tuesday, december ,
A DECADE IN REVIEW Top 10 campus stories of the decade
Ten years in the arts COMMENTARY Justyn Dillingham
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Roxana Vasquez/Arizona Daily Wildcat
Students protest the legislature’s proposed budget cuts to higher education outside the Arizona State Capitol on Jan. 28, 2009.
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UA transformation and state budget crisis
The most pressing story of the decade is perhaps one of the most recent. The UA Transformation Plan was launched in 2008 with the goal of cutting about $20 million from the university’s budget in an effort to save money. The Transformation, which includes the consolidation of colleges and programs, restructuring of administrative organization, changes to course offerings and more, is an effort to
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streamline the UA’s operation in the face of dwindling funds. The State of Arizona faces a nearly $2 billion budget shortfall, and state lawmakers cut about $142 million to state universities’ budgets in January of this year. As the UA struggles to pave the way forward, President Robert Shelton and Provost Meredith Hay have come under fire for some of their Transformation policies. Particularly controversial are the
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Campus construction
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In the face of shrinking state funds, this decade’s archives of the Arizona Daily Wildcat are filled with news of tuition hikes, year after year. According to the UA Factbook, in 2000 annual tuition and fees for in-state students cost $2,264, and for out-of state students, $9,416. Today, those figures have almost doubled. This year’s UA Factbook puts the price tag at $5,542 per year for in-state students and $18,676 for out-of-state students.
‘Phoenix’ Mission puts UA on Mars
UA research went interplanetary when NASA’s Phoenix Mars Lander touched down on the surface of the Red Planet on May 25, 2008. With the successful landing, the UA had the distinction of becoming the first public university to lead a NASA mission to Mars. Led by principal investigator Peter Smith, the $420 million Phoenix mission was to search for conditions that could support life on Mars, as well as to research the history of water on the planet. Digging into the Martian soil with its sophisticated robotic arm, Phoenix confirmed the presence of water ice on the Red Planet on July 31, 2008. The mission, which continued through November, returned a treasure trove of information about the Martian surface chemistry, climate
The UA campus saw significant changes in the last decade with the construction of many buildings that are now part of students’ everyday routines. The $60 million Student Union Memorial Center, one of the largest student unions in the country, officially opened Feb. 17, 2003. The $20 million Integrated Learning Center opened its doors Jan. 9, 2002, after construction delays postponed an earlier fall opening. Also new to campus this decade: the Highland District, which houses the Campus Health Center, Disability Resource Center, Residence Life and four residence halls; Alumni Plaza at the center of campus; numerous expansions and renovations to facilities such as McKale Center, Park Student Union and Meinel Optical Sciences; the UA Poetry Center; and the Bio5 Institute north of campus.
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“differential cuts” that have tended to favor the hard sciences, which bring in research dollars, over the social sciences and humanities. Shelton, for his part, has decried across-the-board cuts as the fastest way to mediocrity, saying the university must focus on excelling in targeted areas. “It’s not a matter of doing more with less,” Shelton told the Daily Wildcat. “It’s a matter of doing less with less and doing it really well.”
Tuition hikes
cycles and weather. In a 2008 interview with the Daily Wildcat, Smith summed up the mission’s importance to the university in one word: “Prestige.” “The university is trying to become a world-class research
Sarah Smith/Arizona Daily Wildcat
facility,” he said.“Having a mission like this — returning some really impressive science about an unexplored region on Mars — that puts us on the map.”
—Alex Dalenberg CAMPUS STORIES, page B8
Top 10 sports stories
The Lute Olson Saga
It wasn’t supposed to happen this way. After a quarter century in Arizona, the sudden retirement of Lute Olson wasn’t supposed to be leaked by ESPN’s Dick Vitale, leaving reporters in Tucson to hang around McKale Center for hours asking questions that couldn’t be met with direct answers. UA Athletic Director Jim Livengood wasn’t supposed to hold an impromptu press conference outside
of McKale Center in October 2008 to announce Olson’s retirement. It wasn’t supposed to happen just two days after Olson met with the media to discuss his excitement of returning to coaching after missing the entire 200708 season with a sudden, unexcused leave of absence, which included marital troubles and illness from a stroke that was kept secret for a year. The Wildcats put together an impressive 170-63 record from the 2000-01 season to the 2006-07
campaign under Olson’s reign, but when he left without originally saying goodbye, the Wildcat program was rocked. Committed recruits bailed and fans scoffed at the legitimacy of replacement interim coaches Kevin O’Neill and Russ Pennell. Olson and his estranged wife, Christine Toretti, got into an indirect argument on Johnjay and Rich’s morning radio show, which is broadcast in multiple states. Olson wasn’t supposed to watch the Wildcats’ game during the 2007-08 season on his television
at home while Toretti continued to watch in her McKale Center seat. Olson, a Hall-of-Fame coach, was nothing more than tabloid fodder for a while. The drama was material fit for a television reality show. It wasn’t supposed to happen this way. Livengood wasn’t supposed to suddenly announce that O’Neill would succeed Olson as the head coach of the Wildcats’men’s basketball team, and Olson wasn’t supposed to come back and announce on April 1, 2008, that O’Neill SPORTS, page B6
arts editor
hat a long decade it’s been. Fortunately for those of us who eschew clichés, it feels redundant to call it a “strange” one. It may take another decade before we can take the full measure of what this decade meant for popular arts, just as it’s easier to see now what mattered in the ’90s. But from the perspective of the last month of the ’00s, a few things are clear enough. Rock seemed to be buzzing about frantically, like a half-drowned bee, trying to come up with new ideas. For the most part, though, it looked to the past. The Strokes’ 2001 debut album marked the beginning of the art-rock revival, charging up the prickly, nervous beats of post-punk for another runaround. In indie-rock’s other wing, The White Stripes paved the way for a retrorock revival, blending the rawness of old blues with the cosmic belch of Led Zeppelin. Jack White soon fell under the sway of his own hype, and was last seen posing imperiously next to Jimmy Page and The Edge, ready for his place in the Rock and Roll Hall of Fame. The coming of file-sharing paved the way for another noticeable trend: The slow demise of the album. The first major file-sharing system, Napster, thrived for two years before collapsing under the strain of legal problems. The music industry, terrified by the prospect of losing millions, has never stopped trying to fight file-sharing, but it remains alive and well to this day, via programs like Limewire and Azureus. The album — a deliberate collection of songs, arranged in a certain order — no longer seems as important now that listeners could essentially make their own albums from existing tracks. Another staple of the pre-file-sharing age, the homemade mixtape, gave way to individualized playlists. The single, however, remained strong; from Britney Spears’s “Toxic” to OutKast’s “Hey Ya,” the decade’s most popular singles were often some of its best. The most drastic change was in television. With a few exceptions —“Seinfeld,”the“Law and Order” dynasty — television hadn’t been taken that seriously in the ’90s.“The Sopranos,” debuting in 1999 and immediately winning ferocious critical acclaim, changed all of that. Now TV shows were, if anything, taken more seriously than movies. Some shows, like“24,”never lost their audiences; others, like“Veronica Mars,”got their audiences only to be cut dead by network doltishness. (As John Belushi’s Captain Kirk put it in an old “SNL”skit:“Except for one television network, we found intelligent life everywhere in the universe.”) Of course, no amount of intelligent television could do anything to choke off the glut of TV’s most popular trend in the ’00s — reality television. The explosive popularity of“Survivor”and “American Idol”led to a runaway parade of shows that ranged from the sublimely ridiculous to the unwatchably ridiculous — from“The Osbournes” to “A Shot at Love with Tila Tequila.” Even more momentous, in some ways, was the creation of YouTube in 2005. From 15-second Thomas Edison shorts to videos of cats falling off tables, YouTube covered everything television couldn’t. (Its most laudable achievement, perhaps, was giving bored office workers something to do.) DILLINGHAM, page B4