Deborah F. Rutter President
Photo by Lisa Luevanos
Darrell M. Ayers Vice President, Education and Jazz Programming
Percussionist Machito Jr. used to play alongside Gillespie in his original 1975 Afro-Cuban band.
Jason Moran Artistic Director for Jazz
JAZZ: AN EVOLVING ART FORM
Jazz Performance/Demonstrations are made possible by Kaplan, Inc.; Mr. James V. Kimsey; The Morris and Gwendolyn Cafritz Foundation; and the U.S. Department of Education.
Jazz is a truly American musical form—and many people consider it one of America’s best contributions to the world of music. Jazz first emerged about 100 years ago in the American South, most distinctly in New Orleans, Louisiana. This seaport city served as home to people of African, French, English, Caribbean, and other backgrounds. It also became a melting pot for music from these many traditions. African American musicians fused elements of ragtime, blues, classical, and big brass band sounds to create this distinct new type of music.
FEATURING MACHITO JR.
A PERFORMANCE AND DEMONSTRATION
Major support for educational programs at the Kennedy Center is provided by David and Alice Rubenstein through the Rubenstein Arts Access Program. Education and related artistic programs are made possible through the generosity of the National Committee for the Performing Arts and the President’s Advisory Committee on the Arts.
www.artsedge.kennedy-center.org Cuesheets are produced by ArtsEdge, an education program of the Kennedy Center. Learn more about education at the Kennedy Center at www.kennedy-center.org/education The contents of this Cuesheet have been developed under a grant from the U.S. Department of Education and do not necessarily represent the policy of the U.S. Department of Education. You should not assume endorsement by the Federal Government.
© 2015 The John F. Kennedy Center for the Performing Arts
© All rights reserved by ID & A
After the first jazz recordings were made in 1917, jazz spread across the nation. It evolved over decades, helped along by influential musicians. In the 1920s, trumpeter Louis Armstrong introduced improvised solos and Duke Ellington popularized big band jazz; in the 1930s, people began dancing to jazz music, thanks to the upbeat sounds of Benny Goodman’s and Count Basie’s swing music. Charlie Parker’s groundbreaking bebop of the 1940s led to Miles Davis’ complex “cool” style in the 1950s. Jazz moved into the 1960s with pioneers like John Coltrane and his modal jazz; the next decades brought more change—from fusion, which brought together multiple styles, to the neo-classical leanings of Wynton Marsalis and other “young lions.” Jazz continues to evolve today—building on its vast legacy of innovation and experimentation.
PERFORMANCE GUIDE
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Cuesheet
DIZZY GILLESPIE AFRO CUBAN EXPERIENCE
David M. Rubenstein Chairman