Architectural Design 8 Portfolio

Page 1

MAY2022

UNIVERSITY OF STO. TOMAS COLLEGE OF ARCHITECTURE

FAITH ANN P. CORPUS

4-AR2

AR. GENE FLANCIA

architectural design

8



INSIDE?

PLATE 01

BALANGAY

Philippines Pavilion of the Future

PLATE 02

TANGHALANG BULACAN Cinema and Theatre Complex

WHAT'S

ESQUISSE 01

STAGE DESIGN

ESQUISSE 02

FREE STANDING MARQUEE

ESQUISSE 03 CINEMA AND THEATRE BOX OFFICE


PLATE 01

BALANGAY DESIGN CONCEPT Many projects under the transportation sector of the Philippines is currently undergoing construction Some of these is the Metro Manila Subway, extension of existing train systems, and the New Manila Airport in Bulacan. In 50 years, the Philippines is expected to have better mass transportation systems due to these existing projects. Better transportation systems will not only improve community mobility and health, and road decongestiion will also benefit the economy as it improves fuel efficiency and accessibility which can open up tourism and trading in places that were once hard to reach. The Balangay is a boat used by native Filipinos for at least 2,000 years. Since the will showcase the transportation sector of the Philippines and its effect to the economy, the Balangay is used as the concept for this project. The shape of the pavilion is inspired from the sails of the Balangay which includes three sails of different sizes with triangular patterns while the colors of the sail, blue, red and yellow, are incorporated in the interiors of the pavilion.

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EVOLUTION OF FORMS

Defining shapes from the Balangay sail

Translating the identified shapes through architectural elevations

Massing of the form from the sketched elevation


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site development plan

floor plans

sectional perspective

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elevations

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exterior perspectives architectural design 8 | page 5


interior perspective architectural design 8 | page 6


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PLATE 02

TANGHALANG BULACAN DESIGN CONCEPT Buntal Hat

Ancient Greek Theaters and Film Reel

Manifesting culture in a building does not only create interesting forms but as well as incorporating a deeper meaning that connects your building to the people. The project is inspired in one of the culture and arts the Bulakenyos are proud of - buntal weaving. One of the famous forms of buntal weaving is the buntal hat which were mostly worn by farmers.

To give honor to the immense influence of the ancient greek theaters to the modern entertainment, and the amazing upgrades and breakthroughs of film reels in the film industry, the base form of this project as well as its motifs were inspired from their circular shapes

WHY BULACAN?

SITE ANALYSIS

Bulacan is rich in culture, arts and history. It is the home of various heroes of the Philippines and known for their amazing craftsmanship like the buntal hat. Bulacan is also one of the emerging cities in the Philippines. It is known to have progressive cities and is expected to continue to rise. A cyber park and a business hub is expected to be built on the lands of Brgy. Bulihan as well as the Malolos-Clark Railway project that will be built along the MacArthur Highway.

EVOLUTION OF FORMS

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site development plan

floor plans

SITE DEVELOPMENT PLAN SCALE 1:400 M.

GROUND FLOOR PLAN SCALE 1:400 M.

BLOW UP THEATER 1ST FLOOR PLAN SCALE 1:200 M.

SITE DEVELOPMENT PLAN SCALE 1:400 M.

BLOW UP THEATER 1ST FLOOR PLAN SCALE 1:200 M.

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BLOW UP CINEMA PROJECTOR ROOMS SCALE 1:200 M.

BLOW UP THEATER 2ND FLOOR PLAN SCALE 1:200 M.


sections

THEATER SECTION

CINEMA SECTION

SCALE 1:200 M.

SCALE 1:200 M.

elevations

THEATER APEX 23.20 M. THEATER APEX 23.20 M.

CINEMA APEX 19.00M

CINEMA APEX 19.00M

RAISED PLATFORM 3,00M.

RAISED PLATFORM 3,00M.

NGL

NGL

0

FRONT ELEVATION

0

RIGHT ELEVATION

SCALE 1:400 M.

SCALE 1:400 M.

THEATER APEX 23.20 M. THEATER APEX 23.20 M.

CINEMA APEX 19.00M CINEMA APEX 19.00M

RAISED PLATFORM 3,00M. NGL

REAR ELEVATION SCALE 1:400 M.

RAISED PLATFORM 3,00M.

0

NGL

0

LEFT ELEVATION SCALE 1:400 M.

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exterior perspectives architectural design 8 | page 11


CINEMA MAIN LOBBY

CINEMA HALLWAY

CINEMA ROOM

THEATRE STAGE

interior perspective architectural design 8 | page 12


ESQUISSE 01

PANUELO stage design

The project is inspired from the panuelo or scarf of the Baro’t Saya. In the Philippines, women who are beautiful and modest are called “Maria Clara”. Maria Calara is a fictional character from Jose Rizal’s Noli Me Tangere and El Filibusterismo who wears the baro’t sya and she is depicted as someone who is beautiful and modest. Since the stage is to be used as a stage for beautiful, intelligent and modest women from all over the world, the panuelo was used. architectural design 8 | page 13

ESQUISSE 02

SINAGTALA free standing marquee

Sinagtala means starlight in English. Perform tentimes called stars of the show. Falling stars emit ers do, thus the form inspiration for this stand-alon Rings fall in different angles which suggest moveme


mers like actors, dancers, musicians, etc. are oft light and glow when they show up like performng pylon for a cinema-theatre complex. The LED ent which performers do.

ESQUISSE 03

BUNTAL BOOTH cinema theatre box office

The Buntal Booth is inspired from the Buntal Hat which is also the inspiration of my cinema-theatre complex. The Buntal Hat is made of fibers extracted from Buri Palm leaves and the mesh wires were used to imitate these buntal hat weaving originated in Bulacan which is the location of my site. The color scheme and other materials used in my complex and sinagtala marquee were also used for visual coherence. The Free standing box office can accomofate 4 ticket sellers and 3 automated ticket machines. architectural design 8 | page 14


To my fellow aspiring architects, I wish that more of us will be able to apply the culture of the Philippines in our architectural designs, showcasing the Filipino identity to the world. I also hope that these projects will be able to inspire you to not lose light and go through this journey. There will be times that this path might seem to be the wrong one but always remember, as I may quote, “if you weren’t capable, the opportunity would have never come your way. You belong.” Goodluck, future architects!

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NOTE

Creativity was also essential in translating my intentions to architectural solutions in these projects. With the learnings and experience from Ar. Flancia, I was able to successfully design a Philippine pavilion and cinema-theatre complex that puts a heavy design consideration with regards to culture. I wish that this creativity is something that I can bring along with me and share to others as I go with my future projects.

ARCHITECT'S

These projects highlighted how culture is incorporated in architecture. It shows how the built-environment can sustain and promote the culture of a place and its people. It is of great importance that we apply it to our designs because it does not only connect the people to our buildings but it also gives them a sense of identity, While going through the projects’ conceptual development, I have also realized how culture can shape the form of our buildings. There are a lot of inspirations that can be used not only for aesthetics but also for a deeper symbolism that relates our building to a place.


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SCAN ME

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