Portfolio - Archana Prasad 2025

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AADRL MArch
Archana Prasad

Archana Prasad

Nationality Indian

D.O.B 8th November 1998

Languages: English, Hindi, Kannada, Telugu

Contact

+44 7767905175

ar.archanaprasad2023@gmail.com archana.prasad@aaschool.ac.uk London N7 0HS

GRADUATE ROUTE VISA

Research Publication

Paper Title:

Impact of high-rise and high-density buildings on Sustainable living w.r.t mass transit systems: the case of Mumbai, Maharashtra, India.

Journal: “International Journal of Engineering Research”

ISSN 2319-6890 online; 2347-5013 *(print)

INSC Young Researcher Award 2023

Unfold 1.0

Professional Category | Jan 2021

MArch | Sept 2023 - Jan 2025

Architectural Association School of Architecture

Architecture and Urbanism (DRL)

Dr. Theodore Spyropoulos Studio

BArch | Aug 2016 - July 2021

KLE Technological University, India University Rank -3

Workshops

EmTech] A programme for basic intermediate and advanced workflows in grasshopper.

Monoceros Modularity | July 2022

Design Morphine| Discrete Aggreation Design Workflow

Work Experience

Folds Design Studio, Navi Mumbai, India

INTERN | April 2021 - July 2021

JUNIOR ARCHITECT | Aug2021 - July 2023

Worked on projects of different scales that include - furniture design, interior design, pavilion and public art installation scale and a schematic design proposal of a car showroom in Mumbai.

Worked on design proposals, fabrication drawings was responsible for on-site fabrication.

Worked as an architectural designer using Rhino 3D, Rhino SubD, Grasshopper, 3DS Max.

Worked using advanced fabrication tools like 3D printers, waterjet machines, CNC 3-axis and 4-axis machines, and metal and nonmetal laser and thermoforming maching.

Rethinking the Future

ARCHITECTURAL JOURNALIST | April 2021 - July 2021

Part-time Position

Software Skills

3D Modelling | Sculpting | Scripting

Advanced Proficiency : Rhino, Rhino SubD, Grasshopper, Blender 3D

Intermediate Profiency : 3DS Max, Houdini, Maya

BIM | CAD | Presentation | Rendering

Advanced Proficiency : Autodesk AutoCAD, Adobe Photoshop, Adobe Indesign, Luxion Keyshot, Lumion, V-Ray

Beginner Level : Autodesk Revit

Certifications & Field Studies

Certifications & Field Studies

JURY Arturo Tedeschi, Sanjay Puri Competition

Houdini for Architects 1.0 | June 2022

Design Morphine| Generative Design Workshop

WINNING ENTRY (Public Art Installation) selected for execution by Navi Mumbai Municipal Corporation

Masterclass Module 1.0 The Villa | Sept 2021 Futurly| Maya Modelling & Sculpting Design Interventions | Aug 2020 Parametric Workflows

Published 15 articles undertaking independent study and contributing creatively to the Rethinking The Future’s daily editorial and social media platforms.

Digital Prototyping Lab at the AA DPL STUDENT ASSISTANT | Nov 2023 - Jan 2025

Responsible for rectifing errors in the files for 3D printing and Laser cutting AND for the regular maintenance of the machines.

“The Architectural Imagination” by Harvard X. Manaing Building Adaptation: A Sustainable approach by DelftX. Revit for Architectural Design Exam Prep by Coursera. Revitalization of Heritage Commons of UNESCO Site - Bidar, Karnataka, India. (2019)

Stabilized Mud Construction: Hands on Workshop - 2019

Building Construction and materials - on-site exploration. Sustainable Practices in architecture : Laurie Baker Center for habitat Studies - training program (2017).

Vernacular and Alternative building technologies - Auroville, India (2016).

01 CAR SHOWROOM

PROFESSIONAL

CURRENTLY UNDER CONSTRUCTION

Office: Folds Design Studio, Navi Mumbai, India

Contribution: Architectural Design Proposal+ Visualization

The car showroom is a futuristic landmark that merges cutting-edge technology with innovative design, aiming to attract and engage customers. Its sleek, organic exterior, with fluid lines and curves, evokes the speed of high-performance cars. The structure uses a mix of transparent and opaque materials for a dynamic light and shadow effect. This showroom exemplifies the future of automotive retail, integrating advanced technology and sustainable practices to provide an unparalleled customer experience and setting a new standard for the industry.

This meeting pod is designed to elevate the customer experience, setting a new standard for car showrooms. Modelled as an organic, sculptural design with flowing lines and curves that create a sense of fluidity and motion, this form not only enhances the visual appeal but also mirrors the sleek design of modern automobiles, creating a cohesive thematic experience within the showroom.

02

PUBLIC ART INSTALLATION

Triangles
Discretization
Metal Framework to attain the ideal shape of the seating.
Wireframe of the unrolled strips of triangular panels obtained for fabrication drawing.
Seating: Model info: Converted to NURBS
Seating:
parametric screen and seating after metal welding
parametric screen and seating after final finishing

alternative fabricatrion strategies

the final installation

MARITIME HERITAGE MUSEUM

ACADEMIC - Undergraduate Thesis Project Individual Project

The propopsed urban insert intendes to revive the importance of the historic urban landscape through spatial storytelling, while it narrates the story of ‘LOTHAL TO LETHAL’ (Lothal: World’s first port town in the ancient Harappan Civilization).

The design is a monumental fabric response to the remains around the site, hence it follows the existing design language while not mimicking it. With this differential design approach, the museum is conceived as an abstract continuation to the existing.

(ASI) Archaelogical Survey of India

SMART HUB

ACADEMIC - SmartLabs 5.0 // rat[LAB] Education

Design Hackathon Style// 2 weeks duration

Team: Archana Prasad, Vaishnavi Deo

Contribution: Design concept, Grasshopper Scripting

Over the lifespan of a typical mixed-used high-rise tower, the same spaces may be occupied by a succession of different tenants with their own set of requirements. And ideal design should be flexible enough to accomodate all these changes and the changing needs of the tenants.

The building layout is to be created based on the conceptual notion considering various factors such as location (environmental analysis & vantage points), client (tenant) requirement, and building services.

Consequently, the spatial organization is derived according to the needs and nature of the occupants.

UNIT ORGANIZATION

To respond to different requirements of the tenants in the “Hybrid Smart Hub,” and to add functional variation to the floor plate, three types of units and multiple types of leisure spaces are organised in a single floor plate on every level

THE FACADE

FACADE RADIATION ANALYSIS

MEDITATION CENTRE

PROFESSIONAL

Architectural Design Proposal

Office: Folds Design Studio, Navi Mumbai, India

Contribution: Concept Design + Drawings

Inspired by the Shri Yantra, the planning intends to capture the energy of the cosmos and act as a tranquil escape for the visitors. The sculpture at the circular pit stops along with the pyramid each represent an element of the “Panchatatva” (5 elements of nature).
Earth Sculpture Wind Sculpture Fire Sculpture Water Sculpture
The Four sculptures depict: Prithvi (Earth), Jal (Water), Agni (Fire), and Vayu (Air) and the pyramid represents Akash (Space).
Shri Chakra. Hence, its pattern is engraved on the flooring and the outer walls of the Pyramid.
The Pyramid an enclosure of monumental scale paradoxically represents the space as the interior of a pyramid asserts the same impact as that of the sky. The angle of the pyramid derived from the golden ratio enables the interiors to house a humongous amount of cosmic energy which heals a person subconsciously.

FACADE DESIGN

The design features tessellating geometric patterns that serve both aesthetic and functional roles — referencing regional craft while moderating the microclimate. This facade design for an IT park explores the cultural and climatic potential of brick cladding, applied exclusively on the podium to establish a strong visual identity within its urban context. The perforated brick surfaces reduce direct solar gain, support cross ventilation, and act as thermal insulators against extreme weather.

Present on all sides of the podium, the façade creates dynamic interior environments through light and shadow interplay. To ensure durability, the brickwork was treated with a hydrophobic coating and antifungal nanotech solvent, protecting it from dampness and biological growth.

1

the AUDITORIUM BUILDER

ACADEMIC - SmartLabs 5.0 // rat[LAB] Education

Design Hackathon Style// 2 weeks duration

Team: Archana Prasad, Vaishnavi Deo

Contribution: Grasshopper Scripting

Auditorium Builder is a parametric design tool developed using Grasshopper to optimize auditorium layouts based on performance-driven seating analysis. The script allows users to input parameters such as screen and stage dimensions, number of rows, aisle widths, and tierspecific configurations. It calculates total seating capacity and evaluates each seat’s visual performance by simulating lines of sight from eye level to various points on the stage or screen. The tool assesses visibility using key metrics—Visibility Quotient and C-Value—and visually maps performance ranges across the layout By providing real-time feedback through color-coded outputs the script enables iterative refinement, helping designers make informed decisions to maximize visual comfort and spatial efficiency in large-scale auditorium planning.

2 evaluation criteria

C value

All C-values obtained connected to bounds to derive the lower and upper limit for the gradient.

C = D (N+R) D+T - R

D = the horizontal distance from the eye to the point of focus

N = the riser height

R = the vertical height to the points of focus

3 evaluation criteria Visibility Quotient of all the seats as the perecentage values derived from minimum to the maximum no. of line intersection drawn from the viewer’s eye to the point of focus on stage/screen.

T = the seating row depth 40% 100%

4 feedback Vertical and Horizontal angle of view the lower limit and the upper limit of the range of the vertical and hoorizontal angles of viewing (considering all the seats).

INTERIOR DESIGN

2D PROJECTION OF LIGHT - caustics from lenses

CONSTRUCTED ATMOSPHERE

AA Design Research Lab - MArch Thesis

Theodore Spyropoulos Studio

Type: Academic // Group Project

Team Archana Prasad, Oluwapelumi Johnson, Rohan Thakker

Contribution: Research + Prototyping + Digital Studies

Research explores light as a phenomenon, initially through investigating the light pillars wherein light delineates space. The phenomenon demonstrates an interrelationship between lighting infrastructure and ice crystals present in the air, constructing an atmosphere which is durational, ephemeral and participatory.

atmosphere as architecture

infrastructure

organisation of instruments of light

+ atmosphere light

= Constructed atmosphere WITH LIGHT AS A MEDIUM

ice crystals instruments of light - climate conditions dependent

participatory “natural” environment constructed atmosphere - durational

This study explores light as a 2D phenomenon, focusing on the interplay between light and shadow. By experimenting with convex and concave lens configurations, we studied how light could be redirected to generate caustic patterns on surfaces. The effect is surface-dependent, and its quality changes with lens geometry, arrangement, and intensity of light—making the space dynamic and responsive.

Light qualities - Intensity

Spacial qualities - Pattern demarcations

Environmental conditions - Dark Control parameter - Pattern

3D DISPERSION OF LIGHT - prisms + dichroics

4D ORGANISATIONAL LOGIC from crystals street lighting infrastructure - organisational structure of light

Moving from projection to dispersion, this study examines how light interacts volumetrically with custom-designed prisms and dichroic materials. The resulting units, referred to as prismachroics, break light into shifting color fields, activating space from within. These instruments transform both interior and exterior conditions, offering an immersive, ever-changing spatial experience as light moves across the day.

Light qualities - Dispersion

Spacial qualities - Volume demarcations

Environmental conditions - Fog/Haze

Control parameter - Colour

Derived from natural crystal growth, this phase informs the spatial logic used to aggregate the 3D instruments of light. Through the study of crystalline structures, we extracted rule sets to organize the prismachroic elements—defining how they connect, fragment, and grow into space. The inclusion of time as a design dimension is inherent in both the generative logic and the atmospheric shifts these systems enable throughout the day, adding a durational quality to the spatial experience.

Light qualities - Scattering

Spacial qualities - Fragmented space

Environmental conditions - Water/Liquid

Control parameter- Organisational structure

Building on this research foundation, the project investigates how instruments of light—lenses, prisms, and dichroic elements—can actively construct spatial experience using natural light as the sole medium. Through a series of proof-of-concept models and controlled studies, the work culminates in two spatial applications: lens-based facade elements generating caustic projections, and a volumetric system of prisms informed by crystalline growth patterns This exploration is not the culmination of our research, but rather a point of departure—opening up new directions for spatial experimentation rooted in natural phenomena.

2D CAUSTICS FROM LENSES

Both interventions explore how temporal changes in daylight can activate surfaces and volumes, creating spaces that shift in character throughout the day The transition studies, captured through visual sequences, reveal how light-driven architecture can blur the line between material and immaterial, structure and atmosphere— resulting in dynamic environments that are immersive, responsive, and ephemeral in nature.

The caustic lens-based facade performs most expressively under direct daylight, as seen in the visual transitions presented.

Motivated by the desire to decode and reimagine light in its most elemental form, we aimed to derive low-tech, material-efficient systems that can shape space meaningfully. By iteratively altering the geometries and arrangements of lenses and prisms, we observed their collective behavior and how subtle shifts in configuration influenced the experience of space. Each prototype was developed as a proof-of-concept grounding the research in tangible outcomes. What emerged is an approach that embraces change, where light becomes a dynamic agent of transformation—offering a space that never quite looks the same twice.

While the research was not tied to a specific site or climate, the iterative process revealed the potential for highly context-driven applications. The outcomes suggest that, when informed by environmental conditions—such as local daylight patterns, site orientation, and climate-specific light quality—these systems can be tuned to produce bespoke architectural effects.

The EPHEMERALITY OF LIGHT embeds a visual awareness of time and atmosphere, suggesting a poetic, performative quality of architecture.

PRISMS + DICHROICS AGGREGATION
CAUSTICS LENS-BASED FACADE
3D PRISMS + DICHROICS PAVILION

thank you

AADRL MArch
Archana Prasad

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