Peripheral ARTeries
Marta Kosieradzka
Concert of the saxophone and a spine photo by Eva Campos Suarez
on stage or in a video we need to look at it as a whole, every detail is important to let the thought of the artist be visible for the audience. Collaborating with people from different art disciplines also helps to reach much broader audience, not only people who are interested in dance, but maybe also those who would normally never thought of watching it. In the creation of my solo ''BirthBirdBabyBlue'' I've worked on developing music and dance simultaniously, so that it would grow organically together. This kind of process takes a lot of time obviously, but I definitelly think it's worth it. It
has led us to many discoveries that we've both did not expected to find ourselves in. On other occasions I've just let another artist to take my existing work and transform it in their own way, like it was with ''Windmills in the ocean'' that I've mentioned before. In the initial phase of working on the film trilogy ''The three oddest words'' I was looking for people who would fulfill my vision that I've already had for that production. I wrote a scenario and from the beggining till the end with the help of a composer Adriano Fontana and film maker Eva Campos Suarez we