WALLS and BALCONIES - MY MILAN

for saturday 8 April$ week 4 extra member 6 member 3 group 4 show&tell A0 revised pin$WALLS ups BALCONIES weeks 1$OF3 MILAN between the public and the private space. " A0 pin$ up The4 transition * week 4 6xindividual A3 compiled"2 A3 group commentary WALLS BALCONIES OF MILAN groups of 3 The transition between the public and the private space. limit saturdays! 18 March! 25 March! 1 April! 8 April summary week 1! 2! 3! 4 main lecture programme summaries WALLS BALCONIES OF MILAN The transition between the public and the private space. individual submissions and assessment 2$ 8material# A3 pages (4$ 16 A4) limit POTENTIALITIES for the improvement of limits and transitions 4 A3 weekly personal FW report (and revised versions onand8private April) between the images public space ) 2000 words! diagram! etc" contribution memberlecture group programme discussions/commentary week 1!to2!weekly 3! 4 FW 6$ guest OF MILANsummaries WALLS BALCONIES The transition between the public and and the show&tell private space. contribution to 3$ member group guest lecture summaries 2$ 8 main!

A3 pages (4$ 16 A4) limit POTENTIALITIES for the improvement of limits and transitions " contribution to final submission %) individual group synthesis t"b"c") between theimages public and private space 2000 relationship words!and diagram! etc" (date THEORY ANDclass IDEAS to start (and to follow) a research about " preparation for! and the wednesdays 22 March!

29participation March! 5 Aprilin the FW and in the relationship between the public and the private space week 2! 3! 4 A3 show&tell 1! 2! 3 summary GAP

groups of 6 DRAWINGS SCHEMES saturdays! 18 March! 25 March! 1 April! 8 AprilSKETCHES LATE SYNTHESIS of the research and ideas for a proposal. show&tell A0 pin$ up REFERENCES Cases to considering following a guideline.

PICTURES INDEX * 6xindividual A3 " 2 A3 group commentary PART 01. IT "PANDORA" 4x WHAT IS NOTEWORTHY? SENSATION DERIVE WHAT DID I SEE? HOW DID I FEEL?

PART 02. wITh "THE COIN" WHAT DO THEY SAY? PHYSICAL WHAT DO THEY SAY? SOCIAL

PART 03. CONCEPTS member"THE 1 CATALOGUE" member WHAT ABOUT... (1)?

WHAT ABOUT... (2)?

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PART 04. THEORY "THE FILTER" PART 05. SYNTHESIS “THE DRAWINGS" TO BE CONTINUED...

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group discussion and summary

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SBORLINI Antonela

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group 4WHAT

The transition between the public and the private space.

IS NOTEWORTHY? VISUAL DERIVE.

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WHAT IS NOTEWORTHY? SENSATIONS DERIVE.

groups of 3 Duomo, galleria Vittorio Emanuele II, coffee shops, Herzog & De Meuron, OMA... but also walls were in my camera since I arrived to Milan, like 7 months ago. saturdays! 18 March! 25 March! 1 April! balconies, 8 April My first time living abroad, so far from home... but anyway when someone asks me “How week 1! 2! 3! 4 main lecture programme summaries do you feel at Milano?”,I always answer “Fine, in shape it is no so different from Buenos Aires”... “The powerful sensation of familiarity generated in an environment”.

2$ 8 A3 pages (4$ 16 A4) For sure, because of the massive italian immigration to Argentina in the late 18th cen× ) 2000 images etc" most of my roots, traditions tury (bywords!

1904 almostdiagram!

50% of the immigrants were italian), and knowledge, have italian accent. My grandparents decided to leave their hometown week 1! 2! 3! 4 guest summaries namedlecture Magnanella inprogramme Teramo (Abbruzzo province) to start their family in Buenos Aires from the horror of the war. They never forget the place where they used to live...

2$ 8away A3before pages (4$ to16visitA4) even being able the city with my father and brother in February 2016, I got to know the town through my grandmother´s histories. ) 2000 words! diagram! images etc" grandfather arrived first, got a job in a factory in Buenos Aires and then sent wednesdays 22 March! 29 March! 5 April My money for my grandmother and baby aunt to join him. With a huge effort he bought a portion of land in the suburbs, and built with his own hands the house were my father week 2! 3! 4 A3 show&tell 1! and 2! where 3 summary was born I spent most of my childhood... That house had... and still has a bal× cony. It was the only one in the entire neighborhood with a balcony at that time.

My grandmother used to spend hours and hours there, contemplating... meeting people (be× groups of 6 cause she used to know everyone and all the gossips of the entire neighborhood) without going down, just by staying there. Everytime I visited them, she could anticipate saturdays! 18 March! 25 March! 1 April! even 8 April my arrival from her beloved balcony and for sure she used to keep an eye on myself show&tell A0 pin$ up and my cousins when we used to play in the street in front of her house.

It was a really lively part of the house, with pretty metal chairs, green plants and * 6xindividual A3 group commentary colourful A3 lights"for2christmas.

My grandmother passed away 5 years ago, and that balco× ny turned into a wall.

4x

ITALIAN GRANDPARENTS AND THEIR BALCONIES

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group discussion and summary

GROUP N 1

SBORLINI Antonela

member OF3 MILAN WALLS BALCONIES

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The transition between the public and the private space.

WHAT DID I SEE? IT?

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Balconies mark a transition from the outside to the inside, from above to below. They constitute a space that enables the individual to willingly step outside of the private sphere and enter the public, visible sphere. Due to its exposed location, the balcony is also a viewpoint to look down from, up to, or to let one’s eye wander.

Balconies of Love: Poetic and Sociocultural Orders of Love in French and Italian Literature.

Christoph Behrens (University of Rostock, Romance Literature)

PRESENCE groups of 3 PERMANENCE GREEN IS NOT ENOUGH!!! saturdays! 18 March!MEANING 25 March! 1 April! 8 April TRANSITION week 1! 2! 3! 4 main lecture programme summaries "More than just a cool spot to read one´s 2$ 8 A3 pages (4$ 16 A4) newspaper, the balcony represented a way of thinking about a new relation to space, one ) 2000 words! diagram! images etc" where public and private spheres were more independent". (Mann 2006) week 1! 2! 3! 4 guest lecture programme summaries 2$ 8 A3 pages (4$ 16 A4) PRIVATE PUBLIC USE? ) 2000 words! diagram! images etc" MILAN that limit? that progressive wednesdaysWhat 22 about March!

29 March!

5 April transition? What does it means? Which is BRAND! their reason? weekJust2!obsservation?

3! 4 Which A3 use? show&tell 1! 2! 3 summary DOES IT REAL MATTER? NE× GLECTED SPACE... NO USE...

JUST EXIST?

groups of 6 PIAZZA LEONARDO STRADELLA saturdays! 18 March! FUCINI 25 March! 1 April! 8 AprilSANSOVINO show&tell A0 pin$ up * 6xindividual A3 " 2 A3 group commentary 4x LIVABILITY - GREEN. SYMBOLS. NO PEOPLE. ABSENCE.

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NO USES IN THE BALCONIES, ALL THE USES ARE SEEN OUTSIDE THEM... IN THE STREETS. "Setenta balcones hay en esta casa, setenta balcones y ninguna flor. ¿A sus habitantes, Señor, qué les pasa? ¿Odian el perfume, odian el color?

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Seventy balconies are in this house, Seventy balconies and any flower.

To their inhabitants, Lord, what is wrong with them?

Do they hate perfume, do they hate colour?

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BALDOMERO FERNANDEZ MORENO (Doctor and Argentine poet of the early 20th century)

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group discussion and summary

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SBORLINI Antonela

member OF3 MILAN WALLS BALCONIES

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The transition between the public and the private space. limit

HOW DO I FEEL? IT?

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X

If the transition is denied, if there is no change/reason from one part of the limit to the other... then is there a real transition? Transition to what?

groups of 3 If there8 is no one to use it, VIRTUAL saturdays! 18 March! 25 March! 1 April!

April why do they exist? Why is there a need to build bal× weekMaybe 1! a2!more3! accurate 4 word main lecture programme summaries conies if most of them are would be LIMIT (We separate con× empty? sciously one side from the other 2$ 8 A3 pages (4$ 16 A4) as there is no need to connect, "THE BALCONY" (1868) E. because they belong to different worlds) )MANET.2000 words! diagram! images etc" week 1! 2! 3! 4 guest lecture programme summaries 2$ 8 A3 pages (4$ 16 A4) PHYSICAL "NATURAL GREEN" ) 2000 words! diagram! images etc" wednesdays 22 March! 29 March! 5 April week 2! 3! 4 A3 show&tell 1! 2! 3 summary

"BUY BUY"

adversitements The shadows projected on the wall are prisioners´×reality.

WE ARE DOING NOTHING, WE ARE JUST HERE.

X

WALL

groups of 6 saturdays! 18 March! 25 March! 1 April! 8 April show&tell A0 pin$ up * 6xindividual A3 " 2 A3 group commentary 4x ARE THESE RESIDUAL AREAS? WHICH IS THEIR AIM?

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EMPTY -WALLS- / RICH SHAPED-BALCONIES- BOTH DIFFERENT KINDS OF LIMITS, DIVISIONS BETWEEN PERSONAL AND PUBLIC WHY FROM BALCONIES TO WALLS?. While the search for a wITh about the first topic, it was curious the situa× tion that these spaces were not used, they were just there - BEAUTIFUL- . They were not real transitions but limits, the same as several empty vertical limits distributed in the city (close to interesting open areas WHAT ABOUT THE HISTORY OF THESE PLACES). These limits, walls, were denied by the city in the same way that a covered window or a blocked balcony.

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PRIVATE

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group PUBLIC discussion and summary

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SBORLINI Antonela

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WHAT DO THEY SAY? PHYSICAL wITh?

“The street reflects the inner as well the outer aspects of the lives it links” (”The greatness of small” Darko Radovic)

The transition between the public and the private space. limit

SITUATION 1

STATIC

SITUATION 2 groups of 3 saturdays! 18 March! 25 March! 1 April! 8 April week 1! 2! 3! 4 main lecture programme summaries 2$ 8 A3 pages (4$ 16 A4) ) 2000 words! diagram! images etc" week 1! 2! 3! 4 guest lecture programme summaries 2$ 8 A3 pages (4$ 16 A4) ) 2000 words! diagram! images etc" wednesdays 22 March! 29 March!

5 April CYCLORAMA CYCLORAMA NUDE VAIL WALL BALCONIES BALCONIES WALL DOT LINE LINE week 2!

3!

4 A3 show&tell 1!

2!

3 summary OPEN SPACE LINEAR OPEN SPACE LINEAR OPEN SPACE

DOT STATIC OPEN SPACE

QUALITIES ANALYSIS. Despite the fact that it is subjective, it is a way of under× standing how each element within it specific situation and condition works, gets related with its environment and surroundings and is perceived (by myself). The scale goes from 0 (none) to 10 (a lot).

groups of 6 COLONNE DI SAN LORENZO saturdays! 18 March! 25 March! 1 April! 8 April SITUATION 1 SITUATION 2 show&tell A0 pin$ up GRADE OF PERMEABILITY GRADE OF PERMEABILITY * 6xindividual A3 " 2 A3 group commentary 0 0 10 0 0 10 4x GRADE OF VISIBILITY

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NAVIGLI

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LOCATION AND OPEN SPACES

Porta Ticinese area, in the south of Milan close to Colonne di San Lorenzo, has both IT I have found interesting in other places - BALCONIES (with no specific use also where their condition seem to be even stronger) and WALLS (NUDE and with a VAIL), related to two dif× ferent typologies of OPEN SPACES (DOT and LINE).

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10

GRADE OF VISIBILITY

0

10

0

10

0

10

0

10

GRADE OF BEAUTY

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10

GRADE OF BEAUTY

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10

0

10

0

10

0

10

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GRADE OF VITALITY

GRADE OF VITALITY

0

10

0

10

0

10

0

10

WALL BALCONIES

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group discussion and summary

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member OF3 MILAN WALLS BALCONIES

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WHAT DO THEY SAY? SOCIAL wITh?

THE WALLS AS ARTISTIC EXPRESSION AND COMUNICATION

The transition between the public and the private space. limit Eva Duarte de Perón discourse in front of female workers. Buenos Aires.

groups of 3 saturdays! 18 March! 25 March! 1 April! 8 April week 1! 2! 3! 4 main lecture programme summaries 2$ 8 A3 pages (4$ 16 A4) POLITIC EVENTS AND POWER DEMOSTRAT. ) 2000 words! diagram! images etc" Saint Fermin Day Cele× week 1! bration, 2! 3! 4in Pamplona. guest lecture programme summaries Spain.

2$ 8 A3 pages (4$ 16 A4) ) 2000 words! diagram! images etc" wednesdays 22 March! 29FESTIVALS. March!

5 April POPULAR week 2! 3!EVENTS 4 A3 show&tell 1! 2! 3 summary Bisket Jatra Festival in Thimi, on the out× skirts of Kathmandu, Nepal, 15 April 2015.

Wall covered by green in Porta di Ticinese area.

GREENERY. VERTICAL PIAZZA. Graffitis and street art in the outsides of Milan.

Right to expresse... to be different but in equal× ity. RIGHT TO FREEDOM. STREET EXPRESSION AND ART.

Theory and Practice of Urbanity THERE IS LIFE IN THE WALLS BUT ALSO BEHIND THEM

GLOBALIZATION. HUMAN RIGHTS - RIGHTS ARE POWER. THE IMPORTANCE OF THE POWER OF PEOPLE WITHOUT POWER. THE VALUE OF EVERYDAY LIFE AND THE RIGHTS THAT MAKE US CITIZENS. (18th March - Prof. Darko´s

groups of 6 Darko Radovic! PoliMi potential of the everyday to reach new saturdays! 18 March! 25 March! 1 April!The 8 April political forms. ("The Greatness of Small" lecture at Politecnico di Milano) show&tell A0 pin$ upDarko Radovic.) submission requirements FESTIVALS. POPULAR EVENTS * 6xindividual A3 " 2 A3 group commentary “Urbanity is a phenomenon which causes and at the same time is caused by dialectic En el balcón de la Casa 4x dialogue between people”. de Gobierno, al lado de individual ("The Greatness of Small" Darko Radovic.)

Borghi y encima del querido profe Echevar× The city could be defined as a human saturdays! 18 March! 25 March!

1 April! 8 April ría. 1986 experience rather than a physical phenom× enon. So, diagrams! what if there is not people? what week 1! 2! 3! 4 individual A3 FW reports! text! infographics! images if a specific part of the city is denied by users? or not even contemplated? What if 4x CELEBRATIONS. SPORT

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EVENTS.

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Can something exist without being per× ceived? Can we assume the unobserved world functions the same as the observed world?

"

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The pope visits Cube. La Havanna.

RELIGIOUS CELEBRA× TIONS.

it get naturalized and is just existence without presence?

group discussion Saul Steinberg “Living sections drawings” . member 6 and summary member 5

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SBORLINI Antonela

for saturday 8 April$ week 4 extra member 6 member group 4 WALLS BALCONIES OF3 MILAN WHAT ABOUT...?

“No one today can reasonably doubt the existence or the power of the show&tell A0 revised pin$ ups weeks 1$ 3 The transition between the public and the private space.

CONCEPTS? spectacle (...) it has spread itself to the point where it now permeates limit POTENTIALITIES for the improvement of limits and transitions reality " A0 pin$allup 4 *(...) the globalization of the false was also the falsification CATALOGUE (1) between the public and private space of the globe”. G. Debord. week 4 6xindividual A3 compiled"2 A3 group commentary groups of 3 SITUATION 1 "A society is composed of con× saturdays! 18 March!

March!

April! 8 April crete 25 abstractions, real1fic× tions, effective and practical summary weekreturned 1! 2!values 3! in4 corporated main lecture programme summaries in a space. It is a construc× individual submissions and assessment 2$ 8material# A3 pages (4$ 16 A4) tion, a building, a work". and absence. H. Lefe× 4 A3 weeklyPresence (andwords! revised versions on 8 etc" April) ) 2000 diagram! images bvre.personal FW report contribution FW 6$ guest memberlecture group programme discussions/commentary 1!tofunctions 2!weekly 3! 4than simply summaries ???

"Streets week serve more moving people and to goods...3$ Streets and side× contribution member group guest(4$lecture 2$APRIL 8 main!

A3 pages 16 A4) and show&tell summaries walks are place to congregate, relax and 2015. INSTALLATION MADE BY NESCAFE TO PROMOTE VILLAGGIO MATTEOTI. TERNI, ITALY. 1969-1975 THE DIALOGUE BETWEEN NEIGHBOURS. enjoy being out final in public". submission NYCDOT, Measuring BRIDGE - SHARING - CONNECTION - POSSIBLE to % individual and group synthesis (date t"b"c") BALCONY STREET " contribution BALCONY ) 2000 words! diagram! images etc" BANALIZATION? SHARING? MEDIOCRATIZATION? the street: New Metrics for the 21st Century.

APPROPIATION LINEAR NOT SEEN NOT SEEN preparation for! and OPEN SPACE" wednesdays 22 March!

29participation March! 5 Aprilin the FW and in the class WHAT IF ... (1) ?week 2! 3! 4 A3 show&tell 1! 2! 3 summaryWHAT IF ... (2) ?

Theory and Practice of Urbanity

groups of 6 Darko Radovic! PoliMi saturdays! 18 March! 25 March! 1 April! APROPIATION 8 April APROPIATION SHARING SHARING ART EXPOSI× ART EXPOSI× OF SPACE OF SPACE USES USES TIONS, FILMS TIONS, FILMS show&tell A0 pin$ up USES USES submission requirements * 6xindividual A3 " 2 A3 group commentary 4x BALCONY STREET BALCONY BALCONY STREET BALCONY BALCONY STREET BALCONY BALCONY STREET BALCONY LINEAR LINEAR EVENTS TO SEE TO SEEindividual TO SEE TO BE TO BE EXTENTION EXTENTION CONTINUITY CONTINUITY OPEN SPACE OPEN SPACE ACTIVITIES PEDESTRIAN SEEN SEEN saturdays! 18 March! 25 March! 1 April! 8 April week 1! 2! 3! 4 individual A3 FW reports! text! infographics! diagrams! images “We must consider not just the city as a thing 4x in itself, but the city being perceived by its " member 1 member 2 member 5 inhabitants.” – Kevin Lynch in The Image of the City.

BALCONIES OF CAMINITO, LA BOCA, BUENOS AIRES. ARGENTINA.

member 1 ART - BANALIZATION OF THE PAST member 3

TENEMENT HOUSE OR CONVENTILLO. EARLY 20TH CEN× TURY. BUENOS AIRES. ARGENTINA.

member 2 HISTORY - SHARING SPACES AND COMMUNITY group 4

group "SPACES - COMMUNITY member 5 discussion SPACE INTO PLACE - PLACEMAKING member 6 and summary

CHAWL IN MUMBAI. INDIA.

SHARING LIFE

CHAWL IN MUMBAI, INDIA, TURNED INTO AN ELECTRICAL SHOP.

GROUP N 1

SBORLINI Antonela

for saturday 8 April$ week 4 extra member member OF3 MILAN group 4 show&tell A0 revised pin$ ups 6weeks 1$ 3 WALLS BALCONIES WHAT ABOUT...?

The transition between the public and the private space.

CONCEPTS? limit " A0 pin$ up 4 * POTENTIALITIES for the improvement of limits and transitions CATALOGUE (2) between the public and private space week 4 6xindividual A3 compiled"2 A3 group commentary groups of 3 SITUATION 2 saturdays! 18 March! 25 March! 1 April! 8 April INCLUDE HUMANS × CITY OF summary weekAND1!FOR2!PEOPLE. 3! 4 main lecture programme"(...)summaries as if the package's function were not to pro× GENERATE and AND PROPOSE WEL× individual submissions assessment material# tect in space but to postpone in time; it is in the COMING PLACES. FROM SPACE TO 2$ 8 A3 pages (4$ 16 A4) envelope that the labor of the confection seems to PLACE. 4 A3 weekly personal FW report (and revised versions on 8butApril) be invested, thereby the object loses its exis× ) 2000 words! diagram! images tence, becomes etc" a mirage: from envelope to envelope, LIMIT LIMIT contribution to weekly FW 6$ member group discussions/commentary the signified flees, and when you finally have it “The relationship between the inside and the week 1!

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4 guest lecture programme summaries (there is always a little something in the pack× ??? outside is really important (...)

Not reproduce contribution to 3$ member group main! guest lecture age), andit appears show&tell summaries insignificant, laughable, vile: the boundaries, it is important to understand 2$ 8 A3 pages (4$ 16 A4) pleasure, field of the signifier, has been taken. how to divide without making a wall; " contribution to things final submission % individual and group synthesis (date INTERVENTION IN PORTA DI TICINESE. MILANO. The package is not empty, but t"b"c") emptied (...)"

How to deal with permeability and the limits WALL VOID WALL ITALY ) 2000 words! diagram! images etc" Barthes. The Empire of Signs. of private space”.and Kazuyo participation Sejima SANAA. STATIC " preparation for! in the FW and in the class DENIED DENIED BANALIZATION? MEDIOCRATIZATION? OPEN SPACEwednesdays 22 March! 29 March! 5 April WHAT IF ... (1) ?week 2! 3! 4 A3 show&tell 1! 2! 3 summaryWHAT IF ... (2) ?

WALL CANVAS

SPACE

WALL CANVAS

TO USE NEEDED

COMPLEMENTARY

COMPLEMENTARY

groups of 6 saturdays! 18 March! 25 March! 1 April! 8 April JUST JUST NEW WAYS show&tell THE LIMIT THE A0 LIMIT pin$ up OF LIVING MATERIALS MATERIALS MATERIALS * 6xindividual A3 " 2 A3 group commentary 4x SPACE SPACE WALL CONTAINER

PLACE

TO BE USED APPROPIATION

WALL CONTAINER

WINDOW FACADE

PLACE

TO BE USED OR SEEN

WINDOW FACADE

GLASS CONTINUITY

PLACE

TO BE USED OR SEEN

NEW WAYS OF LIVING MATERIALS

GLASS CONTINUITY

“Milano: City of no walls” Marco Imperatore

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THE

INTERVENTION IN PORTA DI TICINESE. MILANO.

DIFFUSE LIMITS - PERMEABLE

GREEN WALL - BANALIZATION? - SUS× TAINABLE? - JUST TO COVER?

SANAA. GLASS CENTER FOR TOLEDO MUSEUM OF ARTS. USA.

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“When objects turn into waste; from waste to meaningful artifacts”.

Davisi Boontharm

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group DANGEROUS TREND? - REHABILITATION discussion SHARING SPACES - COMMUNITY LIFE OF URBAN VOIDS. member 6 and summary PROPOSAL FOR AN INTERVENTION IN AN URBAN VOID IN BRUSELAS. AAS UCAM.

"POKET PARKS" IN POLISH

GROUP N 1

SBORLINI Antonela

member OF3 MILAN WALLS BALCONIES

member 6

group 4

CONCEPTUAL

The transition between the public and the private space. limit POTENTIALITIES for the improvement of limits and transitions relationship between the public and private space

MOSAIC

The theoretical framework that “organizes” (or at least tries to) the research (and the search of new questions) about the limits of

WHAT IS BEHIND? THEORY?

PUBLIC AND PRIVATE

SPACES IN THE CITY... groupsTHEORY of AND 3 IDEAS to start (and to follow) a research about the *Most of the notes (except for the cited ones) are reelaborations of the lectures presented on the Contemporary A LITTLE BIT OF MY Cities course - Politecnico di Milano. 2017 relationship between the public and the private space SCHIZOPHRENIC JOURNEY saturdays! 18 March! 25 March! 1 April! 8 April *** *** week 1!BASIC 2! 3!COMPLEX 4 IDEAS main lecture programme summaries BASIC COMPLEX IDEAS URBANISM. Cities are ideological, there is WHAT ABOUT URBANITY? JUST BEAUTIFUL CRE× 2$ 8 A3 pages (4$ 16DIVERSE A4) ECOLOGICAL PLACE IS TO SPACE WHAT AGE IS TO the utopian intention of creating a better ATIVE COMPACT POLYCENTER Everything has a story world. always INCLUDEdiagram!

HUMANS. Set the frame× etc" TIME . and the message is ) but 2000 words! images GIVE VOIDS AN IDENTITY? EVEN THE VOID IS work for the city that will have an evolution. EN× CODED because of some× BRING PEOPLE TOGETHER ...

MARCHI) PART OF THE SOCIAL ASPECT (LEONARDO ZUCCARO week 1! thing 2! 3!(read4 CLUES). guest lecture programme summaries VIRONMENT+CULTURE. Avoid the banalization.

BEING WITH: SHARING...

Voids of Milano. FORGOTTEN SPACES, UNSEEN SPACES. 2$ 8 A3 pages (4$ 16 A4) Contemporary cities are plural and THE INFLUENCE OF THE MARKET, HOW complex. CITIES PERMIT DIFERENC× TO IMPROVE WHAT I FOUND? MEDIOC(...) that the place has no other IDEOLOGY related to the creation of mean× ) 2000 words! diagram! images etc" RATIZATION? ES, ENCOURAGE CONCENTRATION OF limit than its carpet of living ing: streets are a book and I AM A READER DIFERENCES (SENNETT).

Nothing ; sensations, ofMarch! brilliant SIGNS without mean× NOT A VISITOR (Barthes). SIGNS THE FORM IS EMPTY (by itself if wednesdays 22 March!

29 5 April exists without people: THERE IS NO it is no longer the continuous ing express the naked reality. THE NEED OF there is no one to interprete it) CITY, ONLY URBAN WAYS OF LIFE (a wall which defines space, but MEANING IS HUMAN: A ruin has no meaning weekthe 2!very3! abstraction 4 A3of show&tell 1!

2!

3 summary spatial background of a local ideology). the anymore as has no use anymore.

fragments of view which frame me ; the wall is destroyed beneath the inscription; (...) the PUBLIC SPACE is a series of instantaneous events (...) (Barthes.

THEORIES

Theory and Practice of Urbanity

NAMING IS CLAMING

(give a name, give a character, add a concept... APPROPIATE).

Bridge:

SPACES

BECOME

PLACES. The production of place groups of 6 Darko Radovic!

PoliMi THEORY OF THE DERIVE (as the beggining point). is the production of meaning.

Drifting, letting go, acepting contradictions as the influence of WALLS ... BALCONIES... What about them?

TOWARDS AN ARCHITECTURE OF EN× saturdays!

18 March!

25 March!

1 April!

8 April our knowledge, ideology, desires... ONE CAN DERIVE MY VIEW... Pandora, The Coin, The Notes, The Filter...

JOYMENT (Enjoy the city, live the The Empire of Signs).

ALONE (IDIOTAS) BUT THE MOST FRUITFUL AR× city). PLAKEMAKING (KENGO KUMA) show&tell A0 pin$ up RANGEMENT CONSISTS IN SEVERAL SMALL EMPHASIS ON LIVING EXPERIENCES. THE PICTURES, SIGNS, MES× submission requirements URBAN QUALITY. Measuring the non mea× GROUPS.... Limited time, space, research field (the frameThink about cities as if people SAGES AND ALLEGORIES...

OR * 6xindividual A3 " 2 A3 group commentary surable, innovation, tradition, existence, work). mattered (indeed they do).

PERHAPS THEY ARE MERELY experience, sensations: The importance to THEORY DES MOMENTS The moment is part of EMPTY PRESENCES THAT WE 4x search for the BEAUTY BEYOND. the fabric of everydayness... as a superior FILL WITH OUR DESIRE, EX× individual “Smallness is about density, inten× form of repetition always refers to an indi× Juxtaposition no hierarchies. Attention PERIENCE, QUESTIONING AND sity of not only the physical but vidual history... for details and fragments before going to 18 March!

REGRET. also of the social fabric of the saturdays!

25 (MANGUEL) March! 1 April! 8 April city. The quality and the charac× the whole. URBAN LIFE as a community being quite intelligible, the HAIKU these PLACES mean A3 for ter of everyday life together with week 1! 2! 3!What4doindividual FW While reports! text! infographics! diagrams! images life, contact with PEOPLE, unplanned means NOTHING, and it is by this double con× Milan? Do they really mean somethe spatial expressions of ordi× spontaneous living experiences where the dition that it seems open to meaning in a thing?

Do PEOPLE perceive them? nary activities are going to be the 4x city and the nature get related. particularly available, serviceable way (...)

VALUE OF member THE NEIGHBOURHOOD 1

(Barthes. Empire of Signs).

" memberThe2GROUP - My “Neighbourhood”

member 5 How to find IT but related with wITh?

- KATA behaviour to be accepted NO PRECONCEPTIONS.

THE RIGHT TO THE CITY (H. Lefebvre) The right to the oeuvre (partici× pation) and appropiation (use value). CAN NOT BE CONTAINED AS A SIMPLE RIGHT OF VISIT OR RETURN TO THE TRADITIONAL CITIES. IT CAN ONLY BE FORMULATED AS A RIGHT TO URBAN LIFE, TRANSFORMED, RENEWED. (H. Lefeb×

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vre. The Right to the City).

THE RIGHT TO THE CITY

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the city. (Harvey)

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A right to change ourselves by changing

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measure of sucess or failure towards sustainable development”.

(Greatness of small. Darko Radovic).

Always think about PEOPLE... CONTEXT... TIME

MY MILANO YOUR MILANO HER MILANO OUR MILANO THEIR MILANO

***

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group The dialectical relationship between the searching and the discussion finding is a non stopping COMPLEX GEAR... member 6 and summary TO BE CONTINUED... member 5

GROUP N 1

SBORLINI Antonela

for saturday 8 April$ week 4 extra member 6 member group 4 WALLS BALCONIES OF3 MILAN HOW TO SHOW THE show&tell A0 revised pin$ ups weeks 1$ 3 The transition between the public and the private space.

SCKETCHING MOSAIC THEORY? Proposals, ideas, drawings that try to give an spatial meaning to the THEORETIlimit POTENTIALITIES for the improvement of limits and transitions " A0 pin$CALup 4 * about the limits of FRAMEWORK relationship between the public and private space PUBLIC AND PRIVATE SPACES IN THE CITY... week groupsTHEORY of AND 3 IDEAS to start (and to follow) a research about the 4 6xindividual A3 compiled"2 A3 group commentary A LITTLE BIT OF MY relationship between the public and the private space SCHIZOPHRENIC JOURNEY saturdays! 18 March! 25 March! 1 April! 8 April DRAWINGS *** *** summary SCHEMES week 1!

2!

3!

4 main lecture programme summaries PROVISORY SYNTHESIS LATE SYNTHESIS of the research and ideas for a proposal.

SKETCHES individual submissions and assessment material# 2$ 8PLACES A3 pages (4$ 16CONNECTION, A4) OF MOVEMENT, MEETING AND SHARING. They are the resource that supports the local trading patterns and allows for a fluid exchange of 4 EVEN A3 THE weekly personal FW report (and revised versions on 8 etc" April) GIVE VOIDS AN IDENTITY? VOID IS ) 2000 words! diagram! images goods, information, transactions and social interactions, creating MULTIPLE OPPORTUNI× PART OF THE SOCIAL ASPECT (LEONARDO ZUCCARO MARCHI) TIES for the people (LOCALS, TOURISTS, NEW COMERS...). contribution member discussions/commentary (Adaptation lecture fromgroup the definition of theprogramme "Inner City Movement") week 1!to2!weekly 3! 4 FW 6$ guest summaries Voids of Milano. FORGOTTEN SPACES, UNSEEN SPACES. contribution to 3$ member group guest(4$lecture 2$ 8 main!

A3 pages 16 A4) and show&tell summaries ADAPTIVE PROPOSALS " contribution to final submission %) individual synthesis 2000 words!and diagram! etc" (date t"b"c") SPONTANEOUS CITY group images ?

TIME -FW POP and UP INTERVENTIONS " preparation for! and participation in the class wednesdays 22 March! 29 March! 5 Aprilin the week 2! 3! 4 A3 show&tell 1! 2! 3 summary groups of 6 saturdays! 18 March! 25 March! 1 April! 8 April show&tell A0 pin$ up * 6xindividual A3 " 2 A3 group commentary 4x

member 1

member 2

THE RIGHT TO THE CITY (H. Lefebvre) The right to the oeuvre (partici× pation) and appropiation (use value). CAN NOT BE CONTAINED AS A SIMPLE RIGHT OF VISIT OR RETURN TO THE TRADITIONAL CITIES. IT CAN ONLY BE FORMULATED AS A RIGHT TO URBAN LIFE, TRANSFORMED, RENEWED. (H. Lefeb×

vre. The Right to the City).

THE RIGHT TO THE CITY

member 3

the city. (Harvey)

A right to change ourselves by changing

group 4

" MY MILANO YOUR MILANO HER MILANO OUR MILANO THEIR MILANO

member 5 POP UP is not just a means of RECOVERY but a promising model of PARTICIPATORY OR× GANIZATION as the city moves forward. VALUE OF THE TEMPORARITY AND SPONTANEITY. People RESHAPE THE CITY.

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group The dialectical relationship between the searching and the discussion finding is a non stopping COMPLEX GEAR... member 6 and summary TO BE CONTINUED...

GROUP N 1

SBORLINI Antonela

A0 revised pin$ ups 6weeks 1$ 3 member HOW TO SHOW THE " A0 pin$SCKETCHING up 4 * MOSAIC The transition between the public and the private space.

THEORY?-REFERENCES Proposals, ideas, drawings that try to give an spatial meaning to the THEORETIlimit POTENTIALITIES for the improvement of limits and transitions CAL FRAMEWORK about the limits week 4 6xindividual A3of compiled"2 A3 group commentary relationship between the public and private space PUBLIC AND PRIVATE SPACES IN THE CITY... groupsTHEORY of AND 3 IDEAS to start (and to follow) a research about the A LITTLE BIT OF MY relationship between the public and the private space SCHIZOPHRENIC JOURNEY summarysaturdays! 18 March! 25 March! 1 April! 8 April DRAWINGS *** *** SCHEMES week 1!

2!

3!

4 main lecture programme summaries individual submissions and assessment material# PROVISORY SYNTHESIS LATE SYNTHESIS of the research and ideas for a proposal.

SKETCHES considering following a guideline. FW report 2$ 8 (and A3 pages (4$ 16 A4) weekly personal revised versions on 8 April) PICTURES REFERENCES Cases4 toA3 REFERENCES AND INTEREST× ING CASE STUDIES THAT GIVE SUSTAINABILITY - URBANdiagram!

GARDEN - CULTURE - + JOBS - etc" RE× 2000 words! images contribution to weekly FW 6$ )member group discussions/commentary IDEAS FOR FUTURE DEVELOP× CYCLING REUSE - + ART - INNOVATION + IDEA OR INTERVENTIONS. contribution group main! guestprogramme lecture and show&tellMENTS summaries week 1!to2!3$3!member 4 guest lecture summaries " contribution final submission %2$individual and group synthesis 8 A3 pages (4$ 16 A4) "ESTONOESUNSOLAR" (2009 - ZARAGOZA to SPAIN) TWO WINNING AND BUILT PROJECTS OF 180(date t"b"c") CREATIVE CAMP " preparation for!use and participation) in thewords!

FW and in(2016). the images class etc" Ephemeral interventions for public spaces of transient 2000 diagram! in the Historical Center of Zaragoza. PATRIZIA DI MONTE ?

Temporary urban interventions in Abrantes, Portugal. KARAT GRAVALOSDIMONTE ARQUITECTOS, IGNACIO GRAVALOS LACAM× (FrancescoBernabei and Magnus Gustaffson) - DOMESTICITY wednesdays 22 March! 29 March! 5 April BRA (Maria Mazzanti and Martin Ramirez) week 2! 3! 4 A3 show&tell 1! 2! 3 summary member OF3 MILAN WALLS BALCONIES

show&tell group 4

groups of 6 saturdays! 18 March! 25 March! 1 April! 8 April show&tell A0 pin$ up * 6xindividual A3 " 2 A3 group commentary SOURCE: https://divisare.com/projects/106000-patrizia-di-monte-gravalosdimonte-arquitectos-ignacio-gravalos-lacambra-estonoesunsolar SOURCE: http://www.archdaily.com/535622/urban-intervention-winners-built-in-abrantes-portugal-for-canal-180-s-creative-camp 4x

member 1 PLAYING AREAS

"

member 2 INTERDISCIPLINARY PARTICIPATION

CREATIVE ACTIVITIES

SOURCE OF THE SCHEMES: AULA DE ARQUITECTURA SOCIAL. AAS UCAM. "A proposal to deliver public equipment and jobs in the historic centers of European cities, recycling and re-using the urban voids left by the pre-crisis urban expansion, providing them with a temporary and highly flexible programmatic use". http://www.plataformaarquitectura.cl/cl/office/aula-de-arquitectura-social-aas-ucam

member 3

group 4

member 5 OUTDOOR ACTIVITIES

SPORT ACTIVITIES

RESTING AREAS

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group The dialectical relationship between the searching and the discussion finding is a non stopping COMPLEX GEAR... member 6 and summary TO BE CONTINUED...

GROUP N 1

SBORLINI Antonela