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TRAILSIDE GALLERIES & GERALD PE TERS GALLERY PRESENT

S E S S I ON I • SE P T E M B E R 1 3, 20 1 9 | SE S SI O N I I • SE P T EM B E R 1 4, 20 1 9


COVER Lot 364: Carl Rungius (1869-1959), Alaskan Wilderness, oil on canvas, 40 ¼ x 50 ¼ inches, $400,000 – $600,000 FRONTISPIECE Lot 349: Thomas Hart Benton (1889-1975), Cowboys at Corral, 1931, graphite, watercolor, and gouache on paper, 20 ⅛ x 29 ¼ inches, $400,000 – $600,000 BACK COVER Lot 296: Martin Grelle (1954- ), Cheyenne Remnants, oil on canvas, 44 x 60 inches, $250,000 – $350,000


A N A U C T I O N O F PA S T A N D P R E S E N T MASTERWORK S OF THE AMERICAN WEST


Lot 309: Robert Bateman (1930- ), Elk and Aspen acrylic on canvas, 48 x 60 inches, $80,000 – $120,000


A N A U C T I O N O F PA S T A N D P R E S E N T MASTERWORKS OF THE AMERICAN WEST

SCHEDULE OF EVENTS

SESSION I

Live auction will be held at the Center for the Arts 265 South Cache, Jackson, Wyoming SESSION I AUCTION PREVIEW

Thursday, September 12 | 10:00am – 7:00pm Friday, September 13 | 9:00am – 12:00pm Previews held at Trailside Galleries 130 East Broadway, Jackson, Wyoming LIGHT LUNCH

Friday, September 13 | 11:00am SESSION I LIVE AUCTION

Friday, September 13 | 12:30pm MDT

SESSION II

All events will be held at the Center for the Arts 265 South Cache, Jackson, Wyoming SESSION II AUCTION PREVIEWS

Friday, September 13 | 10:00am – 7:00pm Saturday, September 14 | 9:00am – 12:00pm BBQ LUNCHEON

Saturday, September 14 | 11:00am SESSION II LIVE AUCTION

Saturday, September 14 | 12:30pm MDT

J A C K S O N H O L E A R T A U C T I O N PA R T N E R S Roxanne Hofmann Trailside Galleries trailsidegalleries.com (866) 549-9278

Maryvonne Leshe Trailside Galleries trailsidegalleries.com (307) 733-3186

Gerald Peters Gerald Peters Gallery gpgallery.com (505) 954-5700


2019 JACK SON HOLE ART AUCTION Absentee and phone bidding arrangements must be made by: 5:00pm MDT on September 12 for Session I 5:00pm MDT on September 13 for Session II Telephone bidders are encouraged to leave absentee bids in case of technical difficulties Please direct all inquiries to (866) 549-9278 Register online and view auction results at www.jacksonholeartauction.com

Online bidding options:

D O WN LOA D the Jackson Hole Art Auction App

in the Apple or Android stores to bid and preview lots on your mobile device! or register at Invaluable.com

Lot 335: John Clymer (1907-1989), In the Dead of Winter oil on canvas, 24 x 36 inches, $150,000 – $250,000


PRESENTED BY TRAILSIDE GALLERIES & GERALD PETERS GALLERY


SESSION I S E S S I O N I W I LL B E S O LD E N T I R E LY U N R E S E RVE D LOT 1 – LOT 2 0 6 FR I DAY, S E P T EM B E R 1 3 1 2 :3 0 P M M DT CE N T E R F O R T H E A R T S 2 6 5 S O U T H C ACH E JACK S O N, W YO M I N G

PRESENTED BY TRAILSIDE GALLERIES & GERALD PETERS GALLERY


1 EDWARD BOREIN (1872-1945) Cowboy Lassoing a Steer pen and ink on paper 5 ¼ x 9 ¼ inches (sight) unsigned PROVENANCE: Hunter Gallery, San Francisco, CA (label verso) From the Collection of Mr. Edward Scovel $1,000 – $2,000

2 EDWARD BOREIN (1872-1945) Crow Singers etching and drypoint on paper 6 x 8 ¼ inches (sight) signed lower right: Edward Borein PROVENANCE: Hunter Gallery, San Francisco, CA (label verso) From the Collection of Mr. Edward Scovel $2,000 – $3,000

3 OLAF WIEGHORST (1899-1988) Cowboy in Snow

4 OLAF WIEGHORST (1899-1988) Indian Portrait

watercolor, gouache, and pen on paper 10 x 7 ¾ inches (sight) signed lower left: O-W (artist cipher)

watercolor and pen on paper 9 ¾ x 7 ¾ inches (sight) signed lower left: O.WiEghorsT (artist cipher)

PROVENANCE: Private Collection, Newmarket, NH

PROVENANCE: Private Collection, Newmarket, NH

$3,000 – $5,000

$2,000 – $3,000 — 8 —


5 CARL MOON (1879-1948) Indian on Horseback, 1911 oil on board 16 x 20 inches signed lower right: KARL MOON. 1911 PROVENANCE: I.S.O. Art Ltd., Hamilton, MT (label verso) Private Collection, Hamilton, MT $4,000 – $6,000

6 LYLE TAYSON SR. (1924-2014) Loading the Travois & The Painted Hide

7 CARL OSCAR BORG (1879-1947) Needle Rock at Canyon de Chelly, 1929

oil on paper Loading the Travois: 9 5/8 x 14 5/8 inches (sight) The Painted Hide: 9 5/8 x 13 5/8 inches (sight) signed lower left: L TAYSON

watercolor on paper 10 ½ x 6 ½ inches (sight) signed lower left: CARL OSCAR BORG dated lower center: 1929

PROVENANCE: From a Private Collection

PROVENANCE: From a Private Collection

$800 – $1,200 (for the pair)

$1,500 – $2,500 — 9 —


8 JIM NORTON (1953- ) At the Water’s Edge oil on board 9 x 12 inches signed lower right: Jim C. Norton CA

9 ROY ANDERSEN (1930-2019) The Red Shield

PROVENANCE: Private Collection, Playa Vista, CA

oil on board 7 ½ x 5 ½ inches signed lower right: Roy Andersen - CA

$2,500 – $3,500

PROVENANCE: Insight Gallery, Fredericksburg, TX (label verso) Private Collection, West Lake, TX $3,000 – $5,000

10 ROY ANDERSEN (1930-2019) Warrior

11 BILL MITTAG (1935- ) Their Heart’s Land

oil on board 7 x 5 inches signed lower left: Roy Andersen CA

oil on linen on board 14 x 22 inches signed lower left: Bill Mittag (artist cipher) verso: signed

PROVENANCE: From a Private Collection

PROVENANCE: Private Collection, Jackson, WY

$2,000 – $3,000

$1,500 – $2,500 — 10 —


12 JOHN BERRY (1920-2009) Strikes His Enemy Pretty (After J.H. Sharp), 1999 oil on canvas 30 x 20 inches signed verso: 19JOHN BERRY99 verso: titled, signed, dated PROVENANCE: The Legacy Gallery, Jackson, WY (label verso) Private Collection, Jackson, WY Proceeds from the sale of this lot will benefit the Center for the Arts, Jackson, WY. $3,000 – $5,000

13 JOHN BERRY (1920-2009) Chief Spotted Eagle - Sioux (After J.H. Sharp) oil on canvas 24 x 20 inches signed verso: BY JOHN BERRY verso: titled and signed PROVENANCE: S.W. Galleries, Corp., Dallas, TX (label verso) The Legacy Gallery, Jackson, WY (label verso) Private Collection, Jackson, WY Proceeds from the sale of this lot will benefit the Center for the Arts, Jackson, WY. $2,000 – $3,000

14 CLARK KELLEY PRICE (1945- ) Wood for the Fire

15 MATT SMITH (1960- ) Black Mountain Autumn

oil on canvas 24 x 18 inches signed lower left: clark kelley Price (artist cipher) © 90

oil on board 8 x 12 inches signed lower left: Matt Smith verso: titled, signed, dated

PROVENANCE: From the Collection of Mr. Gregg R. Wilkes

PROVENANCE: Trailside Galleries, Jackson, WY (label verso) Private Collection, Anchorage, AK

$3,000 – $5,000

$1,000 – $2,000 — 11 —


16 Z.S. LIANG (1953- ) Arapaho Scout oil on canvas 12 x 9 inches signed lower left: Z.S. LIANG verso: titled PROVENANCE: From a Private Collection $5,000 – $7,000

17 JOHN FAWCETT (1952- ) White Man’s Saddle oil on board 20 x 24 inches signed lower right: FAWCETT© (artist cipher) PROVENANCE: Private Collection, Jackson, WY $2,000 – $3,000

18 JOHN FAWCETT (1952- ) Fresh Pony oil on canvas 24 x 18 inches signed lower right: FAWCETT© (artist cipher) PROVENANCE: Private Collection, Jackson, WY $1,500 – $2,500

— 12 —


19 CYRUS AFSARY (1940- ) The Craftsman oil on canvas 16 x 20 inches signed lower right: CYRUS AFSARY PROVENANCE: Autry Museum of Western Heritage, Los Angeles, CA (label verso) Private Collection, San Juan Capistrano, CA $3,000 – $5,000

20 HARLEY BROWN (1939- ) Crow Indian Girl

21 HARLEY BROWN (1939- ) Jumping Bear

pastel on paper 12 x 9 inches (sight) signed lower right: HARLEY BROWN

pastel on paper 24 x 18 inches signed lower right: HARLEY BROWN ‘66 verso: titled and signed

PROVENANCE: Private Collection, Jackson, WY

PROVENANCE: Private Collection, Jackson, WY

$2,000 – $4,000

$3,000 – $5,000

— 13 —


22 STAN DAVIS (1942- ) A King in the Palace of History oil on canvas 40 x 30 inches signed lower right: 2010 © davis verso: titled, signed, dated PROVENANCE: Private Collection, Jackson, WY $4,000 – $6,000

23 C.R. CHEEK (1937- ) Travelers of the Northern Plain oil on canvas 20 x 30 inches signed lower left: C.R. CHEEK PROVENANCE: I.S.O. Art Ltd., Hamilton, MT (label verso) Private Collection, Hamilton, MT $5,000 – $7,000

24 LYLE TAYSON SR. (1924-2014) Fireside Contemplation oil on canvas 30 x 24 inches signed lower left: L TAYSON PROVENANCE: Private Collection, Sandy, UT $2,000 – $3,000 — 14 —


25 GREGORY SUMIDA (1948- ) Takka Mountain Camp gouache on panel 10 x 14 inches signed lower left: Sumida (artist cipher) verso: titled PROVENANCE: Private Collection, Jackson, WY $1,000 – $2,000

26 KEITH FAY (1920-2008) The Eagle’s Club oil on canvas 22 ⅛ x 30 inches signed lower left: K. FAY- © PROVENANCE: From a Private Collection $2,000 – $3,000

27 MICHAEL COLEMAN (1946- ) Warm Place

28 MARK KEATHLEY (1963- ) Wolves and Tipis

oil on board 19 ⅞ x 14 inches signed lower left: MICHAEL COLEMAN ©

oil on canvas 24 x 48 inches signed lower left: KEATHLEY (artist cipher)

PROVENANCE: Legacy Galleries, Jackson, WY (label verso) Private Collection, Jackson, WY

PROVENANCE: From a Private Collection

$3,000 – $5,000

$3,000 – $5,000

— 15 —


29 TOM DORR (1950- ) Hesitation oil on canvas 18 x 50 inches signed lower right: TOM DORR PROVENANCE: Private Collection, West Lake, TX $5,000 – $7,000

30 BILL NEBEKER (1942- ) Headin’ for the Brush bronze 2/25 15 ½ x 31 x 13 inches inscribed center verso: © BILL NEBEKER CA 1981 2/25 PROVENANCE: Private Collection, Jackson, WY $4,000 – $6,000

31 LOREN G. FRY (1924-2016) Off to a Good Start, 1983 acrylic on board 20 x 30 inches signed lower right: LOREN G. FRY ‘83 © 32 XIANG ZHANG (1954- ) Ready to Ride

PROVENANCE: From a Private Collection

oil on canvas 24 x 18 inches signed lower left: XIANG ZHANG ©

$2,000 – $3,000

PROVENANCE: Private Collection, West Lake, TX $2,000 – $3,000 — 16 —


33 LOREN G. FRY (1924-2016) Gathering the Cottonwood Bottoms, 1979 acrylic on board 20 x 30 inches signed lower right: LOREN G. FRY ‘79 © PROVENANCE: Private Collection, Jackson, WY $2,000 – $3,000

34 JOHN BYE (1970- ) Wild and Free acrylic on canvas 31 ½ x 47 ½ inches signed lower right: JBye PROVENANCE: Private Collection, West Lake, TX $6,000 – $9,000

35 ROBERT HAGAN (1947- ) Follow the Leader oil on canvas 39 x 29 inches signed lower left: R Hagan---(star) PROVENANCE: Private Collection, West Lake, TX $2,000 – $4,000

— 17 —


36 RAY STRANG (1893-1957) Round Up oil on canvas 36 x 48 inches signed lower right: Strang PROVENANCE: From the Collection of Mr. Robert Warburton $5,000 – $7,000

37 R.S. RIDDICK (1952- ) Faithful Through the Storms gouache on paper 37 ½ x 27 ½ inches (sight) signed lower right: R.Riddick CA 1999 © PROVENANCE: Private Collection, Scottsdale, AZ $5,000 – $7,000

38 STEVE DEVENYNS (1953- ) All in a Day’s Work oil on board 12 x 16 inches signed lower left: Steve Devenyns (artist cipher) ©‘93 PROVENANCE: Private Collection, Jackson, WY $1,000 – $2,000

— 18 —


39 NED JACOB (1938- ) Bright and Early oil on board 12 x 24 inches signed lower right: JACOB verso: titled and signed PROVENANCE: Private Collection, Boise, ID $3,000 – $5,000

40 JACK BRYANT, JR. (20th Century- ) Help on the Way bronze 18/20 23 ¾ x 41 x 18 inches inscribed front left: Jack Bryant © 18/20 “HELP ON THE WAY” PROVENANCE: Private Collection, West Lake, TX $1,000 – $2,000

41 NEWMAN MYRAH (1921-2010) Cattle Drive oil on canvas 15 x 30 inches signed lower right: N. MYRAH PROVENANCE: From the Collection of Ms. Janie Leahy $2,000 – $3,000

— 19 —


42 WILLIAM MOYERS (1916-2010) Riding the Chuck Line, 1983 oil on canvas 24 x 36 inches signed lower left: WM. MOYERS CA ©1983 verso: titled and signed PROVENANCE: Trailside Americana, Jackson, WY (label verso) Private Collection, Jackson, WY $4,000 – $6,000

43 ROBERT DUNCAN (1952- ) The First Ride oil on canvas 9 x 12 inches signed lower left: R. Duncan © ‘09 verso: titled, signed, dated PROVENANCE: From a Private Collection $1,500 – $2,500

44 CLARK KELLEY PRICE (1945- ) Cowboy Swimming Hole oil on canvas 30 x 40 inches signed lower left: clark kelley Price (artist cipher) 80 PROVENANCE: From the Collection of Mr. Gregg R. Wilkes $5,000 – $7,000

— 20 —


45 BRIAN GRIMM (1968- ) Afterglow oil on board 40 x 60 inches signed lower right: BRIAN GRIMM verso: titled, signed, dated PROVENANCE: Private Collection, West Lake, TX $7,000 – $10,000

46 BRIAN GRIMM (1968- ) Tall Texan oil on board 54 x 36 inches signed lower right: BRIAN GRIMM PROVENANCE: Private Collection, West Lake, TX $7,000 – $10,000

— 21 —


47 JASON RICH (1970- ) Leaving Coldwater Canyon oil on board 32 x 32 inches signed lower right: J. RICH CA verso: titled, signed, dated PROVENANCE: Insight Gallery, Fredericksburg, TX (label verso) Private Collection, West Lake, TX $6,000 – $9,000

48 CAROL PEEK (1961- ) First Snow: Moving Cattle oil on canvas 23 ⅞ x 32 inches signed lower right: Peek verso: titled, signed, dated PROVENANCE: The North Point Gallery, San Francisco, CA (label verso) From a Private Collection $3,000 – $5,000

— 22 —


49 ROBERT SUMMERS (1940- ) Long View oil on canvas 24 x 36 inches signed lower left: Robert Summers- ©1988 PROVENANCE: Private Collection, San Juan Capistrano, CA $5,000 – $7,000

50 DAVID HALBACH (1931- ) Out for the Windies watercolor on paper 20 ¾ x 28 ¾ inches (sight) signed lower left: DAVID HALBACH CA © ‘11 PROVENANCE: National Cowboy & Western Heritage Museum, Cowboy Artists of America Sale (label verso) Private Collection, Denver, CO $4,000 – $6,000

51 CLARK KELLEY PRICE (1945- ) In From the Rain oil on canvas 24 x 30 inches signed lower left: clark kelley Price (artist cipher) 91 © PROVENANCE: From a Private Collection $3,000 – $5,000

— 23 —


52 SONYA TERPENING (1953- ) A Shortcut Home oil on canvas 30 x 40 inches signed lower left: Sonya Terpening verso: titled and signed PROVENANCE: Private Collection, West Lake, TX $7,000 – $10,000

53 SONYA TERPENING (1953- ) Cutting Corners oil on canvas 36 x 36 inches signed lower left: Sonya Terpening verso: titled and signed PROVENANCE: Private Collection, West Lake, TX $6,000 – $9,000

— 24 —


54 SONYA TERPENING (1953- ) Move Em’ Out

55 ROY ANDERSEN (1930-2019) The Old Place

oil on linen 30 x 40 inches signed lower right: Sonya TERpEning ©2007

oil on canvas 14 x 18 inches signed lower right: Roy Andersen CA

PROVENANCE: Private Collection, Grapevine, TX

PROVENANCE: Insight Gallery, Fredericksburg, TX (label verso) Private Collection, West Lake, TX

$4,000 – $6,000

$2,000 – $4,000

56 XIANG ZHANG (1954- ) A Helping Hand

57 CHARLES DAYTON (1967- ) Smell of Saddle and Sage

oil on canvas 20 x 16 inches signed lower left: XIANG ZHANG ©

oil on board 24 x 36 inches signed lower left: Charles Dayton

PROVENANCE: Private Collection, West Lake, TX

PROVENANCE: I.S.O. Art Ltd., Hamilton, MT (label verso) Private Collection, Hamilton, MT

$1,000 – $2,000

$2,000 – $3,000 — 25 —


58 FRANK HAGEL (1933- ) Meriwether Lewis – Rest Stop on the Teton July 27, 1806

59 HOWARD ROGERS (1932- ) ‘The Frenchman’ Study

oil on canvas 22 x 32 inches signed lower left: Hagel 1989

oil on canvas 14 x 11 inches signed lower right: H. RogErs © verso: titled and dated

PROVENANCE: Sanders Custom Frames & Fine Art Gallery, Kalispell, MT (label verso) I.S.O. Art Ltd., Hamilton, MT (label verso) Private Collection, Hamilton, MT

PROVENANCE: The Artist (label verso) Wadle Galleries Ltd., Santa Fe, NM (label verso) Private Collection, Texas From a Private Collection

$3,000 – $5,000

$1,000 – $2,000

60 ROBERT F. MORGAN (1929-2015) At Break of Day, 1974

61 JOHN PAUL STRAIN (1955- ) In the Northwest Country

oil on canvas 20 ⅛ x 24 inches signed lower right: R.F. MORGANverso: titled and dated

gouache on paper 24 ⅝ x 15 ½ inches (sight) signed lower right: JOHN PAUL STRAIN 84 © PROVENANCE: From a Private Collection

PROVENANCE: Private Collection, Jackson, WY

$4,000 – $6,000

$3,000 – $5,000 — 26 —


62 TIM HARMON (1946- ) Switchback

63 JOHN WADE HAMPTON (1918-2000) Canyon Trail, 1975

bronze 9/15 26 x 22 ½ x 14 inches inscribed front right: Tim Harmon © 9/15 inscribed front left: Switchback

oil on canvas 36 x 24 inches signed lower left: JWHAMPTON (artist cipher) CA ©1975 verso: titled and signed

PROVENANCE: Private Collection, West Lake, TX

PROVENANCE: From a Private Collection

$4,000 – $6,000

$4,000 – $6,000

64 DAN BODELSON (1949- ) The Wild Bunch oil on canvas 24 x 36 inches signed lower left: DPBodelson- © verso: titled, signed, dated PROVENANCE: Quail Hollow Galleries, Oklahoma City, OK (label verso) Moran Fine Art Gallery, Tulsa, OK (label verso) From a Private Collection $4,000 – $6,000

— 27 —


65 MICHAEL COLEMAN (1946- ) Morning Camp gouache on paper 11 x 18 ¼ inches (sight) signed lower left: MICHAEL COLEMAN - 1-9-7-6- x

66 JOHN PAUL STRAIN (1955- ) In Search of Game

PROVENANCE: Fenn Galleries ltd., Santa Fe, NM (label verso) Private Collection, Jackson, WY

gouache on paper 17 ⅞ x 9 ¾ inches (sight) signed lower left: JOHN PAUL STRAIN 84 ©

$4,000 – $6,000

PROVENANCE: Trailside Galleries, Scottsdale, AZ (label verso) From a Private Collection $2,000 – $3,000

67 JOHN PAUL STRAIN (1955- ) Sioux Hunter - Summer

68 JOHN PAUL STRAIN (1955- ) Comanche Warrior

gouache on paper 13 ½ x 9 ¾ inches (sight) signed lower right: JOHN PAUL STRAIN 83 ©

gouache on paper 15 ⅞ x 8 ¾ inches (sight) signed lower right: JOHN PAUL STRAIN 84 ©

PROVENANCE: Trailside Galleries, Scottsdale, AZ (label verso) From a Private Collection

PROVENANCE: Trailside Galleries, Scottsdale, AZ (label verso) From a Private Collection

$2,000 – $3,000

$2,000 – $3,000 — 28 —


69 RICHARD GREEVES (1935- ) Omaha

70 RICHARD GREEVES (1935- ) Huron

bronze 4/10 13 ½ x 6 ¼ x 8 ¼ inches inscribed verso: RV GREEVES 1998 4/10

bronze 9/10 11 ½ x 7 x 10 inches inscribed left: RV GREEVES 1995 9/10

PROVENANCE: From the Collection of Jack & Shirley McGinty

PROVENANCE: From the Collection of Jack & Shirley McGinty

$2,500 – $4,500

$2,500 – $4,500

71 RICHARD GREEVES (1935- ) Mohawk

72 RICHARD GREEVES (1935- ) Sauk-Fox

bronze 4/10 13 ½ x 8 x 10 inches inscribed verso: RV GREEVES 1998 4/10

bronze 7/10 13 ½ x 6 x 10 inches inscribed verso: RV GREEVES 1996 7/10 ©

PROVENANCE: From the Collection of Jack & Shirley McGinty

PROVENANCE: From the Collection of Jack & Shirley McGinty

$2,500 – $4,500

$2,500 – $4,500

— 29 —


73 JOHN DEMOTT (1954- ) The Young Blackfoot

74 DONALD “PUTT” PUTMAN (1926-2007) Downwind

oil on canvas 40 x 30 inches signed lower right: DEMOTT 1999 © verso: signed and dated

acrylic on board 30 x 40 inches signed lower right: Putt

PROVENANCE: Trailside Galleries, Scottsdale, AZ (label verso) Private Collection, Jackson, WY

PROVENANCE: From a Private Collection $3,000 – $5,000

$5,000 – $7,000

75 MARK KEATHLEY (1963- ) Sacred Ground oil on canvas 36 x 48 inches signed lower left: KEATHLEY (artist cipher) PROVENANCE: From a Private Collection $5,000 – $7,000

— 30 —


76 STAN DAVIS (1942- ) Buffalo Berries oil on canvas 24 x 48 inches initialed lower right: d.

77 JUDITH DICKINSON (1950- ) I Want to Play

PROVENANCE: From a Private Collection

oil on canvas 24 x 18 inches signed lower right: Judith R. Dickinson verso: signed

$4,000 – $6,000

PROVENANCE: Private Collection, West Lake, TX $1,000 – $2,000

78 JOHN DEMOTT (1954- ) Faithful Friend

79 STAN DAVIS (1942- ) Indian Maiden

oil on board 16 x 12 inches signed lower left: DEMOTT 2004 © verso: signed and dated

oil on canvas 18 x 14 inches signed lower right: 1991 - © - davis

PROVENANCE: Private Collection, West Lake, TX

PROVENANCE: Morris & Whiteside Galleries, Hilton Head Island, SC (label verso) From a Private Collection

$1,000 – $2,000

$2,000 – $3,000 — 31 —


80 RUSS VICKERS (1923-1997) Trading Post, 1982 oil on paper 4 ¼ x 12 ¼ inches (sight) signed lower right: Russ Vickers ©82 verso: titled and signed

81 TRACY BEELER (1958- ) Sharing the Harvest

PROVENANCE: Private Collection, Jackson, WY

bronze 4/35 15 ¾ x 4 x 7 ½ inches inscribed left verso: Tracy Beeler stamped right verso: 4/35 BRONZE SMITH

$1,000 – $2,000

PROVENANCE: Private Collection, Jackson, WY $2,000 – $3,000

82 WILLIAM WHITAKER (1943-2018) Ceremony oil on board 18 x 12 inches signed lower right: W. Whitaker PROVENANCE: Nedra Matteucci Galleries, Santa Fe, NM (label verso) Dallas Fine Art Museum, L.L.C., Dallas, TX (label verso) Altermann Galleries, Dallas, TX (label verso) Private Collection, West Lake, TX

83 CHARLES FRITZ (1955- ) Bivouacked Ojibway oil on board 12 x 10 inches signed lower left: C. FRITZ PROVENANCE: From a Texas Collection $2,000 – $4,000

$1,000 – $2,000 — 32 —


84 RON STEWART (1941- ) Gathering for the Hunt oil on canvas 36 x 47 ¾ inches signed lower left: RON STEWART © (artist cipher) verso: titled and signed PROVENANCE: West Lives On Gallery, Jackson, WY (label verso) From a Private Collection $4,000 – $6,000

85 WILLIAM GEORGE (1930- ) A Lean Winter

86 NICHOLAS FIRFIRES (1917-1990) Comanche Pony Raiders

oil on canvas 40 x 30 inches signed lower right: William George © verso: titled and signed

oil on canvas 30 x 40 inches signed lower right: nicholas Firfires © CA

PROVENANCE: From a Private Collection $3,000 – $5,000

PROVENANCE: Private Collection, Denver, CO $4,000 – $6,000

— 33 —


87 CHARLES BENSCO (1894-1960) Navajo Shepherdess oil on canvas 22 x 28 inches signed lower right: CHARLES BENSCO PROVENANCE: First Federal Savings, Phoenix, AZ (label verso) From the Collection of Mr. John Nicholson $2,000 – $3,000

88 RUSSELL CASE (1966- ) Canyon Shadows oil on canvas 16 x 20 inches signed lower left: G. Russell Case verso: titled, signed, dated PROVENANCE: From a Private Collection $4,000 – $6,000 — 34 —


89 ANDREW SKORUT (1969- ) Mona Lisa oil on canvas 36 x 47 ¼ inches signed lower right: SKORUT verso: titled, signed, dated PROVENANCE: From a Private Collection $2,000 – $3,000

90 ANDREW SKORUT (1969- ) Thoughts of Home oil on canvas 44 ¾ x 50 inches signed lower right: SKORUT verso: titled, signed, dated PROVENANCE: From a Private Collection $3,000 – $5,000

91 JERRY VENDITTI (1942- ) Longhorn Skull oil on canvas 36 x 40 inches signed lower left: J. VENDitti ©93 PROVENANCE: The Legacy Gallery, Jackson, WY (label verso) Private Collection, Jackson, WY Proceeds from the sale of this lot will benefit the Center for the Arts, Jackson, WY. $2,000 – $4,000

— 35 —


92 DONNA HOWELL-SICKLES (1949- ) Fish Totem

93 DONNA HOWELL-SICKLES (1949- ) Red Roper

mixed media on paper 59 ¼ x 40 inches signed lower left: Donna Howell-Sickles © 91

mixed media on paper 27 ¾ x 20 inches signed lower right: Donna Howell-Sickles © 90

PROVENANCE: Meyer Gallery, Scottsdale, AZ (label verso) Private Collection, Paradise Valley, AZ

PROVENANCE: Martin-Harris Gallery, Jackson, WY (label verso) Private Collection, Jackson, WY

$3,000 – $5,000

$2,000 – $3,000

94 BUCKEYE BLAKE (1946- ) Roundup watercolor on paper 19 ½ x 29 ½ inches (sight) signed lower right: © BUCKEYE BLAKE 2007 PROVENANCE: Trailside Galleries, Jackson, WY (label verso) From a Wyoming Collection $3,000 – $5,000

— 36 —


95 BILL SCHENCK (1947- ) Sheep, Where? oil on canvas 40 ½ x 62 ½ inches signed lower right: SCHENCK 91 verso: titled, signed, dated PROVENANCE: From a Private Collection $5,000 – $7,000

96 BILL SCHENCK (1947- ) Love on the Range oil on canvas 44 ½ x 48 ½ inches signed lower left: SCHENCK 90 verso: titled, signed, dated PROVENANCE: From a Private Collection $4,000 – $6,000

— 37 —


97 JIM WILCOX (1941- ) Autumn, Mount Moran

98 JIM WILCOX (1941- ) Sundown at East Temple Peak

oil on board 12 x 18 inches signed lower right: JIM WILCOX- ©00

oil on canvas 12 x 16 inches signed lower right: JIM WILCOXverso: titled

PROVENANCE: From the Collection of Mr. Lawrence Craig Smith

PROVENANCE: From the Collection of Mr. Lawrence Craig Smith

$1,500 – $2,500

$1,000 – $2,000

99 GREG MCHURON (1945-2012) Crimson Flush

100 CONRAD SCHWIERING (1916-1986) Winter at Oxbow Bend

oil on board 30 x 24 inches signed lower right: GREGORY i MCHURON

oil on board 12 x 18 inches signed lower right: Schwiering © (artist cipher) NAWA

PROVENANCE: Private Collection, Jackson, WY

PROVENANCE: From a Private Collection

$1,500 – $2,500

$2,000 – $4,000 — 38 —


101 BILL SAWCZUK (1945- ) The Melt oil on board 40 x 39 inches signed lower left: W.A. SAWCZUK $5,000 – $7,000

102 CHAD POPPLETON (1976- ) High Tailing It oil on canvas 24 x 36 inches signed lower left: Chad Poppleton verso: titled, signed, dated PROVENANCE: The Artist (label verso) Private Collection, Coral Gables, FL $6,000 – $9,000

103 SCOTT CHRISTENSEN (1962- ) Early Autumn oil on canvas 20 x 24 inches signed lower left: CHRISTENSEN © PROVENANCE: Private Collection, Anchorage, AK $3,000 – $5,000

— 39 —


104 JIM REY (1939- ) Working Calves on the Diamond Tail Ranch oil on canvas 20 x 30 inches signed lower right: Jim REy 84 © verso: titled PROVENANCE: Shriver Gallery, Inc., Taos, NM (label verso) Private Collection, Grapevine, TX

105 OLEG STAVROWSKY (1927- ) Along the Collegiate Range

$3,000 – $5,000

oil on board 34 x 25 ½ inches signed lower right: oleg stavrowsky PROVENANCE: S.W. Galleries, Corp., Dallas, TX (label verso) Private Collection, West Lake, TX $3,000 – $5,000

106 G. HARVEY (1933-2017) The Cowpuncher, 1993 bronze 20/50 20 x 14 x 12 ¾ inches inscribed center verso: The COWPUNCHER G. Harvey- © 1993 PROVENANCE: Private Collection, West Lake, TX LITERATURE: Gerald Harvey Jones, G.Harvey: The City Series, Somerset House Publishing, Houston, TX, 2001, illus. p. 87 $5,000 – $7,000

107 JAMES BOREN (1921-1990) Summer Branding, 1968 watercolor on paper 14 x 20 ½ inches (sight) signed lower right: JAMES BOREN 1968 CA PROVENANCE: From a Private Collection $3,000 – $5,000 — 40 —


108 HOWARD ROGERS (1932- ) Riders Four Plus One oil on canvas 24 x 40 inches signed lower right: H. RogErs © PROVENANCE: The Artist $5,000 – $7,000

109 JAMES BOREN (1921-1990) Cold Mountain Morning, 1988 watercolor on paper 14 x 21 inches (sight) signed lower right: JAMES BOREN CA NAWA © 1988 PROVENANCE: Quail Hollow Galleries, Oklahoma City, OK (label verso) From a Private Collection $3,000 – $5,000

110 DAVID HALBACH (1931- ) Morning After watercolor on paper 18 x 29 ½ inches (sight) signed lower right: DAVID HALBACH CA © ‘08 PROVENANCE: Private Collection, Denver, CO $4,000 – $6,000

— 41 —


111 JOHN LEONE (1929-2011) Silver Tip’s Trap oil on canvas 30 x 40 inches signed lower right: John LeonePROVENANCE: Private Collection, Jackson, WY $3,000 – $5,000

112 JOHN LEONE (1929-2011) The Intruders oil on board 30 x 40 inches signed lower right: John Leone -© PROVENANCE: The May Gallery, Jackson, WY (label verso) Private Collection, Jackson, WY $3,000 – $5,000

113 JOHN DEMOTT (1954- ) Free to Run oil on canvas 30 x 40 inches signed lower left: DEMOTT 1998 © verso: signed and dated PROVENANCE: Trailside Galleries, Scottsdale, AZ (label verso) Private Collection, Jackson, WY $5,000 – $7,000

— 42 —


114 ROBERT PUMMILL (1936- ) December Run

115 DAVID HALBACH (1931- ) Coming Home

oil on canvas 18 x 30 inches signed lower left: -pummill- ©’80

watercolor on paper 18 ¾ x 26 ½ inches (sight) signed lower left: DAVID HALBACH CA © ‘11

PROVENANCE: Private Collection, West Lake, TX

PROVENANCE: National Cowboy & Western Heritage Museum, Cowboy Artists of America Sale (label verso) Private Collection, Denver, CO

$4,000 – $6,000

$4,000 – $6,000

116 JAMES BOREN (1921-1990) Golden Dawn, 1984

117 DUANE BRYERS (1911-2012) Sleigh Bells, 1988

watercolor on paper 11 ⅞ x 15 ⅞ inches (sight) signed lower right: JAMES BOREN 1984 CA

oil on canvas 9 x 12 inches signed lower left: Duane Bryers © 88 NAWA

PROVENANCE: Trailside Galleries, Scottsdale, AZ (label verso) From a Private Collection

PROVENANCE: From a Private Collection

$1,000 – $2,000

EXHIBITED: American Art in Miniature: 1988, The Thomas Gilcrease Museum, Tulsa, OK, December 2 - December 16, 1988 (label verso) $1,000 – $2,000

— 43 —


118 TONY EUBANKS (1939- ) The Hay Wagon oil on canvas 30 x 42 inches signed lower right: Eubanks PROVENANCE: Private Collection, West Lake, TX $6,000 – $9,000

119 CLYDE ASPEVIG (1951- ) Star Valley (Study) oil on board 10 ⅞ x 14 inches signed lower left: ©. ASPEVIG PROVENANCE: From a Private Collection $2,000 – $3,000

120 BILL SAWCZUK (1945- ) Cow’s World oil on board 24 x 48 inches signed lower left: SAWCZUK verso: titled, signed, dated PROVENANCE: Trailside Galleries, Jackson, WY (label verso) Private Collection, Jackson, WY $4,000 – $6,000

— 44 —


121 HOWARD ROGERS (1932- ) Just Passing Through oil on canvas 20 x 24 inches signed lower right: H. RogErs © PROVENANCE: The Artist $2,000 – $4,000

122 HOWARD ROGERS (1932- ) Down from the High Country oil on canvas 20 x 30 inches signed lower right: H. RogErs © PROVENANCE: The Legacy Gallery, Jackson, WY (label verso) Private Collection, Jackson, WY $2,000 – $3,000

123 MARK KEATHLEY (1963- ) Cowboy in Snow oil on canvas 30 x 40 inches signed lower left: KEATHLEY (artist cipher) PROVENANCE: From a Private Collection $4,000 – $6,000 — 45 —


124 DUANE BRYERS (1911-2012) Trout for Dinner oil on canvas 16 x 24 inches signed lower left: Duane Bryers © PROVENANCE: From a Private Collection $2,000 – $3,000

125 DAVE WADE (1952- ) On the Pond oil on canvas 20 x 24 inches signed lower right: WADE verso: titled, signed, dated PROVENANCE: Autry Museum of Western Heritage, Los Angeles, CA (label verso) Private Collection, San Juan Capistrano, CA $2,000 – $3,000

126 HOWARD ROGERS (1932- ) Fishing in the High Country oil on canvas 14 x 22 inches signed lower right: H. RogErs © PROVENANCE: The Legacy Gallery, Jackson, WY (label verso) Private Collection, Jackson, WY $1,500 – $2,500

— 46 —


127 TOM HENNESSEY (1937-2018) Salmon Fishing, Pheasant Shooting, Black Duck Shooting watercolor on paper Salmon Fishing & Pheasant Shooting: 15 ⅞ x 22 ⅝ inches (sight) Black Duck Shooting: 15 7/8 x 23 1/8 inches (sight) signed lower right: TOM HENNESSEY (Salmon Fishing & Black Duck Shooting) signed lower left: TOM HENNESSEY (Pheasant Shooting) PROVENANCE: Private Collection, Jackson, WY $3,000 – $5,000 (set of 3)

128 CLARK BRONSON (1939- ) Mallards Skyward Bound

129 JOHN POTTER (1957- ) Prime Time

bronze 24/50 21 ½ x 28 x 15 inches inscribed right verso: CLARK BRONSON inscribed front center: Mallards Skyward Bound stamped right verso: ©1977 24/50 NAWA

oil on board 9 x 12 inches signed lower left: (artist cipher) JPOTTER © verso: titled, signed, dated

PROVENANCE: Private Collection, Denver, CO $2,000 – $3,000

PROVENANCE: Private Collection, Jackson, WY $1,000 – $2,000

— 47 —


130 CHARLES FRITZ (1955- ) Flying Clouds Over Chinle Wash

131 T. ALLEN LAWSON (1963- ) South of Santa Fe

oil on canvas 26 x 30 inches signed lower left: C. Fritz

oil on board 7 x 14 inches signed lower right: Tim Lawson © verso: titled and signed

PROVENANCE: The Artist, Billings, MT (label verso) I.S.O. Art Ltd., Hamilton, MT (label verso) Private Collection, Hamilton, MT $4,000 – $6,000

PROVENANCE: From a Private Collection $3,000 – $5,000

132 BILL ANTON (1957- ) Colorado Pastoral

133 SKIP WHITCOMB (1946- ) Late Spring on String Lake

oil on board 11 x 14 inches signed lower right: Bill Anton verso: titled, signed, dated

oil on board 9 x 13 inches signed lower right: Whitcomb

PROVENANCE: Ponderosa Art Gallery, Hamilton, MT (label verso) Private Collection, Hamilton, MT

PROVENANCE: From a Private Collection $1,000 – $2,000

$1,500 – $2,500 — 48 —


134 ROBERT PETERS (1960- ) Sonoran Radiance oil on canvas 18 x 24 inches signed lower left: ROBERT PETERS verso: titled and signed PROVENANCE: From a Private Collection $4,000 – $6,000

135 DENNIS DOHENY (1956- ) Day’s End

136 KERRY KINMAN (1946-2008) Close to Pinnacle Peak

oil on linen 20 x 24 inches signed lower right: DENNIS M DohEny 2006 verso: signed and dated

oil on canvas 40 x 30 inches signed lower right: K. Kinman verso: titled and signed

PROVENANCE: From a Private Collection

PROVENANCE: From a Private Collection

$4,000 – $6,000

$1,000 – $2,000

— 49 —


137 JAMES REYNOLDS (1926-2010) Near Wilcox Arizona, 1986 oil on canvas 18 x 24 inches signed lower left: James Reynolds 86 PROVENANCE: O’Brien’s Art Emporium, Scottsdale, AZ (label verso) Morris & Whitehead Galleries, Hilton Head Island, SC (label verso) Private Collection, Grapevine, TX $6,000 – $9,000

138 SCOTT CHRISTENSEN (1962- ) Twilight Hour

139 JIM MORGAN (1947- ) Snowshoe Creek

oil on canvas 24 x 28 inches signed lower right: CHRISTENSEN ©verso: titled and signed

oil on canvas 30 x 24 inches signed lower right: JIM MORGAN © verso: signed

PROVENANCE: Private Collection, Denver, CO

PROVENANCE: Simpson Gallagher Gallery, Cody, WY (label verso) I.S.O. Art Ltd., Hamilton, MT (label verso) Private Collection, Hamilton, MT

$4,000 – $6,000

$3,000 – $5,000

— 50 —


140 CURT WALTERS (1950- ) Annual Whimsey

141 ROD GOEBEL (1946-1993) Surf, Rock and Ice Plant

oil on canvas 28 x 36 inches signed lower left: Curt Walters verso: titled

oil on canvas 10 x 16 inches signed lower right: ROD GOEBEL PROVENANCE: Trailside Galleries, Jackson, WY (label verso) From a Private Collection

PROVENANCE: Trailside Galleries, Jackson, WY (label verso) Private Collection, Anchorage, AK

$1,000 – $2,000

$4,000 – $6,000

142 RUSSELL CASE (1966- ) Head Lake

143 CURT WALTERS (1950- ) Aftermath

oil on board 14 x 18 inches signed lower left: G. Russell Case verso: titled, signed, dated

oil on canvas 30 ¼ x 30 ¼ inches signed lower right: Curt WaltERS verso: titled

PROVENANCE: Private Collection, Hamilton, MT

PROVENANCE: Trailside Americana, Jackson, WY (label verso) Private Collection, Jackson, WY

$2,000 – $3,000

$4,000 – $6,000 — 51 —


144 RICHARD SCHMID (1934- ) Female Nude oil on canvas 20 x 16 inches signed lower right: Schmid verso: titled, signed, dated PROVENANCE: Blair Galleries, Ltd., Santa Fe, NM (label verso) Trailside Galleries, Scottsdale, AZ (label verso) From a Private Collection $8,000 – $12,000

— 52 —


145 ELAINE COFFEE (1941- ) The Compelling Mood of the Gardner (Isabella Stewart Gardner) oil on canvas 24 x 36 inches signed lower right: Elaine G Coffee verso: titled and signed

146 WILLIAM WHITAKER (1943-2018) Pink Roses

PROVENANCE: Trailside Galleries, Scottsdale, AZ (label verso) From a Private Collection

oil on canvas 16 x 12 inches signed lower left: W. Whitaker.

$3,000 – $5,000

PROVENANCE: Nedra Matteucci Galleries, Santa Fe, NM (label verso) From a Texas Collection $2,000 – $3,000

147 THOMAS DEDECKER (1951- ) A Grand Display

148 ROBERT JOHNSON (1942- ) Dahlias in Japanese Bowl

oil on board 36 x 24 inches signed lower left: dEDECKER

oil on board 11 x 14 inches signed lower right: Johnson

PROVENANCE: West Lives on Gallery, Jackson, WY (label verso) From a Private Collection

PROVENANCE: Private Collection, West Lake, TX

$2,000 – $4,000

$800 – $1,200 — 53 —


149 RUSSELL CASE (1966- ) Road to Taos oil on board 12 x 16 inches signed lower left: G. Russell Case verso: titled, signed, dated PROVENANCE: Mitchell Brown Fine Art, Inc., Scottsdale, AZ (label verso) Private Collection, Hamilton, MT $3,000 – $5,000

150 WILLIAM KALWICK (1960- ) A Gift oil on canvas 30 x 24 inches signed lower left: Kalwick verso: signed and dated PROVENANCE: Prix de West Invitational, Oklahoma City, OK (label verso) From a Private Collection $2,000 – $4,000

151 CHARLES HEANEY (1897-1981) Outskirts oil on board 16 x 26 inches signed lower right: HEANEY verso: titled and signed PROVENANCE: From the Collection of Ms. Janie Leahy $2,000 – $4,000

— 54 —


153 GEORGE HALLMARK (1949- ) Concepcion 152 GEORGE HALLMARK (1949- ) La Paz

oil on canvas 12 x 16 inches signed lower left: © Hallmark verso: titled, signed, dated

oil on canvas 20 x 24 inches signed lower right: © Hallmark verso: titled, signed, dated

PROVENANCE: Private Collection, San Juan Capistrano, CA

PROVENANCE: Autry Museum of Western Heritage, Los Angeles, CA (label verso) Private Collection, San Juan Capistrano, CA

$2,000 – $3,000

$4,000 – $6,000

154 GRANT MACDONALD (1944- ) A Burst of Spring

155 HARLEY BROWN (1939- ) Basket Girl

oil on canvas 14 x 18 inches signed lower right: Grant Macdonald © 1993 verso: titled and signed

pastel on paper 13 ¾ x 10 ⅛ inches (sight) signed lower right: HARLEY BROWN verso: titled

PROVENANCE: Trailside Galleries, Jackson, WY (label verso) Private Collection, Anchorage, AK

PROVENANCE: Private Collection, Paradise Valley, AZ $3,000 – $5,000

$1,000 – $2,000 — 55 —


156 KYLE SIMS (1980- ) Under the Twilight (Study) oil on board 12 x 14 inches signed lower left: ksims verso: titled, signed, dated PROVENANCE: Autry Museum of Western Heritage, Los Angeles, CA (label verso) Private Collection, San Juan Capistrano, CA $2,000 – $3,000

157 DAN OSTERMILLER (1956- ) The Sovereign bronze 7/15 18 x 29 x 10 inches inscribed front left: ©Dan Ostermiller 1994 7/15 PROVENANCE: Private Collection, Denver, CO $3,000 – $5,000

158 KYLE SIMS (1980- ) Browsing oil on canvas 10 x 14 inches signed lower right: ksims verso: titled, signed, dated PROVENANCE: Private Collection, Billings, MT $2,000 – $3,000

— 56 —


159 EDWARD ALDRICH (1965- ) Winter Prelude oil on canvas 24 x 48 inches signed lower left: Aldrich

160 EDWARD ALDRICH (1965- ) Confrontation

PROVENANCE: From a Private Collection

oil on canvas 48 x 40 inches signed lower right: Aldrich

$4,000 – $6,000

PROVENANCE: From a Private Collection $6,000 – $9,000

161 EDWARD JAMES FRAUGHTON (1939- ) Fighting Bears

162 GREG BEECHAM (1954- ) Old Muddy

bronze 28/55 6 x 11 ¼ x 8 inches inscribed center verso: Ed Fraughton ©1989 stamped left verso: 28/55

oil on board 14 x 20 inches signed lower right: GBEECHAM NWA verso: signed

PROVENANCE: Private Collection, Paradise Valley, AZ

PROVENANCE: Astoria Fine Art, Jackson, WY (label verso) From a Private Collection

$1,000 – $1,500

$3,000 – $5,000 — 57 —


163 KEN CARLSON (1937- ) The Spoils of the Victor oil on board 24 x 36 inches signed lower right: CARLSON PROVENANCE: Private Collection, Thunder Bay, Ontario $15,000 – $25,000

— 58 —


164 BOB KUHN (1920-2007) Pronghorn

165 RALPH OBERG (1950- ) High Steppin’

conte crayon on paper 9 ¼ x 12 inches (sight) signed lower left: kuhn

oil on board 20 x 26 inches signed lower right: oberg verso: titled and signed

PROVENANCE: From a Texas Collection $2,000 – $3,000

PROVENANCE: Private Collection, San Juan Capistrano, CA $4,000 – $6,000

166 JOHN SEEREY-LESTER (1946- ) Young Explorer

167 DAN OSTERMILLER (1956- ) Les Bears

acrylic on canvas 12 x 9 inches signed lower right: Seerey-Lester ©90

bronze 3/30 13 x 15 x 9 inches inscribed front right: ©Dan Ostermiller 90 (heart) 3/30

PROVENANCE: Private Collection, Pomfret, MD

PROVENANCE: From a Private Collection

$1,500 – $2,500

$3,000 – $5,000 — 59 —


168 JOHN BYE (1970- ) The Patriot acrylic on canvas 33 x 50 inches signed lower right: JBye PROVENANCE: Private Collection, West Lake, TX $6,000 – $9,000

169 BONNIE MARRIS (1951- ) The Desperado

170 STEPHEN C. ELLIOTT (1943- ) Puma in the Snow

oil on canvas 14 x 11 inches signed lower right: BLMarris ©

oil on canvas 30 x 40 inches signed lower right: S.C. Elliott

PROVENANCE: Private Collection, Grapevine, TX

PROVENANCE: From a Private Collection

$3,000 – $5,000

$2,000 – $3,000

— 60 —


171 JOHN SCHOENHERR (1935-2010) Polar Bear oil on canvas 24 x 40 inches signed lower right: Schoenherr PROVENANCE: Trailside Galleries, Jackson, WY (label verso) From a Wyoming Collection $7,000 – $10,000

172 SHERRY SALARI SANDER (1941- ) The Bearded Ones bronze 13/35 15 x 37 x 22 inches inscribed left verso: SSANDER 89© stamped left verso: 13/35 PROVENANCE: Private Collection, Jackson, WY $3,000 – $5,000

— 61 —


173 MICHAEL GHAUI (1950- ) Kudu oil on canvas 24 x 40 inches signed lower right: MAGhaui.-1981PROVENANCE: From a Private Collection $4,000 – $6,000

174 MICHAEL GHAUI (1950- ) Elephants oil on canvas 24 x 40 inches signed lower right: MAGhaui.-1981PROVENANCE: From a Private Collection $4,000 – $6,000

175 SHERRY SALARI SANDER (1941- ) Duggah Babies bronze 29/35 11 x 11 ½ x 8 inches inscribed front center: S.SANDER 85© stamped front center: 29/35 PROVENANCE: Trailside Galleries, Jackson, WY (label verso) From a Private Collection $1,500 – $2,500

— 62 —


176 GARY SWANSON (1941-2010) Bachelor Pair

177 LINDSAY SCOTT (1955- ) Leopard

oil on canvas 24 x 36 inches signed lower right: GARY R. SWANSON ©

mixed media on paper 6 ¾ x 13 ¾ inches (sight) signed lower left: Lindsay B. Scott ©’92

PROVENANCE: Gallery Americana, Carmel, CA (label verso) From a Private Collection

PROVENANCE: From a Texas Collection $800 – $1,200

$3,000 – $5,000

178 FRIEDRICH WILHELM KUHNERT (1865-1926) Untitled (Lion)

179 FRANCOIS KOCH (1944- ) Hazy Afternoon

pencil on paper 9 ¼ x 11 ¾ inches (sight) signed lower right: Wilh. Kuhnert

oil on canvas 29 x 47 inches signed lower right: Francois KOCH-

PROVENANCE: Private Collection, San Rafael, CA

PROVENANCE: Private Collection, San Juan Capistrano, CA

$2,000 – $4,000

$6,000 – $9,000

— 63 —


180 JOHN ENCINIAS (1949- ) Winter Harmony oil on canvas 24 x 32 inches signed lower right: Encinias PROVENANCE: Private Collection, Jackson, WY $3,000 – $5,000

181 VERYL GOODNIGHT (1947- ) Fighting Geese bronze 8/30 16 ½ x 22 x 19 inches inscribed front right: 1984 © 8/30 PROVENANCE: Private Collection, Jackson, WY $3,000 – $5,000

182 VERYL GOODNIGHT (1947- ) Two Bucks oil on canvas 18 x 24 inches signed lower right: VERYl GoodNight 1976 © PROVENANCE: Trailside Galleries, Jackson, WY (label verso) Private Collection, Wilson, WY $800 – $1,200

— 64 —


183 BONNIE MARRIS (1951- ) The Fishing Lesson oil on board 20 x 30 inches signed lower right: BLMarris ©1984 PROVENANCE: Husberg Fine Arts Gallery, Sedona, AZ (label verso) Private Collection, Omaha, NE $8,000 – $12,000

184 MORTEN E. SOLBERG (1935- ) Along the Continental Divide watercolor and gouache on paper 17 ½ x 29 ½ inches (sight) signed lower right: Morten E. Solberg ©AWS PROVENANCE: From a Private Collection $2,000 – $3,000

185 SHERRY SALARI SANDER (1941- ) Horses of the Mountain bronze 9/35 17 x 36 x 18 inches inscribed left: SSANDER ‘09 9/35 PROVENANCE: Private Collection, West Lake, TX $5,000 – $7,000

— 65 —


186 ROBERT W. WOOD (1889-1979) Autumn Barn, 1947 oil on canvas 24 x 29 inches signed lower right: Robt. Wood 47 PROVENANCE: Private Collection, Jackson, WY $4,000 – $6,000

187 DENNIS DOHENY (1956- ) Rock Creek Basin oil on canvas 9 x 12 inches signed lower left: Dennis M. Doheny 2006 verso: titled, signed, dated PROVENANCE: From a Texas Collection $3,000 – $5,000

188 JAY MOORE (1964- ) Cottonwood Ablaze oil on canvas 18 x 24 inches signed lower right: JAY MOORE verso: titled, signed, dated PROVENANCE: From a Texas Collection $4,000 – $6,000

— 66 —


189 ROBERT W. WOOD (1889-1979) Rough Sea oil on canvas 20 ⅛ x 30 ⅛ inches signed lower left: -Robert Woodverso: signed PROVENANCE: Private Collection, West Lake, TX $2,000 – $3,000

190 ROBERT ABBETT (1926-2015) North of Big Sur, 1981 oil on board 20 x 36 inches signed lower left: abbett © 1981 PROVENANCE: The Legacy Gallery, Jackson, WY (label verso) Private Collection, Jackson, WY LITERATURE: Michael McIntosh, Robert Abbett, Briar Patch Press, Inc., Camden, SC, 1989, illus. p. 122 $5,000 – $7,000 191 SCOTT CHRISTENSEN (1962- ) Oregon Coast oil on canvas 16 x 14 inches signed lower left: CHRISTENSEN © PROVENANCE: Private Collection, Anchorage, AK $1,500 – $2,500 — 67 —


192 KENNETH RILEY (1919-2015) Clearing at Nazare, 1982 oil on board 15 x 30 inches signed lower right: KEnnEth RilEy 82 © PROVENANCE: Private Collection, San Juan Capistrano, CA $5,000 – $7,000

193 JAMES MUIR (1945- ) The Lighted Lantern bronze 12/30 22 ½ x 17 x 18 inches inscribed left: ©2009 James N. Muir inscribed right: “The LIGHTED LANTERN” PROVENANCE: Private Collection, West Lake, TX $2,000 – $3,000

194 PAUL KING (1867-1947) Pathway of the Moon oil on canvas 32 x 40 inches signed lower right: PAul KiNG PROVENANCE: Private Collection, Austin, TX $3,000 – $5,000

— 68 —


195 JEAN FREDERIC COUTY (1829-1904) Nature Mort, 1886

196 HANS KLEIBER (1887-1967) Mallard Drakes

oil on canvas 25 ⅞ x 36 ¼ inches signed lower right: FCouty 1886

watercolor on paper 10 ½ x 8 ¼ inches (sight) signed lower right: Hans Kleiber titled lower left: Mallard Drakes

PROVENANCE: Private Collection, Atlanta, GA

PROVENANCE: Snook Art Co, Billings, MT (label verso) From a Private Collection

$3,000 – $5,000

$1,500 – $2,500

197 HANS KLEIBER (1887-1967) Pintail Drakes

198 LEMUEL MAYNARD WILES (1826-1905) Untitled (Seascape), 1875

watercolor on paper 10 ½ x 8 ¼ inches (sight) signed lower right: Hans Kleiber titled lower left: Pintail Drakes

oil on canvas 18 ¼ x 30 ⅜ inches signed lower right: L.M. WILes - 1875

PROVENANCE: Snook Art Co, Billings, MT (label verso) From a Private Collection

PROVENANCE: Private Collection, Austin, TX $3,000 – $5,000

$1,500 – $2,500 — 69 —


199 NIKOLO BALKANSKI (1957- ) Sozopol Boats

200 JIE WEI ZHOU (1962- ) Tibetan Girl

oil on canvas 20 x 30 inches signed lower right: N. Balkanski 96 verso: titled, signed, dated

oil on canvas 12 x 9 inches signed lower left: Jiewei Zhou verso: signed and dated

PROVENANCE: Colorado Historical Society, Denver, CO (label verso) From a Private Collection

PROVENANCE: From a Wyoming Collection $1,000 – $2,000

$4,000 – $6,000

201 MIAN SITU (1953- ) Waiting for the Sunset

202 ROD GOEBEL (1946-1993) Spruces at Twining

oil on canvas 16 x 20 inches signed lower left: Mian Situ

oil on canvas 27 x 24 inches signed lower right: ROD GOEBEL verso: titled and signed

PROVENANCE: Private Collection, San Juan Capistrano, CA

PROVENANCE: Trailside Galleries, Jackson, WY (label verso) From a Private Collection

$4,000 – $6,000

$2,000 – $4,000 — 70 —


203 TUCKER SMITH (1940- ) Kentucky Farms

204 DAN OSTERMILLER (1956- ) Scratching Doe

oil on board 8 x 12 inches signed lower left: Tucker Smith (Kentucky ‘88)

bronze 3/20 13 x 17 x 9 ¼ inches inscribed front left: ©Dan Ostermiller 95 3/20

PROVENANCE: From a Texas Collection

PROVENANCE: From a Private Collection

$4,000 – $6,000

$2,000 – $3,000

205 WANDA CHOATE (1958- ) Blackberry Winter

206 ROBERT JOHNSON (1942- ) September Chickens

oil on canvas 20 ¾ x 18 inches signed lower left: Choate

oil on board 16 x 20 inches signed lower left: Johnson

PROVENANCE: Whistle Pik Galleries, Fredericksburg, TX (label verso) Private Collection, West Lake, TX

PROVENANCE: Private Collection, West Lake, TX

$1,500 – $2,500

$1,000 – $2,000 — 71 —


— 72 —


SESSION II LOT 2 0 7 – LOT 5 0 3 S AT U R DAY, S E P T EM B E R 1 4 1 2 :3 0 P M M DT CE N T E R F O R T H E A R T S 2 6 5 S O U T H C ACH E JACK S O N, W YO M I N G

PRESENTED BY TRAILSIDE GALLERIES & GERALD PETERS GALLERY

— 73 —


207 CARL RUNGIUS (1869-1959) Among the Crags etching and drypoint 7 ⅞ x 10 ⅞ inches (plate) signed lower right: C. Rungius PROVENANCE: From a Texas Collection LITERATURE: Donald E. Crouch, Carl Rungius: The Complete Prints, Mountain Press Publishing: Missoula, MT, 1989, illus. plate 33 $5,000 – $7,000

208 CARL RUNGIUS (1869-1959) The Family etching and drypoint 7 ⅞ x 10 ⅞ inches (plate) signed lower right: C. Rungius PROVENANCE: From a Private Collection LITERATURE: Donald E. Crouch, Carl Rungius: The Complete Prints, Mountain Press Publishing: Missoula, MT, 1989, illus. plate 38 $5,000 – $7,000

209 CARL RUNGIUS (1869-1959) An Old Fighter etching and drypoint 6 ⅛ x 8 ¼ inches (plate) signed lower right: C. Rungius PROVENANCE: From a Texas Collection LITERATURE: Donald E. Crouch, Carl Rungius: The Complete Prints, Mountain Press Publishing: Missoula, MT, 1989, illus. plate 3 $4,000 – $6,000

— 74 —


210 CARL RUNGIUS (1869-1959) Dall Sheep etching and drypoint 7 ⅞ x 10 ⅞ inches (plate) signed lower right: C. Rungius PROVENANCE: From a Texas Collection LITERATURE: Donald E. Crouch, Carl Rungius: The Complete Prints, Mountain Press Publishing: Missoula, MT, 1989, illus. plate 21 $4,000 – $6,000

211 CARL RUNGIUS (1869-1959) An Old Prospector etching and drypoint 6 ⅛ x 8 ⅜ inches (plate) signed lower right: C. Rungius PROVENANCE: From the Collection of Mr. Brian Ronstrom LITERATURE: Donald E. Crouch, Carl Rungius: The Complete Prints, Mountain Press Publishing: Missoula, MT, 1989, illus. plate 9 $3,000 – $5,000

212 CARL RUNGIUS (1869-1959) Alaskan Wilderness etching and drypoint 7 ⅞ x 10 ¾ inches (plate) signed lower right: C. Rungius PROVENANCE: From the Collection of Mr. Brian Ronstrom LITERATURE: Donald E. Crouch, Carl Rungius: The Complete Prints, Mountain Press Publishing: Missoula, MT, 1989, illus. plate 26 $4,000 – $6,000

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214 MAYNARD DIXON (1875-1946) Study of Horses #4, 1921 pencil on paper 8 x 5 inches lower left: artist stamp verso: titled, signed, dated

213 MAYNARD DIXON (1875-1946) Cottons and Corral, 1944

PROVENANCE: From the Estate of Harry Jackson

pencil on paper 6 ⅜ x 5 inches (sight) initialed lower left: MD 1944 (artist stamp) verso: titled, signed, dated

$3,000 – $5,000

PROVENANCE: From the Estate of Harry Jackson $4,000 – $6,000

215 MAYNARD DIXON (1875-1946) Makin’ Camp, 1906 ink and watercolor on paper 11 ¼ x 7 ¼ inches (sight) signed lower left: Maynard Dixon- -06PROVENANCE: Anita Sultan, Atherton, CA Private Collection, Tennessee From a Private Collection LITERATURE: Maynard Dixon, “The Singing of the West: Words and Pictures by Maynard Dixon,” Sunset Magazine, December 1906, Vol. XVIII, No. 2, illus. p. 97 (as The Desert’s Secrets) $8,000 – $12,000

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216 LEON GASPARD (1882-1964) Horses #6 - China oil on board 5 ½ x 7 ⅛ inches unsigned PROVENANCE: The Estate of Leon Gaspard (stamp verso) Kennedy Galleries, New York, NY (label verso) Maxwell Galleries, San Francisco, CA (label verso) Fenn Galleries, Santa Fe, NM (label verso) Private Collection, Houston, TX $3,000 – $5,000

217 LEON GASPARD (1882-1964) Horse and Cart - Russia oil on board 4 x 6 ⅛ inches signed lower left: L.S. Gaspard verso: titled PROVENANCE: The Estate of Leon Gaspard (stamp verso) Maxwell Galleries, San Francisco, CA (label verso) Private Collection, Jackson, WY $6,000 – $9,000

218 EUSTACE PAUL ZIEGLER (1881-1969) Mt. McKinley and Prospector oil on board 10 x 12 inches signed lower left: ziegler verso: titled and signed PROVENANCE: Private Collection, Jackson, WY $5,000 – $7,000

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219 EDWARD BOREIN (1872-1945) Cattle Drive watercolor on paper 5 x 7 ⅞ inches (sight) signed lower right: Edward Borein PROVENANCE: From the Collection of Ms. Janie Leahy $8,000 – $12,000

220 EDWARD BOREIN (1872-1945) Bronc Rider

221 NICK EGGENHOFER (1897-1985) Wyoming Cowboy on Horseback

watercolor on paper 4 ⅜ x 3 ½ inches (sight) signed lower right: EDWARD BOREiN

watercolor, gouache, and pencil on paper 16 ½ x 13 ½ inches (sight) signed lower right: N. EGGENHOFER

PROVENANCE: Arlington Gallery, Santa Barbara, CA (label verso) From the Collection of Ms. Janie Leahy

PROVENANCE: The Artist, Cody, WY Private Collection, Bozeman, MT (Acquired from the Artist)

$4,000 – $6,000

$5,000 – $7,000

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222 WILL JAMES (1892-1942) Stub Latigo at Work

223 WILL JAMES (1892-1942) My First Horse

pencil on paperboard 14 x 11 inches signed lower left: WILL JAMES titled lower center: -STUB LATIGO AT WORK-

charcoal and watercolor on paper 14 ¾ x 11 ¾ inches signed lower right: WILL JAMES

PROVENANCE: From the Estate of Harry Jackson $7,000 – $10,000

PROVENANCE: From the Estate of Harry Jackson $6,000 – $9,000

224 JAMES BOREN (1921-1990) Chasing a Runaway Calf, 1971

225 WILL JAMES (1892-1942) Matched

watercolor and gouache on paper 14 ¼ x 21 ½ inches signed lower left: JAMES BOREN ©1971 CA

charcoal on paperboard 15 ½ x 13 inches signed lower left: WILL JAMES titled lower center: -MATCHEDverso: titled and signed

PROVENANCE: Tierney Fine Art, Bozeman, MT (label verso) From the Collection of Ms. Dee Lehfeldt

PROVENANCE: From the Estate of Harry Jackson

$4,000 – $6,000

$7,000 – $10,000 — 79 —


226 JIM NORTON (1953- ) Evening Shadows oil on canvas 24 x 32 inches signed lower left: Jim C. Norton CA © verso: titled, signed, dated PROVENANCE: Private Collection, Playa Vista, CA $7,000 – $10,000

227 BILL ANTON (1957- ) Out of the Thickets oil on board 20 x 16 inches signed lower right: Bill Anton © verso: titled and signed PROVENANCE: Trailside Americana, Jackson, WY (label verso) Private Collection, Hamilton, MT $5,000 – $7,000

228 ROBERT LOUGHEED (1910-1982) Winter Windbreak, 1977 oil on board 8 x 16 inches signed lower right: ROBERT LOUGHEED (artist cipher) verso: titled, signed, dated PROVENANCE: Private Collection, Grapevine, TX $4,000 – $6,000 — 80 —


229 BILL OWEN (1942-2013) R and R, 2007 oil on canvas 18 x 24 inches signed lower right: © Bill Owen CA 2007 PROVENANCE: From the Collection of the Sherrie Schork Trust $8,000 – $12,000

230 BILL OWEN (1942-2013) Contemplating, 1983 oil on canvas 18 x 24 inches signed lower right: © Bill OWEN CA 1983 PROVENANCE: Private Collection, Denver, CO $8,000 – $12,000

231 DAN MIEDUCH (1947- ) Light Fare, No Baggage oil on canvas 24 x 36 inches signed lower right: DAN MIEDUCH 1979 © PROVENANCE: El Prado Gallery, Sedona, AZ From the Collection of Mr. John Wick $8,000 – $12,000

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232 JAMES REYNOLDS (1926-2010) Buck oil on canvas 16 x 20 inches signed lower left: James Reynolds PROVENANCE: O’Brien’s Art Emporium, Scottsdale, AZ (label verso) Private Collection, Denver, CO $12,000 – $18,000

233 TOM BROWNING (1949- ) Puttin’ up a String oil on canvas 28 x 40 inches signed lower left: Tom Browning NWR verso: titled and signed PROVENANCE: Private Collection, Jackson, WY $18,000 – $24,000

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234 JAMES BAMA (1926- ) Rusty Ryan oil on board 14 ½ x 20 inches signed lower left: Bama ‘01 verso: titled, signed, dated PROVENANCE: Altermann Galleries, Santa Fe, NM (label verso) From a Private Collection $30,000 – $50,000

— 83 —


235 FRANK MCCARTHY (1924-2002) The Patrol, 1977 oil on board 24 x 18 inches signed lower right: McCarthy CA ©77 PROVENANCE: Altermann & Morris Galleries, Houston, TX (label verso) From a Texas Collection $18,000 – $24,000

236 GARY CARTER (1939- ) Summer Campaign oil on canvas 34 x 54 inches signed lower right: ©GARY CARTER CA ‘01 PROVENANCE: Private Collection, Denver, CO $15,000 – $25,000 — 84 —


237 HARRY JACKSON (1924-2011) The Flagbearer II, 1997 polychrome bronze 47P/50 20 ½ x 26 x 8 ½ inches inscribed left verso: ©Harry Jackson 1997 TFUP47P stamped left verso: HJS CODY PROVENANCE: Private Collection, Snowmass, CO $15,000 – $25,000

238 KENNETH RILEY (1919-2015) Cavalry acrylic on paper 3 x 5 ¼ inches signed lower left: KEnnEth RilEy PROVENANCE: The Artist, by Descent $4,000 – $6,000

239 KENNETH RILEY (1919-2015) Annie Laurie (Study) acrylic on paper 3 ¼ x 5 ¾ inches signed lower right: KEnnEth RilEy CA PROVENANCE: The Artist, by Descent $4,000 – $6,000

— 85 —


240 KENNETH RILEY (1919-2015) Night Watch acrylic on board 12 x 9 inches signed lower right: Kenneth Riley CA PROVENANCE: From a Private Collection $8,000 – $12,000

241 KENNETH RILEY (1919-2015) Indian on Horse acrylic on paper 4 x 4 inches signed lower left: KEnnEth RilEy PROVENANCE: The Artist, by Descent $3,000 – $5,000

242 JOE BEELER (1931-2006) Chief Goes to Washington bronze 29/35 19 x 14 x 16 inches inscribed left: JOE BEElER CA stamped right verso: 29/35 PROVENANCE: From a Private Collection $12,000 – $18,000 — 86 —


243 JAMES REYNOLDS (1926-2010) The Henry, 1993 oil on canvas 36 x 48 inches signed lower right: James Reynolds - CA NAWA PROVENANCE: From a Private Collection LITERATURE: Don Hedgpeth, Traildust: Cowboys, Cattle and Country, The Art of James Reynolds, The Greenwich Workshop Press, Shelton, CT, 1997, illus. p.108-109 EXHIBITED: Rendezvous 1993, The Gilcrease Museum, Tulsa, OK, April 30 - July 4, 1993 (label verso) $50,000 – $75,000

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244 ROBERT GRIFFING (1940- ) Lighting of the Pipes oil on canvas 18 x 24 inches signed lower right: Griffing ©2010 PROVENANCE: Private Collection, San Juan Capistrano, CA $20,000 – $30,000

245 JOSEPH VELAZQUEZ (1942- ) The Searchers oil on canvas 24 x 36 inches signed lower left: J. Velazquez © PROVENANCE: From a Private Collection $7,000 – $10,000 — 88 —


246 JOSEPH VELAZQUEZ (1942- ) Through the Mists and the Roar oil on canvas 36 x 48 inches signed lower right: J. Velazquez © PROVENANCE: From a Private Collection $15,000 – $25,000

247 JOE BEELER (1931-2006) Down the Snake bronze 9/22 10 x 33 x 9 inches inscribed center verso: 9-22 JOE BEElER CA PROVENANCE: Private Collection, Denver, CO $10,000 – $15,000

— 89 —


248 CHARLIE DYE (1906-1972) Untitled (Indian Study) oil on board 11 ½ x 14 inches initialed lower right: CD PROVENANCE: Quail Hollow Galleries, Oklahoma City, OK (label verso) Arts, Ltd., Oklahoma City, OK (label verso) From a Private Collection $10,000 – $15,000

249 WILLIAM ACHEFF (1947- ) Moccasins and Pots oil on canvas 20 x 30 inches signed lower right: ©Wm. Acheff 1998 verso: signed and dated PROVENANCE: Private Collection, Grapevine, TX $20,000 – $30,000

250 HERB MIGNERY (1937- ) 70 Winters bronze 6/12 24 ½ x 24 x 18 inches inscribed left verso: MIgNERY CA FNSS 2008 6/12 PROVENANCE: Private Collection, Denver, CO $6,000 – $9,000 — 90 —


251 JIM NORTON (1953- ) The War Pony oil on canvas 30 ⅛ x 40 inches signed lower left: Jim C. Norton CA verso: titled, signed, dated PROVENANCE: Private Collection, West Lake, TX $30,000 – $50,000

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252 KEN CARLSON (1937- ) Observation Post oil on board 30 x 20 inches signed lower left: CARLSON PROVENANCE: From a Private Collection $25,000 – $35,000

— 92 —


253 MICHAEL COLEMAN (1946- ) Three Black Bears oil on board 20 x 30 inches signed lower right: MICHAEL COLEMAN -© PROVENANCE: Private Collection, Sandy, UT $6,000 – $9,000

254 SHERRY SALARI SANDER (1941- ) The Heavies bronze 15/35 14 x 23 x 9 inches inscribed right: SSANDER©08 stamped right: 15/35 PROVENANCE: The Artist $4,000 – $6,000

255 KEN CARLSON (1937- ) Pronghorn Pair oil on board 12 x 24 inches signed lower right: KEN CARLSON PROVENANCE: Private Collection, Jackson, WY $10,000 – $15,000

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256 TUCKER SMITH (1940- ) Shiras Bull oil on canvas 20 x 24 inches signed lower right: Tucker Smith 10 verso: dated PROVENANCE: Trailside Galleries, Jackson, WY (label verso) Private Collection, Houston, TX $30,000 – $50,000

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257 LUKE FRAZIER (1970- ) Pronghorn Horizon, 2019 oil on board 24 x 48 inches signed lower left: L. frazier “Antelope are some of the coolest animals I’ve painted, they can be a bit odd looking, but they are a prominent fixture in what is the West. Known for their speed, and ability to survive on the hot dry dusty plains of America, they’ve provided sustenance for Native Americans and settlers crossing the land. Pronghorn have a beautiful tawny and white slashed coat, which shows vibrantly against an azure sky.” —Luke Frazier PROVENANCE: The Artist $15,000 – $25,000 258 ROBERT BATEMAN (1930- ) On the Garden Wall - Chaffinch & Nasturtiums acrylic on board 12 x 8 inches signed lower right: Robert Bateman 1985 © “Although my favorite kind of country is wilderness which has been virtually untouched by man, I do enjoy our human heritage, particularly where the works of man and nature mingle in a mellow sort of way. I am not a gardener, but I do enjoy gardens, especially old, traditional ones. I even find weeds intriguing. They indicate nature’s attempt to recapture the land that man has taken from her. It is also rather interesting to find domestic plants that have ‘escaped’ and are setting off on their own.” —Robert Bateman PROVENANCE: Private Collection, Houston, TX $7,000 – $10,000

259 KYLE SIMS (1980- ) The Perch oil on canvas 24 x 26 inches signed lower left: ksims verso: titled, signed, dated PROVENANCE: Autry Museum of the American West, Los Angeles, CA (label verso) Private Collection, San Juan Capistrano, CA $5,000 – $7,000

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260 BOB KUHN (1920-2007) Cat on the Qui Vive, 1996 acrylic on masonite 20 x 36 inches signed lower right: kuhn verso: signed and dated Born in Buffalo, New York, Bob Kuhn received his artistic training at the Pratt Institute in Brooklyn, where he studied design, anatomy, and life-drawing. For the next thirty years, Kuhn made his living as one of the most popular wildlife illustrators in America, before turning to easel painting full time in 1970. Kuhn traveled around the world to obtain inspiration, with many of his wildlife expeditions lasting up to eight weeks. He made countless trips to Africa, six trips to Alaska, and numerous journeys into Canada and the American West. Originally inspired by African wildlife, Kuhn turned to the mammals of North America in later years. Kuhn worked primarily in acrylic and strove to capture the particular movements and personalities of the wild animals he painted. A member of the Society of Animal Artists in New York, Kuhn had paintings in many prestigious permanent collections including, The John L. Wehle Gallery of Sporting Art at the Genesee Country Museum in Mumford, NY, The National Museum of Wildlife Art in Jackson Hole, WY, and The National Cowboy Hall of Fame in Oklahoma City, OK. In discussing his affinity for certain subjects, Kuhn expressed particular fondness for big cats, and even acknowledged that they “comprise quite a large proportion of my subject matter.” He elaborated on this interest, writing “The general behavior of cats is quite uniform. Whether one is observing a house cat or a leopard, they are supple, loose jointed, very quick, though not necessarily swift (with notable exception of the cheetah) very strong, but lacking in stamina. They are a painter’s dream, both because of their elegant appearance and the great range of their expressions and attitudes (gestures).” Kuhn undoubtedly conveys this elegance in Cat on the Qui Vive. The cougar lounges on the rock, at once relaxed and alert—scanning the horizon for any sign of prey. PROVENANCE: The Artist Private Collection, Jackson, WY $150,000 – $250,000

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261 BOB KUHN (1920-2007) Browsing Mulie acrylic on masonite 10 ½ x 13 ½ inches signed lower right: Kuhn PROVENANCE: From the Collection of Curtice & Bob McCloy LITERATURE: Tom Davis, Patrons Without Peer, Collector’s Covey, Dallas, TX, 2009, illus. p. 99 $30,000 – $50,000

— 98 —


262 KEN CARLSON (1937- ) Out of the Brambles oil on board 18 x 27 inches signed lower right: CARLSON PROVENANCE: From a Private Collection $20,000 – $30,000

263 TIM SHINABARGER (1966- ) Mother’s Watch bronze 20/35 24 x 17 x 21 inches inscribed left verso: ©Shinabarger 20/35 PROVENANCE: From a Private Collection $8,000 – $12,000

— 99 —


264 KEN CARLSON (1937- ) Lobo, 2019 oil on board 24 x 36 inches signed lower right: CARLSON “Based on legends and myths, the wolf inherited a distasteful reputation and only in the last half century have we come to see wolves in a new light based on scientific information about their relation to habitat shared with other creatures. When in the territory of this elusive animal, who is more often heard than seen, catching sight of the lobo’s silent presence gives you sense of a special connection to this wild creature.” —Ken Carlson PROVENANCE: The Artist $30,000 – $50,000

— 100 —


265 BONNIE MARRIS (1951- ) Into the Night, 2019 oil on canvas 48 x 36 inches signed lower right: BLMarris “A cold winter moon and the quiet of the night belong to this trio of gray wolves. The moonlight brightens their way as they travel their snowy path.” —Bonnie Marris PROVENANCE: The Artist $20,000 – $30,000

266 BONNIE MARRIS (1951- ) Crystal Palace, 2019 oil on canvas 48 x 36 inches signed lower right: BLMarris “Her kingdom is the mountains where she is safe and in control. Great icicles gleam like gateways to her palace. She rules this icy realm and she knows it.” —Bonnie Marris PROVENANCE: The Artist $20,000 – $30,000

— 101 —


267 ROBERT ABBETT (1926-2015) Steadying the Pup, 1979 oil on board 20 x 30 inches signed lower left: abbett. ©1979 PROVENANCE: Private Collection, Jackson, WY $15,000 – $25,000

268 ROBERT ABBETT (1926-2015) Slow Day, Fast Water, 1980 oil on board 20 x 30 inches signed lower left: abbett. ©1980 verso: titled, signed, dated PROVENANCE: The Legacy Gallery, Jackson, WY (label verso) Private Collection, Jackson, WY $12,000 – $18,000

269 EDMUND OSTHAUS (1858-1928) On Point oil on board 9 ½ x 15 ½ inches signed lower right: Edm. H. Osthaus PROVENANCE: From a Private Collection $4,000 – $6,000

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270 ROBERT ABBETT (1926-2015) Bo and Luke oil on board 18 x 24 inches signed lower right: abbett PROVENANCE: The Legacy Gallery, Jackson, WY (label verso) Private Collection, Jackson, WY $12,000 – $18,000

271 ROBERT ABBETT (1926-2015) Pointer, 1981 oil on board 16 x 20 inches signed lower right: abbett ©1981 verso: titled, signed, dated PROVENANCE: Private Collection, Jackson, WY $6,000 – $9,000

272 ROBERT ABBETT (1926-2015) Golden Retriever, 1993 oil on board 9 x 12 inches signed lower right: abbett verso: titled, signed, dated PROVENANCE: Private Collection, Jackson, WY $5,000 – $7,000

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273 LUKE FRAZIER (1970- ) A Dry Fly Day, 2019 oil on board 16 x 24 inches signed lower left: l frazier “I love the era when fly fishing and hunting was a way of life—early trappers, and sportsmen used birch bark canoes for everything. These canoes were light weight and durable, and I find them beautiful works of art by themselves.” —Luke Frazier PROVENANCE: The Artist $6,000 – $9,000

274 BRETT JAMES SMITH (1958- ) Afternoon Hatch oil on board 32 x 48 inches signed lower right: BRETT SMITH ©97 PROVENANCE: From a Private Collection $10,000 – $15,000

275 TUCKER SMITH (1940- ) Slide Lake oil on canvas 10 x 12 inches signed lower right: Tucker Smith 01 PROVENANCE: Private Collection, San Juan Capistrano, CA LITERATURE: Tucker Smith, The Paintings of Tucker Smith: A Celebration of Nature, Graphic Arts Books, Portland, OR, 2004, illus. p. 152 $7,000 – $10,000

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276 LUKE FRAZIER (1970- ) Autumn Royalty oil on board 48 x 60 inches signed lower left: l. frazier lower right: ©11 verso: titled, signed, dated PROVENANCE: Private Collection, Jackson, WY $25,000 – $35,000

277 BOB KUHN (1920-2007) Winter Chase bronze 15/20 12 x 23 ½ x 6 inches inscribed: KUHN 15/20 PROVENANCE: Private Collection, Jackson, WY $20,000 – $30,000

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278 KEN CARLSON (1937- ) Searching Eyes, 2019 oil on board 22 x 30 inches signed lower left: CARLSON “Stealth rather than endurance is the prime element of the cougar’s hunting prowess. The cougar is infinitely patient, spending hours quietly watching. Only the involuntary twitch of its black-tipped tail gives a clue to a possible opportunity.” —Ken Carlson PROVENANCE: The Artist $25,000 – $35,000

279 KYLE SIMS (1980- ) Mousing the Leaves oil on canvas 32 x 20 inches signed lower right: -kyle sims verso: titled, signed, dated PROVENANCE: From a Private Collection $6,000 – $9,000 — 106 —


280 KEN CARLSON (1937- ) Summer Shade oil on board 8 x 10 inches signed lower right: CARLSON PROVENANCE: Trailside Americana, Jackson, WY (label verso) Private Collection, Jackson, WY $3,000 – $5,000

281 SHERRY SALARI SANDER (1941- ) Ere to Autumn bronze 2/35 17 x 28 x 9 inches inscribed left verso: SSANDER 01© stamped left verso: 2/35 PROVENANCE: The Artist $3,000 – $5,000

282 RALPH OBERG (1950- ) A Cold Morning oil on linen on board 30 x 40 inches signed lower left: oberg. verso: titled, signed, numbered PROVENANCE: Private Collection, Thunder Bay, Ontario $8,000 – $12,000 — 107 —


283 WILLIAM ACHEFF (1947- ) Jewel of the Southwest oil on canvas 44 x 26 inches signed lower right: Wm. Acheff 1989 verso: titled, signed, dated PROVENANCE: Nedra Matteuci Galleries, Santa Fe, NM From a New York Collection $40,000 – $60,000

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284 BRUCE CHEEVER (1958- ) Great Plains Warrior, 2019

285 WILLIAM ACHEFF (1947- ) Quiet Steps

oil on board 60 x 29 ¾ inches signed lower left: -Bruce-Cheever©

oil on canvas 18 x 12 inches signed lower right: © Wm. Acheff 2002 verso: titled, signed, dated

“My painting Great Plains Warrior is a salute to the Great Plains Nation of the Kiowa Indians. The Kiowa name meant ‘principle people’, or true people. They were mobile, and migrated seasonally, following the buffalo as their primary food source. They were a warring people, often clashing with neighboring tribes. The long flowing war bonnet made of eagle feathers, flannel, horsehair, glass beads, and ermine—symbolized power, strength, and the pride of a nation devoted to the survival of its people.” —Bruce Cheever

PROVENANCE: Autry Museum of Western Heritage, Los Angeles, CA (label verso) Private Collection, San Juan Capistrano, CA $10,000 – $15,000

PROVENANCE: The Artist $15,000 – $25,000 286 BRENT COTTON (1972- ) The Setting Sun oil on board 24 x 20 inches signed lower right: Brent Cotton verso: titled, signed, dated PROVENANCE: The Artist From a Private Collection $5,000 – $7,000

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287 Z.S. LIANG (1953- ) Preparing for the Ceremony oil on canvas 44 x 30 inches signed lower left: Z.S. LIANG verso: titled, signed, dated PROVENANCE: I.S.O. Art Ltd., Hamilton, MT (label verso) Private Collection, Hamilton, MT $20,000 – $30,000

288 WILLIAM ACHEFF (1947- ) Tularosa oil on board 12 x 9 inches signed lower right: © Wm. Acheff 1991 verso: titled, signed, dated PROVENANCE: National Academy of Western Art, Oklahoma City, OK (label verso) From a Private Collection $7,000 – $10,000

289 JOHN COLEMAN (1949- ) Pretty Shield bronze 30/35 18 x 8 x 6 ½ inches inscribed front center: “PRETTY” SHIELD JOHN COLEMAN CA © 2014 inscribed front right: 30/35 PROVENANCE: From a Texas Collection $5,000 – $7,000 — 110 —


290 Z.S. LIANG (1953- ) The Blue Coats are Coming this Way, 2019 oil on canvas 36 x 46 inches signed lower left: Z.S. LIANG “During the late 1860’s the settler migration was moving ever westward. The lands of the Blackfeet were no exception to this expansion which would eventually cause conflicts between the two parties. After a series of violent incidents, the army was sent to protect the fledgling immigrant population. This painting depicts the moment Blackfeet scouts have discovered an army column traveling in the distance. Are the blue coats passing through or here to stay?” —Z.S. Liang PROVENANCE: The Artist $40,000 – $60,000

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291 KENNETH RILEY (1919-2015) Regalia, 1981 oil on masonite 12 x 16 inches signed lower right: KEnnEth RilEy © verso: dated PROVENANCE: From a Texas Collection $25,000 – $45,000

292 KENNETH RILEY (1919-2015) Scouting the Horizon acrylic on board 18 x 16 ⅛ inches signed lower right: Kenneth Riley CA verso: signed PROVENANCE: From a Private Collection $25,000 – $35,000 — 112 —


293 W. STEVE SELTZER (1945- ) In Enemy Territory oil on canvas 27 x 40 inches signed lower right: W.S. SELTZER PROVENANCE: I.S.O. Art Ltd., Hamilton, MT (label verso) Private Collection, Hamilton, MT $8,000 – $12,000

294 KENNETH RILEY (1919-2015) Spring Song (Study)

295 KENNETH RILEY (1919-2015) Dream Indians (Study)

acrylic on paper 6 x 4 ¾ inches signed lower right: KEnnEth RilEy

acrylic on paper 6 x 5 inches signed lower right: KEnnEth RilEy CA

PROVENANCE: The Artist, by Descent

PROVENANCE: The Artist, by Descent

$6,000 – $9,000

$5,000 – $7,000

— 113 —


296 MARTIN GRELLE (1954- ) Cheyenne Remnants oil on canvas 44 x 60 inches signed lower right: (cross) MARTiN GRELLE © *99 CA verso: titled, signed, dated Born in Clifton, Texas, in 1954 Martin Grelle lives on a small ranch a few miles from town he was raised in. Grelle expressed an early interest in art and began painting and drawing at a young age. Largely self-taught, he lived in close proximity to Cowboy Artists of America members James Boren and Melvin Warren. Seeing his innate talent, Boren mentored Grelle and upon graduating from high school, Grelle had his first one-man show at a local gallery in 1973. The first of over thirty one-man shows, Grelle has continued to achieve national acclaim as an award-winning western artist. Grelle became a member of the Cowboy Artists of America in 1995, fulfilling a dream begun in the early 70’s when he first met Boren and Warren. That same year he was invited to participate in the first Prix de West Invitational at the National Cowboy and Western Heritage Museum in Oklahoma City. Since that time he has won the Prix de West Purchase Award, twice (one of only seven artists to do so), the Nona Jean Hulsey Rumsey Buyers’ Choice Award, twice, the CA People’s Choice Award in 2002, the CA Ray Swanson Award in 2008, the CA Buyers’ Choice Award in 2011, 2012, 2014, and 2018, the Silver Award for Water Solubles in 2012 and 2014, and the Silver Award for Oil Painting in 2017. The Briscoe Museum awarded Grelle the Legacy Award in 2012, for his impact on western art. He was also honored with a retrospective showing of his work, along with fellow CA artist, Herb Mignery, for the Gilcrease Museum’s Rendezvous Show 2013. A masterwork from this exceptional contemporary artist, Cheyenne Remnants clearly speaks to Grelle’s skill as a painter as well as his love of the West. In the tradition of the historical painters and western illustrators who came before him, this piece highlights Grelle’s ability to tell a story through the immaculate detail and large scale of the work. PROVENANCE: From a Private Collection $250,000 – $350,000

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297 LUKE FRAZIER (1970- ) Big Sky Country oil on board 20 x 24 inches signed upper left: L. Frazier dated upper right: 00 © verso: titled, signed, dated

298 LUKE FRAZIER (1970- ) At the Head of Ranger Canyon oil on board 30 x 24 inches signed lower right: l. frazier lower left: ©10 verso: titled, signed, dated

PROVENANCE: Private Collection, San Juan Capistrano, CA $5,000 – $7,000

PROVENANCE: Private Collection, Jackson, WY $6,000 – $9,000

299 JIM WILCOX (1941- ) Spring’s Bounty oil on canvas 40 x 60 inches signed lower right: JIM WILCOX- © verso: titled PROVENANCE: From the Collection of Mr. Lawrence Craig Smith $12,000 – $18,000

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300 KEN CARLSON (1937- ) Wading the River oil on board 24 x 36 inches signed lower right: CARLSON PROVENANCE: Trailside Galleries, Scottsdale, AZ (label verso) From a Private Collection $25,000 – $35,000

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301 ROBERT LOUGHEED (1910-1982) Grizzly Country - Alaskan Toklat Grizzly oil on board 20 x 30 inches signed lower right: ROBERT LOUGHEED (artist cipher) CA verso: titled and signed PROVENANCE: Private Collection, Denver, CO $15,000 – $25,000

302 DAN OSTERMILLER (1956- ) Sage bronze 15/20 33 x 24 x 23 inches inscribed left: © Dan Ostermiller 1999 15/20 PROVENANCE: From a Private Collection $20,000 – $30,000 — 118 —


303 ROBERT BATEMAN (1930- ) Alaska Light - Two Grizzlies acrylic on board 18 x 36 inches signed lower right: Robert Bateman 2004© verso: titled “A mother and partly grown cub move along a ridge in the Alaskan autumn looking for berries, mice and grubs for the final feeding which is needed for the long hibernation.” —Robert Bateman PROVENANCE: Gerald Peters Gallery, Santa Fe, NM (label verso) From a Private Collection $30,000 – $50,000

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304 BOB KUHN (1920-2007) The Look Before the Leap, 1996 acrylic on masonite 20 x 35 ½ inches signed lower center: Kuhn 96 verso: titled, signed, dated “I have painted so many pictures of cougars (or mountain lions, if you prefer), that it’s difficult to come up with a new and interesting gesture. This one is based on a photo-op setup by Jack Hines and his wife, Jessica Zemsky, both painters, who put together workshops in or near Big Timber, Montana. They engaged a young animal handler and one of his charges, a fine adult cougar, to give us several hours of their time, allowing the cat to do a lot of catlike things. Much film was burned that day. I have produced several paintings based on that session, and I’ll most likely do more. I have no vanity at all concerning my need to use good source material. I can fake it if I have to, but I’m much happier with solid reference sources. Most of my cohorts feel the same.”—Bob Kuhn PROVENANCE: Private Collection, Jackson, WY EXHIBTED: Jackson Collects, National Museum of Wildlife Art, Jackson, WY, April 5 - August 20, 2002 (label verso) LITERATURE: Tom Davis, Wild Harvest: The Animal Art of Bob Kuhn, Sporting Classics & Wildlife Art News: Columbia, SC, 1997, illus. p.18-19 $100,000 – $200,000

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— 121 —


305 ROBERT BATEMAN (1930- ) Pines of Temagami acrylic on board 18 x 24 inches signed lower right: Robert Bateman 1990 © “I flew in a small aircraft to the Temagami area of northern Ontario to view these giants. This bird’s-eye view shows not only the great trees, but a bald eagle and canoe trippers. If the pines can be saved for their own sake they will provide protection of a precious area for endless future generations of bald eagles and canoe trippers.” —Robert Bateman PROVENANCE: Private Collection, Redlands, CA $8,000 – $12,000

306 BOB KUHN (1920-2007) Bear Field Sketch conte crayon on paper 7 ⅜ x 9 ½ inches (sight) initialed lower right: k. PROVENANCE: King Gallery, Sportsman’s Edge Ltd., New York, NY (label verso) Private Collection, Jackson, WY $1,500 – $2,500

307 BOB KUHN (1920-2007) Moose conte crayon on paper 5 ¾ x 7 ¼ inches (sight) signed lower left: kuhn PROVENANCE: From a Private Collection $1,500 – $2,500

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308 ROBERT BATEMAN (1930- ) Moose in Moonlight acrylic on canvas 36 x 48 inches signed lower right: Robert Bateman 2004© “On a moonlit night, the bull moose pauses at a swampy lake. Because it is rutting season, he is very on edge. He turns suddenly, perhaps he has heard something. To me, the upturned spruce root echoes his antlers.” —Robert Bateman PROVENANCE: Gerald Peters Gallery, Santa Fe, NM (label verso) From a Private Collection $50,000 – $75,000

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309 ROBERT BATEMAN (1930- ) Elk and Aspen acrylic on canvas 48 x 60 inches signed lower right: Robert Bateman 2004© An influential painter and naturalist, Robert Bateman was born in Toronto, Canada, in 1930. Interested in both art and wildlife from an early age, Bateman knew by twelve that both would serve to be his life’s passions. As a teenager Bateman became a Junior Naturalist at the Royal Ontario Museum, where he gained vital exposure to ornithology, field study, and specimen drawing. At eighteen Bateman won a Junior League scholarship for art tuition, which allowed him study with Gordon Payne at the Arts and Letters Club for two years. Bateman attended the University of Toronto and received an honors degree in geography in 1954. While in school, he took night classes in art from Carl Schaefer, whom he studied under for five years. Throughout this period Bateman participated in numerous geological surveys in Newfoundland and Canada’s Arctic, where he continued to sketch wildlife and collect specimens. Having already traveled across the United States and much of Western Europe, Bateman embarked on a fourteen month expedition around the world in 1957. With one friend and a Land Rover, he journeyed across equatorial Africa, northern India, through the Himalayas into Myanmar, Thailand, and India before culminating in Australia. In 1963 Bateman moved to Nigeria to teach for two years, where he entered a Nairobi art competition. Until this point Bateman’s love of art and wildlife had remained separate, but the paintings of African animals that he submitted combined his two passions cohesively for the first time. Upon returning to Canada, Bateman continued painting and quickly gained a following in the art world. In 1976 Bateman stopped teaching to devote all of his time to painting, and after his first solo exhibition sold out opening night, it proved a wise career move. In Elk and Aspen, Bateman’s skill as a painter and his decades of experience as a naturalist combine to create an authentic and stirring portrait of this bull elk emerging from the mist. PROVENANCE: Gerald Peters Gallery, Santa Fe, NM (label verso) From a Private Collection $80,000 – $120,000

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310 JIM NORTON (1953- ) Crossing Current Creek oil on canvas 28 ¼ x 38 ¼ inches signed lower left: Jim C. Norton © NWR CA verso: titled, signed, dated PROVENANCE: Trailside Galleries, Scottsdale, AZ (label verso) Private Collection, San Juan Capistrano, CA $10,000 – $20,000

311 JOE BEELER (1931-2006) The Crossing bronze 11/30 15 ½ x 25 x 18 ½ inches inscribed center verso: 11/30 JOE BEElER inscribed left: SCULPTOR SERVICE PROVENANCE: Private Collection, Jackson, WY $12,000 – $18,000

312 R.S. RIDDICK (1952- ) Reminiscin’ oil on canvas 44 x 34 inches signed lower right: R.S. Riddick © verso: titled, signed, dated PROVENANCE: Private Collection, Denver, CO $8,000 – $12,000

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313 G. HARVEY (1933-2017) Oil Rigs oil on canvas 24 ¼ x 36 inches signed lower left: G. HarveyPROVENANCE: From a Texas Collection $40,000 – $60,000

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314 G. HARVEY (1933-2017) The Spirit of Texas, 2006 bronze 5/25 48 x 40 x 15 ½ inches inscribed center front: titled, signed, and dated inscribed center verso: titled and dated inscribed left verso: G. Harvey- ©2006 inscribed left: 5/25 PROVENANCE: Private Collection, West Lake, TX $30,000 – $50,000

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315 G. HARVEY (1933-2017) Morning Silence, 1989 oil on canvas 20 x 24 inches signed lower left: G. Harvey -© verso: titled, signed, dated PROVENANCE: Private Collection, West Lake, TX LITERATURE: Gerald Harvey Jones, The Golden Era: The American Dream: G. Harvey, second edition, Somerset House Publishing, Houston, TX, 1992, illus. p. 77 $50,000 – $75,000

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316 TUCKER SMITH (1940- ) The Newfork Trail oil on linen 24 x 30 inches signed lower left: Tucker Smith 90 PROVENANCE: From a Private Collection LITERATURE: Tucker Smith, The Paintings of Tucker Smith: A Celebration of Nature, Graphic Arts Books, Portland, OR, 2004, illus. p. 100 $25,000 – $45,000

317 MARTIN GRELLE (1954- ) Creekside Gather oil on canvas 14 x 18 inches signed lower left: (cross) MARTiN GRELLE ©*02 CA verso: titled, signed, dated PROVENANCE: From a Private Collection $10,000 – $15,000

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318 TOM BROWNING (1949- ) Fading Light oil on canvas 24 x 44 inches signed lower right: Tom Browning CA PROVENANCE: The Artist Cowboy Artists of America, National Cowboy and Western Heritage Museum, Oklahoma City, OK Private Collection, Camarillo, CA This painting won the Silver Award at the 2010 Cowboy Artists of America Sale & Show. $20,000 – $30,000

319 BILL ANTON (1957- ) Daybreak on the Mesa

320 MARTIN GRELLE (1954- ) Gettin’ Colder

oil on board 20 x 30 inches signed lower right: Bill Anton verso: titled and signed

oil on canvas 20 x 16 inches signed lower right: (cross) MARTIN GRELLE © *97 CA

PROVENANCE: Private Collection, Boulder, CO

PROVENANCE: Overland Gallery, Scottsdale, AZ (label verso) From the Collection of Ms. Melinda Sweet

$8,000 – $12,000

$15,000 – $25,000 — 131 —


321 MARTIN GRELLE (1954- ) Sixes Born and Raised oil on canvas 28 x 28 inches signed lower right: (cross) MARTiN GRELLE ©2012 CA verso: titled, signed, dated PROVENANCE: Cowboy Artists of America, National Cowboy and Western Heritage Museum, Oklahoma City, OK (label verso) Private Collection, Jackson, WY $30,000 – $50,000

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322 BILL ANTON (1957- ) Sun, Sage and Dust oil on board 16 x 20 inches signed lower left: Bill Anton verso: titled and signed PROVENANCE: From a Texas Collection $6,000 – $9,000

323 MARTIN GRELLE (1954- ) Mountain Glory

324 TUCKER SMITH (1940- ) Into the Wind Rivers

oil on canvas 20 x 16 inches signed lower right: (cross) MARTiN GRELLE CA ©*00

oil on canvas 12 x 10 inches signed lower left: Tucker Smith 97

PROVENANCE: Private Collection, Minneapolis, MN

PROVENANCE: From a Texas Collection

$12,000 – $18,000

$7,000 – $10,000 — 133 —


325 MICHAEL COLEMAN (1946- ) Castle Butte, Green River - Wyoming Territory oil on board 30 x 60 inches signed lower left: MICHAEL COLEMAN © PROVENANCE: From a Private Collection $30,000 – $50,000

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326 MICHAEL COLEMAN (1946- ) On the Yellowstone oil on board 24 x 48 inches signed lower right: MICHAEL COLEMAN © PROVENANCE: J.N. Bartfield Galleries, New York, NY (label verso) From a Private Collection $12,000 – $18,000

327 DAN MIEDUCH (1947- ) Tactical Advice, 2019 oil on board 27 x 40 inches signed lower left: DAN MIEDUCH © 2019 “As the wave of western migration swelled after the Civil War, it fell to the United States Cavalry to patrol the vast stretches of the American frontier. They would serve, more or less, as the traveling civilian’s protector. It was their job to round up any renegade bands of Indians who found reservation life too constraining. To stand even a chance of catching their elusive quarry, they employed the enemies of their enemy as military advisors and tactical scouts. For their part, the Indian scouts saw the army as a useful tool in settling old scores with abusive neighbors.” —Dan Mieduch PROVENANCE: The Artist $18,000 – $24,000

328 CURT WALTERS (1950- ) Divergence oil on canvas 30 x 24 inches signed lower left: CuRt WAltERS verso: titled PROVENANCE: Trailside Americana, Jackson, WY (label verso) Private Collection, Anchorage, AK $7,000 – $10,000

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329 G. HARVEY (1933-2017) Heading Home, 1987 oil on canvas 12 x 9 inches signed lower left: G. Harvey 1987 verso: titled, signed, dated PROVENANCE: Private Collection, West Lake, TX $10,000 – $15,000

330 G. HARVEY (1933-2017) Village Holiday oil on canvas 16 x 12 inches signed lower left: G. Harvey-© verso: titled and signed PROVENANCE: Private Collection, West Lake, TX $18,000 – $24,000

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331 CHARLIE DYE (1906-1972) Remuda oil on board 30 x 40 ¼ inches signed lower right: Charlie (artist cipher) Dye © verso: titled PROVENANCE: O’Brien’s Art Emporium, Scottsdale, AZ (label verso) From a Private Collection EXHIBITED: Whitney Gallery of Western Art, Cody, WY, 1969 Season (label verso) $70,000 – $100,000

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332 WILLIAM GOLLINGS (1878-1932) Cowboy, 1922 oil on canvas 10 x 7 inches signed lower right: Gollings (artist cipher) 1922 PROVENANCE: Private Collection, Miami Beach, FL From a Private Collection $40,000 – $60,000

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333 OLAF WIEGHORST (1899-1988) Son of the Desert oil on canvas 16 ¼ x 20 inches signed lower right: O-Wieghorst (artist cipher) verso: titled and signed PROVENANCE: From a Private Collection $12,000 – $18,000

334 OLAF WIEGHORST (1899-1988) Buck and Squaw oil on masonite 14 x 12 inches signed lower left: O-WiEghorsT (artist cipher) verso: signed PROVENANCE: From the Collection of the Sherrie Schork Trust $8,000 – $12,000

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335 JOHN CLYMER (1907-1989) In the Dead of Winter oil on canvas 24 x 36 inches signed lower left: John Clymer PROVENANCE: Grand Central Art Galleries, New York, NY Private Collection, Cary, NC LITERATURE: Jerry Mason, The American Sportsman, The Ridge Press, Inc, New York, NY, Volume 2, No. 2, Spring 1969, p. 2 & p.38 $150,000 – $250,000

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336 WILLIAM R. LEIGH (1866-1955) Navajo Boy

337 JOHN INNES (1863-1941) Indian Riders

oil on board 12 x 10 inches signed lower right: W.R. LEiGH

oil on canvas 20 x 28 inches signed lower right: John Innes

PROVENANCE: From a Private Southwestern Collection

PROVENANCE: From the Collection of Ms. Janie Leahy

$10,000 – $15,000

$6,000 – $9,000

338 OLAF WIEGHORST (1899-1988) Untitled (Indian Study) oil on board 16 x 12 inches signed lower left: O-WiEghorst (artist cipher) PROVENANCE: The Artist From a Private Collection Private Collection, Jackson, WY, By Descent EXHIBITED: Holter Museum of Art, Helena, MT, January - April 1991 $10,000 – $15,000

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339 CHARLES M. RUSSELL (1864-1926) A Show Indian pen, ink, and gouache on paper 10 ⅜ x 7 ⅜ inches (sight) signed lower left: CMR (artist cipher) PROVENANCE: Kennedy Galleries, Inc., New York, NY (label verso) From a Private Collection LITERATURE: Russell, Charles M., Trails Plowed Under, Doubleday, Page and Company: Garden City, NY, 1927, illus. p. 68. B. Byron Price, editor and Anne Morand, Charles M. Russell: A Catalogue Raisonné, Volume 1, Norman, Oklahoma: University of Oklahoma Press, 2007, (Raisonné no. CR.DR.92) $30,000 – $50,000

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340 MARK MAGGIORI (1977- ) Cowboys at Work oil on board 36 x 36 inches signed lower left: MARK MAGGIORI 2016 PROVENANCE: The Artist Maxwell Alexander Gallery, Los Angeles, CA (label verso) From a Private Collection $30,000 – $50,000

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341 GLENN DEAN (1976- ) Cloudscape, Vapor and Light, Storm Clouds, & Nimble Forms oil on canvas 24 x 30 (each) inches Vapor and Light & Cloudscape: signed lower right: G. Dean Nimble Forms & Storm Clouds: signed lower left: G. Dean PROVENANCE: Private Collection, Hamilton, MT $20,000 – $30,000 (set of four)

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342 LOGAN MAXWELL HAGEGE (1980- ) Shadows Still Remain oil on linen 30 x 20 inches signed upper right: LOGAN MAXWELL HAGEGE verso: titled, signed, dated PROVENANCE: The Artist Quest for the West, Eiteljorg Museum of American Indians and Western Art, Indianapolis, IN From the Collection of Mr. Ryan Fuhrmann $20,000 – $30,000

343 PAUL MOORE (1957- ) Offering to the Sun bronze 2/15 11 x 40 x 15 inches inscribed right verso: MOORE CA ©12 2/15 PROVENANCE: Private Collection, Grapevine, TX $8,000 – $12,000 — 146 —


344 R. TOM GILLEON (1942- ) Storm in Cheyenne Land oil on canvas 30 x 30 inches signed lower left: R. Tom Gilleon verso: titled and signed PROVENANCE: From a Private Collection $10,000 – $15,000

345 RUSSELL CASE (1966- ) Vermilion Shadows oil on board 11 x 14 inches signed lower right: (cross) G. Russell Case verso: titled, signed, dated PROVENANCE: Private Collection, Jackson, WY $3,000 – $5,000

346 WILLIAM ACHEFF (1947- ) Color in New Mexico oil on canvas 16 x 12 inches signed lower right: ©Wm. Acheff 2003 verso: titled, signed, dated PROVENANCE: From a Texas Collection $12,000 – $18,000

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347 LOGAN MAXWELL HAGEGE (1980- ) The Rising Clouds oil on linen 60 x 60 inches signed lower left: LOGAN MAXWELL HAGEGE verso: titled, signed, dated PROVENANCE: Maxwell Alexander Gallery, Los Angeles, CA (label verso) From the Collection of Dr. William A. Ramsdell $80,000 – $120,000

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348 THOMAS HART BENTON (1889-1975) Study for ‘Desert Still Life with Skull’, 1950 oil on board 6 ½ x 8 ¾ inches signed lower right: Benton verso: signed and dated PROVENANCE: From a Private Collection A letter of authentication will accompany this lot. $75,000 – $125,000

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349 THOMAS HART BENTON (1889-1975) Cowboys at Corral, 1931 graphite, watercolor, and gouache on paper 20 ⅛ x 29 ¼ inches signed lower right: Benton 31 Born in Neosho, Missouri, in 1889 Thomas Hart Benton went on to become one of the most important American artists of the early twentieth century. Politics ran in Benton’s blood, his grandfather served as a United States Senator and his father was elected to the United States House of Representatives. Naturally, his father hoped Benton would pursue a career in law as an entree to the political world. Benton had other ideas, and in 1907 he headed to Chicago to study at the Art Institute of Chicago. The following year, he travelled to Paris to continue his studies at the Académie Julian. After several years in France, Benton returned to the States enamored with Modernism. Benton sought work in New York City, struggling to find an audience for his Modernist style, he worked as a commercial artist, set designer, and the like. With the advent of WWI, Benton enlisted in the Navy where he served as an architectural draftsman. This proved to be a pivotal time in Benton’s career, lending him the realism and American subject matter that would later define his career. In the decade that followed the war, Benton threw himself into largescale mural projects, focusing on themes of American history and daily life. He quickly emerged as a leader of the American Regionalist movement. In 1930 Benton travelled West in search of inspiration. It was on this trip that he snuck behind the scenes at the Fourth of July Rodeo in Saratoga, Wyoming—presenting himself as a reporter for the Denver Post. Benton spent several days sketching the cowboys, horses, and rodeo life, leaving before his ruse was uncovered. Uncommon in his oeuvre, the majority of Benton’s scant western works, like Cowboys at Corral, come from 1930 and 1931, likely inspired by this trip to Wyoming. He also used these cowboy studies as inspiration for a portion of his 1932 murals for the library of the Whitney Museum of American Art. While the Great Depression saw many artists seek support from the Works Progress Administration, Benton had achieved enough acclaim to support himself through commissions—never working for the WPA. PROVENANCE: The Artist The Estate of Vincent Campanella Private Collection, Kansas City, MO A letter of authentication will accompany this lot. $400,000 – $600,000

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350 BEV DOOLITTLE (1947- ) Wolves of the Crow watercolor on paper 18 ⅜ x 47 ½ inches (sight) signed lower left: Bev Doolittle© PROVENANCE: From the Collection of Mr. Edward Scovel LITERATURE: Betty Ballantine, ed., The Art of Bev Doolittle, The Greenwich Workshop, Inc., Trumbull, CT, 1990, illus. p. 129 & 136-137 $30,000 – $50,000

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351 ED MELL (1942- ) Towers of Zion

352 BILL SCHENCK (1947- ) Cowboy

oil on canvas 16 x 16 inches signed lower right: Ed Mell verso: titled, signed, dated

oil on canvas 66 x 48 inches signed lower right: SCHENCK 92 PROVENANCE: Private Collection, Jackson, WY

PROVENANCE: Private Collection, Grapevine, TX

$7,000 – $10,000

$6,000 – $9,000

353 LOGAN MAXWELL HAGEGE (1980- ) Late Afternoon Light, Vermilion Cliffs oil on linen 16 x 20 inches signed lower right: LOGAN - MAXWELL - HAGEGE verso: titled, signed, dated PROVENANCE: From a Private Collection $5,000 – $7,000

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354 JOHN CLYMER (1907-1989) Snow Line, 1977 oil on canvas 24 x 36 inches signed lower right: John Clymer ©1977 verso: titled and signed Widely recognized for recording western history and wildlife in his art, John Ford Clymer was born in Ellensburg, Washington in 1907. Clymer developed an interest in art from a very early age. Following high school, he moved to Vancouver, British Columbia, where he worked as an illustrator and attended art school. In 1930, Clymer attended the Wilmington Academy in Delaware, where he encountered and found inspiration from the illustrator and western artist, N.C. Wyeth. In 1932, Clymer married his childhood sweetheart Doris and moved to Westport, Connecticut to join the artist gathering there. During World War II, Clymer and illustrator Tom Lovell joined the Marines. Stationed in Washington State, they spent their time painting war illustrations. After the war Clymer decided to create historical paintings. In order to accurately depict the West in his work, Clymer researched and traveled throughout the region. In 1966, Clymer and his wife settled down in the quiet western town of Jackson, Wyoming, to better pursue Clymer’s interest in painting local western people and regional wildlife. Clymer received many honors, including the National Academy of Western Art’s Prix de West Award and the National Museum of Wildlife Art’s Rungius Medal. His hometown of Ellensburg, Washington established the Clymer Museum. Clymer’s family generously donated the contents of his studio to the National Museum of Wildlife Art in Jackson Hole, Wyoming. In Snow Line Clymer combines his skill for landscapes with his finesse for wildlife subjects. The painting depicts the changing of the seasons, the point at which spring and winter meet. With spring’s thaw, the bighorn return to the high country. Here Clymer depicts them at that moment of transition, evoked further through the changing landscape. The snowmelt creates a stream of lush verdant life, cutting through the center of the composition, while winter clings on—inevitably giving way to the coming warmth as the bighorn make their seasonal migration. PROVENANCE: Gerald Peters Gallery, Santa Fe, NM (label verso) Private Collection, Carefree, AZ $70,000 – $100,000

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355 FRIEDRICH WILHELM KUHNERT (1865-1926) Löwenpaar im Versteck gouache on paper 8 ¼ x 15 ½ inches (sight) signed lower left: Wilh. Kuhnert PROVENANCE: Private Collection, Houston, TX $25,000 – $35,000

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356 DAVID SHEPHERD (1931-2017) Tiger in the Bush, 1990 oil on canvas 8 x 11 inches signed lower right: -David Shepherd-90 verso: signed and dated PROVENANCE: Private Collection, Houston, TX $8,000 – $12,000

357 DYLAN LEWIS (1964- ) Leopard Lying on Boulder Maquette bronze 12/15 17 x 22 x 14 inches inscribed left verso: Dylan Lewis stamped left verso: 12/15 S333 SCS PROVENANCE: From a Private Collection $10,000 – $15,000

358 SIMON COMBES (1940-2004) The Vantage Point, 1986 oil on canvas 20 x 30 inches signed lower right: Simon Combes Mar ‘86 © PROVENANCE: From a Private Collection LITERATURE: Simon Combes, An African Experience: Wildlife Art and Adventure in Kenya, Clive Holloway Books, London, UK, 1989, illus. p.71 $10,000 – $15,000

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359 BOB KUHN (1920-2007) Fighting Sables acrylic on masonite 12 x 30 inches signed lower left: Kuhn PROVENANCE: Abercrombie & Fitch Co, New York, NY (label verso) From the Collection of Mr. and Mrs. L. Van Alen, Millbrook, NY From a Private Collection $10,000 – $15,000

360 FRIEDRICH WILHELM KUHNERT (1865-1926) Cape Buffalo etching 41/60 10 x 13 ½ inches (plate) signed lower right: Wilh. Kuhnert PROVENANCE: Private Collection, Houston, TX LITERATURE: Charles Wechsler, The Animal Art of Wilhelm Kuhnert, Live Oak Press, INC & Wildlife Art News, Columbia, SC, 1995, illus. p. 75 $1,000 – $2,000

361 FRIEDRICH WILHELM KUHNERT (1865-1926) African Rhinoceros, 1921

362 FRIEDRICH WILHELM KUHNERT (1865-1926) Lions, 1920

etching 8/100 13 x 21 inches (sight) signed lower right: Wilh. Kuhnert

etching 16/100 7 ⅞ x 5 ⅜ inches (sight) signed lower right: Wilh. Kuhnert

PROVENANCE: Private Collection, Jackson, WY

PROVENANCE: Galerie Commeter, Hamburg, Germany (label verso) Private Collection, Jackson, WY

LITERATURE: Charles Wechsler, The Animal Art of Wilhelm Kuhnert, Live Oak Press, INC & Wildlife Art News, Columbia, SC, 1995, illus. p. 126 $2,000 – $3,000

LITERATURE: Charles Wechsler, The Animal Art of Wilhelm Kuhnert, Live Oak Press, INC & Wildlife Art News, Columbia, SC, 1995, illus. p. 116 $1,000 – $2,000 — 158 —


363 FRIEDRICH WILHELM KUHNERT (1865-1926) Steppenbrand oil on canvas 21 ½ x 33 ¾ inches signed lower left: -Wilh. Kuhnert verso: titled and signed PROVENANCE: Private Collection, Houston, TX $70,000 – $100,000

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364 CARL RUNGIUS (1869-1959) Alaskan Wilderness oil on canvas 40 ¼ x 50 ¼ inches signed lower right: C. Rungius Despite being one of the most famous painters of North American wildlife, Carl Rungius was born in Rixdorf near Berlin, Germany, in 1869. Rungius developed an early interest in studying and hunting wild animals, due in large part to the influence of his father and grandfather, both amateur naturalists and taxidermists. At a young age Rungius also showed a talent for drawing, and pursued his formal artistic training in Berlin at the Berlin Art School, the Academy of Fine Arts, and the School of Applied Arts. Following his education, Rungius began his career as a romantic painter in Germany. As fortune would have it, in 1894 Rungius’s uncle invited him to travel to Maine for a hunting trip. It was then that Rungius’s passion for hunting big game and painting truly came together, as he found his inspiration for both in the wildlife of North America. Enchanted, Rungius spent a summer hunting in Wyoming before moving permanently to New York in 1897. Rungius’s studio in New York allowed him easy access to the art scene of New York City as well as the wilderness of the Northeast and the Canadian Rockies. In 1904 Rungius traveled the Yukon with Charles Sheldon, and in 1910 he traveled to Banff, Alberta for the first time. In Banff Rungius found the ideal location for painting and hunting, particularly with the prevalence of the bighorn sheep in the region. Rungius built a studio there in 1921, nicknamed ‘The Paintbox,” and visited annually until his death in 1959. Exhibited in 1924 at the National Academy of Design, Alaskan Wilderness is a prime example of Rungius’ more mature and impressionistic style, typical of his paintings from this period. Drawn to the United States originally by his interest in moose, Rungius continued to favor them as subjects throughout his artistic career. The style, scale, and subject matter of this piece serve to cement it as one of the masterworks of his career. PROVENANCE: Private Collection (acquired from the artist) By descent in the family Private Collection, Florida ACG Galleries, New York Private Collection {Sotheby’s, New York, NY, 2014} From a Private Collection EXHIBITED: 99th Annual Exhibition, National Academy of Design, New York, NY, March-April 1924 120th Annual Exhibition, Pennsylvania Academy of the Fine Arts, Philadelphia, PA, February-March 1925 LITERATURE: Walter Hines Page and Arthur Wilson Page, The World’s Work: A History of Our Time, Volume 48, Doubleday, Page & Company: New York, NY, 1924, illus. p.157 $400,000 – $600,000

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T R A I L SI DE G A LLE R I E S & G E R ALD P E T E R S G ALLE R Y P R E S E N T

Selections from the Collection of

ROBERT M. AND ANNE BROCKINTON LEE — 1 —


The Jackson Hole Art Auction is honored to offer the following western and wildlife art from the collection of Anne Brockinton Lee and Robert Morton Lee, renowned automobile and arms collector, explorer and conservationist. Mr. Lee passed away in January 2016 in Reno, Nevada. A “Renaissance Man” who presented a multi-faceted talent to the world, Bob Lee turned his hand to many fields and rarely failed. He was a premier fly-tier; successful builder-developer; excellent rifle shot and fly-fisherman; safari outfitter and professional hunter in Africa; designer and manufacturer of a multitude of outdoor equipment, fine luggage and clothing; a patron of the arts; a merchandiser and marketing wiz; an author of many books; an explorer and natural scientist with museum accreditation; a classic car and gun collector nonpareil. His inquisitive nature, keen intelligence, and sense of fearless daring carried him ever further, pushing back horizons and challenging the new or unthinkable. Mr. Lee was one of the first Americans to have a hunting concession in Africa (Lee Expeditions, Ltd.) and the first professional hunter to open Portuguese Angola to foreign hunters. He was a conservationist long before it became fashionable. While living in Angola in the early 1960s, he was instrumental in obtaining government protection for the lion, cheetah, black rhino, and their habitats. Further, Bob designed the first ecologically sound wildlife management program in Africa with the then Portuguese Provincial Government (Angola) to counteract the decimation of the big-game population by over-hunting and poaching. The result: more game was there when he left than when he arrived! This was a cause championed by Bob Lee around the world throughout his adult life. To quote from his first book, Safari Today (1960): “It is the hunter who loves the game, for the game is his life and sport, and since the Middle Ages and before, it has been the hunter who has saved the game and fought those who would destroy it whenever and wherever he could.” In 1965, with the outbreak of the Angolan civil war, Bob returned to his home in New York and founded Hunting World®, a luxury luggage, leather goods, outdoor clothing, and sporting specialties company. The firm’s products were designed to his exacting specifications and mercilessly field-tested. Among numerous innovations, Bob developed a nearly indestructible lightweight material he called “Battue®”. Bob Lee was a Fellow of Exploration in The Explorers Club, a member of the Boone & Crockett Club (founded in 1887 by Theodore Roosevelt), Shikar-Safari Club International, a Life Member of Safari Club International and the National Rifle ...continued on p. 19 — 2 —


364A WILLIAM R. LEIGH (1866-1955) Faithful oil on canvas 28 x 36 inches signed lower right: W.R. LEiGH 194(?) PROVENANCE: From the Collection of Robert M. and Anne Brockinton Lee $200,000 – $300,000

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364B OLAF CARL SELTZER (1877-1957) The War Party oil on canvas 20 x 30 inches signed lower right: O.C. SELTZER. PROVENANCE: From the Collection of Robert M. and Anne Brockinton Lee $70,000 – $100,000

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364C CHARLES M. RUSSELL (1864-1926) The Three Wise Men, 1920 gouache on brown paper 22 3/4 x 39 inches (sight) signed lower left: CMRussell (skull) 1920 PROVENANCE: From the Collection of Robert M. and Anne Brockinton Lee LITERATURE: B. Byron Price, editor and Anne Morand, Charles M. Russell: A Catalogue Raisonné, Volume 1, Norman, Oklahoma: University of Oklahoma Press, 2007, (Raisonné no. CR.PC.293) $200,000 – $400,000

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364D CARL RUNGIUS (1869-1959) Bighorn Sheep oil on canvas 16 x 20 inches signed lower right: C. Rungius PROVENANCE: From the Collection of Robert M. and Anne Brockinton Lee $80,000 – $120,000

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364E CARL RUNGIUS (1869-1959) Timber oil on canvas 24 x 32 inches signed lower right: C. Rungius PROVENANCE: Kennedy Galleries, New York, NY (label verso) From the Collection of Robert M. and Anne Brockinton Lee $150,000 – $250,000

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364F BOB KUHN (1920-2007) On the Skyline acrylic on masonite 24 x 35 3/4 inches signed lower right: kuhn verso: signed Between 1980 and 1985, after six years of negotiations with the government of the People’s Republic of China, Robert Lee became the first Westerner to gain access to and lead five scientific expeditions into the rugged Tien Shan mountains and Chinese Pamirs - known as “The Roof of the World” - where he rediscovered the fabled Marco Polo sheep, Ovis ammon polii, on Chinese soil and documented their migration. Lee was successful in convincing the Xinjiang (Shin-jiang) Provincial government to institute protection for many of its wonderful species and his reports were responsible for the creation of the Tashgorgan Wildlife Reserve in the Pamirs. These expeditions and conservation achievements are memorialized in his second book, China Safari (1988). PROVENANCE: From the Collection of Robert M. and Anne Brockinton Lee $100,000 – $150,000

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364G DAVID SHEPHERD (1931-2017) Shibam, 1960 oil on canvas 20 x 30 inches signed lower left: ‘SHIBAM’ IN THE WADI HADRAMAUT - ARABIA -1960 David Shepherd “My visit to Shibam, in the Wadi Hadhramaut, has to be one of the highlights of my life…We drove through ancient picturesque villages and then Shibam suddenly appeared in front of us. It may be one of the most written about places in Arabia, but at the same time it is one of the least visited. The centuries-old city is on the floor of the Wadi, its tall mud-brick buildings crowding together, skyscraper fashion, some of them sixteen or more stories high…I realized as I looked at this place – an absolutely unique collection of mud-brick skyscrapers jostling together and each as old as time – that I had found the ultimate in visual excitement. Here, amongst friendly people, I felt I had stepped back into centuries past. There was nothing to spoil this illusion (except Coca-Cola) – no extraneous noises such as jet planes and motor bikes. Shibam will remain forever for me one of the most spectacularly beautiful places that I will ever see.” –David Shepherd PROVENANCE: Stremmel Gallery, Reno, NV (label verso) From the Collection of Robert M. and Anne Brockinton Lee LITERATURE: David Shepherd, David Shepherd: The Man and His Paintings, David & Charles, London, United Kingdom, 1985, illus. p. 35 David Shepherd and Brenda Howley, Painting with David Shepherd: His Unique Studio Secrets Revealed, Collins, London, United Kingdom, 2004, illus. p. 81 EXHIBITED: Royal Academy, London, United Kingdom, 1964 South African National Gallery, Cape Town, South Africa, 1969 $20,000 – $40,000

364H DAVID SHEPHERD (1931-2017) African Evening oil on canvas 14 x 18 inches signed lower right: -David Shepherdverso: titled PROVENANCE: Tryon Gallery, London, United Kingdom (label verso) From the Collection of Robert M. and Anne Brockinton Lee LITERATURE: David Shepherd, An Artist in Africa, Collins Publishers in association with The Tryon Gallery, London, UK, 1969, illus. p. 75 $10,000 – $15,000 — 9 —


364I DAVID SHEPHERD (1931-2017) A Herd of Elephants, 1987 oil on canvas 28 x 44 inches signed lower right: - David Shepherd “The elephant is a gentle giant. The warden, who showed me my very first elephant, said ‘ If you leave them alone, they will leave you alone.’ Man is the elephant’s only enemy. I can never think of elephants as dangerous. Why should I? They are only dangerous when man has given them reason to be.” –David Shepherd PROVENANCE: From the Collection of Robert M. and Anne Brockinton Lee $40,000 – $60,000

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364J DAVID SHEPHERD (1931-2017) Rhino by a Deadwood Anthill oil on canvas 18 x 34 inches signed lower right: - David Shepherd PROVENANCE: Pieter Wenning Gallery, Johannesburg, South Africa (label verso) The Everard Read Gallery, Johannesburg, South Africa (label verso) From the Collection of Robert M. and Anne Brockinton Lee $20,000 – $40,000

364K DAVID SHEPHERD (1931-2017) Ambolesi oil on canvas 24 x 36 inches signed lower right: - David Shepherd PROVENANCE: Tryon Gallery, London, United Kingdom (label verso) From the Collection of Robert M. and Anne Brockinton Lee $15,000 – $25,000 — 11 —


364L DAVID SHEPHERD (1931-2017) Elephants Near Letaba, 1975 oil on canvas 24 x 52 inches signed lower right: - David Shepherd PROVENANCE: From the Collection of Robert M. and Anne Brockinton Lee $40,000 – $60,000

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364M DAVID SHEPHERD (1931-2017) Love Under the Baobab Tree, 1962 oil on canvas 32 x 44 inches signed lower right: -David Shepherd- ‘62 verso: titled and signed PROVENANCE: Tryon Gallery, Ltd, London, United Kingdom (label verso) Glenbow Museum, Calgary, Canada (label verso) From the Collection of Robert M. and Anne Brockinton Lee $50,000 – $75,000

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364N DAVID SHEPHERD (1931-2017) Roaring Tiger, 1979 oil on canvas 20 x 34 inches signed lower right: -David Shepherd- 79 PROVENANCE: From the Collection of Robert M. and Anne Brockinton Lee $30,000 – $50,000

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364O DAVID SHEPHERD (1931-2017) Lion Sketches, 1987 oil on canvas 24 x 44 inches signed lower right: -David Shepherd- ‘87 verso: titled, signed, dated “I love sketching the heads of the big cats. Lions and tigers all have different personalities, which definitely show in their faces. Some have nice wide generous expressions, and others always seem to have a mean look about them. I know one thing; no two lions or tigers are the same.” –David Shepherd PROVENANCE: From the Collection of Robert M. and Anne Brockinton Lee $15,000 – $25,000

364P DAVID SHEPHERD (1931-2017) Old George oil on canvas 16 x 22 inches signed lower right: -David ShepherdPROVENANCE: Tryon Gallery, London, United Kingdom (label verso) From the Collection of Robert M. and Anne Brockinton Lee $15,000 – $25,000

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364Q DAVID SHEPHERD (1931-2017) Three Rhinos, 1988 oil on canvas 19 x 45 inches signed lower right: -David Shepherd- 88 verso: signed and dated PROVENANCE: From the Collection of Robert M. and Anne Brockinton Lee $30,000 – $50,000

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364R DAVID SHEPHERD (1931-2017) Bull Elephants in a Clearing, 1987 oil on canvas 22 x 40 inches signed lower right: -David Shepherd- ‘87 verso: signed and dated PROVENANCE: From the Collection of Robert M. and Anne Brockinton Lee $40,000 – $60,000

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364S ARCHIBALD THORBURN (1860-1935) The Monarch of the Glen, 1898 watercolor on paper 27 1/2 x 45 1/2 inches signed lower left: A. Thorburn . 1898 PROVENANCE: John Southern of Liskeard, Cornwall (The Thorburn Museum) {His sale, Sotheby’s, Works by Archibald Thorburn from the Thorburn Museum, 31 March 1993, lot 20} From the Collection of Robert M. and Anne Brockinton Lee $60,000 – $90,000

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continued from p. 2 Association, a member of the Visiting Committee of the Arms and Armor Department at the Metropolitan Museum of Art, a research associate in Mammalogy, Museum of Natural History, at the University of Kansas, and an Affiliate Professor of Management at The University of Montana, where he lectured graduate students about the problems involved in saving our ancient forests in the Pacific Northwest, clear-cutting, and lack of regrowth in the Rocky Mountain states and the responsibilities of business and industry with respect to the environment. In 1988, he created The Robert M. Lee Endowment for graduate studies in wildlife management at The University of Montana. This gift was the largest single donation ever received and resulted in three scientific expeditions to the Qinghai (Ching-Hy) Province of China, on the Tibetan Plateau, to study increased population management for wild yak and musk deer. Lee also created a scholarship for Native Americans at the College of Forestry and Conservation at UM. In 1991, he endowed the Robert M. Lee Gallery of American Arms at the Metropolitan Museum of Art in New York City. In 1999, Bob was presented with the C.J. McElroy Award from SCI for his contributions to hunting and conservation. The Robert M. Lee Foundation fervently supports various conservation organizations and other efforts to control subdivided development of pristine areas. Bob and Anne have also supported the World Wildlife Fund and Sierra Club as well as the Nevada Museum of Art in Reno, the Preservation Society of Charleston, and many animal rescue societies. Bob was recognized as the premier collector of antique Colts, Winchesters, European ams and armor and modern sporting arms, and selections of these themes are featured in his book series, The Art of the Gun (2002-2003) and Magnificent Colts (2011). The special exhibition “A Celebration of Robert M. Lee” was held at Sotheby’s New York in June and July, 2013. Avid car collectors, Anne and Bob Lee have won the coveted “Best of Show” award at Pebble Beach Concours d’Elegance®, the world’s foremost automobile competition, in 2006 and again in 2009; “Best of Show” at The Quail: A Motorsports Gathering, in 2009, 2012 and 2018; “Best of Show” at Amelia Island Concours in 2014 and many other notable Best of Show and Class awards, worldwide. As a collector, Bob Lee considered himself a responsible custodian of remarkable artifacts of history.

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END ADDENDUM

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365 OSCAR E. BERNINGHAUS (1874-1952) Family Gathering, ca. 1907 watercolor and gouache on paper 5 ¼ x 8 ¼ inches (sight) signed lower right: O.E. BERNINGHAUS. PROVENANCE: From a Private Collection $6,000 – $9,000

366 CARL OSCAR BORG (1879-1947) In a City in the Painted Desert (Hopi Village) oil on canvas on board 19 ¾ x 16 inches signed lower left: CARL OSCAR BORG verso: titled and signed PROVENANCE: Mitchell Brown Fine Art, Inc., Santa Fe, NM (label verso) Private Collection, Hamilton, MT $10,000 – $15,000

367 HOWARD EVERETT SMITH (1885-1970) Council House of the Iroquois oil on canvas 26 x 30 inches signed lower left: Howard E. Smith PROVENANCE: Private Collection, Arlington, TX $8,000 – $12,000

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368 JOSEPH HENRY SHARP (1859-1953) An Old Garden in Taos oil on canvas 20 x 30 inches signed lower right: JH Sharp verso: titled and signed PROVENANCE: Private Collection, Hamilton, MT $40,000 – $60,000

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369 OSCAR E. BERNINGHAUS (1874-1952) Riders - Taos, Early Spring oil on board 20 x 16 inches signed lower right: OE BERNINGHAUS PROVENANCE: Kennedy Galleries, New York, NY (label verso) Pogzeba Art Studios, Denver, CO (label verso) Owings-Dewey Fine Art, Santa Fe, NM (label verso) Private Collection, Houston, TX $70,000 – $100,000

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370 GERALD IRA DIAMOND CASSIDY (1879-1934) Silence, 1928 oil on canvas 30 x 40 inches signed lower right: Gerald (artist cipher) Cassidy verso: titled and signed PROVENANCE: From a Private Collection $50,000 – $75,000

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Credit: Unknown photographer Motion Picture News (Mar-Jun1920)

371 GERALD IRA DIAMOND CASSIDY (1879-1934) Pueblo Mother oil on canvas 31 x 22 inches signed lower right: Gerald Cassidy PROVENANCE: Private Collection, Santa Barbara, CA LITERATURE: Motion Picture News, William A. Johnston, New York, NY, 1920, illus. p. 2925 $50,000 – $75,000

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372 FRANK SAUERWEIN (1871-1910) Afternoon Sojourn, 1900 oil on board 12 x 18 inches signed lower left: F.P. Sauerwein - 1900 PROVENANCE: I.S.O. Art Ltd., Hamilton, MT (label verso) Private Collection, Hamilton, MT $8,000 – $12,000

373 WARREN ROLLINS (1861-1962) Untitled

374 TOM LOVELL (1909-1997) Apache

oil on canvas 20 ½ x 13 inches signed lower right: W.E. Rollins-

charcoal on paper 6 ⅛ x 4 ⅛ inches (sight) signed lower left: TOM LOVELL

PROVENANCE: Private Collection, Flagstaff, AZ

PROVENANCE: Private Collection, Houston, TX

$4,000 – $6,000

$800 – $1,200 — 167 —


375 OLAF WIEGHORST (1899-1988) The Last March oil on canvas 20 x 26 inches signed lower left: O-WiEghorst (artist cipher) lower right: © verso: titled and signed “On the morning of June 25th 1876 General George Custer rode to his doom on the Little Bighorn in Montana. The painting shows him in Buckskin riding his horse Vic. He later removed the Buckskin jacket and was wearing a blue gray shirt. On the extreme right on a gray horse is his adjutant Lt. Cooke. Behind the General is his bugler John Martin also Sgt. Robert Hughes carrying the General’s personal battle flag. Left center is Tom Custer commanding Troop C. The sorrel horse troop strung out behind him—all perished except the bugler John Martin who shortly before the Battle was sent with a message to Capt. Benteen.” — Olaf Wieghorst, El Cajon, California, July 9th 1967 PROVENANCE: The Artist From a Private Collection Private Collection, Jackson, WY, By Descent EXHIBITED: Whitney Gallery of Western Art, Cody, WY, 1969 Season Holter Museum of Art, Helena, MT, January - April 1991 A framed letter from the artist will accompany this lot. $50,000 – $75,000

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376 CARL RUNGIUS (1869-1959) Saddled Horse oil on canvas 18 x 20 ¼ inches signed lower right: C. Rungius PROVENANCE: Private Collection, Jackson, WY $30,000 – $50,000

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377 CARL RUNGIUS (1869-1959) The Bear Nursing Her Cub on Montague Island, ca. 1912 oil on canvas 18 x 12 inches signed lower right: C. Rungius PROVENANCE: Private Collection, Tampa, FL From the Collection of Mr. Robin Murray

378 CARL RUNGIUS (1869-1959) Wapiti in the Forest of Vancouver Island, ca. 1912

LITERATURE: Charles Sheldon, The Wilderness of the North Pacific Coast Islands: A Hunter’s Experiences, Charles Scribner’s Sons, New York, NY, 1912, illus. p.46

oil on canvas 18 x 12 inches signed lower right: C. Rungius

$20,000 – $30,000

PROVENANCE: From a Private Collection LITERATURE: Charles Sheldon, The Wilderness of the North Pacific Coast Islands: A Hunter’s Experiences, Charles Scribner’s Sons, New York, NY, 1912, illus. p.3 $20,000 – $30,000

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379 CARL RUNGIUS (1869-1959) A Mountain King, 1907 oil on canvas 24 ½ x 32 ¼ inches signed lower right: C. Rungius. lower left: Copyright 1907. PROVENANCE: Crossroads of Sports, New York, NY The Widener Family Collection, 1957 J.N. Bartfield Galleries, New York, NY (label verso) From a Private Collection LITERATURE: Catalog of Copyright Entries, Part 4: Engravings, Cuts, and Prints; Chromos and Lithographs; Photographs; Fine Arts, vol. 2 nos. 1-52, Library of Congress, Government Printing Office: Washington, D.C. 1907, p. 369 Dr. William T. Hornaday, The Mentor: The Deer Family, Department of Natural History, Volume 8, No. 11, 1920, illustrated $150,000 – $250,000

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380 ALBERT BIERSTADT (1830-1902) Landscape oil on paper on board 6 ⅛ x 8 ⅞ inches signed lower right: ABierstadt. PROVENANCE: From a Private Collection $18,000 – $24,000

381 EDGAR PAYNE (1883-1947) Sierra Mountains oil on board 11 x 14 inches signed lower right: EDGAR PAYNE PROVENANCE: From a Texas Collection $10,000 – $20,000

382 CARL RUNGIUS (1869-1959) Head of Golden Tears, Wyoming oil on board 9 x 11 inches signed lower right: C Rungius verso: titled and signed PROVENANCE: From a Private Collection $8,000 – $12,000 — 1 74 —


383 ALBERT BIERSTADT (1830-1902) Grand Tetons, 1871 oil on paper on board 6 ½ x 11 inches signed lower right: ABierstadt PROVENANCE: Quail Hollow Galleries, Oklahoma City, OK (label verso) From a Private Collection EXHIBITED: A Bierstadt, Amon Carter Museum, Forth Worth, TX, January 27 – March 19, 1972 Albert Bierstadt, Pennsylvania Academy of Fine Arts, Philadelphia, PA, November 15, 1972 - January 3, 1973 $20,000 – $30,000

384 WILLIAM R. LEIGH (1866-1955) Buffalo bronze 16 x 22 x 11 ½ inches inscribed center verso: W.R. LEiGH PROVENANCE: The Artist From the Collection of the Perillo Family $20,000 – $30,000 — 1 75 —


385 RICHARD SCHMID (1934- ) Begonias with Jamie’s Cup oil on canvas 16 x 20 inches signed lower right: Schmid 2014 verso: titled, signed, dated, numbered PROVENANCE: Private Collection, Houston, TX LITERATURE: To be included in the forthcoming book by Richard Schmid My Still Life Art. $30,000 – $50,000

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386 G. HARVEY (1933-2017) Genteel Times New York oil on canvas 16 x 12 inches signed lower right: G. Harvey-© verso: titled and signed PROVENANCE: Private Collection, West Lake, TX $20,000 – $30,000

387 NANCY GUZIK (1954- ) Spring Dance oil on board 12 x 20 inches signed lower right: Guzik PROVENANCE: Private Collection, Houston, TX $4,000 – $6,000

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388 CLARK HULINGS (1922-2011) Puerto Vallarta, 1976 oil on canvas 24 x 48 inches signed lower left: Hulings © 1976 While he was born in Florida in 1922, Clark Hulings spent formative early childhood years in Spain, where he fell in love with a culture that undeniably serves as a basis for the American cowboy. Hulings found something similar in Mexico, and both countries inspired Hulings throughout his career—yearning for the simplicity of the way things once were. Hulings described his painting Puerto Vallarta, writing “Puerto Vallarta was, until recently, a quiet fishing village connected to the rest of Mexico by a difficult road through the jungle. Now it has jet runways, luxury hotels and ‘muchos turistas.’ There is frantic building going on up in the steep hills overlooking the town and these little donkeys ply constantly back and forth with their burdens of rocks and sand from the beach…I can’t help but regret the destruction of the beautiful simplicity of their little town.” In this painting Hulings alludes to the changes occurring in Puerto Vallarta, the little donkey plodding along in the wake of development, while also giving the viewer a glimpse into the serenity of the Puerto Vallarta that once was. After three years in Spain, Hulings’ father moved the family to New Jersey, where Hulings frequented the Metropolitan Museum of Art whenever possible, drawn to the work of George Innes, John Singer Sargent, and Pierre-Auguste Renoir. Inspired by the masters, Hulings took to copying their work on his own, convincing his father to enlist the tutelage of Sigismund Ivanowski. Following years of training with Ivanowski, Hulings continued his formal art education at the Art Students League in New York. Early in his career Hulings worked as a portrait painter and freelance illustrator, before devoting himself fully to easel painting in the 1960’s. By 1965 Hulings began exhibiting at the Grand Central Galleries, and in 1973 he received the Prix de West award at the National Academy of Western Art. The awards and acclaim continued throughout his long career. Hulings moved to New Mexico permanently in 1957, and continued to paint until his death in 2011. PROVENANCE: Altermann & Morris Galleries, Dallas, TX (label verso) From a Private Collection LITERATURE: Clark Hulings, Hulings: A Collection of Oil Paintings by ClarkHulings, The Lowell Press: Kansas City, MO, 1976, illus. plate 24 $125,000 – $175,000

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389 FRANCISCO ZUNIGA (1912-1998) Niña y Niño, 1939 oil on canvas 34 x 26 ½ inches signed lower right: ZUNIGA 39 PROVENANCE: From a Private Collection A letter of authentication will accompany this lot. $30,000 – $50,000

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390 CLARK HULINGS (1922-2011) Jose on Maria - Spain, 1982 oil on canvas 14 x 16 inches signed lower left: Hulings ©1982 PROVENANCE: Private Collection, Jackson, WY $15,000 – $25,000

391 FELIPE CASTAÑEDA (1933- ) Standing Figure bronze 1/7 31 x 7 x 11 ½ inches inscribed front right: F. CASTANEDA 1984 I/VII PROVENANCE: Private Collection, Los Angeles, CA $4,000 – $6,000 392 FELIPE CASTAÑEDA (1933- ) Seated Figure black marble 20 x 14 ½ x 9 inches inscribed left verso: F. CASTANEDA 1979 PROVENANCE: Private Collection, Los Angeles, CA $4,000 – $6,000 — 181 —


393 SCOTT TALLMAN POWERS (1972- ) Waiting for Customers - Solola oil on canvas 20 x 24 inches signed lower right: SCOTT POWERS- 2008 PROVENANCE: Private Collection, San Juan Capistrano, CA $6,000 – $9,000

394 SCOTT TALLMAN POWERS (1972- ) Flowers Market Queen - Chichiastengo oil on canvas 30 x 24 inches signed lower left: SCOTT POWERS - 2008 PROVENANCE: Private Collection, San Juan Capistrano, CA $8,000 – $12,000

395 KENNETH RILEY (1919-2015) Morning Delivery, 1982 oil on board 12 x 20 inches signed lower right: KEnnEth RilEy ©82 PROVENANCE: Trailside Galleries, Scottsdale, AZ (label verso) Private Collection, San Juan Capistrano, CA EXHIBITED: West of Camelot: Paintings by Kenneth Riley, Eiteljorg Museum of American Indian and Western Art, Indianapolis, IN, July 18 - September 12, 1993 (label verso) LITERATURE: Susan Hallsten McGarry, West of Camelot: The Historical Paintings of Kenneth Riley, Eiteljorg Museum of American Indian and Western Art: Indianapolis, IN, 1993, illus. p.29 $6,000 – $9,000

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396 MIAN SITU (1953- ) Family Market Day

397 MIAN SITU (1953- ) Morning Chores

oil on canvas 30 x 24 inches signed lower left: Mian Situ verso: titled and signed

oil on canvas 30 x 24 inches signed lower right: Situ Mian O.P.A. PROVENANCE: From a Private Collection

PROVENANCE: From a Private Collection

$5,000 – $7,000

$5,000 – $7,000

398 G. HARVEY (1933-2017) Autumn Mood oil on canvas 16 x 20 inches signed lower left: G. Harveyverso: titled PROVENANCE: Private Collection, Sandy, UT $6,000 – $9,000

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399 ROBERT BATEMAN (1930- ) Gulls on Pilings acrylic on masonite 40 x 30 inches signed lower right: © Robert Bateman 1977“One could say that I come from a shipbuilding background on my mother’s side of the family from Nova Scotia. I had many great-great uncles who built sailing ships. My mother’s stories gave me a love of ships, of the sea and of the seashore. Many types of structures you can find at the water’s edge - wharfs, docks, seawalls - particularly those made of wood, have a ring of history about them; they are of another era. Most modern structures are now made of cement. That is why this old setting, which is said to be part of an old, abandoned bridge, appealed to me. This setting appealed to me artistically. The accents of the birds on the pilings set up a syncopated rhythm like musical notes on a piano. I also feel that the empty space at the top of the painting is an important positive compositional element that makes a statement on its own.” — Robert Bateman PROVENANCE: Private Collection, Redlands, CA $25,000 – $45,000

400 TOM LOVELL (1909-1997) The Fog Bank, 1986 oil on canvas 11 x 16 inches signed lower right: TOM LOVELL ©NAWA 1986 verso: titled, signed, dated PROVENANCE: Colorado Historical Society, Denver, CO (label verso) Private Collection, Jackson, WY $4,000 – $6,000

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401 G. HARVEY (1933-2017) Sounds of Morning Silence oil on canvas 20 x 30 inches signed lower right: G. Harvey-© verso: titled and signed PROVENANCE: Private Collection, Jackson, WY $40,000 – $60,000

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402 STANLEY MELTZOFF (1917-2006) Eider Duck Shoot, 1965 oil on linen on board 36 x 40 ¼ inches initialed lower left: SM PROVENANCE: From the Estate of Stanley Meltzoff Literature: Field and Stream, November 1965, illus. p 54-55 The oil on board study measuring 10 ½ x 16 (14 ¾ x 20 ½ x 1) will accompany this lot, and is initialed lower left: SM. $20,000 – $40,000

403 STANLEY MELTZOFF (1917-2006) Bonefish 24 - The Hero Wreathed, 1988 oil on canvas mounted on board 12 x 15 ½ inches initialed lower right: SM verso: titled PROVENANCE: From the Estate of Stanley Meltzoff $6,000 – $9,000 — 186 —


404 STANLEY MELTZOFF (1917-2006) Jewfish 11 - Lord of Barcajon Channel #2, 2004 oil and gouache on canvas mounted on board 18 ⅝ x 23 ⅜ inches initialed lower right: SM verso: titled, signed, dated PROVENANCE: From the Estate of Stanley Meltzoff $15,000 – $25,000

405 STANLEY MELTZOFF (1917-2006) Striper #4 - Sandy Hook, 1966 oil on linen on board 18 x 27 ½ inches initialed lower right: SM verso: titled and signed PROVENANCE: From the Estate of Stanley Meltzoff LITERATURE: Stanley Meltzoff and Mike Rivkin, Stanley Meltzoff: Picture Maker, Silverfish Press, Korea, 2010, illus. p.152 $6,000 – $9,000

406 STANLEY MELTZOFF (1917-2006) The World of the Bonefish oil on canvas on board 10 ¾ x 36 inches initialed lower left: SM verso: titled and signed PROVENANCE: Private Collection, Columbia Falls, MT $12,000 – $18,000 — 187 —


407 WILLIAM BRADFORD (1823-1892) Sunset at Fort McHenry with Row Boat to Ship, 1868 oil on canvas 12 ¼ x 18 ¼ inches signed lower left: Wm. Bradford 1868 PROVENANCE: From a Private Collection $25,000 – $35,000

408 W.H.D. KOERNER (1878-1938) An Evening in Ironville, ca. 1931 oil on canvas 28 x 40 ¼ inches signed lower right: W.H.D. Koerner verso: dated PROVENANCE: Private Collection, Austin, TX LITERATURE: R.G. Kirk, “Cinder Dump,” The Saturday Evening Post, vol. 205, no. 47, illus. p. 11 $20,000 – $30,000

— 188 —


409 AFTER ALBERT BIERSTADT Sunset - California Scenery, 1868 chromolithograph 12 ⅛ x 18 ¼ inches printed lower right: CHROMOLITH. & PUBLISHED BY L. PRANG & Co. PROVENANCE: Prang’s American Chromos, Boston, MA (label verso) Private Collection, Jackson, WY LITERATURE: Nancy K. Anderson and Linda S. Ferber, Albert Bierstadt: Art & Enterprise, Hudson Hills Press, New York, NY, 1990, illus. p. 274 $3,000 – $5,000

410 THOMAS MORAN (1837-1926) A Rock Strewn Coast, 1889 watercolor on paper 14 ¼ x 10 ¾ inches (sight) signed lower right: TMORAN 1889 PROVENANCE: M. Knoedler & Co., Inc., New York, NY (label verso) From a Private Collection $20,000 – $30,000

— 189 —


411 CLYDE ASPEVIG (1951- ) Village of Murren, Switzerland oil on canvas 50 x 48 inches signed lower left: C. ASPEVIG verso: titled, signed, dated PROVENANCE: Trailside Americana, Jackson, WY (label verso) Private Collection, Wilson, WY $35,000 – $45,000

— 190 —


412 SCOTT CHRISTENSEN (1962- ) Friday Harbor oil on canvas 48 x 60 inches signed lower center: CHRISTENSEN©PROVENANCE: Private Collection, Jackson, WY $18,000 – $24,000

413 CLYDE ASPEVIG (1951- ) The Headlands oil on canvas 24 x 30 inches signed lower left: C. ASPEVIG verso: titled and signed PROVENANCE: Private Collection, San Juan Capistrano, CA $10,000 – $15,000

— 191 —


414 G. HARVEY (1933-2017) The Picnic, 1988 oil on canvas 40 x 36 inches signed lower left: G. Harvey - © 1988 verso: titled, signed, dated PROVENANCE: From a Private Collection $40,000 – $60,000

— 192 —


415 CLYDE ASPEVIG (1951- ) Time for Azaleas oil on canvas 32 x 30 inches signed lower left: C. ASPEVIGPROVENANCE: From a Private Collection $10,000 – $20,000

416 CLYDE ASPEVIG (1951- ) House of McClellanville oil on canvas 20 x 16 inches signed lower left: C. ASPEVIGverso: titled and signed PROVENANCE: From a Private Collection $6,000 – $9,000

— 193 —


417 SHELDON PARSONS (1866-1943) Adobe in Winter Landscape oil on canvas 28 x 36 inches signed lower left: SheldoN PARSONS PROVENANCE: Private Collection, Paradise Valley, AZ $10,000 – $20,000

418 ROBERT W. WOOD (1889-1979) Rocky Mountains oil on canvas 24 x 36 inches signed lower right: -Robert WoodPROVENANCE: From a Texas Collection $6,000 – $9,000

419 BERT GEER PHILLIPS (1868-1956) Taos Road oil on board 9 x 12 inches signed lower right: PHillips verso: titled and signed PROVENANCE: From a Private Collection $5,000 – $7,000

— 194 —


420 CONRAD SCHWIERING (1916-1986) Spring’s Spell oil on board 25 x 30 inches signed lower left: Schwiering (artist cipher) © verso: titled and numbered PROVENANCE: From a Private Collection $10,000 – $20,000

421 OGDEN PLEISSNER (1905-1983) Upper Circle Bridge, Wyoming, ca. 1941 oil on canvas 22 ⅛ x 30 inches signed lower left: Pleissner verso: titled PROVENANCE: Grand Central Galleries, New York, NY Collection of Clifford G. and Mae Schultz, Asheville, NC, 1942 Private Collection, New York, NY $12,000 – $18,000

422 JOSEPH HENRY SHARP (1859-1953) Purple Mountain (Yellowstone), 1910 oil on board 9 x 12 inches signed lower right: J.H. SHARP verso: signed and dated PROVENANCE: From a Private Collection $10,000 – $20,000

— 195 —


423 TOM BROWNING (1949- ) Deep Into Summer oil on canvas 14 x 30 inches signed lower right: Tom Browning CA PROVENANCE: The Artist $6,000 – $9,000

424 KYLE SIMS (1980- ) Hayden Wonder oil on board 42 x 40 inches signed lower left: ksims verso: titled, signed, dated PROVENANCE: Private Collection, San Juan Capistrano, CA $12,000 – $18,000

— 196 —


425 KEN CARLSON (1937- ) Winner Take All oil on board 28 x 42 inches signed lower left: CARLSON PROVENANCE: From a Private Collection $30,000 – $50,000

— 197 —


426 OLAF WIEGHORST (1899-1988) Cowboy oil on canvas 30 x 36 inches signed lower right: O. Wieghorst PROVENANCE: Private Collection, Jackson, WY $20,000 – $30,000

427 GEORGE PHIPPEN (1915-1966) Pack Train, 1948 oil on canvas mounted on board 24 x 32 inches signed lower left: Geo. Phippen (artist cipher) 48 PROVENANCE: Private Collection, Austin, TX $15,000 – $25,000

— 198 —


428 ARNOLD FRIBERG (1913-2010) Too Many Cooks, 1953 oil on canvas 34 x 44 ¼ inches signed lower right: A. FRIBERG verso: dated PROVENANCE: From the Collection of Mr. John Hedrick $30,000 – $50,000

— 199 —


429 BILL ANTON (1957- ) Short Days and Long Shadows oil on board 36 x 48 inches signed lower left: Bill Anton verso: titled, signed, dated PROVENANCE: Private Collection, San Juan Capistrano, CA $20,000 – $30,000

430 BILL OWEN (1942-2013) Working the Herd, 1991

431 HARRY JACKSON (1924-2011) Ropin’ a Star, 1982

oil on canvas 24 x 18 inches signed lower left: ©Bill OWEN CA 1991

bronze 59/60 29 x 21 x 9 inches inscribed front left: © Harry Jackson 1982 RS 59 stamped front center: WFS ITALIA

PROVENANCE: Private Collection, Grapevine, TX $7,000 – $10,000

PROVENANCE: From a Private Collection $6,000 – $9,000

— 200 —


432 TIM COX (1957- ) Racing Sundown oil on board 20 x 30 inches signed lower left: A.T.COX 96© PROVENANCE: Private Collection, Grapevine, TX $12,000 – $18,000

433 BRIAN GRIMM (1968- ) Dust of the Old Trail oil on board 48 x 84 inches signed lower left: BRIAN GRIMM verso: titled, signed, dated PROVENANCE: Private Collection, West Lake, TX $12,000 – $18,000

434 BRIAN GRIMM (1968- ) The Bolt oil on board 60 x 48 inches signed lower right: BRIAN GRIMM verso: titled, signed, dated PROVENANCE: Private Collection, West Lake, TX $8,000 – $12,000

— 201 —


435 MELVIN WARREN (1920-1995) Hunter’s Cabin, 1984 oil on canvas 36 x 60 inches signed lower right: © Mel Warren_ CA 1984 PROVENANCE: Altermann & Morris Galleries, Houston, TX (label verso) From a Texas Collection $50,000 – $75,000

— 202 —


436 DONALD TEAGUE (1897-1991) Movin’ Across oil on board 14 x 18 inches signed lower left: DONALD TEAGUE N.A. PROVENANCE: Private Collection, Grapevine, TX $7,000 – $10,000

437 HARRY JACKSON (1924-2011) The Marshal, 1970 polychrome bronze 20.P. 28 x 32 ½ x 12 ½ inches inscribed front left: © Harry Jackson 1970 inscribed front left: JOHN WAYNE AS ROOSTER COGBURN PROVENANCE: Private Collection, Carefree, AZ $20,000 – $30,000 — 203 —


438 JOHN BYE (1970- ) Winter’s Crossing, 2019 acrylic on canvas 40 x 30 inches signed lower right: jBye “In my painting Winter’s Crossing a cowboy on horseback journeys through the snowy landscape with his pack horse. He will lead his horses through the rocks and icy water to cross the creek safely.” —John Bye PROVENANCE: The Artist $12,000 – $18,000

439 FRANCOIS KOCH (1944- ) Teton Valley Backroad oil on canvas 30 x 40 inches signed lower right: Francois Koch PROVENANCE: The Artist $10,000 – $20,000

— 204 —


440 JAMES BAMA (1926- ) Trout Creek Ranch oil on board 20 x 20 inches signed lower right: Bama ‘91 verso: titled and signed PROVENANCE: Private Collection, Jackson, WY $30,000 – $50,000

— 205 —


441 CONRAD SCHWIERING (1916-1986) Summer Solitude oil on board 25 x 30 inches signed lower left: Schwiering (artist cipher) © PROVENANCE: From a Private Collection $10,000 – $20,000

442 JIM NORTON (1953- ) In the Moonlight oil on canvas 40 x 30 inches signed lower left: Jim Norton CA verso: titled, signed, dated PROVENANCE: Cowboy Artists of America 39th Annual Sale & Exhibition, Phoenix, AZ (label verso) Private Collection, Denver, CO EXHIBITED: Steamboat Art Museum, Steamboat Springs, CO, December 17, 2010 - April 3, 2011 (label verso) $15,000 – $25,000

443 CONRAD SCHWIERING (1916-1986) Thunder Shower oil on board 20 x 24 inches signed lower left: Schwiering (artist cipher) © PROVENANCE: From a Private Collection $5,000 – $7,000 — 206 —


444 JIM NORTON (1953- ) Fresh Tracks in the Snow oil on canvas 30 ¼ x 40 ⅛ inches signed lower left: Jim C. Norton CA verso: titled, signed, dated PROVENANCE: Trailside Galleries, Jackson, WY (label verso) Private Collection, West Lake, TX $20,000 – $30,000

445 BILL NEBEKER (1942- ) The Defender bronze 16/25 42 x 16 x 18 inches inscribed left: © BILL NEBEKER CA 1990 16/25 PROVENANCE: Private Collection, Jackson, WY $7,000 – $10,000

— 207 —


446 RAY SWANSON (1937-2004) Grandpa’s Helper, 1979 oil on board 20 x 30 inches signed lower right: Ray Swanson ©79 verso: titled, signed, dated PROVENANCE: Husberg Fine Arts Gallery, Sedona, AZ (label verso) From a Private Collection $6,000 – $9,000

447 R. BROWNELL MCGREW (1916-1994) Kenneth Klah

448 R. BROWNELL MCGREW (1916-1994) Desert Creek

oil on board 18 x 14 inches signed lower left: R. Brownell McGrew

oil on masonite 20 x 23 ¾ inches signed lower right: R. Brownell McGrew verso: titled

PROVENANCE: From a Texas Collection $5,000 – $7,000

PROVENANCE: Private Collection, Belgrade, MT $3,000 – $5,000

— 208 —


449 WILLIAM ACHEFF (1947- ) Midnight Drummer oil on canvas 25 ½ x 30 ⅛ inches signed lower left: ©Wm Acheff 2005 PROVENANCE: Private Collection, Houston, TX $30,000 – $50,000

— 209 —


450 ELDRIDGE HARDIE (1940- ) Snake River Float oil on board 24 x 36 inches signed lower right: EldridgE HardiE verso: titled and signed PROVENANCE: Private Collection, Jackson, WY $10,000 – $15,000

451 DAVID MAASS (1929- ) Canada Geese oil on board 24 x 36 inches signed lower left: Maass PROVENANCE: Toucan Gallery, Billings, MT (label verso) From a Private Collection $8,000 – $12,000

452 KEN CARLSON (1937- ) Still Life with Greenwing and Pintail oil on board 12 x 10 inches signed lower left: CARLSON PROVENANCE: From the Collection of Curtice & Bob McCloy LITERATURE: Tom Davis, Patrons Without Peer, Collector’s Covey, Dallas, TX, 2009, illus. p. 78 $3,500 – $5,500

— 210 —


453 CONRAD SCHWIERING (1916-1986) Snake River Overlook oil on board 30 x 36 inches signed lower left: Schwiering (artist cipher) © PROVENANCE: Private Collection, Crested Butte, CO $15,000 – $25,000

454 GARY LYNN ROBERTS (1953- ) White Water Sky oil on canvas 48 x 36 inches signed lower left: Gary Lynn Roberts-*© PROVENANCE: West Lives On Gallery, Jackson, WY (label verso) From a Private Collection $18,000 – $24,000

455 LELAND CURTIS (1897-1989) Tetons in Spring, ca. 1930 oil on canvas 24 x 30 inches signed lower left: ©LELAND CURTIS PROVENANCE: William A Karges Fine Art, Los Angeles, CA (label verso) Private Collection, Jackson, WY $5,000 – $7,000 — 211 —


456 CLYDE ASPEVIG (1951- ) The Headwaters oil on canvas 30 x 40 inches signed lower left: C. Aspevig PROVENANCE: The Artist (label verso) Autry National Center 2004 Masters of the American West, Los Angeles, CA (label verso) Private Collection, Jackson, WY $20,000 – $40,000

457 CARL RUNGIUS (1869-1959) Old Bull pencil on paper 7 x 5 inches (sight) signed lower right: C. Rungius PROVENANCE: J.N. Bartfield Galleries, New York, NY (label verso) From a Texas Collection $4,000 – $6,000

— 212 —


458 JAMES REYNOLDS (1926-2010) King of the Klondike oil on canvas 30 x 34 inches signed lower right: James Reynolds verso: titled PROVENANCE: Claggett/Rey Gallery, Vail, CO (label verso) Private Collection, Denver, CO $20,000 – $30,000

459 CLYDE ASPEVIG (1951- ) January

460 CLYDE ASPEVIG (1951- ) Winter Sunlight

oil on canvas 24 x 20 inches signed lower left: C. ASPEVIG

oil on canvas 24 x 30 inches signed lower left: C. ASPEVIG verso: titled

PROVENANCE: Private Collection, Anchorage, AK $7,000 – $10,000

PROVENANCE: Private Collection, Anchorage, AK $8,000 – $12,000 — 213 —


461 JAMES REYNOLDS (1926-2010) Can I Buy You a Drink? oil on canvas 36 x 40 inches signed lower right: James Reynolds verso: titled PROVENANCE: Private Collection, Denver, CO $25,000 – $35,000

462 LANFORD MONROE (1950-2000) Moose Picnic oil on board 20 x 28 inches signed lower right: Lanford Monroe PROVENANCE: Private Collection, Jackson, WY $10,000 – $15,000

— 214 —


463 LANFORD MONROE (1950-2000) Highlander oil on masonite 30 x 40 inches signed lower left: Lanford Monroe PROVENANCE: Private Collection, San Juan Capistrano, CA EXHIBITED: Spirit of Imagination, Autry Museum of Western Heritage, Los Angeles, CA, January 18 - February 19, 2001 LITERATURE: R.E.C. Thompson, Homefields: The Art of Lanford Monroe, Sporting Classics & Islet Bay Press, Canada, 2007, illus. p.86 $20,000 – $30,000

464 LANFORD MONROE (1950-2000) November Hillside, 1995 oil on board 24 x 36 inches signed lower right: Lanford Monroe verso: titled, signed, dated PROVENANCE: Private Collection, Anchorage, AK LITERATURE: R.E.C. Thompson, Homefields: The Art of Lanford Monroe, Sporting Classics & Islet Bay Press, Canada, 2007, illus. p.II $10,000 – $15,000

— 215 —


465 RICHARD SCHMID (1934- ) Nancy’s Summer Blossoms oil on canvas 12 x 20 inches signed lower right: Schmid 2014 verso: titled, signed, dated PROVENANCE: Private Collection, Carefree, AZ LITERATURE: To be included in the forthcoming book by Richard Schmid My Still Life Art. $25,000 – $35,000

466 GREG BEECHAM (1954- ) A Warm Springs Refuge oil on linen 26 x 40 inches signed lower right: G. BEECHAM ©10 verso: titled and signed PROVENANCE: Private Collection, San Juan Capistrano, CA $10,000 – $15,000

— 216 —


467 EDOUARD CORTÈS (1882-1969) Untitled (Paris Street) oil on canvas 13 x 18 inches signed lower right: EDOUARD COURTÈS. PROVENANCE: From a Private Collection $20,000 – $30,000

468 RICHARD SCHMID (1934- ) Ruth and Elen oil on board 18 x 11 ⅞ inches signed lower left: Schmid verso: titled, signed, dated PROVENANCE: From the Collection of Curtice & Bob McCloy $4,000 – $6,000

— 21 7 —


469 CHARLES WYSOCKI (1928-2002) Churchyard Christmas Party, 1985 oil on canvas 26 x 30 inches signed lower left: © Charles Wysocki verso: titled and signed 470 CHARLES WYSOCKI (1928-2002) Home is My Sailor

PROVENANCE: From the Collection of Mr. Edward Scovel

oil on canvas 36 x 24 inches signed lower left: © Charles Wysocki

LITERATURE: Betty Ballantine, An American Celebration: The Art of Charles Wysocki, Greenwich Press Ltd., New York, NY, 1985, illus. p.179 Paul C. Brownlow, Seasons of the Heart, Brownlow Publishing Company, Fort Worth, TX, 1997, illus. p.58 Charles Wysocki, The Good Ol’ Days, Harvest House Publishers, Eugene, OR, 2003, illus. p.27

PROVENANCE: From the Collection of Mr. Edward Scovel LITERATURE: Elise Maclay, ed., Heartland: Charles Wysocki, The Greenwich Workshop, New York, NY, 1994, illus. p. 127

$10,000 – $15,000

$10,000 – $15,000

471 CHARLES WYSOCKI (1928-2002) Main Street U.S.A. oil on canvas 24 x 30 inches signed lower left: © Charles Wysocki PROVENANCE: From the Collection of Mr. Edward Scovel $10,000 – $15,000 — 218 —


472 KEN CARLSON (1937- ) Swan and Lily Pads oil on board 9 x 12 inches signed lower right: CARLSON PROVENANCE: Trailside Americana, Jackson, WY (label verso) Private Collection, Jackson, WY $4,000 – $6,000

473 BOB KUHN (1920-2007) Seal Point and Blue Point Siamese mixed media on paper 11 ¾ x 17 ¾ inches (sight) signed lower right: Kuhn PROVENANCE: Private Collection, St. George, UT $5,000 – $7,000

474 KEN CARLSON (1937- ) Hanging Out oil on board 10 x 13 inches signed lower left: CARLSON PROVENANCE: From the Collection of Curtice & Bob McCloy LITERATURE: Tom Davis, Patrons Without Peer, Collector’s Covey, Dallas, TX, 2009, illus. p. 74 $5,000 – $7,000

— 219 —


475 MICHAEL COLEMAN (1946- ) Dust Bath on the Nunga River oil on board 24 x 36 inches signed lower right: MICHAEL COLEMAN- © verso: titled PROVENANCE: Trailside Galleries, Jackson, WY (label verso) Private Collection, Lyndhurst, OH $7,000 – $10,000

476 MICHAEL COLEMAN (1946- ) In the Long Grass - Zambia oil on board 24 x 36 inches signed lower left: MICHAEL COLEMAN- © verso: titled PROVENANCE: Trailside Galleries, Jackson, WY (label verso) Private Collection, Lyndhurst, OH $7,000 – $10,000

477 KENNETH BUNN (1938- ) Running Cheetah bronze 6/7 10 x 12 x 8 inches inscribed right verso: BUNN 6/7 © PROVENANCE: From a Private Collection $5,000 – $7,000

— 2 20 —


478 ROBERT BATEMAN (1930- ) Nairobi Growth acrylic on canvas 36 x 36 inches signed lower right: Robert Bateman 2000 © “Growth is good. Growth is bad. During the 20th century we seem to have been obsessed with growth and bigger is better as virtues. But unbridled growth of almost anything can be disastrous. This especially applies to human population. It is hard on the present generation but also on future generations and especially on nature. This view from the air of a Nairobi slum brought it home to me. Without a change in philosophy the future of human settlement will look increasingly like this. Soaring above I have painted two white-backed vultures, perhaps one of the few creatures that will be compatible with this blighted future.” — Robert Bateman PROVENANCE: Private Collection, Redlands, CA $15,000 – $25,000

479 STEVE BURGESS (1960- ) Warrior of the Masai, 2019 oil on panel 30 x 20 inches signed lower right: Steve Burgess “I met this young man whilst on the road to Mombasa in Kenya. He looked every part the warrior in his red and purple robes! He wasn’t too sure when I asked him to pose for a few photos, hence the guarded expression on his face. The painting captures his character rather well and I’m sure he would have been happy with the result.” —Steve Burgess PROVENANCE: The Artist $7,000 – $10,000

480 PIP MCGARRY (1955- ) Leopard in Africa, 2019 oil on canvas 28 x 31 inches signed lower right: -PIP MCGARRY“This beautiful African leopard was witnessed in Kenya’s Maasai Mara Game Reserve—one of the best places in Africa to see big cats. This leopard was resting in the branches of a tree, surveying the surrounding plains with interest. African leopards can often be found in the trees—it is often cooler there; it helps protect them from other larger predators and allows them to see their prey more easily, without being seen themselves.” —Pip McGarry PROVENANCE: The Artist $7,000 – $10,000 — 2 21 —


481 TERRY ISAAC (1958- 2019) Tyger! Tyger! oil on board 28 x 40 inches signed lower left: © T. ISAAC ‘97 PROVENANCE: From a Private Collection $7,000 – $10,000

482 DANIEL SMITH (1954- ) Emerald Forest Jaguar acrylic on board 18 x 36 inches signed lower left: Smith ©97 PROVENANCE: From a Private Collection $8,000 – $12,000

— 222 —


483 PIP MCGARRY (1955- ) Giraffes of the Mara, 2019 oil on canvas 30 x 20 inches signed lower right: -PIP MCGARRY“Near to our camp in Kenya’s Maasai Mara, we came across these beautiful giraffes, as they headed towards the Mara River. They stood watching us carefully for a while, standing motionless in the midday sun. Eventually, they decided that we were not a threat and continued on their majestic and graceful way across the sweeping plains.” —Pip McGarry PROVENANCE: The Artist $7,000 – $10,000

484 SHERRY SALARI SANDER (1941- ) Prelude bronze 17/35 22 ½ x 24 x 4 inches inscribed left verso: SSANDER 90© 17/35 PROVENANCE: The Artist $3,000 – $5,000

485 STEVE BURGESS (1960- ) The Entourage, 2019 oil on panel 48 x 24 inches signed lower left: Steve Burgess “Giraffes are a favorite of mine to paint, this particular one I spent some time with in the Lower Zambezi in Zambia, the Oxpecker birds never left the giraffe so I had to include his ‘Entourage’ in the painting as they seemed inseparable!” —Steve Burgess PROVENANCE: The Artist $10,000 – $20,000 — 2 23 —


486 OLEG STAVROWSKY (1927- ) Securing the Load oil on canvas 56 ¼ x 68 inches signed lower right: oleg stavrowsky verso: titled and signed PROVENANCE: From a Private Collection $15,000 – $25,000

487 OLEG STAVROWSKY (1927- ) Cow Catchers

488 OLEG STAVROWSKY (1927- ) Cowboys on Rocks

oil on canvas 50 x 34 inches signed lower right: oleg stavrowsky verso: titled and signed

oil on canvas 44 x 38 inches signed lower right: oleg stavrowsky verso: titled and signed

PROVENANCE: From a Private Southwestern Collection

PROVENANCE: From a Private Collection

$6,000 – $9,000

$8,000 – $12,000 — 2 24 —


489 GARY LYNN ROBERTS (1953- ) Cowboys and Longhorns oil on canvas 24 x 30 inches signed lower left: Gary Lynn Roberts © PROVENANCE: Private Collection, Austin, TX $8,000 – $12,000

490 GARY LYNN ROBERTS (1953- ) High Country Cowhands oil on canvas 24 x 36 inches signed lower right: Gary Lynn Roberts- *© PROVENANCE: West Lives on Gallery, Jackson, WY (label verso) From a Private Collection $10,000 – $15,000 — 2 25 —


491 HARVEY JOHNSON (1921-2005) Drifting Down Ham’s Fork, 1983 oil on canvas 24 x 36 inches signed lower left: hw johnson CA ©1983 PROVENANCE: Private Collection, Denver, CO EXHIBITED: The Biltmore Celebrity Show, Los Angeles, CA, February 19, 1983 (label verso) The University Club, Phoenix, AZ, October 1988 - January 1989 (label verso) CA Retrospective: Harvey W. Johnson & U. Grant Speed, Cowboy Artists of America Museum, Kerrville, TX, January 22 - March 21, 1993 (label verso) Rediscovering the Old West: Cowboy Artists of America, Eiteljorg Museum, Indianapolis, IN, August 26 - October 29, 1995 (label verso) $5,000 – $7,000

492 JOHN CLYMER (1907-1989) Trapper, 1977 pen and ink on paper 8 x 8 inches (sight) signed lower right: John Clymer 77 PROVENANCE: Private Collection, Houston, TX $2,000 – $3,000

493 RICHARD GREEVES (1935- ) The Story Teller bronze 4 31 ½ x 29 x 21 inches inscribed right verso: R.V. GREEVES 1976 #4 inscribed front left: The Story Teller PROVENANCE: From the Collection of Jack & Shirley McGinty $6,000 – $9,000 — 2 26 —


494 JOSEPH VELAZQUEZ (1942- ) Bound for the Rendezvous oil on canvas 30 x 48 inches signed lower right: J. Velazquez © PROVENANCE: West Lives On Gallery, Jackson, WY (label verso) From a Private Collection $10,000 – $20,000

495 JIM CARSON (1942- ) Slow Progress on the Bitterroots oil on canvas 44 x 64 inches signed lower right: © carson 2003 PROVENANCE: From a Private Collection $12,000 – $18,000

— 2 27 —


496 CONRAD SCHWIERING (1916-1986) Nap Time oil on board 30 x 36 inches signed lower left: Schwiering © (artist cipher) PROVENANCE: Private Collection, Coral Springs, FL $10,000 – $15,000

497 JARED SANDERS (1970- ) Sliding Door oil on canvas 36 x 35 ½ inches signed lower right: Sanders PROVENANCE: Trailside Galleries, Jackson, WY (label verso) Private Collection, Jackson, WY $7,000 – $10,000 — 2 28 —


498 CONRAD SCHWIERING (1916-1986) Yellow Aspens and Grand Tetons, 1982 oil on board 24 x 40 inches signed lower left: Schwiering (artist cipher) © NAWA 1982. PROVENANCE: Buffalo Trail Fine Art Galleries, Jackson, WY (label verso) Private Collection, Jackson, WY $10,000 – $15,000

499 GUY COHELEACH (1933- ) On the Fence oil on canvas 12 x 24 inches signed lower right: Guy Coheleach © verso: signed PROVENANCE: Private Collection, West Lake, TX $6,000 – $9,000 — 2 29 —


500 JIM CARSON (1942- ) Cheyenne Camp oil on canvas 44 x 60 inches signed lower right: © carson 2005 PROVENANCE: From a Private Collection $10,000 – $15,000

501 JIM CARSON (1942- ) Through a Light Snow oil on canvas 30 x 46 inches signed lower left: © carson 2002 PROVENANCE: From a Private Collection $7,000 – $10,000 — 230 —


502 AMY RINGHOLZ (1978- ) Bull Headed, 2019 oil on canvas 36 x 48 inches signed lower left: RINGHOLZ verso: titled, signed, dated “One of the top ten reasons that I moved to Jackson Hole in 2003, (yes I made a list) was because just fifteen minutes from downtown was a large herd of bison that I could visit, sketch, and enjoy at any time. I fell in love with the symbolism and boldness of this western icon. Bull Headed pays tribute to the beauty and pride of the West with its color pallet and strong composition.” —Amy Ringholz PROVENANCE: The Artist $8,000 – $12,000

503 MICHAEL LYNCH (1950- ) February Color oil on canvas 24 x 36 inches signed lower left: M.J. Lynch verso: titled, signed, dated PROVENANCE: From a Texas Collection $6,000 – $9,000

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A N A U C T I O N O F PA S T A N D P R E S E N T MASTERWORKS OF THE AMERICAN WEST

Thank you for participating in the Jackson Hole Art Auction

We are currently seeking quality consignments for the 2020 Auction

Save the Date! September 18 & 19, 2020

F O R A N O - O B L I G AT I O N A U C T I O N E S T I M AT E C O N TA C T M A D I S O N W E B B , A U C T I O N C O O R D I N AT O R 8 6 6 - 5 4 9 - 9 2 7 8 , C O O R D I N AT O R @ J A C K S O N H O L E A R TA U C T I O N . C O M W W W. J A C K S O N H O L E A R TA U C T I O N . C O M

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INDEX SESSION I: LOTS 1-206 SESSION II: LOTS 207-503

ABBETT, ROBERT Bo and Luke, 270 Golden Retriever, 272 North of Big Sur, 190 Pointer, 271 Slow Day, Fast Water, 268 Steadying the Pup, 267 ACHEFF, WILLIAM Color in New Mexico, 346 Jewel of the Southwest, 283 Midnight Drummer, 449 Moccasins and Pots, 249 Quiet Steps, 285 Tularosa, 288 AFSARY, CYRUS The Craftsman, 19 ALDRICH, EDWARD Confrontation, 160 Winter Prelude, 159 ANDERSEN, ROY The Old Place, 55 The Red Shield, 9 Warrior, 10 ANTON, BILL Colorado Pastoral, 132 Daybreak on the Mesa, 319 Out of the Thickets, 227 Short Days and Long Shadows, 429 Sun, Sage and Dust, 322 ASPEVIG, CLYDE The Headlands, 413 The Headwaters, 456 House of McClellanville, 416 January, 459 Star Valley (Study), 119 Time for Azaleas, 415 Village of Murren, Switzerland, 411 Winter Sunlight, 460 BALKANSKI, NIKOLO Sozopol Boats, 199 BAMA, JAMES Rusty Ryan, 234 Trout Creek Ranch, 440 BATEMAN, ROBERT Alaska Light - Two Grizzlies, 303 Elk and Aspen, 309 Gulls on Pilings, 399 Moose in Moonlight, 308 Nairobi Growth, 478 On the Garden Wall - Chaffinch & Nasturtiums, 258 Pines of Temagami, 305 BEECHAM, GREG Old Muddy, 162 A Warm Springs Refuge, 466 BEELER, JOE Chief Goes to Washington, 242 The Crossing, 311 Down the Snake, 247 BEELER, TRACY Sharing the Harvest, 81 BENSCO, CHARLES Navajo Shepherdess, 87 BENTON, THOMAS HART Cowboys at Corral, 349 Study for ‘Desert Still Life with Skull’, 348

BERNINGHAUS, OSCAR E. Family Gathering, 365 Riders - Taos, Early Spring, 369 BERRY, JOHN Chief Spotted Eagle - Sioux (After J.H. Sharp), 13 Strikes His Enemy Pretty (After J.H. Sharp), 12 BIERSTADT, AFTER ALBERT Sunset - California Scenery, 409 BIERSTADT, ALBERT Grand Tetons, 383 Landscape, 380 BLAKE, BUCKEYE Roundup, 94 BODELSON, DAN The Wild Bunch, 64 BOREIN, EDWARD Bronc Rider, 220 Cattle Drive, 219 Cowboy Lassoing a Steer, 1 Crow Singers, 2 BOREN, JAMES Chasing a Runaway Calf, 224 Cold Mountain Morning, 109 Golden Dawn, 116 Summer Branding, 107 BORG, CARL OSCAR In a City in the Painted Desert (Hopi Village), 366 Needle Rock at Canyon de Chelly, 7 BRADFORD, WILLIAM Sunset at Fort McHenry with Row Boat to Ship, 407 BRONSON, CLARK Mallards Skyward Bound, 128 BROWN, HARLEY Basket Girl, 155 Crow Indian Girl, 20 Jumping Bear, 21 BROWNING, TOM Deep Into Summer, 423 Fading Light, 318 Puttin’ up a String, 233 BRYANT JR., JACK Help on the Way, 40 BRYERS, DUANE Sleigh Bells, 117 Trout for Dinner, 124 BUNN, KENNETH Running Cheetah, 477 BURGESS, STEVE The Entourage, 485 Warrior of the Masai, 479 BYE, JOHN The Patriot, 168 Wild and Free, 34 Winter’s Crossing, 438 CARLSON, KEN Hanging Out, 474 Lobo, 264 Observation Post, 252 Out of the Brambles, 262 Pronghorn Pair, 255 Searching Eyes, 278 The Spoils of the Victor, 163 Still Life with Greenwing and Pintail, 452 Summer Shade, 280 Swan and Lily Pads, 472 — 233 —

Wading the River, 300 Winner Take All, 425 CARSON, JIM Cheyenne Camp, 500 Slow Progress on the Bitterroots, 495 Through a Light Snow, 501 CARTER, GARY Summer Campaign, 236 CASE, RUSSELL Canyon Shadows, 88 Head Lake, 142 Road to Taos, 149 Vermilion Shadows, 345 CASSIDY, GERALD IRA DIAMOND Pueblo Mother, 371 Silence, 370 CASTAÑEDA, FELIPE Seated Figure, 392 Standing Figure, 391 CHEEK, C.R. Travelers of the Northern Plain, 23 CHEEVER, BRUCE Great Plains Warrior, 284 CHOATE, WANDA Blackberry Winter, 205 CHRISTENSEN, SCOTT Early Autumn, 103 Friday Harbor, 412 Oregon Coast, 191 Twilight Hour, 138 CLYMER, JOHN In the Dead of Winter, 335 Snow Line, 354 Trapper, 492 COFFEE, ELAINE The Compelling Mood of the Gardner (Isabella Stewart Gardner), 145 COHELEACH, GUY On the Fence, 499 COLEMAN, JOHN Pretty Shield, 289 COLEMAN, MICHAEL Castle Butte, Green River - Wyoming Territory, 325 Dust Bath on the Nunga River, 475 In the Long Grass - Zambia, 476 Morning Camp, 65 On the Yellowstone, 326 Three Black Bears, 253 Warm Place, 27 COMBES, SIMON The Vantage Point, 358 CORTÈS, EDOUARD LEON Untitled (Paris Street), 467 COTTON, BRENT The Setting Sun, 286 COUTY, JEAN FREDERIC Nature Mort, 195 COX, TIM Racing Sundown, 432 CURTIS, LELAND Tetons in Spring, 455 DAVIS, STAN A King in the Palace of History, 22 Buffalo Berries, 76 Indian Maiden, 79


INDEX SESSION I: LOTS 1-206 SESSION II: LOTS 207-503

DAYTON, CHARLES Smell of Saddle and Sage, 57 DEAN, GLENN Set of Four, 341 DEDECKER, THOMAS A Grand Display, 147 DEMOTT, JOHN Faithful Friend, 78 Free to Run, 113 The Young Blackfoot, 73 DEVENYNS, STEVE All in a Day’s Work, 38 DICKINSON, JUDITH I Want to Play, 77 DIXON, MAYNARD Cottons and Corral, 213 Makin’ Camp, 215 Study of Horses #4, 214 DOHENY, DENNIS Day’s End, 135 Rock Creek Basin, 187 DOOLITTLE, BEV Wolves of the Crow, 350 DORR, TOM Hesitation, 29 DUNCAN, ROBERT The First Ride, 43 DYE, CHARLIE Remuda, 331 Untitled (Indian Study), 248 EGGENHOFER, NICK Wyoming Cowboy on Horseback, 221 ELLIOTT, STEPHEN C. Puma in the Snow, 170 ENCINIAS, JOHN Winter Harmony, 180 EUBANKS, TONY The Hay Wagon, 118 FAWCETT, JOHN Fresh Pony, 18 White Man’s Saddle, 17 FAY, KEITH The Eagle’s Club, 26 FIRFIRES, NICHOLAS Comanche Pony Raiders, 86 FRAUGHTON, EDWARD JAMES Fighting Bears, 161 FRAZIER, LUKE At the Head of Ranger Canyon, 298 Autumn Royalty, 276 Big Sky Country, 297 A Dry Fly Day, 273 Pronghorn Horizon, 257 FRIBERG, ARNOLD Too Many Cooks, 428 FRITZ, CHARLES Bivouacked Ojibway, 83 Flying Clouds Over Chinle Wash, 130 FRY, LOREN G. Gathering the Cottonwood Bottoms, 33 Off to a Good Start, 31 GASPARD, LEON Horse and Cart - Russia, 217 Horses #6 - China, 216 GEORGE, WILLIAM A Lean Winter, 85

GHAUI, MICHAEL Elephants, 174 Kudu, 173 GILLEON, R. TOM Storm in Cheyenne Land, 344 GOEBEL, ROD Spruces at Twining, 202 Surf, Rock and Ice Plant, 141 GOLLINGS, WILLIAM Cowboy, 332 GOODNIGHT, VERYL Fighting Geese, 181 Two Bucks, 182 GREEVES, RICHARD Huron, 70 Mohawk, 71 Omaha, 69 Sauk-Fox, 72 The Story Teller, 493 GRELLE, MARTIN Cheyenne Remnants, 296 Creekside Gather, 317 Gettin’ Colder, 320 Mountain Glory, 323 Sixes Born and Raised, 321 GRIFFING, ROBERT Lighting of the Pipes, 244 GRIMM, BRIAN Afterglow, 45 The Bolt, 434 Dust of the Old Trail, 433 Tall Texan, 46 GUZIK, NANCY Spring Dance, 387 HAGAN, ROBERT Follow the Leader, 35 HAGEGE, LOGAN MAXWELL Late Afternoon Light, Vermilion Cliffs, 353 Shadows Still Remain, 342 The Rising Clouds, 347 HAGEL, FRANK Meriwether Lewis – Rest Stop on the Teton July 27, 1806, 58 HALBACH, DAVID Coming Home, 115 Morning After, 110 Out for the Windies, 50 HALLMARK, GEORGE Concepcion, 153 La Paz, 152 HAMPTON, JOHN WADE Canyon Trail, 63 HARDIE, ELDRIDGE Snake River Float, 450 HARMON, TIM Switchback, 62 HARVEY, G. Autumn Mood, 398 The Cowpuncher, 106 Genteel Times New York, 386 Heading Home, 329 Morning Silence, 315 Oil Rigs, 313 The Picnic, 414 Sounds of Morning Silence, 401 The Spirit of Texas, 314 Village Holiday, 330 — 234 —

HEANEY, CHARLES Outskirts, 151 HENNESSEY, TOM Salmon Fishing, Pheasant Shooting, Black Duck Shooting, 127 HOWELL-SICKLES, DONNA Fish Totem, 92 Red Roper, 93 HULINGS, CLARK Jose on Maria - Spain, 390 Puerto Vallarta, 388 INNES, JOHN Indian Riders, 337 ISAAC, TERRY Tyger! Tyger!, 481 JACKSON, HARRY Ropin’ a Star, 431 The Flagbearer II, 237 The Marshal, 437 JACOB, NED Bright and Early, 39 JAMES, WILL Matched, 225 My First Horse, 223 Stub Latigo at Work, 222 JOHNSON, HARVEY Drifting Down Ham’s Fork, 491 JOHNSON, ROBERT Dahlias in Japanese Bowl, 148 September Chickens, 206 KALWICK, WILLIAM A Gift, 150 KEATHLEY, MARK Cowboy in Snow, 123 Sacred Ground, 75 Wolves and Tipis, 28 KING, PAUL Pathway of the Moon, 194 KINMAN, KERRY Close to Pinnacle Peak, 136 KLEIBER, HANS Mallard Drakes, 196 Pintail Drakes, 197 KOCH, FRANCOIS Hazy Afternoon, 179 Teton Valley Backroad, 439 KOERNER, W.H.D. An Evening in Ironville, 408 KUHN, BOB Bear Field Sketch, 306 Browsing Mulie, 261 Cat on the Qui Vive, 260 Fighting Sables, 359 The Look Before the Leap, 304 Moose, 307 On the Skyline, 364F Pronghorn, 165 Seal Point and Blue Point Siamese, 473 Winter Chase, 277 KUHNERT, FRIEDRICH WILHELM African Rhinoceros, 361 Cape Buffalo, 360 Lions, 362 Löwenpaar im Versteck, 355 Steppenbrand, 363 Untitled (Lion), 178


INDEX SESSION I: LOTS 1-206 SESSION II: LOTS 207-503

LAWSON, T. ALLEN South of Santa Fe, 131 LEIGH, WILLIAM R. Buffalo, 384 Faithful, 364A Navajo Boy, 336 LEONE, JOHN The Intruders, 112 Silver Tip’s Trap, 111 LEWIS, DYLAN Leopard Lying on Boulder Maquette, 357 LIANG, Z.S. Arapaho Scout, 16 The Blue Coats are Coming this Way, 290 Preparing for the Ceremony, 287 LOUGHEED, ROBERT Grizzly Country - Alaskan Toklat Grizzly, 301 Winter Windbreak, 228 LOVELL, TOM Apache, 374 The Fog Bank, 400 LYNCH, MICHAEL February Color, 503 MAASS, DAVID Canada Geese, 451 MACDONALD, GRANT A Burst of Spring, 154 MAGGIORI, MARK Cowboys at Work, 340 MARRIS, BONNIE Crystal Palace, 266 The Desperado, 169 The Fishing Lesson, 183 Into the Night, 265 MCCARTHY, FRANK The Patrol, 235 MCGARRY, PIP Giraffes of the Mara, 483 Leopard in Africa, 480 MCGREW, R. BROWNELL Desert Creek, 448 Kenneth Klah, 447 MCHURON, GREG Crimson Flush, 99 MELL, ED Towers of Zion, 351 MELTZOFF, STANLEY Bonefish 24 - The Hero Wreathed, 403 Eider Duck Shoot, 402 Jewfish 11 - Lord of Barcajon Channel #2, 404 Striper #4 - Sandy Hook, 405 The World of the Bonefish, 406 MIEDUCH, DAN Light Fare, No Baggage, 231 Tactical Advice, 327 MIGNERY, HERB 70 Winters, 250 MITTAG, BILL Their Heart’s Land, 11 MONROE, LANFORD Highlander, 463 Moose Picnic, 462 November Hillside, 464 MOON, CARL Indian on Horseback, 5 MOORE, JAY Cottonwood Ablaze, 188

MOORE, PAUL Offering to the Sun, 343 MORAN, THOMAS A Rock Strewn Coast, 410 MORGAN, JIM Snowshoe Creek, 139 MORGAN, ROBERT F. At Break of Day, 60 MOYERS, WILLIAM Riding the Chuck Line, 42 MUIR, JAMES The Lighted Lantern, 193 MYRAH, NEWMAN Cattle Drive, 41 NEBEKER, BILL Headin’ for the Brush, 30 The Defender, 445 NORTON, JIM At the Water’s Edge, 8 Crossing Current Creek, 310 Evening Shadows, 226 Fresh Tracks in the Snow, 444 In the Moonlight, 442 The War Pony, 251 OBERG, RALPH A Cold Morning, 282 High Steppin’, 164 OSTERMILLER, DAN Les Bears, 167 Sage, 302 Scratching Doe, 204 The Sovereign, 157 OSTHAUS, EDMUND On Point, 269 OWEN, BILL Contemplating, 230 R and R, 229 Working the Herd, 430 PARSONS, SHELDON Adobe in Winter Landscape, 417 PAYNE, EDGAR Sierra Mountains, 381 PEEK, CAROL First Snow: Moving Cattle, 48 PETERS, ROBERT Sonoran Radiance, 134 PHILLIPS, BERT GEER Taos Road, 419 PHIPPEN, GEORGE Pack Train, 427 PLEISSNER, OGDEN Upper Circle Bridge, Wyoming, 421 POPPLETON, CHAD High Tailing It, 102 POTTER, JOHN Prime Time, 129 POWERS, SCOTT TALLMAN Flowers Market Queen - Chichiastengo, 394 Waiting for Customers - Solola, 393 PRICE, CLARK KELLEY Cowboy Swimming Hole, 44 In From the Rain, 51 Wood for the Fire, 14 PUMMILL, ROBERT December Run, 114 PUTMAN, DONALD “PUTT” Downwind, 74 — 235 —

REY, JIM Working Calves on the Diamond Tail Ranch, 104 REYNOLDS, JAMES Buck, 232 Can I Buy You a Drink?, 461 The Henry, 243 King of the Klondike, 458 Near Wilcox Arizona, 137 RICH, JASON Leaving Coldwater Canyon, 47 RIDDICK, R.S. Faithful Through the Storms, 37 Reminiscin’, 312 RILEY, KENNETH Annie Laurie (Study), 239 Cavalry, 238 Clearing at Nazare, 192 Dream Indians (Study), 295 Indian on Horse, 241 Morning Delivery, 395 Night Watch, 240 Regalia, 291 Scouting the Horizon, 292 Spring Song (Study), 294 RINGHOLZ, AMY Bull Headed, 502 ROBERTS, GARY LYNN Cowboys and Longhorns, 489 High Country Cowhands, 490 White Water Sky, 454 ROGERS, HOWARD Down from the High Country, 122 Fishing in the High Country, 126 ‘The Frenchman’ Study, 59 Just Passing Through, 121 Riders Four Plus One, 108 ROLLINS, WARREN Untitled, 373 RUNGIUS, CARL Alaskan Wilderness (etching), 212 Alaskan Wilderness, 364 Among the Crags, 207 The Bear Nursing Her Cub on Montague Island, 377 Bighorn Sheep, 364D Dall Sheep, 210 The Family, 208 Head of Golden Tears, Wyoming, 382 A Mountain King, 379 Old Bull, 457 An Old Fighter, 209 An Old Prospector, 211 Saddled Horse, 376 Timber, 364E Wapiti in the Forest of Vancouver Island, 378 RUSSELL, CHARLES M. A Show Indian, 339 The Three Wise Men, 364C SANDER, SHERRY SALARI The Bearded Ones, 172 Duggah Babies, 175 Ere to Autumn, 281 The Heavies, 254 Horses of the Mountain, 185 Prelude, 484


INDEX SESSION I: LOTS 1-206 SESSION II: LOTS 207-503

SANDERS, JARED Sliding Door, 497 SAUERWEIN, FRANK Afternoon Sojourn, 372 SAWCZUK, BILL Cow’s World, 120 The Melt, 101 SCHENCK, BILL Cowboy, 352 Love on the Range, 96 Sheep, Where?, 95 SCHMID, RICHARD Begonias with Jamie’s Cup, 385 Female Nude, 144 Nancy’s Summer Blossoms, 465 Ruth and Elen, 468 SCHOENHERR, JOHN Polar Bear, 171 SCHWIERING, CONRAD Nap Time, 496 Snake River Overlook, 453 Spring’s Spell, 420 Summer Solitude, 441 Thunder Shower, 443 Winter at Oxbow Bend, 100 Yellow Aspens and Grand Tetons, 498 SCOTT, LINDSAY Leopard, 177 SEEREY-LESTER, JOHN Young Explorer, 166 SELTZER, OLAF CARL The War Party, 364b SELTZER, W. STEVE In Enemy Territory, 293 SHARP, JOSEPH HENRY An Old Garden in Taos, 368 Purple Mountain (Yellowstone), 422 SHEPHERD, DAVID African Evening, 364H Ambolesi, 364K Bull Elephants in a Clearing, 364R Elephants Near Letaba, 364L A Herd of Elephants, 364I Love Under the Baobab Tree, 364M Lion Sketches, 364O Old George, 364P Rhino by a Deadwood Anthill, 364J Roaring Tiger, 364N Shibam, 364G Three Rhinos, 364Q Tiger in the Bush, 356 SHINABARGER, TIM Mother’s Watch, 263 SIMS, KYLE Browsing, 158 Hayden Wonder, 424 Mousing the Leaves, 279 The Perch, 259 Under the Twilight (Study), 156 SITU, MIAN Family Market Day, 396 Morning Chores, 397 Waiting for the Sunset, 201 SKORUT, ANDREW Mona Lisa, 89 Thoughts of Home, 90

SMITH, BRETT JAMES Afternoon Hatch, 274 SMITH, DANIEL Emerald Forest Jaguar, 482 SMITH, HOWARD EVERETT Council House of the Iroquois, 367 SMITH, MATT Black Mountain Autumn, 15 SMITH, TUCKER Into the Wind Rivers, 324 Kentucky Farms, 203 The Newfork Trail, 316 Shiras Bull, 256 Slide Lake, 275 SOLBERG, MORTEN E. Along the Continental Divide, 184 STAVROWSKY, OLEG Along the Collegiate Range, 105 Cow Catchers, 487 Cowboys on Rocks, 488 Securing the Load, 486 STEWART, RON Gathering for the Hunt, 84 STRAIN, JOHN PAUL Comanche Warrior, 68 In Search of Game, 66 In the Northwest Country, 61 Sioux Hunter - Summer, 67 STRANG, RAY Round Up, 36 SUMIDA, GREGORY Takka Mountain Camp, 25 SUMMERS, ROBERT Long View, 49 SWANSON, GARY Bachelor Pair, 176 SWANSON, RAY Grandpa’s Helper, 446 TAYSON, LYLE Fireside Contemplation, 24 Loading the Travois & The Painted Hide, 6 TEAGUE, DONALD Movin’ Across, 436 TERPENING, SONYA Cutting Corners, 53 Move Em’ Out, 54 A Shortcut Home, 52 THORBURN, ARCHIBALD The Monarch of the Glen, 364S VELAZQUEZ, JOSEPH Bound for the Rendezvous, 494 The Searchers, 245 Through the Mists and the Roar, 246 VENDITTI, JERRY Longhorn Skull, 91 VICKERS, RUSS Trading Post, 80 WADE, DAVE On the Pond, 125 WALTERS, CURT Aftermath, 143 Annual Whimsey, 140 Divergence, 328 WARREN, MELVIN Hunter’s Cabin, 435 — 236 —

WHITAKER, WILLIAM Ceremony, 82 Pink Roses, 146 WHITCOMB, SKIP Late Spring on String Lake, 133 WIEGHORST, OLAF Buck and Squaw, 334 Cowboy, 426 Cowboy in Snow, 3 Indian Portrait, 4 Son of the Desert, 333 The Last March, 375 Untitled (Indian Study), 338 WILCOX, JIM Autumn, Mount Moran, 97 Spring’s Bounty, 299 Sundown at East Temple Peak, 98 WILES, LEMUEL MAYNARD Untitled (Seascape), 198 WOOD, ROBERT W. Autumn Barn, 186 Rocky Mountains, 418 Rough Sea, 189 WYSOCKI, CHARLES Churchyard Christmas Party, 469 Home is My Sailor, 470 Main Street U.S.A., 471 ZHANG, XIANG A Helping Hand, 56 Ready to Ride, 32 ZHOU, JIE WEI Tibetan Girl, 200 ZIEGLER, EUSTACE PAUL Mt. McKinley and Prospector, 218 ZUNIGA, FRANCISCO Niña y Niño, 389


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T E RMS A N D CO N D I T I O NS The following Terms and Conditions of Sale constitute Jackson Hole Art Auction, LLC’s (“Jackson Hole Art Auction”) and its agents’ and consignors’ entire agreement with prospective bidders, bidders and purchasers relative to the property listed in this catalogue. These Terms and Conditions of Sale and all other contents of this catalog are subject to amendment during or before the sale. The property will be offered by the Jackson Hole Art Auction as agent for the consignors, unless the catalogue indicates otherwise. 1.

Jackson Hole Art Auction operates as an agent of the seller only. It is not responsible in the event any buyer or seller at the auction fails to live up to their respective agreements, including failure of the seller to deliver any property to buyers. The Jackson Hole Art Auction assumes no risk, liability, or responsibility beyond the limited warranty contained herein. a.

All property is sold “AS IS.” There are no representations or warranties that extend beyond these Terms and Conditions of Sale. All works shall be available for examination prior to the sale. The Jackson Hole Art Auction, and its agents and consignors, make no representations or warranties as to merchantability, fitness for a particular purpose, correctness of the catalogue or description, including, but not limited to, the authenticity, the physical condition, size, quality, rarity, importance, medium, provenance, dates, exhibitions, literary or historical relevance of any property, and, no statement anywhere, whether oral or written, whether made in the catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, or elsewhere shall be deemed such a warranty, representation or assumption of liability. Nor are there any representations and warranties, express or implied, as to whether the purchaser acquires any copyrights, including, but not limited to, any reproduction rights in any property. Contents of this catalogue are subject to change or supplementation before or during the sale, including the sale of any lot.

2.

Prospective bidders should inspect the property before bidding to determine its condition, size, and whether or not it has been repaired or restored.

3.

A buyer’s premium will be added to the successful bid price and is payable by the purchaser as part of the total purchase price. If paying by cash or check, the purchase price will be the sum of the final bid price plus a buyer’s premium of 17% of the final bid price of each lot up to and including $500,000, 15% of the excess of the final bid price above $500,000, and 12% of the excess of the final bid price above $1,000,000, plus any applicable sales tax, shipping and handling charges. The buyer’s premium is calculated separately for each lot. If paying by credit card, the purchase price will be the sum of the final bid price plus a buyer’s premium of 20% of the final bid price for each lot up to and including $500,000, 18% of the excess of the final bid price above $500,000, and 15% of the excess of the final bid price above $1,000,000, plus any applicable sales tax, shipping and handling charges.

4.

The Jackson Hole Art Auction reserves the right to withdraw any property before or during the sale and shall have no liability whatsoever for such withdrawal.

5.

Except as may be announced by the auctioneer, all bids are per lot, as numbered in the catalogue.

6.

The Jackson Hole Art Auction reserves the right to reject any bid. The highest bidder acknowledged by the auctioneer will be the purchaser, subject to reserves. In the event of any dispute between bidders, or in the event of doubt as to the validity of any bid, the auctioneer will have the final discretion to determine the successful bidder, cancel the sale, or to reoffer and resell the article in dispute. If any dispute arises after the sale, the Jackson Hole Art Auction’s sale record shall be final and conclusive. The Jackson Hole Art Auction, in its discretion, may execute orders or absentee bids as a convenience to clients who are not present at the auction; however, the Jackson Hole Art Auction is not responsible for any errors or omissions in connection therewith.

7.

If the auctioneer, in his or her discretion, determines that any bid is below the reserve of the article offered, he or she may reject the same and withdraw the article from sale, and, if having acknowledged an opening or other bid, the auctioneer decides that any advance thereafter is insufficient, he or she may reject the advance.

8.

On the fall of the auctioneer’s gavel, the highest bidder acknowledged by the auctioneer assumes full risk and responsibility for the offered lot, subject to all of the terms and conditions set forth herein, and is immediately obligated to pay the full purchase price or such parts thereof as the Jackson Hole Art Auction may then require. All sales are final, and there shall be no exchanges or returns. Payment shall be made by cash, check, wire transfer, Visa, MasterCard, or American Express. (See, paragraph 3 above: “If paying by credit card . . .”) In addition to other remedies available to us by law, the Jackson Hole Art Auction reserves the right to impose, from the date of sale, a late charge of 1.5% per month (18% per annum) of the total purchase price, if payment is not made in accordance with the conditions set forth herein.

9.

a.

All property must be removed by the purchaser at his or her expense not later than (10) business days following the sale, and if it is not so removed, (i) a handling charge of 1% of the total purchase price per month from the tenth day after the sale (until its removal) will be payable to us by the purchaser, with a minimum of 5% of the total purchase price due for any property not so removed within 60 days after the sale, and (ii) we may send the purchased property to a public warehouse for the account, at the risk and expense of the purchaser.

b.

If any applicable conditions herein are not complied with by the purchaser, the purchaser will be in default, and in addition to any and all other remedies available to the Jackson Hole Art Auction and its agents and consignors by law, including, without limitation, the right to hold the purchaser liable for the total purchase price, including all fees, charges, and expenses set forth herein, the Jackson Hole Art Auction, at its sole option, may (i) cancel the sale of that, or any other lot or lots sold to the defaulting purchaser, or (ii) resell the purchased property, whether at auction or by private sale, or (iii) effect any combination thereof. The purchaser will be liable for any deficiency, any and all costs, handling charges, late charges, expenses, and commissions of both sales, legal fees, and expenses, collection fees, and incidental damages. In addition, a defaulting purchaser will be deemed to have granted and assigned the property or money to the Jackson Hole Art Auction or its agents and consignors or any of their affiliated companies, and the Jackson Hole Art Auction may retain and apply such property or money as collateral security for the obligations due. The Jackson Hole Art Auction and its agents and consignors shall have all of the rights accorded to a secured party under the Wyoming Uniform Commercial Code. The purchaser of each lot agrees that each lot is unique and that the Jackson Hole Art Auction, in its sole discretion, shall not be required to sell or otherwise seek to mitigate damages should such purchaser fail to pay the total purchase price. Payment will not be deemed to have been made in full until the Jackson Hole Art Auction shall have collected good funds. The Jackson Hole Art Auction reserves the right to hold all purchases pending collection of the total purchase price.

All lots are subject to a reserve, which is the confidential minimum price acceptable of the consignor. In such instances, the Jackson Hole Art Auction may implement the reserve by bidding on behalf of the consignor. In instances where the Jackson Hole Art Auction has an interest in the lot, it may bid up to the reserve to protect such interest. The Jackson Hole Art Auction, or its agents or consignors, may also bid upon other property listed in this catalogue.

10. Jackson Hole Art Auction is the owner of images of each lot offered for sale and may use such images for its own archival purposes, as well as for advertising and publicity in connection with this or future sales by the Jackson Hole Art Auction.


11. Unless exempted by law, the purchaser will be required to pay all applicable state and local sales, gross receipts, and compensation tax. Proof of exemption in the form of a current Non-Taxable Transaction Certificate must be provided at registration. It is the purchaser’s responsibility to pay any applicable compensating use tax of another state on the total purchase price. 12. These Terms and Conditions of Sale, together with the parties’ respective rights and obligations hereunder, shall be governed by and construed and enforced in accordance with the laws of the State of Wyoming, without regard to Wyoming rules concerning conflicts of law. 13. Prospective bidders and purchasers agree that, in the event of any controversy or claim arising out of or relating to a sale of property, the party asserting such controversy or claim shall provide written notice thereof to the other party, and that any such controversy or claim not settled within fourteen (14) days of delivery of notice by the other party, including any controversy or claim arising from or relating to the sale, or to these Terms and Conditions of Sale, including the terms of this paragraph, shall be resolved and settled by binding arbitration in Jackson Hole, Wyoming, or such other place upon which the parties may agree, in writing; such arbitration shall be pursuant to the commercial arbitration rules of the American Arbitration Association then in effect; the award, which shall include costs of arbitration and an award of reasonable attorneys’ fees to the prevailing party, shall be final, and the judgment on the award may be entered in any court having jurisdiction. 14. The Jackson Hole Art Auction may, in its discretion and at a purchaser’s request, package and ship items as directed by the purchaser. In such event, purchaser agrees to the following conditions: a.

All such packaging, handling and shipping is at the sole risk of the purchaser, and the Jackson Hole Art Auction shall have no liability for any loss or damage to such items.

b.

A $100 packaging, handling, and shipping deposit will be included on purchase invoice. The balance of the packaging, handling and shipping charges will be billed after services are completed. Please allow 4-6 weeks for shipping.

15. Results are sent to buyers, catalogue subscribers, absentee and phone bidders, and other registered bidders four weeks after the sale. 16. Bidding increments will be as follow but may vary at the auctioneer’s discretion Under $2,000 $2,000 - $5,000 $5,000 - $10,000 $10,000 - $20,000 $20,000 - $50,000 $50,000 - $100,000 over $100,000

$100 $250 $500 $1000 $2,500 $5,000 $10,000

S A LE S TA X A recent Supreme Court ruling has led to changes nationwide regarding sales tax laws. In 2018 the Supreme Court of the United States ruled against Wayfair in favor of the state of South Dakota regarding the state’s right to collect sales tax on online purchases from a business without a physical presence in that state. This decision changed the existing status quo and has created a precedent for other states to collect sales tax from businesses without a physical presence in their state. The new laws vary from state to state and require all businesses (not just auction houses) to collect sales tax if they meet a given state’s threshold for an economic nexus. An economic nexus is used in place of a physical presence in the state and can be met by either a total sales amount limit into that state or a total number of individual transactions into that state. Currently the Jackson Hole Art Auction has met the threshold for an economic nexus in the following states: Arizona, Colorado, New Mexico, Texas, Utah, Washington, and Wyoming. If the purchaser is shipping to any of these states, the Jackson Hole Art Auction is required by law to add the appropriate state and local sales tax to the purchaser’s invoice. The following states do not currently have sales tax and/or applicable economic nexus laws, and as a result the Jackson Hole Art Auction is not required to collect sales tax from Alaska, Delaware, Montana, New Hampshire, or Oregon. Due to the variable nature of auction sales, and the small window in which they occur, the Jackson Hole Art Auction does not yet know if the states not listed above will require sales tax collection, as that will be determined by the total dollar amount sold into each state—which cannot be predicted. The Jackson Hole Art Auction will be tracking these totals live during the sale using tax software, and will strive to inform the purchaser at the time of invoicing if sales tax collection is required; however, it may be necessary to bill for sales tax post-sale if the threshold for an economic nexus in the purchaser’s state is met after the purchaser has paid. Even if the Jackson Hole Art Auction is not required to collect sales tax from the purchaser’s state, unless exempted by law, the purchaser will be required to pay all applicable state and local sales, gross receipts, and compensation tax per the terms and conditions. If the purchaser has a valid resale certificate, the purchaser will not be required to pay sales tax. Please provide a copy of this certificate at the time of registration for tax compliance.


Auction Coordinator: Madison Webb Auction Registrar: Megan Harrington Photography: Megan Harrington Accounting: Sandy Toland Catalog Design: Maryvonne Leshe Catalog Essays: Madison Webb Graphic Design: Shane Mieske Printing: O’Neil Printing, AZ Binding: Roswell Bookbinding, AZ Auctioneer: Jason Brooks Jackson Hole Art Auction, LLC 130 East Broadway, Jackson WY 83001 | Post Office Box 1568 Tel 866 JH WY ART (866-549-9278) | Fax 307-732-1600 www.jacksonholeartauction.com © 2019 Jackson Hole Art Auction Limited Co.


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