//
r issla- THE qUEEN of CRABBE T Part one
by John Schiewe
Ri ssla (Be rk x Ri sa la)
Skowronek, Nazeer, Comet, *Ansata Ibn Halima, *Bask, and Raktha are among the great stallions that are considered transformative and deserving of everlasting fame. It has become clear that given enough time, Rissla blood ultimately unites with these great horses and others to give elite standard-bearers for the future. A most remarkable contribution to the Arabian breed has been made by this Crabbet-bred mare. Rissla now belongs to all of us in that her blood has reached all continents where Arabian horses are bred and, in addition, has penetrated deeply into such varied designations as Domestic (U.S.), Russian, Polish, Spanish, as well as the more obvious Crabbet connection.As we celebrate Rissla’s birth which took place just over a century ago, it is a fitting time to note just how pervasive her influence has been. Rissla’s arrival 101 years ago is all the more poignant when one recalls that Lady Anne Blunt died in the same year, 1917. Through the efforts of Lady Anne and her husband Wilfrid, Crabbet Stud was entrenched sufficiently after 40 years to have
the elements in place for their daughter Judith to wield in masterful fashion. Judith is more familiar to most as Lady Wentworth. The Arabian horse expert, the late Gladys Brown Edwards, among others, has already documented the brilliance of this chestnut mare, as well as the traits of her forebears that were brought forward with such a near-perfect blending. In addition, consulting the writings of Rosemary Archer provides information about the Crabbet program in general. Let’s first look at the presence of the influential stallion Mesaoud, who is Rissla’s maternal grandsire and paternal great-grandsire. This stallion was purchased by Wilfrid and Lady Anne Blunt as a two-year-old from the stud of the Ali Pasha Sherif in Egypt, who had died two years before. Mesaoud stands up well on so many levels. Often, the images of the ancestors of our modern horses seem to suffer in comparison with today’s horses. This may call more into question the factors of husbandry and camera technologies than of horse quality. But Mesaoud looks splendid. There are very few faults
// A H W > 84 < 0 9 . 1 8