Hunter Bradshaw - Portfolio

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Architecture Portfolio

Selected Works

Hunter Bradshaw

Selected Works

Personal Work 06 04 01 03 05 07 02 Gunn Fine Arts + Dual Language Academy Junior High Addition + Renovation in Arlington ISD LSU New Learning Commons Design Proposals for Louisiana State University Steele Montessori Montessori Addition + Renovation for San Antonio ISD Lawton Youth Sports Complex Youth Sports Building for Lawton, Oklahoma UNT Dallas STEM Building Lab and Classroom Building for UNT Dallas El Paseo 2021 Evolo Skyscraper Design Competition Entry Bark and Build 2022 and 2018 Bark and Build Entries Professional Work Art work Miscellaneous personal art work 08

Professional Work

Steele Montessori

San Antonio ISD - San Antonio, Texas

Team - Daniel Perez, Diego Barrera, Wanira Magaloni, Andrew Simpson, Gretchen Diesel

My role in this project was leading the design of the exterior, presenting to the client about design updates, supporting the design principal in planning and formation studies, and supporting the interior designer in design and visualization.

Originally opened in 1932, Steele Elementary School owes it’s name to pioneering principal Laura Steele, who served as principal in San Antonio ISD from 1904 until her death in 1929. In its new life as a Montessori Academy, Laura Steele Montessori serves about 300 students from PreK to 4th grade. This addition and renovation will allow the academy to serve up 500 + students in grades Pk-8.

The design of Steele Montessori Academy is rooted on the belief that student-centered learning and a Montessori approach creates independent individuals who show empathy and compassion. Each learning house is designed to accommodate the learning needs of the age groups served. On the early learning and lower houses, a practical life skills classroom was created. The upper house and the middle school house feature a large flexible collaboration area that can be configured for several small groups or as a large gathering space for the whole house.

The design of Steele Montessori celebrates the history of the school while showcasing its new life as a Montessori academy. The team was inspired by the ingenious use of space by teachers and students at Steele, in accommodating the Montessori method into an existing facility. Steele teachers found spaces for their students to experience the full Montessori pedagogy, from the placement of the practical skills areas to the prepared environments housing the Montessori manipulatives. In fact, the façade of Steele Montessori Academycelebrates those manipulatives, more specifically the sensorial knobless cylinders. These cylinders teach toddlers and preschoolers to differentiate using a visual sense between height and width. The windows on the façade represent the staking exercises that Montessori students practice and celebrate the work of both teachers and students. The material palette responds to the materials found on the existing building to remain.

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The project’s design was inspired by the Montessori Manipulatives known as “Knobless Cylinders”. This manipulative features cards with diagrams of stacking patterns for the cylinders. The patterns of shifting horizontals, strong verticals, and changes in tone drove the design of the exterior facade and second floor commons space.

Tail-End Table + The Undercoat House

Bark + Build 2018 + 2022 - Dallas, Texas Partner - Alayna Skorge + Kyle Beard

My role for Bark and Build has been leading a team of 1 or 2 people in design and managing the partnership with the contractor.

The following dog houses, Tail-End Table and The Undercoat House, were Stantec’s entry into the Bark and Build competition, an event through AIA Dallas and TEXO to benefit the SPCA of Texas. The houses were designed by the team and built by Joeris in 2018 and Pogue in 2022.

The Tail-End Table provides a new way for people to interact with their dog by being a point of intersection between the life of the dog and their person. The curvy, vibrant slats accommodate for human functions, while the rigid, darker slats provide the dogs needs and when these are stitched together, a rich space is created for the dog and a beautiful table is created for the human. The stitching brings together their lives - interlocking a dog’s warmth and a human’s care - and through that creates a spatial and material composition that manifests the bonds that dogs have with their humans.

The Undercoat House is inspired by the fact that many dogs have a topcoat of fur that is a different color than their undercoat, which can give the dogs a two-toned look from certain angles. This two-toned quality is reflected in the color and angles of the fins on the exterior of the dog house. These fins are backlit to let the house softly light the room it is placed in. The house is rounded to accommodate the way dogs curl up before lying down. The interior of the house has an opaque shell and soft upholstered bed to provide a sanctuary for the dog in the home.

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“dog” mass “human” mass stitched together

The Undercoat House is inspired by the fact that many dogs have a topcoat of fur that is a different color than their undercoat, which can give the dogs a two-toned look from certain angles. This two-toned quality is reflected in the color and angles of the fins on the exterior of the dog house. These fins are backlit to let the house softly light the room it is placed in.

Lawton Youth Sports Complex

City of Lawton - Lawton, Oklahoma

Team - John Shiver, Diego Barrera, Keith Harley, Alayna Skorge, Chad Martin

My role in this project was leading design and communicating the design to the community, city council, and steering committee. Though this project was taken through conceptual design and approved unanimously by city council, contract negotiations fell through and the project was not completed.

The Lawton Youth Sports Complex is an 86,000 square foot public facility designed for the city of Lawton to host local and regional tournaments for indoor soccer, flag football, and basketball. The site for the building is in Elmer Thomas park, referred to as “the jewel of the city”, which otherwise has no major structures, has incredible visibility from the two most major roads in Lawton, and overlooks Lake Hellen which is at the northeast end of the park. In response to this site being so important to the city, the project was designed to have two faces. The park side of the project is low in scale, with the building literally pushed into grade bringing the highest roofline below the adjacent trees, and the lake side of the project stands proudly overlooking Lake Hellen, creating an architectural icon for the city.

The youth sports building type is typically a big box with 35’ tall walls, something appropriate for an urban or suburban context, but totally inappropriate for our site. The sport courts of the building are separated and skewed relative to each other, allowing space for the commons. The commons space that connects the sport courts lowers the scale at the front door, opens up to views of the lake beyond, and also lowers the scale at the exterior plaza that hosts outdoor dining on the lake side. The sport courts are evident in mass, two striated, textured boxes taller than the commons between them. The commons reflects the natural drop in grade on the site towards the lake, as it enters at the second level and descends to the first. This is accomplished with a cascading stair that is set below a terraced roof with clerestory windows that open to the north. The angular, stepping quality of the stair and roof extends out to define the courtyards on the park and lake sides of the building, effectively giving back refined, visitor friendly park space to the city.

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Typical mass of youth sports complex

Broken down, sport courts separated

Scale of building reduced by pushing into grade

People moving through the park, the Park moving through the building

LSU New Learning Commons

Louisiana State University - Baton Rogue, Louisiana Team - Rebel Roberts, Tracy Eich, Travis Sage, Dan Fletcher, Patrick Calhoun, Kyle Beard, Christopher Zhu

My role for this project was initial ideation for the narrative for the interview, design of the proposals, and leading a team for the production of the physical model and boards.

Tail-End Table is a dog house designed to fit well within the home, serving as a multi-use piece of furniture for both dogs and people. It was Stantec’s entry into the Bark and Build competition, an event through AIA Dallas and TEXO, and was both designed and assembled by Stantec.

The project’s design is centered on the idea of stitching together the life of a dog and the life of a human through a furniture piece that accomodates the needs of both. Through analyzing the relationship between dog and human created by a typical dog house, an opportunity for design intervention became apparent. By designing the dog house to be inside as opposed to outside and the be utilized by both dogs and people as opposed to just dogs, it challenges the isolating nature of a traditional dog house. The dog house is designed to work well with different relationships with other furniture in the home, as well as serving many pruposes simultaneously like storage, display, and seating, as well as creating space for the dog and allowing access for bowls and petting. The material of the dog house expresses two massses - that of the dog and that of the human. These masses change in form to accomodate function, and then are stitched together. This stitching is a material manifestation of the way that the dog house brings together a human and a dog iside of the home.

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PLAZA
continuum of campus interfaces PLAZA continuum of campus interfaces COURTYARD continuum of campus interfaces PLAZA continuum of campus interfaces COURTYARD continuum of campus interfaces
LOGGIA
continuum of campus interfaces
TERRACE
continuum of campus interfaces
TERRACE
continuum of campus interfaces
OBJECT
continuum of campus interfaces
TERRACE
continuum of campus interfaces

UNT Dallas STEM Building

University of North Texas at Dallas - Dallas, Texas

Team - Tracy Eich, Amy Holzle, Cynthia Labelle, Carter Moore, Gretchen Diesel

My role on the project was leading the design of the exterior, leading consultant coordination, working with the design director, senior project architect, and senior interior designer on building planning, technical development, and interior design, respectively. A challenge I helped the team overcome was reaching the incredibly lean efficiency ratio of 65% through management of our square footages and overall efficiency of the plan of the building.

The new STEM Building will be located on the University of North Texas, Dallas campus in Dallas, Texas sited west of Founders Hall and south of the Student Center. The building will feature flexible teaching and collaborative research laboratories, active learning classrooms, administrative space, and informal gathering spaces. The building is currently envisioned to be a four-story building with classroom spaces at the north bar and lab spaces on the west bar. Levels 1-3 will be finished out, while Level 4 will be a shell space to be finished out at a later date.

Strong aspirations of the project are to strengthen the exterior public spaces available on campus and enforce strong cross-campus connections as seen in the campus master plan. To that end the building creates a courtyard to the south of the building with its “L” shaped massing that will connect it with the future buildings in the masterplan, and also creates a pre-function porch space on the north side of the building that serves to connect the STEM building with the existing Student Center and the quad area. In addition, there will be a service entry and adjacent utility area in the southwest corner of the project site. Exterior gathering areas will be landscaped with drought resistant and indigenous plantings and hardscape

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The design for the STEM building seeks to connect with its campus context while also communicating principles of STEM. These principles can be see in the pattern language of the building, which takes inspiration from the mapping of DNA and the human genome.

Our search with the owner for the right visual identity for this building has been extensive, as seen in this series of iterations produced across schematic design. Through regular feedback and close collaboration, consensus was achieved.

Gunn Fine Arts + Dual Language Academy

Arlington ISD - Arlington, Texas

Team - Jonathan Aldis, Brett Holzle, Diego Barrera, Carter Moore, Samantha Markham

My role on the project was supporting senior staff for planning, exterior design, and construction documentation.

Gunn JH is a complex addition and renovation increasing the capacity of Gunn JH to include the new Academy of Fine Arts and Dual Language. The “FADL” Academy is the Junior High extension of the wildly popular and successful program that started with the implementation of the programs through the additions/renovations of Jones and Corey Elementary Schools during the last bond. The next chapter of Gunn JH Academy, reflects and respects the 47 year history of this school, and creates a design that is inspired by the proud Gator tradition. Much like the real thing, the hangout for the Gunn Gators has been lovingly known as the Swamp. The image of the swamp serves as inspiration for the design of the new Gunn academy, and of the new hangout spaces for its students.

The image of the swamp serves as an organizing element at the parti level. The student gathering areas mimic those natural clearings, and invite activity and interaction. Similarly, an abstracted conceptualization of the image of the swamp informs the patterns and materials in the academy. The design of the new Gunn Academy connects the existing athletic and dining building with the main academic building by infilling the existing breezeway. This new area becomes the heart of the new school, enlarging the dining area, and creating and open media center overlooked by the new maker space lab. Comprehensive interior renovations make sure the new Gunn feel is consistent throughout and opens up the existing foot print, allowing for collaborative student inquiry in a variety of spaces.

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P N Roof Level 126' - 4" P N 11 EQ. RISERS 12 EQ. RISERS 13'4" A421 B5 Sim A421 D2 Sim A420 D4 A410 C3 A410 A3 N 2 1' - 0" 4 7/8" 7' 6" 4 7/8" 8 11/32" 4 7/8" 7'6" 2" 6" A420 C5 Sim A421 B5 Sim A421 B5 Sim 6' 0" 7' - 0" HR-2 HR-1 HR-1 HR-2 HR-1 10 TREADS @ 11" 9' - 2" 3 4 5 1/4" = 1'-0" A410 C3 STAIR C2 SECTION Roof Level 126' - 4" P N Roof Level 126' - 4" P N 11 EQ. RISERS 12 EQ. RISERS 13' 4" A421 B5 Sim A421 D2 Sim A420 D4 P N 3 N15 N14 A410 C3 A410 C3 A410 A3 A410 A3 P N 2 1' 0" 4 7/8" 7' 6" 4 7/8" 8 11/32" 4 7/8" 7' 6" 2" 6" A420 C5 Sim A421 B5 Sim A421 B5 Sim 6' 0" 7' - 0" HR-2 HR-1 HR-1 HR-2 HR-1 10 TREADS @ 11" 9' 2" 2 3 4 5 6 1/4" = 1'-0" A410 C3 STAIR C2 SECTION 1/4" = 1'-0" A410 B5 STAIR C2 LEVEL 2

700'S

#4 REBAR DOWELED INTO EXISTING CAST IN PLACE CONCRETE WALL. 4' O.C.

HARDWOOD CAP PAINTED P8 W/CLEAR FINISH

HR-1 PATCH AND REPAIR EXISTING WALL AND PAINT. REF. A700'S

STAINLESS STL. HANDRAIL BRACKETS AT POSTS

CONCRETE POURED IN PLACE EXISTING WALL. MAINTAIN MINIMUM 42" HEIGHT FROM FLOOR/TREADS.

REBAR DOWELED INTO EXISTING CAST IN PLACE CONCRETE WALL. 4' O.C.

ALIGN

PATCH AND REPAIR EXISTING WALL PAINT REF.

REVEAL

1 1/4" DIA. STAINLESS STEEL HANDRAIL

GYP. 2" A421 A6 Sim A421 D2 Sim 2" STL

= 1'-0" A421 B5 GUARDRAIL

FASTENER BENT PLATE SADDLE, 3/16" X 2" WIDE. WELD TO HANDRAIL BRACKET

2" STL TUBE POSTS, PAINTED P1 CONTINUOUS WELD AROUND EACH POST

NOTE: EASE ALL EDGES AND CORNERS

CONTINUOUS 1/2" X 3" STEEL PLATE, P1

STAINLESS STEEL HANDRAIL

Arlington

DETAIL A

BOARD PAINTED P8 IMPACT RESISTANT GYP. BOARD PAINTED P8 4 7/8" ALIGN REVEAL A421 A5 Sim 2" 1 1/8" 2" 3/4" CLR 1 1/2" R3/4 " 96° WELD HANDRAIL BRACKET TO 2" X 2" STL POST 3/8" PROFILE CUT STAINLESS STEEL PLATE 1/4" RADIUS

=

TUBE POSTS

STAINLESS STL. HANDRAIL BRACKETS AT POSTS 3'6" MIN 2'10" MAX 4" A
HANDRAIL SUPPORT CENTER OF POST
EXPOSED STRINGER, PAINTED P8 TO MATCH
2" x 2" STEEL POST, 4' O.C. MAX.
COUNTERSUNK
1-1/2" O.D.
HANDRAIL (U.O.N.) STAINED CLEAR FINISHED HARDWOOD CAP EASED EDGES, PAINTED P8 CONTINUOUS 1/2" X 3" STEEL PLATE 2" STL TUBE POSTS, PAINTED P1 CONTINUOUS WELD AROUND EACH POST FRY REGLET F REVEAL, FACTORY FINISH TO MATCH
4 7/8" 2 1/4" 1/2" 1/2 " 2'10" Revision Issued Revision Project Title Client/Project Client/Project Permit/Seal File Name: 3000 STAIR 214000728 ISSUED Arlington GUNN ACADEMY DETAIL 1"
6"
1'-0" A421
3" = 1'-0" A421
DETAIL
P8 W/CLEAR FINISH CONTINUOUS 1/2" X 3" STEEL PLATE, P1 STAINLESS STL. HANDRAIL
AT POSTS STAINLESS STEEL HANDRAIL 3'6" MIN 2'10" MAX 4" A421 A6 Sim A421 D2 Sim 2" STL TUBE POSTS IMPACT RESISTANT GYP. BOARD PAINTED P8 4 7/8" ALIGN A421 A5 Sim BRACKET POST PLATE RADIUS EASE ALL EDGES CORNERS COUNTERSUNK FASTENER PLATE SADDLE, 3/16" X 2" WELD TO HANDRAIL BRACKET O.D. STAINLESS STEEL HANDRAIL (U.O.N.)
IMPACT RESISTANT GYP.
STAINLESS STEEL
P8 ALIGN
R-3
A5 RAILING DETAIL
A6 RAILING DETAIL
A PAINTED
BRACKETS
PLATE
FRY REGLET F REVEAL, FACTORY FINISH TO MATCH P8 ALIGN 4 7/8" 2 1/4" 1/2" 1/2 " Revision By Appd YYYY.MM.DD Issued By Appd YYYY.MM.DD Drawing No. Revision Project No. Title Scale Client/Project Client/Project Logo Permit/Seal Chkd. Dsgn. YYYY.MM.DD Dwn. File Name: N/A As indicated 3000 S Fielder Rd, Arlington, TX 76015
STAINED CLEAR FINISHED HARDWOOD CAP EASED EDGES, PAINTED P8 CONTINUOUS 1/2" X 3" STEEL
DETAILS 214000728 ISSUED FOR BIDDING AND CONSTRUCTION 01/30/2020 A421
Independent School District
FINE ARTS & DUAL LANGUAGE ACADEMY -ADDITION AND RENOVATION Author Checker Designer 12/13/19 3" = 1'-0" A421 A6 RAILING DETAIL #4 REBAR INTO EXISTING CONCRETE ABOVE FOR PLACE EXTENSION. REFER 2" STL TUBE POSTS CONTINOUS WELD AROUND POST PAINT EXPOSED P8 2" IMPACT RESISTANT GYP. BOARD PAINTED P8 3/8" STUD, 16" O.C. IMPACT RESISTANT GYP. BOARD PAINTED P8 ALIGN FRY REGLET T MOLDING, FACTORY FINISH TO MATCH P8 CORNER BEAD 4" 1'2" 2'10" FLOOR 1 1/2" STL PIPE HANDRAIL 4" RADIUS ENDS 1 1/4" STEEL CONTINUE HANDRAIL TREAD RETURN TO WALL STAINLESS BRACKETS R 3/4" COUNTERSUNK FASTENER BENT PLATE SADDLE, 3/16" X 2" WIDE. WELD TO HANDRAIL BRACKET; P1 1-1/2" O.D. STAINLESS STEEL HANDRAIL (U.O.N.) 8" MAX PLAN WALL PER PLAN STAINLESS STEEL PIPE HANDRAIL STAINLESS STL. BRACKET W/ FASTENER, TYP. EQ. SPACED AT 4'-0" O.C. MAX. FASTENERS PER HANDRAIL MFR. 2 x 12 WOOD BLOCKING 20 GA STL STUD EACH SIDE 1 1/2" SECTION 2X12 WOOD BLOCKING FASTENERS PER HANDRAIL MFR. STAINLESS STL. BRACKET W/ FASTENER, TYP. EQ. SPACED AT 4'-0" O.C. MAX. PROVIDE RECESSED 4" DEEP SLEEVE, FILL W/ NON-SHRINK GROUT PROVIDE S.S. COVER PLATE @ FLOOR 1 1/2" DIA. S.S. RAIL 1" DIA. S.S. PICKETS AT 4'-0" O.C. 27". PROVIDE RECESSED 4" DEEP SLEEVE, FILL W/ NON-SHRINK GROUT PROVIDE S.S. COVER PLATE @ FLOOR 1 1/2" DIA. S.S. RAIL 1" DIA. S.S. PICKETS AT 4'-0" O.C. 27". 1/2" x 2" BAR STOCK WELDED TO STEEL POSTS. GRIND WELD SMOOTH, TYP. 1 2 3" = 1'-0" A421 D2 RAILING DETAIL A421 D3 A421 E3 6" = 1'-0" A421 E1 RAILING DETAIL 1 1/2" = 1'-0" A421 E2 RAILING DETAIL 1 1/2" = 1'-0" A421 D1 RAILING DETAIL 1 1/2" = 1'-0" A421 C1 RAILING DETAIL
STAIR
GUNN

Personal Work

El Paseo

Evolo Skyscraper Design Competition - San Ysidro, California/Tijuana, Mexico Partner - Emily Bradshaw

This project was a submission for the 2021 eVolo Skyscraper Design Competition. Emily Bradshaw and I designed the building and produced all graphics shown in 7 days total.

The Mexican-American border is the most frequently crossed border between two countries in the world, with an average of 350 million people crossing annually. As a result, we have seen the development of around 30 pairs of twin cities that straddle a common length of the border. Naturally, a history of shared culture, resources, and identity has developed from the transient nature of life in a border town.

In the past four years, the United States has added 40 miles of constructed barrier to separate the people of the United States and the people of Mexico. Made of posts that are an average of 20’ high and placed every 1.5’, this means that we have placed 2,787,840 linear feet of 8” steel members for the purpose of separating people --- a sobering load of embodied carbon scaring the shared border. This militarization of the border has separated families and cultivated a spirit of division between the two countries.

This proposal is the Center for Shared Mexican and American Culture, sited above the Pacific Ocean, between the two borders. The design connects both countries, border free, in a tower hovering over the ocean that creates space for culturally oriented program that is shared between the two cities as well as program dedicated to immigration reform. The 2, 787, 840 linear feet of steel used to create the border wall in recent history would be repurposed for the structure and façade of the building – taking that which served to divide and using it to unite.

This design is based on the idea of the “paseo” – an evening time walk often in a public or shared space, not unlike the boardwalks of Southern California/Baja California, where people find casual social interaction that fosters empathy and bolsters the cultural ties between people. By composing the building of clearly defined programmatic volumes that haphazardly interact and are connected by exaggerated and celebratory circulation, the project not only fosters but manifests this idea of spontaneous social interaction that is found in a paseo. By exposing much of this circulation to the outside air, the project celebrates the miraculous weather and scenery of the project site.

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“Paseo”

Tower

Driven to create casual, spontaneous social interactions between people

non-profit office space

Immigration support housing

Boardwalk Library

Market

Community Center

Platform Boardwalk Elevated Plaza 01 01 04 02 02 05 03 06 Distributed Living Room Lounge Space Library 07 08 09
04 04 09 08 08 07 07 05 08 03 06 09 Offices Support Open to Community Center below

Ruston Skatepark

Ruston, Louisiana

Design Partners - Kevin Singh, Miguel Lasala, Joey Slaughter

The Ruston Skatepark was designed for the City of Ruston by professors the Lousiana Tech School of Design and myself as a pro-bono effort In conjunction with the Tony Hawk foundation, the skatepark is funded and construction should be finished in 2022.

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Art Work

The following are miscellaneous personal art works I’ve generated over the years.

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