Orest Manetsky "Elements of Structure"

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Elements of Structure

Orest Manetsky



Elements of Structure

This book is number

of a worldwide edition ϦіéúÏі¬îÈ Þ і È іđ¦éĀ `¬ іđÞâéі΃΂і ÏÛ¯ âіÏ¦іé¬ і Á îÇі ÏÈé ¯Èі іÛÞ¯Èé of Orest Manetsky’s work

Orest Manetsky

Kyiv 2020


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# ÁÁ ÞĀіSÏÞé Áі΃΃іÛÞ â Èéâіé¬ і îéі é ÁÏ§î іÏ¦іÇîÁé¯Ç ¯ іÛ ¯Èé¯È§âі Āі GÞ âéі@ È éâ¾Āϖі¯È Áî ¯È§і΃΄і ÏÈ Ûéî Áі works by the artist. Orest Manetsky`s art is a fresh momentum to the evolution of art. The artist ÏÇ ¯È âіÛ ¯Èé¯È§іú¯é¬іÏé¬ ÞіÇ ¯ і (installation, video, audio art), Þ é¯È§іÛÏÁĀЈ ÏÈé ÿéî Áі È іùÏÁîǯÈÏîâі úÏÞ¾âі¯Èіé ÞÇâіÏ¦і ÏÈé Èéі È і¦ÏÞÇϛі

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`¬ і Þé¯âéі ÿÛ Þ¯Ç Èéâіú¯é¬іé¬ і Û îÁ¯ Þ¯é¯ âіÏ¦і¬îÇ ÈіÛ Þ Ûé¯ÏÈі È і È ÁĀâ¯âіÏ¦іù¯âî Áі¯È¦ÏÞÇ é¯ÏÈϖіú¬¯ ¬і ¬ ÁÛі¬¯ÇіéÏіЊîÈÁÏ ¾ЋіÈ úіú Āâі Ï¦і¯Èé Þ é¯ÏÈіú¯é¬іé¬ іù¯ ú Þϛ

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`¬ іúÏÞ¾іÏ¦іGÞ âéі@ È éâ¾Āі¯âі ÁÏâ і éÏіé¬ іÛ¬¯ÁÏâÏÛ¬Āі È і¯ ÏÁϧĀіÏ¦іé¬ і SÏÞé Áі΃΃і§ ÁÁ ÞĀϛіGîÞі§Ï Áі¯âіéÏіÞ ù Áі Þé¯âéВâіÛÏé Èé¯ ÁіéÏіé¬ іúÏÞÁ ϛ

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"

Concept takes a central place in my work. Single artwork may contain an object or a painting, a short video đÁ іé¬ éі ÿÛÁ ¯Èâі È іâ¬Ïúâіé¬ і ÏÈ Ûéϖі and sound tracks that set additional ÏÈé ÿéі È і ¯Þ éâі the viewer’s perception.

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@ĀіúÏÞ¾і¯âі â іÏÈі ÿÛ Þ¯Ç Èéϖі observation, analysis and analogy. +іéÞĀіéÏіđÈ і È іâ¬ÏúіÈ úі ÛÛÞÏ ¬ âіéÏі observe things and new things to observe. Other side of my work is abstract, mainly, geometrical oil paintings. They have a strong link to the conceptual side. They are my visualizations of things I thought about before. Culture, individuality and mass consciousness, nature of reality and life. I consider my oil paintings as sets of visual tags, symbols, keys for viewer’s imagination.

"

The aim of my work is to design a platform, environment, new approaches where observation, learning, creating Þ іÛ ÞéâіÏ¦іÏÈ і ÏÈé¯ÈîÏîâіĒÏúϛіA úі technologies and new approaches may give the opportunity to learn and create, at the same time, effortless playing like a child.

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Little Fountain (Crystal Shield). ÛÏÿĀϖіÇ é ÁϖіÇ¯ÿ іÇ ¯ ϛі΋Έіÿі΋Έіÿі΃΃і Ç

2020


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Life Lines.

2018

G¯ÁіÏÈі Èù âϖіÇ¯ÿ іÇ ¯ ϛіΊ΂іÿі΃΄΂і Ç


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Observing the lines associates with listening to a mechanical clock. Hardly to measure the diameters of the clock gears by it’s ticking, but listening to it, is like you touch it’s essence. You don’t understand it, but you feel the rhythm of it’s work. And does it really crawled there on the canvas and died somewhere there in the red corner?


ù Èéі¯Èіù îîÇϛ

2020

G¯ÁіÏÈі Èù âϛі΃΄΂іÿі΃΄΂і Ç

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He sensed everything and everything distracted him from his own being. No matter where he went and how deep he went down, he always found something. Everywhere something is going on. In emptiness with time, something always starts to appear. Or does it only seem?

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Distribution.

2019

G¯ÁіÏÈі Èù âϖіÇ¯ÿ іÇ ¯ ϛі΋΂іÿі΋΂і Ç

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They started together and they did all the é¬¯È§âі¯Èіâ¯Ç¯Á Þіú Āâϛі éіđÞâéϖіé¬ Āі¬ ù і¾ Ûéі together very tight, but with time they started to meet differences. Some stood together longer, almost until the end, but they’ve met the circumstances that Ç іé¬ Çі Û Þéϛі( Þ іéÏі¾ÈÏúіú¬ Þ іé¬ іâ Èâ¯Ј tive reality is going to put you next moment.

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Zé §È é¯ÏÈϛ

2018

G¯ÁіÏÈі Èù âϛі΋΂іÿі΃Ά΂і Ç


ZÏ ¾ éϛ

2019

G¯ÁіÏÈі Èù âϛі΃΄΂іÿі΃΄΂і Ç

Modern people can’t imagine life without technologies. We need more and more fast access to search engines, maps, modeling, calculations é ϛіAÏúіú і Èі Ïі іÁÏéіú¯é¬іÏîÞіÛÏ ¾ éі ù¯ âϖі but we still need to communicate with them é¬ÞÏі¾ Ā Ï Þ ϖіùϯ ϖіâ Þ Èϛі+âі¯éіÛÏâ⯠Á і éÏіÇ ¾ іÇ ¬¯È âіÞ ¯ù і ÏÇÇ È âі¦ÞÏÇіîâі¯Èі more direct and fast way?

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`¬ іÇ ¯Èіé â¾і¯Èіé¬¯âіúÏÞ¾і¯âіé¬ іÏ â Þù é¯ÏÈіÏ¦і Èі Ā ϛі`¬ іéÞ » éÏÞĀϖіé¬ іéÞ ¾¯È§іÏ¦ііé¬ іúÏÇЈ an’s eye pupil while she’s calculating a sum of two ÈîÇ ÞâϛііΆΉѻ΄΋ѿϜі"¯Þâéі Èâú Þі¯âіúÞÏȧϕіΊΈٙ​ٙуіâ¬ і corrects it immediately: 76! `¬ іÛ Þ¦ÏÞÇ іÏÛ Þ é¯ÏÈі¦ÏîÈ іé¬ іÞ Ē é¯ÏÈі¯Èіé¬ і movements of the pupil. The way she solved that é â¾ϖіé¬ іú Āіâ¬ іÞ éâіÏÈіÞ Á¯ą¯È§іé¬ і ÞÞÏÞі §Ïéі¯ÇÛÞ¯Èé і¯Èіé¬ іéÞ » éÏÞĀϛі`¬¯âіÇ іé¬ іđÈ Áі shape of the trajectory exactly as we observe it now. `¬ іú Āіú іúÏÞ¾і¯È⯠і¯âі ÞÏ âé¯È§іÏîé⯠ϛі+éі can be hidden better or worse, but other can receive the signals. Worse or better.

Eye.

2018

G¯ÁіÏÈі Èù âϖіÇ¯ÿ іÇ ¯ ϛі΃΃΂іÿі΃΃΂і Ç


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Vî¯ÈâіÏ¦іâéÞî éîÞ ϛ

2018

G¯ÁіÏÈі Èù âϖіÇ¯ÿ іÇ ¯ ϛіΊ΂іÿі΄΂΂і Ç


A fragment? An object or it’s projection? A detail or a full model? Ruins of a city? Shapes of fundaments, squares, traces of communications? A set of symbols containing information? A ritual tool? Tendencies can change depending on the geometry of separated elements. +âі¯éі іđÈ Áϖі¯Èé ÞÇ ¯ é іÏÞі ĀЈÛÞÏ î éϜ For what purposes could it be used?

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Portal (To The Other Side).

2019

G¯ÁіÏÈі Èù âϖіÇ é ÁϖіÇ¯ÿ іÇ ¯ ϛіΊ΂іÿі΃΄΂і Ç


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Only one sphere that is acentric, leaves it’s side to reach the goal. The other spheres are smooth and balanced, the only difference between them are their diameters. All of them follow similar ways and stay belong é¬ ¯Þіâ¯ ϛі`¬ Āі ÈВéіđÈ іé¬ іÛÏÞé ÁіéÏіé¬ іÏé¬ Þі side of the canvas.

Many go similar ways, but others step away from trodden paths. They choose directions what leads them to the unknown side of life. *The name of the work contains the construction “(To The Other Side)”. I put this phrase from the Doors song “Break On Through (To The Other Side)” to make it familiar for the viewer.


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:ÏϾϖі¬ÏúіÇ ÈĀіé¬¯È§âіÈ іéÏі¬ ÛÛ ÈіéÏіÇ ¾ і us get here. :ÏϾϖі¬ÏúіÇ ÈĀіé¬¯È§âіÈ іéÏі¬ ÛÛ ÈіéÏіÇ ¾ і îâіđÈ іÏîÞâ Áù âі¬ Þ ϛі+âі¯éіÈÏÞÇ ÁϜ

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Event.

2018

G¯ÁіÏÈі Èù âϛі΃΄΂іÿі΃΄΂і Ç


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V ÏÞ§ ȯâ é¯ÏÈϛ

2018

G¯ÁіÏÈі Èù âϛі΃΂΂іÿі΃Ά΂і Ç


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(¯ ÈіâÛ âϛ

2020

G¯ÁіÏÈі Èù âϛіΊ΂іÿіΊ΂і Ç


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Little Fountain (Crystal Shield), 2020 ϰ@ é Áϖі ÛÏÿĀϖіÇ¯ÿ іÇ ¯ ϱ — p.8-11

Life lines, 2018 ϰG¯ÁіÏÈі Èù âϖіÇ¯ÿ іÇ ¯ ϱіϿіÛϛ΃΄і Ђі ΃·

Event in vacuum, 2020 (Oil on canvas) — p.16–17 Distribution, 2019 ϰG¯ÁіÏÈі Èù âϖіÇ¯ÿ іÇ ¯ ϱіϿіÛϛ΃ΊЂ΄΃і Stagnation, 2018 (Oil on canvas) — p.22-23 Socket, 2019 46

Contents

(Oil on canvas) — p.24-25 Eye, 2018 ϰG¯ÁіÏÈі Èù âϖіÇ¯ÿ іÇ ¯ ϱіϿіÛϛ΄ΈЂ΄΋ Ruins of Structure, 2018 ϰG¯ÁіÏÈі Èù âϖіÇ¯ÿ іÇ ¯ ϱіϿіÛϛ΅΂Ђ΅΅ Portal (To the other side), 2019 (Oil on canvas, metal, ǯÿ іÇ ¯ ϱіϿіÛϛ΅ΆЂ΅Ή Event, 2018 (Oil on canvas) — p.38-39 Reorganisation, 2018 (Oil on canvas) — p.40-41 Hidden spaces, 2020 (Oil on canvas) — p.42-43

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by #Â…Ă Ă ÂœĂžÄ€Ń–SĂ?ĂžĂŠÂ…Ă Ń–ÎƒÎƒ

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(Kyiv, Ukraine) portal11.com.ua

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Gallery Portal 11

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Ă?Ă‡Ă›ÂŻĂ ÂœĂžâ

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Anastasiia Berezhetska

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Igor Globa

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Orest Manetsky

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Maria Sivachenko

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Annabel Uhreniuk

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Annabel Uhreniuk


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ĴĠĪі

Copyright © 2020 Gallery Portal 11 portal11.com.ua ÁÁіÞ¯§¬éâіÞ â Þù ϛіAÏіÛ ÞéіÏ¦іé¬¯âі book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording or by any informational storage and retrieval systems, without prior written permission of the copyright owner. 52

Orest Manetsky Elements of Structure. – Kyiv: ·΄іƽϛі¯ÁÁîâéÞ é ϛ This is the debut catalogue of multimedia paintings by Orest Manetsky, including 12 works by the artist. Orest Manetsky is a Ukrainian conceptual artist, who combines painting with other media (installation, video, audio art). His work is based on ÿÛ Þ¯Ç ÈéϖіÏ â Þù é¯ÏÈϖі È ÁĀâ¯âі È і analogy.

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