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Harold Rubio
HAROLD RUBIO (Bogotá, 1985) is a visual artist whose practice redefines both material and icon. His choice of modeling clay—a medium commonly associated with the childish and the ephemeral—becomes a radical gesture: a critical tool through which he dismantles visual narratives deeply rooted in art history, religious morality, Eurocentric aesthetics, and systems of consumption.
Rubio works with imagery drawn from classical art, religion, pop culture, and the publishing industry, recreating, blending, and reproducing them with a renewed symbolic density.
Visual Artist
Harold Rubio
ICON COLLISION
This series orchestrates a charged encounter between classical art, mass culture, and systems of contemporary representation. In Icon Collision, Rubio operates as a visual editor, cutting, collaging, and layering symbols that may have no shared origin or hierarchy, yet coexist on the same saturated plane.
Visual Artist
CROSSING ICONS
Artwork available from March 2026
Official launch: March 30
Exclusive access to the Crossing Icons Collection.Be the first to encounter the artist’s newest and most captivating masterpiece.
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45,27 x 31,49 inches Clay on Wood USD 13.310
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Jaguar Rule
Myth
45,27 x 31,49 inches Clay on Wood USD 13.310
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American
17,3 x 21,2 inches
USD 6.660
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Ancestral Calm
Clay on Wood
Afro Is a Crown
17,3 x 21,2 inches
Clay on Wood
USD 6.660
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17,3 x 21,2 inches
on Wood USD 6.660
Open Road
Clay
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17,3 x 21,2 inches
Clay on Wood
USD 6.660
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Vanity Goes West
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Jaguar Power
17,3 x 21,2 inches
Clay on Wood USD 6.660
Red, Before Glory
17,3 x 21,2 inches
Harold Rubio
ICON COLLISION
Each work becomes a fractured mirror: reflecting both the icon and the ideological machinery that sustains it.
The Contemporary Swing
45,27 x 31,49 inches
Clay on Wood
USD 13.310
17,3 x 21,2 inches
USD 6.660
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Vanity Degas
Clay on Wood
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17,3 x 21,2 inches
Clay on Wood USD 6.660
17,3 x 21,2 inches
Clay on Wood
USD 6.660
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The Cry of Pop
Harold Rubio
OBJECTED IDENTITY
This series examines how everyday objects, a car, a motorcycle, a pair of sneakers, carry meaning far beyond their utility. In Rubio’s hands, they become faceless portraits, inscribed with memory, desire, and symbolic affiliation.
The Blind Man’s Game
39,37 x 39,37 inches
Clay on Wood
USD 11.100
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Brown Combi
13,38 x 13,38 inches Clay on Wood USD 3.330
Objected
Objected Pink Beetle
17,12 x 17,12 inches Clay on Wood USD 3.330
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Objected Cream Vespa
28,5 x 28,5 inches
Clay on Wood
USD 5.550
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15,7 x 22,04 inches
Clay on Wood
USD 3.330 Buy Here
Napoleon, White Horse, Butterflies, and Blue Macaw
