Artful Living Magazine | Autumn 2020

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AUTUMN 2020


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MOA STYLE ®

AUTUMN 2020

Metallic fabrics and statement earrings have you ready for your next close-up. Scrunchie + Earrings: Anthropologie

Sweeten your morning with a refreshing reboot: exfoliating sugar cubes. Sugar Cubes: Express

Cashmere is the season’s most luxurious buy. You’ll thank yourself later. Sweater: Nordstrom

Add personality with rose gold, colorful snakeskin, and rich earthtones. Bracelet + Ring: Kendra Scott Watch: Swatch | Face Mask: Anthropologie Sunglasses: Eyebobs


THE NEW WFH DRESS CODE: Think warm and cozy, smart and cameraready, layered neutrals and personality-filled statement touches. And when you leave your Zoom meeting for an IRL meetup, a fresh new mask turns heads (plus keeps everyone safe). At Mall of AmericaÂŽ, safety is always in style, explore these finds in person or visit our website for details about all the ways you can shop. MALLOFAMERICA.COM

Silks for your top paired with leather accessories turn any outfit into a power look. Top + Handbag: Anthropologie

The perfect stacked loafers are as comfy as a slipper, as crafted as a sculpture, and as hardworking as you. Franco Sarto Loafer: Macy’s

Get your glow on in no time thanks to velvety, softening sultana soap and a quick jade roller pass. Jade Roller: Sephora | Soap + Face and Body Mask: Lush Powder: Morphe | Lip Balm: Aveda


Goss Opera House


Have A Wonderful Weekend in Watertown Discover Watertown, South Dakota, where everything from the local art to the storied architecture is curated for your pleasure. Here you can explore the unforgettable history, beauty and legends at your own pace, enjoying the countless little things that make this prairie retreat an escape for the ages.

Watertown Brewing Co.

Start your artsy adventure at the elegant Goss Opera House. “The Goss” has been a stunning Watertown gem since its construction in 1889 and a recent renovation has made the gorgeous finishing touches even more beautiful. Hear the gripping tale of how the unshakeable Charles Goss kept the purpose of the building a secret, surprising the town after his last opera house burned down. Climb the winding serpentine staircase for a closer look at the magnificent sparkling chandelier. Want the full, world-class experience? Browse the calendar and find an enchanting show you’ll never forget. If you love beauty, you’ll have your hands, eyes and ears full here. Another place to revel in history—and make some of your own—is the Redlin Art Center. This striking red-brick building holds more than 160 original Terry Redlin paintings and was built by the artist as a thank-you gift to his hometown. A South Dakota native who sparked his career in the Twin Cities, Redlin captured the idyllic world around him; he painted Midwestern families, landscapes and wildlife. It’s easy to see where he got his inspiration as you study his expertly detailed works.

Lake Kampeska

Once you’ve satisfied your appetite for art and history, enjoy the flavors and presentation of a perfect Watertown meal. Finish the day with a few quiet moments and the natural beauty that is a sunset along the shores of Lake Kampeska. Savor the entire package on a refreshing weekend Watertown escape. Plot your adventure at VisitWatertownSD.com.

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Redlin Art Center


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HANDC,RAFTRD We were immediately drawn to Stonewood. Their design style, craftsmanship and attention to detail were extraordinary. Stonewood built our first home in 2007 and what stood out during the process was how organized they were. As a result, our home was finished on time and on budget. During the process, I learned a great deal about Sven and his family. Their

history as home builders goes back some 73 years. More importantly, I learned that Sven is a man of character and integrity, who truly cares about doing things the right way... My career has caused us to move in and out of the Twin Cities several times over the past 33 years. We've built two homes with

Stonewood and are beginning the process of our third and final home with Stonewood. This is a significant investment for us in terms of our time and money and we know what to expect from Stonewood. Stonewood builds homes the right way. It's more than their profession, it's their passion.

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For every home we build, we donate a home to a family in Guatemala. Learn more about The 141 Project at www.the 141 project.org



In an effort to lift spirits, spread positive energy and support those around us, Artful Living has partnered with local artist Anna Lisabeth to bring you this exclusive art print. A portion of proceeds will benefit Women for Political Change. Visit ArtfulLiving.com/Giving to purchase. From the Artist “This print, entitled ‘A Moment Interrupted,’ is meant to portray the feeling we are collectively experiencing — the sensation of life being set on hold. The image of a moment, a gathering, being forgotten, as we’re called away to the urgent and unknown demands of these current days. A nostalgic representation of all we have left behind. And a hopeful reminder of all we will be able to one day return to. This present is trying. But a reverent and joyous celebration awaits us.”


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CONTENTS FEATURE

ILLUSTRATION BY MAXWELL BURNSTEIN | PHOTOGRAPHY BY PETER WHITE

106 THE FUTURE OF FASHION 2020 has ripped up the rule book, and the impact on the fashion industry has been colossal. But where do we go from here?

IN EVERY ISSUE 118 PROPERTY GALLERY

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Artful Living

222 ADVERTISER INDEX

224 TO BE FRANK


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CONTENTS

PHOTOGRAPHY PROVIDED BY SOTHEBY’S, VICTORIA CAMPBELL AND STUART THURLKILL

CULTURE 45 AT AUCTION Selling the collection of gallerist Ginny Williams.

48 DECORUM The art of the handwritten note.

54 NICE RIDE A look at the all-electric Porsche Taycan.

STYLE 60 JEWELRY Gemstones are a colorful, wearable investment.

COMPASS 86 DESTINATION

64 BEAUTY A Q+A with natural beauty icon Bobbi Brown.

Escape to the wilderness of Montana’s Green O.

92 ESSAY 71 MEN’S STYLE David Coggins’ 10 rules for dressing well.

79 GUIDE What to buy this season.

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Artful Living

Musings on the wonder of wanderlust.

97 TOUR Desirable destinations the Artful Living way.


© Forevermark 2018. Forevermark®,

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, Eternal Sky™ and

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THE EXCEPTIONAL DIAMOND COLLECTION

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CONTENTS

HOME 150 TREND The top kitchen trends of 2020.

153 DESIGN Bruce Kading infuses a Boston brownstone with a spirit of place.

ADVENTURE

158 BUILD

170 RECREATION

John Kraemer & Sons brings Belgian-inspired architecture to Edina.

At the Royal Club, everyone feels like a king.

Laura Schara on female empowerment in the great outdoors.

178 EXCURSION Exploring the polar bear capital of the world.

INTEL 186 ESSAY Inside chef Jorge Guzman’s journey to hell and back.

194 ART Acclaimed illustrator Donald Robertson shares his favorite works.

204 LIFESTYLE A look at the secret world of professional sports mascots.

214 NORTH NOTABLES The region’s best and brightest.

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Artful Living

PHOTOGRAPHY BY ANNIE SCHLECHTER, BRANDON WERTH AND JASON RANSOM

174 SPORT


charlieandcodesign.com | 612.333.2246

Every home has a story.


FROM THE EDITORS Kate Nelson: If 2020 has had one constant, it’s change. There’s not a single individual, entity or industry that hasn’t been affected by what has unfolded this year, including the fashion world. Which is why for our feature we asked acclaimed international style writer Laura Antonia Jordan to propose a nuanced, multifaceted answer to the following question: What will the future of fashion look like? And let’s be real — it’s a query that stretches beyond the bounds of style and ultimately reflects society as a whole. The inevitable evolution the fashion industry faces, it seems, is but a microcosm of the colossal change we are witnessing on a global scale. (page 106) Hayley Saunders: Our autumn issue has always been a celebration of style, and this one is no exception. Natural beauty icon Bobbi Brown talks about inclusivity, aging well and how beauty starts from within in an exclusive Q+A (page 64). Men’s style expert David Coggins shares his 10 defining rules to dress by (page 71). Famed fashion illustrator Donald Robertson, whose artwork graces our cover, shares the stories behind some of his favorite creations (page 194). And the ever chic Chris Plantan waxes poetic about the art of the handwritten note, which has made a comeback in recent months (page 48). KN: Of course, we always like to surprise you with some unexpected original content. We’re particularly proud to bring you Minneapolis chef Jorge Guzman’s remarkably candid essay about his journey in the restaurant industry, complete with stunning imagery by photographer Brandon Werth (page 186). And we get a sneak peek inside the little-known world of professional sports mascots thanks to writer Brittany Chaffee (page 204). HS: As we put the finishing touches on our final issue of the year, we can’t help but reflect on the unusual times 2020 has brought — as well as look forward to what lies ahead. We hope you take the time to do the same.

Happy reading,

Kate Nelson Editor-in-Chief

32

Artful Living

Hayley Saunders

Managing Editor + Associate Publisher


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Publisher + Editor-at-Large Frank Roffers President Pete Burgeson Managing Editor + Associate Publisher Hayley Saunders Editor-in-Chief Kate Nelson Art Director Margaret Cooper Digital Editor AJ Longabaugh Vice President of Sales Emma Cutler Velez Director of Marketing Genevieve Cossette Director of Events Kathleen Gildea Business Manager Mitchell Lambert Project Manager Sara Zuehlke Editorial Advisory Board Heidi Libera, Chris Plantan, Dana Swindler Contributors Writers: Merritt Bamrick, Frank Bures, Brittany Chaffee,

David Coggins, Katie Dohman, Amber Gibson, Jorge Guzman, Marguerite Happe, Laura Antonia Jordan, Wendy Lubovich, Chris Plantan, Gina Samarotto, Laura Schara

Photographers: Victoria Campbell, Camille Lizama, Brandon Werth Illustrators: Hilbrand Bos, Maxwell Burnstein, Michael Iver Jacobsen, Melissa Kirkpatrick

Advertising Sales Contact Emma Cutler Velez at 612-803-1910 or evelez@artfulliving.com.

Subscriber Services Contact us at 952-230-3133 or hello@artfulliving.com.

Artful Living 218 Washington Avenue North, Suite 220, Minneapolis, MN 55401

Artful Living is published by North Co., all rights reserved. No part of this publication may be reprinted without permission. North Co. cannot be held responsible for any errors or omissions. Artful Living is committed to preserving the environment and demonstrates this by printing efficiently and sustainably. In consideration of environmental impact, this magazine is 100% recyclable.

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Artful Living


ARCHITECT: ALTUS Architecture + Design

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THE MAGAZINE On the Cover Acclaimed illustrator Donald Robertson’s “History of Fashion” adorns our cover. It’s a fitting prelude to our autumn style issue, which takes an in-depth look at the future of fashion. Indeed, no one captures — or captivates — the world of fashion quite like Robertson, whose massive Instagram following (@drawbertson) catapulted him to superstardom. These days, he finds himself a media and celebrity darling thanks to his chic, cheeky creations, which feature fashion giants from Anna Wintour to Karl Lagerfeld. To learn more about Robertson and see some of his favorite artworks, check out “In Living Color” on page 194.

About Artful Living is one of the top independent boutique lifestyle magazines across the United States with international reach. Founded in 2008, this award-winning quarterly magazine features engaging original content and beautiful design, bringing the best of the North and beyond to an affluent audience with impeccable taste. This elegant, intelligent publication aims to inspire and entertain, highlighting culture, home, style, travel, food, profiles and more. The Artful Living lifestyle brand is headquartered in Minneapolis.

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Artful Living Delivered Right To Your Doorstep To subscribe to Artful Living or order back issues, visit ArtfulLiving.com. For bulk copies, contact us at 952-230-3133 or hello@artfulliving.com.

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Artful Living


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ARTWORK PROVIDED BY DONALD ROBERTSON, COLD LAUNDRY, BEN RITTER AND VICTORIA CAMPBELL

Creative Expression Inside the charming world of illustrator Donald Robertson.

Beauty Buff Bobbi Brown shares her top 20 beauty tips of all time.

Hot Mail Our editors’ favorite stationery brands.

JOIN THE CLUB

Artful Living in Your Inbox Sign up for the Artful Note newsletter, our guide to the artful life, on ArtfulLiving.com.

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Artful Living


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PHOTOGRAPHY BY VICTORIA CAMPBELL

CULTURE

AT AUCTION DECORU M NICE RIDE

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Autumn 2020

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PHOTOGRAPHY PROVIDED BY SOTHEBY’S

CULTURE A T

AUCTION

THE

FEMININE MYSTIQUE SELLING THE COLLECTION OF ART WORLD TRAILBLAZER GINNY WILLIAMS. BY W E N DY L U B OV I C H

Autumn 2020

45


CULTURE

AT AU C T I O N

WITH HER BRIGHT RED HAIR, VIRGINIA DRAWL

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Artful Living

PHOTOGRAPHY PROVIDED BY SOTHEBY’S AND ELLE WILLIAMS

and uncompromising spirit, Ginny Williams was a true original. Long before the art world understood the value of female Modernist painters, the late Denver gallery owner and collector was championing these artists, investing in the works of Helen Frankenthaler, Lee Krasner and Yayoi Kusama. She didn’t follow taste; she led it. “Ginny was larger than life,” explains Sotheby’s Vice President Elizabeth Webb. “Fearless, curious, eccentric, eclectic — with a wicked sense of humor that was complemented by humility and a sweet dose of Southern charm.” Williams passed away last year, and recently 18 of her coveted artworks went up for auction at Sotheby’s, part of a yearlong series of events selling some 450 of the collector’s works. The white-glove sale was part of a live-streaming auction with online and telephone bidders beamed in from all over the world. Every single piece sold, bringing in $65.5 million, with many world records being set. Gavel after gavel, the sale proved many of Williams’ acquisitions were spot on. In 2011, she paid $818,500 for the sublime tangerine-hued “Royal Fireworks” (1975) by Helen Frankenthaler, a record price at the time. In the recent Sotheby’s auction, the piece sold for $7.9 million — a world record for the artist and proof that Williams had a shrewd eye for both art and investments. “Knowing how good the quality was, she often paid record prices for these women artists at the time,” Webb explains. “The market would catch up later.” For Williams, loyalty was key. She often developed personal connections with creatives and supported their work for decades. She owned some 40 sculptures and works on paper by Louise Bourgeois, to whom she was not only a patron but also a close confidante. The artist’s six-foottall “Observer” (1947-1949) stood at the base of a stairway in Williams’ glass home, where the collector admired it daily. Amid strong bidding, this elongated abstract work sold for $2.2 million. Lee Krasner was another of the art aficionado’s favorites. There was strong interest in her colorfully lyrical painting “Re-Echo” (1957) from her seminal Earth Green series, which captured the reawakening she experienced following the sudden death of her husband, artist Jackson Pollock. It sold for more than $9 million, the second highest price for the artist at auction. “Not only did Ginny collect women artists decades before many museums,” Webb confides, “but she sold works by major male artists from her collection in order to buy works by female artists.” That strategy got the attention of top museums, and beginning in the nineties, Williams became a board member at New York City’s Guggenheim Museum and Washington’s Hirshhorn Museum and Sculpture Garden. With cowgirl determination, she spearheaded initiatives to collect important female artists, shifting curatorial perspectives and reshaping iconic museum collections for the future — her greatest legacy of all.


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CULTURE

D E C O RU M

YOU’VE GOT

MAIL THE ART OF THE HANDWRITTEN NOTE. B Y C H R I S P L A N TA N

P H OTO G R A P H Y BY V I C TO R I A C A M P B E L L

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Autumn 2020

49


CULTURE

50

Artful Living

D E C O RU M


A LOT HAS CHANGED IN 2020. AND YET, REMARKABLY,

some things remain the same, surviving the test of time and resonating now more than ever — like our mail. While we continue to navigate unusual times and feel isolated from loved ones, simple correspondence can make all the difference. A postcard, birthday wish or note of gratitude in that familiar handwriting brings a broad smile. Our mail carrier is a special part of our lives. During this national emergency, the U.S. Postal Service has been a source of constancy and reliability in communities across America, delivering supplies, packages and the important correspondence we all count on. Every well-appointed desk should have the essentials needed to make corresponding easy and pleasurable. Add a candle, fresh flowers or a favorite photo to set the scene and create an oasis wherever you decide to set up shop. Your arsenal should include the following:

An Address Book

A recent WSJ. Magazine article told of the discovery of Frank Sinatra’s little brown book: his address book that revealed the extent of his influence and network. Every entry was in his handwriting, with accompanying nicknames and affectionate notes. What a treasure! Our address books chronicle our most cherished connections.

Personalized Stationery

Make it enjoyable, not laborious, to pen a note of thanks, thinking of you or I thought you should know. Personalized notes are a reflection of the sender, and like other accessories, it’s great to have several from which to choose. These cards can be formal in nature or feel more modern thanks

to a contemporary font. I like flat panel cards that can be used for any occasion. Look for foiling, embossing, bordering, letter pressing and lined envelopes to up the level of luxe.

Pens

I could write pages on pens. When you find one you like, buy a dozen. Consider the weight in your hand, the balance and the ink flow. It’s a personal thing, and everyone has their favorite. Pens, like people, come in all shapes, sizes and forms, from fountain to ballpoint to roller ball to felt tip. Professional correspondence should be done in black, or blue if you prefer a more casual flair. If you’re feeling especially peppy, write in green, pink or lavender.

Stamps

Searches for stamps and collections has roughly doubled since March, according to Scott English, executive director of the nonprofit American Philatelic Society, which serves as a resource for collectors. He has observed more millennials taking up the pleasure of amassing and admiring these tiny works of art. Forever stamps make it easy to gather and save your favorites for a specific letter or recipient. I always use a garden or National Park stamp for my parents and something new and culturally interesting for the godchildren. Now all that’s left to do is remind that flag on your mailbox that it has a job. Raise it with confidence and know that you’re making someone’s day. Visit our website to discover our editors’ favorite stationery brands.

Autumn 2020

51


Ignite creativity and explore the possibilities. Your future kitchen starts here. Curate your custom Sub-Zero, Wolf, and Cove appliance package with the Roth Living Showroom team. Schedule your virtual or in-person appointment today!

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CULTURE

NICE RIDE

POWER TRIP WITH THE ALL-ELECTRIC PORSCHE TAYCAN, THE FUTURE LOOKS BRIGHT.

BY M I TC H E L L L A M B E R T

drivability remains comparable to that of a gas-powered vehicle. THE IDEA OF ALL-ELECTRIC VEHICLES HITTING Acceleration, braking and handling all feel as you’d expect — and are the highway seemed like an unrealistic notion just 10 years ago. perhaps even enhanced. But with recent advancements in electric motors and battery power The interior boasts classic Porsche design and comfort but technology, they may well rule the road within the next decade. with a futuristic twist. Dashboard buttons are nearly nonexistent as Nearly every automaker offers an all-electric vehicle or a hybrid. virtually everything can be controlled with touchscreens or voice Porsche recently debuted its take on the trend: the Taycan. commands. You can even use the 10.9-inch center display to control At first glance, the Taycan may look like any other Porsche. But the air vents, which are all motorized. Plus the upon further inspection, you’ll see that this is no ordinary sedan. The auto has a futuristic Taycan is available in a vegan interior, utilizing Econyl fiber made from recycled fishing nets in appearance thanks to exterior design elements The 2020 Porsche Taycan Turbo S place of leather. like modern aerodynamic styling, sleek And say goodbye to the fuel-ups, oil changes headlights and a rear bumper sans tailpipe. • Starting at $185,000 The Taycan comes in three trim levels: the and maintenance routines associated with • Zero to 60 mph in 2.6 seconds 4S, Turbo and Turbo S. The top-of-the-line a conventional gas engine. Ultimately, the • 750 horsepower transition to electric is inevitable, and it Turbo S can reach 60 mph in a staggering • 774 pound-feet max torque 2.6 seconds — enough power to keep up with becomes a question of not if but when. The • 800-volt performance battery Porsche Taycan is one of the few vehicles that even the exotic Bugatti Chiron. The outrageous • Top track speed of 161 mph accelerations and top speed of 161 mph are can get you there now yet will still outperform • Estimated driving range of 192 miles the competition for years to come. achievable thanks to the electric motors, which • Four-passenger seating capacity can deliver an impressive 750 horsepower. • Total luggage volume of 15.7 cubic feet While the switch to all-electric can seem For more information, visit Porsche Minneapolis daunting, you can rest assured that the Taycan’s or log onto minneapolis.porschedealer.com.

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Autumn 2020

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PHOTOGRAPHY PROVIDED BY PORSCHE


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STYLE

JEW ELRY BE AU T Y MEN’S STYLE GUIDE

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ROMANCING THE

PHOTOGRAPHY PROVIDED BY WIXON JEWELERS

STONE

DOES YOUR HEART SKIP

a beat when you slip on a sapphire ring with a blue hue so supreme that it’s not only magnificent but majestic? Or are you more drawn to the shockingly beautiful glow of an electric blue-green Paraíba tourmaline? Our appreciation for gemstones is a love story that spans centuries. A rare stone is one coveted by GEMSTONE JEWELRY IS A COLORFUL, WEARABLE INVESTMENT. connoisseurs and collected by BY MARGUERITE HAPPE royals. When it comes to superb color in the North, the gemstone selection at Wixon Jewelers represents a quality standard best described as extraordinary. “We present you with the best of the best in quality, but each eye sees color differently,” explains owner and gem buyer Hope Wixon. “As you explore, what really matters is what color and which gem you gravitate toward. Which one causes something within you to light up.” This inevitable emotional connection is part of the reason the gemstone market has been on fire lately, establishing gemstones as a legitimately lucrative investment. It’s a lesson well publicized by the now-famous Graff Ruby: The 8.62-carat Burmese ruby made headlines when it fetched a record price of $3.6 million at auction in 2006. Just eight years later, the same jeweler bought the stone back from a Greek financier, but for more than double the price at a record $8.6 million. In short, the allure of the gemstone is immeasurable. “When you purchase gems, you can wear them, appreciate them and enjoy them, but you can also sell them 30 years later or utilize them as a way to pass wealth down to future generations,” Wixon says. And as international mines deplete and the average price per carat rises, fewer superb gemstones are available on the market — meaning now is the time to acquire pieces that will retain their value in the future. Everyone sees color differently, and beauty is truly in the eye of the beholder when it comes to gemstones. And yet, a good relationship with a trusted resource is key when it comes to purchasing gems. Slight variations in color can have a huge impact on value, so it’s important to work with someone who specializes in colored gemstones. Engaging a highly trained gem expert who can navigate nuances in cut and color that the untrained eye wouldn’t perceive is absolutely critical when investing in a fine colored gemstone. The Dow gets credit where credit is due, but diversifying into gemstones is a much more personal choice than simply buying stock. While a ruby may not have the liquidity of your biotech cash cow, purchasing a quality stone from the right jeweler offers you the chance to make a long-term investment from the heart. Rare top-quality color is an extraordinary way to present a value-driven sentiment that will last for generations to come.

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BEAUTY

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PHOTOGRAPHY BY MORGANE LAY

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QUEEN

NATURAL BEAUTY ICON BOBBI BROWN TALKS CONFIDENCE, INCLUSIVITY AND AGING WELL. B Y K AT E N E L S O N

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SHE DIDN’T KNOW IT AT THE TIME, BUT

back in the eighties Bobbi Brown was already a beauty trailblazer. As a makeup artist who couldn’t find the cosmetics she needed, she made her own, which ultimately blossomed into her eponymous beauty empire. Along the way, she challenged industry status quos and empowered women to embrace their natural beauty. We chatted with her about championing inclusivity, aging well and shifting her focus to wellness. You were a pioneer of the natural beauty movement back in the eighties. Did you realize you were starting a revolution? I had no idea I was starting a revolution in the industry; I was and still am a naïve person and consider it a strength. As a makeup artist in the eighties, I always believed that a natural look was just prettier. Of course, we don’t exactly think of natural beauty when we look back on the eighties. But regardless of what was popular at the time, I followed my gut. And it was out of necessity — not being able to find a lipstick that looked like lips — that you started your eponymous beauty brand, right? As a makeup artist, I spent a lot of time mixing different products to get the results I wanted. One day, I met a chemist at a shoot and told him that I couldn’t find the right lipsticks on the market; I had to mix them myself. My ideal lipstick would be creamy and odorless, last a long time, and actually match the natural color of lips. He said he’d make it for me. So I mixed a taupe eye pencil and a blush — there was not a single lipstick in there — and sent him the swatch. Eventually, we developed a line of 10 lipsticks for people of all different skin tones, and I named them Bobbi Brown Essentials. I figured that’s all you needed. Seven years into your career as a makeup artist, you achieved your goal of working on a Vogue cover — which also happened to be Naomi Campbell’s first Vogue cover. Looking back, why was that a significant milestone?

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This was an important milestone because it was a clear goal that I set for myself and I didn’t give up until it was achieved. At the time, seven years felt long. There were moments when what I was doing really didn’t feel easy. When I first started my career, I didn’t know anyone in the city and I heard “no” a lot. But I kept going, and I got that cover. You have long championed inclusive beauty, with products designed for a wide range of skin tones and ad campaigns featuring diversity. Why was that important for your brand? We didn’t have Google or Instagram in the eighties, so when I was working on a set, I didn’t know what the models would look like; I just had to be prepared to match any skin tone or feature. It’s a no-brainer that women of all tones should be able to find the right makeup and that women of all tones are strong and beautiful. It was clear to me then, and it’s still clear to me now. Confidence was part of your mantra decades before it was a trendy buzzword. What does confidence look like?

Confidence means feeling comfortable with who you are. The point isn’t to just look good, but to feel good. The quickest way to get there is to stay true to yourself. Makeup can help along the way. After 25 years, you left your namesake cosmetics brand and shifted your attention to wellness, even becoming a certified health coach. What inspired that change? When I left my namesake brand, I decided to tackle looking and feeling your best from a new angle. I launched my lifestyle-inspired wellness line, EVOLUTION_18, as a natural extension of my book Beauty From the Inside Out, which is all about how health enhances beauty. After spending more than 25 years talking to women about their health and wellness challenges, I became a certified health coach with the Institute for Integrative Nutrition. This transition was a great opportunity to pursue something I’ve always been passionate about. What does the idea of beauty from the inside out mean to you? Looking and feeling your best goes beyond just makeup; it also matters how you treat your body. Usually to start, I suggest easy little changes anyone can do, like switching out soda and drinking more water. Personally, I like to eat a lot of delicious, colorful foods, stay serious about hydration and move my body every day. I take business calls on my walks. How would you like to see American standards of beauty evolve? My hope is that beauty’s future will continue to be more and more inclusive and will be about enhancing the features you have — not applying a full face of makeup. I also hope there will be a greater emphasis on how beauty truly begins within and that what you put in your body affects your overall well-being. Maybe one day brands like my supplement line will be found in the beauty section. And by the way, all makeup should be clean. You turned 63 earlier this year. What are the secrets to aging well? I certainly don’t feel 63. I believe the best way to age well is to take care: eat what’s good for you, move your body every single day and drink a lot of water. Plus the right moisturizer is essential; I love the Rich Cream by Augustinus Bader. If that’s outside your budget, a bottle of organic apricot kernel oil from Whole Foods will do the job. I also believe that stress shows on your face, so I take two EVOLUTION_18 Chill Gummies every day to stay calm and focused. What advice do you have for young women and men trying to discover their own beauty? Sometimes I see photos of myself from when I was in my early twenties, and I can’t believe how gorgeous I was. But I didn’t see it then. Really, all you have to do is be yourself. It sounds simple, and it is. Young people, you’re already beautiful. Head to ArtfulLiving.com for Bobbi Brown’s top 20 beauty tips of all time.

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STYLE

MEN’S STYLE

THE MEN’S

STYLE BIBLE DAVID COGGINS’ 10 RULES FOR DRESSING WELL. I L L U S T R AT I O N B Y H I L B R A N D B O S

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RULES FOR DRESSING WELL EXIST FOR A REASON. THIS MAY NOT BE CLEAR TO US AS BOYS

when our fathers instruct us on the importance of wearing a blue blazer. But they make sense over time, and we realize that certain enduring principles help men look terrific. That’s made easier by the fact that men’s clothing is quite straightforward, which is why if you dress like Fred Astaire, you’ll still look very smart indeed. In general, trends send men in strange directions against their better judgment. Skinny jeans come along and addle our legs and our minds. Single pleats go away, replaced by flat-front trousers, but wait, what’s this — stylish men are wearing double-pleat trousers? Back to the drawing board. There are new fabrics, and while some are good, anything ending in an “x” should make you think twice. Ultimately, we look to rules because guidelines are useful guardrails. You can steer clear of them or crash into them, but it’s important to know they’re there. Most well-dressed men I know indeed break a rule or two, but they’ve earned it. And you can earn it, too. Here are 10 defining style commandments to dress by.

David Coggins’ 10 Style Rules 1 | Let Your Clothes Serve You The first thing to note is that clothes should flatter you. They should express your personality and your worldview all while fitting well. So consider your size, your eye and hair color, and how you want to fit into society. These things evolve but don’t change too drastically, which is why when you arrive at your personal sense of style, it’s a good thing to hold onto it.

2 | Respect Proportion You’re tall, you’re stocky, you’re some other adjective of distinction. Your clothes can help accentuate or hide what’s worth accentuating or hiding. Here, I’ll go first: My head is big. There I’ve said it. It may be because it’s full of ideas or maybe not, but it’s a fact. That means a sports coat with narrow lapels will make my large head look even larger, like a balloon that might float away, and nobody wants that. A while back, every man wanted to look like he walked off the set of Mad Men, and lapels became very narrow. That works for Don Draper, but sadly, I’m not Don Draper. So try to find clothes that are in harmony with your figure. Smaller, trim men look better in concise, tidy proportions. Larger men can handle clothes cut more generously.

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3 | Know a Tailor In a perfect world, you’re friendly with a tailor. You know what he does well, and he knows what you wear well. That’s a beautiful relationship, as important as knowing a good bartender, psychoanalyst or fishing guide. That also takes time, money and proximity. If you don’t have a tailor, then get to know someone you trust for alterations. Good alterations are as important to clothing as good editing is to writing: The basics are there; it just helps with the shape of things. The sleeves of your jacket too long? That’s no surprise, because most men wear their sleeves too long. Your tailor can help. Have thoughts on the break of your trousers? You should, because you don’t want cloth pooling around your ankles. Again, a tailor can save the day. Also, they can let out our waistlines — no shame there! — because if your ancient clothes don’t fit, you have two choices: get them sorted out by a tailor or donate them to charity. (There’s no third way.)

4 | Fear Not the Suit There is nothing banal about a suit; it simply needs to be cut well and worn even better. How does this happen? Buy one from a man who’s wearing a suit and looks good in it. A suit should be comfortable, with high arm holes that allow for easy movement through the shoulders. It doesn’t need too much construction (the padding that’s a hallmark of very traditional English suits), so probably an Italian suit. Start with classics: charcoal or a deep shade of blue. There’s a reason these colors are available at Ralph Lauren every season, year after year. Then go from there. The suit is a criminally overlooked aspect of the sartorial arsenal. A suit is not middle management; it’s boss.

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MEN’S STYLE

5 | Invest in a Tuxedo By definition, a black-tie event is important, and naturally you want to look good. Even if you’re attending opening night of a Wagner opera against your will, you want to be an attractive date for whoever your attractive date is. Yes, you only need to wear it rarely, but you’re a grown man and grown men don’t rent clothes. One word of advice: If your tuxedo is neglected in the back of your wardrobe, take it out for a test drive before the big event. Tuxedos have been known to shrink from years of disuse, so to speak, and hearts have been broken when a man tries to squeeze into an ancient once-fitting tux an hour before heading into public.

6 | Buy Good Shoes Well-dressed men wear good shoes. That’s a fact. Good shoes are not sneakers, which are for boys. They’re leather and expensive, because there’s not a good way to make them cheaply. They’re usually English (Crockett & Jones, Edward Green, Lobb), but they can also be American (Alden). They’re cordovan brogues, suede chukka boots, nice loafers with or without tassels. Keep them polished or wear them rakishly scuffed, but accept no substitutes.

7 | Be in Season Clothing reveals who you are, naturally, but it also reveals when you are. You’re a man for all seasons, and your clothes should celebrate the heat of July or the chill of December. The same way you drink gin in the summer, which feels like a white linen jacket, you drink whiskey as the days get shorter and don a shawl-collared cardigan by the fire. I love seeing a man on the street who embraces the conditions, even when the conditions aren’t optimal. Style in a rainstorm is true style.

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8 | Add Some Texture Texture brings richness and depth to your clothing. This is particularly true of suits and sports coats, which look great when they have a little tooth to them. Once you know what colors work for you, seek them out in tweed or corduroy. What could be more elegant than a gray flannel suit with a white oxford cloth shirt and a beloved silk knit tie? Wear a combination of textures in a single tone, and you’ll come across as the sophisticated man you are.

9 | Embrace Eccentricity There is nothing wrong — and in fact there’s a lot right — with a strong attraction to something singular. So let’s raise a glass to your white bucks, your velvet jacket, your seersucker suit and everything else with outsize character. What’s the secret? Conviction and repetition. If you’re concerned about getting away with something, wear it around the house until you feel ready to face your adoring public. The first time you wear your Panama hat, you might meet minor opposition. The second time, people will understand what you’re driving at. By the third time, it’s your signature look and nobody can remember you without it.

10 | Set the Standard Your clothes communicate something about you whether you want them to or not. And you don’t want to communicate that you are on your way to or from the gym. There are very few rules that are truly unbreakable, but here’s the cold hard truth: No man has ever looked good in sweatpants. A Minnesotan turned New Yorker, David Coggins is the author of the New York Times bestseller Men and Style and writes a style column for Artful Living.

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GUIDE

Vulgar Teacups Floral Teacup and Saucer Set, Martin Patrick 3, $60 • An Organised Life Gratitude Notebooks, anorganisedlife.com, $16 each • Williams Sonoma Recycled Italian Cashmere Throw Blanket, $299

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D E S T I N AT I O N


MONTANA MAJESTY THE GREEN O IS A WILDERNESS ESCAPE LIKE YOU’VE NEVER SEEN BEFORE.

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ADVENTURE AND SERENITY STRIKE THE PERFECT

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meditation. Test your strength and agility on the one-mile Grizzlyman Fitness Trail dotted with 12 obstacles constructed from local timber. Then catch your breath and reward yourself with a soothing massage or a private yoga session at Spa Town, a circle of white tents situated in a serene, secluded meadow. With direct flights from Minneapolis and a dozen other major American cities into Missoula, the middle of nowhere has never been more accessible. It’s just a 35-minute drive from the airport to the Green O, plus transfers are included in your stay. Accommodations include a luxurious Lexus SUV and mountain bikes for transportation around the property, too, so there’s no need to rent a car. The all-inclusive rates at the Green O also cover three delectable meals a day and plenty of snacks by executive chef Brandon Cunningham. He got his start in Portland, Oregon, honing his butchery skills at Old Salt Marketplace and serving 20-course tasting menus at Castagna. The Green O’s Social Haus features a lounge, dining room and open kitchen where Cunningham cooks ranch-raised beef and bison, and caramelizes vegetables over a live fire. He makes all breads and charcuterie in-house, fueling guests with healthy, hyper-seasonal fare. One especially inventive dish lets guests cook rib-eye at the table on a scorching hot rock plucked from the Blackfoot River then wrap it in a shiso leaf dressed with yuzu emulsion and pickled daikon.

ARTWORK PROVIDED BY THE GREEN O

balance at the Green O, an exclusive adults-only wilderness sanctuary set to open in 2021 situated near Missoula, Montana. In a state renowned for its world-class luxury ranches, the property stands out for the contemporary design of its intimate Scandinavian-inspired hauses. From the team behind family-friendly glamping destination the Resort at Paws Up, the Green O sets a new standard in holistic wellness. Floor-to-ceiling windows and skylights for stargazing immerse you in nature, blurring the lines between indoors and out. (But don’t worry; electronic shades let you sleep in.) Skinny dip in the hot tub on the outdoor deck or canoodle by the wood-burning fireplace while enjoying a nightcap. All bathrooms have heated granite floors and sumptuous robes and towels — just what you need after a long day in the great outdoors. The Green Haus is a standout amongst the four distinct designs; part woodland bunker and part modern museum, it boasts a living roof garden exploding with native grasses. The Green O connects mind, body and spirit with 50+ activities across 37,000 acres. Guests have full access to Paws Up, including all eateries and more than 100 miles of trails. Between archery, ATV tours, wildlife hikes, cattle drives, whitewater rafting, rappelling down Lookout Rock, and fly-fishing on the Blackfoot and Bitterroot rivers, the outdoor adventures are endless, whether you’re seeking an adrenaline rush or a peaceful


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WANDERLUST WHAT SPENDING NINE MONTHS IN ONE PLACE HAS TAUGHT ME. BY G I N A SA M A R OT TO I L L U S T R AT I O N B Y M E L I S S A K I R K PAT R I C K

IF SOMEONE HAD TOLD ME LAST YEAR THAT MY TRAVELING DAYS

would soon come to a screeching halt, I would have frantically reached for a Xanax with one hand while dialing my therapist with the other. Yet, when that seemingly unlikely scenario came to fruition thanks to the coronavirus outbreak, I did what everyone else did: I stashed away my passport (for what I thought would be a few weeks) and Googled “best binge-worthy Netflix shows.” Fast-forward to autumn, and I have not been on a plane in 273 days. To save you the math, I’ll tell you that is nine months — or roughly the time necessary to gestate human life. While this may not seem extreme to many, for me, it’s an eternity. I’ve been a travel writer for nearly a decade. I am barely in any one country for more than 30 days — let alone at home for months on end. And this new reality has led me to a realization: Traveling isn’t just a reflection of my profession; it’s who I am. It defines me. To be completely honest, I didn’t particularly miss life on the road at first. There’s some measure of pleasure that comes with ditching 3 a.m. wake-up calls, crack-of-dawn flights, and an endless cycle of packing and unpacking. And yes, there’s something alluring about a lifestyle in which getting dressed means reaching for the “good” athleisure. But after 15 seasons of Criminal Minds, countless DIY projects and hand raising a badelynge of ducklings to live on the pond behind my house (I kid you not), I’m jonesing to put my seat in its full, upright position and take off. Perhaps we are intrinsically nomadic by nature. Could it be that somewhere within the deepest recesses of our lizard brains, we feel compelled to travel? For me, wanderlust is a primal feeling. With every new country I visit, the world somehow seems smaller and more interconnected. Each time I wrap myself up within a new culture, I develop a deeper appreciation of both that culture and my own. Each trip I take leaves me with a greater understanding that indeed there is a reaction for every action. I crave the excitement that comes with discovering the unknown and experiencing the unfamiliar. And guess what? Those desires are backed by science. New experiences stimulate us. This was proven by Caltech scientists who discovered neurons that serve as “novelty detectors.” Of course, this makes perfect sense. But no scientific evidence is necessary for me to grasp the fact that without travel, I feel restless. If there’s something physiological that fuels this need to roam, I am utterly confident it resides within me. Not only are the deep emotions and the delicious sensations I experience when I travel genuine, so too are the hauntingly unsettled feelings that consume me when I am in one place for too long. Over the past several months, I’ve desperately tried to pretend that being stationary has been my choice rather than an absolute directive. But no matter how persuasive my inner voice is, my conscious self still longingly rifles through my passport’s dormant pages as if it were the great American novel. I’ve discovered that travel is necessary for me to feel, well, like me. New destinations are sustenance for my spirit, new experiences fodder for my imagination. I’ve realized that home is the place that soothes my soul, but travel is what sends it soaring. And in that precarious space tucked somewhere between being emotionally anchored to the Earth and literally flying above it is where I long to land.

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BRECKENRIDGE WITH FIVE PEAKS AND NEARLY 3,000 SKIABLE

acres, Breckenridge is one of Colorado’s quintessential ski towns with a unique artistic flair. More than 1.5 million visitors flock here annually, although the year-round population sits around 5,000. In autumn, golfing, hiking, horseback riding and leaf peeping along Boreas Pass Road are all popular outdoor pursuits. Start holiday shopping early with locally made wares like candles, jewelry and ski gear on Main Street. –A M B E R G I B S O N

ONE SKI HILL PLACE

Situated at the base of Peak 8, this luxurious ski-in, ski-out lodge sets the standard in Breckenridge for its attentive service and coveted slopeside access. From studios to four-bedroom condos, guest quarters easily accommodate groups of all sizes and feature cozy fireplaces, large windows, and private patios and balconies overlooking the mountain. The BreckConnect Gondola sweeps you right into town for a plethora of dining and shopping options, although you may not want to leave the property. There’s an onsite spa and an aquatics and fitness center with indoor pools as well as an outdoor hot tub and fire pits. Family-friendly movie lounges and the private two-lane Mine Shaft Bowling Alley with complimentary shoes and balls will keep kids of all ages entertained. And adults can fly down the mountain to nearby TBar, a favorite après ski destination for locals and visitors alike with shareable plates and craft brews on tap.

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PHOTOGRAPHY PROVIDED BY ONE SKI HILL PLACE, LIAM DORAN/BRECKENRIDGE CREATIVE ARTS AND AURUM

Stay


Do

BRECKENRIDGE ARTS DISTRICT

At the heart of the Breckenridge Arts District is a lively campus of renovated historic buildings that now serve as studio spaces for local creatives and visiting artists-in-residence. It’s a great spot to shop or take a class in beadwork, ceramics, metalsmithing or oil painting. The vibrant cultural corridor in downtown Breckenridge is home to diverse performance spaces and provocative public art installations. Trail Mix, for instance, is an imaginative self-guided tour combining art, music, hiking and biking along the town’s trails through environmental installations and outdoor concert spots. Artists from around the world have contributed works to the permanent public art collection here, from an abstract Albert Paley sculpture to gleaming cattails constructed from salvaged steel to a large-scale wooden troll smiling down at passersby on Trollstigen Trail. Observe artists at work during open studio hours and get inspired to explore your own self-expression.

Dine

AURUM

Named for the town’s gold mining origins, Aurum is Latin for “gold,” and the restaurant shines with the most sophisticated contemporary American fare in town. The dining room feels like a cozy home, and locals have voted the eatery Breckenridge’s best for both its conviviality and its cuisine. Happy hour out on the patio begins with bacon fat fries and crispy curried cauliflower washed down with a pint of local beer. Choose between the chef’s rotating housemade pasta, seared duck breast with savory bread pudding, and Rocky Mountain trout with red wine syrup for dinner. The chefs here are always coming up with fun new riffs on familiar classics, serving hearty yet elegant plates befitting an active mountain lifestyle. Amiable servers, meanwhile, cheerfully offer invaluable local recommendations. As the evening winds down, nurse a smoked orange old-fashioned at the bar while making new friends and planning tomorrow’s adventures.

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TOUR

BURLINGTON THIS MAY BE THE LARGEST CITY IN VERMONT,

but it’s still on the small side, with just 43,000 residents nestled between the mountains and majestic Lake Champlain. Locals love nature and tend to be impressively active. In 2015, Burlington became the first city in the country to use 100% renewable energy for residential electricity. Stroll through the new City Hall Park and explore the charming boutiques, restaurants and galleries at Church Street Marketplace. –A . G .

Dine

HONEY ROAD

For a small town, Burlington’s dining scene punches above its weight, showcasing an array of global cuisine. Chef Cara Chigazola Tobin’s Mediterranean and Middle Eastern flavors at Honey Road in the heart of downtown are the perfect example. And she’s been recognized for it: Tobin has been a James Beard semifinalist for Best Chef: Northeast three years running. Begin by sharing fresh pita dipped in hummus, muhammara and baba ghanouj while deciding between the colorful mezze. Vegetarians will find plenty to love, including spanakopita, charred cauliflower, fluffy falafel with mixed greens, and spicy strawberry mango salad sprinkled with cashew dukka. It’s rare to find restaurant fare that’s so intensely flavorful yet light and nutritious. For carnivores, lamb shawarma and sweet harissa chicken wings are sure to satisfy. Whatever you order, save room for dessert. The baklava and tahini chocolate chip cookies are heavenly when served with a scoop of impossibly creamy tahini ice cream.

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Shop

COMMON DEER

PHOTOGRAPHY PROVIDED BY HONEY ROAD, COMMON DEER AND HOTEL VERMONT

The mother-daughter team at Common Deer has curated an extraordinary collection of artwork, pottery, jewelry, toiletries, home decor and artisan fare from 300+ makers from across the United States, with a special emphasis on Vermont creatives. Sharon and Sarah Beal believe strongly in American-made wares, and their store is a patriotic endeavor with a mission to support socially conscious U.S. manufacturing and minimize the carbon footprint of shopping. There’s careful thought, love and meaning behind every piece. The temptation to go on a souvenir shopping spree is real, and Common Deer can be overwhelming — in a good way. The Beals have personal connections with their vendors and will happily tell their stories while helping customers find the perfect gift. New items are added daily, from salvaged leather and cotton totes to hand-poured candles in beautiful ceramic vessels. These objects most certainly spark joy.

Stay

HOTEL VERMONT

Locally designed and developed, Hotel Vermont is the first independent hotel in Burlington, with modern yet rustic decor. The LEED-certified property has 125 rooms, all furnished with locally made touches from artwork to blankets to bath amenities by Lunaroma. The bedtime menu even includes Vermont Flannel pajamas and Vermont Teddy Bear goods. In lieu of individual coffee makers in guest rooms, there’s a communal pantry on each floor for coffee and eco-conscious snacks. Complimentary bicycles are available for guests to rent in spring, summer and fall, perfect for exploring the quaint town and the trails along the shoreline of Lake Champlain. In winter, the bikes are replaced with handcrafted snowshoes from the Boutin family. Juniper Bar & Restaurant serves light bites and Vermont craft beers throughout the day, while Hen of the Wood offers more sophisticated dishes like dayboat cod with braised leeks and fennel.

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TOUR

SANTA FE THE OLDEST CAPITAL IN THE UNITED STATES WAS

settled by Spanish conquistadors in 1610, and artists first started migrating here in the late 1800s for the romantic desert landscape. Today, the New Mexico city boasts one of the largest art markets in America and the nation’s first UNESCO Creative City designation. Meander the half-mile stretch of galleries along Canyon Road to find the perfect piece of contemporary or traditional art to take home. –A . G .

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Stay

ROSEWOOD INN OF THE ANASAZI

All 57 guest rooms and the Anasazi Suite have authentic kiva fireplaces and are decorated with hand-woven rugs and textiles set against a white adobe backdrop, blending Native American and Hispanic influences for an elegant ambiance. Located just a block from the historic Santa Fe Plaza, the pueblostyle property is within easy walking distance of many of the city’s best shops and museums. Service here is polished and professional. Try a mezcal or tequila tasting from the bar before dinner at Anasazi Restaurant. The green chili cheeseburger with chipotle mayonnaise is a favorite, but the kitchen also excels at preparing game meats like bison and elk. And there’s a lovely patio open May through October for alfresco dining.


Do

GEORGIA O’KEEFFE MUSEUM

PHOTOGRAPHY PROVIDED BY ROSEWOOD INN OF THE ANASAZI, TONY VACCARO AND SAZÓN

Wisconsin native Georgia O’Keeffe first visited Santa Fe in 1917 and was captivated by the beauty of the stark desert and vast skies. These Southwestern influences inspired her work throughout her career as she rose to become one of the most respected artists of the 20th century. Her iconic landscapes and abstract flowers helped define American Modernism, and few female artists can rival her success. New Mexico was O’Keeffe’s home, so it’s only fitting that this Santa Fe museum honors her legacy with a collection of nearly 150 paintings and drawings along with personal artifacts, documents and photographs that tell her story. Although it’s the largest collection of the artist’s work in the world, the galleries are small, so an hour is sufficient time to enjoy. Art aficionados can also visit O’Keeffe’s Abiquiú home and studio some 60 miles north of Santa Fe.

Dine

SAZÓN

At Sazón, there’s no bread service. Instead, diners begin their meal with a tasting of chef Fernando Olea’s famous sweet and savory moles accompanied by warm corn tortillas. Olea may not be classically trained, but Sazón is without a doubt the premier fine dining Mexican restaurant in town. Ingredients like huitlacoche and chapulines are decided authentic, while signature dishes like sopa de amor — creamy roasted poblano soup with generous nuggets of blue crab, crunchy bacon, and cold amaretto foam — are one-of-a-kind. Dozens of Frida Kahlo portraits gaze down from the walls with approval. Originally from Mexico City, Olea has been cooking in Santa Fe for 30 years. He navigates the dining room each night in his cowboy hat like he’s hosting a grand dinner party. He even created a signature red mole for Santa Fe’s 400th birthday back in 2009 using native red Chimayó chilis, pecans and apricots.

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FEATURE

PHOTOGRAPHY BY PETER WHITE

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A global pandemic. Social upheaval. Political turmoil. 2020 has ripped up the rule book, and the impact on the fashion industry has been colossal. But what’s next — and will we still be wearing sweatpants? BY L AU R A A N TO N I A J O R DA N I L L U S T R AT I O N B Y M A X W E L L B U R N S T E I N

ON THE SURFACE, FASHION MOVES FAST. WHAT’S HOT ONE MOMENT BECOMES DISTINCTLY NOT IN

the click of a heel. But 2020, the year that saw the word “unprecedented” dominate our shared lexicon, has made the industry’s normal pace look positively glacial. As the coronavirus battered the globe and protests swept it, the fashion world’s clunkiest, creakiest mechanics were left exposed. And when the world ground to a halt, this $2-trillion industry had to move at lightning speed to adapt. Change that could have taken years happened in mere weeks. It wasn’t easy, but it was completely necessary, as business as usual hadn’t been working for a long time. At the glitziest public-facing end of the spectrum, the changes have been obvious. For months, there were no red carpets for luxury houses to show off their wares on sparkling starlets. Glossy, mega-production magazine shoots were replaced with impromptu Zoom sessions. And fashion weeks? Largely canceled or looking inconceivably different as designers scrambled to find new ways to show their collections. We have experienced the changes intimately as well. Behind closed doors, our attitude about getting dressed — that is, for those of us still choosing to do that — has also shifted. With nowhere to show them off, hype buys felt irrelevant. Most of us found more pleasure in the reassuring comfort of a pair of joggers. Indeed, there is something liberating about seeing the currency of cool plummeting, usurped by a more individual, authentic approach to fashion. The irony is that as our world has gotten smaller, our style prospects have become bigger than ever. What do we care if something is in or out? We are getting to know our tastes on our own accord and reconsidering what want and need actually mean. Perhaps the biggest, most galvanizing gear change, however, has been a cultural one. This period of turmoil has encouraged all of us, from the casual Instagrammer to the multi-billion-dollar brand, to have a voice. We are no longer comfortable sitting back and shutting up, and instead are choosing to align ourselves with the designers and companies that are ushering in a positive era of inclusivity and unity. Turning a blind eye is something that’s now definitely out. And in being exposed, the fashion industry has an opportunity to come back bigger, better and brighter than ever. So just how will 2020 shape the future of fashion? What will it mean for our clothes and closets? And where do we go from here?

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PHOTOGRAPHY PROVIDED BY STUDIO FIRMA

New in! Just landed! Shop now! For too long, fashion’s churning out of stuff has been relentless. Even the most fervent shopper could feel fatigued by it all. But it’s not just consumers feeling the burn. Designers have also been tussling with the moral conundrums posed by more, more, more culture, with some of them showing collections up to six times a year. Now, however, there’s an evolution afoot: Enter the era of the slowdown. The early signs of a change in pace came back in May when Gucci released a statement from Creative Director Alessandro Michele, one of fashion’s most influential tastemakers. “I will abandon the worn-out ritual of seasonalities and shows to regain a new cadence, closer to my expressive call,” he wrote, pledging to show just twice a year in “irregular, joyful and absolutely free chapters, which will be written blending rules and genres.” That same month, the Council of Fashion Designers of America and British Fashion Council issued a joint call for “brands, designers and retailers, who are used to fashion’s fast, unforgiving pace, to slow down.” Echoing this was a group of heavy hitters who signed an open letter, spearheaded by Dries Van Noten, proposing that the current sales seasons move so that clothes are available in the actual season they are intended to be worn. This, they argued, would prevent wasted stock and unnecessary discounting (nobody is buying a puffer jacket in June). So what does this mean for the consumer? It’s unlikely to spell the end for trends, but there should be less urgency in how they are impressed upon us. “The common thread I’ve seen with each new collection during this turbulent time is a designer homing in on a brand’s existing strengths and giving the client an update on what she already knows, then recontextualizing those pieces for the new normal,” says Moda Operandi Fashion Director Lisa Aiken. If this year has taught us anything, it’s that there is a distinction, often blurred, between the things we want and the things we actually need. Our appetite to shop will remain, but we will be thinking more and buying less. Tellingly, at MatchesFashion.com, heirloom pieces like watches, jewelry and heritage handbags all performed well during quarantine. In short, it’s out with quick-fix flings and in with long-term commitments — at least that’s the hope.


PHOTOGRAPHY BY VICTOR VIRGILE

Despite being an industry brimming with forward thinkers, the image fashion has often perpetuated is shockingly one-note: thin, young, white. Implementing change has been grindingly slow. And even when tokenistic optics suggested things were moving, behind the scenes, the power players were still usually white men. But 2020 is rewiring the system. Following the killing of George Floyd and the ensuing Black Lives Matter protests, fashion’s murkiest corners have been exposed. “What makes this moment different is that a mirror has been held up to the fashion industry’s status quo in such a visceral way that it’s hard to deny, look away, remain complicit or indifferent,” explains Henrietta Gallina, cohost of The Conversations podcast. Now, action over outrage is essential. Posting a black square on Instagram or pledging to “do better” without actually doing anything won’t cut it. “It’s no longer an option to sit on the sidelines and stay quiet,” says Vogue Senior Fashion News Writer Emily Farra. “Consumers want to shop brands whose values align with theirs. Ultimately, I think it will make fashion a more grounded and culturally relevant industry.” Torn up by the knowledge that 40% of Black business owners and entrepreneurs wouldn’t make it amid the pandemic, Aurora James, the designer behind Brother Vellies, decided to do something about it. So she launched her 15 Percent Pledge, urging major retailers to allocate 15% of their shelf space to Blackowned businesses. “What started out as an Instagram post is now a fully functioning nonprofit,” she explains. Indeed, a complete rethink is imperative. Going forward, the idea of only working with white or sample-sized models will feel wrong. And inclusivity must also translate to clothing itself, from barrier-breaking genderless fashion to increased size and adaptive offerings. We need to get to a point where diversity is not a novelty, but just the way things are. James hopes that the industry becomes more thoughtful about everything from how it treats its own people to the image it puts out. “A lot of it has been rooted in trying to make women feel less than,” she says. “I think we should try to focus instead on having women feel like the best versions of themselves. This is what meaningful change can look like.”

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PHOTOGRAPHY BY DOMINIK BINDL

From a social perspective, 2020 will go down in history as the Year That Never Happened. Glamour was put on ice, with vertiginous heels, twinkly handbags and date-night dresses left to stagnate in wardrobes. Why bother dressing up when there’s nowhere to go? But times of turbulence have historically ushered in a new approach to style. After the First World War came the flapper; after the Second World War, the New Look. And it was after the 2008 financial crash that palettecleansing minimalism, championed by Celine’s Phoebe Philo, took hold. So what, then, after 2020? Certainly the desire to put on proper clothes again, for the sheer delight of it, is palpable. There can be something radical about frivolity. And the fantasy of glamour feels more urgent than ever right now. “Being able to dress up and wear certain fabrics allows me to dream,” says Oscar de la Renta Creative Director Laura Kim. “Even on a bad day, the perfect outfit makes you feel your best and can help you get through the day.” At Erdem, the London-based label whose heart-flutteringly romantic creations have wooed everyone from Nicole Kidman to Kate Middleton, the “really special” pieces have been selling well online — even during the gloomiest of times. “I’ve wondered where clients will wear what they bought; they must be planning for the future,” muses designer Erdem Moralioglu. “There is a desire to move on from this crisis. Clothes are a form of selfexpression, and dressing for a new chapter is a wonderful thing.” You could see the green shoots of this desire in the glitzy earrings and red lipstick some donned for Zoom calls in recent months. Even face masks, currently the only accessory that actually deserves the “musthave” descriptor, have evolved from purely functional to utterly fashionable. As Moda Operandi’s Aiken puts it, “The joy of dressing up hasn’t faded away; we’re simply redefining what that means.” Now, the essence of true glamour is to dress exclusively for yourself. “I see a grounding with women’s style toward something done for personal pleasure and not to show off to anyone but themselves,” says La Double J founder JJ Martin, a fan of exuberantly printed dresses. Whoever we dress for, what’s certain is that the red carpets will be rolled out again, galas rescheduled, new hot spots opened. And when they do, we will relish the opportunity not just to get dressed, but to get dressed up.


PHOTOGRAPHY BY PASCAL LE SEGRETAIN

At Milan Fashion Week in February, drama rippled among the attendant editors as news spread that Giorgio Armani was canceling his fall/winter 2020 show due to the escalating coronavirus crisis. As it turned out, the show did happen, but the models walked in an empty theater — no press, no celebrities, no front row. This set the scene for a year of fashion shows like no other, with the physical runways for menswear, couture and resort migrating to digital presentations to accommodate the rigorous rules of the new normal. But true to form, designers have used this opportunity to flex their creativity. Loewe’s Jonathan Anderson opted for a Show in a Box: Editors were sent a linen file box containing paper dolls, fabric swatches, a vinyl soundtrack and more (“Fashion should be a little more humble and a little quieter,” he told the Washington Post’s Robin Givhan). Prada’s Show That Never Happened was a series of films from the likes of Juergen Teller. And Olivier Rousteing took his #BalmainArmy on a boat down the Seine for couture, live streaming it on TikTok. There are undeniable benefits to a virtual presentation. There is something democratic about anyone, anywhere being able to watch a Dior show from their phone or laptop — no invite needed, just a Wi-Fi connection. This opening of doors allows fashion houses to connect directly with their customers. Nobody can afford to be snooty right now. It’s also helped reframe the vocabulary around collections. Rather than simply highlighting the end result, designers like Hermès and Maison Margiela have used this opportunity to showcase their process. And at a time when we have all learned the joy of using our hands more (see Stage 1 quarantine obsession: bread making), it feels particularly prescient. The other advantage to showing this way is that it addresses the questions many were already posing about the costs — economic, environmental and otherwise — of the standard fashion show format. So will we even return to the physical runway? Of course. There is an alchemical magic that occurs at the best shows. Some designers have already reverted to the reallife experience, albeit socially distanced. In July, for Jacquemus’ spring/summer 2021 presentation, models weaved their way through the bucolic dreamscape of a French wheat field in insouciant tailoring and white dresses that fluttered in the breeze. It was Instagram catnip and a reminder that it is a privilege to witness a designer’s vision come to life in a moment of theater. One thing’s for sure: Whatever form they take, the shows will go on.

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PHOTOGRAPHY BY ANNE-CHRISTINE POUJOULAT

The rallying cry for fashion to be more sustainable has been gathering momentum for some time. But will a year that has forced us all to reassess and recalibrate finally mark a tipping point for the conscious, ethical agenda? There certainly seems to be an appetite for it. “I can’t remember a time when we’ve seen such large-scale shifts in the collective consciousness,” explains William Defebaugh, editor-in-chief of climate and culture magazine Atmos (the very existence of this publication proves how interested we are). “With this pandemic, the world sent a message loud and clear: Our lifestyles are not sustainable. People are ready for change.” Many designers will be thinking more about the kind of industry they want to contribute to. “COVID-19 has highlighted how imperative supply chain transparency is,” explains designer Maggie Hewitt of Maggie Marilyn. “Many businesses didn’t realize how fragmented their global supply chains were until countries started going into lockdown and production delays started like a domino effect. Localizing supply chains will be important moving forward, not only in minimizing clothing’s carbon footprint but for brands to be more involved in their local farming and manufacturing communities. Our collective vision should be for a healthy planet, empowered people and an economy that puts these things first.” As consumers, we’ll begin to think more about where our clothes come from and who makes them, engaging in dialogues with the brands we shop. “There is still much work that needs to be done, but we’re certainly becoming more aware than even a year ago,” says Maxine Bédat, founder and director of the New Standard Institute, which seeks to accelerate sustainability efforts in the fashion industry. “The next stage for organizations like ours is to ensure that awareness translates to action.” Then there’s this undeniable fact: The most sustainable act we can do is not shop at all — or at least not shop new. Which is why rental, resale and vintage are thriving. And even A-listers are getting in on the action, like Jennifer Aniston, who donned vintage John Galliano Dior couture at January’s SAG Awards, and Princess Beatrice, who for her July wedding opted for a repurposed 50-year-old Norman Hartnell dress once worn by Queen Elizabeth. In a fascinating twist, these felt like very modern choices. “Oh, this old thing?” might soon become the ultimate fashion brag.


PHOTOGRAPHY PROVIDED BY COLD LAUNDRY

“Sweatpants are a sign of defeat,” the legendary Karl Lagerfeld once acerbically quipped. “You lost control of your life, so you bought some sweatpants.” Harsh, but you can see where he was coming from. In their slobbiest iterations (rather than the luxe wear-with-heels designer versions), they were the calling card of the hungover, the disorganized and the just-can’t-be-bothered. To be kind, unless you were a specific type of tech bro, you probably wouldn’t show up to the office in them. In Los Angeles recently, the motherland of casual, designer Tyler Ellis was wearing a button-down shirt, jeans and sandals. She ran into a friend who “looked at my outfit with sheer bewilderment as if I was wearing a ball gown! We soon came to the realization that we had worn nothing but yoga pants and T-shirts for the past few months.” They’re not alone. Our attitude toward athleisure (which pre-pandemic was starting to lose its luster) has radically changed. As our sprawling lives were swiftly shoved into the confines of our homes, sweatpants became less a sign of giving up and more one of leaning into a new reality. With home becoming HQ for work, play and, well, everything, our outlook on getting dressed — and in some instances not getting dressed — loosened. Suddenly, we craved the comfort and practicality of leggings, baggy layers and zero makeup (bra optional). According to global fashion search platform Lyst, as cities around the world went into lockdown, what we wanted to wear changed course. In the period from April to June, global demand for leggings increased by 72% over the same time frame in 2019, while joggers and sweatpants saw a striking 167% increase. In the second quarter of 2020, for the first time, a non-luxury brand — Nike — topped Lyst’s hottest brands index. And Birkenstocks were the top women’s product. As we tentatively return to some semblance of real life, it seems unlikely we will be willing to let go of this newfound appreciation for comfort. Who is hungry to get back into severe suiting when we know we are capable of getting things done in pieces that swaddle rather than restrict? We have found unexpected energy in clothes that work with us rather than against us, and we won’t be going back in a hurry.

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PHOTOGRAPHY PROVIDED BY GANNI

Anyone in need of a quick dopamine hit would be smart to look at Marc Jacobs’ personal Instagram (@themarcjacobs). On it, the designer chronicles his glorious, unapologetically camp, fashion-with-acapital-F get-ups, from leopard print Celine to towering Rick Owens platforms. His favorite hashtag? #GratefulNotHateful. It would make a great pick-me-up motto for 2020, too. In the face of global suffering, fashion has a new feeling of togetherness. Houses like Bottega Veneta and Jimmy Choo have created content programs that foster a sense of community among their customers rather than just going for the hard sell. And you could see the power of unity in the way brands both large and small banded together to launch charitable initiatives and make meaningful pivots. LVMH, for instance, started producing hand sanitizer in its perfume factories, while Kerby JeanRaymond transformed his Pyer Moss HQ into a donation center for masks and gloves. Consider too how labels have used this time to show off the work of their in-house teams rather than simply bolstering the egos of superstar creative directors. Gucci’s 12-hour live-streamed Epilogue collection, for example, starred the house’s own designers. Community truly starts from within. A brand that was already harnessing the power of teamwork pre-pandemic is Danish fashion house Ganni, which fosters a feeling of community on Instagram with its #GanniGirls hashtag. At its fall/winter 2020 show in Copenhagen in January, the brand posed the following question: What will the 2020s bring? (Answer: If only we’d known!) The designer partnered with 20 female artists to create exclusive products for its pop-ups. And it’s more than just a cynical marketing ploy. For Creative Director Ditte Reffstrup, it simply makes sense. “Here in Copenhagen, the people and brands we’ve grown up with have always felt like family,” she explains. “It’s a small place, so everyone has each other’s back. I think that the rest of the industry is starting to catch on. People are realizing that we can all learn together and help each other out. We’ve got to rethink business as usual.” There is an under-appreciated power in kindness. In many ways, it is the common thrust that unites all the changes now swelling in the fashion industry. Perhaps, if there is one optimistic lesson to take away from 2020 it could be that, ultimately, there is only one way forward: together.


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PRESIDENT’S MESSAGE Now Is a Good Time to Sell Your Home Fall is the new spring! While the pandemic and lockdowns derailed the traditionally busy spring market, home sales have rebounded the past few months and remain strong. Fueled by pent-up demand and low inventory, many buyers are eager to make up for lost time, making it an ideal time to sell your home. Here are a few reasons why this fall is a good time to list your home. •

Mortgage purchase applications rose steadily over the summer, signaling that home sales will continue climbing this year.

Record-low mortgage interest rates are spurring more people to shop for a home so they can reduce their monthly mortgage payments.

With fewer houses for sale, the market has become highly competitive, resulting in more full-price and multiple offers as well as a jump in home prices.

As more people work remotely and generally spend more time at home, many are realizing the dining table is no longer the best place to work and they need more space to accommodate their new lifestyle.

Some people who have shifted to permanently working at home are deciding to move to where they really want to live since they can now work from anywhere.

Buyers will find a vast selection of homes for sale in this issue’s fall Property Gallery. In addition, our property spotlight marketing plan enables agents to use a plethora of unsurpassed tools to reach buyers to successfully sell homes for top dollar. If you’re interested in selling or buying a home, contact a local Coldwell Banker agent today to schedule a virtual or socially distanced in-person appointment, or visit ColdwellBankerHomes.com.

Matt Baker President Minnesota and Western Wisconsin Coldwell Banker Realty

The property information herein is derived from various sources that may include, but not be limited to county records and the Multiple Listing Service, and it may include approximations. Although the information is believed to be accurate, it is not warranted and you should not rely upon it without personal verification. Affiliated real estate agents are independent contractor sales associates, not employees. ©2020 Coldwell Banker. All Rights Reserved. Coldwell Banker and the Coldwell Banker logos are trademarks of Coldwell Banker Real Estate LLC. The Coldwell Banker® System is comprised of company owned offices which are owned by a subsidiary of Realogy Brokerage Group LLC and franchised offices which are independently owned and operated. The Coldwell Banker System fully supports the principles of the Fair Housing Act and the Equal Opportunity Act.


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This custom-built home by Choice Wood sits on one of the largest lots in Country Club. The perfect blend of old-world craftsmanship with today's modern amenities & design. As you explore the home, you'll notice the attention to detail, luxury amenities, sport court, movie theatre, and multi-generational living spaces.

This custom-built walkout rambler in North Oaks features main floor living like no other. With over 5,500 finished square feet of living space on the main floor, you’ll love the generous spaces and attention to detail that this home has to offer. High-end finishes throughout include walnut custom cabinetry, marble flooring and more.

805 4TH STREET WEST | RED WING 6 BR 4 BA | PRICE UPON REQUEST

266 SUMMIT AVENUE | SAINT PAUL 8 BR 12 BA | $1,695,000

Welcome home to the magnificent Sheldon mansion in Red Wing. This historic Italianate looking home features a third-floor tower, carriage home, and architectural details throughout. Home features original built-in shutters, brick exterior & several porches. Recently renovated to include old world charm along with today’s modern amenities.

This magnificent 1884 Queen Anne mansion is rich in architectural details and includes hand-carved marble and wood fireplaces and is one of 12 homes on Summit Avenue to include bluff views of the city and beyond. This home has the elegance of days gone by along with modern amenities that make for easy living.

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KRISTA WOLTER

612.247.5106 Krista@KristaWolter.com kristawolter.com

HILL FARM CIRCLE | NORTH OAKS 5 BR 5 BA | $795,000

225 QUAIL STREET | MAHTOMEDI 4 BR 3 BA | $795,000

Traditional two-story in a convenient location near the historic Hill Farm & Pleasant Lake. Home features an open floor plan with a newer gourmet kitchen by Michels Construction, 4 season porch, and updated main floor master suite.

A unique opportunity in the heart of Mahtomedi. The award-winning Hagstrom Builder is offering custom built villas, each secluded on nearly half an acre with private views and architectural details throughout. Taking lot reservations now!

LAWTON LANE | NORTH OAKS 4 BR 4 BA | $995,000

13001 TWILIGHT ROAD | ONAMIA 4 BR 3 BA | $1,295,000

Casual elegance throughout this one story walkout. This home features a spacious main floor master suite, custom built-in cabinetry, a hearth room/library, family room off of the kitchen, and private views of nature out every window.

Historic Perfection on Lake Mille Lacs. Just an hour and a half from the Twin Cities. This historic home sits on 1.76 acres on Twilight Road. Original stone exterior, fireplaces, flooring, and beams. Enjoy 400’ of landscaped lakeshore frontage.

5251 HODGSON ROAD | SHOREVIEW 5 BR 3 BA | $1,495,000

5290 BALD EAGLE BOULEVARD E | WHITE BEAR LAKE 4 BR 3 BA | $1,795,000

Enjoy lakeshore living with 132’ on Turtle Lake with spectacular sunset views. This midcentury modern rambler features three bedrooms on the main floor, large addition by Anderson Sorenson, and a spacious, open floor plan.

A once in a lifetime opportunity to own this Artisan home situated on Bald Eagle Lake with over 2.2 Million into it. Take in the lake views from the various decks. A love of music led to the concept of 'dancing walls' under the curved wood ceiling.

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SHARLA STAFFORD 612.282.6895 skstafford@cbburnet.com StaffordFamilyRealtors.com

ERIC STAFFORD

952.221.7751 edstafford@cbburnet.com StaffordFamilyRealtors.com

8656 SHERWOOD BLUFF | EDEN PRAIRIE 5 BR 8 BA | $1,500,000 A lovely blend of tradition, elegance, beauty and character. Remodeled and superbly appointed with high end finishes and well-proportioned spaces. Well designed, the main floor offers a spacious kitchen, two home offices, a sun filled four season porch and airy family room with wall of fixed French doors. Upstairs, you'll find a serene, remodeled Master Suite with dressing room and bathroom with spa finishes as well as three additional bedroom suites. The lower level is built to enjoy and includes a Pub-style bar with Billiards room. Nestled on a private, cul-de-sac lot with mature trees, this is a gracious home to live in and enjoy and one of the finest homes you'll find in Bearpath.

8425 KELZER POND DRIVE | VICTORIA 5 BR 5 BA | $1,250,000 A perfect blend of skilled craftsmanship and cottage-style character & charm, this beautiful home was built by Konen Homes and offers unparalleled living spaces indoors and out! Well-designed, the floor plan features a gourmet kitchen with high-end amenities, a sun filled family room, a home office, flex room and a screen porch with fireplace overlooking the private backyard. The upper level includes an impressive Master Suite with a bathroom that rivals any spa. Vacation at home in your backyard, professionally landscaped with a heated in-ground pool, stamped concrete patios, fire pit and gorgeous waterfalls. Surrounded by matures trees you'll enjoy this private setting all year long.

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ELLEN DEHAVEN

612.817.5555 edehaven@cbburnet.com EllenDeHaven.com

2825 LITTLE ORCHARD WAY | ORONO 4 BR 10 BA | $9,750,000 World-class European-inspired estate with 360 feet of lakeshore on 5+ private acres. Unparalleled amenities and craftsmanship abound, including a 3-hole golf course, lakeside guesthouse, apartment, theater, wine cave and more. A once-in-a-lifetime opportunity.

20760 LINWOOD ROAD | DEEPHAVEN 5 BR 6 BA | $8,295,000 Unparalleled, Nantucket inspired lakeshore home in Cottagewood. Located on one of the most sought-after level west facing sandy beaches on all of Lake Minnetonka. This amazing property offers an unmatched opportunity to move right in. This is truly a generational opportunity to own one of the best homes on the lake.

2560 CEDAR RIDGE ROAD | WOODLAND 9 BR 6 BA | $4,995,000 Classic home that can be remodeled or a perfect site to rebuild. Both the elevated and level lakeshore enjoys sunsets and lights from Wayzata. Watch the sail boats glide by and note that this is one of the highest elevations in the area so this enhances the views and light in every direction. This is a magical opportunity.

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MIKE STEADMAN

612.296.0900 mbsteadman@cbburnet.com mikesteadman.com

1900 LAKESIDE TRAIL | ORONO 3 BR 4 BA | $2,355,374 Only 4 homesites remain in Willow Bay Sanctuary. 1 Lake Lot with 200 ft of lakefront. Lot Pricing from $650,000-$1,350,000. Sewer and water available, Orono Schools and open to all builders. Rendering is a to-be-built package by Wooddale Builders. Located on Lot 2. For more information or to go walk the available lots, contact Mike Steadman.

1250 PHILLIPS DRIVE | MEDINA 6 BR 6 BA | $2,295,000 Built by Stonewood, this 6 bedroom custom home offers incredible attention to detail, main level living and eucalyptus woodwork. This 5.8 acre setting exudes privacy while maintaining a neighborhood feel in premier Orono School District. Plenty of room for entertaining with additional spaces to enjoy by the pool, oversized sport court and sun room. 4 car attached and 3 car detached heated garages. Better than new construction!

18696 MELROSE CHASE | EDEN PRAIRIE 4 BR 4 BA | $1,995,000 Stunning new construction by Wooddale Builders on the last buildable lot in Bearpath Country Club. The home sits on the 12th hole with gorgeous fairway views. Main-level living with an additional 3 bedrooms in the walkout lower level. Beautiful finishes and details throughout the home. The kitchen is a true chef's kitchen with high-end appliances. Must see the three-season porch with changeable phantom screens. See agent for more details.

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George W. Stickney Kevin Stickney 952.476.3694 gstickney@cbburnet.com

952.250.2015 kwstickney@cbburnet.com

David Stickney

Jacob stickney

952.250.0122 djstickney@cbburnet.com

952.250.1267 jmstickney@cbburnet.com

240 MINNETONKA AVENUE S #302 | WAYZATA 3 BR 3 BA | $2,395,000

240 MINNETONKA AVENUE S #304 | WAYZATA 2 BR 3 BA | $1,975,000

Stunning high-end corner unit at Garrison Landing located in the heart of downtown Wayzata. Expansive open concept filled with light and bright spaces and loaded with upgrades. Enjoy maintenance-free living and great walkability in Wayzata.

Exquisite residence in downtown Wayzata’s premier condominium development, Garrison Landing. Impeccably designed and tastefully finished corner unit showcasing a spacious layout ideal for entertaining. Walk to all that downtown Wayzata has to offer and just one block from Lake Minnetonka.

1800 SHORELINE DRIVE | ORONO $1,565,000

775 LAKEVIEW PARKWAY | ORONO 5 BR 5 BA | $1,250,000

Spectacular estate building site on 3 private acres with sweeping south-facing views of Lake Minnetonka. Ideal close-in location. Open to all builders. Dock included.

Captivating two-story home by Norton Homes on 2.19 acres in the Lakeview neighborhood. This model home features custom details with an impressive great room, gourmet kitchen loaded with amenities and an open floor plan. Additional homes and building sites available.

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PAT MCGRATH

651.485.4850 pmcgrath@cbburnet.com patmcgrathhomes.com

7660 N FIELD RIDGE ROAD | GRANT | $1,995,000

7 S LONG LAKE TRAIL | NORTH OAKS | $1,500,000

Spectacular French country home with 300+ feet of westerly facing shoreline on fully recreational Pine Tree Lake. Private 2.5 acre setting just minutes from historic downtown White Bear Lake. Sell the cabin, move here.

Tranquil acreage setting less than 30 minutes to either Minneapolis or St. Paul. Architecturally designed to take advantage of long natural views. Open floor plan with spectacular windows and lighting. Additional 3 acre lot available.

590 WOODLAND DRIVE | MAHTOMEDI | $1,375,000

12260 HEATHER AVENUE N | HUGO | $950,000

Amazing home in the heart of Mahtomedi. Shows like new and is loaded with architectural detail. Manicured grounds, chefs kitchen, baths for each bedroom, exercise room, home theater, and so much more. You’ll love the wine room and spa-inspired master bath.

Timeless classic built by Wooddale on 5 acres in the Mahtomedi School district. Plenty of space for the big family with main floor master and 4 more bedrooms up. Awesome entertaining spaces, media and exercise rooms. Gorgeous wildlife views from every room.

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KRISTI WEINSTOCK 612.309.8332 kdweinstock@cbburnet.com theweinstockgroup.com

19340 PARK AVENUE | DEEPHAVEN 5 BR 4 BA | $1,985,000

3935 HILLCREST WAY | DEEPHAVEN 3 BR 4 BA | $920,000

Enjoy the Lake Minnetonka lifestyle in this 2016 custom built home. High-end fit & finish with an open floor plan & gourmet kitchen. Gorgeous views of Saint Louis Bay from the sun porch, deck, outdoor kitchen, master suite balcony & great room. Gated lake & beach access through the backyard. City boat slip upon availability.

Deephaven gem located on a private wooded and landscaped lot. Spacious owner suite with a bonus flex room. Open layout with a charming kitchen and family room area with a fireplace and screened in porch. Secluded backyard oasis with pool & pool house. Near the LRT trail. Easily converted to a four bedroom home.

6560 BAYVIEW DRIVE | VICTORIA 4 BR 5 BA | $859,000

5375 BARRINGTON WAY | SHOREWOOD 3 BR 3 BA | $705,000

Wonderfully designed custom home on 1.5 acres. Access to a day dock & swim area on Smithtown Bay through the HOA. Relax in the four-season sun room with treehouse & pond views. Features include recent updates, two decks, a butler’s pantry, three fireplaces & built-in storage in the 3 car garage. MTKA Schools, Minnewashta Elementary & MMW.

Tastefully appointed main level living townhome with immaculate attention to detail. Open floor plan, 10-foot ceilings, vaulted great room with a stone fireplace. Open gourmet kitchen, lower level wet bar area, amusement, exercise room & movie area. Enjoy the backyard & screened porch with gas fireplace. Walk to Excelsior & the LRT Trail!

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JOHN MCWHITE

612.805.1577 jkmcwhite@cbburnet.com johnmcwhite.com

6021 SAXONY ROAD | EDINA 5 BR 5 BA | $1,899,000

4517 WOODDALE AVENUE | EDINA 4 BR 4 BA | $1,075,000

New construction with "Traditions by Donnay" in Parkwood Knolls. Classic 2 story on close to a 1/2 acre walk-out lot. 5 bedrooms, 5 baths and 5,202 finished sq. ft. with very high end finishes. Amenities include; exercise room, 4 bedrooms on one floor, 2nd floor laundry, full bar and a 3 car garage.

Charming, updated tudor in the demand Country Club neighborhood of Edina. Fabulous master bedroom addition with full bath and two walk-in closets. Open main level with new kitchen, living room, separate dining room and family room. Flat backyard with paver patio. Four bedrooms, four baths and 3,412 finished sq. ft. Walk to 50th & France.

8751 BIG WOODS LANE | EDEN PRAIRIE 4 BR 4 BA | $725,000

6412 ROLF AVENUE | EDINA 4 BR 2 BA | $675,000

This walk-out rambler is situated on a seasonal pond with wooded views, which allows a lot of privacy. Located in the high demand, Big Woods n'hood this home has a very open floor plan, which is great for entertaining. 4 beds, 4 baths, 5,170 finished sq. ft. & a 3 car garage.

This rambler has been completely remodeled and is located on a dead end street with a nice and flat backyard. Very open floor plan with spacious kitchen, which is great for entertaining. Custom cabinets, huge center island, spacious baths, mud room, lower level finished with a family room, 2 bedrooms and ž bath.

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SHARON O'FLANNIGAN 651.430.7759 soflannigan@cbburnet.com oflannigan.com

82830 STATE HWY 13 | LAKE SUPERIOR 4 BR 4 BA | $2,450,000

XXXX 208TH AVENUE | ST. CROIX RIVER $2,390,000

Stunning six acre setting with 700 ft of Lake Superior shoreline. Three homes are included with three garages and a buildable lot. Property is without equal with a natural creek flowing through creating a natural waterfall and natural stone grotto. Can accommodate 12 - 26 guests. Family compound or corporate retreat.

This may be the last large acreage site on the federally protected St. Croix River. 315+ acres with 1,350+ ft. of frontage near Somerset, WI. Land is a combination of open prairie, woodland and river bluff, surrounded on 3 sides by WI DNR land for continued protection and privacy.

7959 QUADRANT AVENUE S | ST. CROIX RIVER 4 BR 6 BA | $2,236,000

64265 FR 425 | FINGER LAKE 5 BR 3 BA | $1,999,999

An estate setting of 17 acres enhances this stunning home overlooking the St. Croix River with 500 ft. of privately owned river frontage with a dock. Architecturally designed the home features quality materials and finishing detail to create a warm & inviting environment. Amenities include in-ground pool & pool house, pond with fountain and stone fire pits.

Remote 340 acre sanctuary in N.W. Wisconsin with private lake. A fully restored 1930's lodge with 2-story vaulted & beamed great room is dominated by a massive stone fireplace and is located just a short walk to the lake. The wildlife is amazing for year-round enjoyment. Complete privacy in the heart of the Chequamegon National Forest.

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BERG LARSEN GROUP

612.925.8404 BarryandChad@BergLarsenGroup.com berglarsengroup.com

1300 MOUNT CURVE | MINNEAPOLIS 10 BR 11 BA | $5,995,000

935 LAKE STREET E 306 | WAYZATA 2 BR 3 BA | $1,995,000

Crowning one of the highest points in the City, this grand mansion is offered for the first time in 35 years. Approached by a circular drive, the home offers stunning public rooms, seven car garage, and amazing outdoor pool with cabana.

Stunning white-on-white Landing condominium with terrific southern exposure overlooking Lake Minnetonka. Thoughtfully designed for ease of living. Highlights include handsome paneled home office/den, sun room, and elevated views toward the lake.

6609 MOHAWK TRAIL | EDINA 5 BR 6 BA | $1,995,000

6509 PARKWOOD ROAD | EDINA 3 BR 3 BA | $1,995,000

Extraordinary wooded privacy and views framed in every window. Free-flowing 8,000 SF floor plan showcases high-ceilinged, sun-filled living spaces that are beautifully detailed. Rustic stone wine grotto and inviting back lit landscapes.

Stunning Sharratt-designed stone masterpiece. Richly detailed with vaulted ceilings, walls of glass, natural woodwork. Incredible amenities, elevator, 4-car garage, extensive decking & terracing, and great southern exposure. An Edina landmark.

1930 KNOX AVENUE S | MINNEAPOLIS 4 BR 6 BA | $1,895,000

8206 OAKMERE ROAD | BLOOMINGTON 5 BR 8 BA | $1,595,000

This 1934 Kenwood classic was fully renovated in ’91 and features recent upgrades. Generous room sizes, expansive master suite, 3rd level suite and finished lower level. Near Lake of the Isles, Walker Art Center/Minneapolis Sculpture Garden.

Gorgeous 1.68-acre wooded site with rolling lawns overlooking Anderson Lakes. Custom designed 10,000 SF home has unparalleled amenities for fun + fitness. Two kitchens, main level master suite with deck, and garage with sub-garage and workshop.

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BERG LARSEN GROUP

612.925.8404 BarryandChad@BergLarsenGroup.com berglarsengroup.com

2833 OVERLOOK CIRCLE | BLOOMINGTON 4 BR 5 BA | $1,475,000

5024 PARK TERRACE | EDINA 4 BR 4 BA | $1,295,000

Hidden from view, this bluff side architect designed home is spectacularly private. Bird’seye perspective is enjoyed throughout, including the vaulted gazebo and second level balcony. Sub-garage bonus space, new windows, decking, mechanicals.

Captivating architect-designed home incorporates incredible detailing, vaulted ceilings and natural wood. Superbly landscaped outdoor spaces with wooded privacy and views. Finished garage interior with work sink, plus adjacent workshop.

1924 JAMES AVENUE S | MINNEAPOLIS 5 BR 4 BA | $1,239,000

1135 SUMMIT AVENUE | SAINT PAUL 7 BR 5 BA | $1,195,000

Cheerful sun-filled home offers four living levels, hardwood floors, classic millwork with built-ins. Open kitchen/breakfast/dining. Paver driveway with electronic gate and roof snow melt system. Steps to Kenwood Park and Lake of the Isles.

Exceptional home features extensive updating. Classic millwork, generous room sizes, a delightful 3rd floor, and welcoming front porch. Spacious carriage house over 3-car garage with gorgeous 0.42 acre landscaped grounds and outdoor terracing.

5331 EVANSWOOD LANE | EDINA 4 BR 4 BA | $1,150,000

4386 MACKEY AVENUE | EDINA 4 BR 5 BA | $1,099,000

Keith Waters architectural masterpiece tucked beneath a tall tree canopy with sublime wooded privacy. Vaulted ceilings with skylights and transom windows, hardwood and stone floors, walls of glass and extensive decking. A tremendous opportunity.

Truly remarkable one-of-a-kind urban cottage is extensively updated and detailed. Stunning interior living spaces enjoy tremendous natural light. Spectacular side yard oasis is set on a 75-foot wide lot with pool, fountain and cabana. A delight!

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BRUCE BIRKELAND

612.414.3957 BBirkeland@cbburnet.com BruceBirkelandGroup.com

34 PARK LANE | MINNEAPOLIS 5 BR 4 BA | $3,300,000

970 TONKAWA ROAD | ORONO 5 BR 5 BA | $3,195,000

Storybook brick wrapped residence set on sprawling .41 acre lot overlooking picturesque Cedar Lake. Creative art inspired spaces, one-of-a-kind historic details, tree-top owner's suite and charming conservatory.

Luxurious Lake Minnetonka residence with unrivaled privacy, panoramic vistas and recent exemplary renovation. Soaring walls of windows bring the tranquil woodland and water surroundings inside, 150 feet of shoreline.

2212 W LAKE OF THE ISLES PARKWAY | MINNEAPOLIS 7 BR 9 BA | $2,500,000

3041 HOLMES AVENUE S 301 | MINNEAPOLIS 2 BR 3 BA | $2,195,000

Remarkable Lake Of The Isles estate, rich in history with magnificent interior spaces, huge lakeside owner's suite with luxurious owner's spa, one-of-a-kind glass porte-cochere and expansive water views.

Uptown residences with a Manhattan vibe. This exquisite residence offers walls of windows, European inspired moldings and luxurious finishes.

3125 E BDE MAKA SKA PARKWAY | MINNEAPOLIS 5 BR 5 BA | $2,195,000

57 GROVELAND TERRACE | MINNEAPOLIS 4 BR 5 BA | $2,150,000

Classically designed Queen Anne Victorian overlooking picturesque Bde Maka Ska with luxurious design aesthetic, impeccable ornate moldings, stained/leaded glass windows and hand-carved woodwork.

Refined Lowry Hill residence with jaw dropping Minneapolis skyline vistas and thoughtful renovation. Hand selected marbles and stones, custom crafted carpentry, and luxurious finishes throughout.

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BRUCE BIRKELAND

612.414.3957 BBirkeland@cbburnet.com BruceBirkelandGroup.com

2406 W LAKE OF THE ISLES PARKWAY | MINNEAPOLIS 5 BR 5 BA | $1,995,000

6016 LESLEE LANE | EDINA 4 BR 4 BA | $1,950,000

Timeless brick-wrapped English Tudor with irreplaceable historic architectural details, thoughtful renovation and picturesque Lake Of The Isles vistas.

Classic Artisan architecture with stone wrapped exterior that perfectly blends into its picturesque surroundings. Extraordinary detail-centric interiors, luxurious finishes, open concept and fitness room.

1122 MOUNT CURVE AVENUE | MINNEAPOLIS 7 BR 7 BA | $1,875,000

4201 FREMONT AVENUE S | MINNEAPOLIS 5 BR 7 BA | $1,495,000

Exceptional Colonial Estate masterfully melds richly ornate architectural details, impressive scale, awe-inspiring spaces and luxurious finishes.

Beautiful French-inspired home with luxurious finishes, private rear yard with pool, overlooking the Rose Garden and just steps to Lake Harriet.

915 KENWOOD PARKWAY | MINNEAPOLIS 4 BR 5 BA | $1,495,000

2821 BROOKWOOD TERRACE | MINNEAPOLIS 5 BR 4 BA | $950,000

Creative contemporary residence with dynamic Minneapolis skyline backdrop and one-of-akind cascading garden wall courtyard, creating a heightened sense of intimacy and serenity.

Classic light-infused Mediterranean architecture set on one of the most picturesque streets in Minneapolis, surrounded by nature & overlooking beautiful Minnehaha Creek.

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DREW HUELER

612.701.3124 drew.hueler@cbrealty.com drewhueler.com

835 HUNT FARM ROAD | ORONO 4 BR 7 BA | $8,495,000

247 10TH AVENUE S | MINNEAPOLIS 4 BR 3 BA | $2,495,000

Huntington Manor combines unparalleled old-world design with modern amenities. A majestic and welcoming home built for luxury living and entertaining. Designed by architect James McNeal and built by Luke Busker / Masonry Builders, Inc.

This famous home expertly merges modern, industrial and Gothic details to create the most unique residence in downtown. Enjoy effortless entertaining on the rooftop terrace with unparalleled views of the Minneapolis skyline and US Bank Stadium.

2925 DEER RUN TRAIL | ORONO 4 BR 5 BA | $1,899,000

540 RICE STREET E | WAYZATA 3 BR 4 BA | $1,599,000

Last opportunity to build your custom home in this serene Orono neighborhood. Impeccable design and build by Mark D Williams Custom Homes. Captivating setting with south-facing views backing-up to Luce Line Trail.

Striking Landschute brownstone steps to all downtown Wayzata has to offer. Custom woodwork and onyx marble create an elegant residence for a discerning buyer. Open concept main level. Rooftop deck with views of Lake Minnetonka. Walk to Wayzata's premier shopping and dining.

4035 DAHL ROAD | ORONO 7 BR 8 BA | $1,249,900

8850 MCCOLL DRIVE | SAVAGE 5 BR 4 BA | $669,900

Impeccable Orono new construction with generous living spaces. Open concept gourmet kitchen with quartz countertops, custom cabinetry and Wolf/Sub-Zero appliances. Impressive 1.76 acre lot and views of Lake Minnetonka.

This incredible custom home is set on over 3 private, wooded acres. Living room features two story floor-to-ceiling windows. Open concept kitchen walks out to spacious, doubletiered deck. Breath-taking views of Minneapolis skyline.

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GREGG LARSEN

612.719.4477 glarsen@cbburnet.com gregglarsenhomes.com

2625 WOODBRIDGE ROAD | MINNETONKA BEACH 4 BR 4 BA | $2,870,000

1040 LOMA LINDA AVENUE | ORONO 4 BR 3 BA | $1,399,000

Charles Cudd 2-story in Minnetonka Beach. This luxurious home was designed for lake living with expansive windowscapes flooding the interior with light and big water views of Lake Minnetonka. Great room design with endless detail throughout.

200 feet of lakefront and panoramic views of North Arm Bay. Many recent updates, open floorplan and quiet, neighborhood setting. Move in and enjoy, remodel or rebuild on this stunning waterfront property.

415 INDIAN MOUND STREET #202 | WAYZATA 2 BR 2 BA | $999,900

400 OXFORD ROAD | ORONO 4 BR 4 BA | $899,900

Almost new, two bedroom plus den in Waypoint. Crisp décor with enameled woodwork and high-level finishes throughout. Southern exposure floods the interior with natural light. Enjoy the tree top views from the sunroom and deck space.

Custom two-story on 2+ acres of woods and lawn in premier Orono neighborhood. Many recent updates throughout make this a move-in ready house with an idyllic location close to parks, trails and Lake Minnetonka.

2085 AUSTRIAN PINE LANE | MINNETONKA 5 BR 5 BA | $849,900

15995 55TH AVENUE NORTH | PLYMOUTH 5 BR 5 BA | $734,900

Attractive brick home in beautiful naturalized setting located near Hilloway Park in Minnetonka. Meticulously maintained with many recent updates, this open concept living offers elegant formal rooms and comfortable casual spaces.

Former model home in Spring Meadows. Open design, fresh décor and great location only a few steps to the community pool. Wayzata Schools.

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JEFFREY DEWING

612.597.0424 JDewing@CBBurnet.com JeffreyDewing.com

16119 CROSBY COVE | MINNETONKA 5 BR 7 BA | $3,449,000

2542 CROSBY ROAD | MINNETONKA 5 BR 6 BA | $3,395,000

Gorgeous East Coast influenced home tucked away on a quiet street, 5 minutes to downtown Wayzata. High-end finishes, main-level owner’s suite, open and flowing floorplan allowing for indoor and outdoor entertaining. Dock available through the association.

Breathtaking residence offering high-end custom finishes, main-level living & endless nature views. Spacious chef's kitchen, porch with fireplace & vaulted ceiling, movie theater, workout room, outdoor fireplace & pool overlooking 3.7+ acres!

2650 NORTHVIEW DRIVE | MINNETRISTA 4 BR 6 BA | $2,950,000

2990 SUSSEX ROAD | ORONO 5 BR 6 BA | $2,245,000

Incredibly remodeled Whaletail Lake gated estate offering endless water views, high-end finishes and main-level living. Lap pool looking out over 975' of shore, guest house and manicured trails throughout the tranquil setting.

Beautifully remodeled home offering 3.6 acres of privacy without compromising the gorgeous neighborhood setting! Light and bright spacious floorplan, screened-in porch overlooking the pool & pool house, theater room and four bedroom suites on the upper level.

410 HIGHCROFT ROAD | WAYZATA 5 BR 5 BA | $2,095,000

180 BELL STREET | EXCELSIOR 5 BR 5 BA | $1,279,000

Highcroft masterpiece offering modern details, main-level living and spacious floorplan with large gourmet kitchen and walls of windows. Private .9 acre setting with pool surrounded by mature trees. Walk to all downtown Wayzata has to offer!

Beautiful custom-built new construction home in Excelsior Village! Enjoy vaulted ceilings, sun-drenched spaces, main-level living, three bedrooms + sitting room on the upper level, picturesque screen porch. Walk to shops, restaurants & Lake Minnetonka!

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JOHN F ADAMS

612.720.4827 jadams@cbburnet.com johnadamsrealtor.com

28120 BOULDER BRIDGE DRIVE | SHOREWOOD 6 BR 8 BA | $2,995,000

5500 PARKWOOD LANE | EDINA 6 BR 8 BA | $2,995,000

Privacy abounds on this 2.6 acre estate offering westerly lake views and a 32' boat slip. Enjoy outdoor living with a pool, spa, wood fire pizza oven and cabana. It's like your own personal Grand View Lodge.

Unprecedented privacy on this 1 acre west facing setting with a large backyard. Enjoy soaring 14' main level ceilings, impressive millwork detailing and an open floorplan that affords for effortless entertaining.

460 CARPENTERS POINT | WAYZATA 3 BR 3 BA | $2,495,000

16110 CROSBY COVE | WAYZATA 4 BR 6 BA | $2,475,000

Enjoy unobstructed private views of nature throughout this home. Highlights include open great room flow, 12’ ceilings on the main, 3-season porch with phantom screens, main level master and a 40' boat slip.

Private hilltop setting on this 0.79 acre corner lot offering a resort-like backyard and a nice level fenced lawn. Featuring a gourmet kitchen, main level master, elevator and ideal indoor-outdoor flow. Lake access through association.

3466 KINGS POINT ROAD | MINNETRISTA 4 BR 4 BA | $1,695,000

230 MANITOBA AVENUE S 220 | WAYZATA 2 BR 3 BA | $1,195,000

Spectacular setting with 100' of rip rap lakeshore offering N-NW facing sunsets across the bay. Featuring an open great room flow with a vaulted wall of windows in the living room, idyllic porch, maintenance free deck and 3 bedrooms upstairs.

Boutique condominium located in the heart of downtown Wayzata. Enjoy open great room flow, bedrooms on separate wings, extensive millwork, large windows and private deck off of the living room plus a rooftop deck.

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ZINN FAMILY REALTORS 952.474.4444 czinn@cbburnet.com zinnrealtors.com

19300 CEDARHURST | DEEPHAVEN 4 BR 5 BA | $1,850,000 Stunning estate home on a wooded 1.5-acre site in the historic Cedarhurst neighborhood in Deephaven. Your deeded boat slip on Lake Minnetonka has sunset vistas from the association dock and beach area. The home has been meticulously maintained and updated to include all the features the 2020 buyer expects.

4260 CHIMO EAST STREET | DEEPHAVEN 3 BR 5 BA | $1,675,000

561 INDIAN HILL ROAD | CHANHASSEN 5 BR 4 BA | $1,885,000

Mid-Century Modern in historic Chimo with large open spaces and sunlit rooms with walls of windows overlooking nature-filled wooded yard. Just steps from your boat at the association beach and dock on Lake Minnetonka.

Custom-built two-story craftsman home on Lotus Lake; 145 feet of sandy beach and lakeside boathouse. Beautiful large windows, an enclosed porch and a large deck all have beautiful westerly views overlooking award winning gardens.

17960 SHAVERS LANE | WOODLAND 4 BR 6 BA | $1,395,000

20614 LINWOOD ROAD | DEEPHAVEN 3 BR 3 BA | $1,100,000

Woodland is known for its beautiful natural setting. This classic center-hall Colonial with gourmet kitchen by Kramer & Sons, an in-ground pool and is sited on 2+ acres on the shore of Shavers Lake.

Soft contemporary with vaulted great room on an acre in Cottagewood USA. Main floor master and kitchen recently updated.

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2310 HUNTINGTON POINT ROAD W | MINNETONKA BEACH 6 BR 10 BA | $5,999,900 Unforgettable home with 239 feet of Lafayette Bay shoreline. Floor to ceiling windows offer uncompromising views. Every corner is thoughtfully designed for enjoyment & entertainment. The resort-like outdoors feature a saltwater pool, hot tub & kitchen. Modern architecture, stunning landscape & exquisite finishes make this home. Lynne O'Reilly 612.805.9772 Harry Johnson 952.857.9557

7689 QUADRANT AVENUE S | HASTINGS 4 BR 5 BA | $2,750,000 This distinctive residence boasts the charm of old world luxury and craftsmanship in a setting of unsurpassed beauty. The 4,732 square foot home sits on 5.4 acres and includes 4 ensuite bedrooms, large living room, custom stone and hand carved wood details throughout, and over 425 feet of beach frontage on the St. Croix River. Teri Kampmeyer 612.308.1831 Teresa.Kampmeyer@cbburnet.com

18540 COUNTY ROAD 6 | PLYMOUTH 5 BR 6 BA | $2,200,000 Sensational home ON Mooney Lake. 6,600 square feet of casual elegance. Incredible views from nearly every room. Indoor gym, awesome porch, exquisite kitchen/great room, huge pantry, incredible walk-out level with bar and wine cellar, bonus room with treetop deck, 5 beds/6 baths, truly a "Wow" house on a spectacular lake setting! Erik Myhran 612.810.3745 emyhran@cbburnet.com

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2900 GALE ROAD | WOODLAND 6 BR 11 BA | $5,995,000 Spectacular private estate on 1.66 acres surrounded by lush manicured gardens. Resort style living with every amenity imaginable. Long westerly views provide gorgeous sunsets over Lake Minnetonka. Extensive use of crown moldings and rich woodwork throughout home. Garage space for 9 or more cars. Carrie Hey 612.309.6022 carrie@cbburnet.com

27640 ISLAND VIEW ROAD | SHOREWOOD 4 BR 5 BA | $3,999,000 A coveted property awaits on the shores of Lake Minnetonka. Constructed in 1995, this home features a main floor owner's suite, a great room with 19' ceilings plus a spa room & sauna. It is privately located on 1.22-acres and features a swimming pool and a dock with 150' of shoreline on protected quiet waters. Ellen DeHaven 612.817.5555 Tony Jewett 612.963.8851

373 PARK STREET E | WAYZATA 5 BR 4 BA | $2,750,000 Superbly crafted gem in walk-able Downtown Wayzata with seasonal views of Lake Minnetonka. Sophisticated yet playful, this 2018 built home has A+ finishes, innovative kitchen, a cleverly detailed grilling porch, and a secret wine cellar. Enjoy the comforts of home, or walk to nearby tennis courts, beach, shops, and restaurants. Celia Threlkeld 612.867.8244 cthrelkeld@cbburnet.com

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17900 SHAVERS LANE | WOODLAND 6 BR 8 BA | $2,499,000 Vacation at home in this extraordinary estate situated on nearly 4 private acres in Woodland. The gorgeous setting includes a sprawling flat lawn, swimming pool, tennis court & indoor endless lap pool. Interior is full of light and flow allows for entertaining but has many intimate spaces to escape. Melissa Johnson 612.670.3456 Melissa.Johnson@cbburnet.com

1805 W LAKE STREET 403 | MINNEAPOLIS 3 BR 3 BA | $2,750,000 Stunning Streeter & Associates masterpiece located in the iconic Edgewater complex has the timeless feel of an elegant New York apartment with spectacular views of Lake Bde Maka Ska. Featuring floor to ceiling window walls, chef's kitchen, butler's pantry with back entrance, soundproof music room and luxurious owner's suite. Ruth Whitney Bowe 612.805.7412 RWBowe@cbburnet.com

2408 W 24TH STREET | MINNEAPOLIS 5 BR 6 BA | $1,300,000

4465 NORTH SHORE | ORONO 5BR 6BA | $2,995,000

Exceptional Kenwood residence, beautifully updated throughout on a quiet street with stunning views of Lake of the Isles.

Lake Minnetonka new construction on picture perfect south facing level shoreline. Other sites available.

Ruth Whitney Bowe 612.805.7412 RWBowe@cbburnet.com

Brian Benson 612.227.8629 bkbenson@cbburnet.com

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10643 CAVALLO RIDGE | EDEN PRAIRIE 4 BR 4 BA | $1,775,000

3132 NORTHVIEW RD | MINNETONKA BEACH 4 BR 4 BA | $1,795,000

Incredible craftsmanship throughout this stone and brick Artisan Home - Private, gated enclave on River Bluff.

Enjoy this charming cottage or build your dream home on Crystal Bay. Prime location, 118 ft lakeshore, stunning views!

Gary Petersen 952.451.0284 Ian Petersen 612.910.6005

Gary Petersen 952.451.0284 Ian Petersen 612.910.6005

1716 COLFAX AVENUE S | MINNEAPOLIS 6 BR 8 BA | $1,699,000

1240 S 2ND STREET 428 | MINNEAPOLIS 2 BR 2 BA | $579,000

Exquisite Details, In the Heart of Historic Lowry Hill. Spacious eat-in Kitchen, 3rd Floor Family, Lower Level Rec Room.

Bright & Open Spaces, Hardwood Floors, Carrara Marble Counters in Kitchen & Baths, Private Outdoor Entertainment Space.

The Fogel Group (The House Doctor) 612.889.2000 jimmy@cbburnet.com

The Fogel Group (The House Doctor) 612.889.2000 jimmy@cbburnet.com

708 WIDSTEN CIRCLE | WAYZATA 4 BR 4 BA | $1,650,000

712 FAIRMOUNT AVENUE | SAINT PAUL 5 BR 5 BA | $1,600,000

Luxury meets carefree living with views of Wayzata Bay. Live at the sought after Widsten Townhomes featuring 4 Bed 4 Bath 2 Car + Elevator. $1,650,000.

Newer construction in the Crocus Hill neighborhood. This property offers a modern living style with historic design.

Holly Connaker 612.709.0555 holly@connaker.com

Mary Knudsen 651.335.6619 MaryK@cbburnet.com

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2515 CREST LANE SW | ROCHESTER 5 BR 7 BA | $1,450,000

6510 HAWKS POINTE LANE | VICTORIA 4 BR 4 BA | $1,275,000

Welcome to one of Rochester’s PREMIERE homes, over 10,000 sqft. of luxury and amenities rarely seen in this price range.

Stunning Creek Hill Custom Homes model. Main-level living with huge Andersen windows floods the home with natural light!

Shawn Buryska 507.254.7425 sburyska@cbburnet.com

Erik Myhran 612.810.3745 emyhran@cbburnet.com

8 HIGH ROAD | INVER GROVE HEIGHTS 5 BR 5 BA | $1,245,000

1205 FRENCH CREEK DRIVE | ORONO 5 BR 6 BA | $1,174,900

Gorgeous Lake Front Home with Main Floor Master. Extensively Updated throughout, including Kitchen and All Bathrooms!

This property overlooks the exclusive 32-acre French Creek Preserve and is minutes from Wayzata.

Sally English 651.815.3756 sally.english@cbburnet.com

Tracy Larson 612.759.5158 Tracy.Larson@cbburnet.com

2901 DREW AVENUE S | MINNEAPOLIS 3 BR 3 BA | $999,000

750 S 2ND STREET #406 | MINNEAPOLIS 1 BR 3 BA | PRICE UPON REQUEST

Stately Tudor nestled on a remarkable 100’ lot. Architectural integrity, modern updates, and gracious spaces throughout.

The iconic Humboldt Lofts. This condo offers flexible living and entertaining spaces enhanced by inspired views. 2,500+ Sq Ft.

David K. Wells III 612.845.8186 Wren Wells 612.925.8462

Michael Boege 651.325.7419 Abby Dean 651.226.6035

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324 SUMMIT AVENUE 103 | SAINT PAUL 3 BR 3 BA | $899,000

1159 PALACE AVENUE | SAINT PAUL 4 BR 3 BA | $575,000

Elegant condo features vaulted ceilings, terraces and additional apartment. The ideal location with panoramic views.

Flawless entertaining spaces inside and out. This Mac-Grove beauty combines modern conveniences with old world charm.

Mya Honeywell 651.329.3619 mya@socialresponsiblerealtors.com

Mya Honeywell 651.329.3619 mya@socialresponsiblerealtors.com

1120 S 2ND STREET 1204 | MINNEAPOLIS 2 BR 2 BA | $895,000

4200 FOREST ROAD | ST. LOUIS PARK 5 BR 4BA | $775,000

Southeast facing top floor unit at Stonebridge. 2+ bedroom unit, great setup for guest room, den or office.

Nature-filled 5BR/4BA to re-imagine on a wooded lot in Lake Forest near Cedar Lake.

Fran Davis 612.925.8408 Barb Davis 612.554.0994

Fran Davis 612.925.8408 Barb Davis 612.554.0994

6356 OXBOW BEND | CHANHASSEN 6 BR 4 BA | $819,000

17823 LAKE COVE CIRCLE | LAKEVILLE 4 BR 4 BA | $625,000

Exceptional entertaining home featuring stunning updates, lovely master suite, gourmet kitchen & Minnetonka schools.

Lake Villa Golf Estates cul-de-sac home situated on .69 acres. Granite counter tops, private master suite, 3+ car garage.

Sharon McWhite 612.805.8616 smcwhite@cbburnet.com

Todd Jorgensen 612.701.9941 ToddJorgensen@cbburnet.com

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Let them know you’ve arrived. COLDWELLBANKERLUXURY.COM C O L D W E L L B A N K E R R E A LT Y

©2020 Coldwell Banker. All Rights Reserved. Coldwell Banker and the Coldwell Banker logos are trademarks of Coldwell Banker Real Estate LLC. The Coldwell Banker® System is comprised of company owned offices which are owned by a subsidiary of Realogy Brokerage Group LLC and franchised offices which are independently owned and operated. The Coldwell Banker System fully supports the principles of the Fair Housing Act and the Equal Opportunity Act.


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612.353.4073


PHOTOGRAPHY BY SPACECRAFTING

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KITCHEN CONFIDENTIAL

SPONSORED YOUR INSIDE LOOK AT THIS YEAR’S TOP DESIGN TRENDS. P R E S E N T E D B Y F E R G U S O N B AT H , K I TC H E N & L I G H T I N G G A L L E RY

FOR MANY OF US, 2020 HAS BEEN A PRACTICE IN

patience. While the at-home experience may be stressful, perhaps you’ve been fortunate enough to spend more time with your family, take on new hobbies or finally get started on that renovation you’ve been putting off for far too long. Or at the very least, you’re considering giving your house a face-lift. (How couldn’t you, right?) Thanks to these uncertain times, we’ve been pushed to look upon our abodes with a fresh eye. Maybe that paint color isn’t quite right or the finishes on those fixtures don’t jive. Perhaps that old appliance is due for an upgrade. You’re in luck: Your friends at Ferguson Bath, Kitchen & Lighting Gallery are here to help you rejuvenate your sanctuary. Implement this year’s top kitchen trends to spice up your space and make the most of your home while you spend more time there than ever before.

Feeling Blue

While pops of color throughout the home are a fantastic way to liven up a space, adding a touch of blue in any hue to your kitchen can create a calming atmosphere in what could otherwise be considered a sterile environment. Pair different shades of blue with warm metallic fixtures to add warmth and even a sense of regality to your home’s mainstay.

Beautiful Balance

Speaking of pairings, mixing and matching different colors, finishes and textures can help establish a strong sense of personality in your kitchen. If color’s not your thing, consider pairing polished golds with matte black fixtures or marrying natural textures with industrial styles for a supreme sense of balance.

Industrial Innovations

Should you prefer industrial stylings, you can incorporate rustic materials, worn finishes and neutral tones to create your own take on standard loft style. Keep an eye out for sleek stainless steel, reclaimed woods, and modern accents like open shelving and seamless built-in appliances. Whether you’re looking to renovate your existing kitchen or build your dream space from scratch, Ferguson Bath, Kitchen & Lighting Gallery offers the widest selection of high-quality products from today’s most recognized brands. With our help, you can create a space that fits all your culinary and entertaining needs. To us, customer service is more than just a process; it’s our driving purpose. That’s why our product experts are on hand to ensure every product you pick fits perfectly within your abode. Together, we’ll help you make the most of your home. Head to your nearest showroom for hands-on experience with products or visit us online at fergusonshowrooms.com to learn more.

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A RESOURCE FOR LIVING

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MINNEAPOLIS 275 MARKET STREET, #145 MINNEAPOLIS, MN 55405 T. 6 1 2 - 3 4 1 - 4 5 8 8 INFO@DOMMINNEAPOLIS.COM

CHICAGO 222 MERCHANDISE MART, #106 CHICAGO, IL 60654 T. 3 1 2 - 7 5 5 - 0 3 5 6 INFO@VALCUCINECHICAGO.COM

TORONTO 58 BERKELEY STREET TORONTO, ON M5A 2W6 T. 4 1 6 - 3 6 4 - 6 4 7 7 INFO@DOMTORONTO.COM

SOME BRANDS ARE ONLY AVAILABLE IN CERTAIN MARKETS


INTERIOR DESIGNER BRUCE KADING INFUSES A NEW BOSTON BROWNSTONE WITH A FRESH SPIRIT OF PLACE.

DESIGNING HISTORY

PHOTOGRAPHY BY ANNIE SCHLECHTER

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MORE THAN 150 YEARS BEFORE MASSACHUSETTS

became a state, a tiny community sprung up on the northernmost point of Boston’s Shawmut Peninsula. Ideally situated on the waterfront, the North End, as it came to be known, quickly became the neighborhood of choice for wealthy merchants who built wharves, warehouses and homes on the narrow cobblestone streets. By the end of the 19th century, the area surrounding North Square became the center of Italian immigrant life in the city, earning the nickname of Little Italy. Today, the North End is still the place to be. So when a Minnesota couple found a narrow lot for sale, they jumped at the chance to become part of this vibrant community filled with historic landmarks and charming eateries. They bought the lot and called longtime friend and interior designer Bruce Kading. Having worked with him for many years on projects from Manhattan to Medina, they knew Kading could capture the North End’s unique spirit of place without recreating ye olde Boston. “The North End has a wonderful mix of history and modernity, so my team and I immediately envisioned a simple yet sophisticated brick townhouse that felt as though it could have been an old warehouse,” Kading says. “We had a marvelous time exploring the neighborhood and developing a visual vocabulary that combined classic industrial warehouse style with a modern New England aesthetic.” He and his team worked with the clients’ architect to design a tall, 22-foot-wide loft-style brownstone with one story below ground and six above. The foyer features a vintage-patterned concrete tile floor leading to the upward-spiraling metal staircase and wood-paneled commercial-grade elevator, which all share the first floor with a three-car garage — a rare luxury in a historic urban neighborhood. The second floor features two guest bedrooms with en-suite bathrooms fitted with sleek showers, 1930s-style porcelain sinks and aged hickory floors. The third floor is home to the owners’ suite finished with a deft mix of vintage and modern details. The bath pairs industrial-style exposed plumbing with classic marble and contemporary frosted glass. The pièce de résistance of the fourth floor living room is a 1920s coal fireplace that Kading and team converted to gas and set into a wall of steel panels with riveted seams and a waxed finish. The fifth floor kitchen/hearth room, as in Colonial times, is the heart of the home. The floor-to-ceiling steel-framed windows cast glorious daylight on the modern fireplace, a 14-foot center island with a pewter countertop, limed oak cabinetry with a library ladder, and an iridescent glazed-tile backsplash surrounding an antique iron fireback plate from 1788, the year Massachusetts became a state. The top floor houses the airy exercise room, a handy juice bar and a well-placed outdoor kitchen on the sizable terrace with a panoramic vista of Boston Harbor, Little Italy and Old North Church, where patriots hung two lanterns to send the famous “one if by land, two if by sea” message to their Charlestown neighbors in 1775. “When my team and I sit on the rooftop terrace with our clients, looking out over the bay, we have to pinch ourselves,” says Kading. “Designing a new home in the heart of Boston’s oldest neighborhood was an honor, a privilege and an experience we’ll never forget.” For an in-depth Q+A with Bruce Kading about designing this Boston brownstone, head to ArtfulLiving.com.

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CUSTOMIZE

STYLE

IN-HOUSE MANUFACTURING BY OUR TEAM IN THE TWIN CITIES. Independent, local, family-owned & operated. Trusted experts in designing, crafting and installing custom storage solutions. Set up your complimentary design consultation today.

tcclosets.com | 612.623.0987 | 2634 Minnehaha Ave, Minneapolis | 2321 Commerce Blvd, Mound


Diversify your net worth to golD anD silver.

Many investors are diversifying out of the uncertainty of the stock market and into real assets like gold and silver. This transition can be new for many but I can help with over 30 years of experience and a team of topnotch professionals. My goal is to understand and support the financial health of each and every client by protecting, preserving and building their portfolios.

Call for a private consultation: Brett Edgell - Monetary Specialist 612-280-3521 www.brettedgell.com


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HARMONY

JOHN KRAEMER & SONS BRINGS ALL THE FUN OF FAMILY INTO A BELGIAN-INSPIRED EDINA HOME. BY MERRITT BAMRICK

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BUILD

WHEN IT COMES TO LIVABLE LUXURY, JOHN KRAEMER

& Sons sets the tone. The award-winning builder recently teamed up with Peterssen/Keller Architecture, Rauscher & Associates interior design, and Topo landscaping to create a home that celebrates family and brings Belgian-inspired architecture to Edina. “This home is a study in symmetry,” says John Kraemer, vice president and director of sales and marketing. “A blend of transitional and modern style makes this the perfect home for our clients.” Each element of traditional style is met with a twist. While the shrubbery-lined drive complements the neighborhood surroundings, the house itself takes on a contemporary look thanks to bright white painted brick accented by black door and window trim. The pitched roof and French doors are reminiscent of European architecture and are beautifully balanced by an addition any Minnesota family can appreciate: the mudroom. This space acts as a link between the house and garage, offering a more casual entry point for everyday life. “We’re always trying to create something new that’s based in the history of our past,” notes Gabriel Keller, principal and designer at Peterssen/Keller Architecture. “I’m inspired by this collaboration that allowed us to take traditional vocabularies and give them a modern twist for today.” Once inside, drywall returns and large expanses of glass play into modern aspects of the home. White oak flooring brings a brightness to the main level, which is dedicated to shared spaces like the kitchen and

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dining room, back hall and gallery area, office and screen porch. Pops of personality emerge predominantly in the kitchen and dining room, where a sprawling orange Lacanche range provides color inspiration for the adjoining spaces. The palette stretches into the formal dining area, which features hand-painted wallpaper. “Punches of color are such a wonderful contrast in a subdued space,” Keller says. “It’s like pairing a perfectly tailored suit with a stylish pair of shoes to bring it all together.” Down the hall, the office offers another visual break from the clean, pristine feel of the home with slate-colored paneling, luscious blue leather and velvet furniture, and an open-flame fireplace. Two sets of French doors lead to the outdoor patio, which can quickly become indoors at the touch of a button thanks to Phantom screens. The pool, meanwhile, is accessible to the entire main level via sliding glass doors. Downstairs is a dream hangout. A large living area with a wine cellar and walkup bar is prime for entertaining. A guest room is also pocketed on the lower level. Kids can enjoy bubble hockey, a pool table and a sport court when it’s too chilly to head outside. Not that wintertime is a hindrance; in colder months, a grassy area just off the house becomes a full-size hockey rink, complete with boards and lights, that encourages pickup games and community bonding. “This home reflects our clients with a mix of formal and relaxed spaces,” Kraemer concludes. “Everyone can find a comfortable place to be themselves.”


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2020 CEDIA Finalist - Best Media Room

home theater media rooms smart home automation networking

2020 CEDIA Entry - Best Home Theater

lighting control interior design

952.474.5330

george street downtown excelsior unionplace.com 361

2020 CEDIA Finalist - Best Integrated Home


ai159734017735_SC_ArtfulLivingFall2020.pdf 1 8/13/2020 12:36:19 PM

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PurcellQuality.com Est. 1995

612.454.5637


F R A N C O N I A S C U L P T U R E PA R K | S H A F E R, M N EXPLOREMINNESOTA.COM


PHOTOGRAPHY BY CAMILLE LIZAMA

ADVENTURE

R ECR E ATION SPORT E XCU RSION

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EXPERIENCE A SIP ABOVE THE REST Enjoy a much needed night out at Chankaska Creek Ranch & Winery. It’s just minutes from the Twin Cities in a stunning setting with all your favorite wines, cocktail room, brick oven pizza and all the laughter you can muster. Make a reservation by calling 507-931-0089.

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NATURE VisitCookCounty.com

LUXURIOUS WOOLENS 150 YEARS IN THE MAKING. Established in 1865 in Faribault, Minnesota, the Faribault Woolen Mill is a living testament to American craftsmanship, producing ďŹ ne woolens renowned for their comfort and quality. FARIBAULT MINNEAPOLIS L I N D E N HI L L S C HI C A G O

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L O CA L

OUR MAKERS: L TO R @heididerner, @urbanacrescreative, @8th_Ave_Market, @everartdesign

is made here.

ind the goods at eh b le p eo p w fe Meet a and are the creators Fox Run. They roduct we carry. p y er ev d in eh b makers e ducts are local, w ro p r u o y sa e w When ere ’re handmade, h ey th at th st ju mean the locals. in Minnesota, by

Fox Run is a new way to shop for impeccable MN-made gifts and decor. If you’re into DIY, our new 30 student maker-led classroom will host the project just for you!

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ADVENTURE

R E C R E A T I O N • AL PROMOTION

THE

ROYAL TREATMENT AT THE ROYAL CLUB, EVERYONE FEELS LIKE A KING OR QUEEN. BY MARGUERITE HAPPE

PHOTOGRAPHY BY DAVID PARKER

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IMAGINE A PRISTINE, HIGH-END GOLF CLUB OPEN TO THE

public, replete with a friendly yet challenging course designed by golf royalty Arnold Palmer and Annika Sörenstam, breathtaking St. Croix River Valley scenery, and a par-3 short course where kids play for free. The paradise you’re picturing is precisely what Palmer and Royal Club principal partner Hollis Cavner envisioned in 2016 when they learned that the private Tartan Park Golf Course, then available exclusively to 3M employees, was up for sale. “Arnold and I had always talked about redoing the 27-hole course,” explains Cavner. When they joined forces with 72-time LPGA Tour winner Annika Sörenstam, the golf powerhouses assembled a winning bid for the 480 acres of rolling landscape. From blueprint to reality, their plan for their dream residential golf community was unwavering: “We never wanted to make it a private club,” Cavner adds. “It was always about the public.” Today, the Royal Club is a public course with all the perks and none of the pretension of a country club, especially when it comes to family access. Unlike private clubs that only allow junior play during off-peak hours, the Royal Club features a six-hole par-3 course that’s free to play for any golfer under the age of 18. As for young players playing the short course, Sörenstam explains, “If a player doesn’t have their own clubs, we lend them a set with balls so that playing here is completely accessible.” Offering completely free play is almost unheard of in the sport of golf — and for good reason, Cavner says: “Financially, it doesn’t make sense, but it was important to us. Similarly, when we designed the course, we placed the kids’ course on the most beautiful part of the property because it was the most accessible for parents doing drop-offs.” This radical support for junior golfers, even when it isn’t obviously profitable, was a priority for all three founders with the goal of giving back to the sport.

The reasonably priced adult course, meanwhile, is designed to accommodate all generations and skill levels. Sörenstam designed the front “Queen’s Nine” and Palmer the back “King’s Nine.” “This was not about making a championship course with holes that are super long, difficult and unfriendly,” she notes. So that beginners could feel equally at home as pros, the course features five tee boxes and a variety of holes not only “where you can hit every club in the bag” but where the green is visible from the tee box to comfort amateurs uneasy about hitting into the ether. Surrounding the course is a 291-home community connected by a resort-style network of trails and golf cart paths. Buyers can choose between golf villas abutting the course and custom family homes lining the outer perimeter. Both can be customized down to the most minute detail, explains Mike Hartman of Hartman Homes, one of the builders responsible for custom family homes. “From modern to farmhouse to Prairie style, there’s no limit to what our design and architecture team can create,” he says. What the homes have in common, of course, are stunning environs: “Each one of these houses has windows designed to maximize every inch of view,” Hartman adds. Len Pratt of Pratt Homes notes that when it comes to golf villas, his firm’s expertise makes homebuilding and design simple: “We have an easy-tonavigate process that minimizes hassle and gives you peace of mind.” The club is clearly heaven on earth for golfers, but Sörenstam assures that duffers and non-players will be just as delighted by the expansive natural scenery, recreational spaces and friendly residents. Plus there’s even a newly remodeled 300-person ballroom overlooking Horseshoe Lake — the perfect venue for weddings and other special events. “It’s so reasonably priced; the food at Arnie’s restaurant is excellent; and it’s a no-pressure environment,” she emphasizes. “The club is just a fun place for anyone who wants to come.”

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VUJOVICH DESIGN

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(612) 296-7575

www.haute-kitchens.com • 612.791.9008 Photos by Stephen Voegeli Photography


ADVENTURE

SPORT

GIRL POWER WELCOME TO THE ERA OF THE MULTIFACETED FEMALE. BY LAURA SCHARA P H OTO G R A P H Y BY C A M I L L E L I Z A M A

HAIR AND MAKEUP BY KRISTINE LOEHRER | ON LOCATION AT BAKER PARK RESERVE/THREE RIVERS PARK DISTRICT

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WE ARE LIVING DURING A TIME WHEN WOMEN ARE

feeling increasingly empowered every day. It’s fantastic to see women excelling in different careers, sports, hobbies and the like. When I was starting out in my television career, I was told by many, agents included, that I needed to choose one path: either the fashion industry or outdoor television. I was told that people wouldn’t understand how I could love and be successful in both. I never understood that statement. Why can’t we be multifaceted and excel in many arenas, even if they seem like polar opposites? I graduated from the University of Wisconsin–Madison with a fashion degree, yet I grew up in the great outdoors. My passion for both is equal. In fact, I need both. Fashion is creative, dramatic and fast-paced while the outdoors is calming, grounding and peaceful. To me, they are yin and yang. I find happiness in each space. Being told I couldn’t simultaneously have success in both these worlds made me determined to prove naysayers wrong — a sentiment I know many women can relate to. We’re multifaceted in so many ways: strong yet delicate, powerful yet empathetic, creative yet strategic, nurturing yet primal. No one is one-dimensional. Empowerment is just one of the reasons why shooting sports have seen a dramatic increase in female participants over the past decade, and particularly in recent months. Being able to safely and confidently enjoy a sport that can be seen as intimidating and male-dominated while not losing our femininity is empowering for women of all ages, races and distinctions. Trap shooting is now one of the most popular high-school sports in Minnesota. Last year, there were more than 32,000 students competing on coed teams across the state. There is no physical advantage to be had when it comes to shooting sports, which creates an equal playing field and an environment in which both young women and men can thrive. Trying something new is a wonderful way to empower yourself, increase your confidence and fulfill the call from your inner spirit to be adventurous. A few years ago, I had the opportunity to help a group of women safely shoot their first clay pigeon, with some of them pulling a trigger for the very first time. It was fulfilling to see their smiles and their confidence shine when they powdered their first clay bird. Rounds of cheers, compliments and support flowed throughout the day. Women empowering women like this builds confidence not only in the field but in life. This has driven the current demand for women-only shooting classes, hunting trips and adventures. Today, there are many businesses throughout Minnesota that give women the opportunity to learn all aspects of shooting sports, offering courses and events where you can learn the safety and technique of target shooting, trap shooting or sporting clays. Some of my favorites include Stock & Barrel Gun Club, the Minnesota Horse & Hunt Club, and Wings North. And if you want to learn how to harvest your own food locally, Her Wilderness offers women-only hunting and fishing trips. The brand prides itself on enthusiastically supportive and judgementfree outdoor adventures for all experience levels. Heed the call for empowerment, challenge and growth. Go ahead — shoot like a girl and shoot for the stars. Laura Schara is a lifelong outdoor enthusiast and cohost of the television series Minnesota Bound. Learn more at wildlyliving.com.

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ADVENTURE

EXCURSION

PHOTOGRAPHY BY DEB RANSOM

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ANIMAL INSTINCT EXPLORING THE POLAR BEAR CAPITAL OF THE WORLD. BY FRANK BURES

IN MINNESOTA, WE LIKE TO THINK OF OURSELVES

as the North, but our state is really just the beginning of it. Farther north is a town overrun with polar bears. Knowing this made me feel like I lived in the South. It also made me realize I needed to go there. To be fair, the polar bear capital of the world is close, but also far. Churchill, Manitoba, sits on the edge of Hudson Bay at the mouth of the Churchill River. The only way there is by plane or train. First, you fly into the provincial capital of Winnipeg then you board a propeller plane that takes you the rest of the way, landing at a small, one-room airport. As we walked across the tarmac, a bitter wind took the temperature below zero even though it was only November. Inside, our group was greeted by a woman named Deb, who shepherded us onto a red school bus to Lazy Bear Lodge, one of several outfits running tours out into polar bear country. Driving into Churchill, I could see this was a strange place. The population is right around 900 (899 with a baby on the way, Deb said), which is less than the number of polar bears living here. Every autumn, those thousand or so bears in Wapusk National Park, hungry from lean summer months, make their way toward shore, waiting for Hudson Bay to freeze so they can light out and hunt seals. Inevitably, a few wander through Churchill’s streets, root through garbage and occasionally prey on a person. Those troublemakers are trapped and taken to Polar Bear Jail for 30 days before being flown up the coast. Close behind come some 10,000 tourists from across the globe eager to see the bears, a symbol of climate change despite their spectacular comeback from being decimated by hunting in the 1970s. Today, there are some 25,000 worldwide, up at least 50% since then.

Being at the end of the world, Churchill has a certain apocalyptic charm: houses with boarded-up windows and peeling paint. The writer Zac Unger moved his family here for a season several years ago and wrote in his book Never Look a Polar Bear in the Eye, “The few houses in town that are not owned by the government have a fairly consistent outdoor aesthetic, a scheme that relies on rusted-out car bodies, stacks of mildewed lumber, and twisted piles of scrap metal as the lawn ornaments of choice.” Lazy Bear Lodge is a beautiful log cabin structure that feels like it belongs on a mountain in Colorado. Our group of 30 included people from all over the world, but not a single other Midwesterner, even though Winnipeg is as close to Minneapolis as Chicago. The border does strange things to our imagination. It was dark by the time we finished dinner, and we were advised not to walk around town at night. At the airport, I’d picked up a brochure entitled Safety in Polar Bear Country that gave tips like, “Look outside before you leave a building,” “Travel in groups and stay together,” and “Never approach a seal or whale carcass.” Check. Check. Check. • • • The next morning, we drove out to the Churchill Wildlife Management Area, which sits next to Wapusk National Park. The temperature was well below zero. When we arrived, we got off the bus and climbed into an arctic crawler, a kind of super bus equipped with a kitchenette, a small bathroom, a propane heating stove and a viewing deck on the back — high enough so the bears can’t climb up. “Remember,” Deb told us, “polar bears are excellent at pulling small things out of holes, so keep your arms inside, but also your clothing and camera straps.”

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The big diesel engine rumbled into gear, and we rolled across the tundra. The landscape was dotted with stunted spruce, willow bushes and permafrost. Churchill sits right where the northern arctic and the southern boreal forest overlap. At times, it felt like we were crawling across the moon. There were no bears in sight, but Deb was optimistic: “Every day is different! You never know what you’ll see.” After an hour, we’d seen lots of tundra. I was starting to get bored, so I went out on the back deck to see what it was like. The air was full of sharp winter sunlight. The rocks were covered in orange lichens. And the snow was full of tracks: arctic hare, red fox, wolverine and polar bear — which were still nowhere to be seen. I went back inside. After an hour, then another, then another, I leaned my head against the window and took a nap. When I awoke, we were grinding toward the water’s edge. Ahead was an old shipwreck frozen in the bay. Deb got out her binoculars and looked across the ice. “There,” she said, pointing. “Out at the end of the rocks.” We looked. Bears! Lots of them. With the naked eye, they looked like blurry yellow spots in the snow. With binoculars, they were less blurry. There were at least five of them. The air crackled with the sound of cameras. A new energy shot through the crawler. We watched these distant bears as we ate our lunch. The two closest were sparring, playing and killing time before they could kill some seals. Eventually one started walking toward us. I felt a rush of excitement and a touch of fear. “He’s coming this way!” someone said. “He wants our sandwiches!” another added. The bear lifted his nose to the wind and sniffed. We watched, rapt, hoping he would keep lumbering our way. But after a pause, he turned his back to us, climbed over a hill and disappeared. • • • The next day, we were scheduled for some cultural programming. Our first stop was Parks Canada, a small building that doubles as a train station. It has a dioramic history museum, which we passed through on our way to a small lecture hall. There we sat and listened to a presentation by ranger Florence Hamilton from the local Sayisi Dene tribe that once followed the caribou migration through the area. As with many of the First Nations, her tribe’s story is one of tragedy, forced relocation and resilience. Next, we headed over to the Itsanitaq Museum a few blocks away. It was a large, single room filled with tiny elegant sculptures. Intermixed were a sealskin kayak, a narwhal tusk, and a taxidermied musk ox and polar bear. The curator showed us how to build an igloo with a snow knife. Then she explained how to kill a polar bear with the same knife: Hold your arm vertically so when the bear bites, it turns its head and you get a shot at its neck. (This information had been notably omitted from the Safety in Polar Bear Country brochure.) I spent a long time perusing the carvings before I left the museum and walked over to the Town Centre Complex, which houses the town’s library, hospital, playground, school and city government offices. It felt like a small-town mall from the eighties, save for the massive windows overlooking Hudson Bay. Two days earlier, waves had crashed on the shore. Now it was frozen solid. As I stood looking across the ice, a woman sidled up beside me. “Well, it’s freezing up!” she said. “The bears will be gone soon.” “You mean when the ice comes in?” I asked. “Yeah. As soon as it freezes, they’re gone.” It was getting dark, so I decided to walk back to the lodge. As I headed down the street, I heard something behind me. “Hey buddy!” I turned around to see a guy in a sweatshirt and baseball cap with a cigarette in his bare hand. It was well below zero. “Where are you from?” he asked as he caught up. “Minnesota,” I said. “Minnesota?”

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“You?” “Churchill. Born and raised. Best place in the world.” “Why’s that?” I asked. “There’s no gangs. There’s no violence. There’s no assholes.” “You don’t have crime?” “Do you see any crime going on around here?” “I guess not.” “This place is better than Minnesota,” he said. “Well, to be honest, there are a couple assholes here.” • • •

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By lunch, we’d seen more polar bears than I ever thought I’d see. We’d spotted at least 12 from the helicopter, plus the five tiny ones from the first day. But there were more to come. “I’ve got a surprise for you,” Deb announced. “This afternoon, there’s going to be a bear lift.” A cheer went up. This was high drama. Soon we were headed to Polar Bear Jail (officially known as the Polar Bear Holding Facility), which is housed in an old metal Quonset hut left over from the Cold War. At the jail, we waited as the conservation officers laid three nets out on the ground. Presumably the bears were being tranquilized inside. There was a strong wind from the north, and cold seeped into our gloves and boots. After nearly an hour, the garage door opened. An ATV rolled out, towing a trailer with a large, limp bear sprawled across a board. The driver stopped at one of the nets, and the officers rolled the bear onto the ground. Two more bears were dumped into the other nets. Then a helicopter flew over, hovering low as the nets were clipped on. Once secure, they rose, taking the bears high into the sky. After the bears had been lifted, we got back on the bus and drove out on the arctic crawler for a final jaunt. None of us really expected to see more bears, but our lunch was on the crawler and we were hungry. So we went happily, climbing aboard and rolling out onto the tundra. Not long after starting, Deb veered along the shore and stopped. Through the willows, she spotted something moving. Soon we all could see it: a mother bear and cub. (Females tend to give males a few days’ head start so they don’t eat the cubs.) Deb parked and handed out lunch. We ate and waited. Soon the bears ambled our way. Maybe they did want our sandwiches? They didn’t. They walked past the crawler and started digging in the snow. They pulled something out of a hole and spent a long time extracting and eating it, flicking the air with their long black tongues. When they’d had enough, they wandered back down the shoreline and disappeared into the willows. We finished our sandwiches. Deb revved the engine. And we started the slow crawl back to the bus, then back to the lodge and finally back to the south, where we all, by now, knew we belonged.

PHOTOGRAPHY BY JASON RANSOM

The next day, we broke into small groups and headed to the airport. Deb had made an announcement: “I felt bad about the first day — the polar bears were so distant,” she’d told us. “So we’re going to put every one of you on a helicopter to give you the best chance of seeing one.” The group burst into applause. Helicopter rides were spendy, and none of us had opted for one. But with the ice on Hudson Bay freezing ahead of schedule, this might be our best shot. At the airport, we stood waiting for our helicopter to refuel then climbed in and put on our headphones. Soon we lifted off the ground as though we were weightless. The airport dropped away. We rose up above the sea, a puzzle of open water, jagged ice, and patches of white and gray. “Down there to our right,” the pilot said. I looked down. A bear loped forward, muscles rippling. We were about a mile offshore, and I thought about the long, lonely journey he had ahead. The pilot circled around. “It can be hard to spot them in this flat light,” the pilot added. We flew on. Soon we came to a small island with several frozen lakes. Two bears sparred as another approached them, probably a mother and cubs. Across the island, a fourth bear slept on another lake, while two more walked past the island. Six polar bears in close proximity. “Well, that was a sight and a half!” the pilot said. “How far inland do they go?” someone asked. “Sometimes they go so far,” the pilot replied, “it seems like they took the train.”

• • •


Nellie Two Bear Gates, Suitcase, 1880–1910, beads, hide, metal, oilcloth, thread, The Robert J. Ulrich Works of Art Purchase Fund 2010.19

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IN HIS OWN WORDS, ACCLAIMED MINNEAPOLIS CHEF JORGE GUZMAN SHARES HIS JOURNEY TO HELL AND BACK. P H OTO G R A P H Y BY B R A N D O N W E R T H

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HOW DO YOU PUT INTO WORDS THE FEELING OF

hopelessness? That gut-dropping, mouth-drying, clammy-hands feeling of complete and utter disbelief. That moment in time that you feel like you’ll never be able to crawl out of. That feeling that breaks your spirit, your heart and your resolve. I had those feelings day in and day out for two years without fail. In 2017, just the year before, I had achieved so many of my lifelong goals. I was leading a team of 75 at Surly Brewing in Minneapolis. I was nominated for a James Beard Award, my industry’s highest accolade. Our restaurant, Brewer’s Table, was recognized by Food & Wine as one of the top 10 in the country. I was working with a group of the most dedicated, passionate, likeminded, heart-on-their-sleeve people I’d ever had the pleasure of knowing. But within months, it was over. Done. The owners gave no answers, and by August of 2017, Brewer’s Table was closed. I realized that my identity was wrapped up in what I was doing, in my food and my team. Even now, writing this, my heart pulls at my chest thinking about them. Beyond the recognition, the accolades and the awards, there was this collaborative heartbeat. We believed in one another, worked for one another and became a family for one another. After the restaurant closed, I tried to reconnect with myself. I visited my family in St. Louis. I hiked through Yosemite with a close friend. I traveled back home to the Yucatán. When you go through a life-changing event, you’re supposed to go somewhere and find yourself, right? Well I didn’t find myself, but at least I got the travel part down. I did come to the realization that I couldn’t see myself working for anyone else ever again. I needed to be responsible for my future, the decisions and the well-being of others. I had plans to launch a new restaurant in Minneapolis. I had a partner, a business plan and interested investors. People were promising big things, but when the time came to call on those promises, they always came up short. Eventually my partner and I went our separate ways, and that was that. At the same time, while my career path was so uncertain, my personal life changed forever. When I first met Jill, I immediately knew that this woman would be my wife, and three months after our first date, we were married. Despite all of this happiness, I was still lost professionally. My compass was spinning; I had no idea where I was supposed to be or what I was supposed to do. I was depressed, and it affected my relationship with Jill. She has an uncanny ability to remain patient with life and navigate situations with such grace — skills I’m working on. We decided that whatever was thrown our way, we could rise from our knees and face it together. I realize now, in more ways than one, that Jill saved my life. In March of 2018, shortly after meeting Jill, I heard of a job in La Crosse, Wisconsin, a small college town with a surprisingly developed medical community. A young entrepreneur with an impressive amount of family capital was opening a distillery and asked me to consult on the kitchen. After a few months of working together, he asked if I’d consider moving there to be his partner and help him grow the restaurant scene. He seemed to have a genuine vision for his city and needed someone on the culinary side to help see his plans through. He caught me in a moment of desperation; I didn’t have any leads on new work and was continually coming up short in Minneapolis. After much deliberation, Jill and I decided to take him up on his offer. While I was hesitant to move to a city with a quiet food scene and so little diversity, I was drawn by the opportunity to put a new food destination on the map, to work with some of the best organic produce in the country and to finally have ownership of a project. I should have listened to my gut. On my very first day, it became painfully clear I’d made a mistake. This man with his grandiose plans had no ability to make them happen. It was the first time in my life that I felt an acute stress response, and it was telling me to run like hell. But Jill and I had already moved all of our belongings to La Crosse, we had signed a lease, and we were committed to settling down in this new home. We decided to try to make it work, believing we could help this person. The reality that followed, however, was 11 months of empty promises, delusional visions of grandeur, and all-out lies. We were stuck. Here’s where the hopelessness really set in. I looked back at the past 22 years of my career and everything I had accomplished. Now I was stuck in a city that had no future for me, working for — not with — someone who was the definition of toxic. I had told myself I would never work for someone else again, yet here I was, working in a restaurant that felt like a ghost town and turning

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out food that barely had a glimmer of what I used to create. I started comparing myself to my peers, feeling desperate that I wasn’t doing enough, that I would be forgotten. I was used to managing a determined team at one of the country’s best restaurants, creating food that excited people. I felt like I had failed. I struggled daily with not knowing what to do, who to turn to or how to crawl out of this hole. A thought would flicker in my brain, nagging at me, telling me to give up on life. But now it was more than just me; I had a wife and a son on the way. As hard as it was for me, I knew it was even harder for Jill to watch me struggle. The thought of giving up on your family and yourself is tortuous. It forces you to look deep within yourself and convince yourself that you can do this, that you can keep going. I had to keep putting one foot in front of the other and fight off the daily demons, the lost dreams, the failed goals, the what ifs and should haves. By June of 2019, the situation was only getting worse. I’d finally had enough. I confronted my partner’s family and told them verbatim, If my wife weren’t eight months pregnant and I didn’t need the insurance, I would have told you all to go fuck yourselves a long time ago. I was fired three days later. I felt like the weight of the world had been lifted off me. While I was now faced with figuring out how to support my family, I was also incredibly relieved to shed the stress of that situation and leave it behind. Despite having two college degrees and years of high-level experience in my industry, I was struggling to put food on even my own table. I had to work within the constraints of my state unemployment so that my wife and son could keep their health insurance. I had to hustle. When you’re a husband and a father, you want to give your family the world. When you can’t, it crushes you. And I can attest that living week to week is about as stressful as it gets. I don’t know how families do this every day, year after year. Flash back to September of 2018, when I was visiting the Twin Cities and reconnected with a chef friend, Ben Rients. We traded war stories and talked at length about how the culture of the industry needed to change. A few weeks later, I got a text asking if I’d ever thought about returning to Minneapolis. That was the day we became partners. Although I was still working in La Crosse, we slowly started forming a plan to open a restaurant and, more importantly, we started talking about our vision for the culture we wanted to create. Ben has no idea how life-changing that text was for me and how important he has been for my well-being. He provided a light at the end of the tunnel. This February, I was driving up 38th Street in Minneapolis on my way back to La Crosse and happened to see a For Lease sign in the window at the old Blackbird Cafe. I couldn’t call Ben fast enough. Four months later, our restaurant, Petite León, was underway. After 24 years in this business, I am finally getting the opportunity to make this one my own. I have been given a gift and a responsibility far greater than just being a chef. I have the chance to create an environment where people can thrive, learn, teach, be supported and hopefully become successful. Each of us has a path to get where we are, and that path isn’t always easy. The past year has left me feeling exposed and emotionally drained, but it has also pushed me to think hard about who I am and how I can effect change. My hope is that I can create a space where vulnerability is looked upon as a strength. We are opening our restaurant amidst a global pandemic and national political turmoil. As I write this, I’m recovering from COVID-19, my smell and taste hindered, my energy completely drained. It has forced me to slow down when all I want to do is push forward. It’s far from how I imagined I’d open my first place, but our resolve is strong. As we get closer to opening, I’ve had to accept that I can’t have my family fly out, have my friends gather in celebration or even have the rush of that first service. I’ve always envisioned my wife and son stopping by to sit at the bar for a quick bite and to say hi to daddy before heading home. We know that won’t be happening anytime soon, but we’re taking it in stride. We aren’t going to let it stop us from achieving what we set out to do. My journey in the restaurant business has not been an easy one. But this industry has also been the setting for some of the happiest moments of my life. Perhaps that’s why I’ve held onto this dream so tightly; it’s demanded so much yet given me so much. It has allowed me to persevere and grow as a person. I could have given up so many times, but I feel it is my time to give back. I want my son to grow up knowing his father was a good man, despite all his failures, mistakes and shortcomings. And I don’t know any other way to do that but through food. This obsession has taken me to the edge and back, but how do you stop caring about something that has become part of your identity? It’s more than a job. I’m a chef to my core, and I don’t see how I could be anything else.

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COLOR FAMED ILLUSTRATOR DONALD ROBERTSON SHARES HIS FAVORITE ARTWORKS. B Y K AT E N E L S O N

TAKE ONE LOOK AT DONALD ROBERTSON’S

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fantastical artwork, and you can tell the 58-year-old illustrator leads a colorful life. Considered the Andy Warhol of Instagram (@drawbertson, if you’re so inclined), he has quickly risen to become fashion’s favorite artist, as Vanity Fair dubbed him. If you aren’t already a member of his fan club, you soon will be, alongside the likes of such celebrities as Beyoncé, Kanye West and Iris Apfel as well as brands like Bergdorf Goodman and Estée Lauder, where he’s been a creative director since 2007. His cheeky, cheerful creations might seem like mere eye candy, but they are also bursting with joy and optimism — commodities that seem to be in short supply these days. The Canadian turned Californian took both the art and fashion worlds by storm, largely thanks to social media. “At 50, I decided to start an art/family Instagram just as my hair was going from gray to white — Old Man on the ’Gram,” he says with a laugh. “In a world that is digital this and high-tech that, I’m proud to be a successful painter. I have very little education, I have zero trust funds and I can’t make a PowerPoint presentation. But I happily paint barefoot by my pool in Montecito. I’ve done the opposite of what everyone told me I had to do — not spitefully, but more out of necessity. I can’t wait to see what I do next. My mantra? Be a warrior, not a worrier.” Indeed, we might all be wise to take a page out of Robertson’s playbook, learning to let go, to find joy in the everyday and to paint outside the lines. Here, he shares a glimpse inside his colorful world.


“Rainbow Lips” 2018 This is what happens the week after you move to California from black-and-white New York — you go all color crazy. It’s from eating too many avocados.

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“RIP” 2018 The Chanel brand and I have been flirting on Instagram since Instagram started. We go way back. They let me get away with murder.

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“Women of Color� 2020 My daughter had just gotten her first apartment. She has always loved my wall of women paintings, and she wanted it big. This was her birthday present.

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“Magical Thinking� 2020 I started buying bad paintings with good frames. I would paint over the bad painting in my prison gray; everything in my studio is painted prison yard gray. Then the magic happened. The voices in my head get full credit.

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“History of Fashion” 2020 Pretend your white wall is a canvas. How the hell are you supposed to fill it up? With what? I’m trying to support five kids selling art so think! I started with a crazy base color then painted Jackie O in the bottom left corner. The rest is history — of fashion.

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“Hamish Bowl” 2020 You can’t even get Campbell’s Soup in bougie grocery stores now. I have to go to Vons to find it. So I’m trying to make it chic again.

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THEIR OWN

INSIDE THE SECRET WORLD OF PROFESSIONAL SPORTS MASCOTS. B Y B R I T TA N Y C H A F F E E I L L U S T R AT I O N B Y M I C H A E L I V E R J A C O B S E N

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IT’S A PARTICULARLY HOT NIGHT

for a September baseball game. Mr. Met, a man with a giant baseball for a head, surveys the boisterous crowd. Although a fictional character, he has his beliefs and values. He loves to dance and has a “real” tongue. He does a number for the dugout and sticks his tongue out at the opposing team. The crowd roars back, as if in gallant conversation. Mr. Met is not an athlete, nor is he a fan. The man in the suit, formerly AJ Mass, exists somewhere between these two worlds. He’s the dynamic, interactive symbol the team needs and the embodiment of the slapstick comedy the crowd craves. He has personal relationships with season ticket holders, secret handshakes with kids, and notorious beefs with haughty umpires. Players don’t much notice him, but he notices them. And although Mass is an introvert with the mask off, Mr. Met offers him the opportunity to be someone entirely different. The bombastic, complicated world of mascots is an eccentric subculture of sports. The individuals inside the sweaty, uncomfortable suits are motivated by the euphoria that comes from bringing people joy as well as the anonymity that allows them to be someone — or something — else. • • • Every mascot has a unique origin story. But once they begin, the work is addictive. Take 20-year Phillie Phanatic veteran Dave Raymond, who got his start as an intern in the promotions department. One day, his boss convinced him to try on the Muppet-like suit, and the rest is history. Although he has hung up his costume, he now runs his own mascot branding business. Raymond believes having a deaf mother helped him develop the invaluable physical communication skills necessary for the job. “When you work with physically and emotionally challenged adults and kids, they fall in love with Phanatic,” he notes. “I saw a young man, Kevin, for years after meeting him at a leukemia fundraiser. When he passed away, his family asked me to come to their home. That’s the connection they felt. There are so many stories like that.” Former Houston Rockets Clutch the Bear mascot and Mascot Hall of Famer Robert Boudwin started his career as the University of Delaware’s YoUDee the Blue Hen. “I was put on a partial scholarship to restructure the mascot because they didn’t have anything built,” he explains, adding that he was the quirky class clown that cheerleaders loved having on their squad. “I wrote skits, booked

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appearances and washed the costume.” After teaching classes for the Universal Cheerleaders Association, Boudwin tried out for the Houston Rockets mascot job. When he landed the gig, he created the persona. “I was hired to be a teddy bear,” he recalls, “because they thought a big missile would be too intimidating for children to hug.” Although retired, he still attends the annual UCA Mascot Camp, where many performers start their journey. Beginners get insider tips and practice animating the character. Veterans workshop skits and hone expressionless storytelling skills. As any tenured mascot will tell you, this isn’t a job just anyone can master; it’s more than bigpawed spirit fingers. The craft requires endless dedication, silent stamina and the quirky know-how to make a crowd of 20,000 erupt, all without saying a word. • • • So what’s it like to be a sports mascot? “No one really understands what we do,” says Mass. “It’s a weird, specialized universe.” First, let’s get this out of the way: Yes, it’s hot in there. But that’s not the only issue. “The bigger problem is the lack of oxygen,” Boudwin explains. “You can’t wait to get out of sight and pull off that head because you’re breathing in your own carbon dioxide.” Being in the suit for 30 minutes is the equivalent of an eight-hour workday. You can lose 10 pounds in that time frame unless you constantly hydrate. That’s how physically taxing the job is. “The worst part of the job was taking showers,” Raymond says with a laugh. “I had to take a few a day. I’d run out of shampoo all the time.” Beyond the physical demands, it can be lonely. “That’s the hardest part,” Boudwin remarks. “If you want to do it at a high level, you’re a one-man team. You have to advocate for yourself. You’re one of the only voices pushing the envelope, doing things that make adults laugh.” The job may seem like a silly one, but the considerations are serious. Mascots shouldn’t, for instance, hold a baby. “People would hand me babies all the time, which boggled my mind,” says Mass. “If the baby urinates, there goes your costume. On a more precious note, ‘Oops I dropped your baby’ — you don’t want that!” (That suit, by the way, can cost upward of $30,000, plus getting it cleaned is often the performer’s responsibility.) As the felt-fabric face of a franchise and the heartbeat of the fans, mascots don’t want to do anything that could be misinterpreted as inappropriate. Hugging, for example,

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is surprisingly fraught with peril. Pirate Parrot was once telling a child to stop playing with his beak mid-hug and, in the resulting photos, looked like he was swallowing the kid. Mascots must assume that all eyes are on them the moment they put on that suit. “You’re ‘on’ the entire time,” Mass adds. “You can’t take a break; that’s when you’ll get captured on camera doing something stupid.” Even interacting with officials can be challenging. Case in point: Mass was once ejected from a game when the umpire thought he was sticking Mr. Met’s tongue out at him. (Wildly enough, his tongue was suspended for the rest of the series.) And of course every performer has tales about drunken encounters and X-rated comments from fans. As Mass explains, “Nine times out of 10, it’s someone asking, ‘Are you a guy or a girl in that suit? C’mon, you can tell me.’ I’ve been kicked in the nuts before.” Admittedly, there isn’t much diversity to be found in the world of sports mascots. Rana Lee Araneta, the first female mascot, didn’t land her job as Syracuse University’s Otto the Orange until 1991. These days, there’s an estimated 4:1 ratio of male to female performers. And then there’s the pay. Performers don’t make a lot of money, at least not at first. In the nineties, newbies made around $15 an hour. Nowadays, most major sports mascots are salaried, with tenured individuals pulling in upward of $100,000 a year along with appearance bonuses. • • • Beyond the furry bellies, plush tongues and giant shoes, mascots are sketch comic mavericks. They write interesting skits that entertain both the 55-year-old guy who doesn’t laugh at anything vanilla and the 5-year-old kid burying her face in a bucket of popcorn. “When you can entertain 18,000 people with something you wrote, produced, directed and starred in, it’s an awesome feeling,” Boudwin notes. “There aren’t many people who can do that, unless you’re Sylvester Stallone and you wrote Rocky.” But not every joke lands. “The only time I got booed off the court was when I made fun of Michael Jordan,” he recalls. “I learned my lesson very quickly. I didn’t make it even five steps onto the court, and the whole court booed me. Even the home team! The entire place revolted. Michael Jordan is the only player you can’t make fun of.” According to Boudwin, the NBA’s mascots are the least competitive of the bunch, often swapping sketches and stories. “If I do a skit

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on Wednesday night, I talk to Jazz Bear about it after the game and he does that same skit Friday night,” he explains. “There would rarely be a day when I wouldn’t talk to other mascots to share ideas and best practices.” How do they pull off their shenanigans safely? Handlers. Also known as assistants, interpreters, bodyguards, roadies, sidekicks or secondary characters, they are essential to coordination. Handlers tend to be more prevalent in the NBA, because of the size and intimacy of the arena, the hardness of the floor, and the availability of a PA system. If a mascot is lucky enough to have a handler, they typically keep the same one throughout their career. Boudwin speaks fondly of his: “I had the same assistant for many years. We’d hug and embrace, and we knew when we had nailed a skit. Plus an assistant’s engagement with a fan is just as important. If a kid is about to cry, they can stop that. Or they can protect you if a middle-schooler wants to impress his friends and beat you up.” • • • Ultimately, performers stick around because the fans’ elation offers a break from the troubles of the world. And that connection is euphoric. Dave Raymond sees it as a form of therapy: “Everywhere you go, people can’t wait to see you. It’s an amazing feeling. It got me through the death of my mother and the dissolution of my marriage. It’s what made me better in little doses.” Dan Meers, the Kansas City Chiefs mascot since 1990, echoes that sentiment. “With everything that comes along in life, you’ve got to remember the sun is going to come up tomorrow,” he notes. “Mascots remind us that you shouldn’t take things too seriously. Heck, laughter is like changing a baby’s diaper: It doesn’t change anything permanently, but it sure makes things more bearable for a while.” Of course, we’ve seen cloudy days in the sports arena as of late. Amid the coronavirus outbreak, we’ve grown used to a world without live sports, and when games did return this summer, they did so without fans in the stands. Like many of us, mascots can’t wait until sports are fully back in action, fans safely included. “Last weekend, I almost talked myself into mowing the lawn in my costume,” an unnamed performer recently revealed to ESPN. “It kind of feels like a rain delay: We know the weather will improve, but we don’t know when. In the meantime, we sit alert on the bench, watching the skies and raring to go when summoned.”

For Robert Boudwin’s full Michael Jordan encounter, head to ArtfulLiving.com.

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Notables THE REGION’S BEST AND BRIGHTEST. B Y K AT I E D O H M A N

Kelly Netishen and Hollie Blanchard Art Girls

After working in fashion, at high-end art galleries, and as stylists and interior designers, sisters-in-law Kelly Netishen and Hollie Blanchard gained a great understanding of how style and creative expression work together holistically — and realized that a lot of people didn’t think the hunt was as fun, engaging or satisfying as they did. Enter their brainchild: Art Girls, a full-service art concierge firm. They handle sourcing artists, styles, mediums, framing, staging, shipping, installation — you name it — for residential and commercial spaces from coast to coast. You just get to admire it. “Our mission is to make fine art more fun,” Netishen explains. “Hollie and I make really good partners; we bring creativity and happiness to the process of looking for fine art.” To wit: They recall one couple who had been looking for artwork for a particular space in their residence for nearly a decade. One round of Art Girls’ magical sourcing, and the job was done. Plus some clients get the collecting bug; one even sold her Harley to acquire more art. One major perk? The confidence of knowing a piece will work in your unique abode. The duo works closely with artists to bring the works to your house for a test drive of sorts for up to two weeks. “By seeing the artwork in their home versus just in a gallery, clients are able to feel the excitement, the emotional pull and the synergy that manifests when the art is in the right space,” Blanchard asserts. And that inspires the confidence to make an investment. Companies are starting to use Art Girls’ services, too. The W Minneapolis, for instance, recently tapped them to redesign the historic Foshay Tower’s elevator foyers. They elected to showcase two alternating works that were made into larger-than-life wall coverings that greet guests and set the tone for their stay. But it’s not just about putting art on a wall. As concierges, they want to not only connect clients to art, but also give artists access to new audiences and platforms. “We’re working to crack the code,” Netishen notes. “And we’re finding that a lot of people are hungry to buy art, but they just don’t know where to go or they haven’t found anything with the resources they’ve tried.” In one case, Blanchard spotted the work of Minneapolis-based mixedmedia artist Stephanie Dillon on Instagram and discovered that she had representation on the coasts, but not here at home. “We needed a fine artist who dabbled more in a rock-and-roll vibe,” Blanchard says. “We fell in love with Stephanie, her work and her mission.” Dillon’s Citizen T project, which involves rescuing and upcycling discarded T-shirts with her art, is just one such endeavor that resonated with them. And because Art Girls has a charitable component, Blanchard and Netishen found Dillon’s business model to be simpatico with their own. Those genuine connections create a deep, lasting love and understanding of the artwork — which the duo insists is the most important part. After all, the works may or may not appreciate in value, but the clients will always appreciate the art. “Art can be intimidating, but we like to think we add ease and comfort for a rewarding experience,” Blanchard concludes. “We are changing the way it once was, and we’re having a ton of fun along the way.”

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Chanda Smith Baker Minneapolis Foundation

Chanda Smith Baker is busy. As the senior vice president of impact for the Minneapolis Foundation, she’s been overseeing grant-making programs and providing direction for community initiatives and partnerships. The role is a natural evolution in a career rooted in fighting inequities, including working at the Pillsbury United Communities for almost two decades. She’s proud of how the Minneapolis Foundation leaped into action when our community was confronted with the pandemic, the killing of George Floyd and the unrest that followed. “We are in a position to act and respond,” she says. “When the pandemic hit, we had to decide how to deploy our tools.” Within weeks, the foundation deployed $2 million to help with the impact of the coronavirus outbreak through the OneMPLS Fund then another $500,000 to address the aftermath of Floyd’s murder. Other disbursements were given to help cities thrive, to assist already-distressed areas in rebuilding, and to aid on-the-ground activists and programs. Another point of pride: Smith Baker founded the podcast Conversations with Chanda, where she invites notables to talk about difficult topics with her, pushing virtually everyone outside their comfort zone — which she says is necessary. “Our inability to have tough conversations has absolutely held us back,” she asserts. “We can’t get to disparities and differences without talking about difference. The challenge is to do that with people who have a different experience or opinion than you. That’s where learning and change happen.” From there, she hopes change truly begins to take place. “I dream of a community that prioritizes people over politics,” she notes. “A community that’s bolder, more courageous and more willing to be honest about what’s working and what’s not — and for whom. Where we understand our interconnectedness and are willing to work toward something we all benefit from.” And she believes that’s possible. “The Minneapolis Foundation has a framework I’m very proud of that articulates values that are really critical right now — probably more than ever,” she adds. “There’s so much value being proximate to your community, listening to and amplifying the voices of those most impacted, and holding the value that change is personal. The value of civic participation. The sheer value of hope.”

PHOTOGRAPHY PROVIDED BY MINNEAPOLIS FOUNDATION

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Lindsey and Blake Swanson

PHOTOGRAPHY BY SPACECRAFTING

Swanson Homes and Carbon 6 Interiors

Swanson Homes and Carbon 6 Interiors are ready to build your dream home with their dream team. And this partnership between builder and designer is more than just a working relationship — it’s a family affair. Owner Curt Swanson grew up in the industry, as his dad founded Swanson Homes back in 1965. Curt’s son Blake, in turn, is the firm’s vice president. And Blake’s wife, Lindsey, oversees the creative process for the team at Carbon 6, a full-service interior design studio boasting access to a wider array of offerings and experiences. As Blake and Lindsey take the helm, a new vision has started to take shape: a one-stop shop that designs for new builds but also takes on renovations and makeovers, with a keen eye for the way people live today. “The world has really changed this year,” Blake notes. “People have a different outlook on what a home is supposed to be.” Take multigenerational living, for example. For a client whose mother was living in a nursing home, the team designed a primary guesthouse so that she can have some independence, adding dreamy details like a full French kitchen with an industrial back kitchen and separate suites for their two dogs. “It’s a really interesting layout that meets their family’s needs,” says Lindsey. This unique business model allows for a deeper connection with the client. “Clients think of us as one team,” Blake explains. “Lindsey and the other designers know the contractors as well as anyone. There’s a lot of synergy with our comprehensive, guided process.” And the husband-and-wife team brings a special energy to projects from start to finish. “We’ve figured out a really good dynamic where we respect each other’s knowledge and experience,” Lindsey says. They can navigate each other’s lanes well enough to help clients out whenever they have questions, no matter what stage of the process they’re in. That collaboration makes for a well-executed project. “We treat each project with the level of care we would expect in our own home,” Blake adds. “Between the two of us, we are ready to bring innovation to the next generation of homeowners.”

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Rodney Johansen

HOM Furniture

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PHOTOGRAPHY BY SPACECRAFTING

Rodney Johansen, CEO and president of HOM Furniture, is on the move. Again. After amassing and merging his furniture empire — Gabberts, HOM (which acquired Seasonal Concepts and Sleep Express), and DOCK86 — in a megaplex in Little Canada, he’s got another underway in Bloomington. The latest build will be 215,000 square feet, complete with a glass elevator, a massive central staircase, fireplaces, and a cookie shop to take a break and assess your purchases. As these brands come together, Johansen promises that the aspects customers have come to love about each will never change. Gabberts will continue to be the high-end, hightouch design experience, HOM will remain the transitional juggernaut, and DOCK86 will still offer great discounted overstock and oneof-a-kind finds. Putting them all under one roof means customers can see and experience each brand, even blending them for the ultimate high/low experience. While other superstores have faltered in recent years, this conglomerate has only grown. “Our large selections mean that customers have choices that fit all budgets — plus trained experts to help them,” Johansen explains. “No matter the brand, we have a better shopping experience.” Customers can watch the Gabberts pros work their magic and mood boards in the Design Center then meander through the HOM Market, a curated collection of handpicked decor and accents at wildly affordable price points. There will even be displays to help customers understand the scale and placement of furniture and sets for the full effect. Not to be overlooked is the sleep center featuring everything from pillows to mattresses, including popular online brands such as Nectar and Purple. And the opportunity to try them out means greater customer satisfaction (and lower return rates) compared to online shopping. “We live here and so do you; we’re going to keep you happy,” Johansen says, emphasizing the superior nature of an in-person shopping experience. “No matter where you are in your life, we have something for everybody.”


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ADVERTISER INDEX 6Smith, 202

Executive Health Care, 63

Pink Wealth Management Group, 41

Ador, 63

Explore Minnesota, 164

Plastic Surgery Consultants, 62

All Seasons Fireplace, 116

Fairbault Woolen Mill Co., 167

Plato Woodwork, 68

ALL, Inc., 37

Ferguson Bath, Kitchen &

Prestige Pools, 104

Art Resources Gallery, 116

Purcell Remodeling & Renovation, 163

Artful Giving/Anna Lisabeth, 14–15

Fox Run, 168

R.F. Moeller Jeweler, 29

Artful Living Digital, 219

Gabberts Design Studio & Fine Furniture, 94

Rabbit Creek, 69

Aulik Design Build, 223

Galleria Edina, 17, 19, 21

Restor Homes, 77

Baldamar, 213

Gianni’s Steakhouse, 90

Revolution Salon, 212

Borton Volvo, 33

Hagstrom Builder, 39

Ridgedale Center, 58

Brett Edgell, Monetary Specialist, 157

Haute Kitchens, 173

Roth Living, 52

Bridgewater Bank, 56

Hendel Homes, 18

Ruby + Suede, 104

Brightwater Clothing & Gear, 83

Hero Office Systems, 8–9

Sanctuary Salonspa, 95

Bruce Kading Interior Design, 89

Indulge & Bloom, 220

Select Surfaces, 42

Callahan Framing Co., 77

International Market Square, 10–11

SKD Architects, 210

Chankaska Creek Ranch & Winery, 166

Ispiri, 20

Spacecrafting, 148

Charles R. Stinson Architecture + Design, 27

Jaguar Minneapolis, inside front cover, 1

Spell Estate, 96

Charlie & Co. Design, 31

JB Hudson Jewelers, 2–3

Spoon and Stable, 96

Chazin Interiors, 146

John Kraemer & Sons, inside back cover

Stonewood, 12–13

City Homes, 203

Johnjeanjuan, 169

Streeter & Associates, 35

Clairmont Design + Build, 47

Judd Frost Clothiers, 157

Studio M Interiors, 78

Coldwell Banker Realty

Keenan & Sveiven, 221

Sun Control of Minnesota, 163

Kowalski’s Markets, 192

Swan Architecture, 22

Coldwell Banker Realty/Global Luxury, 145

Lake Country Builders, 56

Swanson Homes, 176

Crutchfield Dermatology, 25

Land Rover Minneapolis, inside front cover, 1

Talla Skogmo Interior Design, 83

Custom Christmas Lighting, 117

Lecy Bros. Homes & Remodeling, 105

Terry John Zila Catering, 169

David Heide Design Studio, 193

Lucy Interior Design, 69

The Luxe, Apartments at Ridgedale, 177

Daybreak Interiors, 47

MA Peterson, 184

The Sitting Room, 53

Denali Custom Homes, 91

Mall of America, 4–5

Top Shelf, 95

Distinctive Drywall & Painting, 193

Martha O’Hara Interiors, 44

Twin Cities Closet Company, 156

DOM Interiors, 152

Martin Patrick 3, 23

Union Place, 162

Douglas & Todd Bourbon/

Max’s, 212

Velie Real Estate, 89

Minneapolis Institute of Art, 183

Visit Cook County, 167

Douglas Flanders & Associates, 147

Minnetonka Travel, 219

Vujovich Design Build, 172

Eleven, 115

Nancy Norling, DDS, 76

Warners’ Stellian, 16

Eminent Interior Design, 210

Nob Hill, 53

Watertown Convention &

Erotas Custom Building, 211

Nor-Son Custom Builders, 70

Eskuche Design, 173

Parasole Restaurant Holdings, 57

Property Gallery, 118–144

Phillips Distilling Co., 40

222

Lighting Gallery, 84

Artful Living

Visitors Bureau, 6–7 Wixon Jewelers, back cover


Aiilik CREATIVE. THOUGHTFUL. TRUSTED.


TO BE FRANK THE GREAT RESET THE GLOBAL PANDEMIC HAS CREATED A

disruption of the status quo and an opportunity to remake our future. The isolation and abrupt change from our usual schedule have reshaped our perceptions of the outside world and created far-reaching consequences. On a personal level, this has caused fear, angst and even boredom. FOMO (the fear of missing out) is out of style and has given way to its emotionally distant opposite: JOMO (the joy of missing out). For years, technology has heightened FOMO by urging us to focus on other people’s alluring selfies and to respond with equally enviable images of ourselves. This promotion of the good life has had an encouraging effect for us to pursue it, consume more and not miss out. Living in a manner of JOMO, on the other hand, eliminates the need to compare ourselves to others in a time of social and physical isolation. It is about being present and content. The crisis has caused an acceleration of time that feels like we have suddenly been lurched years ahead into unpredictable places. This great reset of our lives allows us the chance to ask ourselves candid questions like, Am I in good relationships? Do I have the right job? Am I living in the best location? Are my plans still viable? An honest confrontation of our immediate situation can provide clarity, prompt transitions and create paths for exits. Transitions are not a pause until we get back to our former lives. Those days are, for the most part, gone forever. May we have the wisdom to reimagine new directions and the courage to make changes for a better future.

All the best,

Frank Roffers

Publisher + Editor-at-Large

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