ARTTOUR INTERNATIONAL MAGAZINE - ANNIVERSARY 2021 ISSUE

YEAR 2021 WINTER ISSUE www.arttourinternational.com

s r a e Y

Years!

CONTRIBUTORS

“Create. Succeed. Stay Inspired.”

Also available on digital platforms!

CEO/EDITOR-IN-CHIEF

VIVIANA PUELLO

www.vivianapuello.com

Email: viviana@arttourinternational.com COO/GRAPHIC DIRECTOR

ALAN GRIMANDI

www.alangrimandi.com

Email: alan.grimandi@arttourinternational.com

FOLLOW US

@arttourinternational

CONTRIBUTING WRITERS AND EDITORS:

TIARRA TOMPKINS, PAUL SIMPSON, SELAS SMITH

WEB DESIGN:

HUMBERTO JOSÉ OROZCO

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SOCIAL MEDIA:

ROMY SINGH

EXECUTIVE ASSISTANT:

JILLIAN MALAULAN

CUSTOMER SUPPORT:

Email: admin@arttourinternational.com

Tel: 1 800 807-1167

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On The Cover

Viviana Puello

Photography and Production by Alan Grimandi

Painting “Viviana’s Dream” by Barbara Tyler Ahlfield

Set Design by Viviana Puello

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ATTENTION: Help us protect visual artists rights. The copyrights of all published artworks are retained by the artists. Magazine published by ArtTour International Publications, Inc. 988 Columbus Ave. New York, NY 10025. Copyright © 2021. Reproduction of any published content without the written permission of the magazine’s publisher is prohibited by law.

A Message From Our Editor-in-Chief

Dear readers,

The fact that I have the privilege to write this editor's letter fills me with immense joy—not least because it contains a bit of my own love story!

Because ArtTour International's story is inevitably linked to my very own. But do read till the end, as there's more than one love story :)

Ten years ago, on a plane from Bologna to New York City, I was inspired by the idea of creating an art magazine. And here is how the story begins.

In 2011, I was on my way to Vegas to marry the love of my life, Alan Grimandi, whom I had met two years earlier on a trip to curate an exhibit in Italy. During that time, Alan and I worked together at Vivid Arts Network, my first art organization, and we were continuously brainstorming effective ways to promote its artists. So, when the idea for ArtTour International manifested, we knew we wanted to bring it to life. After enjoying a three-week honeymoon, we returned home and got to work right away. In November 2011, only a few months after our wedding, we launched this magazine's first issue.

The first ArtTour International Magazine went out to 1,500 readers, Vivid Arts Network artists, our friends, and our family members. In this issue, you will rediscover some of the artists published in that first issue, a testimony of the loyalty and commitment of the ArtTour International family.

Ten years later, we have now published 52 issues, and ArtTour International is an industry leader with over two million readers in more than 198 countries.

In addition, ArtTour International has evolved into a revolutionary multimedia platform dedicated to promoting artists worldwide, encompassing print and digital publications, an award-winning TV show, the "Winner's Journey" Podcast, The ATIM Masters Award Ceremony, The Artivist of the Year Awards, other international exhibitions and events, and so much more! It now serves talented people from more than 205 countries.

We remain committed to be the voice for artists worldwide and to provide a platform for them to share their message and raise awareness about social and environmental issues.

My proudest achievement is the community that we've built—a family of artists, writers, and editors from all corners of the globe. We have organized a host of events, exhibits, and award ceremonies, during which we've gotten to personally meet and provide a space for intercultural exchange, networking, growth, and expansion.

With the cameras of the ArtTour International TV Show, we have traveled to fifty-three cities. When the pandemic prevented us from traveling, we turned to online platforms to extend our digital footprint.

Thanks to an excellent partnership, in 2020, we created Mediakit.art to offer artists and creative entrepreneurs opportunities to be prominently featured, not only on our platforms but also in leading media outlets.

Last month, we launched the new podcast "The Winner's Journey," where I interview top leaders, CEOs, Entrepreneurs, and award-winning professionals who share their inspiring journeys.

As we look ahead to ArtTour International's future, we steadfastly continue with the same sharp vision and commitment to serving the art community.

Ten years ago, we started with a dream, and, through this journey, we have discovered an ever-inspiring purpose.

My reason for promoting artists? At twelve-years-old, I discovered art after a difficult childhood, during which I suffered abandonment by my parents. That shy, insecure, and sad little girl became an unstoppable and happy woman who lives for a purpose—thanks to my passion for the arts. And that's my biggest love story. Indeed, following my passion gave me a worthy cause and transformed my life. Heck, I even found love thanks to my dear artists!

I believe in art as a powerful tool to inspire positive transformation and elevate global consciousness, and I want to thank you all for helping us promote the arts.

Stay inspired,

Viviana Puello

CEO/Founder

ArtTour International Publications, Inc.

INDEX

Ajeet Kaur

“A Musical Sanctuary, and The Healing Power of Chants”

Page 8

Cover Story!

Get to know how

ArtTour International Magazine

Started and where the idea was born!

Page 20

Nim Stant

“Go All In”

Page 80

ATIM TRAVELS

“Around the Globe

Page 26

Trish Tonaj

“Keeping’ It Real”

Page 74

Page 86

EDITOR’S PICK -

Barbara Tyler Ahlfield

Cher Anderson

Christian Brandner

Cor Fafiani

Desiree by Design

Frans Frengen

Helen Kagan “HealingArts”

Howard Harris

Janice Alamanou

Jason Bryant

Jim Fitzpatrick

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P-59

P-62

P-75

P-67

P-66

P-56

P-73

P-58

P-39

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Johanna Wray

John Denis

Judy Milazzo

Karl Weiming Lu

Kay Griffith

Lawrence R. Armstrong

Maribel Matthews

Marina Gavanski Zissis

Michelle Larsen

Mieke Hoogen-Huijgen

Monika Bendner

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P-71

P-72

P-76

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P-57

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Patricia Karen Gagic

Philip Noyed

Ric Conn

Shifra Levyathan

Steve Lyons

Suzan Obermeyet

Wendy Cohen

Wendy Yeo

Yinka

Yolanta Desjardins

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P-33

P-38

P-32

P-58

P-30

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Fernando Botero

Back Cover: “GAIA” by Lorenzo Quinn

“The Fullness of The Form”

Page 34

Scan for exciting news!

Page 82

ARTISTS MAKING HISTORY Dale Chihuly

Fabian Perez

Page 60

Katrin Alvarez

Page 48

LeRoi

Page 14

Kari Veastad

Page 44

Jean Jacques Porret

Page 40

Kimberly Berg

Page 16

ALBY

Page 18

Hélène DeSerres

Page 54

Page 64

Ajeet Kaur “A Musical Sanctuary, and The Healing Power of Chants”

by Viviana Puello

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reating a sacred space with each song, Ajeet Kaur brings spirituality to the music industry's forefront, inspiring peace, connection with the self, and love for mother earth while paving the way for a profoundly meaningful music style. Loved, admired, and followed by millions worldwide, Ajeet Kaur's voice touches people's hearts from different walks of life and backgrounds.

A childhood enriched by eclectic music and Kundalini Yoga allowed Ajeet Kaur to embrace the sacred traditions—their music, methods, and mysteries—from an early age. As her love of the poetry and songs of her native Ireland became ever

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more acquainted with her love of spirituality and meditation from around the world, transcendental magic manifested itself in Ajeet's healing music.

A childhood enriched by eclectic music and Kundalini Yoga allowed Ajeet Kaur to embrace the sacred traditions—their music, methods, and mysteries—from an early age. As her love of the poetry and songs of her native Ireland became ever more acquainted with her love of spirituality and meditation from around the world, transcendental magic manifested itself in Ajeet's healing music.

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Collaboration has marked all of her musical endeavors, beginning in 2013 with her first solo album, Sacred Waters, which consists of three mantras focused on the theme of majesty. The album exemplifies cross-cultural teamwork and diversity, with its lyrics translated into English directly from the original Sanskrit and set to Ajeet's own original music.

Since that time, she has collaborated with a wide array of international artists, including Trevor Hall, Rising Appalachia, Seamus Egan, and Peia. Moreover, she has been featured on the albums of Snatam Kaur and Gurunam Singh.

To date, Ajeet has completed seven solo albums, and these works have reached not only #1 on the iTunes World Chart but also the Billboard Top 10 New Age Chart. Her latest album, LUNAR EP, was released on August 14, 2020, and features the hit singles "When She Rises" and "Dance of the Moon." She has also teamed up with Aisling Urwin to form the duo Woven Kin, whose debut album Hibernate was released on January 8, 2021.

We recently sat down with Ajeet to talk with her about her inspirations, her music, and her future aspirations.

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Ajeet, your music is heard globally, and everyone can attest to the healing force one experiences when listening to your music.

Can you share with us when the moment you felt the call to share your music, and how was the

beginning of this journey?

“Music has always been a sanctuary for me. It's a place I can always disappear into and feel reunited with a deeper and more peaceful part of myself. I've retreated into music this way since I was a child and still do today. It was really only by accident that I ended up playing for others, and music has mostly been a solitary and personal part of life for me. When I was in my last year of college, I was at a music festival, and the opener didn't arrive on time. A friend of mine was working as a sound engineer and asked if I'd help them out by playing a few songs while people were arriving. I went up with my guitar and somehow left the music festival with a plan to make an album with a record label. I honestly think I would never have played music in front of others if life hadn't given me a pretty big push at that moment. And I couldn't be happier that I get to share my deepest love with the world in this way.”

When you're singing, one can feel guided to a place of peace, a place of healing deep within ourselves. I listen to your music regularly, which is my way of connecting in meditation, especially in moments where there's turmoil around me. Do you have the same healing experience when you sing?

“Yes, both playing and listening to music are the greatest solace for me. There's just nothing like the way the right song and take

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you, just to the feeling that could never be put into words.”

I firmly believe that your music brings the healing energy that we need as humanity. What is your inspiration when creating your music, choosing mantras, and writing your chants?

“I tend to trust a lot in creative muses. I'm not very routine or structured in my approach to music, and more tend to ride the creative ebb and flow. I often don't know what songs are about when I start writing, but they seem to lead me to what they want to say over time. Some songs arrive in an hour, while others take months to slowly reveal the next line. This is part of what I love about being an artist -- there is so much trust required as we walk into the unknown of what we are making. It's often as much a mystery to us as it is to the listener until it shows itself to us both!

I'm quite in love with this mysterious process and find that mostly it just takes patience and the willingness to listen.”

I'd love to hear about the creative process for a few songs.

Haseya. This song activates our connection with mother earth and female creative energy; it's such a powerful message. How did it come to you?

“Years ago, I was reading a book of short stories and read one about a Diné woman named Haseya. It described a beautiful and innocent young woman who met many challenges in her life.

During a particularly dark passage, her community started to call her by the name "Haseya," meaning "to rise up" or "she rises," as a way of reminding her that they knew her strength and she would know it again too. I was so inspired by this story, mostly because of the way her community rose around her to support her in remembering her strength. I wrote this song as a reminder that I want to be that kind of community for the people in my own life. I

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find that especially as a woman, we can be taught to compete with one another and put each other down. I wrote this song to remind myself and the women in my life that we rise by supporting one another, rather than comparing ourselves or putting each other down. At the time, I felt a sense of competition from other women in the music industry and longed for more deep friendships where we could collaborate and be a source of strength for one another. This song was a sort of prayer for me, and it worked. I have such an incredible group of women around me who hold me up and whom I love celebrating. This song will always be extra special as it reminds me to nourish those friendships and be the kind of friend and sister I want to be.”

A strong message we receive with your music is also to honor and connect with our ancestors, and this is a powerful message in our native cultures. What is your ancestry background, and has that influenced your music?

“Both of my parent's families are Irish, so playing and hearing Irish music is one of the big ways I feel a continued connection to my own ancestry. I love to sing in the language my greatgrandparents spoke and remember the songs that otherwise may be forgotten. I love when my grandmother tells me stories of her parents or how my great-grandmother read the tea leaves the way I do. This sense of being part of a longer story feels very meaningful. I've been so moved by the ceremonies I've experienced in Mexico and Bali to honor ancestors. This wasn't a big part of my culture or upbringing, and when we feel how powerful it is in other cultures, and highlights what we are overlooking. I feel that honoring our ancestry can be through the stories, music, or traditions of our own family, or also through getting to know and honoring the ancestors of the land we live with. There's a reason so many cultures continue to hold rituals to

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stay close to the ancestors, and I'm thankful to bring those rituals into my life and music.”

Your music gives us this direct connection to our source; it is like the universe embracing you and letting you know you're not alone. Is there a daily practice that helps you keep this connection alive?

“There isn't any one practice or ritual that keeps me feeling nourished and connected, but rather an array of small ways of life that keep me feeling myself. I love to spend time outside and on my own. Solitude and quiet are incredibly important to me. I also find great comfort in meals with my family, in great music, in reading poetry, writing, playing music, and in quiet rituals like meditation, movement, or painting.”

What do you hope your listeners experience or learn as they listen to your music?

“I hope my music encourages a sense of relaxation and a pause in life's fullness. I write songs that keep me feeling close to my center and hope that they feel the same for others. Whenever I write a song, I hope someone will listen to it and feel more honest with themselves. I think life is so deeply beautiful, but it can be harsh and painful as well. For me, music is solace in every moment, so I just hope my music can be that for people in the most beautiful moments of life and offer comfort in its struggles.”

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You can check out Ajeet Kaur’s live performances online, including "Kiss the Earth" live in Amsterdam in 2018 with Ezra Landis and Raffa Martinez and “Indigo Sea” live in Zurich in 2019. Visit her website, www.ajeetmusic.com, to explore the music and lyrics from all of her complete albums.

Kiss the Earth (La Luna) Live in Amsterdam:

https://youtu.be/e6hEvSvpx7M

When She Rises Official Video from the LUNAR EP:

https://youtu.be/p9DrbUc6QOc

Dance of the Moon Official Video from the LUNAR EP:

https://youtu.be/INmNYRkI9AE

New releases:

LUNAR EP: (released August 14, 2020)

https://smarturl.it/Lunarep

"Hibernate" album by Woven Kin (duo of [Ajeet] Siobhán Moore and Aisling Urwin) debut album releasing on January 8, 2021

https://www.wovenkinmusic.com/

LINKTREE

https://linktr.ee/ajeet_music

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Katrin Alvarez “The Power Of Thought”

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“Trauma” Oil on Canvas+Objects, 33’’ X 26’’

by Viviana Puello

Award-winning master artist Katrin Alvarez is known for her compelling, dreamlike, surreal paintings that represent the complexity of human situations.

Alvarez focuses on the human figure while introducing multiple references such as objects, animals, etc. to enrich the composition conceptually as well as visually.

Katrin Alvarez started as a journalist, going in-depth into the writing profession, but along the way she taught herself the art of painting, influenced and inspired by Michelangelo and Brueghel.

Hidden inside each of Katrin Alvarez' paintings is a mood that is impossible to miss, the artist takes her audience on a visual journey as witnesses of people in different stances and circumstances along with elements that make an impact, slowly managing to blend in and propose some radical aesthetic and conceptual ideas.

“Childhood Is an Unprotected Space” 2016, Oil on Canvas/ Object, 49.2” X 41.4” X 3.5”

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“Kapitulation” 2018, Oil On Canvas/ Object, 41” X 49”

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Alvarez's works are the perfect combination of expressionism and surrealism. Her paintings are troubling and provoking yet soothing, intimate and sensitive yet bizarre, upsetting yet blissful. The compelling and transcendent imagery in her art has a form of teaching, evoking an array of emotions in the viewer. Her masterful use of color and light and skilled knowledge of the human figure allows for perfectly balanced compositions that expand the perceptions of her audience, creating room for each viewer to form different selfinterpretations of the art.

Showcasing masterful drawing skills, Katrin Alvarez depicts all of the figures and other objects or elements on her canvas with exact precision, something that shows her work is the product of dedicated research. Alvarez uses the gaze in her subjects’ eyes as the focal point of her pieces carrying a full palette of fascination, the result, paintings that are thoughtprovoking, making use diverse media to have a multidimensional approach.

Katrin Alvarez offers both personal and universal messages, as she aims to raise awareness and establish a fruitful discussion with her public considering a vast number of topics that need more consideration. Thus it is very natural that she structures her artistic expression in a way that invites active participation from the audience for the interpretation of her works.

Alvarez is an internationally renowned artist whose works have been exhibited all over the world. She has received many awards for her paintings since 1968, including The First Group show in Cologne in 1968, Art Basel in Switzerland in 1978, and Agora Gallery in New York in 2004, among others. In 2007, her piece Exorcism won the Allan Edwards Award - Painting On the Edge. In 2009, she received the Vivid Arts Network Award at the Museum Castello Estense and a Leonardo Award for Applied Arts in which she was given the first prize in 2013. In 1972, she received an award for her first solo show in Cologne, and in 2012 she came out with yet another celebration in Vienna.

“No Hay Nadie!” Oil on Canvas, 41.3’’ x 41.3’’

“The ability to make thoughts and feelings visible is of the utmost importance in my life. But, over the last few years in particular, I’ve found I can no longer do this with the tools I have, as the news from all over the world crashes into my mind, battling for my attention with all its apparent significance. I am left helpless by this shrill pandemonium, full of disrespect and aggression, and by the unconstrained exploitation of nature. I’m still searching for my responsibility as an artist. It can’t be enough to live in an aesthetic ivory tower. I’m far too quiet with my canvass and my paints”. - Katrin Alvarez

www.katrin-alvarez.de

Katrin Alvarez' diverse and vibrant work is what has promoted her as an artist who has established her presence in the global art scene as a distinguished contribution to her creativity.

“Dämon(Demon)” 2020, Oil on Canvas/ Object, 19.3” X 21.9 X2 2.8”

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“Karma” 2017, Oil on Canvas/ Object, 58.3” X 50.4 X 3.2”

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LeRoi

“A Story Map of Life Celebration”

“I Born Here” 2020, Oil and Acrylic on Canvas, 66” X 48”

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“Body and Soul” 2020, Oil and Acrylic on Canvas, 48” X 36”

by Viviana Puello

eRoi is a New York-based contemporary artist with a distinctive style he has created called "Electric Primitive." This style is his display of bold, emblematic qualities of African art. A combination of geometric patterns, abstract figurative art, bursting with poetic imagery, and culturally rich use of color, his work is rooted in expressionism. His education has been a considerable influence in his work as well as his livelihood in urban environments. Throughout his 45 years as an artist, LeRoi has tweaked and refined his style, exploring pre-colonial and postcolonial African heritage and pan-Africanism. He fuses these elements with vibrant colors in electrical frenzies. The result is stunning visuals that accentuate his paintings' subject and adorn the simplistic beauty of traditional African artistry.

Using acrylic and oil paints on canvas, LeRoi reflects his composition skills and creative ideas in dazzling, interspersed colors. His early works adopt a subtle autobiographical theme telling his early childhood down to his mature years and reflect a perfect blend of cubism and African, Caribbean, and South American influences. A strong mastery of colors in their various hues is evident in his pieces. This quality, coupled with ingenious geometric abstractions, broad knowledge of African heritage, and firsthand experiences, make LeRoi's works stand out amongst the “Forever Blue” 2013, Oil and Acrylic on Canvas, 48” X 36”

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crowd.

LeRoi connects references and cultural impact from the past, present, and future in his large-scale paintings, drawing inspiration from social and environmental issues. LeRoi's energetic pieces represent accelerated modernism, geometric motifs, and underlying complexity in color and symbolic patterns, combining bright, vivid, eye-catching colors to create a story map of life celebration.

LeRoi has led a fruitful life touching all aspects of art, including music.

This year, he was inducted into the Buffalo Music Hall of Fame, honored for his role in the industry, including managing legendary artists like Rick James. LeRoi has played a role in paving the way for African Art on all ends. His efforts and creative endeavors stay true to the cultural heritage he feels connected to, highlighting the beauty in each layer of its history still very much alive today.

Although known for his eclectic style, LeRoi's recent works display a softer and warmer depiction of his ancestral roots and paying homage to his muses through expressionist figurative portraits. Earthy hues take the stage in his recent works of art bordered with his signature style patterns and soft textures. His stylistic paintings have caught the eye of many and garnered success, bringing him to exhibit in many different art galleries worldwide.

“Impatient for Your Love” 2005, Oil and Acrylic on Canvas, 38” X 46”

A pattern seen in more recent paintings is the life brought onto each canvas through large eyes and lively expressions on each figure. He skillfully uses color as a tool to enhance emotion, and movement showing his continuous commitment to surrender to the ever-evolving creative process.

Johnson's brilliant works have been exhibited in numerous art galleries in New York and all across America. His pieces speak to the heart and mind of every viewer that appreciates his creations.

leroiart.com

“Untitled” 2020, Oil and Acrylic on Canvas, 48” X 36”

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“Another Cotton Pickin Day” 2020, Oil and Acrylic on Canvas, 48” X 36”

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Kimberly Berg

“Kimberly Berg Integrates Poetry and Visual Art, Heightens Role for Women’s Empowerment.”

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by Viviana Puello

eople say an artwork acts as a looking glass, giving viewers a glimpse of the artist behind it. Kimberly Berg has used art not only to portray his poems as engaging visual narratives but also as an avenue to forward the cause of feminism.

His art is designed to acknowledge the rise of women who have long been confined for too long in the shadows.

Kimberly Berg is a male artist aiming to contribute to the cause of feminism as much as possible and play a significant role in reshaping human history. His thought-provoking works are worthy of gracing museums. Believing that artists like himself have a monumental role in changing the narrative for women, Kimberly strives to produce art that empowers women to stand taller and boldly in this modern world.

Kimberly Berg’s latest works include intriguing pieces that combine his passion for poetry and visual art. After receiving encouraging comments for his recent works, the artist was encouraged to show them to a broader audience and inspire

“Awaken My Beloved 03” Pastel, 30” X 19”

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women to reinvent themselves, change their mindset, and claim their rightful place in society. “I want to reach out to feminists and those dissatisfied with patriarchy,” the artists said determinately.

“It is now known from an abundance of modern archeological evidence that men and women in pre-patriarchal, Neolithic societies lived in a social system that highly revered women. My paintings are created with the intent of restoring that kind of respect among men and a feeling of self-worth among women,” Kimberly Berg said.

Above anything else, the artist is paving the way for men to see women not as secondary sex but as equals. Kimberly is not demeaning the role men play in society but, rather, seeks to reinforce the value of empowering women to make themselves known and respected.

It takes a lot of courage to produce provocative artworks aiming to alter the status quo. Still, Kimberly Berg is determined to bring his works to the spotlight and plant a seed among his viewers to challenge and transform society. With his poetic visuals today, the artist proves his uniqueness as he combines the impact of two powerful forms of artistic expression into one.

“When the power of the image is combined with the power of the word, it’s possible to create a very moving dynamic that encompasses both a striking visual impression and unexpected

“Awaken my Beloved 04” Pastel, 26” X 19”

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lucidity,” said Kimberly Berg. His recent works are unique in the sense that not many visual artists are also poets. Leveraging both of his innate skills, Kimberly produces stimulating works meant to awaken the bold integrity hiding within women.

Kimberly Berg received no formal training in art. The self-taught artist began his creative journey originally as a poet. Eventually, after being discouraged by the publishing industry, his artistry found its way into the world of visual art, a creative form he had always studied and admired during his brief visits to New York City. Every technique came naturally as time went by, and he discovered what medium worked best as a canvas for his mission.

“My main message is that women should not have to suffer under patriarchy. It has become an unfair social list of restrictions that limit women’s freedom to control their body, work at a job that pays women less than men for equal types of work; that denies women their equal rights as identified in the proposed Constitutional Equal Rights Amendment. If passed by Congress, it would become a document that would free women from having to live under the arbitrary rules of an all-male hierarchy,” said Kimber Berg.

The artist feels that there’s no better time than now for women to rise.

Through the power of art image and the written word, he is leading women one step closer to empowerment and achieving a more fair and inclusive society.

“Free-For-All” Pastel, 19” X 26”

“When the power of the image is combined with the power of the word, it’s possible to create a very moving dynamic that encompasses both a striking visual impression and unexpected lucidity.” – Kimberly Berg

www.isisrising.net

“Awaken My Beloved 02” Pastel, 30” X 19”

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“Awaken My Beloved 03” Pastel, 30” X 19”

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“Passion and Inspiration”

The Story of Viviana Puello and ArtTour International

Photography by Alan Grimandi

Copyright © 2021 All Rights Reserved.

Set Designed by Viviana Puello

Painting “Viviana’s Dream” by Barbara Tyler Ahlfield

Jewelry: El Dorado Collection by Viviana

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by Paul Simpson

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ward-winning artist and activist. Feature filmmaker and director. Honored podcast and television host. Esteemed entrepreneur and business coach. Founder and CEO of ArtTour International, who has expanded the revolutionary platform to encompass print and digital publications, an awardwinning TV show, international events, and so much more. A Top 10 Female Entrepreneur of 2020, as recognized by New York Weekly, whose passion now promotes artists worldwide and serves talented individuals from more than 205 countries.

With all of these successes and accolades, you may wonder how Viviana Puello has never graced the cover of the magazine that she brought to life ten years ago. The answer is quite simple—she always refused previous requests from her artistic peers and staff, preferring instead to keep the focus firmly on talented international artists and their innovative works.

However, for this special anniversary issue, she finally relented because there's no way of sharing the ArtTour International's story without sharing her own.

Viviana's childhood in Colombia was far from idyllic. Indeed, growing up, she was set adrift in the turbulent seas of parental abandonment. In the wake of these difficulties, she developed a belief system that limited her horizons. Only at the age of 12, when she ventured upon her first joyous explorations of art, could she finally glimpse ahead the creative powers of possibility. While the vagaries of fate and the duties of the dayto-day would obscure this vision—sometimes for years at a time—Viviana would always return to art.

groups such as Create4Peace.org and Artists for a Green Planet.

Her cultivated openness to creativity has driven the foundation of ATIM Web TV and The ArtTour International TV Show, which has traveled to more than 50 cities worldwide to support artists and art organizations. Honored with the Olee Public Media Award of Excellence in 2018 and 2019, the show airs every Thursday at 5:30 PM on MNN-HD Spectrum 1993.

Moreover, it propelled the stunning documentary "Kintsugi – The Line of Destiny," which features the Berber people's natural livelihood in the Sahara Desert, the Atlas Mountains of Morocco, and the Italian countryside. The film garnered numerous prizes, including "First Time Directors" (Top Shorts Film Festival), "Best Documentary" (New York Film Awards), and "Top Documentary" (Los Angeles Film Awards).

To gain further insight into her journey, we recently sat down to chat with Viviana.

First of all, thanks for the interview. This is something we've wanted to do for years, and we finally succeeded! Why have you kept us waiting so long?

"My work keeps me busy. . . (laughs)…The truth is that I have a very clear idea about my role in this publication, and that is to promote the art and artists that we bring in each issue; we're here to help them have a voice to share their message. So, I preferred to focus my energy on fulfilling that vision."

Once she truly realized that abundance begins only in the pursuit of what you love, she finally was able to embrace art in full. Viviana ensured that art remained in her life, day in and day out, as an independent artist, curator, and founder of Vivid Arts Network, helping artists exhibit their work in international venues. The pursuit of these passions led to a different kind of passion when Viviana met Alan Grimandi while working on an exhibition in Ferrara, Italy, in October 2009.

During a flight between venues in 2011, the idea of creating an art magazine suddenly struck her. She immediately marshaled Alan, friends, and fellow artists' support to bring ArtTour International Magazine to life. After a year of work, in December 2011, they released the first issue and began preparations to launch the magazine at the Auditorium al Duomo in Florence.

And launch there it did—at precisely the wrong time and in front of entirely the wrong people. You see, the day that Viviana arranged to tour the prospective venue happened to coincide with a convention of approximately 500 international cultural figures from more than 30 countries. After asking the responsible, Viviana could secure three minutes to present the magazine project. Within an hour, she began to speak the words that would ensure the foundation of a budding success.

This ability to brave potential rejection and practice seasoned flexibility has allowed Viviana to ensure that ATIM is available at Barnes & Noble locations and 1,200 newsstands worldwide and grow its readership from 1,500 to 2.1 million readers in more than 205 countries.

Her collaborative spirit has found expression creating award programs and ceremonies such as the ATIM Masters Awards and the ARTYA Artivist of the Year Awards and original activist

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What is Inspiration to you?

"Inspiration is the essence of creation. Some people see it as something that comes and goes in unexpected moments. But Inspiration is within us, all the time. We can choose to be inspired because Inspiration is being attuned with our divine self in the present moment. We can always make that choice; no external influence has the power to take Inspiration away from you. It is a part of us that is immutable".

Is Inspiration essential to create a masterpiece, or is it more about technical knowledge and talent?

"I think all of it matters. I believe the master artist uses everything that has been collected through the human experience to create a masterpiece. The master artist allows the spirit to pick up the pieces of his/her being, the heartbreaks, the pain, the loss, the joy, the bliss – all facets of the master's identity combine to create the energetic new. Such an inspired work touches people and evokes feelings – it becomes an instrument of healing. That is the intention of spirit when bringing art into this realm."

Tell us about your art.

"I practice the art of manifesting beauty in every form. I love painting, writing, playing music—jewelry making. I incorporate natural elements in most of my creative process, rocks, wood, semiprecious stones, anything that has the pulsating sound of Mother Nature's heart. My art is also the art of communicating and inspiring through my work and other artists' works. I love all things art."

Tell us about the installation you created for the cover of the magazine.

Above: Alan Grimandi, Co-Founder/COO Of ArtTour International Magazine

Opposite page: Set for the cover of this issue.

Production and photography by Alan Grimandi

Set Designed by Viviana Puello

Painting “Viviana’s Dream” by Barbara Tyler Ahlfield

How do you define yourself?

"First and foremost, I'm a spiritual being enjoying every second of this life experience. I'm an artist, writer, entrepreneur, philanthropist, and unstoppable manifester dedicated to helping creative entrepreneurs advance their careers, grow their business, and scale the ever-competitive international art scene so that they can thrive doing what they love."

How have these ten years of ArtTour International been?

It has been quite a joyful ride, and every issue has been a new opportunity for co-creation with an excellent team of collaborators, artists, and readers. It has given me great excitement and pleasure to meet incredible people, from emerging artists to internationally recognized legends. Some have left a strong mark in my heart. So many artists whose energy I have connected with—people with whom I've developed a friendship and from whom I've learned so much.

If you had to describe yourself with one word, what would that word be?

“Inspiration.”

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“The photo is the genius work of Alan Grimandi. We wanted something that would represent ArtTour International's vision: use beauty and art to bring awareness about issues that need our attention. Our most passionate cause is the preservation of our planet. We picked up tree branches from the garden and put everything together. I created the jewelry to represent nature also.

The painting on the background is an original artwork by my dear friend and master artist Barbara Tyler Ahlfield, entitled "Viviana's Dream." Barbara created that portrait of me, and I had no idea what she was painting. When she showed it to me, I told her how the painting resembles the place where I go when I meditate.

Serendipity.”

When did you discover that you wanted to dedicate yourself to art?

"I was sixteen years old and went for a school trip to the convention center in Cartagena. I was walking in the "Obregon Hall" when I saw a painting by Alejandro Obregon for the first time. The painting. 'Galerna' measures over twenty feet. I remember walking down the hall next to that painting. I could feel my heart racing with each step I took. I felt warmth, magic, butterflies in my stomach—something I had never experienced. I didn't want the painting to end. I didn't want that feeling to stop. I knew then that I wanted to reproduce that feeling, live with it. Art became my drug of choice at that moment."

How was growing up in Colombia?

"My childhood was fun. I grew up with music, joy, fish, coconut rice and the sun of the Caribbean Coast. Despite being abandoned by my parents, I was a happy girl. But I was also shy and insecure. I grew up with two grandparents who gave me their love, with my

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Tata, a mother to me, and my uncles and Tia—always surrounded by strong women who taught me lessons that have helped me through this journey. My family gave me the support and education that formed my character and principles. My grandfather taught the value of honoring your word and being honest and my grandmother taught me the importance of taking risks, being an entrepreneur, being self reliant. Their love story of over sixty five years taught me that love is real and should be cherished.“

One of the most common questions we hear is this one, so I asked for our readers' curiosity. Where are you from?

"I was born and raised in Colombia. Then, at 17, I emigrated to New York, where I grew into adulthood and a professional. My children were born here, so I have strong roots in the USA. I married my Italian partner twelve years ago, and since then, I have lived in Italy. We have our home in Ferrara. So a piece of my heart is in each of these three countries. We work here in the USA most of the time."

New York, Museum of Art and Design. May 2017. Artists reunited for the ATIM Masters Awards Ceremony.

granddaughter too. We are a multicultural household, Italians, we're all about cooking and eating together, and Colombians, we're all about music and dance. So you'll find us all dancing at breakfast or during a noisy afternoons in our kitchen cooking dinner. I have a great partner, and we're not alone in this journey. We have a great team.”

Why do you do what you do?

“Because I enjoy it and I feel that I'm contributing to humanity by amplifying the artists' message. Art unites us in a single truth, that is, that we are all part of a whole. I get up every day thinking whatever I do will contribute to a world where equality, inclusion, love, and peace are the new normal.”

New York,, MNN Studios. 2016. Artists reunited for the recording of a special episode of ArtTour International Show dedicated to bringing peace awareness.

How is it living in Italy?

“Oh mine, it’s a constant struggle to not over eat lol. My mother in love is the best cook in the world and spoils us rotten with her meals. In the Italian culture, family values are high, you stick together to your tribe. I love that. I love driving for only a few minutes and going to my father in law’s farm, picking up cherries from the trees, or going to the Piazza and meeting friends for an apperitivo in the afternoons or meeting my family just to have pizza together on a Sunday night. That strong sense of community is priceless.”

What personal plans do you have for 2021?

“I just launched my Podcast, The Winner's Journey, where I interview celebrities and award-winning entrepreneurs each week to share the secrets behind their success.

And just released a new book, "You Were Born To Be Unstoppable," which I co-authored with other incredible women. It was released in January and became a number-one Amazon bestseller. It's available on my website at www.vivianapuello.com.

What personal challenges have you overcome, and what have you learned from them?

"I've experienced the abandonment of my parents, and that taught me to be resilient. I went through an abusive marriage that ended in divorce after two years. I was only twenty-two years old. I faced the world alone with my two children. Right after that divorce, I lost everything and experienced being homeless. I learned to practice gratitude every day for what life offers me. I also learned that I can always count on myself to create a new realities. You are never alone, and the universe has your back."

How do you balance your time?

“Time for myself, time for my family, time to commit to working without interruptions, and I never multitask. The secret is to find time to connect to your inner being; if you can do that, you can stretch time. I start early and enjoy a couple of hours alone. Then I spend some time with my family; I live with my daughter and

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Cadaquez, Spain.. September 2013. Alan and Viviana presenting ArtTour International during a Surrealist Gala.

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Florence, Italy. October 2010. Alan and Viviana during the opening of an exhibition with Vivid Arts Network . A year before the foundation of ArtTour International.

What's new with ArtTour International this year?

“We will continue with our vision of bringing awareness for social and environmental issues and being the voice of artist-activists worldwide. Arttour International has an incredible platform and, last year, partnered with Mediakit Art. We are now helping creative entrepreneurs promote their art, product, and services not just on our platform but also on leading news outlets. The goal is to amplify their message.

In 2021, we're incorporating audio into our digital and print publications. Readers will now have the option to scan some of the articles' QR codes and hear the article without reading it.

Sometimes, it is just more fun!

We're planning the ATIM Masters Awards Ceremony at the end of the year. We also continue our partnership with Create4Peace and Artists For A Green Planet to celebrate the ARTYA (Artivist of the Year Awards) next Fall and honor Mother Earth. A lot more to be revealed, but you will need to stay tuned to discover it.”

What is Create4Peace?

“Create 4 Peace is a non-profit organization founded to reduce the transgenerational transmission of pain and suffering, utilizing art to impact people's imagination and creativity to transmit love, peace, and personal responsibility. Our 2022 project is to build an art center in Colombia to help underprivileged children learn and practice art. When I was twelve, I discovered art, and it was a healing force in my life. Our mission with Create4Peace is to do the same for these children.”

New York,, MNN Studios. 2019. Artists reunited to receive the ARTYA Awards (Artivist of the Year Awards), celebrating Mother Earth.

Any message for our readers?

"Be creative, stay inspired. I believe that being creative is our duty.

We are not only entitled to live an inspired life – but we are also called upon for the betterment of all humanity, to live a life filled with Inspiration and unleash our full creative potential, to make a difference in the world. Think of yourself as that light that shines in the dark. We are called upon to shine, to feel the urgency to move forward, to accept our gifts and be grateful, and to offer them back to the universe with unconditional love."

For more information about Viviana or bookings visit

www.vivianapuello.com @vivianapuelloart

Alan Grimandi and Viviana Puello in the ATIM office during a Brunch with a group of international artists. -May 2016.

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Wendy Cohen

“Recycle Conversation”

Mixed Media on Board,

12” X 12”

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e n d y C o h e n' s p r a c t i c e focuses on the relationship of shapes, lines, forms, and colors with the relationship of natural and urban surroundings that are communicated in an abstracted language.

Everything, in reality, is a conglomeration of shapes, and by integrating shapes into a cohesive body of colors and forms in conjunction with collage elements, Wendy aims to convey her own fetish, poetry, and harmonious rhythm to her paintings, developing playful imagery with an emotive and inventive sensibility.

With a sense of curiosity, exploration, and discovery, a lyrical genre is created that results in spontaneous mark-making and an exciting interplay between the shapes, forms, and colors imbued with the ebb and flow of textured brushstrokes and the alchemy of a variation of colors. Observation, intuition, and imagination are key to Wendy's process as she responds to the world's interconnection. Still, most importantly, she welcomes the viewer to participate in her paintings' wonderment translated onto the canvas with the rhythm of a musical genre.

“Hidden Treasures” Mixed Media on Board, 12” X 12”

“Red Foliage” Mixed Media on Board, 12” X 12”

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www.wendycohen.net.au @wendycohen123

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Wendy Yeo

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endy Yeo, R.W.S.W., is a Hong Kongborn painter who graduated from the Slade School of Fine Art, University College, London. She was awarded various prizes and a Travelling Scholarship to Europe.

Wendy Yeo has exhibited widely in Solo Exhibitions throughout the U.K. - including The Ashmolean Museum, Oxford, and Wolfson College, Oxford, and overseas including California, New York, Hong Kong, Turkey, and Kuwait.

Wendy's international shows include New York, Paris, Venice, Rome, Milan, Yu Kyung Museum (South Korea), Reykjavic (Iceland), Vienna, Lisbon, and Berlin. She was elected a member of the Royal Watercolour Society of Wales.

"At the moment, I am involved with natural forms e.g., plants, trees, rocks, sea, and water in lakes and waterfalls - portraying form with movement and space and all the cycles in nature, e.g., the four seasons and night and day. The media I use are watercolor and acrylic on canvas, often using cut up pieces of my work as collage.

Having been born in Hong Kong and studied at the Slade School of Fine Art, I like to exploit traditional Chinese use of the brush and the oriental use of space combined with a Western individual interpretation of form, light, and color."

“Sunrise in Spring” Acrylic on Canvas, 40" X 30”

Work in Public Collections:

The Slade School of Fine art, University of London.

University College London Art Museum

Ashmolean Museum, Oxford.

The British Library.

Wolfson College, Oxford.

Yu Kyung Museum, South Korea

Hong Kong Museum of Art

University of Hong Kong Art Museum

American Petroleum Institute, Washington DC

www.wendyyeo.com

“Waterfall in October” Acrylic on Canvas, 37" X 25”

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“Fish Pond in Spring” Acrylic on Canvas, 30" X 26”

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Ric Conn

“Advocating For Equality and Women’s Empowerment”

“You Will See Me” Oil on Canvas, 48" X 36”

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“Woman in Blue” Mixed Media, 40" X 30”

by Viviana Puello

n internationally known award-winning expressionist artist, Ric Conn, is a leading voice in women's inequality and social issues. In 2020 his message crossed the globe for his visual dialog for female empowerment. He was featured on Fox, CBS, ABC, Medium, The New York Weekly, ArtTour International Magazine, and Toscana Cultura in Italy, among other numerous media outlets.

Conn presents a thought-provoking visual narrative with bold textures, masterful use of light, and symbolic imagery. He explores the opposition between reality and perception. His fascination and motivation are amped by realties that appear invisible in our everyday lives, cutting into the core of his subjects' hearts and exposing hidden emotion. Layers of female forms are captured in each of his paintings, focusing on the essence of women's courage and beauty."

Conn's dedication to speaking out against inequality and social issues women often face is evident not only in his work but in his platform. He displays a clear opposition between reality and perception, utilizing a relatively conventional technique while painting, employing acrylics, inks, oil, gouaches, and charcoal to bring the various

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depictions to life.

With his focus on Equality and Empowerment, Ric Conn creates works that reach across language barriers to reveal the psychological connection between our world and the world that he portrays. In his work, the female silhouette is an expression of women's soul and limitless emotions—all the while revealing the meanings of the existence of our universal connection as humankind.

Ric Conn's artworks are endowed with shadows, light, contrast, and depths. He uses these aspects to portray his ideas and achieve different layers of creativity.

He can tap into various views and expressions of sexuality, with a welcoming invitation to eliminate stereotypes on what a "woman" must embody to be accepted by society. With a lengthy career and a well-deserved line of awards, Conn makes his mark in the community.

www.ricconn.com @ricconn “The Sky's the Limit” Oil on Canvas, 36" X 24”

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Lorenzo Quinn

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by Viviana Puello

or more than twenty years, Italian artist Lorenzo Quinn's work has illuminated and challenged almost every major metropolis between Beijing and New York City. Indeed, his monumental sculptures—most often incorporating the unique dexterity and empathy of human hands—dare their viewers to reflect more profoundly upon the universal. For example, in order to highlight the timeless concerns about aggression and war, he has unveiled a series of sculptures that depict pairs of children's hands, including A Dangerous Game in 2017 in Miami, Florida. Quinn has further addressed the dire necessity of resource conservation, as exemplified by two sculptures installed in Venice: Support in May 2017 in the Grand Canal facing Ca' Sagredo and Stop Playing! in October 2018 at the military fortress, Forte Marghera. These allencompassing ideals achieved a culmination of sorts in May 2019 with Building Bridges, an installation of six pairs of

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monumental hands entitled Faith, Friendship, Help, Hope, Love, and Wisdom.

Lorenzo Quinn was born in Rome to the Oscar Award-winning Mexican American actor Anthony Quinn and his wife, costume designer Iolanda Addolori. Quinn's childhood was split between Italy and the United States. His father fostered his love for art as a child, and he followed that path into adulthood when he attended the American Academy of Fine Arts. It was there that he discovered his passion for sculpture.

Despite a brief stint as an actor in his twenties, Quinn decided to focus solely on sculpting. For Quinn, sculpturing is primarily an art of communication; he enjoys making his work's meaning clear, and it can sometimes be months until his finished product is revealed. Quinn has a unique way of working, preferring to

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that are as unique as the fingerprint that lies at the heart of each piece.

Below is an excerpt of our first exclusive interview with Lorenzo Quinn September 2015, for our ATIM Español 2015 issue of ArtTour International Magazine, in which the artist was our cover story.

Tell us a little bit about your upbringing. You come from a vibrant culture. How was it growing up?

"Growing up was wonderful. I had fantastic parents, amazing brothers, and a rich cultural environment and atmosphere. I was fortunate, and I will never forget that. Most importantly, what influenced me were the diverse cultures that I was always exposed

“Gravity” “It Is Essential To Find a Balance in Life.”

Photography Courtesy of Quinn Creations S.L. © Copyright 2015.

find inspiration by writing poetry. He begins with a poem whenever he makes his sculptures. By doing so, he creates a three-dimensional poem about, for example, a flower growing instead of a model of a flower.

Along this transcendence journey, the master of the monumental has also become the master of the miniature. For Quinn has translated his monumental works into breathtaking jewelry—not by merely scaling downsizes, but by brilliantly recrafting them in precious metals and stones. He has also created entirely original art that reimagines some of his earlier artistic motifs, including the Infinity collection. This line of wearable masterpieces—spanning bracelets, earrings, necklaces, and rings—prominently features forever loops held together by two hands clasping in love. Still, further, Quinn has broken new ground with wearable series such as the Bespoke sculpted jewel collection, which features handcrafted pieces

“Gaia” “Patinated Bronze and Stainless Steel, Edition of 20 – 18” X 25” X 17”

to. I lived first in Los Angeles, and then I moved back to Italy and then to New York City, which is the melting pot of the world. So I was always under the influence of so many cultures, and I love to learn, listen and grow. One important thing is that my father was 51 years old, and his friends were all relatively older than me. They were wise, and that's who you learn from—these wise people have a lot to teach you."

Your father, Anthony Quinn is a legendary figure; he was in the film world's limelight. How did growing up with him influenced your life and career as an artist? Was he an inspiration for you?

"First and foremost, the fact that you ask me this question already demonstrates how it has influenced me. I've had to deal with this since the beginning of my artistic career. It has created some preconceptions for some people, and it has created some barriers in others. The fact is that I continuously have to prove my merits to others.

Their judgment of me was probably harsher than it was toward others. Perhaps some were pleasantly surprised. Still, some might have thought that they were going to see this kid—a son of a great actor—playing around, doodling with his hand. If they do come to the show, though, they'd probably be surprised, so that was good.

I'm quite over that now. I've been working for close to over 30 years, and I'm fortunate. My work is doing quite well, and I don't sit Cont. next page

“I Will Catch You if You Fall“ Bronze and White Bronze

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Early in your career, you had planned to become a surrealist painter, inspired by Salvador Dali, then at 21, you had a change of heart and decided to pursue sculpture. What was the turning point?

"That was the turning point; the turning point was interpreting the genius Salvador Dali because I was a surrealist painter. And I was trying to emulate Dali; he was my artistic hero. The imagination that he had, his creativity, his technique —all were unsurpassed. I just love everything he did. I did not have his technical ability and probably will never have it. I didn't have his incredible ideas.

I am more of an emotional artist; I am more of a symbolist artist. I talk more to the heart and the soul. I think that's my strength. It's a one-on-one conversation with my viewer. Dali was amazing; it blows my mind every time I see his artwork. Because I was a method actor, when I played him, I became the role." (In his twenties, Quinn had a brief acting career, including playing alongside his father in Stradivari (1989) and an acclaimed performance as Salvador Dalí).

“Pressure Male” Bronze and Stainless Steel, Edition of 8 – 65” X 21” X 41”

and think about that. I have to stay that I did try to escape my father's shadow, but where could I go? You're talking about Anthony Quinn—it's not like I could leave New York and go to Connecticut, and people wouldn't know him. The whole world knows him, so where was I going to go?

What I did was concentrate on my work and try to forget about what my background was and who my father was. Instead, I would just think of him as my father. I love him— him and my mother, of course."

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“Building Bridges”, “Arsenale, Venice, Italy Installed in May 2019

Material: Expanded Polystyrene and Polyurea Coating Edition Unique

Sculpture Dimensions: 37’ X 285’ X 87’

“Harmony”, “Every Relationship Is the Meeting of Two Worlds That Become a Whole” - Ivan Mañero Institute of Plastic Surgery, Sant Cugat del Vallès, Spain Installed in November 2013 Material: Aluminium and Bronze Edition of 5 Plus 1 Artist’s Proofs – 9.9’ X 16.5’ X 3’

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“Hand of God” “During Your Times of Trial and Suffering, When You See Only One Set of Footprints, It Was Then That I Carried You.” Bronze

Edition of 6 Plus 2 Artist’s Proofs – 6.6’ X 19.7’ X 7’

"Once I got to know him better, I realized that Dali was Dali, and Lorenzo was Lorenzo, and I had to change and do something different. I had to find my own niche—that's why I changed from painting to sculpting and from surrealism to symbol realism. That was when I was 22 years old."

You have said that your defining characteristic is that your work is communicative. Is it fundamental that your the audience sees what you create?

“Well, yes, I create work to communicate an emotion, a concept, to people. Therefore, before that, I need people to be

able to understand it. If I were doing this interview in Bangladeshi, you wouldn't understand it; therefore, there would be no communication, and there would be no article. And I feel that this is the way I want my art to be, for us to understand each other. Thus, I am always looking to create art that can be understood on a universal level, and that's why I work a lot with hands. I don't exclusively work with hands, but I work along with hands because you can say many things with a simple hand gesture. There are so

“Support” Monumental Installation at the Ca’Sagredo Hotel during Venice Biennale 2017

many wonderful things to be said still about so many subjects. Why talk about nothing when there's so much to talk about.”

While Lorenzo Quinn has garnered enough international acclaim to last a lifetime, he is driven forward by the inspiration originating in his guiding philosophy—a work of art can forever change a person. So, he will continue to create and then give to the world the works, both exquisitely miniscule and exceptionally monumental, that can change a person and integrate them into the forever of art.

In 1988, Quinn married Giovanna Cicutto; shortly after that, he and his wife decided to leave New York and move to Spain, where he still lives and has his studio.

www.lorenzoquinn.com

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Shifra Levyathan

“The Baloon Girl”

Photography,

27" X 19”

“I

photograph everything around me, be it Nature, Cityscape, and People. However, l am an Urban photographer. l love the city, its

people and its Architecture.

The high-rise buildings with glass and chrome create wonderful distorted reflections, which l find fascinating. People intrigue me with their colorful personalities and actions. The city has everything for me – Architecture, People, and even Nature. When l stroll in the streets with my camera anywhere in the world, l try to capture moments and episodes that will never come back.

“Corona Days- Seperation-02” Photography, 24" X 27”

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When l discovered the digital camera and the software to go with, l became addicted to this medium and its vast possibilities. The photograph for me often is like the canvas for a painter: I add or subtract from the photograph and create what I see in my mind’s eye.

My photographs reflect my moods and life around me, be it private or general. Even though it is difficult today to create something totally new, I think every artist has something unique only to him. I hope that my art, or at least my eye, is unique only to myself.”

www.shifralev.com

“Corona Days- Seperation 01” Photography, 20" X 22”

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Jim Fitzpatrick “The Art of Perserverance”

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by Paul Simpson

rue courage is manifested not in inexperienced willingness, but rather in determination to succeed in the face of suffering. This is as true in life as it is in art. Self-taught American photographer and artist, Jim Fitzpatrick, is the rare soul who has persevered with such courage, time and time again, in pursuit of his passions—athletic, professional, and artistic.

“Roller Derby Classics...and More!"; "I Have a Chin! A Japanese Chin" (a children's story); and "When I Shot Good and Bad Guys (who wrestled at the Cow Palace)." All the while, Jim also continued to give back through his drawing and photography.

As he says, “Having art and photography to go back to has been a blessing for me. So, I’d like to inspire others through my works and experiences! I want to make sure that, with my art, I share a positive message, one giving hope to others that they still have other opportunities or paths.”

Fitzpatrick willed himself into his childhood dream of becoming a professional Roller Derby skater, traveling the world doing what he loved. After injuries ended his Over the years, he has held three skating career, he eventually solo art exhibitions. The first was recovered and transitioned into a held when he was in 8th grade and career as a firefighter and acting attending St Anne's School in San deputy fire marshal. In the wake of Francisco. The second was held in injuries that he suffered in a fire, 2011 at the LC Gallery in the Jim went through years of physical Westfield Mall in downtown San therapy and treatments in order to Francisco, where Senator Leland “Ray Charles Singing America the Beautiful” Graphite Digitally Altered regain mobility. During this time, he Yee made an appearance to view returned to his childhood passions of drawing and photography, Jim’s portrait of him. The following year, Jim held an exhibition not only as a distraction from his chronic pain, but also as a at ManCave Memorabilia in San Mateo, CA. There, he displayed means of acceptance and perseverance. Reinvigorated, he some of his works of famed boxer Mike Tyson, who made a began reaching out to help others find hope and purpose special appearance. His work has since been displayed in two amidst chronic pain and other difficulties. As he reminds us, Manhattan locations: at the Rio Gallery Space in 2018 and the “We always need to be aware that, when one door in life closes, Viviana Puello Art Gallery in 2019.

there may be another door ready to open. Creating art and photography has been my door!” Indeed, Jim has taken In the same year, Jim received a special Certificate of advantage of every open door.

Recognition from Congresswoman Jackie Speier, commending his efforts to support others with chronic pain, service as a firefighter, and art achievements. No stranger to recognition, And, in some cases, he has even broken them down to realize Fitzpatrick has been selected by Art Tour International his passions. Thirteen years ago, Jim not only helped revive the Magazine as a Top 60 Master of Contemporary Art for 8 San Francisco Bay Bombers, but he also served as their coach consecutive years (2014 - 2021). He was also selected as a Top and general manager. Jim has also published three photo books: 20 Fine Art Photographer in 2017, as well as an ATIM Artist of the Decade in 2020 and a recipient of the ARTYA Award in 2020.

jim-fitzpatrick.pixels.com

“Portrait of an Elderly Chimp II” Photography Digitally Altered

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“Golden Abstract V” Photography Digitally Altered

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Jean Jacques Porret

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by Viviana Puello

riginally from Switzerland, award-winning artist, sculptor, and engineer Jean-Jacques Porret was exposed to art from the day he was born to a family of art and antique collectors.

Surrounded by beautiful antiquities, statues, and artwork every day, the seed of art was planted early, and he began carving wood when he was just six years old. He specialized in creating magnificent works with the lost wax technique of casting Bronze. Bronze primarily interested him "because it is the most demanding material which is responsive and sweet to the touch."

After acquiring his engineering degree, Porret came to New York, anxious to learn English and build a life on his terms.

There, his career was set into motion, which soon after led him to Chicago. Porret's thirst for knowledge took him to museums all over the world, absorbing all he could and sharing philosophies with the most prominent artist of the time.

As an artist, Porret is continuously evolving, and his work and style have changed over the years. From sharper to a softer expression of molten metal. Porret muses, "If my approach seems figurative, I do not aim for a reproduction of the human form: what interests me is to transmit an abstract feeling or an idea rather than an image of reality. I use recognizable forms to arouse emotion, to give birth to sensations. I consider myself, in fact, an impressionist." This vision drives his work, and each sculpture imbues depth and intensity.

Though he initially started his career by working in Bronze, Porret began experimenting with various stones. Dissatisfied,

“#444 Fille de Joie” Bronze

with his sculpture's bases, bought a granite and marble company, to have complete control in his work's creation. Yet this choice also evolved his work, and these various stone elements have become an integral part of his creative process and vision.

Many of his signature pieces with their soft angular movements are harmoniously mixed with sharply defined textures captivating thoughtful designs with an immortal richness, boldness, and unsettling beauty. Porret's work is infused with his personality, unsuppressed by traditional rules; his work is original and buried within each piece is the poetry of his work.

Creating figures of humanity in the abstract, each form courageously melting into the next. Emotions created from fragments of granite or marble jutting and piercing through the bronzes bring the concepts of nature and man together, creating a stunningly modernistic and seductive interpretation of the human form.

When viewing one of his sculptures, the human form seems to leap out at the viewer. Jean-Jacques describes this movement as "rhythm in space." Porret said of his artistic method and vision, "I work without any preconceived idea…(I) continue instinctively, with one shape leading to the next, until the figure is simply rhythm in space".

Jean-Jacques Porret's bronzes can be seen in innumerable collections throughout Europe, Japan, and the United States.

He was commissioned to create the bronze sculpture for the American-Swiss Friendship Award. The "Abage Encyclopedia of “#445 the Jive” Bronze

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Bronzes" describes Porret as "an independent thinker, whose bronze sculpture might be described as a naturalistic, modern blend, in which forms are simplified to their essential rhythms and elements."

"Lost wax is a slow multi-step process that has endured only because of the results… knowing that my bronze sculptures will outlive me provides a comforting whiff of immortality. I believe everyone wants to leave something behind." Porret's work is entirely his, unique, crafted with his strong individuality and melded with tremendous sensitivity. His work and art, a dedication of exacting professionalism, and unswerving integrity have guided a life of total artistic commitment and personal expression.

www.jjporret.com

“#439 Nuit d'Amour” Bronze

“#441 Fripouille” Bronze

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“#443 Belle du Soir” Bronze Green Patina

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Philip Noyed

Geometric Illuminations Art Center Installation

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by Tiarra Tompkins

s our world continues to change and as we all begin our journey to be more conscious of the mark we leave behind, many artists have started to use their art as a way to bring awareness to the ever-changing light of the earth. Light Master and multimedia artist Phillip Noyed designs art based on a deep appreciation of the effect that light and color have on people psychologically and physiologically. As with many things that have been impacted by climate change, even the light we see now is different.

that give viewers a sense of awe and wonder by being IN these living light creations.

Noyed's background as a ceramic artist and abstract painter has imbued his artwork with dimension and movement. In addition to his unique and captivating approach to design elements, color has always been a constant source of inspiration for the artist.

He was commissioned to create two major light and color art installations at Minneapolis-Saint Paul International Airport and has been a featured light installation artist at Art Miami, Northern Spark, and the American Swedish Institute.

N oye d h a s w o n n u m e r o u s n a t i o n a l a n d international awards for his outstanding work in graphic design, digital design, video, and brand development.

“Blue Magenta Space” Virtual Reality Light Experience

His work brings into view the bigger picture of how light reacts with each of us on a deeper level. One of his VR art pieces, "Hyper Color Space," covers the array of colors across the spectrum, reaching beyond ethnicity and gender to share the brilliant unbiased nature of light and color. Every aspect of our natural world has changed, drastically warping what healthy earth looks like. There is no question humanity needs the healing light and color our planet brings. The question is, will we conserve what is left of these resources, or will art provide us deeper connection to nature in all its glory?

www.philipnoyed.com "Light and color are frequencies that transform our mood, energy, and even physical health. My focus is on creating Light and color art experiences that create transformative experiences.”

Philip Noyed is an innovative multi-media artist working in Minneapolis, Minnesota. He creates luminous geometric illumination photographs, LED light installations, videos, VR Experiences, and mixed-media installations. Bold colors, light, and high-voltage geometric compositions characterize his versatile artworks.

H i s "G e o m e t r i c I l l u m i n a t i o n s " s e r i e s demonstrates the culmination of his exploration of light, color, and space. Now Noyed is creating large-scale Virtual Reality Light experiences “Radiant Cherry Blossum Space” Virtual Reality Light Experience

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Maribel Matthews

“River Trees”

Acrylic on Canvas,

30” X 40”

“F

or me, painting is a necessity and has become my passion!

Raising awareness of the precious planet's plight through my art has become the reason.

Looking after our environment and resisting climate change is now my mission!!!

I'm a fine arts artist deriving inspiration from the renaissance painters and the impressionist movement.

Throughout my artistic life, I have dabbled with surrealism, abstract, you name it, I've tried it. Why? Because I love painting and want to enjoy every aspect of it.

for her help and advice and hope to work with her for many years to come.

One day I saw this young Swedish girl, Greta Thunberg, talking about climate change and was immediate with her. It took a child to lead the way.

I then decided that I would endeavor to create awareness of climate change, and I could do it through my art. Since that day, I have been producing works depicting natural disasters and showing our mother earth's deterioration.

Is our world rebelling against man's follies and depredations?

Are the awesome powers of nature's forces rising in protest?

These are questions that we should ask ourselves!

Since 2016 when I was noticed by the agora gallery in Chelsea, New York, and was invited to exhibit there, I have been invited to show all over Europe. I have received various awards for my work. I also had the good fortune to be published in the art tour international magazine on several occasions. I am very grateful to Viviana Puello

Perhaps through all our efforts, one day, it will dawn upon humankind that squandering our resources is not the answer, and instead, we will work in harmony with nature appreciating the beauty and grandeur of our world by caring for it as we should.”

“Snow Trees” Acrylic on Canvas, 30” X 40”

“Night Forest” Acrylic on Canvas, 30” X 40”

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www.maribelmatthews.com

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Kari Veastad

by Viviana Puello

“Inner and Outer Landscapes”

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aster artist and painter Kari Veastad's award-winning aesthetic experimentation focuses on abstract expressionism, reflecting ideas concerning nature, spiritual experiences, and the human psyche's complexities. Her work's core mission is to exhibit art that encourages ideas to shape and mold plans into something better, more efficient, and useful for the world.

Creativity has always been a part of Veastad's life. Nature and creation give way to the natural energy that Veastad uses to harness the power and the creativity that comes with it.

In 2009, Veastad sought to learn oil painting, giving a voice to her inner creator. Through that study, Veastad found a new passion for creating artistic representations. During that time, as her confidence and natural talent grew, she found she was missing something in her work. Through practice, research, and connecting with the inner self, she discovered how to paint intuitively.

"To play with colors in the intuitive universe has given me a color pleasure journey as it has evolved into an exciting in intuitive creator joy where I play with colors until I discover something that will emerge in the canvas."

Her work is inspired by beauty, movement, and interaction between body, soul, and spirit. Each piece often ends up in different directions between inner and outer landscapes, the mystery of life, affiliation to something bigger, or our feelings as is close and simple to all of us. Veastad's style straddles between representation and exploration of color fields with gestural lines. Blurred objects blend into the background while serving as a contrasting highlight to focus on a face or main subject on the canvas.

Leaving open interpretation to the observer, each of Veastad's works awakens a reflective perspective of the self in the viewer's heart and mind. Her creative process is very spontaneous as she allows her whims to dictate every stroke of paint. Veastad creates visual plays that take hold of the observer in a colorful visual embrace.

“Eagle Wings Bear” Acrylic on Canvas, 50" X 50”

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“Emotional Connections” Acrylic on Canvas, 50" X 40”

"I love to see a blank canvas and going on a journey to discover what the finished artwork is each time. It always surprises me what the new images tell me during the process. Painting is still a learning process in my inner world, and it reminds me of the wholeness and how everything in life is connected. Meditation, gratitude, and reflection often lead to new movements in my inner landscape. Like Edvard Hooper says: "If I could say it in words, there would be no reason to paint.” - Kari Veastad

“Human Love” Acrylic on Canvas, 60" X 60”

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“Outstretched Hands” Acrylic on Canvas, 60" X 70”

As her art has grown, so has her international recognition.

Through private and public exhibitions and award-winning art pieces, Veastad continues to create. She hopes to bring expanded boundaries, open up others' imagination for reflections, and expand horizons to see the world from a different perspective, reminding us of the vast universe we live in and all the love given to us both in inner and outer landscape. Her work seeks to bring joy, inner peace, and awareness to all the love and light we don't see but surround us all the time.

Awarded Arttour International Magazine's Top 60 Master in May 2019, her international presence has continued to grow, bringing her work to a global audience. Her work has continued to gain success through awards and exhibitions.

www.kariveastad.com @kariveastad.art @kariveastad

"My colors and hands take me on a joyous and unfamiliar journey through inner and outer landscapes. I am constantly surprised by what comes on the canvas as different variants of movement and interaction between body, soul, and spirit."

– Kari Veastad “Far Away but Still Close” Acrylic on Canvas, 30" X 50”

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Cher Anderson “A Life For Conservation”

“Touch” Acrylic on Canvas, 35” X 18”

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by Viviana Puello

ur cover artist for the Artists For A Green Planet issue is an award-winning naturalist and environmentalist Cher Anderson. She is a wildlife painter and photographer who creates hyper-realistic paintings that explore nature and wildlife themes that mirror her immense love and dedication to the conservation of our planet.

Cher Anderson's predisposition for wildlife traces back to her childhood years, an inclination that only seems to have grown over time. She has traveled around the world, photographing her subjects in their element. Over the past 20 years, she has experienced, first-hand, the beauty of nature in various ecosystems throughout the globe.

Anderson's work is rich in detail and the illusion of movement, often capturing wild animals and showcasing their majestic poses and powers. She makes use of imagery to convey their effect on the human experience. Her intimate relationship with these creatures is seen through her use of light and color. She pays close attention to the details and characteristics that enhance the depiction of her subjects.

“Aussie Rosellas (Red-Tailed Black Cockatoo)” Acrylic on Gesso Board, 32” X 24”

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“Fire in the Sky” Acrylic on Canvas, 36” X 48” - Reference Photo by Necip Perver

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According to the artist, once she's back in her studio, she determines which image represents her subject's best moment or behavior and moves on to the painting stage.

Intrigued by animal behavior, she describes getting that one perfect photograph to be equivalent to a surge of adrenaline felt by a thrill seeker.

Anderson's commitment to her art and the natural world, as well as her passion for animals, has been the base of a self-teaching exploration journey that has helped her lead a successful artistic career. Always aiming to share a message of environmental conservation awareness in unique and creative ways, she gives the audience a view into the heart of these magnificent creatures. Her art focuses on their strength, movement, grace, kindness, and grace.

She has learned from the old masters by studying their techniques and applying them to improve her works of art. Mainly working in watercolors, gouache, and acrylics, she brings her subjects to life. All the while, she remembers her first glance at the animal's eyes, an unforgettable experience that extends to her canvas.

Cher Anderson was born in Kingston, New York, and spent her youth in Mexico City. She now resides and works in Chandler, Arizona, where she has her art studio. Anderson is an avid conservation supporter and a Signature Member and Ambassador of Artists for Conservation, Vancouver, B.C.

Anderson has a keen appreciation of natural environments.

She has a genuine love for horses, which she breeds and raises in Arizona. True to her wildlife conservation and rehabilitation

“Aussie Banks” Acrylic on Canvas, 32" X 24"

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“The Great Debate (American Flamingos)” Acrylic on Gesso Board, 48” X 36”

spirit, Anderson donates most of the proceeds from her art sales to conservation efforts.

Cher Anderson is a master artist whose work has reached a level of excellence and outstanding contribution to the art world. As an individual, she is a true inspiration, teaching us, through her art and life journey, about the possibilities of living on this planet with an appreciation and respect for mother nature and all her living forms.

www.ChersCreations.com

“Fancy Feathers” Acrylic on Canvas, 10.6” X 16”

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Fabian Perez

“New Era” Acrylic on Canvas

O

by Viviana Puello

ne of the world's most collected artists, painter, and sculptor, Fabian Perez, hardly needs an introduction.

His tumultuous childhood in Buenos Aires with his devoted artistic mother and his oft-arrested outlaw father is well-known, reflected as they are in the masterworks that first gave him renown on the world stage.

Fabian Perez' work represents a connection between moments in time, reconciling our past and present through his interpretation of romance. He is preeminently the artist of the romantic era, of love, sentimentality, and passion. Still, he is also the artist of modern times, who explores, evolves, and surpasses professional boundaries to develop a fresh new style entitled neo-emotionalism.

His breathtaking paintings elevate the art of figure painting to a whole new, all-encompassing art form that resonates with

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physical, emotional, and spiritual allure. Indeed, his work earned him the title of the official artist to the 2010 Latin Grammy Awards and the 2010 Winter Olympics in Vancouver, Canada. In addition, Fabian went on to win artist of the Year 2014 from the Italian Academy of Artists and the highly coveted Art Tour International Magazine Master of Contemporary Art. Perhaps, most significantly, Fabian has been honored in his native Argentina with an extremely rare government-funded public exhibition for the entire nation.

Despite these successes, Fabian continued to evolve to hone both his perspectives and emotions. Earlier in his career, he observed that "what painting means to me is that I escape from the world I don't like. I feel so comfortable doing it."

During this era, his works are predominately populated by people of an earlier era, both poised and garbed in yesteryears' high styles. They are immediately gregarious in a

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couple or a crowd—or they seem solitary.

However, even when alone in the frame, these men and women prepare for imminent encounters; they stare intimately at someone just to the side or listen to a familiar voice over the telephone. In other words, the energies of escape are omnipresent.

In Fabian's most recent works, his subjects seem palpably relaxed. Shoulders slope in repose. Limbs linger contentedly in their place, and legs fold themselves under women who would rather be no other place than exactly where they are. Indeed, these more modern men and women need not search beyond themselves. This joy of stillness points towards a novel and exhilarating next stage in the career and works of Fabian Perez—one of aloneness without loneliness, timelessness without eras, and journeys without escapes.

Can you describe Fabian Perez, the human, the artist, for us?

“I am shy and introverted, but I can perform when I have to and act social. I'm a dreamer and a believer. My moto is… 'Believe to See.' I follow my intuition more than Google, because I think life is empiric, and experiencing what I want to know is the best way to learn.”

Can you describe Neoemotionalism for us?

“NEO-EMOTIONALISM is the name I give to my movement. It's a style that focuses on emotion and skills instead of technique.

I believe that ART is emotions expressed through skills. That's why it is important in this movement to paint figurative cause in this way; the artist can put his skills in evidence.”

“Olga at Home” Acrylic on Canvas

How do you think Neoemotionalsim fulfills within society in our present times?

“My intension is to bring art closer to its essence and make it less ambiguous for art-lovers to appreciate. I heard some people saying that everything is art, but I disagree. People sharing their emotions doesn't make them an artist, if that was the case, any kid crying, or any person dancing in a club will be an artist.

Painters with great skills but without emotions aren't artists because they work with their minds instead of their feelings. ART happens in the sublime moment that emotions express through skills.

The artist uses the mind when elaborates the idea and after he finished the piece. In the execution, the emotion needs to flow without the limits of the rational mind.

Cont. next page

“Jimmy With Red Cadillac” Acrylic on Canvas

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“Girl in Quarantine” Acrylic on Canvas

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For the majority of people, this p r o c e s s i s a s d i f fi c u l t t o understand as to perform.

Masters reach this level with many years of practice, with FOCUS, DISCIPLINE, AND CONFIDENCE.”

Some of your figures are often set against a more abstract and somber background. Is this juxtaposition intentional? How do you decide the background?

“I don't define the background much; I don't want to give people many clues. Like reading a book, I like the viewer to feel up the negative spaces with their imagination. Empty spaces are gaps for reflection.”

“November 2nd” Acrylic on Canvas

Your bio talks about your childhood memories, among other things… when looking back, what paintings emerge from your collections that most relate to your childhood stories?

“It brings back many memories when I paint the Gypsies collection or the Nigh-club scenes especially. Las Brujas, a title you can see in many of my paintings, was one of my father's nightclub.

I liked to watch the weddings over at the gypsy encampments close to my home. They would last for days. They would begin with music and end in chaos. I always admired how they were content with so little. This inspired me to think that what one has is not as important as compared to whom you are enjoying it with. When I paint 'nómades or gypsies' or 'characters of the night,' it is nothing more than a return to those memories.”

There was a time in your youth that you went through dark moments after losing both of your parents. In your bio, it's described as you living alone, traveling the world as a nomad, and then discovering solace in martial arts. If you were face to face with that younger Fabian, what would you tell him?

“I will tell him the same thing I tell my kids, to believe in God and in the course of life, no matter what. Even in the most difficult times. In the end, it's always a good reason why things happen.

Do you remember your first interaction with art? When did you decide you wanted to become an artist?

“I remember been artistic from a really early age, like the majority of the kids. I remember being surrounded by my classmates watching my drawing at elementary school, which made me figure that I was doing something better than the others could do.

Then in my 20's, after my mentor Oscar Higa advised me to take art more seriously and not just as a hobby, I followed his idea.

A few months later, I participated in a few contests in Italy, and not much longer after, I sold my first painting. At that moment, I thought…If I sold one can sell them all!… there is when I became a professional artist.”

There is a certain curiosity and sensitivity that flows in harmony with creativity and the freedom to express… one might say artists are always young at heart – curious, authentic, playful, experimental, passionate… any thoughts on this?

“Artists don't age mentally. They keep the illusion, the wonder of the first time. We are in touch with the present moment, with a beginner mind. That's why the great Picasso recognized this when he said… 'artists should return to be kids.' These are unreachable qualities for many people; that's why artists are admired through existence.”

Unfortunately, adversity is what brings us knowledge. And life is our ultimate opportunity to express and experience, learn and integrate our knowledge into our actions, and evolve.”

“Casablanca II” Acrylic On Canvas

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“Casablanca I” Acrylic On Canvas

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In February 2019, Fabian Perez met Argentinian Football legend Diego Armando Maradona.

Your new series “Missing Casablanca” is filled with nostalgia for those good old days and black and white masterful works. How did it come about, and what is your message to the viewer?

“MISSING CASABLANCA describes the solace of the character in this period in time. In our time, all the stars' qualities are minimized by modern customs, making them feel almost guilty about their behavior. Casablanca is one of the greatest films in cinema's history, and the song ‘As Time Goes By’ has become one of the best-loved standards in the world. Watching the movie, you can experience all the things that have changed as time has gone by. There are some moments in the film that I don't think the younger generations will be able to relate to yet, but for many of us, its values and ideas are timeless, and this was something I wanted to acknowledge and celebrate with the paintings.”

Any upcoming projects and exhibitions for 2021?.

“Hopefully, I'll be touring soon. But what is really exciting for me about 2021 is that I am opening a Fabian Perez Gallery in the city of Los Angles this coming summer, and I look forward to showing my work locally.”

“Maradona” Acrylic on canvas

“Painting is a wonderful way of communicating with people. It can be hard to explain everything I feel – and somehow, people seem to understand me by looking at my art and would love this reciprocity to remain forever. A piece of art should never be taken for what it is but for what it expresses. Success is to reach a goal that you focus on. For some artists, the goal is fame, or money, etc.- My target is to provide my family with all their essential needs, doing something that I love. And I do. That's why I feel successful.”

Is there a particular message – or question – you would like to leave/ask the readers?

www.fabianperez.com @FabianPerezArt

Below: Fabian Perez with his family meeting Spanish professional tennis Player "Rafa" Nadal Parera in Acapulco (Mexico). February 2020.

“Rafael Nadal” Acrylic on Canvas

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Barbara Tyler Ahlfield “The Essence Of Beauty”

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by Viviana Puello

merican master artist Barbara Tyler Ahlfield creates dramatic, evocative, and emotionally layered portraits that are whimsical and profound, elegant and refined, technically accurate yet spontaneous.

Working in various media, she prefers the use of graphite pencil combined with India ink line, colored pencil, watercolor, gouache, and oils. She carefully orchestrates portraits capturing her subjects' psychology through harmonious compositions that emanate intimacy, delicacy, and strength.

lifestyle fashion brand Sisumoi. The brand promotes the ideal of fine art incorporated into everyday aspects of life. Her signature paintings are brought into a new atmosphere through clothing garments and everyday accessories.

With a strong foundation in art training, Ahlfield studied at Ohio State University, Columbus College of Art & Design, and the Schuler School of Fine Arts. She moved from a thriving career as a fashion illustrator to success as a fine artist. Her roster of clients has included very recognized firms like Coty, Carlisle, Dillards, Foleys, Garfinkels, Hutzlers, Joskes, Lord&Taylor, Marshall Fields, Marshalls, Nordstrom, and J. Wanamakers. As lead fashion illustrator for Lord & Taylor, she saw her double-page illustrations in the New York Times' Sunday editions.

Her experience with Fashion Illustration has influenced her work as a painter, becoming the thematic and technical foundation of her contemporary work. The concept of beauty and glamour is quintessential in her paintings, being the root of her inspiration.

Last year Ahlfield partnered with her daughter Alexandra Ahlfield and embarked on a new path of creativity, launching a

“Aquatic Highway” Oil on Canvas, 60” X 48”

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“Viviana’s Dream” Oil on Canvas, 60” X 48"

“Manhattan Night Flight” Oil on Canvas, 60” X 48”

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Ahlfield's background as a lead fashion illustrator has propelled her into new heights for this line and sharing an awareness that beauty starts with one's commitment to their passions and truth.

Barbara Tyler Ahlfield is a passionate animal rights advocate who supports welfare causes by donating her services as an animal portrait artist to raise funds for animal rescue groups. She is a proud sponsor and board member of the nonprofit charity Pet Philanthropy Circle.

During her extensive career, Barbara Tyler Ahlfield has received several honors, including the NORMA award for lingerie advertising and cosmetic advertising, the Seklemian award for reflective color advertising, the Federated Dept. Store advertising award (Lazarus Division-three consecutive years), and she is a member of the Society of Illustrators. In 2019 Ahlfield was chosen as Artist of the Year by ArtTour International Magazine to recognize her successful career as a visual artist and contribution to the arts.

www.barbaratylerahlfield.com

Barbara and her daughter Alexandra Ahlfield launched a new business in 2020 using her fashion and fine art images and printing them on apparel and accessories. Their business is called “Sisumoi” and can be found online.

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“Arabella” Oil on Canvas, 60” X 36”

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ALBY

“Night Swimming - Seeking Humanity”

“Every Day Angels” Oil on Canvas

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by Viviana Puello

merican born, Award-winning artist ALBY is known for her diverse use of media, themes, and styles. ALBY's portfolio is an intriguing display of figurative, abstract, and elemental work, which speaks to social, environmental, and personal concepts fusing naturalistic imagery with eccentric patterns to stunning effect. Her paintings beam with a kaleidoscope of bright tones and soft earthy contrasts.

visible our society's internal demons. In her figurative work, she plays with form, color, and anatomy to illustrate underlying aspects of the human condition, creating a strong connection between social activism and her artistic practice. Through her work, she expresses thoughts and feelings that challenge viewers to question what they see while opening a conversation that can lead to conscious awareness. In her work, figures and forms are painted with swaths of vibrant colors, rendered with narrow outlines. Backgrounds also play an essential role in the compositions, as they are used to create spatial dimensions.

Her haunting expressionist paintings capture the emotional responses of her subconscious mind to life events and experiences. Working predominantly in oil on canvas, the artist blends bold lines with thick layers of color to compose highly detailed renderings executed with textured brushstrokes and strong compositional skills.

Focusing on landscape and figurative subject matter, ALBY presents a profound and realistic look into humanity, making

“If She Could Fly” Oil on Canvas

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“She Is my Sister” Oil on Canvas

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“Sister Where Are You” Memorial for Missing and Murdered Indigenous Women Mixed Media

ALBY's landscape work draws inspiration from the natural world and the myriad colors, tones, and light offered by constant atmospheric changes. She is inspired by living in the isolated northern woods of the Pacific Northwest and aims to share her concern about environmental conservation issues through visually stimulating imagery that reflects the awe-inspiring beauty of our planet.

Currently, ALBY is choosing to use icon art formats to shed light on our global refugee crisis through carving, wood burning, and layering of metallic and natural colored inks. Her themes are sensitive to the many challenges the world faces. Focusing on and promoting peace is a signature concept found in all of her paintings. ALBY captures a spiritedness in her depictions of landscapes and human subjects by combining naturalistic detail and stylistic expression.

“I find the portrayal of human beings fascinating as it directs my observations outward, as well as inward. Ultimately, for me, it is a way to come to understand the self. As in science, the study of representational art begins by developing an understanding of the physical and empirical truths discovered and noted through time and then naturally wanders into the realm of consciousness, subconsciousness, philosophy, and psychology. Through tenacity, one develops a familiarity with every rule, every theory, and technique that eventually reveal their poetic nature. Control and command become fractal-like, duplicating, patterning, and spiraling into one and other, spontaneously calling forth corresponding and heightened awareness, expression, and imagination.

Depicting the human figure is, for me, a good example of that flow and, therefore, has always been an area of art that compels me. Although I often turn to other engrossing subject matter, I always return to drawing and painting people when I hear the call to pursue our humanity's nature. Throughout my career as an artist, the various bodies of work I have developed intermittently began or ended with a study of the human figure.”

“Sister Where Are You” Mixed Media, Partially Opened

alisonbarrowsyoung.com @being.bayou @eideticentity “Sister Where Are You” Mixed Media, Back Panels

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Howard Harris

“Ayers Rock”

Sublimation Print With Acrylic Overlay,

36” X 30”

H

oward Harris has long been fascinated by both visual perception and design. The Denver, Colorado, USA native earned a BFA from Kansas City Art Institute, MID (Masters Industrial Design) from Pratt Institute in New York, studying with internationally renowned design theorist Rowena Reed Kostellow.

Harris has spent more than 35 years combining design and technology, where he has won many prestigious professional awards. Now his creative energy has turned to his lifelong passion, photography. With an iconoclastic streak that had seen him consistently forging new directions in design, he was bound to approach the photographic image unconventionally as well.

In 2017 Harris was granted a United States Patent no: 9,753,295 titled Apparatus and Method of Manufacturer for a Layered Artwork proving his photographic work's uniqueness and inventiveness. Since then, his work has appeared in many books and publications such as The Great Masters of Contemporary Art, ArtTour International Artists of the Decade, Art Collectors Choice Japan, International Contemporary Masters, and Top 10 Contemporary Artists, to mention a few. He has also been awarded Artists for a Green Planet Artist of the Decade, International Prize Raffaello, International Prize Giulio Cesare, International Prize Leonardo Da Vinci, International Prize Caravaggio, Contemporary Art Curator Magazines Artist of the Future, and more. He serves as a Trustee of The Kansas City Art Institute has won the Who's Who Worldwide Lifetime Achievement and the USA Small Businessperson of the Year. His work is shown internationally and represented by galleries in the United States, U.K., and Europe and appears in the South Korean Yukyung Art Museum.

“Brunt Turmit Mounds” Sublimation Print With Acrylic Overlay, 36” X 30”

www.hharrisphoto.com @howardharrisphotoart

“Darwin Landscape” Sublimation Print With Acrylic Overlay, 36” X 30”

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Marina Gavanski Zissis my painting style, "sensu-expressionism".

“I call Painting the human body truthfully, means being able to represent the physical, emotional and spiritual. As a woman, I portray the female essence, in all its manifestations. In the painting "Evolution"; the elements of earth, air and water blend into each other just as the body and spirit do. The spirit is not male or female, young or old, it just "exists". I paint the magic of being human

“Evolution” 2012,

Oil on Canvas, 72" X 24”

within and despite the digital age we live in. "For me, Art is feeling the inevitable movement of time and preserving the moments."

www.studiomarina.com

“Leaving Sarajevo (The Bride)” 2012, Mixed Media on Canvas,

28” X 32"

“Alestra” 2018, Oil on Canvas, 18" X 22”

Monika Bendner

by Viviana Puello

a digital overlay and collage process, T hrough award-winning master artist Monika Bendner

creates multilayered, surrealistic experiences through a combination of photographic prints and mixed media. Her compositions, which are printed on a variety of materials, create a narrative that evokes emotions and multiple responses from her viewers;

Monika's use of abstract lines and shapes conveys movement in their dimensionality, and her bold, rich, textured application of color emanates meaning through their saturation. Visually connecting disparate elements and creating a visually stunning image is the hallmark feature of Bendner's work throughout her metamorphosis.

Her collections of impressive, starkly captivating imagery continue to be thought-provoking and stimulate audiences around the world.

"I love colors and the 'non - colors.' Now I thought to portray it in a series of pictures. That's how I see nature. The beauty there is in the abundance of colors, but also the beauty in the melancholy of the "non colors." This is how my pictures were created, designed in abstract forms. Now everyone can decide for themselves what they like better.” - Monika Bendner

“Ice Crystal” B&W, Photoprint on Canvas, 24” X 35”

“Ice Crystal” Color, Photoprint on Canvas, 24” X 35”

“Intrique” B&W, Photoprint on Canvas, 24” X 35”

“Intrique” Color, Photoprint on Canvas, 24” X 35”

www.monikabendner.com “Visual” B&W, Photoprint on Canvas, 24” X 35”

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“Visual” Color, Photoprint on Canvas, 24” X 35”

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Jason Bryant a fingerprint, a signature, and “A photo, DNA are methods we use to identify a

person, but they are just a means to match a name or face to an individual, not describe who they are or their identity. It is not the identity or recognizable face I use to describe my portraits. Many levels go into what makes a person's portrait. It's a fabric of many layers, intertwined with a person's favorite foods, music, and movies. Stemming from my lifelong love of the cinema, many of my paintings' subjects are actors and actresses. I’m not commenting on the celebrity; I use the celebrity as a hook to bring the viewer in.

By cropping certain features of the face, I add mystery, bringing us to question who we are and what's beneath the surface.

graphics coming from behind or bursting through the elegant black and white images of my subjects, I've merged two essential parts of my life, skateboarding and art. The figure is the focal point, but when all of the elements of the painting come into play, the work really explores the identity of others, not the subject being painted.”

www.bryantpaintings.com

In my recent series, I have incorporated my love of skateboarding to explore portraiture. With vibrant visceral iconic skateboard

“Video Days” Oil on Canvas, 40” X 60” X 3”

“It Only Happens Once” Oil on Canvas, 36” X 30” X 3”

Suzan Obermeyet

“I

grew up in both Colorado and California. I received my MFA in 2015 through the University of Plymouth, UK. I’ve attended artist residencies in Berlin, NYC, Brooklyn, Marfa, TX, and Italy. Most recently, in 2020, I spent ten weeks in a Facilitated Studio Practice at Anderson Ranch, Snowmass, CO., working on Lotus paintings. My medium for this series is mixed media paintings.

garden for many years, weeding and tending. Through using one’s discretion and judgment of which plant is a “weed” and which is societally accepted, we have the opportunity to question the socially learned boundary between which are good or bad plants.

We may be missing the point of a larger ecosystem of species all seeking life. I’m celebrating the amazing blossoms and life force forms while questioning learned conditioning and perceptions. The garden nourishes my mind and body as I witness nature and explore the human relationship with “her.”

I appreciate the ecosystem below the surface; the complex support functions for a lotus to blossom. I have lived intimately with a

www.suzanlotusobermeyer.com

“Lotus Art” Mixed Media on Canvas, 25” X 25”

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“Lotus #5 ” Mixed Media on Canvas, 25” X 25”

www.arttourinternational.com

Christian Brandner

“#00900” 2010, Oil, Gold Leaf & Color Pencil on Masonite, 50" X 34"

C

hristian Brandner was born in Argentina, where he graduated from the School of Visual Arts and has shown his works in solo and group art exhibitions.

He has been living in New York for the last 25 years, where he developed a successful career as a decorative painter, collaborating with interior designers and architects in numerous projects worldwide while at the same time refining his style of painting.

realistic representations and abstract forms of objects and humans that form a balanced inner world in a chaotic universe.

www.christianbrandner.com

In Christian's work, we can dive into a universe of personal visions and feelings, where the real world blends itself with alternate realities through paintings that capture timeless themes. His search for an artistic expression can be appreciated in his detail-oriented renditions translated through paint into

“#77377” 2005, Oil & Gold Leaf on Canvas - Triptych, Each Panel 62" X 26.5”

www.arttourinternational.com

“#00200” 2012, Oil & Gold Leaf on Board, 55.5” X 38.25”

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Dale Chihuly “The Spirit of Color”

“Gilded Fiori Boat” 2020

T

by Viviana Puello

The beautiful glass sculptures of American artist Dale Chihuly are inspired by the natural world, balancing content with a research of the material's translucency and transparency properties. Chihuly's works use organic forms, plant life, sea creatures, beautiful currents of water, and waves to create universes of mysterious imagery, alive with movement and light.

Chihuly's monumental three-dimensional installations, which use bright color to stimulate viewers, are elegant and purposeful; Each piece plays an important role and integrates into the whole, effortlessly blending into the beautiful landscapes in which they are set. Chihuly's captivating installations invite you into a secret world of fantasy and wonder that inspires the senses and connects with human consciousness and spirituality.

Dale Chihuly is known widely for his dedication to glass blowing. He has been credited with elevating blown glass objects from decorative pieces to fine art and has earned a host of awards, including 12 honorary doctorates and 2 National Endowment for the Arts fellowships. Chihuly's glass sculptures explore color, line, and assemblage; his work ranges from the single vessel to indoor/outdoor site-specific installations. He is best known for his multipart blown compositions.

Chihuly was born in Tacoma, Washington, in 1941 and grew up in the city. While at high school, he wrote a term paper on Van Gogh and how the artist's work inspired him to remodel his mother's recreational room. After a year at the College of

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Puget Sound, he transferred to the University of Washington, where he was first introduced to glass during his interior design studies. In 1965 he achieved a Bachelor of Arts degree in interior design.

After graduating, Chihuly decided to enroll in a hot glass program, the first of its kind in the United States, established by Studio Glass movement founder Harvey K. Littletonin at the University of Wisconsin, where he attained a Master of Science in sculpture in 1967. Chihuly further advanced his studies through the Rhode Island School of Design and later established its glass program, teaching students for more than a decade.

In 1968 Chihuly received a Fulbright Fellowship, which led him to the Venini Glass Factory in Venice. This experience exposed him to the team's approach to glass blowing, which would become an integral part of his working method. In 1971 Chihuly co-founded the Pilchuck Glass School, and he has gone on to become a leader in the development of glass as fine art.

Tragically, Chihuly was involved in a severe head-on car collision while visiting England in 1976. The impact threw him through the vehicle's windshield, causing severe facial cuts and leaving him blind in his left eye. Miraculously, Chihuly was eventually able to recover and continued his glass-blowing career until he dislocated his right shoulder in 1979 in a bodysurfing accident. In 2006, Chihuly gave an interview in which he stated that because his most recent accident had left him unable to hold the glass-blowing pipe, he was forced to hire a

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“Harvest”

team of assistants. He said that he liked the view once he had taken a step back and was able to enjoy it. He explained how seeing things from this point of view enabled him to work from different perspectives and anticipate problems much more quickly. Chihuly described his role as a choreographer rather than a dancer, a supervisor more than a participant, a director rather than an actor.

Dale Chihuly has several museum collections, over 200 around the world in fact, with over a dozen well-known series of his work, including the conceptual breakthrough with Dry Ice, Bent Glass, and Neon that he completed with James Carpenter in the 1970s; Macchia, Persians, and Seaforms in the 1980s; Chandeliers, Niijima Floats, and Bridge of Glass in the 1990s; as well as Fiori, Bluebeards Castle, and Mille Fiori Venezia in the 2000s. In 1995, Chihuly began work on Chihuly over Venice, in which the artist created sculptures in glass factories in countries such as Ireland, Mexico, and Finland. He

“Pheasant”

“Rosette”

then began to install them throughout the piazzas and canal ways of Venice. In 1999 he started an ambitious exhibition – Chihuly In The Light Of Jerusalem. This project generated more than a million visitors worldwide to witness the Tower of David installations.

Chihuly's love for color is seen in each one of his pieces. He has declared that the unbelievable combinations of color are a driving force in his works. "I'm obsessed with color—never saw one I didn't like."

Dale Chihuly's latest events include his most recent exhibition at The Baker Museum in Naples, "Dreaming Forms: Chihuly Then and Now," the third major Chihuly exhibition in the history of The Baker Museum, which includes stunning artworks presented in The Baker Museum as well as around the cultural campus.

In addition to that, The Rug Company is launching a collection of five limitededition rugs in collaboration with Chihuly. The collection represents the work and dedication of master artists and craftsmen, starting with Chihuly and his team of glassblowers in Seattle and finishing with the master weavers in The Rug Company's mills in Kathmandu, Nepal.

Dale Chihuly is a dominant presence in the art world—he has opened the doors for future generations of glass artists by elevating glass blowing to fine art in all its magnificence, a lasting contribution to the art of our times.

www.chihuly.com “Red Reeds” 2010

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Cor Fafiani

“Escape Room” 2019,

Polystyreen Acrylic,

43” X 35” X 32”

T

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he relationship between human and animal flora and fauna plays a central role in my paintings and sculptures. My subjects evolve from my dreams of strange and changed worlds that are hidden and revealed and sensitized in my imagination. I also respond to current issues such as

pollution e,g plastic pollution global warming. That is why my sculptures are made of disposable packaging, e.g., polystyrene.

The meaning and inspiration for my small three-dimensional sculptures is the search for identity and rebirth within my self

“Nest Heat” 2020, Acrylic on Canvas, 70" X 50"

“Dripping Room” 2018, Polystyreen Acrylic, 56” X 35” X 28”

www.corfafiani.nl

www.arttourinternational.com

Yinka

“Mademoiselle” Acrylic And Fabric On Canvas, 30” X 40”

B

“The Rural Deity” Acrylic And Fabric On Canvas, 30” X 40”

orn and raised in Ghana, West Africa, and now living in New York, Evelyn Adams uses her artistry to bring African culture to life in the United States. Through her unique art pieces, the rising artist brings Ghana's rich culture and identity to the other side of the world.

Evelyn Adams, also known as Yinka, is a rising artist based in Queens, New York. She holds a bachelor's degree in Fine Arts from the Long Island University Post School of Visual and Performing Art, where she graduated as a Summa Cum Laude. She also obtained associate degrees in Liberal Arts and Science and Fine Arts from Nassau Community College and graduated with honors as a Cum Laude and Magna Cum Laude. For most of her life, she has lived in two very different cultures, which has molded her into the woman and artist she is today.

Born and raised in Ghana, West Africa, Evelyn Adams is in touch with her African culture despite moving to the United States several years ago. A proud Ghanaian-American, she embraces two cultures in her artwork and uses both as an inspiration for her masterpieces. The artist explores diverse themes, styles, and media in expressing herself. "My work centers around textiles and traditional Ghanaian clothing, in which it explored the country's rich culture and identity," she expresses.

Moreover, she also uses acrylic paint to demonstrate African figures. She has also incorporated new beads, textiles, and garments with the characters on the canvas, to bring her artwork to a different level.

Her passion for art began at a young age. As a little girl, Evelyn Adams loved to draw everything that caught her attention. In college, her ceramics class instructors saw her potential and urged her to pursue her art journey. Since then, she has not stopped expressing herself in different artistic ways. For this rising canvas diva, art is a language on its own without any boundaries or limitations; every individual can interpret this language in their way. Indeed, art is an invisible thread that connects people from different parts of the world.

www.evelynadamsart.com www.arttourinternational.com

“The Woman in the Front Sit” Acrylic and Fabric On Canvas, 30” X 48”

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Hélène DeSerres

“Hélène DeSerres Preserving Wildlife and Bringing Environmental Awareness with Art”

“Resurfacing” Acrylic on Canvas, 30" X 40"

P

by Paul Simpson

erhaps no modern creator exemplifies this idea more than acclaimed Québécois artist Hélène DeSerres, who leaves discussions of her methods and her works firmly unvoiced. She prefers instead to let her creations speak for themselves, whether photographs, watercolors, mixed media paintings, sculptures, or jewelry.

Photography was her childhood passion, twinned as it often is with a lust for travel and adventure. Hélène’s journey to turning these avocations into a vocation took her first to Loyola University, where she earned a B.S. in Political Science, and then to the Fine Arts program at Sir George Williams University (now Concordia University) in Montreal. During a subsequent two-year stay in Quebec City, she attended creative workshops at the Moulin des Arts with Albert Rousseau and discovered sculpture and copper enamel. When her children left the farm on which they had been raised, Hélène dedicated herself full-time to art. She studied with clay sculptor Andre Turpin, as well as with Chinese watercolorist Ming Ma. Later, at the Allende Institute in Mexico, she discovered a lost wax technique and created her first bronze sculptures. In Montreal, she would later apply this technique to create stunning, first-of-its-kind jewelry.

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Along the way, Hélène’s work has garnered global acclaim. Her work has been featured in numerous galleries and exhibitions in Canada, the United States, Mexico, Spain, France, Portugal, the Czech Republic, and Tunisia. Moreover, her work has won awards across borders and mediums. She has been awarded the Médaille d’Argent for not only sculpture at the Grand Annual Competition of the Circle of Artists, Painters, and Sculptors of Quebec in 2000, but also for photography at the International Exposition in Constanza, Romania in 2012.

Hélène has also been honored as ARTYA artist of the year award in both 2018 and 2020. In addition, Art Tour International Magazine has named her a Top 60 Artist in 2014, as well as a Top 60 Master of Contemporary Art in both 2015 and 2018.

“A seed grows with no sound, for creation is always quiet.”

- Hélène DeSerres

www.arttourinternational.com

“Purple Brows”

Acrylic on Canvas,

30" X 40"

Given Hélène’s pluridisciplinary mastery, the question naturally arises: What unites her art across its disparate forms and mediums? Confronted with the vast spectrum of her creations and her wise silence on artistic processes and works, it is perhaps best to focus on an exemplar such as “2 Zèbres a lunettes” (“Two Zebras with Glasses”), part of the series “Métamorphoses.” A reimagining of an original photograph in acrylic, it vividly depicts one zebra in the background bowed down and drinking from a watering hole, while the other

stands prominently in the foreground and stares intently outward. There is no doubt that the work’s lines and colors dazzle as they manifest the secrets of nature in unexpected ways. However, it is in the space between the emphatic blue that rims the zebra’s eyes and the viewer’s gaze that lies the unity that binds all of Hélène’s master works—pure and silent joy.

www.Helenedeserres.ca

“COVID”

Mixed Media on Canvas,

30" X 40"

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Helen Kagan “HealingArts"

H

elen Kagan PhD, a creator of her unique “HealingArts” she’s been developing for 30 years, believes that art is a catalyst for healing individuals, society and environment. As a pioneer in creating art with intention to heal, she started to use art, energy & spiritual work, music, movement, and other expressive modalities to support her own healing as a severe PTSD survivor, and to enhance healing process for those in need. Helen brings together Fine Art, Expressive Arts and Art of Healing by integrating healing frequencies of color, positively charged intention, embedded spiritual messages, and energetically balanced composition.

Her “HealingArts” shown in many physical and online Galleries, Countries, Catalogs, including FL Design Magazine, FineArt NY Magazine, BLINK Art Resource; in multiple Shows and major Art Fairs including ArtEXPO New York, Spectrum ArtBasel Miami. Helen was named a "Collectible Artist” by Brickell and Key Biscayne Magazines, Inspiration International ArtBook, won multiple awards; exhibited in NY, NJ, MI, AZ, WI, MN, CA,VT, and in many cities in FL.

Her work is often described as “symphony of colors” saturated with passion, movement & energy eliciting a profound positive response. Her Vision, Mission, and Purpose is to bring

“OM. Crown Chakra” 2018 Series "Healing Chakras", Acrylic on Canvas, 48” X 48”

“HealingArts” to HealthCare, Residential and Hospitality facilities - to assist in recovery, encourage happiness, enhance healing & wellbeing by introducing high-vibrational multisensory experience, meditation & relaxation.

In our turbulent challenging times, Helen feels she just must create new “life-affirming” healing art. In the midst of Worldwide crises and escalated pandemic saturated with fear, anxiety, lots of stress and uncertainty, Dr. Kagan believes her “HealingArts” can make a difference in peoples’ lives by bringing colors, healing and hope.

www.helenkagan.com @helenkagan

“Colors of my City” 2019 Series New York New York, Acrylic on Canvas, 30” X 24”

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“Purple Mountains” 2020 Pandemic Series Serenity, Acrylic on Canvas, 24” X 18"

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Frans Frengen

“Creating Beauty from Ashes”

“To Eternity” 2019, Fumagine and Acrylic Dots and Movable Square on Canvas, 27.6” X 27.6”

E

“Rebuilt Space, Black and White With Blobs of Paint” 2019,

Fumagine and Acrylic Dots and Movable Square on Canvas, 15.7” X 15.7”

By Tiarra Tompkins

ach of us will face tragedy in our lives. The pain, recovery, and rebirth that comes from adversity are as unique as our fingerprints. To describe the gamut of experiences and feelings that each one contains can be overwhelming, and yet, there is also tremendous beauty that comes from these experiences. Each opportunity and lesson a chance to take what they taught us and use it to serve others. From racial division to global warming, we are bombarded daily with loss, devastation, and division. How can humanity rise like the phoenix from these proverbial ashes?

Through artistic creation, Master Fumagine artist, Frans Frengen, paints with flame. They are bringing the right ashes into the beauty of his work. Creating art with ashes and soot, Frengen paints with a flame, creating paintings and sculptures of soot and installing smoke, allowing us to see that beauty, hope, and restoration comes from the ashes. For a world suffering from rampant wildfires, systemic racism, and gender inequality, Frengen brings vision and hope with his work.

Inspired by this technique of using real fire, ashes, and soot, real conversations around environmental conservation have been ignited, bringing into view so much that our world is suffering a loss.

Original from Belgium, Frans Frengen is one of the most genuine contemporary artists to emerge on the scene, developing a work process that is as intriguing as his artwork.

Feng studied painting and drawing under prominent artists for some years before acquiring the signature "Imagine" technique that forms the basis for much of his work.

Despite the bold, thick lines, smudgy appearance, and simple nature of Frengen's drawings and paintings, they are still highly detailed and reveal the artist's deep level of skill and technique.

It may still be decades before our world comes together in peace to face the obstacles facing our species and our planet.

When we are striving for unity, artists like Frans Frengen are opening doors to critical conversations. Inspiring people from all over the globe to ask more questions about challenging topics. Questions like, what can we do to make a difference? To bring awareness to global problems, share support for environmental conservation, and share a vision of the beauty that truly comes from ashes.

www.allart-frengen.be “Rebuilt Space, in Broken Red and Blue” 2019,

Fumagine and Acrylic Dots and Movable Square on Canvas, 15.7” X 15.7”

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Yolanta Desjardins life is an exploration of feelings about a subject. It is always a challenge to portray the vision in front of you through your "A painter’s own hand as it directly communicates your own feelings. Thus, to develop and direct your skills of looking, feeling, and execution of

energy Impulses from your brain, eyes, and finally through touch to converge this energy in a pleasing arrangement on the canvass. This process is never guaranteed as the mental discipline demands these elements to harmonize in your execution. Painting from life is far superior to photographs as you can observe and feel the subject in person. It is a lifetime of observation, learning, and execution and can only be completed through trial and error and much learning. It never ceases to amaze and teach, and I am always excited about this process. Sometimes, you must accept your failures as they better teach you than your success and make you grow. I like to see the development of painters from their first stroke to their end career to see their development along the way."

www.yolanta.co

“The Conductor” Oil on Canvas, 30” X 36"

“M

“Girls Next Door” Oil on Canvas, 32" X 36"

Judy Milazzo

y work begins with an Egyptian and pre-Hispanic influence, a graffiti alphabet that rules as signs of a remote cabal in memory of the divine magic manifested in the creation of new images; it continues with the importance of mathematics, this being the only exact answer to all our questions.

I continue with doors that prevent me from going to prohibited places, door elements or closed windows, exclusion, isolation, outside the helpless individual. Geometric gurus arise, which becomes a Robot Life, which dominates the routine of the human being (robot life).

When I am threatened by time, a timeless conflict is reflected in the series Unreal Time, which is witness to everything that happens, in which time is the protagonist that keeps everything and disappears. And so begins Disintegration, without finding any answers, which makes me reflect on all these concerns. Going to a new stage, Perception, I discover a strong influence in graffiti. I’m lost in an unknown area, which is noted through graphics, illustrations, and writings to express different problems, such as the cancer of the global crisis, among the questions. In this new stage,I capture in my canvases and sculptures the resentment of all these problems, admiring the beauty of graffiti. This contemplation leads me to The Twighlight Zone, an unknown area where I realize that everything around me Is no more than an optical illusion. And finally, I come to Deception, feeling inside a labyrinth with no way out.”

@judymilazzo @judymilazzoartist

“Distance in Time” 2019, 19.7” X 39.4”

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“Inception” 2020, 71” X 27.55”

www.arttourinternational.com

Johanna Wray

I

have been interested in drawing and painting figures and portraits since my teenage years. In high school, I used mainly watercolor wash with ink, and the art students would model for each other. Later on, I made watercolor paintings of my children at play and then my grandchildren.

Currently, I am working in oil paints, creating my “SelfiePortrait” Series. My models consist mostly of my art students or family members. I am fascinated by the new phenomenon of the models taking their pictures. The creativity of these Instagram photographers has resulted in a whole new genre in art. I am excited by the square format and the variety of compositions from posts on this new social media platform. Young ladies expose themselves in various scenarios, often in places where, previously, most people wouldn’t think of taking pictures, such as the bathroom or the bedroom; very private spaces. We are gaining some intimate knowledge of the person behind the camera. And exposing the vulnerability of our youth.

Our society is evolving towards self-centeredness, which leads to feelings of isolation and loneliness. Anxiety and depression are all too common in today’s young people. When asked if they ever got depressed, the older woman said,” We never had time to think about how WE were feeling. We were too busy!”

In “Spotlight,” I am speaking to the ‘negative’ voices within many women. “I’m too fat.” “I’m too thin.” “I’m too short.” “I’m too tall.”

“I’m too black.” “I’m too white.” Those little voices we hear when we look in the mirror. The thoughts that make us feel small and insignificant. Let’s change our voices to “I’m just perfect the way I am . . . and ready to seize the day”!

“Girl With a Pearl Earring”

Oil on Canvas,

12" X 12"

www.art4u.info

“Hide” Oil on Canvas, 12" X 12"

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“Spotlight” Oil on Canvas, 18" X 24"

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John Denis

“Reflect” UTMB League City Hospital Houston TX, 20’ X 6’

“I

have been a full time working artist for over 25 years, exhibiting in over 100 juried art shows throughout the U.S. Currently living back in Miami, where I originally began the glass medium, I feel at home and renewed. My work is a reflection of the time spent in coastal regions: the relevance and infinite character of the ocean fuels my senses and imagination.

I begin my process with a block of plaster, clay, or a free form armature. I then hand carve a form from the work and layer it with glass and acrylic by heating and cooling the surface. I then break away the form and what is left is the sculpture. I stumbled on a new approach to the medium of glass, a hybrid of glass. I wanted a scale and dimension that was not available in previous techniques. It's the marriage between light, form, and texture.

At nine years old, I was building small inventions, playing music, and writing songs. At age fifteen, I joined an original band as a lead singer and songwriter. We played along with a few large acts for a handful of years. In 2019 the band reunited, recorded some of the early songs, which inspired me to start my solo music project. I have released several songs and will be debuted in 2021 on a compilation with a major label.

The partnering of music and sculpture has been critical in strengthening my work as a whole and has kept me fully engaged during this challenging time.

I want my work to uplift, and at the same time, shift viewers' state of mind to openness, a pause of words, to take a breath and feel a little more.”

www.johnjosephdenis.com

“The Strand” Glass and Acrylic, 25" X 11” X 11”

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“Strata” Glass and Acrylic, 55" X 24” X 24”

www.arttourinternational.com

Karl Weiming Lu 2010, Karl Weiming Lu originated and e-published his I nabstract "Origin Series" Artworks, which Manifestoed the

Abstract Art of Philosophy of Science with Lu's philosophical and scientific understanding and intuition about the origin of art, life, and the universe, and painted by his unique bold and fluent ink-brush strokes. He has been widely regarded as a true global Renaissance man of our time who spans his life

from East to West. Karl W. Lu was born in 1962, into a big intellectual and art family for generations in Hangzhou, China.

He learned visual arts systematically during his school years at a fine arts class of the Hangzhou Children's Palace; he later also developed his interest in science and enrolled at a top class of science in a top selective high school in Hangzhou.

In 1991, Karl Lu relocated to Australia to have his postgraduate studies in philosophy and then international studies at the University of Wollongong and University of Sydney, respectively; further, Lu also earned three Masters' degrees in Art, Design Architecture from the University of New South Wales.

“All my interests in arts, philosophy, and science come together into my artworks."

www.kwluart.com

“Memory @Talking About Future AI of WWW.COM"

(Memory Series 1981 - 2002 - 2018), Mixed Media, 23.6” X 17.7”, 2018

“Origin @ the Flow of Universal Clouds X”

(Origin Series 2010 - 2018), Mixed Media, 23.6” X 17.7”, 2018

Mieke Hoogen-Huijgen

“Body” Ceramic, 23.6” X 13.8” X 3.1”

“Vase” Porcelain With Copper Rope Baked in a Saggarpot, Round 6” X 7”

“Two Faces” Ceramic on Plexiglass, 19.7” X 9.8” X 3.1”

For more info visit:

www.miekevandenhoogen.nl www.arttourinternational.com

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Kay Griffith

“Abstract U-403 ” (Closeup of Some Detail) Oil on Canvas, 48” X 48”

A

“Abstract U-405 ” (Closeup of Some Detail) Oil on Canvas, 36" X 48”

by Satine Razio

merican abstract expressionist Kay Griffith delivers a visual display that entices the eyes. The thick texture within each of her oil paintings adds toward unique

concepts behind her work, each large scale painting stimulates the mind and provides an interplay of emotions.

Inviting her audience inside a vortex of color play. Griffith has a keen eye that captures the delicate and subtle transitions in movement, her discipline, and mindful awareness of her surroundings works as a vital tool in creating improvisational abstracts that set the tone for exis­ten­tial questions.

One Kay Griffith’s art features is her thick impasto layers that structure shapes with lines and geometrical forms. At the same time, she employs a free abstraction that values fluidity and movement. Showcasing her skill in utilizing different techniques to create her artworks and convey her themes that are closely related to the emotional and cognitive status of the painter. Her work focuses on the sheer strength of color; one can see some elements that can act as references to actual landscapes or objects, thus employing some subtle figurative themes within her artworks. These features are fragmented and distorted to the point that they are hardly recognizable, becoming instead a choice that aims to unravel her personal view and reality. It is essentially a choice that can intrigue her audience and invite them into a journey of exploring the rich color patterns to unearth hidden messages and forms.

Kay Griffith combines all these elements and creates her unique artistic expression that has roots in the rich cultural heritage of the 20th-century abstraction while at the same time investing her personal touch and having a unique and diverse result.

kaygriffithart.com @kaygriffithart “Abstract U-398 ” (Closeup of Some Detail) Oil on Canvas, 30" X 40”

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Janice Alamanou

“Into the Reds” Fine Art Photography

J

a n i c e A l a m a n o u ' s fi n e a r t photography is an exclusive blend of actual and perceptual of the world we are living in. Her artwork interprets our time, both physically and mentally, in a beautiful but meaningful way. This is portrayed in the range between landscape, street, and portraiture to her amalgamations titled 'Soul Elements' irresistible collages of the environment with people.

Janice Alamanou's photography is a collection of artworks that will continue into centuries as a tribute to this time - the beauty around us and the hardships we faced. She accomplishes this in great style by using her unique blends of images to make her art compelling to look at and intriguing to discover its meaning.

coastalphotography.co.uk

From subtle color to vibrants and monochromes, the art tells the story. She has also pioneered her photography with precious metals, hand gilding 24 Carat gold, palladium, and copper. The addition of copper is fascinating as the patina will verdigris over time, changing the image's color in years to come.

“Untitled” Fine Art Photography

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“Into the Blues” Fine Art Photography

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Trish Tonaj “Keeping’ It Real”

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by Paul Simpson

n today’s world of social media, words are increasingly set at odds with their best nature—deployed to obfuscate and delude instead of to communicate and educate. All the more remarkable, then, is the pioneering work of entrepreneur and business leader Trish Tonaj, whose authentic communication not only educates individuals themselves but also connects them for collective empowerment.

With more than 25 years’ experience in the art of running successful companies, Trish is a leader in the fields of mentorship, business consulting, and coaching. She is the founder of Phaze2inc, which helps entrepreneurs align their strategies with innovative marketing to produce triumphant results.

She is also the founder of the multimedia marketing platform ShareYourStories.online, which currently features the inspiring stories of more than 200 entrepreneurs. Trish also serves as host of the platform’s live and unscripted video and podcast series “Keepin’ It Real,” as well as of the monthly online marketing workshop “Invest in Yourself,” which features the international perspectives of business leaders from around the world. Moreover, as co-founder of the online portal Mechanics of FLOW2, she also utilizes her gifts to enhance the business opportunities of diverse coaches and consultants.

Yet, even these endeavors cannot encompass the full range of Trish’s communicative art, which extends to the written word in many forms. Indeed, as part of her work with Mechanics of FLOW2, she co-authors the company’s magazine “W2 – Wealth & Wellbeing,” while also authoring pieces for its monthly newsletter, “Amplify Your Success.” She further contributes regularly to canfitpro magazine and Arianna Huffington’s Thrive Global. In addition, Trish is the published author of two books: “A Diary of Change: 12 Personal Tools” and “Breaking Barriers: 10 Entrepreneurial Women Share Their Stories.” A testament to her generosity and commitment, the royalties of the latter are donated yearly to SHeEO, which provides funding to female entrepreneurs.

Despite all of her impressive accomplishments, Trish remains focused on how the present can best articulate the future for both established and potential entrepreneurs. You can open a line of communication with her, at any time, by visiting:

www.trishtonaj.com.

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Desiree by Design “Where Service & Style Meet Excellence”

Desiree L. Patton - Image Consultant, Milliner & Vintage

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esiree by Design defines glamour and luxury; fashion history, tradition, and sophistication influenced by the Duchess Style of London Fashion, with a twist of NYC edge and 60’s fashion in mind.

“Vintage with a modern-day twist!”

Patton combines both traditional and experimental millinery techniques to create collectible pieces. She has a keen eye for couture details and uses the finest materials and quality finishings. Natural hand-made designs are showcased in her collection and exemplify Patton’s commitment to excellence. Unlike many fashion designers, even after nearly a decade of creating hundreds of hats, each artistic piece of Patton handcrafts is one-of-a-kind.

Within her custom designs, she personalizes looks that can be made to order with a virtual image session intertwined. Her image consulting brings together the need to obscure physical weakness while bringing attention to her clients’ natural beauty and attributes. Her goal is to make people look good and feel good while introducing them to their new selves.

She has featured on WECT News for an aspiring African American designer in conjunction with “Juneteenth.” The Milliners Guild also nominated her to compete in their exclusive milliner’s competition. She featured in her hometown, Wilmington Magazine, and added a new line to her collection. She calls it “Canine Couture” for the pup and “doggess” in you.

Further proving her reach does not discriminate but looks to accentuate in all facets of life.

In 2014, the United Colors of Fashion recognized Patton as Achiever of the year. Her goals and aspirations are to style the duchess and own an international salon in Paris, with Coco Chanel being her muse. While she continues to work and bring innovative and relevant pieces to the world.

She believes, “All lives matter, and each person that I create a piece for becomes a work of art. Regardless of color.”

Patton says, “We need to continue to learn how to live together and support and accept one another, just as we are.” Philippians 4:13

She loves to keep the journey exciting and will always add something new. So, make sure you follow her today.

www.desireebydesign.com

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Lawrence R. Armstrong

“M

y work, both in Art and Architecture, is an ongoing exploration of the concept of Layers. I have always been aware of and fascinated by Layers in the Natural and Built Environment. Layers in Space and Time. Layers in Intellect, in Emotion. Synthesis and Interpenetration of Form, of Solid and Void, of Chaos and Order, of Simplicity and Complexity.

My inspiration appears to me spontaneously, involuntarily, provoked by sensory influences. Unannounced initial thought may derive from a piece of music, written text, built or natural environment, person, mood, event, or any combination of the above. A concept gestates for days or weeks until the appropriate media becomes clear. I create a sketch and try to understand it for some time. The piece then comes out of me very quickly. Several pieces result, produced in rapid succession.

A formally trained architect, I received my Bachelor of Architecture degree from Kent State University. I have studied and created art all of my life. I draw inspiration from compositions in nature and the built environment. I am intrigued by the natural tension between opposing forces along with the following themes: Chaos/Order, Free Form/ Precision, Random/Planned, Solid/Void. My influences come from the modern architecture and art world and include Corbusier, Meier, Eisenman, Pollack, Chihuly, Warhol, Arnoldi. Much of my work is done in a small series and normally executes very closely to the first flash of light that appeared. I have noticed that the many passions in my life similarly manifest through me.”

“GBY” Acrylic on Board, 18” X 24”

www.lraart.com

“GGG” Acrylic on Board, 18” X 24”

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“RGG” Acrylic on Board, 18” X 24”

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Michelle Larsen “A New Revolutionary Mixed-Media Technique With Paper Sculptures on Canvas”

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ichelle Larsen has developed a new revolutionary mixedmedia technique to create paper sculptures on canvas. She uses oil paint with bold colors that she applies to her sculptured paintings.

The effect creates a threedimensional artwork that protrudes from the surface. This sculpted painting style is a technique that Michelle Larsen developed exclusively for herself. She draws inspiration from the land dwellers in her proximity, drawing from their human struggles and their life in the mountains. Her art also heavily draws from the western lifestyle and the beauty of nature.

Michelle Larsen graduated from the Rocky Mountain College of Art and Design in Denver, Colorado. By 2009, Michelle Larsen began her fine art career and honed her art toward finding her signature style. In 2011, she started sculpting canvases with paper to create a three-dimensional painting. Nowadays, she has fully immersed herself in being a celebrated mixed media artist using paper to create a sculpted canvas.

“Beautiful” Mixed Media, 30” X 30”

Larsen engages viewers on various levels. Her works can be seen as a painting, a sculpture, or just countless paper wrinkles manifesting into a complex and beautiful piece of art. She transforms shape and movement into a protruding creation that speaks to her audience. She is definitely one to look out for in the art industry, and with each passing day, she is honing her craft and innovating the industry in her way.

she has garnered so many accolades with her various artworks.

Her passion for art and supporting other innovators in the field had led her to open her own gallery in Prescott.

Prescott fully brings out the beauty of Michelle Larsen's art as it is nestled among pines and surrounded by western landscapes; it is a magical place that inspires her unique art. Over the years,

www.poetrypainting.com

“Colorofnight” Mixed Media, 16” X 20”

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Michelle Larsen's works have been chosen for prestigious exhibitions in Las Vegas, New York, Miami, and France. Many private collectors have purchased her works for the sheer beauty that they express.

“Aviator” Mixed Media, 24” X 36”

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Patricia Karen Gagic

“Twilight Zone” Mixed Media, 48” X 60”

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by Tiarra Tompkins

ccomplished and celebrated International Contemporary Artist, Author, Humanitarian, and Speaker, Patricia Karen Gagic, has been awarded and recognized for her writing and metaphorically fused vivid abstract paintings she speaks of as "The Karmic Revolution." Her impressive global art career is evidenced with her exhibitions around the world, and now she is ArtTour International's Artist of the Year.

Gagic's style derives from a creative perception of facing the challenges, dynamic richness, and quality, which emerges from working with layered textures and intricate shadows. Her processdriven paintings reflect the intense connection to the world around her, and in particular, to the natural environment. Using the depth of each visual as a symbol of that within ourselves. Gagic's use of color connects the viewer to the emotional impact of genuinely allowing us to be present in the natural world. Gagic's artwork is a balance between the intense bold color palettes required for shadows and neutral tones which complement and make each canvas a soothing yet powerful visual with the essence of an intense silence we often experience in such elevated heights of nature.

Her use of innovative color is the identifying factor in this portfolio.

Cool color hues depict glacial landscapes, including ice melts and lakes, as well as warmer shades directing our gaze to the resemblance of the northern lights. Her realistic reflective tones of ice and snow create depth and texture. The variety of themes demonstrate an appreciation and spiritual connection to nature evident in often preferring concepts that portray the hidden details found in natural formations. Gagic uses a unique technique resulting in seamlessly overlapping layers with detailed corners for each object. Every “Chaos N Sync” Mixed Media, 40” X 30”

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display has a different thickness and blends smoothly into the background space. Fluid brushstrokes create a sense of mystery and wonder which the viewer can connect with.

Gagic's art displays her mastery of the Matisse and French Masters' Palettes, which often produce great retrospective views and natural formations. Her work is the combination of many notable styles, all bringing together a culmination of explosive color. Fluid layers of acrylics showcasing a photorealistic look are paired with blended hues for a more expressive depth of space.

Her art also points to something higher than logic-based conventional perceptions, as Gagic, concerned about the emergence of form and method, provides exceptional distinction in her work to bring feelings and life to the viewer through texture, light, and color.

As a distinguished artist on many levels, Patricia Karen Gagic has served as a member of the Ontario Cabinet for Friends of the Canadian Museum for Human Rights.

She is a member of the Sir Edmund Hilary Foundation Board of Directors and The Divon Academy. She is also an active Rotarian. Patricia is the recipient of the YMCA Peace Medal and is recognized by WXN (Women's Executive Network) as one of the Top 100 Most Powerful Women in Canada. She was awarded the BMO Arts and Communication award in 2015, Royal Bank Champion in 2016, and BMO Arts and Communication in 2017. In 2018, Gagic was inducted into the WXN Hall of Fame. She is a member of the IWF (International Women's Forum) Toronto Chapter. Patricia is a CoFounder with Serena Bufalino in the not for profit HELP HEAL HUMANITY. Patricia continues to support the library and school she developed in Angkor Wat, Cambodia, since 2006.

“Cosmic Moment” Mixed Media, 48” X 60”

She is represented by 13th Street Gallery in St. Catharines, ON, Artworld Fine Art in Toronto, Ontario, FACEC International in France, Paul Fisher Gallery in Florida, and “Impermanence” Mixed Media, 48” X 60” Gallery on the Bay in Hamilton, Ontario.

Patricia exhibited with BB International Fine Arts in Geneva, Berlin, Korea, Austria, and Zurich. In 2007 Patricia was an Honorary Commissioner at the Venice Biennale representing the art of Adi Da Samraj -Transcendental Realism. In 2018, Patricia won the Gold Medal in Photography at the SNBA (Salon de la Societé Nationale des Beaux-Arts de Paris) at the Carousel du Louvre. She is one of the 2019 recipients of the TOP 60 Masters by ATIM (Art Tour International Magazine) and named Artist of the Year 2020. In 2017 Patricia was the recipient of the Excellence in the Arts for Courage and Commitment to Human Rights, Dignity, and Freedom by the Canadian Civil Liberties Association. She received the 2019 Silver Medal from the Societe Academique Arts, Sciences, and Lettres of France in Paris and the Apollo and Daphne International award Biennal of Baroque Art Salentin 2020 by the Italia in Arte Nel Mondo Associaziona Culturaie.

Notably, she has an impressive pedigree having studied under Master Artist Dragan Dragic since 1999 in France. As an author, her first book Karmic Alibi became an Award Finalist in the 2014 USA Best Book Awards and a Finalist in 2015 International Book Awards. Karmic Alibi received the 2017 Book Excellence Award. She is the co-author of multiple books, including Amazon Best Seller - Voices of Inspiration/ Marlon Smith and RockStar Success stories with Craig Duswalt. Patricia is an ICA recognized by the International Institute for Artist Accreditation.

www.patriciakarengagic.com www.arttourinternational.com

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Nim Stant “Go All In”

Go All In, the all-new bestselling book by Nim Stant delivers innovative strategies to amplify personal and professional performance dramatically.

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im Stant, founder and CEO of Go All In TV, has released her latest book Go All In: A Formula To Accelerate Your Success. The book became an instant Amazon #1 Best Seller, topping two self-help categories upon its debut release.

Immigrating from the Third World country of Thailand, Stant’s middleclass beginnings taught her the value of hard work and determination. Her relentless pursuit of becoming a purposedriven entrepreneur is admittedly the result of failures. Today, Stant provides mentorship for living at one’s fullest potential, utilizing her life aspirations, teaching practices, and mindfulness techniques (as a yoga professional) while conveying these life skills throughout the book.

“I wrote this book because I want everyone to know that they don’t need to be ready to go after what they want, but instead they need to commit to going all the way in to achieve their goals,” said Stant. “That’s is the most important key to success,” she added.

Go All In is divided distinctly into four sections: decision making, gaining clarity, finding mentors, and the need to overcommit. The author provides reallife examples and tangible takeaways for the reader to put her Go All In formula into practice.

Throughout the book, Stant clearly identifies how to go beyond the comfort zone, the power of goals, why it’s important to ask for help, and the need always to expand. Each section is a combination of storytelling and thought-provoking insights.

Tamisha Harris, the show producer for MSNBC, says, “I have been inspired by the words and works of Nim Stant. Now, in Go All In, Nim shares her remarkable insights and experiences into how you can reach your full potential and take your personal success to the next level.

This book is a must-read for anyone committing to positive change in their lives.”

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Stant concludes the book by writing, “Remember, you will never be ready, and you will never have all of the answers. There won’t be any ‘perfect timings’ nor ‘green lights’ on when to start. There will always be obstacles and difficulties when you start, and more will appear as you go. However, keep taking action, go all in consistently and persistently.

Follow through on your responsibility to leave a legacy and your footprint on this planet.”

“Go All In,” by Nim Stant, is available on Amazon for $16.95. Stant’s “Go All In TV” is available on YouTube and her “Go All In Zone Podcast” is available on Apple Podcasts.

About Nim

Nim Stant, Founder of Go All In TV, Success Mentor, Bestselling Author, and Yoga Professional hailing from the third world country of Thailand, inspires tens of thousands of entrepreneurs to reinvent their businesses.

Coming from a broken lower-middle-class family has taught Nim to become a purpose-driven entrepreneur who always seeks to live to the fullest potential. With 20 years of experience, she now dedicated her life to inspire others to unleash their limiting beliefs, commit to their dreams and goals and take real action.

In her bestselling book, “Go All In”, Nim reveals the principles of Go All In to empower others to practice and step up toward lifelong results.

She has been featured in ABC, CBS, NBC, Fox10, 3TV, Authority Magazine, New York Headline, International Business Time, Life Style World Insider, Success Profile Magazine, The Health Journal, and was interviewed by Kajabi, one of the most sophisticated solutions on the market for creating online course platforms.

Contact Info:

www.nimstant.com

goallin.tv

Personal IG: @nim_stant

Company IG: @goallinmedia

Facebook: @nimstantinternational

YouTube: https://www.youtube.com/channel/ UCGZFG94C6rkZ690Ove8S19w

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Fernando Botero “The Fullness of The Form”

“Colombian Family” 1973, Oil on Canvas 72” X 77”

Permanent Collection of the Museum of Antioquia in Colombia.

Photography Museo de Antioquia © Copyrights.

All Rights Reserved.

B

by Juan David Aguilar Botero

otero was born on April 19, 1932, in Medellín, Colombia; his parents were Mr. David Botero Mejia and Mrs. Flora Angulo Jaramillo. He had two brothers: John David and Rodrigo. At twelve years old, Botero entered the school of bullfighters in his hometown. He gave up the idea of becoming a matador when he faced the first heifers. From this experience, he developed a great fondness for bullfighting, which he expressed in his series "La Corrida." The first drawings he made were for the Sunday supplement of the newspaper El Colombiano of Medellín. Then he was inspired by the posters drawn by Ruano Llopis announcing the bullfights in Spain and painted watercolors with bullfighting themes.

Fernando Botero At Medellin.

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I met Fernando Botero in 1976, on the occasion of the publication of the book Botero, a novel about his life and work, written by the German critic, Klaus Gallwitz, who was the Director of the Museum of Frankfurt. My father published the novel, Raul Aguilar Rodas, in Spanish, and published jointly with Verlag Gerd Hatje from Stuttgart, Germany.

In this book, there is a description that Botero made of himself, in an interview he gave to the journalist Dario Arizmendi Posada in El Colombiano during May of 1976. Thirty-six years have gone by, and this is his testimony:

"For me, painting is a real necessity; something that, if kept inside, will suffocate one - kill one. When I'm working, only the canvas exists, and my only concern is to let my imagination flow naturally and that all the series of images come out. My works are not caricatures –they are deformation, and that is the art. In my case, it's my style, dating from the early watercolors and drawings I painted in 1947. Since I began, I felt the desire to find these forms of expression that have become my own language - something subconscious over time. Given the nature and volume of my work, many may think that I am interested in fat, which is absurd. I was always passionate about the fullness of the form, which is different.

This explains why some people sometimes react violently at first against my paintings. But when they understand them, when they enter them, they love them. If I do not paint daily, I find the days eternal. For me, it is a matter of joy, pleasure, and infinite happiness.

On the other hand, my paintings are born by ideas that go through my mind and translate into quick notes. After these sketches, the biggest concerns arise, along with more complex drawings. If they

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reach the necessary density with time, they then become oil paintings or drawings: works. I paint the Latin American world in all its fullness – landscapes and people and political situations.

Within the awful reality of military dictatorships are incredible artistic possibilities and poetic ones.

They also have a satirical dimension although the ridicule is in its reality."

Fernando Botero at the Museo de Antioquia.

In 1948, Botero participated in the first Exhibition of Antioquian Painters in Medellín. He settled in Bogota and, in 1951, held his first solo exhibition at the Leo Matiz Gallery.

The following year he made a second exhibition in the same gallery and made more significant financial gains from his sales. Months later, he won the Painting National Prize at the IX Salon of Colombian Artists with his painting "Seated Cont. next page Woman."

“Mary and JesЬs Death” 2011, Oil on Canvas 81” X 44”.

Permanent Collection of the Museum of Antioquia in Colombia.

Photography Museo de Antioquia © Copyrights. All Rights Reserved.

“Crucifixion” 2011, Oil On Canvas 81” X 59”.

Permanent Collection of the Museum of Antioquia in Colombia.

Photography Museo de Antioquia © Copyrights. All Rights Reserved.

In 1952, he went to Europe to pursue a career in the arts and hone his talents. He entered the San Fernando Academy in Madrid. He discovered Goya and Velázquez in the Prado Museum. Afterward, he devoted himself to painting, and with the money raised by selling his paintings, he visited Rome, Florence, and Paris.

In Florence, he entered the School of Fine Arts to "learn how to paint," as he expressed it. For two years, he traveled on a Vespa scooter, visiting all the museums in Italy to study the great masters: Raphael, Leonardo, Piero della Francesca. This experience allowed him to learn the different schools, reinforce his knowledge of color, the composition, and the volume that would later characterize his work.

He traveled to Mexico in 1956. There he painted "Death Nature with Mandolin," which opened a definitive and unique space in his career, which he defines as crucial as "crossing a door into another room."

In 1960, he went to live in New York. He rented a small studio on McDougall Street without air conditioning or heating. He slept and painted with a coat on the long winter nights. His first year in this city was very difficult; he lived with limited economic resources, and his work was not widely accepted.

The market was looking for abstract art, which was the opposite of the work done by Botero.

In 1960, the Museum of Modern Art's curator in New York (MoMA) approved the purchase of "Mona Lisa at Age 12", a work that had been completed a year earlier. The sale of his work to MoMA allowed him to receive greater appreciation from critics worldwide.

In New York, he met the German museum owner, Dietrich Mahlow, who appreciated Botero's works. He quickly organized five exhibitions in Germany, and in 1966, he

“Ex - Voto” 1970, Oil on Canvas 94” X 76”

Permanent Collection of the Museum of Antioquia in Colombia.

Photography Museo de Antioquia © Copyrights. All Rights Reserved.

exhibited at several galleries: Banden-Staatliche Kunsthlle of Baden-Baden, Buchholz Gallery in Munich, and Brusberg Gallery in Hanover. The most important and influential galleries in the world became interested in his work from the success obtained in those exhibits. The New York galleries that once closed their doors on him now began to open the doors.

In 1969, the Marlborough Gallery in New York welcomed him as an artist. His works were sold between $ 3,000 and USD 9,000. In 1973, four years later, his works were sold at USD 35,000. Today his works are sold at over USD 1.5 million.

In 1970, he and his second wife, Cecilia Zambrano, had their fourth child - Pedro, better known as Pedrito. In 1974, in an absurd car accident in Spain, Pedrito died. In this accident, Botero lost the joint of his little finger. This event was devastating to Botero. He locked himself into his studio to paint his son Pedrito. From this sad moment came the painting "Pedrito," which Botero considers "the most special" of his artistic production, for the personal meaning it holds. After the death of his son Pedrito, he divorced his second wife.

In 1975, he met Greek sculptor Sophia Vari; they later married. This same year, he dabbled with sculpture and dedicated himself to this discipline for the next ten years. In his sculptures, Botero pulls the voluptuousness and forms of his paintings. In 1980, he established his studio in Pietrasanta, Italy - a village of marble quarries and foundries. He has produced more than three hundred sculptures, and these have provided the universality of his artistic career.

Botero has exhibited his monumental sculptures in such significant sites as the Champs Elysees in Paris, where he made the biggest exhibition with thirty-two monumental sculptures; the Park Avenue in New York, the Paseo de Recoletos in Madrid, in the Plaza del Comercio in Lisbon, the

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“Pedro” 1974, Oil on Canvas 77” X 59”

Permanent Collection of the Museum of Antioquia in Colombia.

Photography Museo de Antioquia © Copyrights. All Rights Reserved.

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“The Judas ́ Kiss” 1910, Oil on Canvas 54” X 63”

Permanent Collection of the Museum of Antioquia in Colombia.

Photography Museo de Antioquia © Copyrights. All Rights Reserved.

Piazza Della Signoria in Florence - in front of the Palacio de Bellas Artes in Mexico, at the Pyramids of Egypt, in Tokyo, Washington, Jerusalem, Sao Paulo, Santiago de Chile, Venice, Singapore, and he continues being exhibited all around the world.

In 2011, his sculpture, "Dancers," was auctioned by Christie's at $ 1.76 million. His work has been prolific and colorful, full of voluptuous characters and objects that fall in a balanced and pragmatic environment; they can express satire, ridicule, contempt, love, or passion.

As Fernando Botero reaped success, he also became an important art collector and philanthropist.

In 1998, he offered to Medellín, his hometown, to donate his collection of international art and sculptures to be exhibited at the Museum of Antioquia. As political leaders in the city showed no interest, the proposal was exploited by the mayor of Bogota, Enrique Peñalosa. He housed the Luis Angel Arango Library collection, which belongs to the Banco de la República, Colombia's national bank. To Bogota, he donated 85 works from great artists such as M o n e t , R e n o i r, D e g a s , Caillebotte, Miró, Francis Bacon, Dalí, Matisse, Henry

Moore, Marc Chagall, Gustav Klimt, Antonio Matta, Rufino Tamayo, Antonie Tàpies, Picasso, De Kooning, and others, along with 123 works of his creation.

To the Museum of Antioquia in Medellín, his hometown, he has donated 32 works by international artists and 176 pieces of his authorship since 1976. The latest donation was the entire collection of the "Viacrucis: The Passion of the Christ," composed of 27 large-format oil paintings and 33 drawings.

With Fernando Botero's patronage, his home country now has two museums on par with the world's best international museums.

Botero is currently the most quoted living artist from Latin America. His works can be found in over 60 museums worldwide, and he has done more exhibitions in museums worldwide than any other artist. He is an artist of integrity orderly and disciplined. He paints every day, which has allowed him to stay active for more than 65 years. He has workshops in Pietrasanta, Paris, New York, Greece, and Monte Carlo, where he makes smallformat works at his farm in the town of Tabio, on the outskirts of Bogota, and at his farm in Rionegro. Two words define Fernando Botero: generous and and rebellious.

Fernando Botero to his Left Anibal Gaviria Mayor of Medellin

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"GAIA" “I often think how precarious our existence is in this immense universe.

Constantly at the mercy of its great forces, life simply could not exist without an innumerable set of coincidences. The universe is to us like a mother to her children: her love and daily care are essential for their survival.” - Lorenzo Quinn