Simply Abu Dhabi Edition 18 Return To The Palace

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imply Abu Dhabi XVIII marks a Return to the Palace – the Emirates Palace, to be exact. As you’ll have seen from the stunning photo on our cover, in this special summer edition we proudly feature one of the world’s most beautiful hotels, Abu Dhabi’s iconic Emirates Palace. The very essence of luxury and hospitality, set amongst some of the most breathtaking architecture in the world, the Emirates Palace holds a very dear place in our hearts. It’s here that we first fell truly in love with this amazing city, and were inspired to pursue our dream of creating a publication dedicated to the very best it has to offer. We invite you in these pages to immerse yourself in a journey through the Palace’s magnificent accommodations, superb dining and serene spa experiences. We think you’ll agree it’s a truly magical destination.

DUBAI

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The lavish surroundings of this landmark hotel also provided the setting for the inaugural edition of Fortnum & Mason Presents Tennis at the Palace – a gala weekend of exhibition tennis from some of the legends of the sport, played on the UAE’s first-ever grass court built specially for the occasion.

Our Creative Director Colin Statham and partner Ellis Valentine were in attendance, and share with you their experiences of the ultimate British lawn party. If you missed this year’s event, you’ll want to be sure to book in for next year after reading Colin and Ellis’s account. In other sporting news, British Polo Day Abu Dhabi, now in its fourth year, presented an unforgettable black-tie evening of world-class polo, stellar dining, and philanthropic endeavour. Read on to learn more about the night’s event, and the origins of this phenomenal celebration of how equestrian sport and charitable concerns can bridge cultures.

Then indulge yourself in the appetising world of Hakkasan at the Emirates Palace. This awardwinning fine-dining experience offers an utterly modern take on authentic Cantonese cuisine. We spoke with Chef de Cuisine Lee Kok Hua at length about what makes Hakkasan so unique, how he maintains the consistent excellence for which the restaurant is lauded, and the state of the Abu Dhabi food and beverage scene. Continuing the theme of interviews with fascinating people, we were honoured to have the opportunity to speak with Sir Richard Branson. Known around the

globe as a business tycoon, adventurer, and philanthropist, Sir Richard is at heart the ultimate entrepreneur, and we were thrilled to have the chance to hear his insights on that topic. Finally, we conclude with an interview with the actor Vin Diesel, star of the massively successful Fast and the Furious film franchise. Whilst he’s the strong and silent type on screen, in this Q&A he opens up about losing his friend and co-star Paul Walker, and the importance of family.

As ever, we’re delighted to bring you the latest luxury offerings from the most incredible watchmakers and jewellers on the planet. It’s an incredible selection, ranging from dazzling diamonds, to sporty watches, to glamorously fashionable pieces. And talking of fashion, is your wardrobe ready for spring/summer 2015? You’ll want to check out the latest off the runways from the world’s top designers for both men and women. And for the first time, we feature a fashion feature for children, with an adorably stylish collection from CH Carolina Herrera.

Our Beauty Editor Sophie McMullan is here to get you ready for summer as well, with her take on all the latest in luxury cosmetics and skincare for the season, as well as a feature on Yas, the Royal Name of Perfumes, the UAE’s own purveyor of unique, precious fragrances.

We’re pleased to introduce to you motoring correspondent Nick Jeynes, who joins the Simply Abu Dhabi Team with his coverage of incredible new cars steeped in British heritage from Aston Martin and Rolls-Royce. We’re confident you’ll join us in eagerly awaiting more from Nick in future editions!

And whilst we’re on the topic of British heritage, we invite you to read about Belgraves, a Thompson Hotel in London. We recently enjoyed a stay at this fantastic boutique hotel that combines traditional English hospitality with a carefree attitude and loads of fun. It’s a bit of Bohemia in Belgravia, and a true haven for a London summer. Finally, Simply Property once again brings to you some of the most spectacular properties in the world, from the majestic Swiss Alps to the urban chic of Manhattan.

We hope you’ll enjoy this summer edition of Simply Abu Dhabi as much as we have enjoyed creating it for you. Wishing you a glorious summer..

And as ever, we wish you all the best in life and luxury.

Jordana & Arnie

W E L C O M E T O S I M P LY A B U D H A B I :

“Your Passport to Pure Luxury” Arnie S Hira – CEO & Founder Arnie.Hira@simplyabudhabi.com Jordana Imogen Lynch – Managing Director & Co-Founder Jordana.lynch@simplyabudhabi.com

Wishing the World: Peace, Prosperity & Progress in 2015

Manoj S Hira – Director – info@nowaiting.co.uk Editor: Arnie S Hira Co-Editor: Jordana Imogen Lynch Copywriters: Jordana Imogen Lynch, Arnie S Hira

Management team Creative Director: Colin Statham - colin@simplyabudhabi.com Managing Editor: Kerry Smith - kerry@simplyabudhabi.com Beauty Editor: Sophie McMullan - sophie@simplyabudhabi.com Car Editor: Nick Jaynes - nick@simplyabudhabi.com Sub Editor: Caroline Stupnicka - caroline@simplyabudhabi.com

Like our Facebook page via http://www.facebook.com/simplyabudhabi Images: All photos used in Simply Abu Dhabi are by Getty Images/Shutterstock/GoRunway/ Distribution: Abu Dhabi Media Company Distribution Director: Raed Hamdan Distribution In charge: Muzammil Sulaiman Disclaimer: The publishers regret that they cannot accept liability for error or omissions contained in this publication, however caused. The opinions and views contained in this publication are not necessarily those of the publishers. Readers are advised to seek specialist advice before acting on the information contained in this publication, which is provided for general and entertainment use and may not be appropriate for the reader’s particular circumstances.

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Born in Abu Dhabi, Designed in Manchester, Distributed throughout the world.

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*Flight duration based on NBAA IFR theoretical range at Mach 0.87 with eight passengers and four crew. Actual time will be affected by ATC routing, operating speed, weather, outfitting options and other factors.

S I M P LY A B U D H A B I

CONTENTS

Our Return to the Emirates Palace Hotel

Simply Jewellery

Simply Unforgettable

Page 38

Tennis At The Palace

Page 74

A Simply Incredible British Polo Day

Page 80

Simply Food

Page 90

Simply Fashion Women’s

Hakkasan

Simply Property

Page 190

Harry Winston’s Secret Wonders Chopard Happy Diamonds, Happy Hearts and Haute Joaillerie Dolce & Gabbana Alta Gioielleria Mouawad Flower of Eternity Collection and ‘Royale’ Rings Gucci Flora Goldgenie

Page 219

alice + olivia, Céline, Chanel, Dior, Loewe, Louis Vuitton, Marc Jacobs, Tory Burch

Page 100

443 Greenwich New York Town Residential: The Pierre Hotel Swiss Dreams: CI Exclusive Properties One57 New York Miami Property — Heating Up Fast by Julia Brandon

Kids’

Page 252

CH Carolina Herrera

Men’s Page 256 Brioni, Dior Homme, Louis Vuitton Homme, Ralph Lauren, Tom Ford Simply Beautiful

Page 245

Yas the Royal Name of Perfumes Tria – Summer’s Secret Weapon The Outlook for Summer – Beautiful

Simply Cars

Simply Influential

Page 141

An Interview with Sir Richard Branson & Q&A with Fast & Furious star Vin Diesel

Simply Travel Belgraves Hotel

Simply Time Page 148 Harry Winston, Glashütte, Jaquet Droz, OMEGA, Blancpain, Breitling, Bulgari, Chopard, Fabergé, Fendi, Hermès, Jaeger-LeCoultre, Patek Philippe, Richard Mille, Ulysse Nardon, Franck Muller

Villeret Collection

Simply Abu Dhabi and Simply Abu Dhabi.com are intellectual property of Simply Abu Dhabi Limited, Elizabeth House, Elizabeth Street, Manchester, M8 8JJ. U.K. Fax: 0044 161 832 4566 / Skype: simplyabudhabi

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www.blancpain.com

Page 286

Rolls-Royce Ghost Series II The 2015 Aston Martin V12 Vantage Aston Martin Vulcan Page 302

Our Return to the Simply Unforgettable

By Arnie S Hira and Jordana Imogen Lynch

L

ong-time readers will know just how much the Emirates

has taken wing to become a premier source of all things luxury.

With that truly personal connection ever-present in our minds, we

Palace means to us. When we first launched the Simply

We’ve met so many wonderful people, had such amazing

had the recent privilege of visiting the eminent hotel once again,

Abu Dhabi publication in 2011, we were honoured with

experiences (including a spectacular second stay at the Palace two

and now share our thoughts with you on the following pages. We

an invitation to stay at the exalted hotel on one of our earliest visits

years ago), and have been privileged to see Abu Dhabi, the city we

hope you enjoy this virtual journey through the Emirates Palace,

to the city. It’s fair to say, this is where we first fell truly in love with

love, grow and thrive into the international capital of sophistication

and we urge you to experience this remarkable place for yourself.

the capital – indeed, the very heart and soul – of the UAE. It was a

it is today.

visit that altered the course of our very lives, and one for which we

But one thing remains constant: the Palace remains an iconic

will be eternally and humbly grateful.

Palace’s trademark service truly befitting of kings and queens.

But what’s truly wonderful is that, in the spirit of true Arabian hospitality, each and every visitor is made to feel like an honoured guest. Home to 302 guests rooms and 92 suites, each adorned with exquisite upholstery and the finest craftsmanship, the Palace stands

A Prestige Destination

apart from the crowd. It’s a testament to the renowned quality and bespoke service of this iconic Abu Dhabi hotel.

landmark in Abu Dhabi, and quite possibly the most beautiful hotel

Simply put, the Emirates Palace Hotel is nothing short of world-

Since that time, so much has changed. With the help of so many

in the world – and one that will always be near and dear to our

class. Renowned for its impeccable standards and prestige luxury

Taking a tour through the incredible array of guest room options –

friends and supporters in the Emirates and abroad, our magazine

hearts.

since its inception in 2005, heads of states, royal families and a host

all of which are sure to surpass even the most demanding

of VIP and celebrity guests from all over the globe have enjoyed the

expectations – we start with the Grand rooms. These chambers are

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spread throughout the East and West Wings, offering calm

Strategically located at the corners of the East and West Wings, the

tranquillity away from the lively lobby. Tranquil colour

Khaleej and Khaleej Deluxe Suites comprise a spacious lounge area,

combinations of light blue, gold and crème in the silk upholstery,

bedroom and a luxury bathroom. Offering many options for

brightened up by honey brown wooden veneer and marble

entertainment, both categories also enjoy spectacular 180-degree

floorings, create the perfect atmosphere for relaxation. The room

scenic sea views. An ambience of elegant grandeur is enhanced by

categories enjoy magnificent views of either lush gardens (‘Coral’

exquisite Spanish marble details, decorative chandeliers of textured

rooms), partial sea views (‘Pearl’) or the glistening blue waves of

Graniglia glass with a beige and gold finish, and 100 per cent silk

the Arabian Sea (‘Diamond’) gently breaking onto the beautiful

embroidered fabrics.

beach.

Overlooking an unobstructed view of the palm tree-lined sandy

Next, the Palace Suites – Khaleej, Khaleej Deluxe, and Royal

beach and the crystal blue waters of the Arabian Gulf, the

Khaleej Deluxe – the crème de la crème of luxury accommodation

contemporary Royal Khaleej Suites contain a beautifully dressed

in the Middle East, form the centre of the Palace’s grand design.

king-size bed and a fully-appointed bathroom with an

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accompanying Jacuzzi. Adornments of gold, delicate silks and Swarovski crystal chandeliers give you a truly presidential experience. Relax and treat yourself to bespoke service, delicate dĂŠcor, and expansive vistas.

On to the Palace Suites. Truly your palace within the Palace, these spectacular spaces represent luxury at its finest with a spacious living area, elegant dining room and three regal bedrooms. A lavish entrance hall adorned with soft hues of gold and silver under Swarovski crystal chandeliers will lead you into a plush living room decorated in delicate yellow or blue silks and Daum crystal masterpieces. The elegant dining room boasts only the finest cuisine. Each Palace Suite can be separated into individual sections, and booked either in its entirety (three bedrooms) or as one or two bedroom suites.

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Each guest room and suite is remarkable in its own way – each has a truly warm and inviting atmosphere, whilst presenting the utmost in luxury furnishings, bedding and amenities.

There’s no doubt you may feel spoilt for choice when it comes to selecting a room at the Palace.

Dining at the Palace The world class standard of service, luxury amenities and peerless hospitality are not the only reasons the best and the brightest from around the globe flock to the Palace. It stands apart as a culinary destination on its own as well, as the site of no fewer than 14 phenomenal restaurants, cafes, lounges and bars. Anything your taste buds can imagine, you’ll find it here – and all in the tradition of the Palace’s personalised and generous treatment of its clients. If you’re ready to enjoy a dining experience beyond compare, you must be sure to avail yourself of as many of the

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Palace’s options as possible. Really, the biggest problem will be deciding which ones to try.

Later in this issue, we’ll take a more in-depth look at Hakkasan and its world-renowned take on modern Chinese cuisine. For now, let’s explore

some

of

the

other

tempting

gastronomic possibilities.

As featured in our recent Simply Food issue (Simply Abu Dhabi XVII), Sayad (Arabic for fisherman) is the chic, contemporary seafood restaurant at the Palace, offering classics with a modern twist. We’d recommend sampling the fresh catch of the day on the lounge-style seating area spread across the terrace. With its sumptuous views of the marina and sandy beach, it’s a great place to unwind and admire the sunset or a starry night.

If an Italian feast is more to your taste, you can do no better than the award-winning

Ballroom Foyer

Ballroom

Auditorium

Auditorium Terrace

Meeting Room

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Mezzaluna. Here your palate will be serenaded with rich Mediterranean culinary delights, amidst Venetian murals and motifs – the perfect ambience for a truly Italian experience.

Or try BBQ Al Qasr, a relaxing al fresco dining experience that offers an extensive à la carte menu from its outdoor grill. We think it’s one of the most romantic dining spots in the city, with its idyllic beachside setting, aromatic blends

of

Arabian

shisha,

and

live

entertainment.

A must-visit for both first-time visitors to the Emirates and lifelong residents, Mezlai is one of the first restaurants in the UAE to feature authentic Emirati cuisine with a Middle Eastern touch to suit the palates of a discerning multicultural

clientele.

The

traditional

atmosphere and local cuisine will give you an experience to savour, combining luxury with Emirati customs. Continuing your culinary travels across the Middle East, Diwan L’Auberge invites you on an unforgettable journey from Lebanon to Abu Dhabi, offering authentic Lebanese cuisine and live traditional entertainment.

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Naturally, no complement of international cuisines would be complete without a taste of France. Partake in the buffet at Le Vendôme Brasserie,

which

offers

exotic

flavours

combined with classic international cuisine, amongst elegant indoor dining or outdoor seating reminiscent of Paris’s most beautiful terraces.

Fancy getting your just desserts? Whisk yourself away to Le Café, a charming venue in the style of Vienna’s legendary sidewalk café culture, for a rich cup of coffee and delicious homemade pastries, among other tantalising treats. If spending the day poolside is more your style, you are faced with two options, depending on your mood that day. Feeling sporty? Enjoy a casual meal at Cascades along the West Wing’s Adventure Pool. Or if you just want to feel the refreshing sea breeze as you lounge in comfort on an African day bed or pool hammock, then try a freshly prepared

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salad or grill at Las Brisas alongside the East Wing’s Relaxation Pool. Either way, you can’t go wrong.

For truly unique experiences, the Palace offers its discerning guests a number of exciting options. The humidors of the Havana Club offers connoisseurs a sophisticated and opulent tour of Cuba, while Etoiles provides a haven for those who appreciate an exclusive social experience, with its fashionable mix of opulent décor, smooth grooves, international awardwinning DJs, live performances and the finest avant-garde European cuisine. A must-visit for the trendy elite!

And if the Palace hasn’t provided you with enough options, there’s the Palace Ceremony.

No ordinary room service, this is an opulent in-room dining experience like no other. The attentive staff at the Palace stand ready to serve, wait on you and pamper you in the privacy of your own room or suite whilst you dine on gourmet dishes prepared especially for your

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pleasure. It’s the ultimate in luxurious indulgence.

The Signature Dish Finally, we would be remiss if we ended the dining section without telling you about the Palace’s signature dish: the 23k gold camel burger. If you’re in search of the ultimate way to sample the rich flavours of the region, look no further than the unforgettable signature dish of the Emirates Palace – a unique Arabic twist on the American classic. Just as the same suggests, it’s a sumptuous patty of camel mince, infused with local spices and offset by a touch of truffle mayonnaise on a gold-dusted bun.

It’s truly something to savour; the tender meat and locally inspired condiments make this luxe dish altogether unique. Enjoy homemade Arabic pickles, traditional taboule salad, fried onion, and mozzarella cheese as your delectable accompaniments. As an added creative twist, chickpea fritters dusted in gold provide an

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authentic Arabic taste in an unconventional form. We can guarantee you’ve not tasted anything to compare.

The signature camel burger was created and introduced at the Palace in 2012, after several months of culinary brainstorming, endless tasting

sessions

and

a

hotly-contested

qualifying heat by competing teams from the hotel’s restaurants. In celebration of local produce, a total of twenty options were narrowed down to five, from which the victorious burger was announced. The signature camel burger is now a popular item on the Le Cafe, BBQ Al Qasr, Mezlai, pool bars and in-room dining menus, so you have no excuse not to order this must-try item at Emirates Palace!

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The Emirates Palace Spa Experience

Forlle’d, Bastien Gonzales and Gentlemen’s Tonic, the Emirates Palace Spa provides luxury and

If you think you couldn’t possibly feel more

relaxation like never before, with world class products

pampered when staying at the Emirates Palace, a visit

and purely indulgent packages aimed to ignite a sense

to the absolutely blissful spa will raise the bar even

of balance and harmony. We were awed at the choice

higher.

of exclusive soulful escapes, where pearls, gold and minerals are a real and glamorous pampering to your

Drawing inspiration from Abu Dhabi’s rich cultural

skin.

traditions and the natural beauty of the Arabian Sea, the new spa at Emirates Palace features an exotic

So often in our busy lives we don’t get the chance to

blend of Moroccan-inspired interiors, domes and

slow down and focus on ourselves. The pressures of

graceful archways interlaced with delicate furnishings

work, family or travel can take a stressful toll on one’s

and spa fittings. Here, guests can enjoy everything

body if we don’t take the time to be mindful – it’s all

from a manicure to a Moroccan Hammam treatment

too easy to lose touch with our inner peace when so

(as well as barber services for gentlemen) and let the

many things seem so urgent in the moment. As soon

worries of the world simply melt away.

as we entered the spa, however, we knew we were about to embark on a journey of mystical

At this oasis of utter serenity, popular treatments are

enchantment and self-reflection. Spa Director

combined with new products and spa practices to

Hannah Dowd and her team have created an

introduce

experiences

incredible array of treatments designed to restore your

unparalleled in the bustling capital of the UAE.

equilibrium and make you feel radiant and refreshed

Partnering with famous brands such as Amra,

from the inside out.

a

menu

of

bespoke

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Among these, few can be more highly recommended than the Palace Massage – the signature massage of the Emirates Palace Spa. Each specifically designed treatment focuses on delivering three bespoke experiences that will leave you feeling harmonised, energised or deeply relaxed. Each massage has been carefully crafted

with

techniques

and

massage

movements that, along with the selected Amra oil for each massage, deliver an entirely different feeling and outcome.

The Harmonising Palace Massage is paired with Amra’s Gold Rejuvenating Body Oil and is as luxurious as it sounds. The scent is that of a rich amber, with top note of effervescent citrus, mid notes of nestling herbs and a rich base of woodsy aromas that help to bring the senses into alignment. We were interested to learn that gold has natural anti-inflammatory properties and helps to promote cell renewal and eliminate free radicals, balancing cell metabolism and hydrating the skin. With a base oil combination of argan oil to nourish and restore elasticity, jojoba oil as your antiinflammatory, coconut oil to hydrate and firm, as well as baobab oil to improve elasticity and

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cell regeneration, your skin receives vitaminrich components.

As I discovered, this is a fantastic choice for the jetlagged traveller, as the massage element provides the perfect remedy for anyone who experiences trouble with sleeping or insomnia.

This massage will help to also calm, rebalance and realign the mind and body – especially for people who work long hours and who are constantly on the run. Focal massage points centre around the back, head and shoulders to bring instant relief, with additional stretching to open blocked body channels and boost overall vitality.

The Energising Palace Massage is paired with Amra’s Diamond Illuminating Body Oil, which allows the skin to become truly radiant.

The Diamond range is inspired by violet top

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notes with citrus, bergamot and grapefruit and a hint

with coconut, jojoba, argan and baobab also present

of fruity notes of blackcurrant, apple and basil. A heart

in the Diamond formulation. These are selected not

of subtle floral notes blends into the warm woody

only to provide the best massage medium for the

amber and musk base notes. Diamond as an element

guest, but are also known to deliver essential

has the ability to diffuse wrinkles by causing an optical

ingredients for overall skin health.

blurring effect to the skin. Amra Diamond

The massage sequence used to enhance the energising

ingredients work with the latest active technology

experience for the guest features faster massage

throughout their skincare range to ensure that the

techniques and Lomi Lomi movements for full body

Diamond oil has the ability to absorb directly into any

regeneration. This massage is the perfect early

wrinkles. The base ingredients throughout the range

morning treatment and energy boost in the evening

of precious oils are very similar in their composition,

for those who do not want to leave in a deep state of

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relaxation after their treatment. Or, if you are someone who does not like to lie still for long durations, you will also be happy with this energetic treatment, which features stretching of the lower back and hamstrings for those who spend the better part of their days seated.

The Deeply Relaxing Palace Massage is paired with Amra’s Caviar Hydrating Body Oil to deeply nourish the skin. The Hydrating Caviar range

has

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woody

amber

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throughout, with distinctive top notes of lemon and mint and a heart of infused green tea. The cosmetic properties of caviar have been known to humankind for years. Research shows that it promotes skin rejuvenation and hydration by naturally absorbing sea mineral salts, which help restore the natural skin balance, due to its high level of vitamins and mineral contents.

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The deeply relaxing massage is focused towards guests who have high-pressure jobs and may find it hard to switch off from work mode, or again for jetlagged or generally sleep-deprived guests who could benefit from having the perfect night’s sleep – as Jordana will attest, after this treatment, you’ll be sure to sleep soundly.

Before the massage begins, warm towels are placed on the feet and back to initiate the body into a deep sleep mode. Warming the feet has been shown to alleviate tired or aching feet, plus it helps to relieve insomnia and stress. The warmth on your back will slow the breathing down and promote deeper breaths, which helps to release muscle tension and increase oxygen to the brain, which reduces excessive anxiety levels. As you relax your body, you may find that the breathing brings clarity and insights to you as well. Stress is known to narrow our attention-focusing abilities, and

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impact our decision making as the everyday noise of life distracts us from listening to our inner selves. From beginning to end, the massage strokes used are slightly slower than usual, at just the right speed to help synchronise the mind and body into a deep relaxed state.

If you can’t decide, the spa’s team of expert therapists will help you select the best style of Palace Massage for you when you arrive, based on how you would like to feel after your treatments. Whichever you select, you can be assured it will reflect the pure essence of Emirates Place luxury. Hannah Dowd and her incredible staff at the spa are experts at what they do, and are deeply committed to helping you find relaxation, harmony and balance in your body and even in your very soul. We’re very grateful to them for the amazing experience.

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And finally, our thanks to the rest of the team We’d like to extend our deepest, most humble gratitude to each and every one of the wonderful people who comprise the Palace staff. With each visit, we find ourselves astonished anew at how warmly guests are welcomed, how attentively we’re looked after, and how the service is so personalised to each and every visitor. It’s truly a remarkable team.

Our special thanks to General Manager, Holger Schroth, as well as the sales and marketing team including Linda Steeger, Mohammed Alaoui and Juliana Larasopo.

We’re already eagerly anticipating our next visit.

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Tennis At The Palace

By Colin Statham and Ellis Valentine

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hat a privilege – not to mention a tremendous amount of fun – it was to have been invited to attend the inaugural ‘Fortnum & Mason presents Tennis at The Palace’ weekend. Held amongst the lavish surroundings of the Emirates Palace hotel in Abu Dhabi, the event was part traditional British summer lawn party (in the classic, inimitable style you’d expect of headline sponsor Fortnum & Mason), and part top-notch sporting event, featuring an absolutely legendary line-up of world-class tennis greats. Every detail was simply flawless, a testament to the extravagant luxury and hospitality that distinguish event designers Strawberries & Cream.

As the name suggests, tennis was the focal point of the tournament, but the entire weekend event was packed with wonderful activities, incredible food and unforgettable experiences – there was something to appeal to everyone. It all started smashingly on the first day of the event, after a warm welcome from the Emirates Palace and event planning staff. We attended an elegant, stylish and chic event where all the guests were dressed to impress whilst mingling with friends and indulging in first-class hospitality and outstanding cuisine.

A Tea Party For the Ages From the moment we, and the other guests, arrived at this quintessentially British garden party, we were invited to delve into the luxurious worlds of the event’s sponsors: enjoying afternoon tea, a hot air balloon ride or a game of croquet with title sponsor Fortnum & Mason; marvelling at the full size model of Etihad Airway’s new Residence cabin; admiring the majestic Bentley motors on display; or shopping the designer brands from the Avenue at Etihad Towers. There was so much to see and do, but there was also a lovely – and very British – lawn tea party atmosphere that was perfectly conducive to relaxed enjoyment.

A palatial yet traditional venue, Emirates Palace provided the perfect backdrop to host the inaugural event. Approximately 1,500 guests enjoyed astonishing hampers from Fortnum & Mason filled to overflowing with tempting treats – not to mention endless cups of the finest teas in the world.

Tea, of course, has played an important part in English history and culture since the 17th century, when it became the favoured drink of the most 74

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discerning and wealthy members of society. One of the earliest references to tea appears in the famous diary of Samuel Pepys, who wrote in September 1660: “I did send for a cup of tee, (a China drink) of which I had never had drunk before.”

Yet it was not until the 1830s that the idea of afternoon tea as a separate meal began. Anna Russell, Duchess of Bedford, is credited with first making afternoon tea into a formal social occasion, to which one would wear one’s best tea dress and set the table with the finest bone china.

Complaining of experiencing hunger in the gap between luncheon and dinner – which had shifted to a fashionably late hour – the duchess began inviting her friends to enjoy tea and a light refreshment in her rooms at Woburn Abbey. She continued the practice upon returning to London and the afternoon tea became an increasingly fashionable ritual among the social hostesses of the upper classes. Now, of course, this wonderful and quintessentially British tradition carries on, with an added dash of Emirati splendour, in the Tennis at The Palace.

Left to right the players with Holger Schroth GM Emirates Palace, HMA Philip Parham, Khalifa Faraj Bin Hamoodah, Mohamed Jihad Abdelghani, Vicky Collins, Duncan Frazer

Manar Al Hinai

Classic FM Guests enjoy the sunshine on Fortnum's Terrace

Ladies’ Evening Next on the agenda, there was a very special Ladies’ Evening. Inspired by the patronage of Her Highness Sheikha Shaikha Bint Mohammad Bin Khalid Al Nahyan, an exclusive Ladies’ Evening was held (with femaleonly staff) to welcome esteemed female visitors. Guests had the opportunity to enjoy both a ladies’ singles match and a mixed doubles match featuring four former Wimbledon champions in Pat Cash, Richard Krajicek, Marion Bartoli and Jana Novotna. One of the weekend’s many incredible highlights, the Ladies’ Event, paired world class tennis and world class hospitality – and all with an underlying focus on fashion!

Her Highness Sheikha Shaikha is one of the leading supporters of tennis in the UAE and is known for her involvement in the Sheikh Mohammed bin Saeed bin Hamdan Al Nahyan Tennis Tournament for Emirati women, and under her patronage, the Ladies’ Evening is sure to become an unmissable event in the years to come.

As Her Highness Sheikha Shaikha commented: “The beauty of tennis is that it is a sport for a lifetime for everyone, not just professional athletes. It is growing increasingly popular in the UAE, with the addition of a number of initiatives that promote women’s participation in the sport, helping them lead healthy and active lives.’’ Vicky Collins, Tournament Director for the event, added: “It is a great honour that ‘Fortnum & Mason presents Tennis at The Palace’ is held under the Patronage of Sheikha Shaikha and specific elements have been designed with this in mind. Encouraging ladies to play tennis is extremely important to me and I hope by having two former Wimbledon ladies’ champions playing at the event it will encourage a number of our esteemed female guests to pick up a racket and experience tennis!’’

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Mercurial Mansour Bahrami

Tim Henman acknowledges the crowd

Tennis, Anyone?

Abu Dhabi hosts a number of tennis matches, but this was no ordinary tournament. To begin with, in preparation for the exciting events, a tennis court was laid with rye grass to replicate Wimbledon itself, making it the very first grass court tennis tournament in the UAE. The Emirates Palace hotel spent two full weeks and 1,500 hours of work on an intense automated grass irrigation, levelling out the grass on the impressive lawns to ensure the most perfect surface possible for the unprecedented grass tournament. With the aid of a specialist machine, they ensured that the court surface remained exactly a regulation 0.4 inches throughout the duration of the three day tournament. Quite an impressive feat, one that shows the dedication and commitment of everyone involved in creating this amazing event.

As long-time fans of the sport, we were thrilled to see the main tournament, essentially a ‘Who’s Who’ of some of the greatest ever to play the game. The ten star players – Tim Henman, Pat Cash, Richard Krajicek, Younes El Aynaoui, Mansour Bahrami, Mikael Pernforns, Peter McNamara, Jana Novotna and Marion Bartoli – were all flown in by Etihad Airway for the weekend. So it was with great anticipation that we headed out to day two of the event, dedicated as ‘Fortnum’s Friday’ in honour of title sponsor Fortnum & Mason. The festivities got underway under sunny skies, with former Wimbledon champion Richard Krajicek facing off against Younes El Aynaoui in a competitive and thoroughly entertaining exhibition match against the stunning backdrop of the Emirates Palace hotel.

After a chance to stroll about the magnificent grounds, stretching our legs and indulging in some truly delectable cuisine, we reassembled for the second exhibition of the day – a match pitting tennis legends Mikael Pernfors and Peter McNamara against Mansour Bahrami and Henri Leconte, with all players giving the spectators a top-notch game. Over the ensuing course of the event, we got to see another thoroughly entertaining doubles match: Pat Cash and Younes El Aynaoui take on Tim Henman and Mikael Pernfors.

From what we could see, the Tennis at The Palace weekend was every bit as unforgettable for the pros as well. Whilst the players come from different generations – Bartoli being the youngest at 30 years of age, and Bahrami the veteran at 58 – playing exhibition tennis has become something they all have in common having retired from professional competition. So one definitely got the sense they truly enjoyed being around each other, and admired each other as tennis fans themselves. In fact, when former Wimbledon champion Pat Cash was very young, he had been a ball-boy for Peter McNamara.

Some years later, Cash was an already established star when he met Krajicek, then a teenager, at a tournament in Korea. And now, at the inaugural Tennis at The Palace exhibition, they all had a chance to play each other, enjoy the event’s many amenities and attractions, and take in the many wonderful sights of Abu Dhabi.

For example, Marion Bartoli and Jana Novotna were spotted shopping at Avenue at Etihad Towers; a group of the tennis greats played golf at Yas Links; and Cash, El Aynaoui and Henman went sailing on the Etihad Towers Volvo 60 – a remarkably swift yacht that once sailed around the world in the Volvo Ocean Race.

Former British champion Tim Henman remarked that he hopes he gets invited back for next year’s edition. “When I had the opportunity to play here it was an immediate ‘yes’. If they want me next year, I’ll be back for sure,” he said.

We echo his sentiments completely. We are already looking forward to next year’s event. Our deepest thanks go out to the incredible event organisers, sponsors, players, and of course, the simply peerless Emirates Palace.

78 S I M P LY A B U D H A B I Henri Leconte

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n a triumphant return for British Polo Day Abu Dhabi 2015, a marvellous evening of fantastic polo, superb cuisine and generous fundraising marked the start of the 2015 British Polo Day Global Series.

In just four short years, British Polo Day, created to champion British luxury and heritage, has grown to encapsulate a network of ten events annually. Starting with this incredible event in Abu Dhabi, the 2015British Polo Day Global Series has on its calendar events in Dubai, China, Great Britain, India, Mexico, Morocco, Singapore, USA, and a unique global gathering at Nihiwatu, on Sumba Island.

History and Heritage – the Origins of British Polo Day The story of British Polo Day stems from a love of the ancient sport of polo, as well as the recognition that the international language of the horse can bridge cultures, bringing together a like-minded community on a global scale.

A Simply Incredible British Polo Day

Through polo, British Polo Day founders Ed Olver and Tom Hudson seek to celebrate British luxury heritage. Great Britain, and indeed many of the host countries, has a long history of polo. The aim of British Polo Day is to continue the tradition of playing high-quality amateur polo against friends across the world, while also acting as a platform upon which to build a network of diplomatic and commercial opportunities by showcasing more 30 top British luxury brands and acting as a conduit for encouraging craftsmanship and heritage in emerging markets.

In countries all over the world, polo has a long history of raising significant funding for worthy causes. The British Polo Day team is entirely committed to bringing to bear the full weight of its partners, network and creative talent to this end. To date, British Polo Day has raised more than US$1.2 million for extremely worthy causes across the world.

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Sponsors of prestigious series include Land Rover, who support equestrian sport from grassroots all the way through to the elite level, as demonstrated in its role as Presenting Partner of British Polo Day. The Official Timekeeper for both British Polo Day Abu Dhabi and British Polo Day Dubai is Jaeger-LeCoultre. No watch can claim to be closer to the world of polo than Jaeger-LeCoultre’s Reverso. It was designed in 1931 at the request of British polo players in India and is therefore the perfect fit to be partnered with British Polo Day.

A Spectacular Evening Held at the spectacular Ghantoot Racing & Polo Club, the private Royal Club of HH Sheikh Falah Bin Zayed Al Nahyan, British Polo Day Abu Dhabi raised £35,000 for Women and Health Alliance (WAHA) and Help for Heroes.

Keeping the British polo buzz alive across the region, British Polo Day Abu Dhabi followed HRH Prince Harry’s recent visit, where he too swung his polo mallet for the crowds at Ghantoot Racing & Polo Club (as you may have read about in Simply Abu Dhabi Edition XVI). Some of Britain’s best young players including George Meyrick and Jamie Morrison flew in, courtesy of Etihad Airways, to take to the prestigious pitch of Ghantoot – one of only three floodlit pitches in the world. What followed was an evening of exhilarating polo, fervent fundraising and superb pitch-side fine dining.

More than 200 VIPs guests, including HH Sheikha Lubna bint Khalid Bin Sultan Al Qasimi, HH Sheikh Sultan Bin Falah Al Nahyan, HH Maharaja Sawai Padmanabh Singh of Jaipur and his father Maharaj Narendra Singh, His Grace the Duke of Argyll, HM Ambassador to the UAE Philip Parham CMG, and Jaeger-LeCoultre’s Marc de Panafieu and his wife Princess Alexandra Cantacuzene-Speransky, attended the prestigious black-tie evening event.

Whisked from the InterContinental Abu Dhabi in chauffeur-driven Land Rovers, guests arrived to a Champagne Taittinger reception, a beautiful blooming pop-up Harrods garden party – complete with caricaturist and Harrods Green Man – and a traditional game of camel polo. The Hackett Camel Polo Trophy saw members of the British Army’s elite Cavalry and Guards regiments go head-to-head in a lofty battle that ended in a draw.

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Ambassador Philip Parham

British Polo Day Abu Dhabi -Hackett Camel Polo Trophy

From camel hump to bicycle pump, the British Exiles and Rest of World teams took to the pitch for an amusing and quintessentially British game of Brompton Bicycle Polo. The British Exiles put the pedal to the medal and won 3 – 2.

HE Sheikha Lubna and Ed Olver

HH Sheikha Lubna bint Khalid bin Sultan Al Qasimi, HE Saeed Bin Houfan Al Mansouri and Philip Parham CMG, HM Ambassador to the United Arab Emirates, took to the stage to present the evening’s prizes. The Hackett Camel Polo Trophy was jointly presented to the Cavalry and Guards regiments for their rather diplomatic draw, while triumphant home team Ghantoot took home the British Polo Day Plate.

The highlight of the evening’s polo was undoubtedly the British Polo Day Plate, presented by Land Rover. A closely fought battle between the British Exiles and Ghantoot Polo Team, the Exiles had a strong start with a surprise two goals in the opening minutes of the game, but the Zaleta brothers soon took Ghantoot into the lead with their carefully-honed tactics. Despite fighting back, the Exiles couldn’t manage to turn the game around and the home team once again triumphed with a 9 – 6 1⁄2 lead, taking home the splendid bespoke trophy by British Silverware.

Royal Salute’s ‘Most Valuable Player’ George Meyrick was presented with a bottle of Diamond Tribute, while the Holland & Holland ‘Shot of The Day’ was awarded to Ghantoot’s Abdullah bin Desmal and ‘Best Playing Pony’ – sponsored and presented by Jaeger-LeCoultre, the Official Timekeeper for British Polo Day – went to Despreciada, ridden by Clemente Zavaleta of Ghantoot Polo Team. British Polo Day’s Harrods Green Man then presented the Harrods ‘Luck of the Draw’ prize to Mikaela Lovelund from InterContinental Abu Dhabi.

With the crowds gathered for the official British Polo Day Abu Dhabi prize-giving,

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British Exiles vs Rest of World Brompton Bike Polo

Gaucho Guards Camel Polo team Ambassador Philip Parham, Sheikha Lubna, General Carew Wilkes and HH Maharaj Narendra Singh of Jaipur

Ed Olver with Marc and Alexandra de Panafieu

Jaeger-LeCoultre Camel Polo Team

His Grace The Duke of Argyll, Jan Masters, Robert Taylor, Pia Kussrow and Jean Claude Messant

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Colonel Simon Ledger George Meyrick and HH Maharaja Padmanabh Singh of Jaipur

Sheikha Lubna and Guests

On the terrace overlooking Ghantoot’s pitches, guests then sat down to a threecourse dinner by Gaucho and Royal Warrant holders Justerini & Brooks. Colonel Simon Ledger then raised his gavel to start the evening’s charity auction for the benefit of WAHA and Help for Heroes. With lots including an iconic handmade Brompton bicycle, a stay for two at Marrakech’s Royal Mansour, four nights in the private residence on Velaa Private Island, and a week in one of 3rd Home’s luxurious properties, the auction raised an impressive £35,000.

surroundings, where we welcome new partners Harrods and Etihad Airways. The matches were closely-fought and we are extremely proud to raise significant amounts for two incredibly worthy causes.”

Travelling with Abercrombie & Kent, guests, players and polo enthusiasts spent the preceding days exploring Abu Dhabi – the majestic Sheikh Zayed Grand Mosque, a boat trip across the Persian Gulf for brunch at Zaya Nurai Island and two exclusive dinners at Bentley’s and Frankie's Italian Restaurant & Bar, Abu Dhabi.

As VIP guest Philip Parham CMG, HM Ambassador to the United Arab Emirates, summed it all up: “Style, speed, skill, dash, fun and excellence – the very British attributes of the very British Polo Days in Abu Dhabi and Dubai. Polo, along with other equestrian sports, exemplifies the strong links between British and Emirati heritage past, present and – I am sure – future. The British Polo Days also exemplify the UAE’s role as an international sporting arena. So, many thanks to all our British and Emirati friends whose hard work makes the British Polo Day possible.”

British Polo Day’s UAE Tour then moved on to its second leg, British Polo Day Dubai, hosted by the Habtoor Family at the Dubai Polo & Equestrian Club – the birthplace of British Polo Day and the setting for its very first event in 2009.

Tom Hudson, Co-Founder of British Polo Day commented: “We were delighted to launch the 2015 British Polo Day series in Abu Dhabi – and in such spectacular

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Bryn and Emma Parry

Chef de Cuisine Lee Kok Hua

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akkasan Abu Dhabi may have opened its doors in June 2010 at the landmark Emirates Palace, but the restaurant first debuted in London’s Hanway Place back in 2001. Born out of humble pride, a passion for travel, plus a dash of sheer confidence and optimism, Hakkasan created a fine dining experience that changed the face of Chinese cuisine, setting the standard in London and soon expanding to become a global brand. With locations including New York, Las Vegas, Beverly Hills, Shanghai and Mumbai, plus Abu Dhabi, Dubai and Doha in the Middle East, Hakkasan has stayed true to the ideals and practices that accompanied it on its path to success.

S I M PLY F O OD

We always remember with great fondness enjoying an incredible meal at Hakkasan at The Palace in its earlier days – which coincided with the fledgling issues of Simply Abu Dhabi. The restaurant has as much pull on our hearts as it does on our appetites, so with its award-winning modern authentic Cantonese food located tantalisingly close by, we just had to pay a return visit.

And what we found was delectable. Most dishes are designed for sharing, so luckily we could try a variety of offerings. For starters, there was crispy duck salad, Hakka steamed dim sum platter and jasmine tea-smoked Wagyu beef rib – all exquisitely delicious and beautifully presented. After this, we moved on to our mains, including charcoal-grilled sha cha Chilean sea bass and stir-fried black pepper rib-eye beef, accompanied by perfect side-dishes such as the Hakka handpulled noodles. Again, the balance of flavours and quality of ingredients was extraordinary. Rounding off the meal, we opted for a palate-cleansing dessert: Hakkasan’s signature macarons and the exotic fruit platter. It was a delightful conclusion to a wonderful culinary journey.

Hakkasan Delight in authentic, award-winning Cantonese cuisine at the Palace 90

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What was apparent to us was that all of the dishes at Hakkasan are prepared with a consideration for tradition, yet deliver a modern, authentic impression. The flavours are bold, yet light. The aromas are evocatively nostalgic, yet don’t overpower the diner. In short, it’s a feast for all of your senses.

Our readers might be particularly interested to note that signature Hakkasan dishes, such as Peking duck with Beluga caviar and spicy wild prawn curry with lily bulb and almond, are served alongside a set of new dishes created especially for an Emirate clientele. And ultimately for us, the beauty and brilliance behind the Hakkasan cuisine was how clear it was that each visit would bring with it new flavours and a different type of experience, making us eager to return yet again.

The Philosophy of the Hakkasan Team The philosophy of ‘Modern Authenticity’ is at the forefront of the Hakkasan DNA, representing a balance between tradition and progression. The restaurant group has embedded this philosophy into its design, service, brand standards and, most importantly, its cuisine.

At The Palace, the design ethos is immediately apparent in the glamorous and opulent surroundings that envelop you as you enter, either through the main lobby or a private entrance by the East Wing. With the restaurant, bar and lounge, and four private dining rooms, Hakkasan comprises a vast 16,000 sq ft space but is given a warm and intimate feel by elegant Chinese-inflected touches such as carved wooden screens and latticing, embroidered furniture and marbled forms.

Long-time design partner Gilles & Boissier designed the space mindful of the Hakkasan ethos of ‘modern ethnic dining’ and reinterpreting it for an UAE audience. It’s both visually stunning and incredibly welcoming.

Executive Head Chef Tong Chee Hwee has led the Hakkasan kitchen since its inception, and his dedication to Chinese cuisine has achieved the group numerous awards including multiple Michelin stars at Hakkasan locations across the world. International Executive Chef Ho Chee Boon, a Michelin-starred chef with over 24 years’ experience, leads Hakkasan’s global culinary expansion. His traditional techniques use fresh local ingredients to ensure his contemporary dishes retain the essence of conventional Cantonese cuisine.

The Abu Dhabi restaurant is headed by Chef de Cuisine Lee Kok Hua, who previously worked under Head Chef Tong Chee Hwee for five years. Together, this remarkable Hakkasan team is committed to a philosophy of telling the story of China through reviving and modernising old recipes – and it’s a story that is not to be missed.

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Canadian lobster with Supreme stock

Charcoal grilled lamb chop in Mongolian sauce

Meet the Chef: A Q&A with Lee Kok Hua, Chef de Cuisine at Hakkasan Abu Dhabi What is your career background and what initially inspired you to get into the hospitality industry?

Growing up in Malaysia, I was surrounded by a family of cooks so food was an important part of my life from a very early age. I started working as an apprentice cook when I was 15 years old, learning the basics of wok cooking and how to create the unique balance of flavours that is so important in Chinese cuisine.

I joined Hakkasan in 2003 as a Senior Sous Chef at the original restaurant in London. At that time, the restaurant had already won a Michelin star under Head Chef Tong Chee Hwee, which it still maintains to this day. Having the opportunity to work with such a formidable chef was an honour and I learnt so much from him about presenting complex flavoured Cantonese dishes with a modern flair and how to bring a freshness and vitality to Chinese food.

In 2010, I was delighted to be given the opportunity to lead the kitchen team for Hakkasan Abu Dhabi at Emirates Palace, the company’s first venture into the Middle East.

How would you describe your cooking style?

My cooking style is very rooted in my Asian heritage and reflects Hakkasan’s philosophy of using traditional methods to create modern authentic dishes. I love to work with new flavours and combinations.

Charcoal grilled silver cod in spicy honey sauce

Crispy duck salad

We are constantly reviewing our dishes and overall menu to ensure that we have the perfect balance of freshness and flavour. You can see from our menu that there is a strong emphasis on good quality ingredients and it’s important to treat them with respect to enhance the various flavours, colours and textures to let them shine on the plate.

What are you like with your team in the kitchen?

Hakkasan’s success has been built on excellence, setting the standard for Chinese cuisine the world over. There’s a level of expectation – from myself, the team and our guests – which can only be realised if every one of us engages in our jobs with passion and ownership.

What is your signature dish?

Although Hakkasan is internationally distinguished, we recognise the importance of reflecting local market demands and palate. That’s why, in addition to many of Hakkasan’s classic signature dishes, you will also see a number of dishes on our menu which have been created especially for Abu Dhabi.

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Among our most popular dishes are the classic Hakka steamed dim sum platter – which we serve in Abu Dhabi with har gau, scallop shumai, prawn and chive dumpling, crystal dumpling – and crispy duck salad with pomelo, pine nut and shallot. Our signature jasmine tea-smoked Wagyu beef ribs is a variation of a classic Hakkasan dish available worldwide and is a perennial favourite among our guests.

We are constantly reviewing our dishes and overall menu to ensure that we have the perfect balance of freshness and flavour. Our new a la carte menu will be launching in late summer, and it will feature some new dishes that I hope will become just as popular with our guests.

How do the service and culinary teams support each other?

The most important thing is communication, both in terms of operational planning but also responding to guest feedback to ensure that we continue to meet and exceed expectations so they have a truly enjoyable experience and return time and time again.

As a team, we all passionately believe in what Hakkasan stands for. We are all working towards the same goal, with everyone pulling together to help each other do the very best job that they can. This includes an extensive in-house training programme, which enables us to share knowledge so we can better work together.

Biggest challenges you face in the kitchen and the restaurant?

The biggest challenge – and ultimately, also my biggest pleasure – is to maintain consistency and offer a truly Hakkasan experience to each and every one of our guests.

Knowing that our guests leave happy, having had an unmatchable experience, makes me very happy.

What are your thoughts on the F&B scene in the UAE? I think this is a really exciting time for Abu Dhabi and I have been delighted to witness some significant steps forward since moving here five years ago. Some very interesting brands and concepts have opened their doors, especially in the past year, which is a really positive thing for the city.

I truly believe that the breadth and quality to be found here gives some serious competition for Dubai’s more established food scene and underlines Abu Dhabi’s growing reputation as a culinary destination, which will only serve to help attract more talent in the future.

To date, what has been your most memorable culinary experience and why?

Having the opportunity to open Hakkasan Abu Dhabi was a very proud moment for me, especially as it was Hakkasan’s first restaurant in the region. Since then, I have been delighted to see the team win numerous awards and was humbled to have been named Best Chef at the Caterer Middle East Awards in 2013.

Finally, our signature question: what do you think of Simply Abu Dhabi?

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I think Simply Abu Dhabi sets a very high standard and provides a true sense of the aspirational qualities that Abu Dhabi offers, with each page bringing the allure of the city’s exceptional lifestyle offering to life.

Salt and pepper squid

Hakka steamed dim sum platter

Crispy Wagyu beef with mooli in osmanthus sauce

Selection of macarons

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25 BEEKMAN PLACE 4 BR 4.5 BATH $12.975 M WEB ID: 911285 MIDTOWN EAST ZACH BOREN +1 (646) 588-4067

182 EAST 94TH STREET 5 BR 6.5 BATH $10.5 M WEB ID: 913537 UPPER EAST SIDE SACHA MOBARAK +1 (646) 998-7461

TOWNRESIDENTIAL.COM TOWN Residential LLC is a partnership with Buttonwood Residential Brokerage, LLC and Thor Equities, LLC. No representation is made as to the accuracy of any description. This is not intended to solicit property already listed. The number of bedrooms listed above is not a legal conclusion. Each person should consult with his/her own attorney, architect or zoning expert to make a determination as to the number of rooms in the unit that may be legally used as a bedroom. TOWN Residential LLC is a licensed real estate broker, proud member of REBNY, abides by federal and state equal housing opportunity laws and owns the following subsidiary licensed real estate brokers: TOWN Astor Place LLC; TOWN Fifth Avenue LLC; TOWN Flatiron LLC; TOWN Gramercy Park LLC (“TOWN Gramercy”); TOWN Greenwich Street LLC (“TOWN Financial District”); TOWN Greenwich Village LLC; TOWN Soho LLC; TOWN West Village LLC.

45 GREENE STREET

2 BR 3 BATH

$10.8 M

WEB ID: 275231

SOHO

GREG GARWOOD +1 (646) 790-6927

Marilyn Hoffman

Marilyn Hoffman

Royal Dornach Drive Northern Atlanta

25,000-square foot gated masterpiece situated on two hundred feet of river and golf course frontage with a six-car garage.

ultimate privacy, this prestigious ninebedroom estate had eight-full baths and three-half baths. Privately located off the main floor is the master suite with a large sitting room and master bath and enormous walk-in closets.

The two-story foyer with dual floating winding staircases has a breath taking approach that lead to the grand salon. You’ll find a gourmet kitchen with custom cabinetry, stainless-steel appliances, and a large vaulted keeping room with a two-story towering stack stone fireplace. The home is equipped with an elevator to all 3 levels.

The terrace level features a family room, second kitchen, custom bar, billiards room, card room, exercise room and a home theater.

Estate is ideal for hosting lavish social gatherings but still gives you the intimate feel of elegance and home.

While the estate’s features are something to boast, another feature that makes it one of a kind is it’s location in the St. Ives Country Club, just a 15-minute drive from Downtown Atlanta. With a reputation for being the most exclusive country club in the area, it features a 45,000-square-foot clubhouse that overlooks the Tom Fazio designed, championship golf course.

Members can also enjoy a pool and pavilion, which includes flat screen televisions, a builtin tiki bar and WiFi access.

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ophistication at it’s finest exemplifies luxury living with classic design & lavish elements in this 25,000-square foot gated masterpiece situated on two hundred feet of river and golf course frontage with a six-car garage. Owned and lovingly restored by one of the country’s foremost entrepreneurs for his own personal home in an exclusive gated golf course community with another gate around the estate, offering the utmost private lifestyle in the exclusive St. Ives Country Club – what could possibly make 101 Royal Dornach Drive even grander?

This masterpiece estate provides an ultimate haven for privacy in an amazing area of Northern Atlanta.

HOFFMAN INTERNATIONAL PROPERTIES TEL – +1 214 698 1736 CELL – +1 214 674 3961 MarilynHoffman@sbcglobal.net www.MarilynHoffmanRealtor.com

This 2 acre estate is offered at $5,100,000

www.RoyalDornochManor.com

In addition to amazing breathtaking views and complete 104

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The Ultimate Equestrian Estate Only 15 minutes from the DFW International Airport

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his 39 acre country estate is secluded in a prime location in Flower Mound, Texas and features approximately 13,000 sq. ft. of living area with amazing views of the Dallas skyline. This custom built stone mansion features hand scraped wood floors throughout, the finest of millwork, 2 guest homes, spectacular negative edge pool with 2 spas waterfall and a huge barn. The main home is extremely private, sitting at the end of a long 25’ paved drive with a huge motor court offering plenty of parking for Texas size entertaining. The main home has 8,330 sq. ft. on 3 levels, with 5 bedrooms, 3 living areas, media room, 2 studies, a 4 car garage, the guest house adjoining the main home has 2,411 sq. ft. with 2 bedrooms, 2 baths, living, dining and remodeled kitchen, and the 2nd guesthouse has 1,884 sq. ft. with 3 bedrooms, 2.1 baths, full kitchen, living and dining rooms. Beautiful gated entry, 3 helicopter pads and air conditioned dog house.

Offered at $6,000,000

www.CrossTimbersEstate.com HOFFMAN INTERNATIONAL PROPERTIES TEL – +1 214 698 1736 CELL – +1 214 674 3961 MarilynHoffman@sbcglobal.net www.MarilynHoffmanRealtor.com

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ew York’s most captivating and exclusive luxury condominium development is 443 Greenwich Street in Tribeca. This magnificent residential enclave is an architectural masterpiece of an earlier age that is now a striking contribution to Tribeca’s modern landscape.

Metro Loft Developers, one of New York’s leading real estate firms, has remastered this 19th century landmark, fusing its classic proportions and silhouettes with contemporary textures, palettes and designs. 443 Greenwich stands ready to be reintroduced with renewed integrity and a perfect sense of place in 21st-century Tribeca. 443 Greenwich features all the modern amenities to ensure complete privacy and luxury: valet with private, drive-in parking, a landscaped roof deck, lap pool, fitness and wellness centre, children’s playroom, private storage rooms, a wine cellar, and 24-hour white glove service.

443 Greenwich: A 19th century landmark remastered

The residents of 443 Greenwich will experience an effortless transition from the vibrant city street to their serene, bespoke homes. The entrance doors on Greenwich Street open to reveal a private enclave, where an elegant allée of columns beneath a handcrafted coffered-wood ceiling leads you to a lushly planted, 4,800 square foot courtyard garden. Cloistered by glass and brick, the centre courtyard is an inspired work of the noted landscape architects HM White, flooded with natural light.

The interiors, brilliantly designed and architected by the New York firm CetraRuddy, offer a layered richness of detail with a design that is at once classic and full of 21st-century energy. The materials and finishes have been carefully selected for each residence to preserve and reinvigorate the integrity and authenticity of the original architecture.

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PENTHOUSE LIVING 443 Greenwich features extraordinary duplex and triplex penthouse residences, ranging in size from 3,500 to 9,000 square feet. With luxurious appointments and finishes, these residences are spacious and discreet – downtown New York’s premier penthouses.

In the original 19th century structure are great rooms with fireplaces and soaring ceiling heights up to nearly 21 feet. Windows on two levels flood the great rooms with light and air. The living spaces on the newly constructed storey open onto oversized landscaped terraces from 1,100 to 3,500 square feet, seamlessly fusing inside and out. Connecting these levels are dramatic, contemporary staircases. Two triplex penthouses feature private elevators, plunge pools with river views, and two-car onsite parking.

The penthouses are designed with distinctive layouts, ranging from three to six bedrooms. These unique residences offer libraries, dens, media rooms, and family rooms with fireplaces and wet bars for entertaining. All bedrooms have en suite baths. Master bedroom suites feature large, exquisitely designed master bathrooms, fireplaces, and multiple walk-in closets.

Catering-sized penthouse kitchens also include more intimate areas for family dining, with 10 to 12 foot marble islands. For warmer weather, outdoor summer kitchens with refrigeration, water, and BBQ stations grace each landscaped penthouse terrace. These magnificent, walkout terraces have spectacular views of the river, and the New York cityscape – with multiple exposures and zones for entertaining and sunbathing. Truly, oneof-a-kind masterpieces.

443 Greenwich is scheduled for completion in occupancy Winter 2015. Prices range from $8,000,000 to $51,000,000.

For further information, please visit the website www.443greenwich.com or call 00-1-212-877-4433.

Renderings by Hayes Davidson

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The Pierre: The epitome of luxury available through TOWN Residential

elegance of couture fabrics, custom furnishings and Murano glass chandeliers. The residence is completed by spa-like en suite marble bathrooms, fully equipped pantry, curated artwork and integrated technology.

t’s the ultimate in luxury living, at one of New York’s most prestigious locations. For the most discerning clientele, the full 39th floor of the elegant and legendary Pierre Hotel is available for the first time. This private, tranquil, secure and utterly luxurious monthly rental accommodation, complete with a private elevator landing and all the impeccable services of the finest five-star hotel, is atop Manhattan’s most exclusive address.

With complete access to the Pierre's bespoke luxury services including the Taj Royal Attaché butler service, 24/7 concierge, pet pampering, twice daily maid service and the hotel’s chauffeur-driven Jaguar, this truly is fit for a CEO, royalty, or head of state. There are even two restaurants located in the hotel for those nights when you may not want to cook – Sirio Ristorante and Two E Bar/Lounge are just a lift ride away.

Looking across Fifth Avenue to incomparable and panoramic views of Central Park and the city, this one-of-a-kind six bedroom home provides the ultimate in gracious living. Spacious and serene, the living, dining and sitting rooms blend the

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The Pierre has a legendary history. Even in a city where luxury living is abundant, there’s always been something special about the Pierre. The outside edifice of the topmost floors, where the property is located, was modelled after Mansart’s Royal Chapel at Versailles; the slanted copper roof, pierced with dormer windows, has made the Pierre an instantly recognisable and much beloved landmark. Over the years, it has been home to business tycoons and celebrities such as

Ideally situated at 2 East 61st Street in Manhattan, the Pierre puts the world literally at your doorstep, with every possible amenity and landmark in New York within easy reach. The world-famous high-end department store Bloomingdale’s is just around the corner; have a frozen hot chocolate at Serendipity or visit the globally renowned New York Public Library; take in a Broadway show or attend a performance at the Lincoln Center. It’s the city where dreams come true.

J.Paul Getty (who once owned the building), Hollywood icon Elizabeth Taylor, and renowned designer Yves Saint-Laurent.

Manhattan; the 39th floor (including the Presidential Suite) is available for $500,000USD a month. It is the ultimate in luxury living.

Globally recognised since the 1930s, this classic Manhattan hotel underwent a $100 million renovation to strike the perfect balance of legendary tradition and 21st century convenience.

And now, Town Residential is carrying this exclusive, record-setting rental listing in

For contact information, please contact Andres Perea-Garzon, C: +1-646-580-0198 aperea@townrealestate.com www.townrealestate.com.

A collection of suites are available from $65,000USD - $500,000USD per month

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8F CFMJFWF UIFSF JT B CFUUFS XBZ UP CVJME B OFX OFJHICPVSIPPE

t OFX IPNFT t 0WFS TIPQT BOE SFTUBVSBOUT t IPUFMT t 0GGJDF TQBDF GPS QFPQMF t DBQBDJUZ FWFOU WFOVF

t'BTIJPO IVC t /FX ;POF -POEPO 6OEFSHSPVOE TUBUJPO t 3JWFSCVT TFSWJDF t BDSFT PG DVSBUFE QBSLT BOE PQFO TQBDF t 5IF XPSME T CFTU BSDIJUFDUT To find out more about residential investment opportunities go to batterseapowerstation.co.uk or contact +44 20 7501 0678

Jones Lang LaSalle is the appointed agent on behalf of the shareholders of Battersea Power Station. CEA Licence number 586469. RERA number 1373. The personal information which you provide will be passed to Battersea Power Station Development Company, which keeps it on file in order that you can be kept up to date with future developments. Planning Permission Refs: 2009/3575, 2013/2742, 2013/6639.

DON’T DO ORDINARY

Mauritius

"The home should be the treasure chest of living" - Le Corbusier

Lutry – Switzerland

Swiss Dreams:

irst there’s a vision. The vision of traditional mountain villages nestled in the majestic Alps; the vision of contemporary urban architecture that is the ultimate in European modernity.

Switzerland is where the dream of snow-covered chalets meets the future of international sophistication.

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With bespoke services spanning brokerage, promotion, and even residential rentals, CIEP’s philosophy and positioning express a desire to differentiate their approach. The team is committed to meeting the expectations of a local and international clientele that is highly demanding, but one that also can appreciate a passion for excellence in lifestyle.

For CI Exclusive Properties, their vision is of a true sense of service, specialising in luxury residential real estate. As a prestige division of the Comptoir Immobilier Group, CIEP shares the sentiments of the renowned modernist architect Le Corbusier – every aspect of their ethos aspires to provide excellence in finding a treasured home for each of their discerning clients.

Competence, sensitivity, and discretion are the hallmarks of a well-tailored service that CIEP offers, both to buyers and to sellers. The benefits attached to working with this elite firm are complete: multilingual, competent, and sensitive brokers, who provide flexible and attentive customer care for their clients, a differentiation in their promotion methods which are based on highly specialised

Lutry – Switzerland

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Montreux – Switzerland

Geneva – Switzerland

qualitative and targeted data (dedicated websites and online platforms, targeted global print marketing, Comptoir Immobilier’s VIP network), as well as the incredible access provided by working on a worldwide basis. Whilst basing themselves on local expertise, CIEP have ultimately generated a dynamic, international reputation through its offering of high-quality services.

What sets CIEP apart are the pragmatic professionalism of the team, a targeted marketing dynamic, and a considered approach to relationship management that combines the utmost in discretion with personalised customer care. All of these are the key factors of CIEP’s efficiency and success.

Historically installed in Geneva, the Comptoir Immobilier Group is also found in most of Western Switzerland. The skills and experience of more than 200 collaborators have enabled the company to develop itself and be strategically active in all real estate sectors: residential and commercial property management, rentals, sales and evaluations, real development for private, corporate and

public entities, as well as mall management. The group, whose origins date back to 1825, has today reached a portfolio of approximately 9 billion Swiss francs in real estate assets under management, to which are added approximately 2 billion francs in studies and developments. The CI Exclusive Properties division, specialising in prestige residential real estate, offers local and international clients a value-added service corresponding to the prestigious nature of the exceptional properties on offer.

Working with CIEP The properties are available to view on the website www.ci-exclusive-properties.com and, subject to customer desire, on prestigious international platforms. CIEP also showcases its real estate properties through simple and elegant promotional materials, featuring the highest quality panoramic photographs guaranteed to entice.

Client support is conducted immediately upon the start of the relationship with the agent. A

dedicated CIEP professional will offer proposals and advice throughout the process, in order for the client to enjoy completely attentive service from beginning to end in his or her project.

Above all, CIEP strives to offer a quality service, both to local and international customers. This could mean a targeted search for properties for sale, or a dynamic property promotion. The overall philosophy of CI Exclusive Properties can thus be expressed in two ways: the reception and tailored service offered to international clients, and the expansion of a network of real estate agencies recognised for their performance and their commitment on the international level.

To the second point, CIEP has notably joined two prestigious international networks specialising in luxury residential real estate: Leading Real Estate Companies of the World and Who’s Who in Luxury Real Estate. Participation in these networks allows CIEP to offer a global visibility to the properties for sale, whilst establishing links at the global level with some of the most dynamic firms

in their markets – all of it based on a collaborative vision centred on the needs of clients. The Prestige Division is thus based on values of exchange, listening, advice, and professionalism, in keeping with the great tradition of Comptoir Immobilier, complemented by a sensitive attention to a culture of discretion and luxury.

With its unique importance on the world stage and stunning views of mountains and lakes, Switzerland is the ideal place to find enchanting architecture and luxurious amenities amidst breathtaking scenery. And with CIEP, your Swiss dreams can become a reality.

For more information: CI EXCLUSIVE PROPERTIES contact@ci-exclusive-properties.com Tel : +41 (0)22 319 89 15

Lavaux– Switzerland

Mauritius

Mauritius

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oaring 1,005 feet into the skies above Manhattan, One57 has quickly become one of the most storeyed buildings in all of New York City, if not the world. Located in Manhattan’s bustling midtown epicentre, the allure and success of One57 has coined the term ‘Billionaire’s Row’ as a moniker for the rise of luxury living along the 57th Street Corridor. The vision of prolific developer Gary Barnett, head of Extell Development, One57 exemplifies the very best of what New York has to offer. Aspirational, luxurious, convenient, and bold, the building is now a recognisable pinnacle in the iconic Manhattan skyline on par with the likes of the Empire State Building, Chrysler Building, and One World Trade Center.

With its glistening glass exterior, unparalleled views of Central Park and the Manhattan skyline, expansive floorplans, and unmatched services and amenities, One57 has set the new standard for elevated living in New York.

One57: The New Standard for Luxury Living in New York City

Residents at One57 enjoy around-the-clock access to the exclusive amenities and services of the flagship Park Hyatt New York Hotel located in the base of the building. In addition to preferred seating in the hotel’s acclaimed restaurant The Back Room, residents can arrange for at-home dining services, whether for a romantic dinner for two or a lavish dinner party.

Residents can also take advantage of the full suite of services at the Park Hyatt’s Spa Nalai, both in the tranquil spa setting and in the privacy of their own home. The fully staffed triple-height swimming pool also features underwater classical music, compliments of Carnegie Hall, located right across the street.

Image by: Evan Joseph

In addition to the five-star hotel services, residents also have access to their own private amenities floor, which features a state-of-the art fitness room with yoga studio, screening room, library with billiards table and aquarium, and private dining room. The concierge-in-residence is available to cater to residents’ every need from Broadway show tickets to dinner reservations, pet services, and travel reservations. Other on-site services include housekeeping, dry cleaning and laundry, airport limousine, and multi-lingual hotel staff.

Designed by Pritzker Prize-winning architect Christian de Portzamparc, One57 boasts only the finest finishes and interiors throughout the building. The lobby, adorned with artwork by some of the most

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The neighbourhood encompassing One57, also known as the Plaza District, is one of the most coveted in all of New York City. Surrounded by world renowned cultural institutions such as MOMA, the Metropolitan Museum of Art, Lincoln Center and Carnegie Hall, there is no shortage of entertainment. World-class shopping is located just steps from the front doors of One57 – with iconic shops including Bergdorf Goodman, Barneys New York, Prada, Armani, Hermes, Brioni, Bulgari, Cartier, Harry Winston, and Van Cleef & Arpels. The culinary scene is one of the best in the world, boasting Michelin Star chefs and cutting edge cuisine the likes of Jean Georges, Per Se, Daniel, and Le Bernardin.

en vogue contemporary artists, is staffed by a 24-hour doorman and concierge. Each of the building’s 94 residences was meticulously designed by Danish architect Thomas Juul-Hansen, laid out with gracious dimensions and materials of the highest level, including rich hardwood flooring, slabs of Italian marble, and custom hardware and light fixtures. Oversized doors and soaring ceiling heights provide an elegant setting for entertaining.

Bespoke kitchens, created by Smallbones of Devizes, feature cabinetry with walnut ebonised frames, and exterior surfaces of macassar, a sustainable, renewable African timber, in natural pure wood grain or a neutral white. Each is finished with sixteen coats of high-gloss polyurethane that is hand-rubbed between each cured coat.

Thoughtfully curated stone, wood and fixtures are also integrated into the bathrooms, bedrooms, and living areas.

One57 is also home to the two most expensive residences in all of New York City.

The duplex penthouse spanning the 89th and 90th floors sold for an impressive $100.5 million and the Winter Garden Unit on the 75th and 76th floors sold for $92 million, making history and headlines around the world. The building has been the focus of international admiration as the first residential tower in New York City to ever reach above 1,000 feet.

One57 is the only luxury tower along 57th Street that offers five-star hotel services and is available for immediate occupancy. The floor-to-ceiling windows offer incomparable panoramic views of Central Park, the Manhattan skyline, Hudson and East Rivers, as well as the mountains of Pennsylvania beyond. No matter what time of year, the park below makes for stunning vistas: in the spring, one can see the tops of the cherry trees blossom; in summer, the paddle boats take to the pond; in fall, the light reflects the golden hues of autumn leaves; in winter, ice skaters flock to Wollman Rink for a time-honoured New York tradition.

Now more than 80% sold, One57 serves as the New York City home for both domestic and international residents. For more information or to schedule a visit, go to www.One57.com or call 212-570-1700.

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The Miami Property Market – It’s Heating Up Fast

By Julia Brandon

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elf-styled as the Capital of Latin America, Miami is the newest kid in town to be identified by Christie’s International Real Estate as one of the top markets for luxury homes in the world.

Based on criteria including a city’s gross domestic product, the number of ultra-high-net-worth residents and its tally of Fortune 500 company headquarters, Miami's urban market is deemed to be leading the way in luxury, amenities and pricing.

Now competing with the likes of New York, London and Hong Kong in the property sector, Miami is recognised globally as a destination that can attract the rich thanks to its year-round blue skies and warm climate, beautiful beaches, and stylish skyline. It has also done well to nurture its emerging cultural offerings that now include the internationally renowned Miami City Ballet, the Miami Symphony Orchestra and the Art Basel Miami festival.

Long a playground for Europeans who have chosen it for their vacation home, it is the influx of Latin American buyers that the city is now renowned for, and which gives it its multicultural flavour.

“Latin America was in the super cycle of the commodities world from 2012-2015, so many Latin Americans managed to accumulate wealth that they didn’t have before,” says Ernesto Cohan, sales director of Oceana Bal Harbour. “The first group of Latinos arrived in late 20089 and created a demand for more properties, which in turn created a boom in construction, which is what we’re experiencing right now.”

Oceana Bal Harbour is Argentine developer, art collector and museum founder Eduardo Costantini’s 28-storey glass structure rising in the last oceanfront site of the elite enclave of Bal Harbour.

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Gil Dezer, President of Dezer Development

The 240-unit tower features homes priced from $3 to $30 million, and residents will share ownership of two commissioned sculptures created by iconic artist, Jeff Koons.

The whole of the Miami Beach area has seen tremendous growth catering to ultra-high-net-worth individuals, and the arrival of heavyweight architects such as Norman Foster’s Faena House and Zaha Hadid’s One Thousand Museum has only boosted investment interest. L’Atelier Residences is internationally acclaimed interior designer Holly Hunt’s firstever residential development. Represented by ONE Sotheby’s, it comprises a 21-residence boutique oceanfront luxury highrise in Miami Beach.

“Buyers have become more design savvy and more sophisticated, so while before the finish level and the design level of a development went up to a certain point, it has definitely now escalated,” says Eloy Carmenate, vice president of ONE Sotheby’s. “Branding has become a big deal, and not just for the New Yorkers but for the international community too.”

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Gil Dezer, president of Dezer Development, shares this view: “At Porsche Design Tower we are literally changing the skyline and the face of urban construction with our one-of-a-kind cylindrical architectural design, which not only promotes unobstructed views – a must for our customers – but affords the building’s car elevator to play a central role. I have found that aligning with high-end brands has helped distinguish my projects from Miami’s competitive luxury real estate and appeal to the distinctive tastes and lifestyles of high-net-worth consumers.”

Add to this collection the Ritz-Carlton Residences, Miami Beach, designed by world-class master architect, Piero Lissoni.

“Conceptualised to provide the same level of privacy as a standalone home in a perfectly curated setting, the two-to-fivebedroom homes will range in size from 1,700 to over 11,000 square feet and will be one of only several stand-alone RitzCarlton Residences in the world,” says Carolyn Ellert, cofounder of Premier Sales Group. Priced from $2 million to over

or large open floor plans and having all the amenities of a fivestar hotel right at their fingertips without living at a hotel.”

Designed by Rafael Viñoly, One River Point is a soaring residential tower located in the city’s buzzing epicentre, just steps from the Brickell financial district, and due to commence construction in May 2015.

$40 million, one of the most distinctive features is the property’s private, captained VanDutch 40 day yacht, prepared to transport residents from the private beach to a nearby Miami hotspot at a moment’s notice.

While Miami was once known for its smaller one to two bedroom apartments, it is now the grand oceanfront condominiums with large expanses of space that are proving most popular, but with far fewer residences per floor as exemplified by L’Atelier’s $33 million three-floored penthouse. However, in the sought-after area of Miami Beach a scarcity of land for any future developments is already driving up prices and forcing developers to look further afield.

Steven Owens, president of Swire Properties and developer of the five million square foot Brickell City Centre scheduled for build at the end of 2015, also regards this buzzing area to be the focus of Miami’s next wave of development. “We find the Downtown Brickell area very sought after,” he says. “Brickell has international brand recognition, is the hub of Miami’s public transportation modes, and is one of the city’s most walkable neighbourhoods.” As one of the largest mixed-use projects Miami has seen to date, the development will include an open-air shopping centre, a stylish 263-room hotel and twin condominium towers.

“The tide is certainly rising on the Miami River district as the next frontier of waterfront development in Miami,” says KAR Properties CEO and developer of One River Point, Shahab S. Karmely. “As well as seeking properties designed by the best architects, wealthy global travellers prefer purchasing a full floor

The best view in London 1, 2, 3 and 4 bedroom apartments and penthouses. Prices from £1,275,000 – £15m.

For further information, please call 020 3773 7951 or email onetowerbridge@berkeleygroup.co.uk Follow us on Twitter @BerkeleyStyle Details are correct at time of going to press and subject to apartment type and availability. Computer Generated Image depicts One Tower Bridge.

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Proud to be a member of the Berkeley Group of companies

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S I M PLY I N F LU E N T I A L SIR RICHARD BRANSON & VIN DIESEL

Sir Richard Branson

The founder of the Virgin Group empire talks to Arnie and Jordana about business, holidays and neckties 141 S I M P LY A B U D H A B I

I launched Student magazine, my first business, aged 16. It was a huge amount of hard work, and I had a steep learning curve to overcome, but it was worth it and made me realise how much I loved being an entrepreneur.

Prometheus72 / Shutterstock.com

What was your first job?

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ir Richard Branson is easily one of the most recognisable and respected figures on the world stage. With a head for business, a heart of a philanthropist and a soul of an adventurer, Sir Richard is nothing if not a true visionary. We were honoured that he sat down to talk to Simply Abu Dhabi for this interview.

In what areas do you see the greatest opportunities for your business to grow in 2015, and what are your expansion plans beyond?

We are launching new businesses in the five core sectors we operate in. Take this year, for example: Virgin Hotels launched their first hotel in Chicago; we announced our aims to enter the Cruise industry; and invested with Qualcomm in OneWeb to bring broadband to areas currently without.

How do you motivate your team and colleagues?

The motivation comes from believing in what Virgin stands for and our reasons for why we are in business. All of our investments and projects are focused towards making business a force for good and helping improve people’s lives. In everything we consider doing, if the output doesn’t meet those criteria, we will not do it.

Having a bigger goal that every department is ultimately working towards helps build teamwork and confidence, since everyone is working towards the same aim.

In your early life, what moments stand out that encouraged you to become an entrepreneur?

For me, one of the great appeals of becoming an entrepreneur is the independence of being your own boss. My mother, Eve, brought me up to believe in myself and trust my instincts. One very clear memory I have from my childhood is being told to make my own way home after my mother stopped the car a few miles from our house. I made it back safely and learnt a huge amount about standing on my own two feet in life.

How is your time managed between your work life and personal life?

I am always working on the go. I have never had an office that I work out of and work has become intertwined with my personal life. Fortunately I am able to work from my home, Necker Island, and can answer my emails in the morning, play tennis or kitesurf in the afternoon to keep fit and have meetings or phone calls in between.

What advice can you give budding entrepreneurs?

Starting a business is a huge amount of hard work. If you think it is a quick path to making money, you shouldn’t pursue a career as an entrepreneur. You simply won’t have the motivation to stick with the business during the tough times. Financial gain isn’t a strong enough incentive.

Allowing our people to have a good work-life balance by working flexibly is very important to Virgin. Our people are at the core of everything we do, and we recognise the importance of giving them the flexibility to balance work around their personal lives. At Virgin Management we have embraced flexible working since 2013 and allowed our people to work remotely from home if they wish to. We trust our employees to work in this way and get their work done efficiently and effectively.

There are only two reasons to start a business: passion or frustration. Often the two are inter-linked. If there is a problem in a market that frustrates you, such as a poor product or service, and it is a problem that you passionately want to solve and think will benefit the lives of many, then there is nobody better than you to go out and find a solution.

Where is your favourite holiday destination?

I have been fortunate to have had the opportunity to travel to some fantastic places in my life. Of note, Madagascar is a stunning island with some beautiful wildlife specific only to the island. Every species of lemur on the planet is only found on Madagascar. We have developed a lemur conservation programme on Necker with several species originally from Madagascar as lemur numbers are at serious risk due to habitat loss.

What are your main objectives and responsibilities as the Virgin Group Chairman?

Over the years I have built up a very strong management team who look after the day-to-day running of the Virgin Group. This allows me to free up my time to work more with Virgin Unite, the not-for-profit arm of Virgin, on their initiatives to make business and entrepreneurship a positive force for good in our world.

Who is your favourite musician?

What do you believe is the secret behind creating a successful brand and business?

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A brand must stand for something customers can relate to. There needs to be one or two very potent values which a brand stands for when you distil all of a company’s communications, marketing and messaging down.

Apple believes technology should be an extension of the body and constantly reimagines design concepts to make their products second nature to use. Nike honours great athletes and respects the hours of hard work and training behind the scenes that goes into sporting success. Virgin believes entrepreneurship is a powerful tool to improve people’s lives and leave this world in a better position for each generation.

I have been very fortunate to know many great musicians. During the time Virgin Records was making an impact in the music industry, bands such as the Rolling Stones and the Sex Pistols used to use our recording studio in Oxford.

That said, my favourite musician is Mike Oldfield. His album Tubular Bells was hugely important for both his and Virgin’s future. I remember listening to him playing live at the Royal Albert Hall and the deafening applause after he finished.

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Is it true you don’t like neckties?

Just look at my Twitter account! “Tie-loathing…” are the first two words I use to describe myself!

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t was Thanksgiving Weekend, 2013, when The Fast and the Furious star Paul Walker lost his life in a tragic car accident, aged just 40.

Shooting of the seventh instalment of the billion-dollar film franchise was already half complete and Universal was faced with a tough decision on what to do: scrap production or continue on in the handsome actor’s memory.

For co-stars Michelle Rodriguez, Tyrese and Ludacris, the shock of Walker’s passing was agonising. For ‘brother’, Vin Diesel, the pain was too much to bear.

“There’s no one like him. There will never be anyone like him,” he explains. “And it’s a very tricky task as an actor, what to do. What was going to happen?”

The studio pushed ahead with production, recruiting Walker’s lookalike brothers Caleb and Cody to help complete unfinished scenes.

Now fans of the series, which has taken over $2.3 billion, can pay poignant respect to Walker as his team, including Diesel’s maverick character Dominic Torretto, find themselves toe to toe with Deckard Shaw (Jason Statham), brother of 6’s twisted villain, Owen Shaw (played by Luke Evans) out for revenge for the death of his brother.

The action is as glossy and fast-paced as ever, with locations including LA, Tokyo and Abu Dhabi providing the backdrop.

And the seventh film marks a remarkable milestone for 47 year-old Diesel, a flamboyant, grizzled Hollywood tough guy, who used his rippling brawn and booming trademark tones to become one of the industry’s highest earning heavy hitters after mammoth success with Pitch Black and the XXX franchises.

A former New Yorker bouncer, born Mark Sinclair Vincent, he returns to his biggest role to date as street racer and wanted fugitive Toretto, hot on the heels of his international box office success playing a monosyllabic tree, Groot, in Guardians of the Galaxy.

But it’s his family life that seems to take pride of place for the Hollywood star. In a relationship with Mexican model, Paloma Jimenez, mother of his children Hania (6), three year-old Vincent and a new addition on the way, he talks of the difficulties making the latest Furious instalment, his softer side and a life-changing experience.

The Interview Q: One can only assume this was a very difficult film to work on after Paul’s passing.

DIESEL: Very difficult, very difficult. And very surreal. Like nothing I’ve ever experienced. I felt blessed because there was such a sense of family. But you never think as an actor – and I’ve been acting for a long time, since before I left high school – you would never imagine that you would have to mourn someone so close to you and simultaneously pretend they’re sitting next to you. It’s a strange thing to do as an artist. And as a human. It’s the hardest film I’ve ever done. Ever. It was awful to mourn him and yet work surrounded by him in so many ways. It literally changed me as a person.

Q: What was it like having his brothers on set?

Q & A with Vin Diesel

By Piers Manning/The Interview People

DIESEL: Surreal. Again, surreal. The whole thing was surreal. To have them there, to see them. They look so like him, they remind me so much of him. Yeah... it was...

On some levels, it was so comforting to know that his family, his close brothers were lending us their assistance and support.

But then having them there was just this constant trigger on your emotions. Their presence triggered really strong memories. Unintentionally at times, really strong emotions and feelings that were difficult to process and exist and work with on a day to day basis.

I remember, on my first day back to set, I’m in a scene where I run over Jason Statham’s car, and I kept crying. I couldn’t stop. I kept having to take breaks and come back composed and would crumble again. And this couldn’t be further from who I’m playing. I’m supposed to be in killer mode. And yet, just being in the vehicle that was synonymous with Paul and myself, was so hard to get through.

It’s literally the hardest thing I’ve ever done.

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Q: Presumably you’re changed from the experience

Q: Do you do all your own car stunts?

DIESEL: [nodding] It was so important to learn, when we deal with death, our appreciation for life is represented in so many ways. We appreciate everything that’s alive, the very trees in our backyard, the sunlight. The air we breathe. I now appreciate it all. It makes this a very real, therapeutic thing to do.

DIESEL: I do more stunts than I should do. I used to want to do everything, but once you become a father you think about it a little bit more before you try and kill yourself. I try to impose limits, I do, I tried to be more responsible. But I still end up coming home thinking, “Why on earth did I just do that?” No one in their right mind would ever do what I just did. What smart guy would allow fireballs to be fired at him? What smart guy would consider this? But I had a reeducation at car school, too, to be able to do a 360 right into the camera, and that’s the stuff you need to practice, flying towards the camera and doing a 90 degree turn without wiping out the whole crew.

Q: Can you believe we’re talking about the seventh film in the franchise? $2.3billion at the box office? Pretty unbelievable.

DIESEL: Nobody would ever have predicted it would go this far, but it is incredibly cool to see how far we’ve come with it. How far down the road we’ve come. Every time we’ve released a Fast movie, every time, I’ve been stubborn and bull-headed on talking about the movie but also building it into a very clear tag.

Q: A tag?

DIESEL: A tag to the next film. Each ‘Fast’ always ends with an unfinished scene, an unanswered question. Something that hasn’t been sewn up. And as regards the success, there’s a combinatory, layered element. The sense of family and identity, the magnificent choreography. The breathtaking architecture of the scenes and action.

And you know, for me, I love Dom. I love him more than ever, and everything about these movies.

Q: Did you ever concern yourself that the franchise was getting worn out?

DIESEL: Before we started working on the sixth movie, my one concern was, it had to be plausible, or as plausible as a Fast and the Furious movie can be. And it’s the same for this one. I wasn’t coming on board unless I was sure the script would do justice to the franchise. But we’ve done the franchise well, we’ve looked after it. Hence why it’s been so successful.

Because we’re family, that’s what it's about.

Q: It’s also about the cars.

DIESEL: They form a certain portion of the films, yes [laughs].

Q: Tell us about some of the cars in 7 and which you had your eye on for yourself.

DIESEL: All of them [laughs]. I’m saturated by these magnificent sights. Let me think. There was a beautiful Bugatti, a Veyron that Tyrese drives and it’s is an absolute beast, a beautiful beast. An Aston Martin in there, an E46.

A MP4 12C, I believe it was silver, although there was a black model used also. That really caught my eye. I’m stuck here, let me think... We went old school, old school with a Dodge Viper SRT-10, which had this purr that turned into a roar.

I have a problem though. Couple of problems. The first problem is some of the people I work with, around the beginning of the process, forget that I’m simply an actor, and they really begin to believe that I’m happy and willing to do these very dangerous things.

If you say, “Hey Vin, will you do this?”, I’m not going to say no. My biggest fault, when I hear the word ‘action’, I no longer care and you see it in the work. The second I hear ‘action’, I can do anything. I think I’m Superman. But that’s the added danger of these films that I thrive on. Although I’m potentially getting a little old for this type of action now. Not that I’ll ever freely admit that.

Q: Another film success for you, Guardians of the Galaxy – who saw that coming? Highest grossing film of 2014.

DIESEL: And all I had were three words, over and over. “I am Groot” [laughs].

My kids love Groot and Rocket, my little son goes around imitating him. They love it so much.

Q: Seems like your family was a big decision in taking this film.

DIESEL: My kids, especially my boy, made the decision for me. When [head of Marvel Studios] Kevin Feige called me, he called it the strangest character he’s ever put on screen. And then he sent over a book of conceptual art, and I remember someone in my office was like, “What are you going to play a tree for?”

But then I showed my children the art, opened it up to a page with all the characters, and I asked my son, “Which one should Daddy play?” And he pointed to the tree.

And jump cut to him seeing the movie with me a year later. After it, we were driving home and my son saw lots of trees outside the windows and said, “Daddy, look, it’s your brothers and sisters”. There’s something profound about playing a character who’s nature’s ambassador. And there’s something timely about it too.

Q: You’re expecting another child and seem like the devoted family man.

You’ve always kept the announcement of your children’s births close to your chest, but then you speak so warmly of them.

Michelle drove that more than I did. I spent most of my time behind the wheel of a Charger V8 which is a demon and has this insane horsepower.

DIESEL: Being famous, every decision I make, I have to hide a lot. I spend a lot of time in the shadows. I can’t just celebrate the fact that I’ve had a kid without the press coming to try and ruin the moment. I’m mindful of that, the paparazzi.

So I’ll keep it a secret for a while, it feels like the right thing to do.

Q: Which was your favourite?

Q: Do you like being famous?

DIESEL: Probably the V8, simply because it’s Dominic’s signature, they’re synonymous together. They gel and mesh.

DIESEL: It was tough to give up anonymity – you don’t realise how difficult it’s going to be when you’re chasing your dream; you don’t realise how important it is to your life. You can’t go to a store, you can’t go out by yourself and raise your face to the sun.

Q: What cars do you own?

DIESEL: Too many for my accountant to be happy about [laughs]. They’re ever changing, I love my cars. I think the car you choose is just as important as the clothes you wear. Probably more important. I have a couple of Ferraris, a z28 Camaro, although I seem to spend most of my time in family-friendly cars these days with the kids. When you have kids and it becomes about them.

Q: You’re certainly rather less foreboding in person.

DIESEL: I’m a tough guy, as my mother would say. My mother thinks I became formidable to protect my sensitive side. I wouldn’t be able to be an artist without my tough guy side.

Q: Muscle cars, sports cars or classics – which do you prefer?

DIESEL: I’m probably mini-van or Prius now [laughs]. Between those, it would be muscle car territory, pretty much like the ones Dom drives in the movies. And I’m pretty unchanging there. I think there’s never really been a deviation from that kind of 70s Dodge Charger, kind of dumb cars, so to speak.

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S I M PLY T I M E

Time is perhaps the most precious luxury of all.

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ut just what is it? Time is a continuing sequence of events occurring in apparently irreversible succession – from the past through the present to the future. It is a measure of the durations and frequencies of events and the intervals between them.

It is fundamental to being human. So it is no surprise that time has long been a major subject of study in religion, philosophy, and science – but defining it in a manner applicable to all fields, without circularity, has consistently eluded scholars.

Diverse fields such as business, industry, sports, the sciences, music, dance, and theatre nevertheless all incorporate some notion of time into their respective measuring systems. Perhaps we can do no better than simple definitions of time, such as ‘time is what clocks measure’; and ‘time is what keeps everything from happening at once’.

Horology (from the Greek: ωρα, ‘hour, time’ and λόγος, logos, ‘study, speech’), literally means the study of time. Fortunately, keeping track of time is simpler than defining and studying it, and a wide variety of devices have been invented to do just that, among them: clocks, watches, clockwork, sundials, clepsydras, timers, time recorders and marine chronometers.

A&J take a look at the world’s finest time keepers and share their stunning visual beauty with you.

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Ocean Chronograph Automatic 36mm 2015 is a ground-breaking year for the ladies’ models in the Ocean Collection™ by Harry Winston, as evidenced by the Ocean Chronograph Automatic 36mm – perfectly feminine and sportier than ever.

Delicate and assertive, it relies on the performance of a prestigious mechanical movement and is expertly suited for the woman who is a true watchmaking connoisseur, who appreciates the power and nobility of an exclusive Harry Winston chronograph.

The sporty nature of the Ocean Chronograph Automatic 36mm is on fabulous display in its styling and details. The Ocean case returns to its original purpose – technical sophistication linked to underwater sports. The 36mm case is both dynamic and feminine, boasting several distinctive features: characteristic facetted lugs, a sloping bezel, and of course the three Harry Winston arches at 3 o’clock, inspired by the façade of Harry Winston’s New York flagship salon. The Ocean Chronograph’s most dynamic feature is its sunburst, silver-toned dial. It is marked with openings and engravings, a background for two counters, placed at 3 and 9 o’clock respectively, above the 6 o’clock running indicator. It is shaped like a shuriken – a star with whirling arms that is an integral part of the Ocean identity.

Beneath this technical appearance beats an automatic chronograph movement. The HW3204 calibre is visible through a transparent case back, along with its rose gold oscillating weight, featuring a powerful geometric motif. This is the component that winds the movement. It is regulated by a silicon balance spring – a material endowed with ideal properties to achieve chronometer-worthy rating precision. True to the spirit of haute horlogerie, the movement is adorned with meticulous finishes: circular Côtes de Genève, circular graining, rhodium plating and chamfering. The chronograph pushers are especially soft and allow for smooth operation, a testament to the House’s close attention to detail.

Ocean Chronograph exudes femininity, one that is absolutely compatible with the strength of a mechanical, sporty model. The 36mm case is available in white or rose gold. More precious interpretations feature 33 brilliant-cut diamonds on its bezel, lugs and arches – a tribute to Mr Winston’s reputation as the King of Diamonds.

Harry Winston Presents Two Incredible New Timepieces

These gem-set models feature 1.55 carats of diamonds on the case, complemented by .04 carats of diamonds on the buckle. Discerning ladies will recognise that the Ocean Chronograph expertly combines the best of both the precious and mechanical worlds.

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Project Z9 Unique, and uniquely Harry Winston, the Project Z9 is a stunning new timepiece for men to add to their collection.

Like all the versions of Harry Winston’s unique Project Z line, the case of the Project Z9 is entirely made in Zalium™.

This is an exclusive alloy with a range of technical and aesthetic qualities that make it a truly one-of-a-kind material. Zalium’s™ ultra-light and non-allergenic properties make the 44.2mm case exceptionally comfortable to wear, while its outstanding resistance to corrosion guarantees both its longevity and robustness.

Ultimately, it is Zalium’s™ dark grey shade that sets it apart from materials traditionally used in men’s watches. The case of Project Z9 is satin-finished on the smooth surfaces, while the edges are shot-blasted.

The Project Z9 is driven by a high-frequency movement for the first time. The new HW3304 chronograph calibre is equipped with a silicon balance-spring, which permanently beats at a frequency of 5 Hz. This oscillation speed guarantees Project Z9 a particularly precise rate.

Calibre HW3304 is also equipped with a flyback function, so there is no need to stop the chronograph to begin a new timing operation, since the hands are reset by simply pressing the pusher at 4 o’clock. Its white gold oscillating weight is beautifully skeletonised, revealing a signature Harry Winston geometrical motif. The bridges and plates are chamfered, rhodium-plated and adorned with a circular Côtes de Genève motif, in keeping with the long-held traditions of haute horlogerie.

The resolutely contemporary nature of Project Z9 is also expressed on its dial, which is composed of an openworked 3D grid bearing the indications. This skeletonised frame extends up over the inner bezel ring towards the indexes. The resulting effect is accentuated by two raised chronograph counters, painted in blue to stand out against a white background. The blue colour lights up the dial both during the day and at night, since the hands and indexes of Project Z9 are enhanced with blue-emission SuperLumiNova.

With its exceptional movement, and unique Zalium™ case that boasts remarkable properties, along with a complex but readable dial, Project Z9 asserts itself as a chronograph that is highly technical, thoroughly practical and wonderfully exclusive. Like its predecessors, this ninth chapter in the Project Z saga will be issued in a limited-edition, with only 300 being produced.

Glamour and precision – everything you’d expect from Harry Winston.

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The highly specialised team’s extensive experience allows them to develop the perfectly refined colours and spellbinding palette – intense blues, warm reds and mysterious blacks – that give the new models their radiant glow. To achieve the desired hue it is necessary to harness precise control over the entire galvanic colouring process, ensuring for example that the tension is at the correct level, that the dial is submerged in the bath for precisely the right length of time, and that the correct distance is maintained between the elements in the bath. The results speak for themselves in these astonishingly beautiful and refined timepieces.

The two Pano models from Glashütte Original are resplendent in their clear, pure design, which sport off-centre placements for the hour and minute hands and small seconds display. The simple yet ultra-stylish charm is evident from a first glance at the PanoMaticLunar models, which also present the characteristic offcentre displays in a well thought-out spatial arrangement and subtle composition.

The areas for hour/minute indicators and the small seconds display lie on a vertical axis within the left half of the dial, while the Panorama Date and the moon phase display are positioned at the lower and upper right, respectively. The placements of the individual displays are inspired by the golden ratio – the legendary law of aesthetic harmony that has existed as a theme in iconic works of art for many years.

The red gold edition features a dial in a matte black tone, hour, minute and second hands in gold, as well as nine gold hour indexes. The exquisite moon phase display presents stars and a golden moon set against a silver sky. The accompanying stainless steel version presents the characteristic dial visuals in a striking and intense shade of blue – the galvanised dial features silver indexes applied by hand and white gold hands indicating hour, minutes and small seconds. The Panorama Date shows white numerals on a blue ground, while the phases of the moon are shown with a silver moon and stars in a silver night sky.

Glashütte

PanoMaticLunar and PanoReserve

The PanoMaticLunar models are driven by the Saxon manufactory’s Calibre 9002 – a mechanical automatic movement with 47 jewels and a 42-hour power reserve. The sapphire crystal caseback offers an unobstructed view into the refined beauty of the movement and its characteristic Glashütte elements, including the three-quarter plate with Glashütte stripe finish, the off-centre rotor with oscillating weight in 21-ct gold, blued screws and the hand-engraved balance cock with duplex swan-neck fine adjustment.

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f you’re looking to expand your watch wardrobe beyond the basics, Glashütte has debuted two of the most appealing new colour palettes to be found anywhere. Warm red gold elegantly meets matte black, whilst cool stainless steel is paired with an intense blue, in two new versions of the PanoReserve and PanoMaticLunar.

Making their simultaneous debut at Baselworld 2015, these two sumptuous timepieces from the fabulous Pano Collection are now available for you to own.

The exceptionally beautiful and characteristically stylish dials of the PanoMaticLunar and PanoReserve are crafted in Glashütte Original’s own dial manufactory in Pforzheim. In Pforzheim, the city of gold and jewellery, Glashütte Original draws on deep specialist knowledge and long-established traditions in design and craftsmanship, thus ensuring that every Glashütte Original watch receives its own unique and highly crafted face. Up to 40 separate operations, performed by true masters of their craft, are required to produce the refined and carefully finished dials to the very highest quality.

Meanwhile, the red gold version of the PanoReserve presents a dial in a matte black tone with hands and applied hour indexes in gold on the hour and minute display; the Panorama Date in black on white; and a power reserve indicator (Auf/Ab) with a gold hand. The second version in stainless steel features a galvanised blue dial with hands in white gold, applied hour indexes and an impressive Panorama Date in white on blue below the power reserve. To improve legibility in the dark, all versions feature luminous highlights on the hour and minute hands.

The heart of the PanoReserve is the manual winding Calibre 65-01 with 42-hour power reserve and 48 jewels. The sapphire crystal caseback offers a clear view of the characteristic Glashütte Original duplex swan-neck fine adjustment and other traditional elements of the art of watchmaking in Glashütte: the Glashütte threequarter plate with Glashütte stripe finish, the hand-engraved balance cock, the screw balance, screwmounted gold chatons and blued screws.

The Panorama Date, the moon phase display and the power reserve display present indications in German. Along with the ‘Made in Germany’ mark, these indications offer a subtle reminder of the origin of the watch and a silent bow to the art of German watchmaking, as practised in Glashütte since 1845.

The new Pano models in red gold are offered with a choice of either a matte black Louisiana alligator leather strap or a Louisiana alligator nubuck leather strap, while the stainless steel versions can be worn with a dark blue calf’s leather or Louisiana alligator nubuck leather strap.

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For the discerning customer these exquisite and tremendously subtle watches represent the ultimate in refinement and style. With their subtle yet strong colours and superb level of technical and manufacturing prowess, they are without a doubt the kind of timepieces that will inspire and amaze in equal measure.

Jaquet Droz – The Lady 8 Flower

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his is a timepiece imbued with the spirit of the jeweller’s craft, minimalist yet richly ornate. The Lady 8 and its distinctive undulating silhouette have made their mark as touchstones of femininity, elegance and watchmaking refinement. An expression of refined elegance, this timepiece is enhanced by the astounding automaton and the virtuosity of the Jaquet Droz Ateliers d’Art. In the workshops at La Chaux-de-Fonds, the desire to create the most extraordinary timepieces sets the bar extremely high, but this year the brand known by its twin stars has reached a pinnacle of achievement: it has bestowed the Lady 8 with a breathtaking mechanical animation in the form of a blossoming lotus flower.

The Lady 8 Flower, a fusion of all the arts and crafts practiced by Jaquet Droz, is made up of two superimposed circles creating a figure of eight – an emblematic number for the brand and a symbol of harmony, perfection and infinity. The lower circle features a delicate butterfly, its wings outspread.

Two versions are available: one with the butterfly’s wings painted and engraved in translucent red enamel on a guilloché background, while the other, incorporating jewels, features a butterfly set with blue sapphires and portrayed against snow-set diamonds. The upper circle reveals a lotus flower under a sapphire crystal dome. Representing serenity and poetry, and sacred to many Asian cultures, the flower has been crafted with the utmost care. Each petal is individually enamelled or engraved to create a perfect satin finish.

As a mysterious bud or as a fully opened jewel-like bloom, this animation is not simply a pure vision of naturalistic and poetic beauty. By pressing a pushbutton, the lotus flower opens, revealing its diamond heart. For Jaquet Droz, the timepiece also presented a new technical challenge: to accommodate the two mechanisms – the watch mechanism itself and the automaton mechanism – separately within a 35mm diameter case, while ensuring one never interferes with the other.

The Lady 8 Flower comes in two limited edition versions, each comprising just eight pieces. In both, Jaquet Droz shares a taste for secrets with its clients – the secret of its peerless expertise adapted to the times, and that of a delicate flower that will burst into bloom at any moment.

It is simply exquisite.

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OMEGA Speedmaster White Side of the Moon Capturing the Brilliance of a Full Moon

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he OMEGA Speedmaster White Side of the Moon is yet another innovative timepiece that is not inspired directly by views of the Moon from space, but rather the radiance of the celestial body as seen from Earth. The majesty and mystique of the Moon are used as inspiration for a timepiece that offers technological excellence alongside aesthetic and soulful beauty.

seconds hand is rhodium-plated and stands out with a red tip, which provides an unexpected splash of colour on the face of the watch. White SuperLumiNova coats the central hour, minute and chronograph seconds hands as well as the indexes and the two dots at 12 o’clock. Engraved just above the centre of the dial are ‘ZrO2’ and, also in red, ‘Speedmaster’. There is a small white sub-dial at 3 o’clock that serves as a 60-minute and 12-hour recorder and a small second sub-dial can be found at 9 o’clock.

Continuing the brand’s ongoing commitment to innovative creations and unique and advanced production processes, this eye-catching timepiece is the third in OMEGA’s selection of solid ceramic timepieces. The white zirconium oxide ceramic dial is complemented by a brushed and polished ceramic casebody made of the same brilliant material. The polished white ceramic bezel has a matt chromium nitride tachymeter scale. The polished ceramic pushers on the case function totally independently so there is no risk to the chronograph mechanisms as a result of inadvertent manipulation.

The Speedmaster White Side of the Moon is elegantly presented on a white leather strap with a white foldover clasp that boasts grade 5 titanium frame spring folders. This special ceramic clasp distinguishes this model from other watches in the range.

The polished white ceramic caseback, with its bevelled scratch-resistant sapphire crystal, features matt chromium nitride marks and is engraved with the words “White Side of the Moon”. The OMEGA co-axial calibre 9300, the first in-house co-axial movement to feature a chronograph function, is at the heart of this statement-making timepiece.

The dial, with its 18K white gold hands and applied indexes, is protected on both sides by scratch-resistant sapphire crystal. The central chronograph

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OMEGA Speedmaster Apollo 13 Silver Snoopy Award

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he OMEGA Speedmaster Apollo 13 Silver Snoopy Award pays homage to the unforgettable Apollo 13 mission that took place in 1970 and celebrates the teamwork, quick thinking, ingenuity and courage that brought Commander Jim Lovell, Command Module Pilot Jack Swigert and Lunar Module Pilot Fred Haise safely home to Earth.

scale. Super-LumiNova is also found on the central hour, minute and chronograph seconds hands. The luminescent material is used to create the indexes and their glow is subtly enhanced by the black varnish that fills the indexes’ top cavities.

Under close inspection it is apparent what inspired the name. Snoopy, the beloved dog from the Peanuts cartoon and a long time NASA mascot, decorates the dial and the caseback – a small tribute to the Silver Snoopy Award that OMEGA was presented with in 1970 in recognition of its contributions to the entire Apollo programme.

To further distinguish this limited edition piece, there are two inscriptions placed on the dial.

The words “What could you do in 14 seconds?” refer to the 14 second mid-course correction that the Apollo astronauts timed with their original OMEGA Speedmasters. And the words “Failure is not an option” are boldly stated as a reminder of the iconic words spoken in the 1995 film about the historic mission.

The subtle and stylish dial of the Speedmaster Apollo 13 Silver Snoopy Award, inspired by the black-and-white comic strips printed in newspapers, is at once recognisable as the inverse of its legendary predecessor. The gleaming white dial contrasts strongly with the black varnished hands and the polished black ceramic bezel, which features a Super-LumiNova tachymeter

The 42mm stainless steel timepiece is presented on a black coated nylon fabric strap with white stitching and a foldover clasp. The Speedmaster Apollo 13 Silver Snoopy Award will be produced in an edition limited to 1,970 pieces. At its heart is the OMEGA calibre 1861, the same manual-winding chronograph movement that powered the legendary Moonwatch.

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Blancpain The Day Night

The dial is fashioned entirely in gorgeously iridescent mother of pearl, and is divided into three parts on four levels. These differences in height create an impression of great depth. Careful work was called for on the part of the Blancpain craftsmen to fashion the mother of pearl surface upon progressively descending levels, as the material, set on a base of German silver, becomes progressively thinner with each level and therefore more fragile.

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lancpain presents an innovative timepiece within its core Women collection

Since as far back as 1930, when it presented the first self-winding wristwatch for women, Blancpain has played a pioneering role in the history of ladies’ watches. And ever since, the esteemed manufacture has been a constant innovator by miniaturising movements in order to equip feminine designs with the horological complications previously reserved for men. Whilst undeniably innovative in aesthetic terms, the exquisite Women collection remains faithful to Blancpain values.

You’ll find you look forward to dawn and dusk, as the Day Night disk makes its twice-daily turns.

Each rotational change takes place over approximately four minutes, as the decoration presents itself, allowing you the privilege of discovering of all of the details of day and night.

Many different artistic techniques were used in its creation: la décalque (depositing material), le champlevé (contour forms in relief), and le marquetage (integration of superimposed motifs in mother of pearl). As we mentioned, gradations in the colour blue, achieved by deposit upon the mother of pearl, marks the change from day to night. The Moon that reveals itself is composed of 50 diamonds; the sun is fashioned with 50 yellow sapphires. Placed upon the surface are several yellow-coloured mother of pearl dots, as well as 14 diamonds to represent the stars.

Now, following from this proud history of celebrating feminine beauty and refinement, Blancpain presents the Day Night – an enchantingly elegant timepiece, understated yet sumptuous in its detail.

The first thing one notices in this gorgeous piece is the beautiful harmony of colour and composition: against the swirling mother-ofpearl waves on the dial and offset by a luxe white ostrich strap, the face depicts a discreetly bejewelled sun amidst a sparkling blue sky, whilst perfect white clouds float by. This picturesque scene is subtly yet dazzlingly framed on the bezel by two glittering spiralshaped rows of 140 diamonds around its exterior.

One of the unique features of this piece is the way that the two retrograde indications (seconds and hours) are combined with the minute hand. The minute is displayed with a regulator hand that continuously sweeps over its circle of rotation. As it completes its 60-minute march, the seconds hand is retrograding, which is to say that it has progressed along its arc and returns instantly to its point of departure to begin its progression anew. Similarly, the hour hand retrogrades twice per day, again in synch with the minute hand.

The second thing you’ll notice is, as day turns to night, so too does the watch’s display change: the blue skies deepen in hue, and the cheerful sun metamorphoses into a coolly elegant, iridescent Moon who watches over the night sky. It’s utterly captivating.

Indeed, Blancpain has perfected the design of retrograde indications. Based upon snail-shaped cams, this particular design ensures smooth movement of the hands along the arc of travel and a positive, swift, yet vibration-free return to the starting point.

Let’s take a look at how this all works.

Equipped with an exclusive movement incorporating two retrograde indications, the Day Night distinguishes itself with substantial technical innovations and by the fine craftsmanship of the disk. Once more, Blancpain has reinforced its DNA and its tradition of innovation with this demonstration of savoir-faire in a new calibre created especially for the Women collection.

The gear train of the Day Night disk is secured, meaning that it can be set at any time of day, whilst the setting of the time and the disk are independent.

The setting of hours and minutes by the crown, through a lever, disconnects the indication from the running train of the watch.

Based upon the Calibre 1150, the movement of the Day Night is larger in diameter. The winding rotor, decoratively engraved and polished, has been enlarged to enhance the view of the complex movement through the sapphire case back. With a diameter of 40mm, this timepiece offers a harmonious balance between its diameter and thickness, as its height is less than 12mm.

Imaginative, alluring and resolutely feminine, the Day Night is designed to meet – indeed surpass – the wishes and expectations of contemporary women. Combining watchmaking expertise with cutting-edge technologies, Blancpain remains devoted to the cause of beauty.

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case with screw-locked crown guarantees perfect water resistance to depths ranging from 200 to 1,000 m (660 to 3,300 ft).

oasting a fully redesigned dial and bezel, a new slimline profile and an additional 33mm size with functional rubber strap, the Breitling Superocean II confirms its nature as a superdiver model offering a distinctive blend of functional style and real world performance.

THE BREITLING

Superocean 2

The new Superocean comes in both 44mm and 42mm diameters, with a case in satin-brushed (44mm version) or polished (42mm version) steel and fitted with a black or blue dial matching the bezel and strap. And Breitling has further enriched the line with a 36mm polished steel case available in black or in a resolutely feminine white-clad alternative.

Since its launch in 1957, Breitling’s Superocean has been consistently updated and optimised in terms of both technical and aesthetic levels. With a sturdy remit to equip professional and military divers, as well as recreational divers around the world, this is a timepiece that embodies strength and functionality at the highest level.

Breitling also offers a new, evolved variation on the ultra-sports Ocean Racer rubber strap, recognisable by its row of holes surrounded by an embossed circular motif. These three Superocean II models are fully equipped with mechanical selfwinding movements, chronometer-certified by the Swiss Official Chronometer Testing Institute, who represent the highest industry benchmark in terms of reliability and precision.

The Superocean II is the latest representative of this exceptional lineage and is every bit as impressive as it is technically innovative.

The profile of the case has been reduced for enhanced comfort.

The fluted unidirectional rotating bezel displays large, clear, stylish numerals alongside a countdown of the last 15 dive-time minutes and a luminescent triangle marker at the 12 o’clock point.

Outstanding performance, combined with a highly functional sporty aesthetic and the ability to perform in the most demanding environments, make the Breitling Superocean II a distinctive and superbly useable watch of the very highest calibre.

The large, rounded Arabic numerals further enhance the overall visibility of the dial, with an added white luminescent coating and oversized hands that also glow in the dark. The hugely sturdy steel 164

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ulgari watches for both men and women are distinguished by a creative, contemporary style that is a central characteristic in all Bulgari creations. These timepieces are manufactured according to the most rigorous Swiss watchmaking quality criteria. Bulgari has been successfully producing highly-crafted, jewelled watches in platinum and diamond since 1920 and stands true as one of the iconic brands in the marketplace.

The astonishing success of Bulgari is largely due to their deep understanding that style must evolve and adapt to changes in times, tastes and habits. The Bulgari style is, in fact, a mixture of classicism and modernity that reinvents itself in a continuous quest for innovation in terms of design, materials and technology. With a creative flourish in colour combinations and a distinctive style, Bulgari combine a sense of volume, a love for linearity and symmetry, and a range of details that recall classic art and architecture motifs.

The Serpenti is a true icon of the Rome-based company, and with it, the watch inaugurates an innovative variation on Bulgari’s curvaceous design. For the very first time, the head and tail of the legendary snake cross over on the wrist in a remarkably subtle composition.

In a clear reflection of Bulgari’s endless creativity, this timepiece also represents a masterpiece of contemporary goldsmithing. The hand-crafted gold bracelet breaks free of its inner spring and provides a perfectly comfortable fit by means of adjustable links, while the hold is secured by a twin-pusher clasp. The expertise of the Italian jeweller is further displayed through an exquisitely cut diamond setting sublimating the dial, case and bracelet.

The Serpenti comes in two distinct versions: pink gold with a black lacquered dial, luxurious in its charm and exuding style and strength, or alternatively in white, entirely paved with resplendent diamonds, representing a pure and unadulterated radiant finish.

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porty, dynamic and exciting, the Mille Miglia has become a flagship collection for Chopard since its launch in 1988. And now, in 2015, Chopard is entirely revisiting this grand classic by introducing the collection dubbed Mille Miglia GTS (which stands for Gran Turismo Sport).

This iconic new lineup is a complete collection composed of a stunning threehand chronometer with date display, an exquisite chronograph and a sublime power-reserve model. For the very first time, the chronometer and powerreserve models will be equipped with a Chopard movement from the workshops of Fleurier Ebauches.

The sleek, sophisticated design of these new creations rejuvenates and reinvents the Classic Racing spirit embodied by the Mille Miglia collection, while remaining true to the identity of the historic models created over the last 25 years. The Mille Miglia GTS Automatic, Power Control and Chrono models vividly illustrate this renewal of contemporary design with historical pedigree.

These three models with their strong and masculine lines are inspired by the classic cars that took part in the worldfamous race between 1940 and 1957.

Their steel cases – featuring a 43mm diameter for the Automatic and Power Control versions and 44mm for the Chrono version – are fitted with short, pointed lugs that are carefully tapered to ensure optimal comfort on the wrist, while the sporting nature of these timepieces is enhanced by faceted hands and a stylish design that complements their strength and functionality.

High-precision Chopard movements from the Fleurier Ebauches workshops are incorporated into these exclusive timepieces. This is the first time that certain Mille Miglia watches have been driven by a Chopard movement.

Calibres 01.01-C and 01.08-C were entirely designed, developed and assembled in the Fleurier Ebauches workshops. They are highly prized by Chopard and meet all the high quality demands of the Mille Miglia, respectively equipping the Automatic and Power Control versions of this new collection.

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The robust and exclusive nature of these watches entirely matches that of the glorious historic vehicles that take part in this legendary race. Their construction ensures the strength and usability that is indispensable on models dedicated to competitive racing.

Their automatic winding ensures essential ease of use. A 60-hour power reserve enables them to run smoothly and accurately after a period of rest. Finally, certification by the Swiss Official Chronometer Testing Institute (COSC) testifies to the precision of its rating, a must-have attribute for Chopard watches in general and of course for racing drivers.

This much-coveted statute is reflected by the ‘Chronometer’ inscription appearing on the dials of each model in the new Mille Miglia GTS collection, bearing it as a mark of stature.

the sporting nature of the Mille Miglia GTS Power Control. The dials of the watches in the Mille Miglia GTS collection are black with red and white accents, a tribute to the aesthetic of vintage car dashboards. The power-reserve indicator evokes a petrol gauge typical of the 1950s in its classic style. The date aperture appears in the Mille Miglia redarrow race logo, an aesthetic nod to the numbers on the doors and bonnets of the competing cars. The lively, dynamic nature of the race as a whole is symbolised by the distinctive presence of the colour red on the dial, particularly on the minutes track and the seconds hand of each timepiece. This collection is available in steel with a steel bracelet or rubber strap, or in warm rose gold with a rubber strap. The latter also recalls the racing world and draws inspiration from the Dunlop tyres of classic 1960s cars.

Dedicated to Italy’s most famous and closely followed classic car race, the Mille Miglia GTS Automatic, Power Control and Chrono watches are designed as wrist-worn auxiliary navigation instruments. The bezels of the various models feature graduated black aluminium inserts, which stylishly accentuate 170

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The Mille Miglia GTS collection is a tribute to a legendary race with a long and rich history. The motifs and styles that Chopard have created are reflections on automotive icons from days gone by, and effortlessly blend competitive spirit with distinctive style in true Chopard style.

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Fabergé

The Visionnaire 1

nown as the world’s most iconic artist-jeweller, Fabergé creates modern collections of simply extraordinary jewellery, watches and accessories for a discerning international clientele.

reminiscent of the famous mysterious eggs from this iconic brand. This haute horlogerie model showcases the tourbillon in its most demanding version: the flying tourbillon.

Founded in 1842, Fabergé has been one of the most revered names in jewellery ever since Peter Carl Fabergé became official goldsmith to the Russian Imperial Court.

Since then, this legendary house has become synonymous with the creation of exquisite jewels and unique objects, including the legendary series of lavish and ingenious Imperial Easter Eggs.

With the appearance of being suspended in its carriage at 9 o’clock, this fascinating and complex horological complication performs its precise rotations in full view. The movement gear wheels may also be fleetingly glimpsed between the trapeze shapes forming a 3D rosette motif in the centre of the watch, while the back also reveals the most essential elements of this refined and extraordinary mechanism.

Peter Carl Fabergé was renowned for his creative and artistic use of colour, making the most of each gemstone’s unique characteristics and developing a vibrant enamel palette. Today, Fabergé continues to explore and epitomise this use of style and colour, pushing the boundaries of artistry and craftsmanship with superlative coloured gemstones and innovative techniques.

The flying tourbillon appears in a hollow at 3 o’clock, topped by a discreet powerreserve display. The barrel ratchet-wheel draws the gaze with its pawl and spring hugging its circumference.

The Fabergé Visionnaire 1 is a bold, stylish and uncompromising timepiece of stunning beauty. Sporting a blue PVD-treated titanium and platinum, 44mm domed sapphire crystal and case, it has a contemporary appeal that exudes high-quality design and craftsmanship.

And now, Fabergé’s first complicated watch, the Visionnaire 1, works its aesthetic and technological magic through a precious and unexpected composition,

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olourful, exuberant and incredibly glamorous, the Fendi My Way collection comes in four new 50piece limited editions. The watch flaunts its delightful style in an ultra-feminine way, its joyful and resplendent appearance accentuated by a cambered diamond-set case and a removable fur collar called a ‘Glamy’.

In a dazzling range that includes Arctic fox, soft silvery blue, kiwi green or bright orange, the designs radiate a seductive appeal and a multifunctional, inspirational nature. Today’s sophisticated and discerning woman can effectively choose to wear the watch in perfect tune with her current mood or style. Fur-free daytime use could be swapped for luxurious evening style with the sublime Glamy added for impact.

Wildly chic and imbued with the dynamic visual flair of the brand, these four limited series are fitted with an elaphe snakeskin strap in a colour to match the Glamy, which also perfectly complements the chic design and beautiful lines of the timepiece. In both formats and in the full range of glorious colours, the Fendi My Way Limited Editions exude a playful charm that stands out hugely in the world of high-quality watchmaking.

The small-size version of the watch is studded with 421 diamonds (approx. 1.87 carats), while the larger variation sparkles with 667 diamonds (approx. 3.06 carats). Both sizes combine a sturdy, high quality watch with a discreet and feminine style that can be instantly emboldened by the addition of the Glamy at a moment’s notice.

The movement is quartz and the functions are hours and minutes. The case comes in stylish steel, either 28 or 36mm, and is entirely set with diamonds. Sapphire crystal with antireflective coating makes for a usable and stunning finish, and the watch is waterresistant to 50 metres. Chic, feminine, and sure to turn heads, Fendi’s My Way timepieces are an exuberant and colourful burst of spring for your wrist.

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HERMÈS S l i m

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he longstanding historical link between Hermès and watchmaking goes back over a century. Since 1912, this special connection has been expressed in numerous different ingenious, elegant and unique ways.

In 1928, the historical Hermès store at 24, Rue du Faubourg Saint-Honoré in Paris opened up the field of watchmaking by offering the first timepieces that bore the iconic Hermès signature, equipped at the time with mechanisms from the greatest Swiss watch brands. Fifty years later, in 1978, the company set up the watchmaking division of La Montre Hermès in Bienne, at the very heart of the Swiss watchmaking industry.

Since then, it has developed its collections while progressively integrating and developing the highest horological skills.

Slim d’Hermès is a watch that effortlessly captures the essence of pure form. An elementary sobriety dictates each line, accentuated by the subtle thinness of the case and the right angle formed by the lugs. A composite study in harmony and rigour, Slim d’Hermès builds on the established visual culture of Hermès, as represented by the original typography of the numerals, retained as a design feature by Philippe Apeloig.

The 39.5mm diameter watch measures time to the beat of the Hermès H1950 extra-thin manufacture movement, and can incorporate a perpetual calendar. This automatic calibre integrates a microrotor, thus reducing its height to a mere 2.6mm.

Versions measuring 32 or 25mm in diameter are driven by a quartz movement, and crafted in steel or gold, with or without diamonds.

The Slim d’Hermès is an incredibly beautiful and simple watch that offers a mixture of understated luxury and solid, refined craftsmanship. With classic style and historically weighty craftsmanship, the technical strength of this watch is as reliable as it is underplayed. Elegant and simple in form, this is a timepiece for the discerning customer who enjoys the finer things in life without the need to overplay them.

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Jaeger-LeCoultre – The Master Grande Tradition Minute Repeater T

he new and eagerly anticipated Minute Repeater model by Jaeger-LeCoultre showcases a mechanical automatic movement that perfectly meets the desires of a wide range of timepiece connoisseurs. This new creation joins the Master Grande Tradition line, the epitome of the 19th-century pocket-watch . The 39mm-diameter Master Grande Tradition Minute Repeater is entirely governed by the aesthetic and functional concepts of elegance and comfort, guaranteeing it a place as a contemporary classic design.

The Master Grande Tradition Minute Repeater is activated by a single push-button instead of the traditional slide system. Redesigned in a slimmer guise, it fits precisely into the case, on a diagonal from the crystal gong and thus enhancing the distinctive symmetry of this model.

The layout of the watch thereby testifies to the quest for harmony and the constant refinement of genuinely functional aesthetic beauty.

Powered by a mechanical automatic movement, this creation features a precious new oscillating weight that appears clad in 22-carat pink gold, bearing the logo of the iconic brand and graced with polished and grained finishes that create a textured yet reflective appearance.

Jaeger-LeCoultre and the Minute Repeater form a harmonious match. Watches that sound the time in a uniquely musical way hold a special place in the field of horological culture. They embody quintessential sophistication and subtle, audible beauty. The acoustic quality of a chiming watch is above all based on the gongs, which are essential in producing the sound that is amplified and enriched by the exquisitely crafted case.

The new aesthetic codes of the Master Grande Tradition celebrate the undeniable elegance of 19th-century pocket-watches. The case now features a concave bezel, creating an optimal effect that makes the dial appear significantly larger. A satin-brushed caseband and polished lugs further enhance the refined air of this model.

Jaeger-LeCoultre has developed a crystal gong with a square section, made from a special secret alloy and machined from a single piece, thereby creating an extremely rich sound. In addition, the Master Grande Tradition Minute Repeater is equipped with two patented trebuchet hammers that make a single and stronger strike on these crystal gongs whose heel is welded to the upper sapphire crystal. This ingenious device produces a loudspeaker effect that is the hallmark of the crystal gong and is responsible for the uniquely clear and perfect sound.

The Dauphine hands display two facets – one polished and the other sandblasted – over which light skims and plays to pleasing effect. The face of the watch is given added volume by means of applied hour-markers, while the subtly recessed small seconds counter at 6 o’clock creates a subtle 3D effect.

The power of the sound is of little purpose if it is not matched by regularity. In this wonderful creation, the striking regularity is ensured by the silent regulator that controls the energy delivered by the barrel of the minute repeater. The energy of the spring is released in a constant stream, ensuring a tuneful and continuous chime.

The texture of the grained silver-toned dial endows the Master Grande Tradition Minute Repeater with a crowning touch of that inimitable horological classicism which calls for such well-mastered skills. Competent and strong in design and equally endowed with technical brilliance, the Master Grande Tradition Minute Repeater represents a unique timepiece for a very unique and discerning customer.

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or 175 years without interruption, Patek Philippe has been perpetuating the historical tradition of Genevan watchmaking. As the last familyowned independent watch manufacturer in Geneva, it enjoys total creative freedom to entirely design, produce and assemble what experts agree to be among the finest timepieces in the world. Loyally following the original vision of its founders Antoine Norbert de Patek and Adrien Philippe, and as a result of its exceptional know-how, Patek Philippe maintains a tradition of innovation hailed by an impressive repertoire of more than 100 patents.

Patek Philippe T h e C a l a t r a v a P i l o t Tr a v e l Ti m e R e f . 5 5 2 4

C FUS calibre inside the new Calatrava Pilot Travel Time Ref. 5524 with centre seconds, date shown by hand, and a heavy central rotor in 21K gold.

In a quest for constant innovation, this refined mechanism is fitted with a GyromaxÂŽ balance with a patented geometry SpiromaxÂŽ balance spring, so as to guarantee the extreme precision and reliability required by the Patek Philippe Seal.

The hands are made from blued steel and the Arabic markers are made generously luminescent for use in low light visibility. The supplemental hour hand can also be hidden beneath the main hour hand when required.

And over the past nearly 80 years, Patek Philippe has defied time zones with consummate ease. In 1959, its patented Travel Time mechanism became its own iconic feature, and in 1996 it attained a new level of perfection. When the local time hand is moved forwards or backwards in one-hour increments, an isolator uncouples the time-zone mechanism from the main movement. These adjustments therefore have no influence on the amplitude of the balance or the regularity with which it oscillates, hence the watch’s precision is unperturbed. This sophisticated device has been incorporated into the 324 S

The Calatrava Pilot Travel Time Ref. 5524 is a sturdy, masculine and solid watch. The dial is created in a very dark blue lacquer that has a stylish grey hue in all but brightest-lit environments. A robust and exciting timepiece that combines classic good looks with incredible, functional technology and craftsmanship.

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Felipe Massa

RICHARD MILLE RM 011 B L A C K

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ne thing that Richard Mille motorsport partners Felipe Massa, Sebastian Loeb and Martin Brundle all have in common is that they wear one of the new RM 011 Black Night editions.

With its sharp, daring lines and distinctively engineered appeal, this is a watch that is sure to turn heads and attract attention in all arenas.

This watch is the latest exceptional timepiece bearing the initials F.M. and comes in a limited edition of just 100 pieces, available only at Richard Mille Boutiques in Europe and the Middle East, making it a highly exclusive item of some distinction.

The RM 011 Black Night features a case made entirely of lightweight NTPTÂŽ Carbon with a stunning high-contrast red flange and black detailing on the skeletonised dial.

The piece is powered by a skeletonised automatic flyback chronograph with hours, minutes and seconds, 60-minute countdown timer, 12-hour totaliser, and oversize date and month. The overall effect of this timepiece is one of precision and power.

Evocative of the high performance engines and extreme precision found across the world of elite motorsport, the RM 011 Black Night Edition is a cutting edge technological marvel that oozes refined power and control. With its stunning open-fronted design, the technologically staggering movement is revealed in all its glory.

The sharp juxtaposition of materials and finishes make the watch especially contemporary in terms of its design, but that aesthetic flourish is backed up entirely by the level of craftsmanship you would expect from such a high-end luxury brand.

The RM 011 Black Night Edition is clearly an exclusively crafted, durable, robust timepiece that echoes the precision engineering of the world of motorsport. Without compromising its striking beauty, it offers resolute timekeeping and the finest engineering – meaning it will appeal to the most discerning connoisseurs and enthusiasts.

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lysse Nardin has been steaming ahead, anchored in seafaring roots, for nearly 170 years.

Forever inventive and innovative, the manufacturer remains steadfast in its pioneering precision of fusing bold innovation with undeniable style.

Breaking new boundaries remains embedded in the Ulysse Nardin culture, often expressed through superb technical achievements and the proactive use of new materials, like Silicium and DIAMonSIL. Its many models, including its most iconic works, are represented within a four-pillar system for simple navigation: Marine, Functional, Exceptional and Classico. And it is on these four pillars that the entire collection is developed and created with outstanding skill and craftsmanship.

In this beautiful and striking timepiece, Ulysse Nardin brings history to life with a motif that represents Hannibal’s epic march over the Pyrenees and the Alps by elephant, in the 3rd century B.C. In this latest creation, the central character is portrayed on horseback in the centre of the image, surrounded loyal warriors riding the iconic elephants. The sublime characters are sculpted in white gold, as are the landscapes and the mountains in the background.

The entire scene is set on a dial in genuine Alpine granite, which is a true test of the finest craftsmen’s skills, and places the wearer of the watch at the heart of the exploit accomplished not only by Hannibal but also

by Ulysse Nardin, one of the very few watchmakers anywhere in the world with the ability to incorporate jacks into the dial of its minute-repeater wristwatches.

These animated figures move in time to the four chimes that sound the minutes, quarters, hours and any other combination set by the wearer. The spinning tourbillon at 6 o’clock adds a final flourish to this exceptional timepiece, which is produced as a 30-piece limited series.

The Ulysse Nardin H a n n i b a l

The end result is a striking, graphic watch of epic standing that blends horological quality with a flourishing, historical visual motif.

The beauty in the detail is matched only by the subtlety of the presentation. This watch is clearly an item to be revered by the discerning customer tempted into this luxury market.

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Franck Muller 7-DAYS AND COLOUR DREAMS

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ith elegant, detailed craftsmanship and pioneering technology in the mechanism, the 7-Days Power Reserve for Men is a classic Franck Muller timepiece. This collection, resplendent with its new skeleton avatar, represents the quintessential art of timekeeping.

A unique feature of this stunning, skeletonised range is the calibre 1740 that features a generous 7-days power reserve. Powered by two barrels, this mechanical movement is precisely designed, manufactured and decorated in-house. Hand-chamfered bridges form an essential element of exquisite decoration in the watchmaker’s art, crafted through long and meticulous work that shows the highest level of skill and dedication.

After months of development, the calibre 1740 was perfected from adapting the calibre 1700 into a skeleton form that reveals a highly technical mechanism and perfect styling.

Consequently, this new calibre 1740 combines stunning aesthetics and enormous precision. Adorned with 21 jewels, this superb creation is further offered in an 18-carat gold format, or in a stainless steel version with a round or CintrĂŠe Curvex casing.

Franck Muller Colour Dreams Directly inspired by the dazzling beauty and style to be seen in the finest jewellery, this new timepiece is emblazoned with gemstones, displaying all the facets of elegance. The dial is adorned with a different colour stone for every hour. In addition to the 12 on the dial, there are 366 stones on the case (6.74 carats). The result is a glamorous and eye-catching design that radiates wealth and beauty.

Set in pink gold with a diameter of 42mm, this sparkling artwork is powered by an automatic movement. Precious metal, multi-coloured stones and sparkling diamonds make this timepiece a genuine jewel to be prized. This new watch contains within it a powerful allure and refinement that simply radiates elegance and quality.

Available with a coloured alligator leather strap to adapt to any wrist, this sumptuous bracelet endows the timepiece with an additional touch of sport-chic. Functional yet stylish, it offers the discerning wearer a mixture of functionality and beauty that is perfectly balanced, and lives up to its name with the dazzling appearance of its many multi-coloured stones.

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Explore the Energy of Creation

LOCK BRACELET White G/vs Diamonds, Brown Diamonds, Black Diamonds, 18K Rose Gold

| Beirut |

| Doha | Riyadh | Jeddah |

WWW.SHAMBALLAJEWELS.COM

| Dubai |

Harry Winston - New York

S I M PLY J E W E L L E RY

BY JOR DA N A LY NC H

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Harry Winston’s

Secret Wonders

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An innate gemologist, an intuitive business man, a dedicated philanthropist, and perhaps the ultimate risk-taker, Mr Winston’s career was marked by daring adventures and headline-grabbing tales of the world’s most exceptional diamonds and gemstones, encounters with Heads of State and red carpet royalty, industry wide firsts, and an innovative design philosophy that forever changed the way in which fine jewellery could and should be worn. His legend began when, wanting to pursue his passion and understanding for precious gemstones, Winston left school at 15 years old and went to work at his father’s small Los Angeles jewellery shop. In 1920, he moved back to New York City to open his first business, the Premier Diamond Company. Navigating through the competitive diamond market proved to be a difficult feat, so Winston looked to an alternative source for purchasing more affordable gemstones – estate jewellery auctions. Mr Winston had a remarkable eye for diamonds, and what some would call

nown as the King of Diamonds and Jeweller to the Stars, Harry Winston was hailed as the very best at what he did. And what he did was nothing short of revolutionising modern-day fine jewellery. Today, his innovative philosophy – in which the gemstones, rather than metals, dictate the design – continues to set the standard for the ultimate in fine jewellery and remains at the cornerstone of a timeless aesthetic that inspires all Winston designs.

Origins Much like the rare gemstones and precious jewels he built his life around, Winston was a man of many hidden facets. He possessed an air of intrigue and allure even at the height of his personal fame, and he harboured a fondness for mystery – all of which inspires the Secrets of Harry Winston collection that we’ve been sharing with our readers in recent editions of Simply Jewellery.

a sixth sense for understanding how to unlock a diamond’s ultimate potential.

in 1944, Mr Winston helped to revolutionise modern-day red carpet glamour.

Winston’s continued success in the estate jewellery market, throughout the 1920s, provided him the financial freedom to continue expanding his business. In 1932, Winston closed the Premier Diamond Company, and opened his namesake brand, Harry Winston, Inc., where he designed, manufactured and sold his own jewels. Little did he know at the time, but this marked the start of a remarkable legacy that will continue to be celebrated for generations to come.

Whilst it was the red carpet that earned Mr. Winston the title of Jeweller to the Stars, his first connection to Hollywood really began more than a decade prior, in the 1930s, after the acquisition of his first major rough diamond, the Jonker – a 726-carat stone. Today, the House continues to uphold Mr Winston’s reign as Jeweller to the Stars, bringing the excitement and glamour of extraordinary jewels to a new audience. From adorning Oscar-winners such as Gwyneth Paltrow and Halle Berry, to modern-day luminaries, like Anne Hathaway, Natalie Portman, Scarlett Johansson and Jessica Chastain, to lending exquisite jewels for trend-setting television shows, Harry Winston jewels continue to prove that they are more than just an expression of timeless style and sophistication – they are true stars among stars.

Jeweller to the Stars Harry Winston has shared a glamorous part of Hollywood’s dazzling history for more than seven decades. As the very first jeweller to loan diamonds to an actress for the Academy Awards, when he dressed Best Actress winner Jennifer Jones

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Harry Winston’s

Secret Wonders

Each piece plays with the theme of having two sides: on one, a breath-taking array of exquisite diamonds, and on the other a multi-coloured array of precious gems. Most of the jewellery has a mechanism or other means of turning an object around to reveal either the diamond half or the gemstone half, allowing the wearer to decide which to present to the world and which to keep hidden as a precious secret.

The Secret Wonders Collection Throughout his career, Harry Winston believed that diamonds should dictate designs – that their natural brilliance should take the lead. And in the exquisite Secret Wonders selections, contemporary Harry Winston craftsmen live out this philosophy, letting the diamonds speak for themselves amongst the context of some of the most dazzling and truly unique pieces of jewellery to be found on the planet.

To begin with, behold the Secret Wonder earrings. Reversible starburst drops bring an enchanting and unexpected touch to this extraordinary set. The versatile design features a brilliant medley of round and pear-shaped diamonds on one side, and a colourful array of sapphires, diamonds, and aquamarines hidden on the other. The three-row Secret Wonder bracelet

And of course given that the Secrets of Harry Winston Collection pays homage to Mr Winston’s love of hidden treasures, each piece in the Secret Wonders line-up is full of surprises and enchanting tricks that will intrigue wearer and spectator alike.

unique personal jewel for any occasion. The long and lovely Secret Wonder necklace design employs the rotating medallion to show a luminous display of round and pear-shaped diamonds totalling 28.30 carats on one side, and the dazzling array of sapphires, diamonds, and aquamarines hidden on the other.

Finally, the Secret Wonder Y necklace is a triple strand of delicate diamonds, which meet in a circular medallion which can be turned to reveal either 79.57 carats of marquise, pear-shaped, and round brilliant diamonds, or a strikingly beautiful, 1920s Art Deco-inspired pattern of sapphires, diamonds, and aquamarines.

features a rotating medallion set with a sparkling selection of marquise, pear-shaped, and round brilliant diamonds totalling 26.88 carats on one side, marvellously contrasted by a vibrant formation of sapphires, diamonds, and aquamarines in a refined platinum setting. The matching Secret Wonder ring also features a rotating medallion set in the middle, and highlights the astonishing hues of marquise, pear-shaped, and round brilliant diamonds on one side, and a magnificent assortment of sapphires, diamonds, and aquamarines hidden on the reverse.

In the elegant Secret Wonder pendant, 118 marquise, pearshaped and round brilliant diamonds are featured to enchanting effect, totalling 7.55 carats and all set in platinum. The secret to this piece is that the three diamond drops detach to create a

With this collection, the secret of Harry Winston’s true legacy has been revealed: rare, exceptional and utterly timeless jewellery that creates pure excitement, enchantment and intrigue.

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Chopard’s New Collections Bring Happiness for Spring

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pring is a time to be happy. Chopard’s wonderful new lines of precious jewellery for spring 2015 – the joyful Happy Diamonds, the elegant Happy Hearts, and the simply dazzling Haute Joaillerie – will undoubtedly put a smile on your face.

Happy Hearts With the iconic Happy Diamonds collection, Chopard has always nurtured a passion for hearts. Now with the lovely Happy Hearts line, Chopard gives them a whole new look by combining them with precious colours: turquoise, mother-of-pearl and onyx. A new classic is born!

Combining diamonds and hearts: it’s a close encounter between two emblematic Chopard symbols that was bound to be a case of love at first sight. A motif deeply cherished by Artistic Director Caroline Scheufele, the heart has become a key theme for the Geneva-based company. This universal token of love and lucky charm is also a favourite in the fashion world, which has brought it very much back into vogue. Naturally then, it has found its place within the Happy Diamonds collection to become a fully-fledged collection, Happy Hearts, where it is expressed through sautoir necklaces, supple bracelets and earrings.

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earrings and supple bracelets, the collection also welcomes a new shape: a bangle bracelet of which the two ends – one colourful heart and another enclosing a moving diamond – face each other in an elegant pas de deux that is every bit as modern, playful and airy as the entire new collection.

Colourful hearts beat in unison with moving diamonds With this collection, Chopard is revisiting the Happy Hearts theme by approaching it from a whole different angle. Colour makes a majestic entrance, accompanied by precious materials. Throughout the Happy Hearts jewellery collection, the traditionally openwork hearts now welcome solid turquoise, onyx or mother-of-pearl hearts placed along slim white or rose gold chains. These series of colourful, openwork hearts are also interspersed with tiny hearts housing moving diamonds.

Happy Diamonds Joaillerie Diamonds and flowers: the quintessential combination to celebrate the awakening of spring. In its iconic Happy Diamonds Collection, Chopard’s new creations blossom with diamonds glistening like dewdrops on silky petals, gracefully and poetically evoking the emotion, freshness and magic of shimmering light dancing across an enchanted garden.

In these gently undulating jewellery creations, an appealing sense of lightness mingles with a carefree spirit and infinite tenderness. The mobile nature of the diamonds, together with the random arrangement of the motifs, give rise to a line exuding an aura of chic and exquisite femininity. Vivid or subtle depending on the choice of gemstone, the use of colour expresses a decidedly modern mind-set.

Nature has always been an inspiration to the world of fashion. Drawing from this, Chopard’s Happy Diamonds collection presents Pop Art-inspired flowers with a decidedly modern twist. A fresh, spontaneous bloom graced with slender curves, whose delicately rounded softness and harmony will delight the senses.

Happy Hearts are heirs to a longstanding tradition at Chopard, of which the finest hours have long since been marked by Happy Diamonds. Inspired by sunrays glinting on the drops of a waterfall, they swiftly established themselves as a brand signature and have consistently revealed their iconic, spirited character through countless different variations. After adorning watches with their whirling, playful and joyful touch, they have naturally found their way into jewellery.

Happy Diamonds: for a free spirit Free of any setting, Happy Diamonds and its classic twirling, energetic, joyful gems have played a starring role in Chopard’s history. The design was inspired by the vision of sunlight sparkling on the droplets of a waterfall during a walk in the Black Forest.

Happy Diamonds swiftly became a signature of the house with their iconic, spirited character showcased in countless variations.

These emblems deploy an ethereal grace in expressing their subtle charms through a collection that is destined to become a classic. Composed of long sautoir necklaces,

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them, enchantment is above all a matter of light. The fairytale radiance of the snow when it shrouds the landscape, the finely gilded glow of an endless summer. The craftsmen of the Geneva workshops have masterfully reinvented and magnified every beam of luminous magic in crafting unique Haute Joaillerie creations.

Available in 18ct white or rose gold, this floral Happy Diamonds collection is comprised of a pendant, ring and earrings. Each piece is set with 19 diamonds or a gradation of blue or pink sapphires and a floating diamond, thus becoming a unique jewelled addition to the Happy Diamonds family. Through the beauty of a diamond bouquet, a spring dream is realised and leads Chopard’s Happy Diamonds in a renewed freespirited dance.

Haute Joaillerie at Chopard Under the artistic guidance of Caroline Scheufele, Chopard Haute Joaillerie has been enriched with a series of dazzling collections: Animal World, Red Carpet, Green Carpet and Temptations, to mention but a few. All reveal Chopard’s expertise in various artistic endeavours, which are dedicated to serving a formidably modern creative vein of inspiration. Through these collections, Haute Joaillerie has come to represent an acknowledged centre of excellence for Chopard, encompassing all phases from design through to production, with the artisans pooling their talents and skills in creating genuine works of art that mingle traditional techniques and cutting-edge technologies.

Haute Joaillerie The majestic beauty of nature, exalted by the absolute refinement of high jewellery: stunning one-of-a-kind creations pay tribute to the light and colours of the seasons, as well as the boundless emotions they inevitably stir in the human heart. This is a spectacular stage production bearing the Chopard signature.

Inside the Chopard Haute Joaillerie workshops, just as in the natural world beyond

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Dolce & Gabbana Alta Gioielleria

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he Dolce & Gabbana Alta Gioielleria – or high jewellery – collection is a tribute to the grand traditions of the Italian arts. These stunning, rarefied pieces were designed as part of the House’s Haute Couture collection for spring/summer 2015, which draws its inspiration from the theatre, music and ballet. As you’ll see, each piece, inspired by the arts, is itself a work of art.

Splendid earrings in the form of horns are distinguished by the intricate workmanship of the gold and the preciousness of the gemstones. The sharply flared bell and conical tube of the musical instrument are described meticulously through fully sculpted and polished surfaces and twisted wire, suggesting the spiral movement of the tube. The composition is further embellished by diamonds, sapphires and two marvellous tanzanites surrounded by diamonds at the lobe.

Utterly theatrical and enchanting, a pair of highly original earrings feature a silk curtain that opens to reveal hand-painted stage wings on a very rare support: mammoth tusk ivory. A fully sculpted ballerina is depicted in front of the scene, dancing gracefully on a stage set behind foliage motifs of various forms and dimensions, all carved by hand. Every element is meticulously described to the tiniest detail, from the chain on the lower

edge of the curtain and the twisted filament that holds the drapes open, further embellished by two diamonds featuring the signature Dolce & Gabbana cut, to the extraordinary proscenium wood floor inlaid with gold. The deep red of the two splendid rubellite tourmalines at the lobe, mounted in hand-chased settings, evokes the quintessential colour of the theatre world, as do the three marvellous rubies set into the forward edge of the stage. Hanging from the central ruby, as well as from the delicately embossed crown, are additional Dolce & Gabbana-cut diamonds that further enrich the composition.

Precious and delicate, a unique set of earrings depicts a ballerina en pointe with gracefully upraised arms. It is as if the dancer is captured just as she prepares to work her spell over a rapt audience, dancing ever so lightly on the stage. Every detail of her delicate enamel figure is rendered masterfully: from her pearl chignon to her hand-painted features, executed with the finest of brushes; from her tailored pink tutu in layered tulle to the floral decorations on her bodice, engraved and chiselled by consummate master goldsmiths.

Two marvellous spinels – pink on the lobe and violet in the pendant – further embellish the composition, enriching the nuanced range of pinks. Their clarity and intensity of colour are heightened by the diamonds set around the crystals, accentuating the three-dimensional and sculptural effect of this piece of jewellery. Diamonds also alternate with splendid violet-red rubies on

the bow, transforming this adornment into a highly refined expression of the jeweller’s art.

Bewitching and lyrical, magnificent earrings in the form of a harp are distinguished above all by the intricate workmanship of the gold: the twisted wire of the neck, the openwork frame with a cabochon emerald, the column with a millerighe engraving and graced by a milgrained ramage motif, the handstrung white gold strings, the handengraved patterns along the entire soundbox and in correspondence with the settings that host a series of diamonds. All of these details testify to the extraordinary variety of the techniques used in crafting this unique creation. Three gorgeous emeralds further embellish the composition, thanks to the intensity and luminosity of their colour.

A breathtaking necklace, fit for royalty, features a distinctive heartshaped pendant with a central rubellite tourmaline, whose colour is emphasized by the contrast between the filigree work, which surrounds the gemstone, and the glossy, reflective surface onto which it is set.

South Sea pearls and rubies, inserted into tiny filigree hearts that follow the profile of the central volume, or set into a bow, further embellish the composition as a whole.

Utterly spectacular, a collier necklace accentuates the sensual beauty of the peony that, placed in the centre of the composition, pays homage to femininity. The flower presents a pistil formed by heliodor beryls and diamonds, while the corolla consists

of numerous petals realised in fabric.

The fullness of the central peony is counterbalanced by the lightness of the woven floral motifs in white gold, which provide a setting for diamonds and yellow sapphires. Considered the queen of flowers since time immemorial, the peony comes from China, where possessing them was once the exclusive privilege of imperial families. One of the countless legends associated with the peony tells of the empress of Cathay who, wishing to impose her power over all flora, commanded all the flowers in her garden to blossom simultaneously. Only the peony refused to obey and was thus exiled to the snowy mountain peaks.

Despite the cold, it blossomed beautifully, and the empress was compelled to kneel before the majesty of the queen of all flowers. If the wearer so desires, both the peony and the two white gold tails just below can be removed to create a simpler version of the jewel.

In a tribute to symphonic splendour, earrings in the form of two violins are distinguished by the intricate workmanship of the gold and the preciousness of the gemstones. The soundbox, the fingerboard with the strings in white gold and the bow of the musical instrument are described in minute detail. The fully sculpted and polished peripheral surfaces are counterbalanced by both the fully hand-chiselled neck and the complex structure of the central volume: the volute motifs on the front, obtained by the meticulous working of gold filaments by hand, alternate with the filigree on the back. The play of solids

and spaces creates not only a perfect balance between the forms, but brings marvellous chiaroscuro effects to life. The composition is further embellished at the lobe by two yellow zircons surrounded by round and tapered diamonds. Additional diamonds – carré along the fingerboard and navette on the final part - make this jewel truly unique.

Painterly, balletic earrings are distinguished by the originality of the design, materials and workmanship.

The two miniatures with ballerinas are painted by hand on a very rare ivory support. A double Baroqueinspired frame with two flowers and a ladybird in enamel, diamonds, and chased and engraved volute motifs further embellish the miniature. At the lobe, a marvellous clear brown fancy diamond surrounded by colourless diamonds creates an extraordinary play of light, emphasized by a South Sea pearl, whose ivory whiteness brings out the sparkle and transparency of the gems.

Ultra-ladylike and blooming with gorgeous colour, a pair of joyful earrings accentuates the delicate and at the same time sensual beauty of the anemone, which pays homage to femininity. The jewel is composed of three parts that gradually shift in hue from top to bottom, moving from the dark red of rhodolite garnets at the lobe to the intense pink of the flower in enamelled titanium, to the softer pink of the spinels that make up the terminal elements. It’s truly beautiful.

The high jewellery earrings in the form of classical dance slippers

combine extraordinary filigree workmanship with the originality of the design and the preciousness of the gemstones. The filigree, a typically Italian technique of hand-woven filaments of gold, is accompanied by a splendid ribbon in burgundy velvet that evokes a theatre curtain. At the lobe, two gorgeous Colombian emeralds, characterised by exceptional intensity, transparency and luminosity, complete the composition. The emeralds, each weighing almost 5 carats, are surrounded by precious diamonds and form together an unusual rosette motif. On the toe of the slippers, additional diamonds embellish a gold

bow and strike a chromatic contrast with the arabesque design of the filigree, accentuating the sculptural and plastic effect of this marvellous creation.

And finally, a gorgeous tribute to the arts in a dainty yet intricate crown. Silver gold-plated ballerinas with multicolour tourmalines, amethysts, citrines and pearls adorn this spectacular headpiece, in a theatrical reminder of the role that master craftsmanship, whimsical fantasy, and precious rarity play in the world of haute couture – and in the world of Dolce & Gabbana.

Mouawad presents the Flower of Eternity collection and a trio of stunning new rings

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Hollywood celebrities – among its prestigious clientele. In addition to crafting fine jewellery, over the years the Mouawad family has acquired a collection of diamonds that is arguably the world’s finest in private hands. The family’s support of the global industry through research and education led to third generation Robert Mouawad receiving a Lifetime Achievement Award from the Gemological Institute of America (GIA) and of having the GIA campus named in his honour. The vision of the fourth generation Fred and Pascal Mouawad as guardians of the brand is to continue the rich heritage of Mouawad by maintaining the focus on haute joaillerie.

or more than a century, the Mouawad family has produced stunning, bejewelled masterpieces destined for royalty, celebrities and luxury lovers around the world. The Flower of Eternity collection continues this tradition of Mouawad’s passion for excellence, through a stylish line of jewellery that exudes contemporary glamour.

Crafted from 18ct yellow, rose and white gold, and set with diamonds and coloured gemstones, the Flower of Eternity collection ranges from simple pendants to ornate four-piece sets. The result is a selection of iconic pieces perfect for every mood from daytime chic to the most dazzling evening sophistication.

To that end, Mouawad has created three new simply amazing sapphire rings, guaranteed to dazzle and delight all who wear or behold them. From the magnificent Sandstone Mountains and river basins of Madagascar come some of the finest sapphires in the world — famed for their unique deep hues and flawlessness. First, the Royale is a sapphire and diamond ring fit for the hand of the most regal of women. Nestled at the heart of this 18ct white gold ring is a 21.56carat cushion-cut purple sapphire, held firm by brilliant marquise and round diamonds and emanating the colour of royalty.

Three hearts, one flower… an eternity of passion Love, passion, fidelity… all this and much more were conveyed in centuries past through the gift of a single stem or bouquet. Each variety of flower had a hidden meaning, adopted by lovers as a secret language to send subtle messages via every bloom. With the Flower of Eternity collection Mouawad brings a contemporary take on this cherished tradition. Studied carefully, the flower emblem reveals its composition of heart shapes. The heart, chosen as a universally recognised emblem of love and passion, appears three times – a symbolic number representing the past, the present and the future, denoting a promise of eternity.

Like the celestial magic of breathtaking dawn skies, the Superstar sapphire ring dazzles with a one-off asterism phenomenon, destined to be worn by an icon. Atop the magnificent composition of 18ct white gold and diamond is mounted a luminous 31.02-carat blue star sapphire of unrivalled scintillating colour and rarity. Sought and revered for thousands of years, the sapphire of the Superstar ring outshines an entire galaxy.

Past, present and future – the Mouawad brand pays tribute to these three dimensions of time in everything it creates, combining a respect for its heritage with a visionary approach to ‘the now’ and to what still lies ahead. With the Flower of Eternity collection it immortalises these values, whilst beautifully capturing the essence of timeless passion for future centuries to come.

With a marvellous 18.33-carat Sri Lankan yellow sapphire resembling the sun with its glowing light, the Sunpphire ring exudes warmth and sparkling charm. Fashioned and handcrafted in 18ct white gold, the ring features 238 round and pear-shaped diamonds embracing the centrepiece in a delicate floral design that shines in summertime chic.

Backed by more than a century of excellence in its field, Mouawad designs, manufactures and sells its own exclusive jewellery collections ranging from boutique items to objets d’art and magnificent haute joaillerie pieces. Founded in 1890, the company rose to prominence by supplying important jewels to many royal houses and wealthy individuals across the world.

Today, in its fourth generation of the Mouawad family, it counts modern day royalty – iconic

Now celebrating 125 years of history, the House of Mouawad continues its extraordinary devotion to the creation of magnificent jewels. We’re confident that their brilliance will shine for generations to come.

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ust in time for spring, Gucci Jewellery has introduced a new fine jewellery collection inspired by the flora motif. Poetic, delicate and elegant, the line explores different styles featured in both the high jewellery masterpieces and the exquisite fine jewellery.

Gucci Flora’s dainty flowers and butterflies are worked in novel materials and techniques, whilst other new motifs, such as a skull and flower, introduce a bold addition to the original design.

The Gucci Flora collection includes high-end masterpieces that are stunning in their detail, and which represent the utmost of Gucci’s jewellery artisanship. The signature item in the collection is a necklace in 18ct white and pink gold, closely set with an intricate array of flowers and butterflies, expertly wrought in 5.12 carats of diamonds with white enamelling.

The necklace lies close to the neck and is a sumptuous work of fine jewellery art. A matching snake ring with sinuous open curves, fully set with diamonds, is adorned with a butterfly and Gucci’s iconic horsebit clasp. Those seeking an edgier interpretation of Gucci’s classic pattern will appreciate the skull pendant necklace and ring duo. Studded with 164 brilliant-cut diamonds and accented with sapphire eyes and flower, this pavé pairing is the epitome of contemporary bejewelled street chic.

Marrying intricate goldsmithing techniques with charming designs, the other pieces in the Gucci Flora line express a different mood. Necklaces, bangles, earrings and rings are worked either in 18ct white or pink gold and offer a perfect combination of femininity and modernity.

The pink gold chain necklaces are whimsical and luxurious, scattered with miniature rubies and sapphires for a glamorous yet romantic touch. A more precious necklace variant is seen in a highly detailed version laced with fuchsia enamel butterfly and floral charms, studded with rubies. Continuing this theme are the small stud earrings, deliberately mismatched, featuring a butterfly and a flower design: a nod to Gucci’s unconventional and individual fashion style.

The ensemble also comes with a choice of openwork rings, adorned with pink butterflies, flowers or accented with rubies. Completing the look is a matching slim butterfly bangle.

All of these delightful pink gold pieces are adorned with charming pink-crimson butterflies, which are enamelled and hand-painted. Each item is set, assembled, and finished by hand, meaning that each little butterfly has a unique colour and allure.

Elevating Gucci Flora to new heights are the 18ct white gold items all adorned with gemstones. Rings are chic and modern, making use of diamonds or sapphires, and crafted into a snake design, or in an openwork form, topped by a diamond-encrusted butterfly and flower. These sophisticated pieces can be accessorised with a matching slim bangle embellished with a dainty diamond butterfly and pavé horsebit clasp, as well as with a dazzling necklace interwoven with 18ct white and pink gold hearts, flowers and butterflies.

Gucci Jewellery Celebrates Springtime with Gucci Flora

The incredible workmanship is a hallmark of all Gucci jewellery, which is handcrafted by highly skilled Italian goldsmiths – and the high-end jewellery collection is the epitome of impeccable craftsmanship. Luxury is defined by the choice of precious materials, the uniqueness of each design and the meticulous attention to detail. Gucci jewellery offers Italian-made designs that can be worn every day and treasured forever.

And now for spring 2015, Gucci Flora is presented in its many interpretations, expressing a stunning and contemporary new mood that showcases the exceptional skills of Gucci’s Italian master craftsmen and the signature style the House is renowned for.

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Goldgenie takes luxury gifts to the next level B

ehold, the genie with the Midas touch: Goldgenie is a British luxury customisation specialist, pioneers in the art of gold-plating contemporary, high-end objects including smartphones, modern technology and luxury gifts.

The artists and designers at Goldgenie use a range of precious metals, including 24ct gold, rose gold, platinum and fine materials such as crystals, diamonds and exotic skins, merging traditional craftsmanship with items of the modern world to create timeless treasures for the future.

Of course, this year the highly anticipated Apple Watch makes its debut – sure to be seen on wrists everywhere.

Goldgenie’s customisation ensures a stand-out piece by incorporating a range of luxurious creative options in both the 38mm and 42mm styles, with fine finishes of 24ct gold, rose gold and platinum available, as well as a range of straps to accompany the Midas Touch Apple Watch, in rubber, leather, crocodile and CITES certified python.

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The iPhone 6 gets the Goldgenie treatment with a range of gold, rose gold and platinum choices, as well as unique mother-of-pearl, carbon fibre or python-skin options. For a bit of added brilliance, Swarovski crystals can be deployed in subtle rows around the edges or all over the caseback, depending on how much bling you like! The iPhones are sold SIM-free and unlocked, so they can be used anywhere in the world, and are presented in unique cherry oak finished boxes.

Cases for iPods and stands for iPads round out the Apple range, but no worries if you’re an HTC, Samsung or Blackberry person – Goldgenie has you covered there too. Clients are encouraged to participate in the design process to ensure their phone is bespoke exactly to their preferences, and guaranteeing that the end creation will be truly unique. For even more personalisation, clients can also add a laser engraved message, name or symbol – perfect for when you need a genuinely unique luxury gift, or to mark an important occasion.

In addition to the gold-plating and customisation on the high-tech devices, Goldgenie also offer a range of distinctive gifts, from crystal-bedecked headphones and computer mice, to luxury corporate gifts including golf and desk accessories.

With the option to customise everything to your own wishes and bespoke design, Goldgenie offers the chance to take luxury items and make them truly your own.

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S I M PLY FA S H ION Womenswear Childrenswear & Menswear

By Jor da n a Ly nc h

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alice+olivia

twirl through Versailles, by way of a hip art gallery where the clothes are the objets d’art. CEO and Creative Director Stacey Bendet’s spring 2015 collection for alice + olivia reimagines the 18th-century French palace as a modern art installation where fashion becomes the object to admire. Each item from the collection can stand on its own, or be mixed to create a modern romantic, girlie, or rock and roll vibe – or whatever combination you feel best expresses the inner you.

spring 2015 collection

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The first words we thought of when we saw the collection were: Oh, how darling! But look closer – whilst undeniably charming and feminine, there’s a distinct downtown, artscene edginess under all the bright colour and swirling materials. Which made us love it even more, of course.

Graphic prints make reference to both Matisse and Picasso, along with a digital image of the palace gardens at Versailles.

Another highlight is a painted print, created by Stacey’s long-time friend the artist Lola Schnabel, which has been rendered onto a full skirt, a pleated top and a fitted sheath.

These intricate prints are balanced out throughout the collection with bold graphic statement prints and stripes.

(We loved the adorable zebras printed on a bright blue Tshirt dress.)

Mixing bright and light colours, the palette for spring uses white and black as an anchor while cool lavender, coral, and aqua tones combine with vibrant shades of sunset orange, canary yellow, and umbrella blue. Playful pastels and summery sherbets also appear in the lineup, as do ultrafeminine, ultra-summery white-on-white pairings.

Not surprisingly, dresses are a key silhouette for alice + olivia this spring. A new pleated silk chiffon handkerchiefhemmed gown stands out in a lovely lavender, alongside fierce pencil dresses done in bright solids and bold black and white graphic prints. In addition, there are satin ankle length pants, high-waisted striped culottes in blue-andwhite, and crêpe wide-leg trousers. Shirt dressing also plays a part in the collection, as do 1970s era inspired halter necklines.

If you like to mix up your silhouettes and patterns, a chic umbrella blue striped button down is shown with an embroidered floral jacquard ball gown skirt, while a white button with an extended hem is seen over Bermuda shorts.

Taken separately, these are all amazing pieces that would serve you well as absolute wardrobe staples. But when paired in creative and unexpected ways, as Bendet shows them, the clothes become a fun and free-spirited way to express your individuality.

Indeed, one of the Stacey Bendet trademarks is her ability to give fancy pieces – think lavish beading and lux volume – a daytime casualness, resulting in a slightly bohemian feel.

Beaded sweatshirts and T-shirts are mixed with cool toned leather pieces, whilst an embellished crop top is seen with a matching straight lined evening skirt with a sheer underlay. A beaded, multi-coloured, print long blazer is paired with bold striped pencil pants. And for us, a definite highlight would be the embellished collarless jackets, especially when paired with the striped trousers rolled to the knee and ankle-strapped sandals. It’s somehow perfectly retro-charming yet fashion-forward, occupying real estate somewhere between uptown chic and downtown edgy.

At once playful, opulent, dreamy and ladylike, this is a wonderful collection sure to inspire you to combine pieces in new ways that will create a different mood every day. The only limit is your imagination. It’s fun, effortless and a little bit flirty – what more can you ask of a summer wardrobe?

“The collection is filled with print and texture and I truly wanted each piece of clothing to almost feel like its own piece of art,” Stacey Bendet has said of her charming collection. We’d say she has more than succeeded. alice + olivia epitomises the personality and perspective of its founder, Stacey Bendet, who created the brand from a personal quest to create the perfect pair of trousers. She has since grown the brand into a full lifestyle collection including ready-to-wear, gowns, shoes, tech accessories and a newly launched collection of handbags, quickly becoming a favourite amongst Hollywood celebrities. The alice + olivia brand is available at 15 free-standing locations, including one at The Dubai Mall, as well as at 800 select speciality stores worldwide.

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Céline Spring/Summer Ready-To-Wear 2015

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nother season, another collection to await with eager anticipation from Céline’s Phoebe Philo. And once again, the strikingly stylish creative director does not disappoint.

Confession time: we must admit to a soft spot for women designers.

With all due respect to the masterful creative directors at other houses, there’s something about wearing clothes for women by women – a sense of freedom, purpose, expression, maybe even empowerment. Not to mention: who understands more than another woman how much we value unrestricted movement, even when dressed to the nines?

One look at Philo’s spring/summer RTW collection and you can see exactly what we mean. Gorgeously sophisticated, impeccably constructed pieces that still look as though they’d allow you to float on air. Imagine how wonderful these clothes will feel to wear, even as you’re feeling drop-dead glamorous. It’s the secret to what women really want in their wardrobes, isn’t it?

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Indeed, the tone for the collection was set by the theme music for the show: “This Woman’s Work” by Kate Bush, an indelibly moving song by the iconic singer whom Philo considers a hero. Wearing a Kate Bush T-shirt backstage, Philo spoke to the theme of vulnerability and embracing uncertainty – and how that crosses over to inform her creativity. “In a way, I was open to everything,” she said of the collection. “No preconceived ideas, very little of me saying no.”

embrace uncertainty and take on new challenges. The rest of the collection bears this out as well, with the trademark Céline utility taking on new feminine dimensions: a squared-off top (reminiscent of nurses’ scrubs) paired with a tailored knit skirt or ethereally fringed and floaty trousers; belted jackets and trenches with topstitching and metal adornments on the belt; fantastically constructed, asymmetrical cut-out tops with undeniably architectural solidity.

And again we note the unrestricted ease of movement each of these pieces afford.

The results are marvellous.

Nowhere near as severe as the SS2014 collection, but retaining a hint of the same boldness and attention to structure, this new lineup is infused with an easy grace and a more relaxed feel. You’ll still see a bold pop of colour, as in the bright yellow trousers, but overall the predominant palette is navy, cream, and a cheerful magenta pink (we adored the long knitwear wrap dress with the textured hem).

The accessories are on point as well; no surprise from this huse, who have always excelled at unusual ways to walk that line between utility and femininity.

Round-toed leather ballet flats are elasticised for function and comfort but are still incredibly chic; low-heeled espadrilles and slip-on trainers come to sporty life in bold awning stripes; large ergonomic leather handbags boast bright colours, bold detailing such as zips, sturdy handles and brass Drings to match the big pockets on the RTW collection’s coats.

And there’s even a floral print, which we’re not sure we’ve seen from Philo before, and it was worth the wait, culminating in a bright splash of red poppies against a blue and green background. A floral might be risky for Philo, but the fact that she’s used it to sophisticated effect in a long cutaway dress-over-trousers look shows that her focus on utility and construction remains sharp.

With the SS2015 Céline lineup, Philo once again redefines contemporary style for the modern woman. This collection is for women who mean business – but who want a departure from business as usual.

It’s just one example of how Philo has reaped the rich creative rewards that can be realised when you

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Chanel Spring/Summer 2015

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or spring/summer 2015, Chanel’s Karl Lagerfeld presents a woman with an assertive and feminine look, inspired by Parisian street style.

In a whirlwind of colours, including orange, pink, green, violet and blends of blue – not to mention Chanel’s iconic black, white and navy – the look for spring is a riot of hues, textures and detailing, reflective of the wonderful, eclectic style you’d see every day on the boulevards of Paris, as seen through Lagerfeld’s haute couture lens.

An array of shapes make up the spring/summer 2015 wardrobe: three-piece suits, in Chanel’s signature tweedy textures; long masculine coats with bertha collars; wide-cut trousers with turnups; wrap skirts and Bermuda shorts worn with diaphanous blouses and layered with pinafores or peplum dresses. Cocktail dresses bedecked in a mosaic of pewter rectangles, evocative of brickwork, directly reference the architecture of the city. Tweeds, crepe and cotton twill are mixed with light, gauzy fabrics such as silk, cigaline,

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linen, cotton voile, organza and lace, all playing with lengths, transparency and layers.

In terms of print and pattern, modern and contrasting combinations of tennis stripes, embroidery, 1960s-inflected guipure lace, graphic pleats, floral prints and splashes of paint all suggest a breath of freedom that blows across the collection.

Indeed, when the runway show was presented, Lagerfeld had the models stroll through a set that was constructed to look like a Paris street, in casual groups of two or three, chatting and laughing. The statement was clear: these are real clothes for real women; the collection is at once familiar and inviting, yet undeniably luxe and heritage.

The rainbow brushes of colour continue in this season’s flat-heeled knee-length boots, whilst two-tone loafers and golden ballerina flats add a bit of sparkle.

As Lagerfeld has said of this collection, “It is less fashion and more ‘mode de vie’ (clothes for life).” And it’s a message that comes across in full force. There is something to be individually tailored to everyone’s unique character with this expressive and street-smart range of luxury garments. It smashes through convention in a way that would have made the heart of founder Coco Chanel – fashion’s ultimate rule-breaker — glow with pride.

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modern, more dynamic, more real – I wanted it to be made available to a wider audience.”

Dior Prêt-à-Porter Collection Spring/Summer 2015

Eschewing strict historical accuracy to instead embrace an imaginative amalgamation of styles, the historical sprawl of the collection spans influences from the 1700s onwards. Simons takes 18th century French royal court attire – for both men and women – and similarly synthesises and mixes ideas from the uniforms of pilots and astronauts, even schoolgirls and skaters. The effect is clean, modern and completely new – it’s a collection that plays with volumes and shapes but still looks effortlessly sleek, chic, and unforced.

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ooking back in time to draw inspiration for the future, through a dynamic sampling and remixing of history, Raf Simons, Artistic Director of Christian Dior, instigates an exploration of the past combined with ideas of modernity. What interests Simons most as a designer is the democratisation of the traditions of haute couture by taking them into the realm of the prêt-à-porter.

“In the last haute couture collection and show, I was interested in the process of finding something extremely modern through something very historical; particularly through a juxtaposition of different themes,” explains Raf Simons. “For this collection I wanted to continue; I thought there was more to explore. By beginning with the ingredients and the form language of the couture, but going further, I wanted the ready-to-wear to feel more

As the Robe a la Française – a variation on traditional dresses of the 18th century and an amalgam of styles mostly worn with a new form of panniers and T-shirt bodices – morphs into a flight suit, so too the masculine court coats of the 18th century segue into the street aesthetic of skater’s shorts and the fluid form of flared dresses.

Sinuous, long line coats with an Edwardian origin travel through time and history, resplendent in heavy washed silk satins and thick calf leather.

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The transposing of traditional technical details is employed at the service of structural form; bodices become skirts, jackets become blouses, smocking and openwork structures, while the construction of footwear is hand-knitted. A repeated layering of traditional silk jacquards appears as a purposeful stratification of history, while new ‘micro jacquards’ take the form of a digital grid, resonating with the traditional Dior Cannage quilting, itself elaborated on and transformed in the leather goods.

“I started to think ‘what is modern?’ I wanted to deal with a form language that looks to be almost the opposite of my original inspiration at Dior,” says Raf Simons. “It was an idea of confronting what people now think is an aesthetic that is modern – it felt more modern to go to the far past, not the ‘modernised’ look of the last decade. The challenge was to bring the attitude of contemporary reality to something very historical; bringing easiness to something that could be perceived as theatrical. It is the attitude that matters.”

And with this aesthetically inspiring collection, Simon has succeeded in his challenge. The clothes are full of attitude: a fluid, modern grace combined with a refined sense of feminine elegance.

Simons makes the modern look easy, by reinterpreting the past with fresh eyes and innovative techniques. Simply gorgeous.

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Loewe Spring/Summer 2015

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Spanish heritage brand with a long and esteemed history, Loewe is undergoing a renaissance at the hands of JW Anderson, recently appointed Creative Director of the brand long beloved for its luxury leather handbags. Apparel is receiving a renewed focus, but that’s not to say accessories fanatics will be disappointed. It’s all here and on glorious, fashion forward display, but with a reverence for tradition.

Oro, the Spanish for gold, highlights the looks for spring/summer 2015. A torn suede dress presents Loewe’s signature honey-gold hue in a new way, somehow encapsulating all at once a stylish woman, the past present and future of the house, and a collection in which a new lightness pervades.

In the past, Loewe – whilst always luxe – has been centred on eveningwear and dark colours. As Anderson has said, “When I think of Spain, I think of being on a beach. Spanish culture is full of light, not heavy and serious. I wanted Loewe’s look to be lightened up, to feel fresher, sharper – uplifting, like a dreamscape.”

And accordingly, there are loose and easy shapes, elegant draping and fluid fabrics in warm neutrals and saturated colours to be found throughout this dynamic and utterly sumptuous collection – all of course punctuated by touches of Loewe’s signature leather.

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In fact, Anderson’s collection is an exploration of the ways in which leather becomes liquid in appearance, alive with movement and fundamentally modern. A sense of airiness pervades the clothing, achieved through advanced treatment of pure materials, including raw silk, cotton, and linen. It’s at once tactile and ethereal.

Silhouettes are defined by ease and softness, then punched up with sharp, unexpected artisanal elements such as the placement of a knot, the way a classic scarf print from the archive is transposed onto latex, or the calculated asymmetry of a skirt. Fragments emerge and dissolve the codes of the established House, as Anderson continues in the process of reconfiguring the brand, while a necklace made of raw pieces of leather covers the entire collection’s spectrum and acts as an abstract key to the entirety of the collection. There’s a simplicity and rawness to the pieces, an earthy quality, though they’re all rendered in the most luxe fabrics imaginable.

Loewe’s legendary craftsmanship is applied to create new textures and patterns, including woven elements that add depth, visual impact, and extreme tactility to a sleeveless top and a new treatment of the House’s iconic Amazona bag. Colour culled from everyday life is dictated by the way materials absorb pigment: Oro varies from dusty to saturated; cashmere suede, dipped in blue, turns ink-like; orange morphs into saffron, back to back.

The Puzzle, a new cubic bag that folds up neatly, enhances the character of the collection, pairing deconstructed elements of House icons with ultramodern functionality and aesthetics.

Footwear is sturdy enough to anchor the ethereal, almost primitive vibe of the garments; an assuring statement of solidity in orange, navy and black embossed leathers, with closed-toes and wedge heels.

With this refreshing and aesthetically rich collection, Anderson has moved the esteemed House forward into a light and modern era, whilst retaining the luxury and refinement that fans of Loewe have come to love for generations. It’s an impressive feat.

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Louis Vuitton Ready-to-Wear Spring/Summer 2015

Sporting a classically familiar look, with a fresh casual flair, a navy blazer

with pattern-cut sleeves and a subtly flowered yoke. Take the smashing

and dark jeans are brightened with a white high-necked blouse, whilst

red dress with the same textual floral treatment, and a godet-panel skirt

an equestrienne-inspired jacket tops jeans and a colourful print top.

with tone on tone stripes, or even the heels that adorn the boots:

Fantastic iridescent metallic cropped trousers move and shimmer in the

colourful, plastic, and cleverly cut in the shape of the LV monogram

ouis Vuitton. Behind the legendary name is the journey of a visionary man who profoundly changed the art of luggage making, and in doing so, changed the notion of travel itself.

Now at the brand that bears his name, his style-making legacy lives on.

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stood out so far ahead of the pack, the other designers had to crane their necks to see him. This may be a tiny exaggeration, but Ghesquière is no stranger to being in the spotlight. Indeed, the influence of his Vuitton collection from last spring is still being felt, as the industry embraces the

light, providing an edgy contrast to the tailored print top with contrasting

flower. Ghesquière spares no attention to detail and that’s the key to his

collar. It’s all phenomenally wearable. The pairing of utilitarian jackets

brilliance – a focus on everyday wearability, with all the artistry and

and a white blouse with long jeans shorts, all capped off with a feathery

luxury of haute couture.

Between a craftsman’s exceptional technique, and a designer’s vision and inventiveness, Louis Vuitton offers its expertise to bring elegance and distinctiveness to its creations: shoes, watches, leather goods, ready-

1970s flair he sent down the runway in 2014.

pieces. In contrast, the long denim shorts are also seen paired with a

stands out, unsurprisingly, with treasures from the elegant square totes

gorgeously feminine blouse with flared sleeves and peplum. All of the

in embossed or striped leather, to the colourful and ladylike Art Deco

foundation pieces underscore Ghesquière’s stated intention of creating

printed bags and scarves, to the fabulous clutches that resemble the

a fully functional wardrobe for everyday life.

legendary LV travel trunks all destined to be must-have items. Top it all

This season, Ghesquière is all about appealing to every woman – which in itself can be considered a radical approach. Of the 1970s theme, he remarked, “I want to erase reference. I want to talk to multiple people.

I didn’t want to think too much, just follow my instincts – and just create

to-wear, jewellery and accessories. It’s a world of elegance, inspiration and innovation.

desire.” Safe to say he’s succeeded on that score: there’s something certain to appeal to every woman in this collection.

And the ready-to-wear pieces for spring/summer 2015 are no exception, thanks to artistic director Nicolas Ghesquière. In fact, it was rumoured that the buzz around the season’s runway shows was that Ghesquière

scarf, provides a whimsical take on highly constructed and functional

And on the topic of accessories, Louis Vuitton for spring/summer also

off with chunky gold bracelets and funky gold sunglasses, and you’re

But whilst Ghesquière may have embraced a wearable aesthetic, he still

ready for summer.

makes his work flawlessly chic and impeccably crafted. For example, look no further than leather, pieced together in bright stripes on skirt,

With this collection, Ghesquière proves he understands exactly how we

or the sumptuous fit and flare of the fluid black skirt and striped blouse

dress now – he’s just elaborated, extended, and refined it to new heights.

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Marc Jacobs Spring 2015

“I quite like the idea of how things are perceived. How people look at things and people’s interpretation of them, in and out of context.”– Marc Jacobs

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familiar military palette, taken out of context and reimagined through high fashion shapes and couture techniques – the Marc Jacobs spring 2015 collection explores the lines between form and function.

Utilitarian clothing is the starting point for a neutral based colour palette, and whilst inspired by classic army and surplus clothing, it’s far from drab. The neutrals branch out to a subtly lovely range of metallics, which give an elegant sheen when contrasted against the military-tinged shapes and embellishments, and a rich palette of deep hues.

What distinguishes this collection is how it plays with shape and volume as well. In the hands of a lesser designer than Jacobs, the military influence might feel like a retread of a tired trope, but Jacobs takes that inspiration as a jumping-off point from which to explore feminine expression through detail, texture and silhouettes. Wool gabardine dresses are belted at the waist, and long silk shantung shirt dresses feature front patch pockets and epaulettes highlighted with gold buttons. Wool mélange suiting, in military green and blue hues, include wide-leg pants paired with a fitted classic four-pocket coat and belted cargo pants with a cropped two-pocket jacket.

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As the collection progresses, the contrast between military detailing and feminine embellishment becomes more pronounced and compelling – or is it more that Jacobs blurs the lines?

This is exactly what Jacobs refers to in the quote above: he loves to challenge perceptions. However you interpret his approach, the end result remains clear: Jacobs makes simply beautiful clothes.

Large patch pocket mini-skirts in duchess satin are belted with army shirting, featuring guipure embroidery.

Resin cabochons highlight the hems and necklines of wool crepe jackets and cotton twill pleated dresses.

Flower dot embroidered silk, used in dresses and long skirts, is paired with oversized sweatshirts embroidered with cabochons. Sleek jersey gowns with cut-out details are belted and presented in rich colours of blue and green, while short hopsack dresses have full skirts, heavily decorated with pockets, guipure and cabochon details.

Of course, Marc Jacobs is renowned for accessories – his luxury handbags being some of the most coveted pieces in the world of fashion. This season will certainly be no exception, with classic decorations reinterpreted in fresh ways, by changing scale and elevating materials. The Surplus oversize hobo bag, in alligator with antique gold hardware, compliments the ready-towear line in a range of military colours.

Again playing on the utilitarian idea, cross-body bags are another highlight, with the Cadet and heavily decorated Trooper presented in corresponding fabrics to their respective RTW looks.

Playing with classic shapes and luxurious materials, the shoes in the spring 2015 collection include three key styles. Classic leather boots in black and dark brown provide a military edge, while velvet mary-janes are available in two crystal-encrusted heel heights. Flat slide sandals in colours ranging from ivory to gold to deep blue are presented in silk twill, duchess satin and velvet with pavĂŠ buckles.

With the concepts on display with the spring 2015 RTW collection, Marc Jacobs gives the discerning fashionista plenty of room for interpretation in creating her own unique style.

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To r y B u r c h S S 2 0 1 5 R T W C o l l e c t i o n

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f you’ve ever been to New York City or Washington DC, you know that Tory Burch flats are ubiquitous – it’s the must-have shoe of the smart set, a classic slipon that pairs with anything from jeans to dresses.

artists’ commune where Picasso was said to have developed his fascination with ceramics and linocuts. In a nod to the two, Burch designed a tunic top and matching long skirt from a Toile de Jouy pattern that depicts the villa where they made their home, surrounded by cypress trees. Burch also shows pieces in an engineered broderie anglaise that references the ceramic patterns of which Picasso was so fond.

But devotees of this conservative staple may be surprised to learn that in her spring/summer 2015 ready-to-wear collection, Burch unleashes her artistic, bohemian side in a bold display of colour, texture and volume, all inspired by the French artist Françoise Gilot – “A strong woman and a great artist,” as Burch describes her.

The essence of Burch’s new collection, however, is “a play between raw and refined,” as she herself describes it. This tension can be seen to gorgeous effect in a silk georgette belted smock dress and a long canvas tank dress with fringe down the side. There’s a charmingly raw quality to the

Gilot for many years was the partner of Pablo Picasso. The pair lived for several years in Vallauris, the French seaside

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materials that gives it a bohemian, tactile appeal, which is elevated by the refined yet relaxed construction.

And as we mentioned, Tory Burch is an American style icon in the world of accessories. And the new looks for spring/summer 2015 will only continue that reputation, from paint-dipped jewellery to woven leather flats and colour-blocked bags.

Indeed, there’s a casual yet elegant ease to the collection, seen in the softness of the lines, and a play between textures.

Engineered patterns such as raffia tweeds, graphic smocking, and textured knits continue to tell the decidedly upbeat story, in vibrant colours and flattering cuts, paired with contrasting materials. For example, take the sporty ribbed sweater worn with a fringed raffia skirt in mellow shades of yellow and blue, or the knitwear top and silk skirt digitally printed with the same pattern: the play of surface and texture makes for a fascinating collection full of wonderful surprises.

There’s something very approachable about the collection; it’s both artistic in vision and artisanal in execution. There’s just a hint of the 1970s about it but in no way is it retro, nor is Burch precious in the references. It’s wholly original – and simply gorgeous, fresh and new. Perfectly suited for Gilot’s seaside home in France or on the chic urban streets of Abu Dhabi – it’s a brilliant wardrobe for summer.

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CH Carolina Herrera Children – Spring/Summer 2015

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H Carolina Herrera may be best known for her occasion gowns, much beloved among Hollywood celebrities and fashionistas the world over. However, in recent years the elegant Spanish designer has also been crafting wonderful garments not just for the red carpet elite, but for the stylish playground set as well!

And for the summer months, Herrera brings an invigorating freshness to the new collection for children for spring/summer 2015.

course, supreme comfort. For boys, the collection includes fresh, sporty garments with knitted jackets, jeans, polo tops in bold colour blocking, khaki shorts and bathing trunks.

For the little ladies, Herrera has created an adorable line of cotton flower-printed dresses and light shirts, polka-dotted rompers, a darling tennis dress, flouncy skirts with girlish bows at the waist, along with basic essentials like shorts and jeans. If we had to pick a favourite, it would be the sophisticated little trench coat, or perhaps the take on Carolina Herrera’s trademark cropped tweedy jacket.

These are the perfect classics to resize for children – their classic good looks are not too fussy or overly sophisticated, and our guess is that girls will leap at the chance to play dress-up.

The warm air brings with it the desire to dress up with fresh cotton and light fabrics. A retro spirit flavors a collection that revives classic garments on a smaller scale, with a comfortable and cheerful appeal for children and their discerning parents alike. The colour scheme, in beige, red, and navy blue, sprinkled with prints and stripes, is a celebration of the finest moments of summer, dedicated to travel and leisure time.

It’s sometimes a challenge in the summer, attending a smart event as a family in the hot weather, when kids most want to wear their play clothes. With this children’s collection, Carolina Herrera strikes the perfect – and perfectly fashionable – balance between stylish good looks and kid appeal.

Free of ties and restrictive elements, the clothes can be freely combined thanks to their loose forms, offering infinite possibilities – and most importantly for kids, of

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or spring/summer 2015, Brioni invites you on a trip to LA – sartorially speaking, of course. This season, a retro imagery of Los Angeles is fused with the city’s modern, multi-cultural buzz to create the relaxed sophistication of the SS 2015 collection and present a softer side of the Brioni man.

Founded in Rome in 1945, Brioni is recognised as the most prestigious Italian luxury menswear couture house − an authority on masculine elegance. Throughout its history Brioni has been, and remains today, a point of reference for the entertainment, institutional and business worlds in Italy and abroad, followed by a loyal clientele of Hollywood personalities, heads of state and business leaders. For gentlemen everywhere, Brioni is the true essence of style.

The house’s rich archives continue to inspire Creative Director Brendan Mullane, whose collection takes its cue from Brioni’s American style conquests in the 1950s. Old photos of Hollywood icons such as Richard Burton, Henry Fonda and Cary Grant, snapped during Brioni fittings, sparked the connection with Los Angeles, the pulsating heart of the entertainment industry and a fertile hub for art, culture and media.

At the time, Brioni made headlines with its ‘columnar look – a statuesquely elongated silhouette featuring tapered trousers that went against the mainstream men’s fashion of the day. It’s a look that has been reinvented this season to precisely-tailored modern effect, counterpointed by a new silhouette featuring clean boxy tops or jackets over soft wide pants, a sensual elegance that is constructed but never constrictive.

Los Angeles, a city that from dawn to dusk is soaked in a saturated warm light, casts its rays over Brioni’s sartorial tradition and Italian heritage, setting off an exuberant yet sophisticated colour palette of beetroot red, ocean and Capri blues, palm and mint greens, carnation red, turquoise and light blue.

Shades blossom to artistic glory thanks to the collaboration between Brioni and LA-based artist James Welling, whose signature floral patterns were elaborately revisited, studied and meticulously transposed onto Brioni cashmere/silk suits, tissue-thin silk shirts and zipped blousons, in both bright accents or painterly nuances. True bespoke artworks that further display Brioni’s and Brendan Mullane’s long-standing quest to innovate and experiment.

Sports jackets, varsity-inspired styles, fitted knitted polo shirts, cropped pants and Bermuda shorts are mixed-and-matched to create strong combinations of contrasting patterns. Super lightweight parachute silks, traditional Prince-of-Wales checks, houndstooth plaids and herringbone weaves are either overdyed with bold colours or feature hand overstitched chequered motifs that add a 3D texture.

Brioni

The looks are rounded out by an array of roomy bags in combinations of hand-woven double silk jacquards, suede and calfskin where the added value is once again a houndstooth overstitch, while the footwear front is ruled by cross-over sandals, fringed or tasselled loafers and light-weight doublemonk shoes with a Goodyear construction and wedged handsculpted microfibre inner sole.

Spring/Summer 2015 Collection for Men

At the presentation, the American artist Collier Schorr captured the stolen moments of the Brioni man’s life, which served as an ethereal backdrop for the floating real life models.

More than a mere backdrop, Schorr’s montage captured the spirit of Brioni’s appeal to its customer. It was the Los Angeles dream come to life – an enthralling mixture of moody 1950s film noir and exuberant modern-day LA.

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And with this unabashedly retro yet utterly modern collection, Mullane proves he can provide a fresh take on Brioni’s fabled history.

Brioni

Spring/Summer 2015 Collection for Men

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“Traditions have to be maintained so they can be passed on to future generations. In troubled times like ours, we must maintain these traditions which are our luxury and the flower of our civilisation.”

DIOR HOMME S u m m e r

Christian Dior

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magine being Kris Van Assche, Creative Director of Dior Homme, and one day stumbling across these hand-penned words in a letter from the great designer himself, deep within the Dior archives. True, the words were written by Monsieur Dior many decades ago, but he may as well have spoken them directly to Van Assche, a man with enormous reverence for the tradition of the House of Dior. What a thrill it must have given him, as if the past were reaching out directly to him and guiding his hand.

“I was very inspired by a letter written by Mr Dior in the fifties that I found in the archive. In it he talks about how vital it is to maintain traditions. I too feel very strongly about this and the text elements in the collection are taken directly from the letter. I wanted a sense of renewal and an idea of Christian Dior’s artistic milieu to come through, as well as his love of formality and tradition – here the bourgeois meets the artist, but very much in the present day. ” Indeed, this clash of the clichés – that of the bourgeois businessman and the idiosyncrasies of the bohemian artist – is fully embraced in the Dior Homme collection this season. Fittingly, the contrast and combination of the two could be said to have come together in the example of Christian Dior himself. Away from Paris, Dior would often gather together an artistic circle.

It is this idea of renewing and recharging creativity – as well as maintaining traditions – through the influence of others that is central to the collection.

And you’ll see Dior’s inspirational quote written all over the Summer 2015 collection – literally.

The words that spoke so profoundly to Van Assche are reproduced across several key pieces, including jackets and jeans, whilst on a smaller scale the signature appears on shirt collars.

“In this collection, the dialogue with Christian Dior himself continues,” says Mr Van Assche.

The counterpoints of the city and the seaside, the North and the South of France, are presented as a journey from one to the other in the clothing. Starting with the formality of elegant and urbane navy suiting – the clothing of the society gentleman – with a focus on the tuxedo and traditional pinstripe, there is a movement towards the nautical. Here, the nautical is subverted and encompassed, its colouring borrowed for the bold graphic thrust of the collection, its detailing revealed as unusual and dynamic, its materials made luxurious.

Striped knit vests and T-shirts are idiosyncratically layered over Dior signature shirting – becoming a new form of three piece suit – the handwritten pattern eventually finding its way onto jackets, trousers and bags. A strong sense of colour, particularly navy blue, bright yellow and vivid red, is contrasted against white, neutral grey and light denim.

A breaking of the codes and a bending of the rules that supposedly govern menswear inform the quality of the clothing. The clichés and traditions of the bourgeois masculine wardrobe are looked at afresh, rejuvenated and combined with those of the creative.

The handwritten and hand-drawn sensibility of broken and bold graphic lines – the signifiers of the bohemian artist – bring the collection to a culmination. Metamorphosing and subverting the idea of traditional pinstripes, the horizontal line begins to take the place of the vertical in the clothing, eventually becoming the hand-drawn heart at the end.

As Kris Van Assche summarised, “There is still the idea of the individual and human in this collection, together with the release and relaxation of getting away from it all, from the city to the sea.” A perfect way to start the summer.

Silhouettes are layered with contrasting graphics, where bold linear patterns predominate.

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DIOR HOMME S u m m e r

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Louis Vuitton Homme Spring/Summer 2015

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or spring/summer 2015, Rajasthan, the land of kings in the northwestern corner of India, inspires Louis Vuitton in an exploration of the origins of menswear, offering a timeless look of true sophistication.

While travelling in Rajasthan, Louis Vuitton’s Men’s Style Director Kim Jones discovered Sawai Jai Singh, the king who built Jaipur, India’s pink city, and constructed its fantastic Jantar Mantar astronomical observatory gardens in the early 18th century (which inspired the set design for this season’s runway).

From Jaipur and the palaces of the lake cities of Udaipur to Ranthambore, the former hunting grounds of the maharajas of Jaipur, and the Taj Mahal at Agra, a vision of contemporary and eternal India, which predates European traditions and spans over five to six hundred years, has been remixed by Louis Vuitton into a glamorous blend of sophisticated embellished fabrics, smart military tailoring and inventive sport style.

In a spectacular modernisation of classic Indian embellishment, shisha mirrored embroidery with LV engraved mirrors, appears constellation-style across flight jackets with blue tone-on-tone high textured embroidery in ceramic-coated and mako yarns. It’s a glamorous sport hybrid that can be worn with high-waist military shorts, or zipped into an all-in-one military flight suit.

For this season, pattern is omnipresent. The Louis Vuitton Karakoram motif is translated into a range of subtle zigzag herringbone variations in fine suit wools for peaked lapel jackets and pants with a more defined, slightly higher waist and long, straight leg.

Modern India with a 1970s accent shows in the tailoring colourations from warm, natural military khakis and browns to indigo denim blue for crisp cotton suits with embossed leather buttons, and the subtle sheen of silks in a range of formal darks and princely white for evening.

Patterns continue in a more pronounced way for shirts inspired by Indian turban fabrics and embroidery motifs. Large-scale, multicolour Karakoram, embellished with the season’s blue, shocking pink and orange colours, appear on a dotted background. This method was taken from India’s Mothra tie dye technique, which places the dots very tightly as a traditional mark of social rank.

White cotton and silk shirts serve as a sampler of traditional Indian patterns, interspersed with the signature Gaston V in patchwork jacquard. And filmy silk organza short sleeve shirts, some with the Karakoram motif, display a strikingly airy Indian exoticism. Polo shirts in a V patchwork of bright orange and pink on khaki evoke India’s chic maharaja sportsmen.

The outerwear looks associate refined leathers, military tailoring, silks and sophisticated technical fabrics in pieces that are both chic and high-performance. The trench in twilltextured, Louis Vuitton signature natural cowhide leather is both sumptuous and rugged, and the overcoat in dark silk with Indian military gold sundial buttons has a technical Aertex silk and cashmere bicolour lining for elegant performance.

There’s much of interest in the way of volume and treatments as well. Twill leather reappears in a military flight suit, wool twill trench coats sport suede epaulettes, while blousons show in traditional and tunic versions in suede with suede ribbing at the waist. Knits combine Louis Vuitton Karakoram stripes and symbolic Indian patterns. The T-shirt is treated with the collection’s caravansary elephant in ornate jacquard (instead of print) on an Indian style super-mercerised cotton. Super fine 21-gauge cashmere sweaters are narrow-striped at the neck and hem with silk, while silk sweaters are given the same treatment with cashmere stripes. Spring’s cardigan looks like a bomber jacket with matte jersey body and satin sleeves, and silk chenille knit in bicolour appears as a warm-up vest under a jacket.

And you’ll see that Rajasthan has inspired some fantastic accessories as well. Four special edition trunks, a desktop case, guitar case, record case and a composer’s case designed to hold music paper, ink and notebooks, have all been included in this collection in aged natural cowhide with fine calf interior.

The Maison’s classic monogram signature has been reversed in three new bags featuring the LV monogram trim on solid tanned deer leather in this season’s doctor bag, soft weekend suitcase and vertical tote with monogram straps and tags.

This season also marks the launch of the new V bag collection. Made of an exclusive light, supple and water-repellent leather, it is especially designed for modern urban nomads: multi-purpose bags fitting all daily activities, from gym to the office. Signed with a Gaston V, the collection provides a contemporary vision of travel, matching the pace of 21st century.

“While last season’s collection was about looking down at the earth from above,” Jones says of the spring/summer 2015 collection, “this time we’ve looking up at the stars.” We think you’ll like what you see.

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Black Label Black Label continues to set the standard for masculine luxury with a collection of unexpectedly lightweight suiting, perfect for summer. A sharpened focus on texture and colour saturation is seen throughout, creating a sense of ultramodern sophistication.

This season, Ralph Lauren gets you ready for summer with three distinct – yet equally covetable – collections that range from formalwear to the classic American sportswear the brand is lauded for. The range of looks is inspiring: no-one does casual daytime class to killer evening formalwear with the same authority and mastery as Ralph Lauren. Any place your summer adventures may take you, Ralph Lauren will get you there in style. Let’s take a closer look at the three lines for the season.

Ralph Lauren for Spring/Summer 2015

Slim silhouettes, airy fabrications in linen and wool gabardine, and chic monochromatic ensembles define a season of understated elegance for Black Label clothing. Sharp charcoal and navy Italian-made suits are offered in a range of subtle patterns – from understated plaids and nail-heads to hairline stripes – pairing beautifully with narrow sharkskin and printed indigo silk ties. For the first time ever, Black Label dress shirts boast club collars that have been reinterpreted with a modern, compact profile.

Fusing the formal construction of a traditional sport coat with the stretch and versatility of a polo shirt, a handsome knit blazer debuts this spring in navy and black. In formalwear, a double-breasted dinner jacket is realised in black linen with satin lapels, and a shawl-collar tuxedo is fashioned from navy gabardine. All are truly elegant.

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bright navy blue. Cut from the finest cashmere, linen and silk, the new Kent sport coat model is half-lined and boasts distinctive rolled sleeve heads – a hallmark of rarefied Italian craftsmanship. Double-breasted silhouettes are especially prominent and include not only suits and blazers but also vests, waistcoats and the ultimate shantung silk dinner jacket finished with turnback cuffs at the sleeve. Crisp dress shirts feature high club and straight collars, and luxurious silk and linen neckwear emblazoned with deco-inspired motifs add a truly inspired finishing touch.

Purple Label

Ralph Lauren for Spring/Summer 2015

For spring/summer 2015, Ralph Lauren Purple Label makes an elevated international statement with elegant featherweight suits, handmade dandy-inspired furnishings and luxe sportswear updated for today’s worldly man. Slimmed-down silhouettes, including a new unconstructed sport coat and an expanded offering of premium denim, define a fresh, ultrasophisticated sensibility from Purple Label.

Heritage-inspired suits are reimagined through a modern scope, ranging from airy neutrals and creams to dark charcoals with bold checks to pinstripes in

For sportswear, Purple Label reinvents the ultimate weekend wardrobe, fusing luxurious fabrics with

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Ralph Lauren for Spring/Summer 2015

iconic safari references. Rooted in a tight palette of khaki and black, expedition-ready outerwear in combed cotton twill is mixed with crisp linen shirting and slim-fitting trousers in shantung silk. Graphic floral and animal motif prints are mixed throughout, lending a fresh contemporary vibe to the collection.

Crafted from the world’s finest pima cotton, knit sweaters and shirts – including a new polo silhouette with an updated cutaway collar – are perfect for layering with handsome shirt jackets in supple washed leather.

Nautical-themed sportswear features classic navy and white bases accentuated by vibrant pops of tropical

colour – from silk and linen bottoms to the softest knit sport shirts to eye-catching swimwear emblazoned with lively oversized deco prints inspired by vintage French travel posters. Purple Label outerwear continues to showcase innovative construction techniques and craftsmanship details, as seen in a number of trim-fitting jacket models in navy and black bonded leather. Bright orange, yellow and white accents are laser-cut and pieced seamlessly for a graphic colour-blocking effect. An expanded offering of premium denim rounds out the collection, featuring slim and straight jeans, wide-legged sailor pants and the ultimate three-piece suit, hand-tailored in Italy from authentic Japanese selvedge denim.

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Ralph Lauren for Spring/Summer 2015

sporty vibe to letterman sweaters, hoodies and fleece sweatpants, while nylon utility outerwear and leather bike jackets with quilted shoulders add a modern touch of international sophistication.

Polo

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or spring 2015, Polo Ralph Lauren is debuting modern suiting silhouettes, unexpected fusions of vintage varsity with downtown denim and racy leather, and new fully seam-sealed waterproof outerwear from RLX. Capturing the complete Polo lifestyle, inspirations range from classic Ivy League athletics to preppy New England boating to the great American outdoors.

Inspired by the great outdoors and expertly designed for an active lifestyle, Polo showcases a vibrant selection. Crafted in a full spectrum of moody blues, heavily distressed denim, camo, vintage nautical motifs and rugged cotton sweaters define a collection of distinctive spring pieces. Indigo-dyed tees and polos are washed and weathered for a timeworn bohemian look, pairing naturally with cutoff shorts and jeans. Sunwashed chambrays are worn with a medley of novelty layering pieces, including patchwork cardigans, Aran-knit fisherman sweaters and unconstructed indigo-dyed sport coats.

Polo tailored clothing is reimagined this season, merging new, slimmed-down silhouettes featuring three distinctive shoulder shapes and a much narrower pant, with vintage-quality fabrications, contrast club collars and heritage details. Handsome suits are cut from lightweight fresco wool, linen and silk, and range from charcoal pinstripes to classic navy to brown and tan tickweave. Modern, trim-fitting double-breasted suits and sport coats, hallmarks of quintessentially masculine dressing, are especially prominent throughout the collection. Vintage-inspired neckwear boasts classic rep stripes, handblocked foulard prints and heraldic crests. Perfect for an afternoon at the races or the tennis club, fresh seersucker and bleeding madras sport coats with soft, natural shoulders are updated with contemporary cuts and worn with airy linen and lightweight wool gabardine trousers.

A balanced assortment of outerwear ranges from classic naval silhouettes reimagined in lightweight bonded cotton and garment-dyed nylon, to a reversible bomber jacket hand-embroidered with a colourful military-inspired dragon motif, from a bright yellow seam-sealed anorak to the ultimate navy toggle coat.

Sporty swimwear emblazoned with oversized floral and nautical prints and multi-coloured boat shoes round off the air of classic preppy style, whilst a full breadth of functional nylon and leather bags, rugged hiking boots and American-made moccasins complete the collection.

Varsity-inspired rugbys, tees and fleece, designed with a hip, urban aesthetic, come together with slimfitting denim, luxe cashmere, and chic leather jackets in a focused palette of black, cream and grey.

Featherweight cashmere hoodies and crewnecks are worn with resin-coasted denim and a sharp double-breasted sport coat in black cotton poplin. Distressed graphics and old-school crests lend a

Polo reinterprets colourful preppy sportswear for today’s man, blending casual classics with modern haberdashery pieces and bold technical outerwear – the quintessential summer wardrobe.

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om Ford is renowned for his elegant yet masculine style, featuring a rigorous focus on clean lines and precision tailoring. There are few who have mastered fit the way the impossibly suave, multi-talented American designer and film director has done.

the fit, making this an inspired match of designer and material. In fact, for the runway, Ford showed his jeans topped with an animal-print silk tuxedo jacket for evening and it didn’t look an odd pairing at all, so beautifully constructed was the whole look.

Whilst Ford has not to date been the first designer that springs to mind when you think ‘luxury sportswear’, this collection demonstrates another strong point in Ford’s arsenal of talents. It’s a category we look forward to seeing Ford execute more of, given the high degree of accomplishment of the pieces in this collection. Yet another category he executes flawlessly – is there anything this man can’t do?

So it should come as no surprise that, with his spring/summer 2015 collection, even when Tom Ford does “dressing down, he does it impeccably, with luxurious fabrics, absolutely flawless cuts and just a hint of swagger.

Tom Ford Menswear

The big story for the season is denim. As he has done so well before, Ford reinvents a classic, bringing various cuts and washes to life in the highest-quality fabric available – “America still makes the best denim,” Ford has quipped. Of course, with jeanswear, it’s all about

Spring/Summer 2015

Take, for example, the clear inspiration of the American southwest, where Ford makes his home. In a lesser artist’s hands, this trope can be overworked or even

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costumey. With Ford’s trademark elegant restraint, the denim jeans and shirts are rugged and manly, yet never sloppy or overtly ‘cowboy’. The sumptuous leather and suede jackets have the merest hint of a fringe to add textural interest, but never distract from the quality of the fabric or the precision of the cut.

what you’d expect. No need to embellish much when you’ve got the sheer power of cut – the tailoring carries the day.

The relaxed feel of the collection carries through to casual lounge and swimwear. Looking for baggy boardshorts in bright florals or neon? Look elsewhere. Ford’s nylon swimshorts are subtly stylish and well-fitting, appearing in either a grey leopard print or a black tiger print. Dark grey, double-faced cotton jumpers are available in crewneck and hoodie variations – again, just impeccable, even as they exude the relaxed vibe of summer.

The suede was developed specifically for Ford to use in this collection, and is so lush he’s calling it ‘cashmere suede’. The colours, too, are incredible – a range of browns from caramel to chocolate – they certainly look good enough to eat. The suede is also used to fabulous effect in a mink-brown Western-style shirt, paired with stone-coloured denim and a calfskin belt. Simple lines, with rugged and masculine appeal, yet still crisp and elegant – it’s pure Ford.

Of course it wouldn’t be a Tom Ford collection without a suit. Remarkably, he only showed one for the season.

But what a suit it is, a dark slate-coloured linen satin, featuring a peaked-lapel jacket and an elegantly relaxed feel – perfect for the season.

Don’t worry though – there’s still plenty of Ford’s signature black to please the fan of the monochrome palette. In particular, we loved the simple, refined black three-quarter trench with black jeans or leather trousers and a jumper. Little in the way of frills, but that’s just

Go on – we defy you to look at the Tom Ford spring/summer 2015 collection and not want every single piece.

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S I M PLY BE A U T I F U L

By S op h i e M cM u l l a n

A

s the sun starts to show his

beaming

face

increasingly more over

the coming months, so too must we begin to prepare our faces and bodies for the season.

Summer is a time for changing our wardrobes – not just in what we wear, but in our makeup and skincare collections as well. This time of year is a perfect excuse to step out of our comfort zone and try some colour, warm things up, add a bit of glow and pop on some shades we’d never normally try.

Chanel’s makeup collection for the summer is bursting with rainbow brights. But, as one would expect from Chanel, they’re all very sophisticated and wearable. Tones of blue, purple and red draw their inspiration from the Mediterranean; the Riviera, with its chic lifestyle, is the perfect backdrop to open up a Chanel compact or line your eyes with a blue the colour of the water. Dive in!

Tom Ford is showing us his glamorous side with his Soleil Collection. Bronzed and beautiful, it’s all about the glow. These incredible products add a gleam to the skin or shimmer to the eyes, highlighting the features we want to accentuate.

As my Summer Feature shows, these and other makeup, skincare and fragrance offerings are vying for your attention. All are new, and many are limited edition – so snap them up before they sail away...

Another fragrance feature comes from Yas, the Royal Name of Perfumes. Since 1999 in Abu Dhabi, they’ve been creating intoxicating fragrances fit for regal standards. With a prestigious legacy and scrupulous attention to detail, this team of experts won’t let anything stand in the way of achieving the highest quality. Read on to learn more fascinating facts about the company and words from their founder, Abdulla Al Qaissieh.

Growth In Any Conditions

Finally, a slightly different component to your line-up for this edition of Simply Beauty. I’ve been looking at and testing a rather innovative device from Tria. It may not sound glamorous, but it’s a laser hair removal device that you can operate from home. It’s somewhat of an innovation and I wanted to give you my full review on it, as I think it’s something we’ll all want to own.

Please enjoy all the articles in the following pages and, as ever, do let me know any responses and opinions you may have. I welcome your

Are you looking for a minimally-invasive, scar-free technique hair restoration clinic, pushing the limits of what medicine can do to solve hair loss and seeking perfection with each and every case? We might be able to help. The FT (follicular transfer) Technique has been a revolutionary breakthrough in hair loss treatment as it provides natural undetectable results with minimum disruption to our patients' busy demanding schedules. Our Doctors and Consultants are developed and trained worldwide to ensure that our patients benefit from the latest medical technology available including investment in research to continually enhance and develop treatments to help maintain and restore hair.

feedback so please get in touch via my Twitter and Instagram: @beautisserie and I will be happy to respond. Indeed, if there are any elements of beauty you’d like me to research, tell me and I’ll look into it!

My website can also be viewed at www.beautisserie.com which showcases my makeup artistry and other Simply Abu Dhabi articles.

Have a fabulous season!

Sophie McMullan Beauty Editor

www.hshairclinic.co.uk

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Mr Abdullah

Yas – the Royal Name of Perfumes W

ith its roots firmly in Arabic culture, Yas the Royal Name of Perfumes understands that their clients often have international expectations. Knowing that the perfume market is highly competitive, Yas Perfumes combines traditional elements with modern twists – truly a force to be reckoned with.

At the helm of the eminent brand is founder and chairman, Abdulla Al Qaissieh, who has high standards for his empire, citing, “We’re looking to be the most distinguished perfume house in the Middle East”. Indeed, for this company that has been going strong since 1999 with royalty and elite clients serving as their muses, nothing is too luxury.

The name Yas itself derives from the heritage and gallantry of the Bani Yas tribe, heralding from the Gulf region. Both Al Nahyan and Al Maktum are descendants from two UAE royal families that bring with them the heritage of prestige and quality that the Yas Perfume house strives to perfect. Growing in expertise, collections and locations alike, Yas Perfumes can now be found in over forty retail stores across the UAE and is growing all the time.

This expansion has only been possible due to the sustained ability of Yas Perfumes and their creator Abdulla Al Qaissieh to stay true to what discerning clients expect: only the best. Arabic scents are unique and deserve to be treated with respect; as Abdulla explains, “It was my passion for oud and other traditional Arabic scents that motivated me to establish a perfume house. I felt that these beautiful otherworldly aromas deserved to be made into the most exquisite perfumes, and that the process deserved to be as skilled as possible. I knew I could provide that level of quality.”

My personal favourite, and one that stands head and shoulders above the rest, is the essence of oud, taking its fragrance from the woody notes of India, Cambodia, Laos, Malaysia and Indonesia, all of which are known for their intense, pungent scent. As one of the most expensive oils found on our planet, no wonder it’s gained the nickname of liquid gold. Fragrances for both men and women can benefit from having the element of oud infused in their perfume to deepen their aroma and intoxicate the wearer and their surroundings.

Always believing in techniques and values that are traditional yet with a modern twist, Abdulla explains their process, “You choose one scent to be the base note, another to be the heart note and a third to be the top note. Each scent has to be perfect. After that, you play around with oils to create the perfume, and then add a percentage of spring water and alcohol mixture. It is a fascinating and intricate process – one that warrants only the very best ingredients.”

To combine the modern West with the exotic East, both French and Oriental notes are catered for in Yas Perfumes’ incredible aromas. Whether you prefer fruity, flowery, woody or spicy, every taste can be satisfied with their vast selection of fragrances. So, too, will the selection offer you

several ways of enjoying these fragrances – there’s personal fragrance, of course, but also scents for your fabrics, perfume bottles, gift ideas and beautiful hand lotions to complete your collection.

Continuing this array of options to fragrance your world, one of Yas Perfume’s most popular products is their collection of Dokhon – a mixture of scents which are blended together in perfect harmony to fill your chosen room with a beautiful aroma. “A customer can spritz themselves with one of our excellent perfumes,” says Abdulla, “and their homes can benefit from the scent of a dokhon. Our offerings are all-encompassing.”

As well as supporting charitable organisations and being involved in reputable international sponsorships, Yas’s reputation over its history has also been solidified by its impeccable customer service. To be known and respected for their high level of how they look after their clients is an honour that Yas Perfumes values highly. Constantly wanting to improve this as the market evolves and client needs change, so too must Yas and their ability to deliver what is needed and go beyond expectations. To have a close relationship with critics and loyal customers alike is a recipe for success that will last a lifetime. “The end result is that we’ve become experts in looking after our customers, and our staff know how to deliver a superlative and extensive service,” says Abdulla.

“We’ve been able to develop a special approach that cultivates effective, long-term customer relationships.”

Yas Perfumes and their growing presence in the UAE market proves to their clients that they are working hard to be there for those who rely on them. To be as available as possible to their clientele is the key to their service ethos. “We’re visible, accessible and part of their lives,” says Abdulla.

“Our stores provide a luxurious experience in themselves, and reinforce our position in the market.”

With retail experiences being more in demand than ever, it’s important to keep to tradition whilst still moving with the times. With our digital age, and many stores losing out to the online takeover, we’re starting to see a shift in how customers wish to be treated and respected in exchange for their custom and loyalty. Yas offers a vibrant atmosphere for its shoppers, with Middle Eastern souks the inspiration behind the upbeat surroundings. Full of life, with a classic finish, you’ll know you’re in a boutique of quality selections.

All of these careful considerations lend themselves to Yas’s ensured success in continuing long into the future. Abdulla knows more than anyone what hard work and passion can do to pay off.

As he explains, “It’s been quite a journey for the company, considering it all began from just one small shop in Abu Dhabi. Those early years were challenging, but so exciting. Our steady growth and standout scents were the result of hard work, and we now hold a prominent place in the competitive Arab perfume market. A decade and a half later, our scents are recognisable, renowned and truly regal.”

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Tria – Summer’s Secret Weapon

By Sophie McMullan

The Outlook for Summer: Beautiful

I

t’s an issue that all of us ladies (and gentlemen) have to deal with on a regular basis – but one that nobody really likes talking about. We’re forever on the hunt to find a discreet solution to it. It crops up all over our bodies and as we age, shows itself in places we weren’t expecting.

Have you guessed it yet? Yes, it’s unwanted body hair.

The world over, we all have this problem in common and how we choose to deal with it depends on our lifestyle, budget, preferences and knowledge. Most ladies own a razor and most ladies make a visit to their waxing therapist every now and again. What a bore it all is, having to put yourself through an uncomfortable experience just to be rid of something that we never wanted in the first place. And yet, it keeps coming!

By Sophie McMullan

The latest innovation that our beauty salons can offer us is laser therapy. This is where a powerful LED light is beamed into the skin to effectively kill the hair follicle and therefore prevent it from growing back again. It’s a time-consuming process which takes several sessions and laborious visits to the salon – and if you want more than one area treated, that will take even more time and money.

Now, however, I think the solution to all this has been created. Enter the Tria® Hair Removal Laser 4X. It’s a rather revolutionary device that uses the same diode laser technology that you can sign up for in salons, only now you are in control. Reassuringly, it’s the only FDA-approved product on the market that is clinically proven to give results over time (as little as three months), and eventually can be permanent.

A

s the temperature rises, we begin to shed our winter coats and it’s time to focus on getting our faces and bodies ready for the warmer months.

The Tria 4X device itself is a beautifully streamlined product. Completely cordless (aside from when you’re charging it, of course) it has a battery life of half an hour, which means you can treat whichever area of your face and/or body in the comfort of your own home, on your own time.

Thankfully, there is a vast array of beautiful new products on the market to help us look as glamorous and polished as possible.

It’s really easy to use too. With the digital display on the top of the device, you can see the battery life, pulse-counter (how many times you’ve beamed the laser in a session) and the treatment level which goes from one (the most gentle) up to five. Simply select how strong you think you can handle, or just start at one and work your way up at each session.

For our bodies, we can rely on Tom Ford to keep us glowing all summer long. Once your skin is buffed, toned and tanned to perfection, what better way to show it off than with his new Shimmering Body Oil from the Tom Ford Soleil Collection. A limited-edition product with a unique scent created just for this elixir, it is like liquid magic. Comprised of a moisturising oil to hydrate your skin, there’s also platinum and gold leaf to highlight your golden tones and make your skin simply sparkle.

Be sure to check if you’re compatible beforehand, though, as it’s not suitable for everyone. Ideally it works on those with light to medium skin tones with medium to dark hair. There is a sensor on the base of the Tria which will scan your skin before you use it to ensure you’re suitable – a nice safety feature.

Then it’s on to our visage. Firstly, we mustn’t forget to cleanse. It’s the most important step in skincare and one that shouldn’t be skipped just because we’re in and out of water. The best-selling Cleanse and Polish

As far as using the Tria 4X, it’s pretty simple. Your skin needs to be clean, shaven (so the laser can get to the follicle easier) and towel dried. Then when you’re set up, simply place the smooth tip onto the area you wish to treat. From there, you need to move the device up and around the area by lifting and repositioning. The laser pulses should be fairly close together, though, so you do need to concentrate in terms of the pattern you’re making so you don’t miss any areas. They say that each section should overlap the last one by approximately one quarter of an inch. Press the

button and the Tria will beep twice, indicating the laser has done its magic and you can move on to the next. You’ll hear a sterner-sounding beep if you’ve not held it against the skin properly! In which case, just lift and try again.

As with anything, practice makes perfect. I mastered it after about five minutes but I would say, set aside plenty of time. It’s more time-consuming than you might think, especially if you’re going for larger areas like your legs. But areas such as your underarms and face, for example, will of course take far less time and fewer beeps. They even offer you a diagram of how many pulses each area should take and the time, as a rough guide.

It’s all explained really well in the information, and in addition, there’s their website (www.tria.com) with YouTube videos to help you see what it’s all about.

All in all, I’d highly recommend it. Whether you suffer a lot with unwanted body hair or there are just a few areas that get on your nerves, it will tackle them all. And who’s to say you can’t share it with your friends or partner. It’s totally hygienic to do so and will justify the cost. This system is not on the cheap side, but if you add up the amount you’ll spend with an expert performing the treatment (plus the time), I think I’d rather let the expert lay in my hands.

With summer fast approaching, you can zap any unwanted hair and enjoy a fuzz-free beach season. Smooth operator indeed!

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from English skin expert Liz Earle has been given a facelift for the summer. A limited edition version of their cult classic is now housed in a new bottle and has the luxury ingredients of jasmine and osmanthus – all completely natural, so even the most sensitive of skins will be in safe hands. It removes all traces of dirt and makeup and is also safe to use around the eyes. Simply massage it in and remove with the muslin cloth (included), which doubles up as your daily light exfoliation. Quick and easy.

Treasures collection. I’m already a little obsessed with their Instant Light Radiance Boosting Complexion Base, and now they have introduced some new shades, I’m really hooked. These are limited edition so you’d better be quick! For a dab of shimmer on your eyelids, a quick swipe of Ombre Irridenscente will do the trick to highlight your peepers. Then bronze up your face with the intricately designed Bronzer Compact, a wheel of three different shades to warm up all tones of tan.

One then mustn’t forget to protect the skin. At this time of year more than ever, those pesky UVA and UVB rays are strong and vying for your skin’s attention. Combat them with a high sun protection factor in your moisturiser as well as high levels of ‘plus’ protection. To do this and add a hint of tint, Chanel has updated and improved their CC Cream. Now available in four shades, this little tube of wonder will even out your complexion, colour correct areas that need it and protect you with a fabulous high protection of SPF50/PA++++.

To contour with even more perfection, turn to Charlotte Tilbury’s new Limited Edition line. A collaboration with renowned fashion photographer Norman Parkinson, these are true works of art for your collection. Her famous Bronze and Glow has been transformed for the summer months as it’s now available as a cream instead of powder, with Jerry Hall as the image no less.

Then to make your cheekbones stand out even more, make like a supermodel and dab on some of her Dreamy Glow Highlighter.

Top it all off with the bright and bold 1975 lipstick which is so modern, it’s matte.

If you want pure protection with some added benefits, skincare moguls Dermalogica have an impressive new release.

PowerBright TRx™ will give your skin complete protection with a high factor, but also get to work to brighten and even out any hyperpigmentation that might be lurking beneath the surface.

Many of us now have been a victim of dark spots, caused by the sun, age, hormones, stress and UV damage. This trio of products will help to banish these and create a more even-toned skin – yes, please! There’s a day cream, night cream and a serum (to use underneath, prior to both), and as it’s getting to work on your already patchy areas, it will also create a preventative barrier for the future too. Combined with SPF50 in the day cream, you’re good to go.

For a spritz of summer in a bottle, the wondrous team at Diptyque have done it again with their latest eau de toilette Florabellio.

Available in 50ml or 100ml, this is sure to be another classic to add to your collection. To surround yourself with this fragrance is to take you to a more beautiful place. Imagine walking through the woods to the seashore ahead of you and wafting through the salty air. A combination of green and floral scents with the freshness of the sea, topped off with juicy apple blossom and apricot – dreamy yet invigorating.

Float away into your best summer yet. With these enhancing products in your suitcase, you’re sure to turn heads and lift your happy mood even higher.

To bring some colour into our lives, Chanel is also on hand with their new summer Collection Méditerranée. Taking inspiration from the Riviera in the 1920s where Coco Chanel would escape to, the hues from that era and location are ever present here.

Azure blue is the key shade, perfect for the Mediterranean climate where anything goes. Some incredible shades are to be found in their Sylo Eyeshadows as well as the nail polishes, and don’t forget a glossy pop on the lips. If you can’t wear colour in summer, when can you?

Clarins is the go-to line to add some glow to our complexions.

They too have an incredible line-up for summer in their Aquatic

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here are luxury cars, and then there is Rolls-Royce. It’s said so often it is almost beyond cliché, but the brand that invented the entire idea of elite motoring still stands above and beyond any of the competition. So, while the Rolls-Royce Ghost II may have a lot to live up to, it also has a big head start towards being not just the ultimate luxury car but also the ultimate status symbol.

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Refreshed for 2015 – Rolls-Royce is above mere facelifts – the Ghost Series II succeeds in offering the complete Rolls-Royce experience to those who choose not to invest in the massive – and massively expensive – Phantom.

Bespoke in more ways than one The Ghost II may technically be the entry-level Roller, but that’s a bit like saying Prince Harry is an entry-level royal. The Ghost, too, is far from common – even among the most affluent crowds, it’s a rarity. Drive a Rolls-Royce down nearly any street in the world and people will notice.

Rolls-Royce Ghost Series II

In part, that is because each Rolls-Royce has details that put other automakers to shame. For example, the leather in the Ghost II comes from nine very special bulls; Rolls-Royce never uses leather from cows because of stretch marks. The leather is harvested from two-year-old bulls raised on ranches that reside above 2,000 feet of elevation – to avoid mosquitos – and that do not use barbed wire as to avoid accidental scarring. The result is that the interior of a Ghost II is a sea of buttery smooth and completely and utterly flawless leather. And that is just the beginning.

By Nick Jaynes

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Rolls-Royce says that over eighty percent of the cars it sells have completely unique bespoke touches. These range from the fairly basic, such as custom paint, all the way to including rare and remarkable woods, metals, and even gemstones.

Style and substance If all of this information sounds familiar, it’s because RollsRoyce has taken a subtle, staid approach to refreshing the Ghost for its second production series. This, again, is more about the company’s views than it is lack of desire.

The point is, though, that no Rolls-Royce customer should ever have to feel that his personal car has any equal, even in a Rolls-Royce dealership.

For Rolls-Royce, design and production is about the steady pursuit of perfection. Each car’s design is honed through a thousand small touches, each carefully adjusting the car’s look and feel.

Peerless performance Lesser luxury automakers try and wow their customers with technology and neck-breaking performance. When it came to making the Ghost Series II, Rolls-Royce took a different approach, which reflects its understanding that true luxury is about delivering an exclusive sensation.

To that end, the Ghost’s styling has been subtly adjusted for 2015. The most notable changes come to the grille, which has been raised and made more prominent. There have also been subtle changes to character lines that, with the grille, give the car a more imposing and even menacing presence.

The basic shape, however, remains unchanged – and for good reason. It is the very definition of classic elegance. In and of itself, it is worth more than any Mercedes-Benz or BMW.

Rolls-Royce is famous for building gentlemen’s yachts, and cars so smooth and quiet that the occupants never need experience a single moment of discomfort. Yet, in the Ghost, customers also receive more than a modicum of performance to complement the sublime ride.

The interior, too, gets some subtle adjustments. The infotainment, controlled by the Spirit of Ecstasy Rotary Controller and touchpad, is improved dramatically from its BMW-sourced predecessor. The new system features a more attractive navigation screen with improved graphics, and even handwriting recognition. This cutting-edge system allows users to draw letters with their fingers on top of the system’s control wheel. Not only does handwriting recognition make it easier to enter information into the system, it also makes life easier for everyone who doesn’t use the Roman characters.

In the Ghost II, this sensation starts with the engine, which is a massive 6.6-litre V12 producing a titanic 563 brake horsepower and 575 lb-ft of torque. In a German car, these numbers would translate into savage acceleration. In fact, the Ghost II is capable of making the spring to 60 miles per hour in just 4.8 seconds. This sprint happens, however, on a gentlemanly wave of acceleration.

Even at full throttle, the Ghost II remains completely unperturbed, passing along only a faint, satisfying V12 growl to the cabin. The only real hint to the amazing turn of power is the blur of the scenery and the speedometer rapidly climbing to absurd levels.

The rest of the interior features dozens of small tweaks, improving materials and design. The culmination of all of these changes is a truly sublime interior that offers equal measures of both comfort and beauty.

This pursuit of ultimate smoothness is aided by some truly unique and ingenious technology. The sublime eight-speed automatic transmission is linked to the car’s satellite navigation, allowing the car to predict shift points and power demand based on road the car is traveling. Rolls-Royce says that this innovation allows the transmission to shift thirty percent less often. The result is that neither driver nor passenger ever need know the transmission is even there.

Conclusion In many ways, it is hard to sum up the Rolls-Royce Ghost II. How can mere words accurately describe the product of hundreds of hours of work by master craftsmen, thousands of hours by the best engineers in the world, and the best materials that can be had for love or money? The simple answer is in the name: the Ghost II is a true Rolls-Royce.

Likewise, the ride and handling seem intended to soothe a fevered brow, rather than generate adrenaline. The car flattens out bumps and straightens curves, as if it were a faithful servant saying to its master “let me handle that for you, sir.”

The fact that the Ghost lives up to all of the promise and heritage of the Rolls-Royce brand is probably the highest praise that can be heaped upon a car. The Ghost II is more than just an exquisitely built luxury car; it is also a technological and engineering marvel. However, perhaps the best way to describe it is simply as the ‘Spirit of Ecstasy’.

Driving the Ghost II really isn’t like anything else, precisely because Rolls-Royce doesn’t aim to compete or compare with other brands, but rather to stand by itself. On this count the Ghost II succeeds admirably.

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iving new life to an ageing object is always a bit of a gamble. Whether it’s a house, a boat, or a car, it takes a true craftsman and a bit of luck to get it right. After all, once the transformation has been embarked upon, it can never be undone. Take, for example, gutting the interior of a 15th century French farmhouse or a Brooklyn brownstone; if it isn’t done just right, the original charms are spoiled and it’ll never be the same again.

That is exactly what the team at Aston Martin did when they created the V12 Vantage S Roadster. They took a relatively old car, the Vantage, and attempted to breathe new life into it by installing a new engine, reshaping the looks, and removing the roof. Luckily for us, they’re not just some blokes in a shed with a hacksaw and a parts bin; they’re masters of their craft.

And the result, the 2015 V12 Vantage S Roadster, is heart-palpitating proof of that proficiency. In rejiggering the Vantage, creating the fastest drop-top the brand has ever sold, they’ve not just made the machine better… they’ve created a motoring masterpiece.

The 2015 Aston Martin V12 Vantage

Undeniably sinister To get a glimpse into Aston’s motoring mastery, I was invited out to Palm Springs, California, and hosted at the desert oasis’ newest Ritz-Carlton property. Standing outside the Ritz in the early morning under an already-blazing sun, the chief Aston designer gave me a walk-around tour of the formidable convertible’s newest physical features.

We begin at the nose of the car, where the changes are most pronounced. Gone are the classic Aston aluminium grille vanes, which have been replaced with carbon fibre. Not only does this new grille – inspired by the CC100 Speedster Concept and the Vantage race cars – accentuate the fiendish features of the V12 Vantage S Roadster, it also improves airflow to the massive, petrol-churning leviathan that lies just inches behind the grille.

By Nick Jaynes

This carbon-clad grille is best paired with the optional Carbon Pack, which adds more carbon fibre with a red or satin finish to the front fascia as well as the door pulls. Moving further back along the car, we find pronounced hood louvres – again, to help the motor breathe – as well as widened wheel arches, which give the car a distinctive stance.

Stepping back, I visually absorbed the entire form. My press demonstrator had also been fitted with the optional bold graphics, including painted carbon front grille, front grille lipstick and tailgate panel. Though undeniably gentlemanly, there was something certainly sinister about the Roadster.

Desert heat Pulling out of the Ritz property, and cruising through metropolitan Palm Springs, I was immediately struck by the smoothness of the S Roadster and its gearbox.

Unlike other Vantages, offered with a manual gearbox, the V12 S Roadster is fitted with only the Sportshift III auto-shift manual gearbox, which relies on hydraulics to move between gears.

Turning onto the iconic California Highway 74, I clicked one of the steering wheelmounted paddles and took shifting control literally into my own hands. Mashing the throttle into the floorboard carpets, I unleashed every single one of the car’s horsepower into the pavement.

As I alluded to in the beginning, the V12 Vantage S Roadster is driven by a prodigious powerplant: a 6.0-litre V12, with a new Bosch engine management system, producing 565 brake horsepower and 457 lb-ft of torque. This is the kind of power than can make men into tyrants and alter the behaviour of ocean tides.

Thankfully, in the hands of Aston engineers, it’s used for good instead of evil. All told, the V12 Vantage S Roadster will surpass 60 miles per hour from a standstill in 3.9 seconds and reach a top speed of 201 mph.

Not only does this magnificent engine turn petrol into forward momentum, it also makes much noise as well. Highway 74 carves its way through canyons and monument-like sandstone formations. At full throttle, the Roadster’s exhaust makes use of every sharp angle, nook and cranny to reflect every crackling yowl back at the driver.

The Roadster, however, is more than handsome looks, blistering straight-line acceleration, and searing sounds. It’s also incredibly keen at cornering. There are three stages of adaptive suspension dampening, which are complimented by threestage traction control as well as two stages of anti-lock braking intervention. To augment the performance settings, the driver can select between Normal, Sport 292

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and Track modes. Together with varying the level of power steering assistance, the Roadster can transform – with the push of a button – from Sunday cruiser to droptop race car.

Though I momentarily clicked the car up to Track, I found Sport the most exhilarating setting – without scaring me half to death. There I was able to take the Roadster into corners much harder than I’d conceived possible for a convertible.

More often than not, when an automaker transforms a coupe into a roadster, rigidity and therefore cornering confidence is lost. Not so in the V12 Vantage S Roadster. In fact, from my seat, I couldn’t tell the difference between it and its hardtop cousin.

As the sun shone down onto me and the wind ripped through my hair, however, the rest of me could feel the difference… and it was marvellous.

The power steering’s directness and quick ratio perfectly complimented my driving style and inspired much confidence. Riding the limits of tyre to roadway friction, I could easily solve any hints of understeer with a touch of the throttle pedal, which would gently kick out the rear end. Coming back down the hills, if I found my speed exceeding my comfort level, the carbon-ceramic brakes at all four corners kept the car – and me – calm during hard deceleration.

Though it was over 42 degrees Celsius that day in the desert, and the engine turning at oft-full revs, it never once got overheated or skipped a beat. It was this proficient shedding of excess heat that proved the carbon additions to the Roadster’s nose were more than cosmetic; they, too, improved performance and kept the V12 cool.

Contradiction Many high-performance carmakers brag about bringing race car technology into their road-going cars. While this infusion undoubtedly improves on-road performance, it also essentially code for making a car less liveable, less enjoyable.

Aston Martin, though, hasn’t fallen into this trap. It’s included its fastest and fastestaccelerating roadster lessons learned on the racing circuit, like CNC-machined combustion chambers and hollow camshafts. Thankfully, it’s foregone features like carbon fibre racing bucket seats and a solid suspension.

Instead, Aston folded in the important, go-fast bits but left out the things that might make a buyer wish he’d bought a luxury sedan instead. The seats, for example, are incredibly comfortable and not only support the driver during high-speed, spirited motoring sessions but also on long, sun-soaked highway cruises.

And, as I mentioned before, with the auto-shift manual gearbox in automatic mode, though a bit ‘laggy’ at times, the driver can enjoy the benefits of a lightweight, manual transmission capable of rapid-fire shifts and also the ease of an automatic when he’s not feeling exceedingly impassioned.

Conclusion This brings me back to my opening statement. Automakers often produce more potent variants of their models, as the given model gets on in years. Not only does it attract more attention to the moniker, it also stretches out the life and longevity of the platform. Rarely, though, do such changes make a car better than the original.

After all, harder and faster components do not necessarily a good car make. Plus, things like hood louvres can just as easily downright ruin the handsome visual aesthetics as they can make an engine cooling system more effective.

Here is where Aston Martin’s designers prove their brilliance. They’ve taken an ageing car and made it not only quicker and more capable, which is frankly the easy part, but also made it more handsome and far more enlivening than in its previous iterations.

The Vantage stands as Aston’s best-selling model. I can’t image the prospect of gutting and remaking such a success is easy to face for the Aston designers. With one fell swoop, the car and its gentlemanly wiles could be ruined.

Delightfully, they’ve done just the opposite. The Aston men successfully bolted up parts that by themselves could otherwise be considered far too boy-racer for the gallant Aston brand and made a car worthy of a place not just in some of the most distinguished car collections in the world but also perhaps a place in the pages of motoring masterpiece history.

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n nature, wings are used to lift things and keep them aloft. Take the majestic condor, for example, which soars above the landscape, using its massive wingspan to glide between updrafts and air pockets as it surveys the earth for prey below.

Aston Martin

VULCAN

By Nick Jaynes

Force of nature

Back on the ground, however, the predatory Aston Martin Vulcan uses its colossal wingspan for an entirely different purpose. It uses its simply massive, orange-accented rear wing not to create lightness but rather to push its all-carbon fibre form down into the road, keeping it planted at every turn.

Air pressure is not the only power that the Vulcan harnesses – it also employs the energy of petrol as well. Mounted in the front-mid of the car lies the formidable, naturally aspirated 7.0-litre V12, which produces over 800 tyre-rending brake horsepower. All that savage power is routed to the 19-inch rear wheels by way of a race-bred, rear mid-mounted Xtrac six-speed sequential shift gearbox mated to a limited-slip differential and magnesium torque tube with carbon fibre propeller shaft.

Like the condor, this winged British beauty, too, will rarely be seen in the wild, as only 24 examples will ever be built. This means you’ll have to work very hard just to find yourself in the presence of one – even for just a moment.

It’s precisely that power that explains why the Vulcan needs such a mammoth rear wing. Without the extra force of the air keeping the rear tyres planted to the tarmac, the torques of that 7.0-litre V12 might prove too much for the rear rubber.

In creating the Vulcan, Aston Martin broke most of the carmaking rules. It’s not just a plastic-and-foam design experiment, created by an outside design firm, showing the way forward for the brand. Nor is it just a stripped-down race car, sold to a select few, masquerading as an ultra-rare supercar.

Assisting the wing in keeping the tyres tucked into the road in the turns is a track-derived pushrod suspension with anti-dive geometry.

Dynamic Suspension Spool Valve (DSSV) adjustable dampers from Multimatic and anti-roll bars front and rear complement this stiff suspension.

Instead, it’s a motorsports-inspired, exclusive piece of Aston Martin history that will not only add immeasurable value to the car collections of the buyers fortunate enough to get their hands on one; it will improve their driving skills as well. Even that, however, is a gross over-simplification of the car. Let me explain.

We all know, however, that going is only part of the motoring equation. Perhaps the most important part of any car is its braking abilities. Thankfully the Vulcan features Brembo racing callipers at all four corners acting on carbon ceramic racing disc brakes which measure 380mm in diameter at the front and 360mm at the rear.

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Dialling the driving experience inline with its operator, Aston has fitted the car with driver-adjustable anti-lock braking and variable traction control.

Bespoke form and function Many cars pretend to ride the line between race car and road car, bringing together the best of both worlds. While sometimes the two worlds will blend a bit, mostly they’re kept quite separate. Once in a while, though, a carmaker will go a bit mad and take a road car, strip it of much of its stuff, fit it with rigid go-fast bits, and create a track car.

Accordingly, they’re rather harsh and uncouth. In place of supple suspension, they bolt up solid beams. And steel cages and rudimentary gauges reside where wood and leather were once fitted. Undeniably, these cars are quick on the racing circuit and can delight the hearts of driving enthusiasts. Often, though, they’re not much to look at… and even worse to drive from a comfort standpoint.

The Vulcan is further differentiated from the ultra-rare, track-only supercar market not just in its styling but also its well bred stature.

Unlike its competitors, the Vulcan is not a stripped-out production car coated in livery; it’s the world’s foremost gentleman’s track-only supercar.

Not only that, the Vulcan can be built to the buyer’s liking. Don’t like that colour? No problem. Aston will change it for you. In fact, the Vulcan is almost infinitely flexible in terms of colour and trim options, again distinguishing it from other track-only supercars, which typically only come in one way: the way the carmaker deems appropriate.

With the Vulcan, however, Aston is making use of its exclusive new VIP sales programme to help buyers customise their Vulcan, using the expertise and luxury customer service that is now a hallmark of the brand’s ‘Q by Aston Martin’ personalisation service.

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Rarity

Dedication

Delightfully, Vulcan ownership comes with much more. Aston knows that, though its buyers might be able to afford an ultraexclusive track car, they alone might not be able to squeeze from the Vulcan its full motoring potential on the racing circuit.

Accordingly, the British brand will offer the opportunity to take part in a detailed – and equally exclusive – programme of intensive track driver training.

Ultimately, the Vulcan would be worth owning for any one of its parts alone: its stunning, forward-facing looks, cuttingedge V12 powertrain, or motorsport-inspired carbon fibre monocoque chassis. Thankfully, buyers won’t have to choose just one, as it is the combination of them all.

Before setting foot behind the wheel of their Vulcan, Le Manswinner Darren Turner will lead programme participants through the ins and outs of track driving technique. Owners will increase their on-circuit abilities from behind the wheel of several highperformance Aston Martin models, including V12 Vantage S and One-77 road cars and the Vantage GT4 race car. Once they’ve mastered those tarmac terrors, they’ll be invited to fire up their Vulcan and experience its immense performance potential.

If that weren’t enough, Aston will also invite Vulcan owners into Darren Turner’s Base Performance Simulators. No longer just the preserve of Formula 1, in the simulators buyers will have ample opportunity to further refine their driving style in the safety of the digital race track. Not only is this an alternative when, say, a rainstorm strikes the circuit, but also the simulators are widely acknowledged to help prepare a driver for any race by improving technique and consistency as well as lap times.

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Step back and take the entire car into consideration and I dare say the Vulcan isn’t simply the sum of its parts. When it is boiled down, the Vulcan is about dedication. Think about it. With the Vulcan, Aston Martin proves keen ability and dedication to creating within its walls inspired, distinctive design. It shows its dedication to furthering V12 powerplant engineering and potency. It also shows dedication to enhancing the realm of track-only supercars, extending its bespoke motoring arm into the oft-spare world of racing cars.

Moreover, with the Vulcan, Aston, as a brand, proves it is so dedicated to its customers – and to the Vulcan – that it will help teach each owner how to properly pilot the car around the circuit. Not only does this improve ownership by a great deal, it also guarantees the car – and the owner’s – place in the brand’s rich and charismatic history.

S I M P L Y T R AV E L JOR DA N A LY NC H

Belgraves Hotel Exceptional British Hospitality, Carefree Bohemian Attitude

here are few things more rarefied and precious than British summer, perhaps because of its brevity. After many long months of rain, suddenly the legendary English gardens burst into full bloom, umbrellas are lowered and happy faces raised to the sun. It’s nothing short of glorious, really.

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Hotel in London, the group has created an elegant oasis in the heart of London. The hotel includes Pont St., a 70seat restaurant, as well as a selection of chic and eclectic social spaces, which, to our minds, felt like a second home for both hotel guests and London’s movers and shakers alike.

Located in the heart of Belgravia, just moments from the boutiques of Knightsbridge, Sloane Street, and Hyde Park, Thompson’s Belgraves Hotel is the perfect place to stay during the summer months in London. There are endless things to do in the capital, especially when the weather is wonderful, and the Belgravia neighbourhood offers the ideal location – quiet, tree-lined streets, but only moments away from everything the city has to offer.

On entering the hotel, our eyes were first met by a large fireplace in an open, loft-feel lobby housing stunning art installations. The lounge lobby features an eclectic library and cosy hideaway areas, and once we were warmly welcomed and checked in by the attentive Belgraves staff, we couldn’t wait to start exploring.

As we can attest after our recent stay, Belgraves welcomes its guests with a unique blend of bright, modern charm and all the world-class hospitality you’d expect from the Thompson luxury experience. Thompson is renowned for the design ethos of its boutique properties (with glamorous locations in Miami Beach, New York, and Playa del Carmen, among others). With its Belgraves

That is, if we ever wanted to leave our incredibly stylish and luxe accommodations. Each of the 85 exquisite rooms at Belgraves was designed by the highly acclaimed Tara Bernerd, the quintessential Londoner whose artistry brings a sleek and contemporary, yet always inviting, aura to the hotel. The bedrooms feature silver grey wooden floors throughout, adding warmth to each carefully considered space. All rooms are boldly decorated with palettes of natural tones and textures, from the

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Pont St. has a wonderful neighbourhood restaurant feel to it, and this is reflected in the menu, which provides a fresh twist on much-loved classic fare, such as burgers to rival the best in town, the all-important Sunday roast, or the freshest oysters and Dorset lobster. Of course, given that Pont St. is conceived as the ultimate all-day dining experience, we were sure to partake of the American-style breakfast menu with freshly made juices on our stay as well. Everything we sampled on our visit was fresh, expertly presented, and incredibly delicious – and all done with top-notch service as well.

sumptuous bedding to the rugs and furniture. Hues of aubergine on signature walls add to the stylish yet warm atmosphere. The elegant marble bathrooms finished with smoked glass and brass-beaded curtains add a luxurious finishing touch.

Bernerd’s signature style is a perfect fit for an atmosphere that brings together design, dining, and art. Heading back to the lobby, we were eager to try the Pont St. restaurant just adjacent. At the helm of Pont St. is chef and author Sophie Michell – currently Britain’s youngest female executive chef. Sophie’s cooking is produce-driven, and her ethos is to create clean and vibrant dishes, with the provenance of the ingredients shining through.

Oh – and did we mention afternoon tea? A beloved British tradition, of course, but leave it to Chef Michell

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and Pont St. to put a fun, funky twist on an old classic.

The brand new afternoon tea is inspired by the opulence of Marie Antoinette’s court, and includes savouries such as foie gras on brioche toast, cheese balls with quince jam and hollandaise quail egg tartlets. Sweet treats such as champagne lychee jelly with rosewater cream, absinthe choux and chocolate opera cake sit alongside classic scones with jam and clotted cream.

As Chef Sophie says, “I've always found Marie Antoinette an intriguing character; she was seen as a figure of decadence, beauty and frivolity. It's debatable as to whether her famous quote ‘Let them eat cake’ was actually coined by her, but it did get me thinking about what would be her perfect afternoon tea.” It’s a brilliant idea, and one that is presented with great panache, style and fun – perfectly in keeping with the spirit of Belgraves Hotel.

For a more low-key experience, the mezzanine level of the hotel is home to the gorgeous Library Bar – an elegant space channelling casual sophistication with exposed brickwork, vibrant modern artworks and luxe furnishings. With room for up to 200 guests, the Library Bar boasts an extensive selection of beverages and a delicious bar menu. Or, nestled in a cosy corner, the Snug offers a discreet setting for a quiet catch-up with friends.

Furnished with a cashmere sofa and inviting fireplace, the Snug is considered Belgraves’ hidden gem. And rightfully so – it’s utterly charming.

Located just behind the Library Bar is the ivy-walled Terrace, offering a popular retreat for both guests and Londoners. With relaxing Dedon chairs, chic tables, pendant lights and a retractable glass roof, the space can be enjoyed all year round. Guests can indulge in dishes from Pont St., or simply enjoy retro-inspired drinks and snacks from the bar. If you’re planning a large gathering whilst you’re in the city, the Terrace is available for receptions of up to 30 guests or private dining for up to 12. Or you might consider Room 100, the exclusive private dining room, situated on the first floor of the hotel. With floor-to-ceiling windows, a solid oak table and luxurious furnishings, it is the perfect setting for private luncheons and dinners as well as business meetings, seminars and presentations for up to 22 people.

Whatever the reasons for your stay in London – business, theatre, or just some much-needed relaxation – Belgraves is the perfect summer haven. We’re already looking forward to our next visit!

Belgraves, a Thompson Hotel, is located at 20 Chesham Place, London, SW1 8HQ. For reservations, visit www.thompsonhotels.com or phone on +44 020 7858 0100.

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