PORTFOLIO_ Xinping Jiang

XINPING JIANG

Architecture & Interior Design

2018-2024

CONTENTS

Contact

(+1) 929-988-1287

x iang9791@gmai com

ACADEMIC PROFESSIONAL

NADAAA, Boston

Des gne

Evocat on o Nature

V

L nco n Cen er Wes P ann ng

N DAAA T NCOLN CENTER

Ligh ing Oasis

Fa en Jou na st Memor a Compe on

THE

Wutop a Lab, Shangha

n e n

Th s po fo o con a ns

ec

work f om des gn

p o ec s o var ous sca es o n er ven on and deve opmen The esearch d ec on s p ma y abou

men a ssues psycho og ca hea ng and we -be ng S nce my sens t veness o the ex e na en onmen

d ove me to the wo d of spa a des gn the nspi at on s a ways beyond a ch ec u e bu f na y e ea ed n a ch tec ure wh ch I cons dered s an nfluent a compan

La e became mo e n eres ed n ma -sca e spaces and n er o abou de a ma er a and subt e pe cept on through ve senses so deve oped m e u he n n e or A ch tecture abou Adap e Reuse n RISD

A ch ec u e and s me we both e ve he wo ld by cap ur ng each other momen s

Memory Stat on Kizuna

Mono ogue A Museum

Mono ogue A Mu eum

Popped O ange

P pped Or nge

PROFESSIONAL

The Meow Wonder and Word Rena ssance

XJTLU, Suzhou

n e n

YEARBOOK 2017 - 2018 |

XJ LU Depa tmen O A h ec u e

Green Neighbourhood

OTHER WORKS

Lincoln Center West Planning D s g e NADAAA P o ec S e New Yo k USA

L n o n Center o he Pe orm n Ar s ñak V na xa/Cou esy LPCA

The Comprehens ve P an sought ways o mak ng L nco n Cen er s we t edge o campu more we com ng The D co e y phase n ated w th the p ann ng team essent a y ook ng unde the hood of L ncoln Cen e to unders and the ex t ng cond t ons a ong he weste n edge and to hea d rec y f om he const uen s and s a abou what does and does no wo k and he fu u e des es

The P o ec Scope o he rede gn o Damrosch Park nc udes the paces on g ade and d ect y be ow he pa k bound by Amste dam Avenue 62nd S ree Koch Thea e and he Met opo ta n Ope a The ex s ng e cur en y accommodates a bandshe stagew h uppor spaces and an aud ence a ea or outdoo pe fo mances a t ee-fi ed pass ve pa k a ea and a p at orm fo sma pe fo mances

Open ng the West A ea o Wo k

COLUMBUSAVE

65THST

62NDST AMSTERDAMAVE

The West Elevation Strategy

The west edge was b oken down n o a ser es o oppor un es o ur he s udy The e eva on be ow h gh gh s some o hose poss b e a eas of nte ven on wh ch had been exp ored wh ch a e desc bed n the o ow ng pages Ea h oppor un y aces own cha enges bo h p og ammat ca y and n as uc ura y

The ma n enance needs and defic enc es a ong th s face wou d be add essed oppo tun s ca y a ong w th the n e en ons exp ored n ha a ea The poss b e

a ch ectu a opera on a ong the wa ange rom supe fic a nch-deep add on o w ndow v r nes o deepe new ac ess po nts n o the campus

Redesign Damrosch Pa k Ex st ng Damrosch Pa k

P oposed Damrosch Park

The firs of hese s udy a eas o move n o a P ann ng phase s he sou he n eng h o wa abu t ng Damrosch Pa k a ong w h he ent e pa k beh nd The s ud es or Dam osch Pa k o ow ng he mo e gene a P ann ng Pr nc p es and Oppo tun es h gh gh s he ana s s and s ud es om he P ann ng e o s fo Damrosch Pa k These stud es ay he groundwork fo he fu u e Concep ua Des gn Phase and subsequen phases o des gn deve opment

Comprehens ve P an Content

n roduct on M s n & Go + H o

C m e en P an S o e & P o s

E g Co d o s & C a e g s

P ann ng Des gn Pr nc p es + Oppor un t es

A a n e o c u e o s a n P k ng a c s

mp v n U a G e n Co n c on

Damrosch Park Si e ne& Slope Considerat ons Some Examp es o the D agrams

The who e p ann ng study s na p esen ed as a book et epo t M cont bu on s 90% o he d ag ams and dra t ng he ayou Be ow a e some o the d agramma c ana ys s nc uded n he Comp ehens ve P an Book e

Campus Access b l y

Op n n h Am e am v a a e - O p un s om o h o s u

L b y M m n c e G e P s n e on Ams e am

Op n n Dam s h a

DAMROSCH Park P anning Stud es

R -o e n D m s / S g O n n

S n c u a / S c S ud e

Per ormance P anning Stud es

E g Pe o ma c E e c ommod n

P g m E m n

Un n e z P o ma c S p o u s

S pp m n e ud e

S h -L n / S p S d e

Per ormance Preceden s

Ou o Pe m n e p c pe

Recommenda on & P or es

DAMROSCH Pa k

Append L nco n Cente Unde ground Park ng

S a e n S c o S d e He e S e W k h p n e C n u n

Urban G een Connec on

Sun S ud es

Cente S age

Eas S age

Concourse Connect on

E st ng Cond t ons S ud S ai + E eva or Sou heas S ud E eva or No thwes +S a Sou heas

E st ng Damrosch Park S age+Aud ence Area

S te P an with Event Sett ng

The p ann ng team n a y s ud ed mu t p e or en at ons and oca ons o he pe fo mance a ea o e t or he most op ma and des reab e ve s ons The s age and aud ence a eas are ab e o adapt o many configu at ons each w th re a ve cha enges and oppo tun t es The genera capac y of he aud ence was eta ned hough we es ed he p opo t ons o the aud ence whe e equ ed by the te Though he ove a s te s s cons de ed as a pub c park we sough o ga n as much conso da ed pass ve pa k area as poss b e Among he mu t p e o en at ons ev ewed and e a uated w th L nco n Cen er s

P og amm ng and Produc on eams h ee gene a scheme we e se ec ed o u her es ng and deve opment A he pursued op ons eta n he pass ve pub c park area on the wes s de

The needs o pe fo mances a e mos brough n each t me As a pa k t s under-u ed and no ex b e The per ormance and aud ence areas a e usua y c osed o f when no used due to s ppery cond t ons and secur ty conce ns Both he pub and the pe ormers a e unde se ed by a spa e ha s unde ut ed

As L nco n Center ooks o recon gure he park o mee ac ua product on needs and a so nco porate he e needs of he commun t he ex s ng cons a n s of he s te w we gh n heav on c ca dec s ons and a o exam ned o any oppor un es wh ch may be prov ded

Sections with Underground Park ng & Event Support

Ex s ng Dam osch Pa k Event se ng nc ud ng suppo a ea

Proposed Event se ng

The p oposa p aces the s age n he southeast co ne ac ng no h and can be o ated coun er-c ockw se a shown be ow based on aud ence d st bu on and other acto s Th s may equ re an- haped aud ence a ea for a more e fec i e d s r bu on g ven he nor hsouth depth m at ons of the s e Th op on a so conso dates he mass ng o he eas but pushes ur he ou h to crea e mo e open pa k area and consequen y de ne the southea t bounds of he park The equ red pe fo mance nf as ruc u e s ab e to be deve oped w hout comp om se

Th p acement n o one co ner o he pa k move away om he more orma “pav on n the pa k” o c ea ng a less fo ma edge cond on The open spaces of he pa k become the p mary ocus w h he aud ence a ea adding o hat pub c rea m when per ormances are not n es on The connec on rom Damrosch to os e Rober son P a a s a c t a con de a on wh ch h s scheme opens up mo e natu a

Fallen Journalist Memorial

NADAAA

D s g e

P o ec S e Wash ng on DC USA

n Wa h ng on D C the Fa en ou na sts Memo a Foundat on FJMF) announced he names of ou shor sted teams o des gn the count y s firs monumen ded cated o p es eedom and ourna s s who d ed n he fie d

The concep o a memor a fo fa en jou na s s serves a dua pu pose honors hose who have ost hei ves wh e a so symbo z ng the mpor ance o a ee press Th s des gn ook bo h backwa d pay ng r bute o he pa t and fo ward emphas z ng the ongo ng need o p ess f eedom am ds modern cha enges The p o ect ma pecu ate on how he wo d ma become he ve bu d ng b ock o an ar h ectu e and n urn how an a ch tec ura s ra eg may become a p at orm fo he wo d se f as p o agon st The figure and tex no a a se oppos t ons bu ra he as mutua y dependen cha ac e s speak ng on the c v c s age of he

DC Ma

S te Approach

Ad acen to he U S Cap o g ounds and w th a d ec ax al and ec p oca ew o the Cap to Dome the s e has a st ong v sua connect on to the sea o he eg s a ve b anch of he U S federa gove nment Th s v ew unde scores the re a onsh p be ween he governmen and the press

E emen s

Penet ated Canopy Const uct ng w h Te t

20+ d fe en anguages o the 1s Amendment

Mono th

P a s o Democ acy

Reflect ng Poo

G een vys n eg ated w th he Canopy

The

B l o Righ s he 1st Amendment

representa ion of he key componen s of a

Sect on

Monologue Art Museum

Wu opia Lab

A h e u a te n

P o ec S e He e P o n e C na

Wu op ab ha bee omm s oned b S n -Ocea G o p o c e t a mono ogue r mu eum o t e pa k een o SEA OP A es r n He P ov ce Q n uangd o ded ca ed n nfin m no y o p op e who wa t e ee om he wo d y d ac ns he p o ec s e n an op n g ee spa e a he t se on h e r s d n a c s e s O cup d a ound 3600 s ua e me e s h who e p o e t wa nsp e y he a t age ea ed by Qu en D do cu n a c w k n nd c r n a p ce o and C mb n g na u a e em n s ke wa r and r en nd h efle on f sk h mu eum e a ow un o d ng hand c o

Mono ogue A Museum s a mu -func on space The p an s comp e and regu a and the st uctu al des gn s no conduc ve o ea thquake res s ance However when the museum s d v ded excep fo he a t ga e y he ectangu a dance s ud o he c cu a yoga s ud o and the ova hea er a e a symme ca and egu a w h e cel en

se sm c pe fo mance n h s ega d hree se m c jo n s we e se up to di de the bu d ng nto fou ndependen s uc ura un s The expans on and de o mat on o he

ext a- ong st uc u e was e eased educ ng the hea s ess and avo d ng s uc ura cracks caused by tempe a ure changes Bes des he nodes we e ca e u y des gned o concea the r p esence on he roof açade and nte or o ensu e hat my pa nt ng s v sua y con nuous

Dur ng my n ernsh p ass s ed the p o ect arch e t th ough the who e p oces F om the d scuss on o he concep then made he documen a on o he governmen We commun ca ed w th bo h the c en s and the cons uc on eam at he same me o ach eve mo e e fic ency ng o make sure he de gn cou d be ea zed as much a poss b e Then d d he mos pa t o he mode ng and he firs ver on of ender ngs A te a ew ad ustmen s on he mode ass s ed w h he ma er a se ect on and boa ds The who e process par c pa on he ped me o ge a ho s c v ew o how an arch ectu a p o ec s des gned f om concep to a rea space

S te P an E eva ons The Hol ow Br ck E ect

Sect on of Yoga Room Sect on of Dancing Room Sect on of Art Ga ery Ho ow Br cks De a l

Popped Orange

The tab e ba ns de he f st oo o he bu d ng somehow enhanced he soc a and seat ng s random y ar anged around When the fo d ng doo s open he co ee space and he wh te ga den merge n o one urn ng t nto a par y enue w h a capa i y of 180 peop e Spec a opera ons can be he d n h s venue ba ed on d e en b and co abora ons/pop-ups o exper men w th mu t p e bus nesses and ope a on

The second floo s an o ange cube float ng above he wh e garden, wh ch s he ma n orm o the bu d ng symbo z ng an s s ogan “A good p oduc s a candy ” and the p o ec s an o ange u candy n T T C ea ve Pa k The da y ope a on on he second floo s the A Show ga e y exh b t on space wh ch can be t ans ormed nto a ve house shar ng space pe o mance space and pa t space by spec a ope a on

On the roof op v s to s can see the o d br ck-wa ed acto y bu d ng n T T C ea ve Pa k on the west s de and he Guang hou Sc ence and Techno ogy Museum unde ons ruc on and the comp e ed Guang hou A Museum on the eas s de W h he o d ndus r a ru ns a he back and he new fe o sc ence and echno og n he on th s oo op has a un que v ew of Guangzhou and even the wor d

Roo P an 1s F oo Plan

Jo n ng the p o ect eam and w h he prev ous expe ence of do ng the Mono ogue Museum ass s ed n he ron ya d des gn firs s nce he mos e a ed par w h he su round ng We d d not to a y qu t he or g na contex ince the b and sp s keep ng patch ng and th nk ng about the adapt ve euse we keep he o g na st uctu es and ake he ma er a tex ure as an nte o pa e n Then wo k ng w h he c ents an Brand) we figured ou he concep fo he b and con nued w h the r s ogan “an exce ent product s ke a candy” d d the fi s e s on o mode ng and rende ng and en oyed a ot when choos ng he ma er a and commun cat ng w th the c ent but eet p ty ha d d no go th ough he who e p ocess when eav ng

3nd F oor P an

Axon

2nd F oo Plan

S e Ana ys s

C en gou a P a a

R s au n Ba be hop Ha dwa e o e S o e S o e Res den e Res enc eah use B be Sho ood S o e P s y Shop

The oca con e t

The A mos he e fi ed w h a h

The ep ea n a on o Q

F en & Smoo

Tai Ch accompan ed oca peop e s fe

Th b hp ace o T

a Cu u e Cen e Ma a A s Scho

C en gou he b r h ac o a e n p h n

C en a ou a C Cen

a C Sc oo

Concept The ha mony n natu e

T e n p a on o g na es m he spe a dwe ng n Hena P o n e a e dwe ng n h mou a n wh ch s on o e e hou n y e Na u a y use b he oca

Tach abo an dea he g a a us o he un e s wh h an o m hea en and a h n an y ng a e

The spac a exp o a on o ows the core of

Tach Q

Q o na e s o v a y wh c ex nded o be he ene name o a as s he C nc p o C ne e p o ophy sua y e e s o he mos b s ma e o a h ng n he wo su h as he a r a d w te e c he hea h - eep ng xp t ak r s ng q s he m n me od o fi es d s e s ase

amou o op a m ng ou n us y de e op d be au e o a h

Pop a he h-p e e v ng u u e

a h Fo ms

Ground Floor P an Section

The pos t e & nega ve space

The pace d s g wou d r ec he wo pa s o Ta es ec e Y n nd Yang

The es nse o he Y n ang ugh ou ha huma c v es on o m o he aw mo a and na u e no b es ed y x r a h ng s me h g o no h n and na y ea h a k nd p ace nd ha m n ou s ua ea m

am Ch y an h mum L c m Lon an u be O mo a Ba e

he n ga e pac co d b us d a eah us and n n oom t s n he e h ege b e and h bs ea

T e po e pac o me b he r ds uc u p o d n he p en a o p a ng h a h and on c o d n t e pac

he r an s ape s made y e c men m ng e uen a u o Q n Ta Tr ns rm n he o sp ce a mbe r d s c u e

V o wou ha e a e pe nce o obse ng nd p an g d r n he s

Th ne a ve s ace w ks as d n ng pa e whe e peo e c u d p ck he h r s nd m ke cu o e o h ms v s and as e he e h eg t b e a we

The concep ua mode s made of es n or c eat ng an contex ha fee s ke su ounded by natu e

First F oor Plan

Peo e an s and x e en e p ck ng nd p an n he b ea es and he ca p k h hea hy p an a o e he spa e r as g a n me The sp ce ou be ome a p ce o pe p e o me and commun a e e su e p o d n he oc c u a pa e w h t e onc p o a Ch a d k ep n hea h

Ma y oc es den p a c a h ge h r he e s a da h a h a v y Some ou s ou d a s v s e Ta Ch Cu u Cen an pe p e wh a e n e e ed n T Ch ha e h opp r n o e pe enc he oc M anwh he p o e wou d s mu a he u sm e onomy nd mp o e he qu o e o e v a e s

Final Model

Peo e co d ea ze h e t cu ng o eep ng n h a h n and p a Ta h wa round an omm n ca w h e s Some o he spa e w u d e he h a h-p se v ng hab s h ou h som se - an g sp e o o a p op us ng g s s c u e o m o g n c pa e o p n n and ans uce d s n whe e h y ou a s ha e a c p o he ea an en oy he ea h e

S te Analys s

Fæ edpa ken

Kas e et

Nyha n

Havnebade s ands Brygge

Amager Fæ ed

Kast up Søbad

P o g p y b n g an 2 22 Summ C p ha e D nma

The p o ect s env s oned as a p ace o be a emedy o he seasona dep e on caused by he oca c ma e de gh ng peop e s m nd and pro ect ng the r body rom ex eme wea he

The oca c ma e n Copenhagen s a ways chang ng w h unp ed ctab e prec p at on and a so peop e have o e pe ence a ong t me o sho day gh espec a y n w n er s nd cated ha here s a spec fic men a depress on n w n er sea on espec a y n No d c coun r es and hey have spec a L gh Room whe e peop e can ece e more na ura y sca te ed L ght as the he apy The e o e he pro ec s a m ng a cu ng he w nte b ues or he oca s h ough the mmers ve e pe ence and some soc a spaces re a ed o ght

Day ight ng

Stud est æde 52 1554 København Denma k

55 6761° N 12 5683° E

Sur ound ng

Proposed P an

Based on u b con ex he a ed an a ea w ch s mpo an o cu u a h nd an po on and now bec mes a c mp e a ea sh ed b d e en u c o s wo da ca e cen e s a con e ba and w o fi a bu ng he e s e a e y o o o de nd us d epe a y he b d ng o he n ve n o n o c a d h e m dd e e s w ch h s he p t n a o eac a e he nn a e A new cu a on u d be r ed w a o en ng on he e s de wh e pe p e ou ge an a ce h b d ng d an he sou h wou d be ep o th o g na onc t pa

The nd ngs e ou some ome a a ea bu e on he as s d and a a wa on the wes wh ch wo d b g he ub c a en on S nce su ound ng n ude s o comme c nd pub c a e even peop e pa s n y he s e cou e he a ge use n he a y a s

L ght ng Scu p ure

L gh ng Scu p u e 1st Cor do 1s Co r do 2nd Co r dor

L gh ng Cube Ent an e

The n erven on s env s oned n the ea t s de of he concer ha bu d ng p ov d ng ano her nor heas en ance bes des he o g na one rom he ou h The d rec ona ou ne s a ts w h a gh ng cube w h con an um na on g v ng a pe cept on of os ng he sense o t me chang ng Then peop e w exp ore a g ass cor dor w h he renovated ro at ng open ng on he açade go ng unde nea h a ght ng scu ptu e wh ch hey a e unab e o ouch and hen to a med a on oom Here wou d be a gh spo o g na ng rom he e ec on f om he nne m ro su ace of he geome r s nce the e s a sky gh renovated on op of he oo p ov d ng a na ura ght source or he chang ng gh eflect on and mo e day gh reaches he uppe floo The gh ng n h s oom m gh change f om a spo o an a ea due o he dayt me chang ng whe e peop e cou d s ay est and perce ve The way towa ds the ex wou d be a e owe han he com ng co r dor p ov d ng an oppor un y o exp ore he space n a d fe ent way Nea the e t peop e cou d see th ough to he gh cube and ea ze whe e they came rom

Crossed Sect on

A S o e Bas d Re a 03

he s o e wou d be c ns d e a 2nd hand u u s o e A he p odu t so d n 2 e nc u ng c o h sh s and cc s o es he a m s o d cu s he ea on b nd he hopp g behav o ues n ng e a and de e g ve a hanc to make e o d m mo y e ac d b ano he m mo y d ng h u ch s n ex e en e Wh mo v e u to bu som h ng The ppea ng ppea a ce O m e de e o ons m ng O ou d be he o y b h nd Ev on en e he o e m h be w g o g e p som ng he w a wh n ge n n e chan ng o an e o d p ce o d n he o e an en pa o be pa d o h r ce e en e a he nd h ough ex han e ou c n en r s a m de n dy a d s p ou a an 80 oc s a yo can p ac y u o d wa h w h an he o w ch b w t d e e t s o s f yo a e g ng a un a o ou nd a he may e ou w bump n o a wa h w h a ne a o y e e

B 1st Corr dor

On top of the 2nd Corridor

Concept

Ske ches abpu Obse ng & be ng Obse ed Nar at ve & Expe ence

Sta o he ou ney

En ance

Vo d pace o s o e p o ec ed

Reta

St r e Reco d

D ess ng oom S age

M ro Ca e

O fices

Wea ng Memor es The a a e wou be bou o s a w h p s ng y e ec p o and hen g ng e op fl o o be n he u ne Th as n o ev se he egu ou ne s a ng om owe e e and o d s n t e w o e ex enc s w k n ugh a s a e s o p o de he cu ome a sen e o be ng o e v d b e pub c when h y c m n down a he end wh m gh a o se hem o h nk and mpa e he p r ha ng beha o ons ous bey d h r na u a de S he op oo w u d be bou e a wh r he s a e be ns nd he e en on pa a s nc ded a ndoo s ace wou d be he e h b on o ec c e and r pa w h na u a ve a n and un gh o e a he d c o he n he co r a d whe e he us ome s c u d ha e a o k a hem hen com ng d w he 3 d flo he s ge on nu d and p s ng b he w ndow o en cemen A he he s e o he fl o he e wou d be a fi ng o m o h o d a men Th 3 d and e 2nd oo wou bo h ma n y ab e a o as he m n pa o he s a e ev on as o wa k ng o he s ge a so n a e s ep u o he r s ng om r o wa k o h nd o s e he m o u ng wh h he ha e o be ex ose n pub c s h s w h he n w o s s nce h w be no m o he r s ng r om So he end n y ab u h nd o e ou ne s ag u so he end o d s e whe ey ou ee h ms v s Be de he s a e wa ng p a rm when ome o he d sp y p r o t ome e p odu s w pe c es wou p ov ed an QR C de o cu ome o ead he s o beh n en he m gh now hem b d cho se o e cha ge o o Be r ge g o h de na n o he ag he r v us “a d en ” c u d be he ma equ n o ange p ss g by H we e he e wou d be ea a d en e a he en o he o ne ob e v g pe p e se ng em e es n he m o H r wou d be a ma c é a h ba k p r o B1 on n ed w h e on a o he 1s fl o nd pe p e wh s t a he s e as we as wa k n b e w ndow wou d bo h a he pa o ud e ce o he cu ome T e b wo-wa m r e ec d a h end so o o h s a he o e s des o he m o ey cou d a o h v he o po un o obs ve cu ome ad s n hem e e y ee h ugh F na a e s epp g on he a ew a ase bac o he ec p on s m mak e cho ce w e he o ch ose h he s o s o ke p yo r o d one You a e ee o de de o ex han e 1 p e e o c n p ce o a ou o fi m gh be a ac ve ge new o y a e han n a n w ga me be au e h gs ec c ed s we as mem es

Kizuna (The Crossing Fate)

The Weav ng Fabr c Exp ora on Nerve Ce s

The 1st Per od

The 2nd Pe od

nde ende nd v ua me n h s s m

The 3 d Per od

Lo e a pea w h n r e mpu e Chem ca ac r ge ed o deve op e a on h p e g s mm r n e s s e c

The F na Pe od

Ex nded mo e he he pa s na e e od

Bo h b nd n o ea h o h r s e a o sh s s em a he emo ona ma u age

Th ed ne s a mag c wea on u ed by Yue ao e an en god o ma ge o g de eop e n he wa o fi d n o e When wo e en peop e h d h w en s o t e ed ne m an he w be onn c e b a e nd a o e he who e s ac o me b he e n a o p v es e en un on ba ed n he r ad w h d e en we v g wa s ada o d e en eed s ng e n ng ng down h ng g h n o ma on e c A h same me h d e e wea ng den e o he b c a s p o de h e a h a p b and p v e a as wh ch ua d v es e an pa en y o h sp ce and a ds n e e o h who s

Top V ew

The Deta led V ews

Model Photos

Young peop e aremo e ke y o ake ndoo dat ng such as n estaurants or pr va e co ee shops bu commun ca ons a e usua y m ted to he e change o n o mat on be ween each o he The des gn breaks he nhe ent da ng expe ence and res ores the n ormat on-based o e nto he ove gu d ng b he ates The red nes n d f e en w nd ng ways mp y the est angemen and n macy be ween overs Space conta ns the pub c or commun ca on and the p vate co ners o dat ng and he ong ans t on pa t s des gned fo peop e o h nk and wa wh e meander ng

Part a Detai ed Views

Love s ands be ween to do or not o do

Love s omance hat ed o pa ng and wha b eaks apar even w th he sma est w s

Love beg ns a ke bu ends un ke

Love s ever o o ten doub fu one ome and b t e

Bu am eady o drown myse n Tha s ove

Background Ana ys s

Targe Group Ana s s S e ana ys s

Ca s r p e en u k

The c eg d ma o by he panes and t e e a a m s 7 u o eve 10 am es w ke p ca as om an n a a rough es ma e

S e Condi on

Hea e s h g -p e su e y

v n es und gh p e su nd a ap d ac e eop e a wa s hoo e o ha e a c w h em o e eve he ss nd r en e a nmen

Pub Fa Comme a R s en a

Requ r a p ace f empo r c e T o bu y t ke p pe

Som peo e ove a s u he do no ha e he m o keep a s nd ake c r o hem a h me be aus o h av wo

he e s a eed a sp ce k ho e k n ca e a when the owner s u

Ma n C u a o Po n

Loca on Mat uyama Eh me P efec ure Japan

S e Contex Dense U ban

Concept developed

n o der to cate o he p e erence of the ca o move th ough ho es and to ump a ound the space akes the

cave or concep a ms o e he ca s p ay and ac fle b adapt and cont nuous e p o e he d fe en d mens ons o the space meanwh e add ng he c cu a on and unc ons

o human act v es when accompan ed by a can oosen the r bod and m nd A so hrough d e en p vacy space des gn t ensu es the ca s p va e a ea n o de to espec the w shes

Axon

P a e o us om s

Spacia des gn Strategy

Outdoo C rcu at on ndoo pac s

Ma n n er or c cu at on ( o people

n a a on onne ed w h spa e

P a e o a s

Func on d s r bu on

Ou oo pa es

Ma n n er or c cu at on ( o and ca

P va o c s a d pe p e

Ceme e y

Ga de

Pub c o a s and p op

Ca S ac K hen

Shoe Ch ng n & Rec p on

Ca c a on

Peo e cu on

F s K chen Ba h m ke s Sh es hang g Ga y o Lobby

Pub c o bo h ud ng Ca s Pub c n v dua

Ca G av and G den

The ace con ed by a s and s o a eas es c v y a we s he ove n pa s he wo Fo e am e h a s cc py h nde ende sp ce w h fl x b e a ce s an e ac k r ce on an e es g a ea w h p and p va e a m phe cou d be v o

5 10 15

Sections

Garden & G aveya d

P va e Room

Pa a Sec on 1 Par a Sect on 2

Wa k ng Ga ery

he ou doo c u a d spa e s en o d by c r ed g a s un on ng a eme e y whe e peo e ou d s n he andp and c r sh he memo he k s ha nce cc mpa ed em

The ho s oca e on he w w h d e en es ha d e en c ons he ma es cou d ho d he po p an h a h ngs e o s an bush s c u d be p ac on he m dd e s ed she ves and the b g es ho e nough o a s c es

One o the ca pr va e spaces wh e a s cou d have est o go h ough the b g ho e o move flex b y as he wan

The sma a r um as a gather ng pub c space nc ud ng a k chen fo mak ng dr nks whe e ca s s have access b y to en oy

Ca s P vate Spaces

ca e spaces a u men e es r ha un o e mp e he mp acce s b o h av ns e e w he ho s on h wa s w h so ma a he ma p ne a d h s onn c e w h g und

he s o s ou a o a h e e e en nds o v ew when o ng h ough h se ho e

En re Sect on

The sma gr ds on he wa cou d be used as he she ve fo cats da y needs e g to s) he ga e y spa o peop e go ng deepe n he m d ea a ompan b ca s ppe r ng nd h d n v w on bo h d s

The o he p v pac o a s w es and e h s n de he e v s on he wa a s be om a p ace o hem ha n un

Th a p a e o v s r o de g d n s an ga he ng a a pub c cen e w y h com ng down

T e p a e om o o s wh w n o h v a qu e sp ce o n o w h c w h b ho s o n e and ma ho s o c s cc s

B sed on he henom non tex a d n o m on b ock ng n e s mp fi d Ch n se angu ge e v o men o a ou ea on su h a u u e po s nd e on e sp a n ac e n a a on d cu s d he n ga e mpa on h cu u nhe t nce nd he b w r comp ehen o o hum n be ngs Th p o e ak s movab e y e p n ng a n p a o u ng n e a t ve mo on-sen n de ce n w ch make he u e e pe nce m a v v mu a a e n o ma o cu r g adu y to a on o e s a -wo d b o ke en onme t nd on po e wo ds an be as ed o h fina age o h ou n y he pac n en s o m m c he on eque ce o o amb uou wo d n t e en efl c n on a mono nou a mo phe e n w t be p o g ve v o s a s ns o o n co n e c mpe e ce 06 G ou P o e d v dua on bu u on C nce gen a ng spa a d a on t u on

The wo st par of censorsh p s

S oryboards o Phenomenon We a e no a owed to say CONRTROVERSIAL WORDS

n a ece Ch nese r g am he wo d s x w r ep ced y “ma u e n e ub P op s o ma pos ng on e e ne r a wa s b o ke o d e e o o-c e “wo us p b ems n a po u a C ne e s ng he s und wo d u c de ep ac d w h h so nd b ep Ch d n a e wa s d n o a ab u wo d e a d o aboo ke de h be au e om ous

Un easonab e Check P ocess

T han e w h ge amoun n o m on en o ov nmen nd m ny he p o m se h c nso roce s mo es H wev he mod s a pea n eas nab e an un a e a sm

Number o App ed And App o ed Te ep ay

1200

nc eas ng y St ct Rules

App a on A p o ed App o ed r e

N w da s n e he e ne d v op a o a nd o n -c e e s u ge s a e u e u e ha e c wo use ec me mo e a d mo s and a ec qu e a t ans o a on o n ma n

Star of Word Banning e he o m a d op n n up Ch na s ued po c o nco r ge e a and a s wo k Howe e ov me he se wo ds beg n o av many e c ons

F eedom o C ea ers

1961 o um w e s nd fi m r c o s ob a n e a ca ua an e o e ch os g h s e nd u ng w ds A ha me m an r ov e wha e r c ea o wa ed om e a d n g ve o u n mu d o H p h 1 9 n e H a u 9 h e o s k 1 8 n e n t e 21s en u he gove nmen s a e to se u es o o b d som en v w s n o de o p e en a e d cu s n and p o e he o nge ene t on

Se a hes u us M nua se c e he k P o b os g b sed on h sau s wea en e p e s n wo d r duc on Soc e y Human Cu tu e mp f e ogn t on omog n e a w r s a c mem os d e s and v a y dep s ed egu a z d ap –W o h po h s La gua e r c u e a ec he spe ke s ogn v s u u e

Ca ng Reve se Le er ng

W h he g and ho d ng a sha p a v ng kn e he e hand eane on he end he hand e us ng he kn e ca v ng n o he wood ng h edge o h Ch ne e ch ac e pea n 2-3 mes o eac wo d

TYPOGRAPHY

n n he ou e n en ons o C na movab e pe r n n w s on o he mos w d y sed n wh ch p omo ed h p ea u u e n n ook p d w ed c ea ed th he g o a omm n c on s ce e p n ng wa n duc d apan ce a A a w s A a and E ope The mo abpe r n n en ura ed he cu u a ex hange and ommun a on ma ng he u u e mo e v r ed

NSPIRAT ON

he movab e- yp p n g wa n en d o h sp ad a d po u a a n o wo s wh h p v ed s po e a o pe p e ommun a on Howe e w s n ga e a c e b he wo bann ng The e o e w h he m a es s h sp ce w u d e de g ed cu ng on h

e-e ch n men wo d

假 相 盲 见 间 天 地 烟 火 神 秘 心 梦 失

性 家 草 印 黄 爱 妈 真 人

F RS STAG S COND S AGE TH RD S AGE

Typese t ng F nd The Wo ds Acco d ng To The Fo mu a D p n nk w a sho b u hpen a d b ush ep a ed on he s e eo pe nk On Ba anced Fo ce

P he m ab e ype n wood d o d ng o sou d pas e no e o n ca he ype ng w h a ame ron p a e a he bo om supp On he op o h wa m he pape ash w h med ne and hen c ec h d ed modu e n o box

CONCEPT

Nowa y w h ve opmen o he oc he wa n o ma on d s em na o be ome mo e d e e ns e h p ead o cu u e w h mo e m ns Th s g once s a ed w h ans o m ng mo ab e- n n n o n t r ve s e beca e d wa e ss m na on w h e s m a on ep esen n he o pe k o h es wo d e v nme t a s ng h awa en s nd n d a k he h and na u e o wo ds a an v s e o y e e p e s n o a e n ens sh

W e s a e h mo h ma g s am g o w e w a d m C e o d h e b e s a a e o n mo n

U s e r s F e e l i n g

n he s s ag h wo d hos n r h se c mmon o b d en nowad y The x en e s a s o he u n s a on o c n o e s Ch es

Rubb ng P ess Aga n

When e nk s d cove ed a p e o red pape w h he b s e b ush a d gen w ep he pape b k d o h un he k s gh y pe m a ed h ough he back o he pape T gen he ce pape

1 c g e o n m v p mn eo meo n a n h a w e y me m m d e w g m na m ne a n W h n g e m h g k n u n a c o e e a e g e g n h e

5 A The Beg nn ng O The F n shed Produc n o

The p n d pape s b n ed n o a bo and hen fin hed p o uc eady

S U U MO B N R O W R E N R OM O

e q n w w b o m s m e me o n h ne a n s n m g o w

e n e

mp n o w s d om e a d w h w d d v w e s w e n m n d w a a m s s m w m n s e e s n o w n u n u n me m s p e e s a a e o

he second s age he con r e s a wo ds de ease d mos a e hose omm n neu a wo ds ow ng he o s om wo and a e a ng u a nv onm n

Entrance

Bo h Con o e s a nd Neu a wo ds On Neu a Wo d w h S ng Me n ng

n he h d s a t e wo d cho en a e ose o a neu a and ha e n s o b ng o b den Th e wo ds ep es n h p e c esu ha peo e can on use e sma a o neu a wo d and e o h wo ds w n on e e

C u G as Fo e Ha d O e Home

V o en Ope a Con o S S ng

FirstStage S e Amazed

Con used Dep essed Cur ous

SecondStage

ThirdStage a

Wo d w h om c ed nd c n o e s m an n s FeelingtherichnessanddversityofChinesewords

K ne am r co n e t e d anc r m us o e and end s n o c mpu Wh n us r wa ks n he pa e so ca he he d s an e han e

A e me e d an e p oce s n on o h m c o se os n he bo o pus o wa d nd ba kwa d

Soun qu men wou d be on o ed b p o es n cha g n ba kg und mus ba ed on he po on

Journey

Exit

Feelthelossofvita ty Feeltheabsence

mb

1 5cm Th ckn s nk ad Sp nge

8cm N

5*5 Sq a e T mbe

Fa

C n B

d n

5*5 Sq a e T mbe

8cm N

3 2* 3 2* 3 8 S e H ng

t ng Connec on Cod ng Test ng Modu e p oto ype

The s a on wou d b on o ed b n

n e a e s s em on s g o e c d n

he onne on em n s s we as a e v

3 2* 3 2* 3 8 S e H ng

8cm N

5*5 Sq a e T mbe

5*10 Sq a e T mbe

Mo ab e pe p n ng a d nam r ce so we use os o mo e he a dbo ox amp on he s u u e T se v s a e

c nnec d o he nn r b x s and whe h use pa se by can p omp and e ec ve y ush he b x c mp te he p n n a on

nte ac on Log c A e comp e a p n n c on h e v w co he nne bo o e u n so whe mu p eop n e he sp e an o d y n r c n p o es ou d oc u

Fa r c nne box S c Se v

Ou e bo

ac v o s e-de g he pa e when e pe e c n n e h r wou be mo e k a es o e ped on h b c w h m r eop e com ng n a d n e a ng w h he s a on wh h ou d cau e h e e c ang ng ove me

The p o ect s based on he u ban green sys em and re a onsh p between oca hea h and the con ex of he R s a e house deve op ng he dea o Rhode s and s Hea th Equ y Zone HEZ n roduc ng med ca p an at on bo h oca and Ch nese he bs) as he ma n nte ven on p oposa wh ch cou d be sha ed and en o ed by the pub c a er Meanwh e m gh prov de he oppo tun y of engag ng pub c n o the cu en so a ed and se ous- ook ng con ext o he s a ehouse and b eak ng down some nner par of he bu d ng a so m gh benefi he s af wo k ng ns de

The pro ect wou d be bas ca y based on a g eenhouse system w h med ca p an ng area and a botan ca ga den a ca é teahouse the educat ona a ea as we as a marke se ng med ca p oduc s and seeds and a so a museum fo the extens on of v s ng and educa ng u pose o prov de a chance fo get ng c oser o the o a p an ng h s or and he hea hy know edge re a ed o herbs The wou d ach eve resh and p easan ou ney by red scove ng he hea h fes y e and a new nsp ng e pe ence a the core o the s a e

Master P an

Rende ings

Focus ng on he spa a configura on w h spec fic prog ams he arge shee o g a s wou d cover a mos a the expe ence, p ov d ng p o ec on and a ho st c pe cep on o the con ex when keep ng the anspa enc at he same me The ma n c rcu at on wou d s ar rom the ou hwes en ance com ng down o he s a ehouse a ea h ough the new we com ng topo ogy wh ch s a so f end fo the d sab ed Anothe en rance wou d erec on he ex s ng sta sys em o he s atehouse and extend o he roo a ea Peop e wou d exper ence d f e en ex en s o g een as soon as he ge c ose o he s te he c ea green b see ng h ough the g as açade and t ans ucen g een when ook ng n o the ca é a so he over app ng green when see ng he cour yard ns de he g eenhouse The e s an ndoor cou yard as a pa o the ca é to get he v ews rom the down own and a so an ou doo cou t a d as a ga her ng space fo he g eenhouse seasona exh b t ons Peop e wou d a so have he oppo tun t o ge on o he 2nd floo pane and wa k ng around to get a who e v ew o he p an ng area com ng down or cont nu ng he ourney o he educa ona a ea on he nor heas pa o the 1s oor, wh ch s connected w th the med ca p oduc ng a ea The fa m ng eh c e wou d come rom the no heas en rance and go th ough he unne and fina to he p ant ng area n add on, he sub eve museum s a deeper exp ora on of he know edge and educat on fo he oca hea h con ex the ax s on he sou h o do fo ms the ma n ou ney ns de a so peop e wou d ha e a chance pass ng by the chamber as the ec u e ha The cen e ed oom s ons dered as a seed vau keep ng the mos p ec ous seeds o ach eve fe cont nued n case any h ng happened

P ant ng Modu e

Pespective

Other Works

Lock R ng

Spoon Layered House Man

Pendant Pendant