


Architect:ArintaAzkaHirarki
Lecture:Dr.-Ing.Ir.IlyaFadjarMaharika,MA.,IAI.
Tutor:AbdulRazzak,S.Ars.
Style:Modern
PrincipalDesign:EcologicalArchitecture Area:33m² Year:2022 City:Pekalongan Country:Indonesia
Ienjoythecomplexityandcreativitythatgoesintoa design,thewaytheyareputtogether,likesolvinga puzzle, nallybecomingpa ofafunctionalwhole
15 th September 2003
Bandung, Indonesia arintaazkahirarki@gmail.com +62-8787-277-0006 instagram.com/arintaazka
I hereby declare that the assignment for this Mid-Semester Examinationismyoriginalwri enwork.Ifitislaterproventhat thispaperistheresultofplagiarismfromanotherpa y,thenI amwillingtofullyacceptthesanctionsthatwillbegivenbythe FacultyofCivilEngineeringandPlanning,IslamicUniversityof Indonesia.
ThisisastatementoftheauthenticityofDesignStudio3'swork thatIactuallymade.
Name :ArintaAzkaHIrarki StudentID :3203012172 Faculty :FCEPArchitecture
Batik as one of the works of a of the Indonesian nation, whichhasbeenrecognizedbytheinternationalcommunity asanelementofIndonesiannationalculturalidentity.Batik willalwaysdevelopinlinewiththedevelopmentofsociety and its cultural values. Batik, which is pa of Javanese culture,canbesaidtostillhaveastrongpresenceinsociety, andseemstohavebecomepa ofthelifeoftheJavanese people,wherefrombi htodeath,itcannotbeseparated from the use of batik cloth as a means or complement in ritualceremonies.
Inthiscase,itisalsoinseparablefromthein uenceofthe market where consumers are directly one of the factors that play a role in it. It's a shame that batik is sta ing to become less a ractive, especially for young people who have sta ed to get mixed up with western culture, even thoughasweknow,youtharethesuccessorsofthenation, so what happens if many young people are no longer interestedinbatik.
The creative industry is currently a mushrooming and rapidly developing industry in Indonesia, because the creative industry is considered capable of responding to challengesinfacingtheglobaleconomiccrisis.Thecreative industry's desire to innovate and create cannot be separated from originality and local genius which are so abundant throughout the archipelago, which is a fundamental capital in its development, especially the creativeindustryinthe eldofbatik.
Soweo erasolutionbycreatingamodernbatik-themed building in which there are exhibitions of various regional batikwhichwecombinewiththerestaurant,sothatvisitors can see the batik exhibition while enjoying the dishes provided, of course this new thing will give an interesting impression so invite a lot of interest, because as we know exhibitionsseemboringsoweo erexhibitionswithanew style that is expected to revive interest, especially young peopleinthe eldofbatik.
keywords:Batik,YoungPeople,Exhibition
MultipurposeBuildingisabuildingthathasmore than one function, in this project we raise an issue that is currently circulating in society, namely the erosion of batik culture for young people.Inaddition,wetookasiteinPekalongan, which is the city of batik or the largest batik producerinIndonesia.
Withthisissueweo erasolutionbycombining the functions of an exhibition with a restaurant whichwemakeinamodernstylecombinedwith batik, the reason we combine exhibitions with restaurants is that we want to give a new impression to visitors, because the usual exhibition model is quite boring nowadays, especially among young people. Inside this building,visitorscanviewtheexhibitioncasually while nishingorwaitingforthedishesordered. We hope that this new concept can arouse interest, especially among young people, regardingthisbatik.
This project was created for The Government of Pekalongan: DinasPariwisata,Kebudayaan,KepemudaandanOlahragaKota Pekalongan. which is expected to help in the cultural sector, especiallybatikculture
This building can be used for everyone including All genders, Local,Teenagers,OverseasTourist,A ist,andEntrepreneur.
Indonesian culture is sta ing to erode with western culture, especially batik, today's young people tend to lack knowledge about batik as Indonesian culture, of course this a ects the spreadofculturewherewewillfaceademographicbonuswhich isexpectedinthenextfewyearstocome,sowethinkthisissueis necessaryli ed.
We want to contribute to advancing the nation's culture, especially in the eld of batik by creating an extraordinary experience for visitors to exhibitions by o ering new things wherevisitorscanseeexhibitionswhilewaitingoreatingameal.
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h ps://www.un.org/esa/socdev/enable/designm/AD5-02.htm
This building in Dutch is called Markthal or Koopboog, but in English it is known as The Market Hall. A building that is a mix of residence, o ce and a market. Located in Ro erdam, The Netherlands, this building has been established since October 1, 2014, soitisevenoneyearoldnow.
Thebuilding,whichwasinaugurated by Queen Máxima of the Netherlands, was designed by an architectural rm called MVRDV.
Choosing the concept of gray natural stone with an arch-shaped structure like a horseshoe. The building has see-through glass on both sides, also consisting of small glasswindows.
Whatisuniqueistheinnerceilingofthebuildingwhichhasan areaof11,000m2drawnwithaworkofa fromArnoCoenen, whoearnedthenicknameHoorndesOvervloeds.Thea work consists of large images of fruits, vegetables, seeds, sh, owersandinsects.
Coenen's a work was selected from a list of 9 international candidatesthatwerenominated.Thisworkwascreatedusing digital 3D techniques.To be able to load les of these images thatareupto1.47terabytesinsizerequiresadedicatedserver, these are also used by PixarStudios to create animated lms. The3Ddigitalanimationisthenseparatedinto4000pa sand thenprintedonsteel.Righta eropeningin2014,thea work receivedalotofa entionfromallovertheworld.Somecallitthe world'sgreatestworkofa orTheSistineChapelofRo erdam.
The Market Hall is built in a village that dates back to the 14th century.Itissaidthattherewereseveralhousesandfarmshere, so that during the construction of the Market Hall, a tenth century farm was discovered 7 meters underground. In the housetherearetwostovesandseveral replaces.
HeydarAliyevCenterisabuilding designed from a competition in 2007 as a cultural center designed by renowned architect ZahaHadid.Thecenter,designed to be the main building for the nation'sculturalprogram,breaks away from the austere and o en monumental soviet architecture so prevalent in Baku City, Azerbaijan. The building was erected to expressAzeri cultural sensitivity and the nation ' s optimism for the future. The building has a total area of approximately 101,801 m², with a building area of 57,519 m², a site areaof111,292m²,andasitearea of15,514m².
The visible and facade of the building displays a uid and curved architectural style avoidingsharpcorners.Thisform makesthebuildinglookcomplex, combining conventional lines between architectural objects and urban landscapes. The smooth su ace of the main materialusedinthefacadelooks like a giant curve that is connected to each other as an aerodynamicplane.
Theappearanceofthefacadeofthebuildingappliestheprope iesofunity, dynamicsandcomplexcurvedgeometry,bylookingattheappearanceof the building's su ace. The front and rear views and both sides of the buildinghaveacharacteristiccurvedshape,withawhitebasecolor,andthe use of glass.The existence of implicit lines on the su ace of the building thatareconnectedandenvelopingthebuildingaddstotheapplicationof the generative principle to a uni edform.The dynamic shape creates an irregular but rhythmic arrangement of glass to its arrangement. The smooth su ace on the skin of the building adds a complex nature to the curved shape, between the lines on the transparent ( at) plane as if they mergewiththelinesonthenon-transparent(curved)plane.
The Heydar Aliyev Center building has a combination of a reinforced concrete structural system with a spatial framework system that collaboratestocreategeometricshapesonthesu aceofthebuilding.The shapeofthestructurewhichhasalotofcurvatureandfreedommakesthe arrangementofthespatialstructurecomplicated,becauseithastofollow thedesiredshape.Theconvenienceisonlyintheinitialdesignwiththehelp ofdigitalizationtoolsforthegenerativeprocessinarchitecturaldesign
Theentirestructureofthebuildingiscoveredwithaspaceframestructure consistingofasteeltubeconnectionsystem.Structuresareconnectedto eachothertoformthedesiredbuildingsothattheprinciplesofunityand dynamicsinthecurvedshapeofthebuildingcanbeapplied.Thedynamic principleinbuildingsshowsbuildingswithcurvedandwavymovements
The space frame system in the Heydar Aliyev Center building with the construction of free-form structures and saving time during the construction process, combines exible connection between the rigid la iceworkofthespaceframeandthefreelyformedexteriorcasinglayers. The combination of the reinforced concrete structure with the collaborative space frame system creates a geometric su ace for the building.
Thislocationisatthewestendofthe city,closetothepanturaroad,from thesouthturnle ,meettheTiban marketthenyouwillseeahospital andarice eldarea,sothat'swhere youcanaccessmysite.
TheredzoneisthemostcrowdedpointbecauseitcomesfromThePanturaRoadormainroad.the sun'sshadowcanstillbefeltbecausetherearenotallbuildingsaroundit,thewindblowsalotfrom easttowestwhiletheonlynoisecomesfromvehicles.
ThisareaissurroundedbyRiceFieldstothewestand southofthesite,thenthebuildingsarounditarethe DjunaidHospitalandTheTibanmarket.
Jurai Batik Pekalongan is a multi-purpose building that has an exhibition function combined with a restaurant so visitors won't get bored inside, the choice of the name jurai in the title of the building has a very interesting meaning,juraiisde nedasarelationshiporrelationshipsoitishopedthatthis buildingcanbecomethefabricofbatikculturewiththecommunity,especially inthecityofPekalongan,theshapeofthisbuildingisalsodeliberatelyshaped like a cloth that is connected to one another without ends.We hope that this batik culture can continue to be preserved, especially young people, through thismulti-purposebuilding.
Thisdesigncomesfromthele ercwhichisbentthenduplicatedinto3 pa sthenaddaconnectingplatebetweenthe3pa sthencombineallthe elementsandthisdesignisformed.
A space frame, also called a space structure, is a truss-like structure consisting of struts that are interconnectedinageometricpa ernthat isbothstrongandlightweight.
It is a modern architectural and structural engineeringtechniquethatisbeingusedto e ectively cover large areas while using justasmallnumberofinternalsuppo s.
Space frame architecture has been more prominent in the last few decades and is nowevolvingglobally.
These structures are durable because of the triangle's intrinsic sti ness and the bending stresses transferred down the length of each strut as tension and compression.
GFRC is similar to chopped berglass (the kind used to form boat hulls and other complex three-dimensional shapes), although much weaker. It's made by combining a mixture of ne sand, cement, polymer(usuallyanacrylicpolymer),water, other admixtures and alkali-resistant (AR) glass bers.
Theglass bersusedinGFRChelpgivethis unique compound its strength. Alkali resistant bers act as the principle tensile load carrying member while the polymer and concrete matrix binds the bers togetherandhelpstransferloadsfromone bertoanother.
Thisbuildinghasuniquelightingbyutilizingtheroofto formapa ernedprojectionofsunlight.
Sunlightentersthroughtheroofwhichismadewithholesandcoveredwith glassthenlightenterstheceilingandheadsstraightintotheroomforming aroundpa ern,thematerialofthisglassiscrystalclearglasswhichallows lighttoenterpe ectlyorhasahighlevelofclaritybutdoesnotinte ere witheyesight.
“Thedetailsarenotthedetails,theymakethedesign” -CharlesEames
“GoodBuildingscomefromgoodpeopleandallproblemsaresolvedbygooddesign”
h ps://www.archdaily.com/448774/heydar-aliyev-center-zaha-hadid-architects/528521b4e8e44e8e72000160-heydar-aliyev-center-zaha-hadidarchitects-photo?next_project=no h ps://docplayer.info/50848670-Penerapan-batik-ke-dalam-desain-arsitektur-menggunakan-metoda-analogi-lucia-ina.html h ps://adoc.pub/penerapan-batik-ke-dalam-desain-arsitektur-menggunakan-metod.html h ps://jurnal.isbi.ac.id/index.php/panggung/article/view/2119 h ps://webdev-id.com/wdi-wiki/photography-video-creation/artificial-light h ps://www.archdaily.com/553933/markthal-ro erdam-mvrdv