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Harold Rubio
HAROLD RUBIO (Bogotá, 1985) is a visual artist whose practice redefines both material and icon. His choice of modeling clay—a medium commonly associated with the childish and the ephemeral—becomes a radical gesture: a critical tool through which he dismantles visual narratives deeply rooted in art history, religious morality, Eurocentric aesthetics, and systems of consumption.
Rubio works with imagery drawn from classical art, religion, pop culture, and the publishing industry, recreating, blending, and reproducing them with a renewed symbolic density.
Visual Artist
Harold Rubio
ICON COLLISION
This series orchestrates a charged encounter between classical art, mass culture, and systems of contemporary representation. In Icon Collision, Rubio operates as a visual editor, cutting, collaging, and layering symbols that may have no shared origin or hierarchy, yet coexist on the same saturated plane.
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45,27 x 31,49 inches Clay on Wood USD 12.000 Buy Here
Bazaar Pop - Katy Perry
USD 12.000
The Contemporary Swing
45,27 x 31,49 inches
Clay on Wood
45,27 x 31,49 inches Clay on Wood USD 12.000 Buy Here
Ebony Goddess
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Versailles in Miami
45,27 x 31,49 inches
Clay on Wood
USD 12.000
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Harold Rubio
ICON COLLISION
Each work becomes a fractured mirror: reflecting both the icon and the ideological machinery that sustains it.
17,3 x 21,2 inches
Clay on Wood
USD 6.000
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The Cry of Pop
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Solar Skin
17,3 x 21,2 inches
Clay on Wood
USD 6.000
RESERVED
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Roman Holiday
17,3 x 21,2 inches
Clay on Wood
USD 6.000
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17,3 x 21,2 inches
Clay on Wood USD 6.000
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17,3 x 21,2 inches
Clay on Wood
USD 6.000
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Vanity Degas
Jurassic Basquiat
17,3 x 21,2 inches
Clay on Wood USD 6.000
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Forbes Instinct
17,3 x 21,2 inches
Clay on Wood
USD 6.000
SOLD
Harold Rubio
ICON COLLISION
The series invites us to look again at what we glorify, replicate, and question, and to consider how easily admiration becomes imposition
Sculpture
20,47 x 15,74 inches
Clay
USD 6.250
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Jiminy Cricket with Sea Turtle in Paradise
Pinocchio Seated with Klimt’s
Kiss in Paradise
Sculpture
9,84 x 7,87 inches
Clay
USD 4.340
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Harold Rubio
OBJECTED IDENTITY
This series examines how everyday objects, a car, a motorcycle, a pair of sneakers, carry meaning far beyond their utility. In Rubio’s hands, they become faceless portraits, inscribed with memory, desire, and symbolic affiliation.
The Blind Man’s Game
39,37 x 39,37 inches
Clay on Wood
USD 10.000
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Objected Brown Combi
13,38 x 13,38 inches
Clay on Wood USD 3.000
Objected Pink Beetle
17,12 x 17,12 inches
Clay on Wood
USD 3.000
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37,4 x 37,4 inches Clay on Wood USD 9.000 Buy Here
Objected Red and Black Nikes
Objected Cream Vespa
28,5 x 28,5 inches
Clay on Wood
USD 5.000
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15,7 x 22,04 inches
Clay on Wood
USD 3.000 Buy Here
Napoleon, White Horse, Butterflies, and Blue Macaw
Objected Watch
