS ENGLISH BOND.

9.

ALL ANGLES ARE AT 90 UNLESS SPECIFIED.

230

B35

C1D B6

C1E

B56

C13C

C10D

B9

B8

B10

B46

B13

C D

B11

B57

B49

C3E

B12

B53

C8D

B41

C2E

ALL EXISTING GROUND LEVELS TO BE VERIFIED BY THE CONTRACTOR BEFORE COMMENCING THE WORK.

2.

ALL DIMENSIONS ARE UNFINISHED AND ARE IN MM UNLESS OTHERWISE SPECIFIED. ALL DIMENSIONS SHOULD BE VERIFIED AT SITE.

3.

DISCREPANCIES IF ANY SHOULD BE BROUGHT TO THE ARCHITECTS NOTICE BEFORE COMMENCING THE WORK.

4.

DO NOT SCALE THE DRAWING. ONLY WRITTEN DIMENSIONS TO BE FOLLOWED.

C12E

B54

C8E

5.

THIS DRAWING TO BE READ IN CONJUNCTION WITH RELEVANT ARCHITECTURAL, STRUCTURAL AND SERVICES DRAWINGS.

6.

INTERNAL PLASTER 15MM AND EXTERNAL PLASTER 25MM.

7.

FOR DOORS AND WINDOWS REFER TO RESPECTIVE DOOR AND WINDOW SCHEDULE DRAWINGS.

8.

ALL BRICK WORK IS ENGLISH BOND.

9.

ALL ANGLES ARE AT 90 UNLESS SPECIFIED.

E

B15

B14

3230

PLASTER B33

B37

B50

B42

B58

BRICKWORK

C1F

60

F G

C3F

C2F

R3540

B16

H

C7G

C9G

C13G

C11G

B19

B18

B17

B20

F

B21

G

CEMENT

B34 B61

0

B38

B43

23

C5H

35

0

T

B

B5

B48

C7C

230

B36

B51

B47

C3J

C2J

J

I

B45

C4C

B7

B32

B22

W: WINDOW; D: DOOR C: COLUMN; B: BEAM

S

B40

C2D

D

MILD STEEL

+9.15

620

B31

4330

TEAKWOOD

920

60

C

PRODUCED BY AN AUTODESK STUDENT VERSION

CEMENT

B4

1.

A

B23

B59

MILD STEEL

B55

C8J

TEAKWOOD

C12J J

B24

B25

W: WINDOW; D: DOOR C: COLUMN; B: BEAM

S

E B39

KALBADEVI, MUMBAI

B44

B52

B26

C2L

7230

B27

C3L 60

4300

60

3090

C9K

B28

C6L

60

2090

C10K

B29

60

4090

60

3970

F O U N D A T I O N PLAN H

NAME : ARUSHI KEJARIWAL

1

CLASS : III YEAR

3

2

WORKING DRAWING

4

6

8

7

9

10 11

NAME : ARUSHI KEJARIWAL

12 13

CLASS : III YEAR

ROLL NO. : 12

ROLL NO. : 12

SCALE : 1:50

SCALE : 1:50

DATE :

DATE :

SHEET NO. : 06

SHEET NO. : 09

PRODUCED BY AN AUTODESK STUDENT VERSION

PRODUCED BY AN AUTO

PRODUCED BY AN AUTODESK STUDENT VERSION

DESK STUDENT VERSION

N O T E S

N O T E S

60

7000

C1D

D6

D6

C2D

+0.45M

5800

5510

SHOP 10100

DISCREPANCIES IF ANY SHOULD BE BROUGHT TO THE ARCHITECTS NOTICE BEFORE COMMENCING THE WORK.

4.

DO NOT SCALE THE DRAWING. ONLY WRITTEN DIMENSIONS TO BE FOLLOWED.

5.

THIS DRAWING TO BE READ IN CONJUNCTION WITH RELEVANT ARCHITECTURAL, STRUCTURAL AND SERVICES DRAWINGS.

6.

INTERNAL PLASTER 15MM AND EXTERNAL PLASTER 25MM.

7.

FOR DOORS AND WINDOWS REFER TO RESPECTIVE DOOR AND WINDOW SCHEDULE DRAWINGS.

8.

ALL BRICK WORK IS ENGLISH BOND.

9.

ALL ANGLES ARE AT 90 UNLESS SPECIFIED.

+0.45M

C4C

C7CD2

C8D

C13C

C10D

C D

STORE ROOM

D2

D5

+0.45M

C3E

D8

2700

6250

1275

2000

C2E

3.

D5

C8E

1275

C12E

E

6990

C1E

ALL DIMENSIONS ARE UNFINISHED AND ARE IN MM UNLESS OTHERWISE SPECIFIED. ALL DIMENSIONS SHOULD BE VERIFIED AT SITE.

TOILET

3840

W1

ALL EXISTING GROUND LEVELS TO BE VERIFIED BY THE CONTRACTOR BEFORE COMMENCING THE WORK.

2.

B

W3

3080

1.

F G

C3F

C2F

C7G

11500

KITCHEN 7950 +0.45M

C9G

C13G

C11G

5150

BRICKWORK

24590

C1F

H

3990

3420

3230

3230

4910

PLASTER

7000

F D4

7950

CEMENT

G

1100 TEAKWOOD

D3

5400

D3

4330

B58

A

1100

3770

B51

C13B

D7

+0.45M

E

4330

TEAKWOOD

1120

4240

CEMENT

G

D7

14770

22490

3230

22270

F

B21

E X E C U T I O N N O T E S

150

C10A

MULTIPURPOSE

60

C13G

C11G B20

BRICKWORK

C6A

2700

C

4330

C9G B19

60

C7G

B57

D7

D7

3000

TOILET

D

24590

PLASTER

B15

B50

150

5420

W1

+0.45M

PRODUCED BY AN AUTODESK STUDENT VERSION

E

150

3000

60

3970

W4

MILD STEEL

MILD STEEL

C5H

1100 W1

5000

1800

B59

5170

B52

RECEPTION +0.45M

60

60

2090

4090

60

B30

3970

C13K

60

K

2905

C2L

C3L

7230

2740

9

10 11

12 13

CLASS : III YEAR

C13K

C10K

H

1500

4090 60

5710

3970 60

60

8295

3000

18130 28475

2

C O N C E P T COMMUNITY CENTRE DESIGNED FOLLOWING INSTANCES OF VISUAL GROWTH AND DEVELOPMENT BASED ON THE TIMELINE OF THE AREA AROUND KALBADEVI ROAD.

K

2090 60

7230

1

E

3

4

GROUND FLOOR STRUCTURAL PLAN WORKING DRAWING NAME : ARUSHI KEJARIWAL

6

7

8

9

10 11

12 13

CLASS : III YEAR

ROLL NO. : 12

ROLL NO. : 12

SCALE : 1:50

SCALE : 1:50

DATE :

DATE :

SHEET NO. : 07

SHEET NO. : 10

PRODUCED BY AN AUTODESK STUDENT VERSION

8

C6L

3090

NAME : ARUSHI KEJARIWAL 7

T

L

4300 60

WORKING DRAWING

6

C9K

W7

1500

L

GROUND FLOOR CENTER LINE PLAN

I

KALBADEVI, MUMBAI

+0.45M

D1

5

K

L

S

ADMIN OFFICE

6505

COMMUNITY CENTRE DESIGNED FOLLOWING INSTANCES OF VISUAL GROWTH AND DEVELOPMENT BASED ON THE TIMELINE OF THE AREA AROUND KALBADEVI ROAD.

1830

C10K

2100

C6L

B29

60

C O N C E P T C9K

B28

+0.45M

D2

E

KALBADEVI, MUMBAI

W: WINDOW; D: DOOR C: COLUMN; B: BEAM

4300

T

J

CAFE

2100

I

C12J

C8J

5170

S

2095

9355

W: WINDOW; D: DOOR C: COLUMN; B: BEAM

C3J

C2J

J

J

60

C12J

B25

5080

B55

C8J

1600

B47

PRODUCED BY AN AUTODESK STUDENT VERSION

C12E

B54

C8E

1870 12 13

60

4090

W3

D7

PRODUCED BY AN AUTODESK STUDENT VERSION

B46

W6

1100

ALL ANGLES ARE AT 90 UNLESS SPECIFIED.

W6

6840

9.

W6

C3A

1200

ALL BRICK WORK IS ENGLISH BOND.

W6

2000 10 11

60

W2

150

FOR DOORS AND WINDOWS REFER TO RESPECTIVE DOOR AND WINDOW SCHEDULE DRAWINGS.

8.

W6

3050

9

2090

4240

3840

B49

7.

2000 8

7 60

1500

C D

B11

INTERNAL PLASTER 15MM AND EXTERNAL PLASTER 25MM.

W6

1500

C10D B10

B

THIS DRAWING TO BE READ IN CONJUNCTION WITH RELEVANT ARCHITECTURAL, STRUCTURAL AND SERVICES DRAWINGS.

6.

C2A

700

C8D B9

C13C

C1A

700

C7C

60

5.

6

3610

DO NOT SCALE THE DRAWING. ONLY WRITTEN DIMENSIONS TO BE FOLLOWED.

2475

5 3090

5570

DISCREPANCIES IF ANY SHOULD BE BROUGHT TO THE ARCHITECTS NOTICE BEFORE COMMENCING THE WORK.

4.

400

2440

3.

515 600

600 4 60

3000

B56

560

16800

B53

600

150

B

A

5450

ALL DIMENSIONS ARE UNFINISHED AND ARE IN MM UNLESS OTHERWISE SPECIFIED. ALL DIMENSIONS SHOULD BE VERIFIED AT SITE.

THE COMMENCEMENT OF CONSTRUCTION SUBJECT TO APPROVALS FROM ALL COMPETENT AUTHORITIES.

3115

150

1800

2.

645

4300

150

B48

ALL EXISTING GROUND LEVELS TO BE VERIFIED BY THE CONTRACTOR BEFORE COMMENCING THE WORK.

60

A

B5

B4

B45

C13B

1.

600

3

7230

2540

C10A

60

985

2

150

C6A

3970

600

1

3840

150 60

4090

5510

60

2090

E X E C U T I O N N O T E S

12 13

1800

10 11

2.

28475

7970 9

THIS DRAWING IS A PROPERTY OF ARUSHI KEJARIWAL AND SHALL NOT BE REPRODUCED WITHOUT WRITTEN PERMISSION.

22490

THE COMMENCEMENT OF CONSTRUCTION SUBJECT TO APPROVALS FROM ALL COMPETENT AUTHORITIES.

1.

13990

2.

60

THIS DRAWING IS A PROPERTY OF ARUSHI KEJARIWAL AND SHALL NOT BE REPRODUCED WITHOUT WRITTEN PERMISSION.

60

1.

25360

60

E

COMMUNITY CENTRE DESIGNED FOLLOWING INSTANCES OF VISUAL GROWTH AND DEVELOPMENT BASED ON THE TIMELINE OF THE AREA AROUND KALBADEVI ROAD.

C13K

B30

25070

WORKING DRAWING

8

T

C O N C E P T 5

ROOF PLAN

7

I

KALBADEVI, MUMBAI

B60

C O N C E P T COMMUNITY CENTRE DESIGNED FOLLOWING INSTANCES OF VISUAL GROWTH AND DEVELOPMENT BASED ON THE TIMELINE OF THE AREA AROUND KALBADEVI ROAD.

6

PRODUCED BY AN AUTODESK STUDENT VERSION

BRICKWORK

B3

C13B

1400

PRODUCED BY AN AUTODESK STUDENT VERSION

PLASTER

B2

350

C10A

1100

E

+7.65M

C6A

60

3970

5510

7.

B1

C3A

60

4090

60

INTERNAL PLASTER 15MM AND EXTERNAL PLASTER 25MM.

C2A

60

2090

3840

6.

E X E C U T I O N N O T E S 60

3090

17030

THIS DRAWING TO BE READ IN CONJUNCTION WITH RELEVANT ARCHITECTURAL, STRUCTURAL AND SERVICES DRAWINGS.

12 13

3230

5.

10 11

60

DO NOT SCALE THE DRAWING. ONLY WRITTEN DIMENSIONS TO BE FOLLOWED.

9

4330

DISCREPANCIES IF ANY SHOULD BE BROUGHT TO THE ARCHITECTS NOTICE BEFORE COMMENCING THE WORK.

4.

C1A

B

60

4300

350

3.

A

5450

ALL DIMENSIONS ARE UNFINISHED AND ARE IN MM UNLESS OTHERWISE SPECIFIED. ALL DIMENSIONS SHOULD BE VERIFIED AT SITE.

60

2.

7230

3840

ALL EXISTING GROUND LEVELS TO BE VERIFIED BY THE CONTRACTOR BEFORE COMMENCING THE WORK.

8

7

17030

1.

6

25070

59

PRODUCED BY AN AUTO

PRODUCED BY AN AUTODESK STUDENT VERSION

PRODUCED BY AN AUTOD

N O T E S 1.

THIS DRAWING IS A PROPERTY OF ARUSHI KEJARIWAL AND SHALL NOT BE REPRODUCED WITHOUT WRITTEN PERMISSION.

2.

THE COMMENCEMENT OF CONSTRUCTION SUBJECT TO APPROVALS FROM ALL COMPETENT AUTHORITIES.

E X E C U T I O N N O T E S

D7

D7

D7

5570

W1 7000

3000

1120

TOILET +3.45M

WORKSHOP +3.45M

3080

TOILET +3.45M

700

D6 700

D6

DISCREPANCIES IF ANY SHOULD BE BROUGHT TO THE ARCHITECTS NOTICE BEFORE COMMENCING THE WORK.

4.

DO NOT SCALE THE DRAWING. ONLY WRITTEN DIMENSIONS TO BE FOLLOWED.

5.

THIS DRAWING TO BE READ IN CONJUNCTION WITH RELEVANT ARCHITECTURAL, STRUCTURAL AND SERVICES DRAWINGS.

10100

D2

6.

INTERNAL PLASTER 15MM AND EXTERNAL PLASTER 25MM.

7.

FOR DOORS AND WINDOWS REFER TO RESPECTIVE DOOR AND WINDOW SCHEDULE DRAWINGS.

8.

ALL BRICK WORK IS ENGLISH BOND.

9.

ALL ANGLES ARE AT 90 UNLESS SPECIFIED.

1100 14770

2000

3610

GALLERY

W1

11065

+3.45M

16800

6840

D9

3420

BRICKWORK

CEMENT

8100 TEAKWOOD

2240

60

C2A B2

B35

C1D

C4C

C2D B6

B36

B32

C1E

C3E

C2E B13

F G

B8

B7

B28

E

B3

B31

B27

D

B14

B29

B15

B37

B33

C1F

C3F

C2F B17

H

3090

C3A

B1

C

60

4300

C1A

B18

B19

B30

OPEN GALLERY

4240

4240

D2

PLASTER

D2

9650 1100

7000

W1

7005

1100

3000

7000

1200

6840

PRODUCED BY AN AUTODESK STUDENT VERSION

+3.45M

+3.45M

A B

PRODUCED BY AN AUTODESK STUDENT VERSION

READING ROOM

LIBRARY D8

7230

ALL DIMENSIONS ARE UNFINISHED AND ARE IN MM UNLESS OTHERWISE SPECIFIED. ALL DIMENSIONS SHOULD BE VERIFIED AT SITE.

3.

D7

5420

D7

W3

5450

W3

60

2.

W6

3840

W6

3230

W6

22270

W6

5

4

25070

60

W6

3

2

+4.95M

MILD STEEL

C5H W: WINDOW; D: DOOR C: COLUMN; B: BEAM W1

B38

B34

B52

2000

W4

4330

W6

W2

1

ALL EXISTING GROUND LEVELS TO BE VERIFIED BY THE CONTRACTOR BEFORE COMMENCING THE WORK.

PRODUCED BY AN AUTODESK STUDENT VERSION

1.

B23

B24

C2J

J

B24

C3J

W1

S

I

T

E

KALBADEVI, MUMBAI

C O N C E P T COMMUNITY CENTRE DESIGNED FOLLOWING INSTANCES OF VISUAL GROWTH AND DEVELOPMENT BASED ON THE TIMELINE OF THE AREA AROUND KALBADEVI ROAD.

5

FIRST FLOOR PLAN

7230

60

4300

3090 25070

WORKING DRAWING

H

NAME : ARUSHI KEJARIWAL CLASS : III YEAR ROLL NO. : 12

1

3

2

4

SCALE : 1:50

DATE :

SHEET NO. : 05

ESK STUDENT VERSION

PRODUCED BY AN AUTODESK STUDENT VERSION PRODUCED BY AN AUTODESK STUDENT VERSION

PRODUCED BY AN AUTOD

N O T E S THIS DRAWING IS A PROPERTY OF ARUSHI KEJARIWAL AND SHALL NOT BE REPRODUCED WITHOUT WRITTEN PERMISSION.

2.

THE COMMENCEMENT OF CONSTRUCTION SUBJECT TO APPROVALS FROM ALL COMPETENT AUTHORITIES.

1

3

2

7

7.

FOR DOORS AND WINDOWS REFER TO RESPECTIVE DOOR AND WINDOW SCHEDULE DRAWINGS.

8.

ALL BRICK WORK IS ENGLISH BOND.

9.

ALL ANGLES ARE AT 90 UNLESS SPECIFIED.

PLASTER

BRICKWORK

SCALE 1:50

CEMENT

TEAKWOOD

3

2

5

4

6

8

7

9

10 11

12 13

1

3

2

5

4

6

8

7

9

10 11

4400

R

Y

1185

M U L T I P U R P O S E

D2

D2

1455

W2

915

25MM THK SCREEDING

3000

E

3000

L

450 450

915

W2

L

3000

450 450

150

A

1185

600 X 600 X 10 MARBLE TILES

25 MM THK WATER PROOFING IN BITUMEN MASTIC

1620

1620 10640

3000

G

150

15MM THK INTERNAL PLASTER IN CM 1:6

8490 60

25MM THK EXTERNAL PLASTER IN CM 1:4

3000

INTERNAL PLASTER 15MM AND EXTERNAL PLASTER 25MM.

FRONT ELEVATION

1

150 THK RCC SLAB

60

THIS DRAWING TO BE READ IN CONJUNCTION WITH RELEVANT ARCHITECTURAL, STRUCTURAL AND SERVICES DRAWINGS.

6.

3060 450

W7

230 X 450 RCC BEAM

DO NOT SCALE THE DRAWING. ONLY WRITTEN DIMENSIONS TO BE FOLLOWED.

5.

BULL NOSE VATTA

H A L L

450

5270

DISCREPANCIES IF ANY SHOULD BE BROUGHT TO THE ARCHITECTS NOTICE BEFORE COMMENCING THE WORK.

10640

3.

965 1050 2160

450

810

PRODUCED BY AN AUTODESK STUDENT VERSION

ALL DIMENSIONS ARE UNFINISHED AND ARE IN MM UNLESS OTHERWISE SPECIFIED. ALL DIMENSIONS SHOULD BE VERIFIED AT SITE.

25 MM THK WATER PROOFING IN BITUMEN MASTIC

150 THK PCC PLINTH

1

2

3

7

SECTION AA' SCALE 1:50

12 13

1

B'

2

3

5

4

6

8

7

9

10 11

12 13

1

B'

2

3

5

4

MILD STEEL

7005

1100 5150

7950

D4

7000 1100

9650 D2

D3

OPEN GALLERY +4.95M

W4

+9.15

2000

W4

G

8100

4240

4240

1500

1500

4240

1100

D3

SECTIONAL ELEVATION BB'

F H

2095

RECEPTION +0.45M

J

J W1

+0.45M

WORKING DRAWING

G

1275

D

E

E

A'

KITCHEN 7950 +0.45M

7950

+3.45M

D4

A

F

F

G

G

7000

3420

7000

H

1100

D3

700

14770

GALLERY 16800

1275

5150

9650 D2

D3

W4

W4

2095 J

W1

ROLL NO. : 12

2905

C

D

3610

2700

D5

D8

3420

11500

H

C

+3.45M

D5

+0.45M

F

CLASS : III YEAR

D1

STORE ROOM

W1

NAME : ARUSHI KEJARIWAL

+0.45M

RECEPTION +0.45M

W1

+0.45M

2905

D1

5

J

+0.45M

ADMIN OFFICE

6505

5

J

CAFE

D2

5

W7

W7

K

K 1500

L

6250

D2

D7

3080

TOILET D6 700

700

700

2000

D7

5570

5420

5570 7000

D7

1120

D6

D2

E

A

3000

+3.45M

W1

ADMIN OFFICE

6505

5

J

CAFE

D2

5080

W1

5000

1100

9355

J

COMMUNITY CENTRE DESIGNED FOLLOWING INSTANCES OF VISUAL GROWTH AND DEVELOPMENT BASED ON THE TIMELINE OF THE AREA AROUND KALBADEVI ROAD.

7000

TOILET

14770

OHT STAIRCASE BLOCK

D2

4240

11500

H

E

D7

D7

W1

+0.45M

+0.45M

W6

W2

+0.45M

TOILET

MULTIPURPOSE W1

W6

2240

G

3420

+7.65M W1

2240

G

D9

D6

W6

2000

G

D8

D6

B

W6

SHOP 10100

1100

D

+3.45M

+3.45M

7000

+0.45M

B

W6

3000

F

+0.45M

TOILET

C O N C E P T

+6.45M

READING ROOM

W3

A

D7

3080

C

D

11065

LIBRARY

D7

1100

C

2000

D7

1120

A

1100

F

KITCHEN 7950

F

3000

3990

E

W3

D7

D7

7000

9355

3990

E

W2

W1

E

D2 1100

+3.45M

T

KALBADEVI, MUMBAI

14770

GALLERY

I

5080

6840

1200

1275

3420

+3.45M

16800

16800

D5

D8

S

6840

D

W6

1200

C

D

W1

3000

7000

C

+3.45M

10100

D5

+0.45M

W6

4240

1275

STORE ROOM

B

W: WINDOW; D: DOOR C: COLUMN; B: BEAM

WORKSHOP

TOILET D6

W6

1500

2700

1100

3610

6250

D2

B

W3

D7

3080

D6

D2 1100 2000

D7

W6

1500

+3.45M

14770

A

D7

1120

TOILET

+0.45M

E

D7

3000

W6

1100

7000

+0.45M

MULTIPURPOSE W1

W3

W1

TOILET

C D

W2

+0.45M

700

D6 700

D6 700

+0.45M

B

D7

5570

TOILET

B

SHOP 10100

W6

A

3610

W3

W6 A

D7

3080

W6

5000

D7

5420

D7

1120

W6

5420

D7

3000

W6

4240

W3

D7

7000

W6

6840

W2

W1

W6

6840

B

A

16800

W6 A

3000

W6

1200

W6

700

W6

5570

W6

3610

W6

3000

W6 A

K

L

SCALE : VARIES

H

K 1500

L

L

B

H

B

H

H

DATE : 1

2

GROUND FLOOR PLAN SCALE 1:100

3

4

6

7

8

9

10 11

12 13

1

2

3

4

6

7

8

9

FIRST FLOOR PLAN

10 11

12 13

1

ROOF PLAN

SCALE 1:100

SCALE 1:100

SHEET NO. : 12

2

GROUND FLOOR PLAN SCALE 1:100

3

4

6

7

8

9

10 11

12 13

1

2

3

4

FIRST FLOOR PLAN SCALE 1:100

ESK STUDENT VERSION

PRODUCED BY AN AUTODESK STUDENT VERSION

60

2.

4.

25MM SCREEDING

PRODUCED BY AN AUTODESK STUDENT VERSION

WORKING DRAWINGS | ACADEMIC

D1

2160

W4

W1

450

1800

1050

1415

965

W1

75MM THK IPS FLOORING 150 BRICK BAT COBA IN 1:6:12 LAID TO SLOPE

ALL EXISTING GROUND LEVELS TO BE VERIFIED BY THE CONTRACTOR BEFORE COMMENCING THE WORK.

PRODUCED BY AN AUTODESK STUDENT VERSION

1.

1200

1200

10640

1800

W4

PCC COPING DRIP MOULD

E X E C U T I O N N O T E S

2665

2665

2665

1080

790

2150

2150

1070

1.

DESK STUDENT VERSION

PRODUCED BY AN AUTODESK STUDENT VERSION

N O T E S 1.

THIS DRAWING IS A PROPERTY OF ARUSHI KEJARIWAL AND SHALL NOT BE REPRODUCED WITHOUT WRITTEN PERMISSION.

2.

THE COMMENCEMENT OF CONSTRUCTION SUBJECT TO APPROVALS FROM ALL COMPETENT AUTHORITIES.

N O T E S 1.

THIS DRAWING IS A PROPERTY OF ARUSHI KEJARIWAL AND SHALL NOT BE REPRODUCED WITHOUT WRITTEN PERMISSION.

2.

THE COMMENCEMENT OF CONSTRUCTION SUBJECT TO APPROVALS FROM ALL COMPETENT AUTHORITIES.

28475 25360

G

4330 B26

C8J

D7

60

3000

C4C

C7CD2

C8D 2000

I

T

2750 +3.45M

C2F

C3F

C8E

D8

D9

6840

C3E

6840

C2E

C12E

E

W1

7000

BRICKWORK

D2

C9G

C13G

C11G

9650

CEMENT F G

8100

TEAKWOOD

D2

OPEN GALLERY +4.95M

W4

C3J

C2J

MILD STEEL

J

W1

150

E

C12J

C8J

150

W1

150

W: WINDOW; D: DOOR C: COLUMN; B: BEAM

J

150

S

5230

C O N C E P T

4090

3970

7230

4300

3090

2090

60 3770

5810

9

10 11

60

1800

7230

60

8670

WORKING DRAWING

3000

NAME : ARUSHI KEJARIWAL

18130 28475

ROLL NO. : 12

12 13

FIRST FLOOR STRUCTURAL PLAN

3970

60

3625

CLASS : III YEAR 8

4090

60

1800

H

NAME : ARUSHI KEJARIWAL

1

3

2

CLASS : III YEAR

4

6

8

7

9

10 11

ROLL NO. : 12

12 13

SCALE : 1:50

SCALE : 1:50

DATE :

DATE :

SHEET NO. : 08

SHEET NO. : 11

PRODUCED BY AN AUTODESK STUDENT VERSION

7

PRODUCED BY AN AUTO

DESK STUDENT VERSION

PRODUCED BY AN AUTODESK STUDENT VERSION

N O T E S

10 11

1620 865 150

DO NOT SCALE THE DRAWING. ONLY WRITTEN DIMENSIONS TO BE FOLLOWED.

900 1230

2100

DISCREPANCIES IF ANY SHOULD BE BROUGHT TO THE ARCHITECTS NOTICE BEFORE COMMENCING THE WORK.

4.

150 60

600

1000

505

450 450

450

2100

1200

1800

600

1000 745

900

450

2100

1200

505

450 450

450 450

450 450 1505 150 450 450

1200

450 450

150

2100

W6 D7

5.

THIS DRAWING TO BE READ IN CONJUNCTION WITH RELEVANT ARCHITECTURAL, STRUCTURAL AND SERVICES DRAWINGS.

6.

INTERNAL PLASTER 15MM AND EXTERNAL PLASTER 25MM.

10MM THK TILES 25MM THK SCREEDING

2760

1770 3000 8040 3000

W1

3.

FOR DOORS AND WINDOWS REFER TO RESPECTIVE DOOR AND WINDOW SCHEDULE DRAWINGS.

8.

ALL BRICK WORK IS ENGLISH BOND.

9.

ALL ANGLES ARE AT 90 UNLESS SPECIFIED.

9.

ALL ANGLES ARE AT 90 UNLESS SPECIFIED.

25 MM THK WATER PROOFING IN BITUMEN MASTIC

R E C E P T I O N

745

25MM THK SCREEDING

900

7.

ALL BRICK WORK IS ENGLISH BOND.

12

P A S S A G E

M E N ' S

T O I L E T

300 X 300 X 25MM KOTA STONE 450

MULTIPURPOSE HALL

25MM THK DPC

150 THK PCC PLINTH

L

J

F

E

D

PLASTER

A

SECTION BB'

BRICKWORK

SCALE 1:50

CEMENT

TEAKWOOD

B'

12 13

W4

T O I L E T

ALL DIMENSIONS ARE UNFINISHED AND ARE IN MM UNLESS OTHERWISE SPECIFIED. ALL DIMENSIONS SHOULD BE VERIFIED AT SITE.

1

B'

2

3

5

4

6

8

7

9

10 11

12 13

1

B'

2

3

5

4

6

8

7

9

10 11

B'

12 13

MILD STEEL

MILD STEEL

+9.15

J

WORKING DRAWING

C

C

D

D

E

E

5420

5570

GALLERY +3.45M

+0.45M

7950

D4

F G

700

D9

6840

3420

+7.65M E

W1

A'

7005

A

9650

4240

D2

OPEN GALLERY +4.95M

W4

+9.15

2095 J

1100 W1

ROLL NO. : 12

RECEPTION +0.45M

J

J W1

+0.45M

COMMUNITY CENTRE DESIGNED FOLLOWING INSTANCES OF VISUAL GROWTH AND DEVELOPMENT BASED ON THE TIMELINE OF THE AREA AROUND KALBADEVI ROAD.

WORKING DRAWING

W1

NAME : ARUSHI KEJARIWAL

ADMIN OFFICE

CLASS : III YEAR

+0.45M

6505

ROLL NO. : 12

2905

D1

5

J

CAFE

D2

5080

CLASS : III YEAR

5000

NAME : ARUSHI KEJARIWAL

E

SECTIONAL ELEVATION BB'

G

8100

D3

W4

W1

A'

OHT STAIRCASE BLOCK

D2 F

7000

1100

D3

+3.45M

+3.45M

7000

H

T

C O N C E P T

+6.45M

READING ROOM

LIBRARY 6840

A

F G

I

D

11065

D8

1100 5150

S

KALBADEVI, MUMBAI C

2000

2240

11500

H

+3.45M

10100

D2 1100

A'

KITCHEN 7950

F G

WORKSHOP

+3.45M

16800

D5 1275

3990

1200

D7

3080

TOILET D6

14770

+0.45M

D8

3420

D7

W: WINDOW; D: DOOR C: COLUMN; B: BEAM

D5

W1

6840 7000

D7

1120

D6

1200

1100

3610

D2

STORE ROOM

16800

A

3000

4240

+4.95M

7000

B

W3

2000

4240

4240

OPEN GALLERY

W1

1100

SECTIONAL ELEVATION AA'

+0.45M

6250

9355

A'

OHT STAIRCASE BLOCK

F G

8100

D7

D7

+0.45M

W6

SHOP

+3.45M

MULTIPURPOSE W1

W6

W3

TOILET

2000

E

W6

W2

10100

1100

4240

A

D2

COMMUNITY CENTRE DESIGNED FOLLOWING INSTANCES OF VISUAL GROWTH AND DEVELOPMENT BASED ON THE TIMELINE OF THE AREA AROUND KALBADEVI ROAD.

W6

D2

3000

6840

1200

6840

A'

7005

1100

+7.65M E

W1

B

+0.45M

14770

C O N C E P T

+6.45M

+3.45M

D9

B

W6

A

TOILET

1275

D

A

D7

3080

D6

2700

D

D7

1120

D6 700

+0.45M

A

700

3000

TOILET C

D7

W3

5420

7000

C

READING ROOM

+3.45M

D7

D7

W1

E

4240

T

1500

I

700

S

LIBRARY

W6

W3

D2

D8

W6

W2

KALBADEVI, MUMBAI 11065

W6

1500

+3.45M

10100

2000

W6

3610

B

W: WINDOW; D: DOOR C: COLUMN; B: BEAM

WORKSHOP

1100

W6

5570

B

W3

5420

W3

W6

A

3000

W6 A

PRODUCED BY AN AUTODESK STUDENT VERSION

9

M E N ' S

P A S S A G E

GALLERY

D7

FOR DOORS AND WINDOWS REFER TO RESPECTIVE DOOR AND WINDOW SCHEDULE DRAWINGS.

TEAKWOOD

8

W6

ALL EXISTING GROUND LEVELS TO BE VERIFIED BY THE CONTRACTOR BEFORE COMMENCING THE WORK.

2.

8.

CEMENT

7

D5

W1

1.

7.

BRICKWORK

6

THE COMMENCEMENT OF CONSTRUCTION SUBJECT TO APPROVALS FROM ALL COMPETENT AUTHORITIES.

INTERNAL PLASTER 15MM AND EXTERNAL PLASTER 25MM.

PRODUCED BY AN AUTODESK STUDENT VERSION

11

2.

6.

PLASTER 8

600 X 600 X 10 MARBLE TILES

W4

LANDING

W1

300

N

10640

THIS DRAWING TO BE READ IN CONJUNCTION WITH RELEVANT ARCHITECTURAL, STRUCTURAL AND SERVICES DRAWINGS.

15MM THK INTERNAL PLASTER IN CM 1:6

60

5.

LANDING

25MM THK EXTERNAL PLASTER IN CM 1:4

900

E

DO NOT SCALE THE DRAWING. ONLY WRITTEN DIMENSIONS TO BE FOLLOWED.

150 THK RCC SLAB

150

H

DISCREPANCIES IF ANY SHOULD BE BROUGHT TO THE ARCHITECTS NOTICE BEFORE COMMENCING THE WORK.

4.

THIS DRAWING IS A PROPERTY OF ARUSHI KEJARIWAL AND SHALL NOT BE REPRODUCED WITHOUT WRITTEN PERMISSION.

2150

2150

2110

C

950

T

450

I

2100

3000

2100

K

3.

D5

230 X 450 RCC BEAM

450

READING ROOM

10640

Y

8780

R

60

A

150

R

25MM SCREEDING 150 BRICK BAT COBA IN 1:6:12 LAID TO SLOPE 25 MM THK WATER PROOFING IN BITUMEN MASTIC

ALL DIMENSIONS ARE UNFINISHED AND ARE IN MM UNLESS OTHERWISE SPECIFIED. ALL DIMENSIONS SHOULD BE VERIFIED AT SITE.

1.

E X E C U T I O N N O T E S

75MM THK IPS FLOORING

ALL EXISTING GROUND LEVELS TO BE VERIFIED BY THE CONTRACTOR BEFORE COMMENCING THE WORK.

PRODUCED BY AN AUTODESK STUDENT VERSION

150 710 4200

2.

2700

4200

B

A

PCC COPING DRIP MOULD

E X E C U T I O N N O T E S 1.

I

D

8490

THE COMMENCEMENT OF CONSTRUCTION SUBJECT TO APPROVALS FROM ALL COMPETENT AUTHORITIES.

E

F

10640

2.

N O T E S J

L

300

12

THIS DRAWING IS A PROPERTY OF ARUSHI KEJARIWAL AND SHALL NOT BE REPRODUCED WITHOUT WRITTEN PERMISSION.

1860

11

1.

150

8

L

E

C O N C E P T

5

WORKING DRAWING

6

T

COMMUNITY CENTRE DESIGNED FOLLOWING INSTANCES OF VISUAL GROWTH AND DEVELOPMENT BASED ON THE TIMELINE OF THE AREA AROUND KALBADEVI ROAD.

FIRST FLOOR CENTER LINE PLAN

60

I

KALBADEVI, MUMBAI

5230

5170 2090

60

ALL ANGLES ARE AT 90 UNLESS SPECIFIED.

22490

7005

C7G

2750

3420

3230

7000

C1F

H

COMMUNITY CENTRE DESIGNED FOLLOWING INSTANCES OF VISUAL GROWTH AND DEVELOPMENT BASED ON THE TIMELINE OF THE AREA AROUND KALBADEVI ROAD.

60

ALL BRICK WORK IS ENGLISH BOND.

9.

PLASTER

KALBADEVI, MUMBAI

60

FOR DOORS AND WINDOWS REFER TO RESPECTIVE DOOR AND WINDOW SCHEDULE DRAWINGS.

8.

150 F G

W: WINDOW; D: DOOR C: COLUMN; B: BEAM

S

READING ROOM

+3.45M

C1E

7.

D

11065

LIBRARY 1200

E

INTERNAL PLASTER 15MM AND EXTERNAL PLASTER 25MM.

3840

+3.45M

THIS DRAWING TO BE READ IN CONJUNCTION WITH RELEVANT ARCHITECTURAL, STRUCTURAL AND SERVICES DRAWINGS.

6.

150

GALLERY

W1

DO NOT SCALE THE DRAWING. ONLY WRITTEN DIMENSIONS TO BE FOLLOWED.

5.

C

1100 14770

C5H J

C13C

C10D

60

C2D

D

MILD STEEL

C12J

5570

+3.45M

D6 700

C1D

+0.45M

10100

TOILET D6 700

+3.45M

WORKSHOP

3080

TOILET

DISCREPANCIES IF ANY SHOULD BE BROUGHT TO THE ARCHITECTS NOTICE BEFORE COMMENCING THE WORK.

4.

1800

C

1120

5510

5420

5570

5450

1800

7000

3.

D7

150

D7

ALL DIMENSIONS ARE UNFINISHED AND ARE IN MM UNLESS OTHERWISE SPECIFIED. ALL DIMENSIONS SHOULD BE VERIFIED AT SITE.

A B

2440

D7

B51

B45

C13B W3

2000

B48

B41

C10A

4240

TEAKWOOD

C6A

ALL EXISTING GROUND LEVELS TO BE VERIFIED BY THE CONTRACTOR BEFORE COMMENCING THE WORK.

2.

4390

F

B22

W6

1.

150

60

60

B21

W6

60

3970

150

4240

B21

W6

C3A

150

E X E C U T I O N N O T E S

12 13

60

4090

4330

CEMENT

C13G

C11G

W6

1100

BRICKWORK

3230

B44

C9G B20

PLASTER

10 11 60

2090

3610

3840

E

B50

9

1870

PRODUCED BY AN AUTODESK STUDENT VERSION

C12E

B16

8

7 60

2000

2240

ALL ANGLES ARE AT 90 UNLESS SPECIFIED.

W6

3000

9.

6

3090

3050

16800

ALL BRICK WORK IS ENGLISH BOND.

5

2000

W3

1100

FOR DOORS AND WINDOWS REFER TO RESPECTIVE DOOR AND WINDOW SCHEDULE DRAWINGS.

8.

W6

150

7.

D

C2A

W1

60

INTERNAL PLASTER 15MM AND EXTERNAL PLASTER 25MM.

2475

W2

2540

6.

400

4 60

D7

PRODUCED BY AN AUTODESK STUDENT VERSION

B47

C8E

C7G

THIS DRAWING TO BE READ IN CONJUNCTION WITH RELEVANT ARCHITECTURAL, STRUCTURAL AND SERVICES DRAWINGS.

C

B12

B43

B40

5.

3

3115

515 600

600

150

B11

DO NOT SCALE THE DRAWING. ONLY WRITTEN DIMENSIONS TO BE FOLLOWED.

560

4300

C1A

B

3840

C13C

C10D B10

DISCREPANCIES IF ANY SHOULD BE BROUGHT TO THE ARCHITECTS NOTICE BEFORE COMMENCING THE WORK.

4.

A

1800

C8D B9

3.

600

2

150

B49

B46

B42

C7C

A B

645

150

4910

C13B B5

600

4330

B39

ALL DIMENSIONS ARE UNFINISHED AND ARE IN MM UNLESS OTHERWISE SPECIFIED. ALL DIMENSIONS SHOULD BE VERIFIED AT SITE.

985

7230

3230

C10A B4

2.

60

3970

600

1

3770

C6A

ALL EXISTING GROUND LEVELS TO BE VERIFIED BY THE CONTRACTOR BEFORE COMMENCING THE WORK.

60

60

4090

1.

22490

60

2090

12 13

7970

PRODUCED BY AN AUTODESK STUDENT VERSION

10 11

5510

60

9

60

8

7

22270

6

E X E C U T I O N N O T E S

5 W7

K

SCALE : VARIES

K 1500

L

B

L

B

SCALE : VARIES B

H

B

H

DATE : 7

8

9

10 11

12 13

DATE : 1

ROOF PLAN SCALE 1:100

SHEET NO. : 11

2

GROUND FLOOR PLAN SCALE 1:100

3

4

6

7

8

9

10 11

12 13

1

2

3

4

6

7

8

9

FIRST FLOOR PLAN

10 11

12 13

ROOF PLAN

SCALE 1:100

SCALE 1:100

SHEET NO. : 12

PRODUCED BY AN AUTODESK STUDENT VERSION

6

61

PRODUCED BY AN AUTO

(A)While resting the crystals form a tight lattice.

Xanthophores Erythrophores

(B) The crystals spread out when excited.

Melanophores Iridophores

Image source@NationalGeographic

emergence in nature Academic Exhibition Year 02 | Semester 03 | 2018 Subject Design Workshop

Team Members

Project Installation

Nazm Furniturewala Devashree Deshmukh Rishabh Doshi

Mentor Ar. Atrey Chayya, Ar. Mahek Lalan, Ar. Disha Saigal, Ar. Harsh Gowani 62

Submissive

Neutral

Excited

It is a common misconception that the Panther Chameleons change their colour through physical contact. The change actually takes place due the expansion and contraction as well as the change in spacing of nanocrystals in the skin layers.

The transparent nanocrystals, made of the DNA building block Guanine, are placed in a hexagonal lattice. Their thickness, spacing, and refractive index determine what colour is created.

Chameleons are able to produce some of their colour changes using a technique similar to that of a prism and not solely based on the pigments in their skin.

63

PROCESS MODULES

EMERGENCE IN NATURE | ACADEMIC EXHIBITION

MATERIAL EXPLORATIONS

64

When the crystals were close together, they reflected short wavelengths, or Blue light, while the rest of the colours passed through.

When the crystals moved farther apart, the longer wavelength or Red light was reflected instead.

The distance between guanine crystals is on an average 30% smaller in diameter in resting form that in the excited form. The shift from the relaxed to the excited state takes 7 minutes on an average.

Skin ColourM Blue Green Red

Meean Diameter [nm] 113 125 129

Mean Spacing [nm] 186 191 263

FORM DEVELOPMENT

MODULE ITERATIONS

JOINERIES 65

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EMERGENCE IN NATURE | ACADEMIC EXHIBITION

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NOMADIC FORMS Academic Exhibition Year 03 | Semester 05 | 2019 Team Members Subject Advance Basic Design Generative art using drawing machines Mentor Ar. Bhavleen Narula 68

Khushali Chaliawala Shreya Gupta Rushi Ratho Krisha Sanghvi

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Team Members Richa Solanki | Rushil Patel | Tirth Gajra

PUBLICATIONS Academic 2017 - 2020

Subject 1. Coding & Scripting - Elective Semester 2019 2. Study Trip Documentation 70

Batch of 2022

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BUILT MASS ROADS & PAVEMENTS SITE

SITE CONTEXT

EDUCATIONAL BUILDING COMMERCIAL SITE SLUMS RESIDENTIAL

LANDUSE

ROADS FOOTPATHS

ROADS AND FOOTHPATH

The site falls at a busy junction frequented by people from all walks of life, including students, residents as well as slum dwellers. The lack of toilets and poor sanitation within the slums makes this site ideal for a communal washroom.

Introducing hydroponic farming along with this not only creates an interactive green space but the water used for the plants can also be recycled in the toilets, thus making it more sustainable.

big little loo Competition 2019 CHALLENGE Re - thinking Public Toilets Unlearn how a conventional public toilet looks like and design an innovative, functional and a visually appealing design that serves as a building icon, synchronizing with the surrounding context.

72

Team Members Nazm Furniturewala Richa Solanki

Lac jewelry also referred to as lacquer jewelry originated in West Rajasthan and has since then gained popularity across India. It’s easy to find Lac jewelry in the local markets & old streets of Jaipur, Jodhpur, Udaipur, etc. in versatile designs, which adds uniqueness to its beauty.

Lac bangles in particular are considered auspicious for the newly married brides to the extent that it has become a ubiquitous accessory for the newly married and can be found in almost every indian household.

We aim to emphasis on its versatility and show our reverence to the artisans and the several generations through which this art form has been passed down. A gentle everyday reminder of the beauty of these lac bangles and their making.

Taking cues from the making process we designed a contemporary coat stand which suffices needs of today and celebrates the craft.

idha - karigari Competition 2021 CHALLENGE Recreating Traditional Narratives with Indian Furniture Celebrate ‘Indianness’ by creating a unique piece of furniture with a strong cultural narrative of India; giving an immersive experience by combining furniture design process and traditional Indian craft techniques.

Team Members Richa Solanki

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Adaptability is the ability of a building to be altered in order to react to and be compatible with developing, changing demands and maximise value throughout its lifecycle. Redundant spaces in the building can be rendered habitable with minimal interventions, thereby avoiding prolonged and expensive demolition. Apart from the obvious preservation of a place’s cultural heritage and historical value, adaptive reuse also offers a counter to wasteful and environmentally detrimental urban sprawl. Buildings can be designed to respond to changing conditions because of their dynamic qualities. This is possible through their interrelationship with the constantly evolving external and internal causes.

The pandemic experience of 2020 has reinforced the importance of flexible design, which can accommodate paradigm shifts and a wide variety of unforeseen scenarios. Adaptability and urban resilience towards economic, environmental, social, and political changes are critical for the relevance of a particular entity. Adaptive resilience establishes a co-evolutionary interaction between stakeholders and the system, i.e., the structure itself. The importance of timebased design thinking as opposed to overdetermined form-based design thinking has slowly but surely become evident. By adding a new layer without erasing earlier layers, an adaptive reuse project becomes part of the site’s long history. It is another stage, not the final outcome, and it contributes to evolution rather than erasure (Sennett).

Our cities’ contemporary structures would be considered the heritage of tomorrow. This should be taken into consideration during the designing phase of a building and should include adaptive reuse as a potential strategy to meet the requirements of the future. As a result, adaptability becomes critical in embodying spatial, structural, and service strategies within the building. Therefore, allowing the tangible a level of malleability to respond to users’ needs over time will extend the building’s lifespan.

design dissertation - polyvalent adaptability Academic Year 05 | Semester 09 | 2021

Thesis In progress

What is the realm between functionalist specificity and generic flexibility?

Mentor Ar. Kaiwan Mehta 74

75

In frame : Mrs. N’s Place, a sculptural installation by Louise Nevelson, at the Metropolitan Museum of Art, New York

arushikejariwal@gmail.com 2021