Anthology Magazine issue 12 Autumn 2019

€4.75 £3.35

ARTS

TRAVEL

LIFESTYLE

FASHION

Showcasing Irish Artists • Dutch Masters: Rembrandt and Van Gogh

Amsterdam: Cultural Highlights • Old-World Charm of Prague

Interiors: All About Paint • Improve Productivity with Mindfulness

Fresh Irish Fashion • Seasonal Chic for Autumn

Autumn 2019 Issue 12

35

AUTUMN 2019 #12

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ANTHOLOGY SUMMER 2016 3

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From the editor

anthology publishing

Limerick, Ireland

editor Edel Cassidy art editor Ros Woodham designer Lynne Clark

Welcome to Anthology Autumn Issue 2019

copy-editor Averill Buchanan proofreader Victoria Woodside contributors

Orna O’Reilly Weber Jeannie Croucher Louise Higgins Oonagh Keogh Tom Weber Neven Maguire Dolores O’Donoghue advertising

advertising@anthology-magazine.com subscriptions

Anthology is a quarterly publication with a focus on beautiful features and imagery from Ireland and around the world. Subscribe to avail of delivery direct to your door.

Email: info@anthology-magazine.com.

Full details on p. 96. issn: 2009-9150

Printed by Warners Midlands plc Distributed by EMNews

The publisher accepts no responsibility for any of the views expressed or claims made by contributors or advertisers. While every care is taken to ensure accuracy of information contained in Anthology, we do not accept responsibility for any errors or matters arising from same. No part of this publication may be used or reproduced without written permission from the publishers.

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A

utumn is finally here – and no better time for a city break, when you can avoid the long queues and high temperatures of the summer months. In this issue, we cover the cultural highlights of Amsterdam, along with the best places to eat and stay. The city is absolutely magical at this time of year when the canals and parks are draped in autumnal foliage. But don’t just take our word for it – try it for yourselves!

For fashion lovers, we feature the top trends from the Paris and London runways, the best of Irish design from the Council of Irish Fashion Designers show, and an exhibition of the work of Belgian designer Olivier Theyskens from the Museum of Lace and Fashion in Calais.

We also showcase the work of some very talented Irish artists – witness the wonderful work of Gerard Byrne on our cover.

In our interiors section you’ll find expert advice on choosing the right type of paint to suit different surfaces, and we introduce the fabulous new designer paint brand Curator, manufactured in Ireland by General Paints.

I hope you enjoy this issue and find inspiration in our pages to plan your own ‘collection of beautiful experiences’ for the autumn days ahead.

Edel edel@anthology-magazine.com

ON THE COVER

Her Sins by Gerard Byrne, one of Ireland’s leading contemporary artists. Representative of his scope and versatility, his landscape and architectural works take us on a journey through some of the most spectacular vistas, both in his native Ireland and from his travels abroad. (p. 80)

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14

contents 14

TRAVEL

20 TRAVEL 28

Prague: The Golden City A Weekend in Amsterdam

28 EXHIBITION

The Year of Rembrandt

38 EXHIBITION

Van Gogh’s World

44 INTERIORS 60 FASHION

Not All Paint Is Created Equal!

Seasonal Chic

38 60

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68 74

68 FASHION 74

Fresh Irish Design

EXHIBITION

80 PORTRAIT

Olivier Theyskens: In Praesentia Gerard Byrne: Dublin Artist

88 BEAUTY

What’s New

90 HEALTH

Mindfulness and Productivity

94 FOOD

Autumn Dinner Menu, with Neven Maguire

80

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90

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PRAGUE WORDS AND PHOTOS TOM WEBER

The Golden City of a Hundred Spires

In the capital city of the Czech Republic, visitors’ eyes are drawn upwards to the countless towers, spires and domes that reach for the soft skies above

P

rague, once the seat of the Holy Roman Empire, has a rich history stretching back a millennium. Blessed

by great art, stunning architecture, the music of Dvořák and the work of Kafka, the city is also home to some of the world’s best beers and is consistently ranked one of the top of European destinations.

If you get the chance to explore this exqui-

‘Covering an area of 70,000 square metres, Prague Castle, a UNESCO World Heritage site, is the largest ancient fortified structure in the world’

site gem of the old Habsburg Empire, here are some places I’d recommend visiting.

The National Museum of Prague is not a single stand-alone structure but a series of eleven buildings spread across the city, each showcasing a different discipline such as history, art, music and natural history and includes a voluminous library.

All together, these buildings house over

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Charles Bridge at sunrise

fourteen million pieces of the Czech Re-

is located in the centre of a two-sided

slovakia by the former Soviet Union, ending

public’s past. The museum’s main building

boulevard lined with iconic hotels, trendy

the liberal reforms of the Prague Spring.

is surrounded by a park and is located at

shops and outdoor cafes. Originally a me-

More recently, Wenceslas Square was the

the top of a small hill that stands vigil over

dieval horse market, it is named after Saint

focal point for the Velvet Revolution of 1989

Wenceslas Square below.

Wenceslas, Bohemia’s patron saint.

that peacefully ended forty-one years of

If Prague is the heartbeat of Bohemia,

It was here on 16 January 1969 that

Communist rule and marked the beginning

then Wenceslas Square, a long rectangle

twenty-year-old student Jan Palach set

of cobbles and greenery, is the true pulse

himself on fire and died by self-immolation

The ‘City of a Hundred Spires’, as it is

of this vibrant, energetic city. The square

in protest against the invasion of Czecho-

known, is dotted with over one thousand

14-18_prague_pix.indd 15

of a parliamentary republic.

23/09/2019 12:19

towers, some of which are open to the public, affording spectacular views across this magical city. The Jindrisska Tower, beside the Church of St Henry and St Cunigunde in the old Hay Market, is 65.7 metres high and is the city’s tallest freestanding belfry. Visitors can take the

TOP LEFT: Prague

Astronomical Clock;

ABOVE LEFT: Chapel of

the Holy Cross, Prague Castle; ABOVE: Spanish Synagogue in the Jewish Quarter; RIGHT: The Old Town Square.

lift up to the tenth floor and climb a short, winding staircase to the belfry, where a panoramic view of the city centre, including Wenceslas Square and Prague Castle, can be enjoyed.

With the Czech Republic boasting the highest per capita consumption of beer annually in the world – around 160 litres per person – it’s only fitting to pay

St Norbert line of seasonal amber and

thrones were kept warm by the kings of

a visit to one of the many local brewer-

dark lager beers alongside huge wooden

Bohemia and the emperors of the Holy

ies. I recommend the Strahov Monastic

platters of cold cuts, salami, deep-fried

Roman Empire.

Brewery, run by the Royal Canonry of

artisan bread, crunchy fresh veggies and

Premonstratensians, an order of monks

tasty dipping sauces.

founded by St Norbert in 1120. The order

The most significant monument of the

While most of the castle is closed to the public, the real star in the castle grounds is St Vitus Cathedral, the country’s most

built its monastery here, overlooking the

Czech Republic, listed in the Guinness

revered house of worship. Commissioned

city, in 1143. The centrepiece is the Basilica

Book of Records for being the largest of

by Wenceslaus I, the Duke of Bohemia,

of Our Lady of the Assumption, where

its kind, is Prague Castle. Covering an area

in 930, it’s an inspiring example of Gothic

Mozart once put the pipe organ through

of 70,000 square metres, Prague Castle, a

architecture, with its signature flying but-

its paces. These same monks, in between

UNESCO World Heritage site, is the larg-

tresses and touches of Romanesque, Re-

vespers, began turning hops into beer in

est ancient fortified structure in the world.

naissance and Baroque architecture added

a makeshift brewery in 1400. Today, the

Perched atop a hill in the Hradčany district,

over the ensuing one thousand years.

Strahov Monastic Brewery is a modern

the castle dates back to the ninth century

microbrewery that makes and serves the

when absolute power was the norm and

After exploring Prague Castle, the next port of call should be the adjacent St

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Wenceslas Vineyard, Bohemia’s oldest, which is accessible directly from the western side of the castle.

Not far away is Charles Bridge, named in honour of Charles IV, the King of Bohemia and later, Emperor of the Holy Roman EmBELOW: Franz Kafka statue

in the Jewish quarters.

pire. The Stone Bridge, as it was originally

‘The Stone Bridge, as it was originally called, began construction in 1357 and was completed in the early 1600s’

called, began construction in 1357 and was completed in the early 1600s. Stretching 621 metres across the Vltava River, the

the river and send out an incredible vibe

sixteen-arched bridge, lined on both sides

that only enhances this jazzy Bohemian

by thirty religious statues, is protected

rhapsody of sights and sounds.

by three towers. As bustling as a movie

Bohemian glass, with its centuries-long

set – scenes from Mission: Impossible

history, has a reputation for quality, crafts-

were filmed here – Charles Bridge is filled

manship, beauty and innovative design.

with tourists, vendors, street artists and

Karlova Crystal Shop is just one of many

performers who occupy the cobbles over

places in the city to purchase a keepsake to

‘It was exciting to know that we were actually walking in the footsteps of the Roman emperors and St Peter’

ABOVE: Wenceslas Square; LEFT: St Vitus Cathedral.

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‘The Jewish Quarter is a grim reminder of the darkest period in the city’s recent past’ bring home. Visitors are ushered into a small studio tucked in the back of this intimate shop where an artisan glassblower, fronting a nearly 1,000˚C furnace, turns liquid glass into works of art, just as it used to be done.

At the Old Town Square crowds gather each day below the Prague Clock to see it strike the hour. First installed in 1410, it is

tury when Jews arrived in Prague following the First Crusade, the Jewish Quarter was renamed Josefstadt (Joseph’s City) in 1850 in honour of Joseph II, the Holy Roman Emperor who emancipated the Jews under the Toleration Edict of 1781.

FROM TOP: Wenceslas

Square; The dome of St Nicholas Church; Royal Canonry of Premonstratensians; Display of Bohemian crystal.

the world’s oldest, fully operational astro-

Once home to more Jewish people than

nomical timepiece. It thrills the crowds on

any other place in the world, today’s Jewish

the hour when its fascinating mechanical

Quarter now consists of only six syna-

performance of the ‘Walk of the Apostles’

gogues, the Old Jewish Cemetery and the

and other figures is set in motion.

Old Jewish Town Hall. Collectively known as

The Jewish Quarter is a grim reminder of

the Jewish Museum in Prague, these build-

the darkest period in the city’s recent past.

ings and their exhibits are a bleak reminder

With its roots dating back to the tenth cen-

of the persecution of Jews in the city.

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The Castle Tour The Castle Tour Learn n abou outt origins off casttle and the Kn nox-G x-Gore fa family. y. See Marshalll Doran’ss colllectio ion n of ffo oss ssiils, medieval w weeapons and armour.

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A Weekend in

AMSTERDAM WORDS EDEL CASSIDY

From canal cruises and impressive museums to great shopping and excellent food, Amsterdam has so much to offer

A

charming city full of history and culture, Amsterdam is famed for its traditional narrow brick houses,

hospitable cities in the world.

Popular as a weekend city destination, it is essential to do a little forward planning to

centre and is perfect for those wishing to just step out and start exploring.

Here’s my list of the top ten Amsterdam attractions not to be missed:

its water canals that criss-cross the city and

make the most of your time there. It’s also

its many bridges. The Dutch capital is also

important to choose a hotel that’s situated

loved for its relaxed, easy-going way of life.

close to all the major attractions. The Albus

1. Canal Cruise

It has to be one of the most friendly and

Hotel is ideally located in the vibrant city

An absolute must is to take a canal cruise

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through the city’s UNESCO World Heritage-listed canals. It’s the best way to get to know the city and its main attractions. Canal tours typically take an hour, or you can avail of the hop-on, hop-off canal bus.

Cruising along the Amstel River watch out for the row of ‘dancing houses’ that appear to ‘dance’ because the pylons or stilts that the houses are built on have sunk unevenly. Oddly, the only building in the row that stands straight is the one flying the Irish flag, Mulligan’s Irish Music Bar!

2. Rijksmuseum This is one of the world’s finest museums with over 8,000 works on display, including many masterpieces from the Dutch Golden Age. With over two million visitors annually, it is advisable to book in advance.

A unique feature of the museum building is a glass passageway that connects the two sides of the atrium to allow cyclists a shortcut across the city and a glimpse of the beautiful atrium as they whizz by.

MAIN IMAGE: Dancing houses along the Amstel River. ABOVE: The Jordaan district. FAR LEFT: Tulip bulbs on sale at the flower market. LEFT: Entrance to the Anne Frank house

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3. Van Gogh Museum This museum houses the world’s largest collection of works by Vincent van Gogh as well as the artist’s own collection of Japanese prints. In addition to the permanent collection, exhibitions related to the artist’s contemporaries and artists who have been influenced by him rotate throughout the year.

4. Royal Concertgebouw Home to the famous Royal Concertgebouw Orchestra and renowned for its superb acoustics, this is among the world’s finest concert halls. Enjoy a great classical concert or take a guided tour to learn about its rich history. From September to June there is a free thirty-minute concert every Wednesday at 12.30pm.

5. Anne Frank House The house where Anne Frank, her sister

TOP: Amsterdam Leidseplein.

ABOVE: Sculpture of The Night Watch in Rembrandtplein.

RIGHT: The Van Gogh Museum

and parents spent two and a half years hiding from the Nazis is one of the most popular tourist attractions in Amsterdam.

7. Jordaan

Book tickets in advance or expect to

Considered Amsterdam’s most charming

spend up to two hours queuing.

district, Jordaan was once a working-class

6. Nine Streets

quarter and home to the city’s large population of immigrants. It is now one of the

Nine picturesque little streets within the

hippest places to live and work. Located in

western canal bank are full of quirky stores

the city centre, it is full of cafes, patio res-

selling clothes, shoes, bags, antiques and

taurants, art galleries and street musicians,

houseware. This area is also renowned for

and is popular with artists, students and

its cosy cafes and trendy restaurants.

young professionals.

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PHOTO: HANS ROGGEN

8. Leidseplein This frenetically busy square is one of the nightlife hotspots in the city. There is an abundance of restaurants, clubs, theatres, casinos and bars, including the popular Dan Murphy’s Irish Bar. Some amazing street entertainers – musicians, dancers, acrobats, jugglers and fire-eaters – are to be found here.

9. Rembrandtplein Another hive of activity both day and night, this square in the heart of the city is home to a large statue of Rembrandt who looks down on a set of life-sized sculptures of characters from his most famous painting, TOP: Flower pots and parked bikes on a canal bridge. ABOVE: The Royal Concertgebouw at night. LEFT: Street art in Nine Streets.

The Night Watch.

10. Floating Flower Market This unique market is made up of flower stalls floating on a series of houseboats and is full of the vibrant colours and scents of fresh flowers. It’s a great place to buy flower bulbs and all sorts of typically Dutch souvenirs to bring home.

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Enjoy a Sense of Bliss at the

ALBUS HOTEL The ultimate in eco-friendly, luxurious, modern accommodation in the heart of Amsterdam

W

hen visiting Amsterdam, I was

gold category ‘Green Key’ and this award

advised on the importance of

has recently been extended. This is an

having centrally located accom-

international quality mark for environmental

modation, close to the major attractions.

responsibility and sustainable operations

On my search, I was lucky to come across the

within the tourism industry.

Albus Hotel situated in the canal belt, around

The owner, Taco van der Meer, pur-

the corner from the famous Floating Flower

chased the property in 2002 and set about

Market and within easy walking distance of

transforming it into an eco-friendly, modern

Rembrandtplein, the Rijksmuseum, the Van

hotel with a welcoming and friendly ethos.

Gogh Museum and the Concertgebouw.

From the start, going green was high on the

On arrival, I knew I couldn’t have made a

priority list, so a state-of-the-art system was

better choice. The friendly reception staff

installed that cools and heats all the rooms

offered us a seat and complimentary cham-

without any CO2 emissions by either absorb-

pagne while checking us in. The lobby area

ing or releasing heat. In summer, warm air is

is sleek and modern with a comfortable and

stored and in winter the process reverses.

inviting atmosphere.

The hotel embraces a variety of initiatives to

Apart from the location, the thing that

fulfil goals in energy and water consumption,

attracted me to this hotel was that the

such as energy-efficient sensor-controlled

Albus is the first certified carbon-neutral

LED lighting and rain showers.

hotel in Europe – in 2013 it was awarded a

Colour schemes of green, pink and blue

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create an inviting, tranquil and composed

array of local and organic products – fresh

atmosphere. Throughout the hotel, guests

fruit, platters of meats, cheeses and smoked

can enjoy stylish furniture by a variety of

salmon and superb homemade pancakes.

designers such as Eileen Gray, Marc Sadler,

By lunchtime, the restaurant is transformed

Enzo Catellani and Per Weiss. Striking

into a warm, intimate Michelin-listed restau-

photographic artworks and gold-leaf doors

rant offering a ‘surprise menu’ that changes

adorn the walls of the corridors.

according to the fresh ingredients available

Delightful little extras include complimentary fair-trade coffee, ice cream and mint

at that time of year.

If you are planning a trip to Amsterdam

water always on offer in the lobby, and Malin

and would like to stay in a stylish eco-friendly

+ Goetz natural toiletries – sage body wash,

hotel, then the Albus should be top of your

peppermint shampoo, cilantro hair condi-

list. I really enjoyed the chic design and

tioner and rum soap – in the rooms.

welcoming atmosphere of this beautiful

Senses Restaurant puts on an excellent breakfast spread each morning with an

fuss-free boutique hotel. https://www.albushotel.com ANTHOLOGY AUTUMN 2019 25

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Fine Dining in

WORDS OONAGH KEOGH

AMSTERDAM Wondering where to go for a unique fine-dining experience in Amsterdam?

Here are my top recommendations for a tasty time out in the Dutch capital.

It is worth mentioning that these restaurants cater for all dietary requirements, and include gluten- and lactose-free options.

Serre Restaurant at Hotel Okura For lunch in Serre I was treated to a leisurely

Hotel Okura Amsterdam houses four

gourmet experience and was well looked

high-quality restaurants, open to non-

after by Robbert. I decided on the Bibendum

guests, and three of these have been

menu from which you can choose three

awarded by Michelin. The innovative Ciel

or four courses for a reasonable set price.

Bleu, with spectacular views of the city from

No surprise that the restaurant has been

the twenty-third floor, has two Michelin

awarded a Bib Gourmand by Michelin for

stars. The décor here is very clever; its well

offering value for money and quality cuisine.

thought-out seating plan and strategic

Before ordering, I was offered bread varieties along with delicious ‘curry butter’.

Some of the delicacies I sampled were the

placement of mirrors allows you to see the view no matter where you sit.

Hotel Okura Amsterdam, located in the

foyer you are transported to a spacious, airy, elegant world that reflects its Japanese

steak tartare ‘Japanese style’ with miso,

popular De Pijp area, is part of a Japanese

influences.

soy and pickled ginger. The combination

chain of hotels; as soon as you step into the

https://www.okura.nl/dine-and-drink/serre/

of these flavours was fresh and vibrant. My main course was red sea bream with orzo, fruits de mer and a Vadouvan lobster sauce, beautifully cooked and presented. For

Occo Restaurant at the Dylan Hotel

dessert I chose lemon curd, earl grey and meringue, and a selection of international cheeses from Fromagerie Kef Amsterdam rounded off the meal beautifully.

The wine selection is excellent, with everything available by the glass.

To complement the dessert, Robbert suggested Errazuriz from a late-harvest Sauvignon Blanc 2017, and Taylor’s ten-yearold port went beautifully with the cheeses.

As it was a gorgeous sunny day, I sat on the terrace overlooking the canal watching the world go by.

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Senses Restaurant at the Albus Hotel filled with lemon dashi gravy and miso foam.

That was followed by vanilla parfait, with mango and passion fruit gel, and for dessert I had pistachio parfait and pistachio crumble, with cherry crème chiboust, tuile of rye bread and cherry beer.

I’m usually a little apprehensive about As you would expect from the restaurant’s

‘surprise’ menus but each course was an

name, lunch here was a multi-sensory

absolute joy. Sami, our host, was so attentive, and even though it was a pity to eat the

experience. If you are looking for something out of the ordinary, this warm, intimate restaurant at the Albus Hotel, right in the

ingredients available at any given time.

I started with an amuse-bouche of melt-

beautifully presented dishes, I relished every bite. All courses were paired with excellent

city centre, is the place to go. Chef Lars

in-the-mouth wild peach champagne. My

wine choices that perfectly complement-

Bertelsen is a culinary artist, specialising in

starter was a roll of softly cooked sea bass

ed the food, such as Ramón Roqueta

unconventional menus prepared in an open

served with a salad of North Sea crab, rad-

Garnacha, with aromas of red fruit and floral

kitchen where ‘food art’ that ignites the

ishes, passion fruit gel, green curry oil and

undertones, which accompanied the main

senses is created. Diners can opt for a four-

herring roe – an absolute masterpiece! For

course, and Gatti Piero Brachetto, an excel-

or seven-course ‘surprise menu’ where dish-

the main course I had beef loin marinated

lent pink dessert wine full of fresh taste.

es are created using the best fresh seasonal

in a bowl, polenta with herring, and cannoli

https://www.sensesrestaurant.nl

This delightful bar and brassiere is located

and stone floors created a stylish and

Amsterdam, I felt obliged to opt for the

at the Dylan Hotel, a trendy boutique hotel

understated ambience.

cheese board for dessert. The service

in the heart of the Nine Streets area of the

There is an extensive drinks menu, and

was excellent and we were extremely well

prestigious Keizersgracht canal. It really

my eyes were immediately drawn to the

looked after by Lotte from the moment

is one of Amsterdam’s best-kept secrets

excellent choice of gins, including ‘VirGIN’, the

we arrived. Only one word to describe the

because, despite its central location, the

Dylan’s own non-alcoholic gin. The bar also

whole experience – lush!

discreet entrance through wrought-iron

provides a bespoke cocktail service all day.

www.occo.nl

gates and a courtyard creates the feeling of

For my starter I couldn’t resist the

being in a hideout, tucked away from the

intriguing-sounding ceviche (salmon,

bustling streets. Dinner here was amazing,

beans, avocado, red onion, sweet potatoes

and the tasteful décor of large windows

and coffee). It was just delicious, with incredibly well-balanced flavours. This was followed by Black Angus grain-fed flat iron steak served with grilled bell pepper, salsa verde and piment de Padron cooked to perfection and served in style. Being in ANTHOLOGY AUTUMN 2019 27

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THE YEAR OF

REMBRANDT

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EXHIBITION

This year marks the 350th anniversary of the death of Rembrandt, the great master of the Dutch Golden Age. The Rijksmuseum in the Netherlands is celebrating with a year-long series of exhibitions and special events WORDS EDEL CASSIDY

D

Militia Company of District II under the Command of Captain Frans Banninck Cocq, Known as ‘The Night Watch’, Rembrandt van Rijn, 1642. Oil on canvas, 379.5cm × 453.5cm

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uring the seventeenth century, the Dutch enjoyed tremendous economic success and dominated international trade, with Amsterdam becoming home to the world’s first stock exchange. This period, known as the Dutch Golden Age, also brought about great advancements in the arts and sciences. Rembrandt van Rijn was born in 1606, at the beginning of this era, in the city of Leiden, south of Amsterdam.

As he belonged to a relatively well-to-do family, Rembrandt’s parents could afford to give their son a good education, and they sent him, from the age of seven, to the Latin School in Leiden. At fourteen he was admitted to the University of Leiden, which he decided to leave after only a few months. He then studied art with a local master, Jacob Isaacsz van Swanenburg, and, later, with Pieter Lastman and Jan Pynas in Amsterdam. He returned to Leiden in 1624 to set up a studio where he also began to accept students.

Unlike many of his peers who travelled to Italy to further their artistic training, Rembrandt never left the Dutch Republic during his lifetime. He started to gain international recognition when a study of an old woman, The Artist’s Mother (c. 1629), was purchased by Sir Robert Kerr (later 1st Earl of Ancram). This painting was presented to King Charles I, making it the first of Rembrandt’s works to belong to a British collection.

Another significant event that helped to establish his reputation was a visit to his studio in 1630 by Constantijn Huygens, the secretary to Stadtholder Frederik Hendrik, who went on to commission Rembrandt to paint for The Hague Court. This was a tremendous boost to his career and, shortly afterwards, he moved to Amsterdam. There, he stayed at the home of a friend, Hendrick van Uylenburgh, an influential art dealer who also provided him with studio space. He became a much sought-after portraitist and

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worked hard to meet the thriving demand in Amsterdam.

It was work that brought him great financial security.

In 1634 he married Saskia van Uylenburgh, a noblewoman who was cousin to his landlord Hendrick. Through her well-connected extended family, his wife enhanced his career by bringing him into contact with prominent members of society who eagerly commissioned portraits.

The artist purchased a fashionable townhouse in the upmarket St Anthoniesbreestraat, and this is where he produced many of his works. Unfortunately, this was also to be a place of much personal tragedy.

Saskia died in 1642 at the age of thirty, soon after the birth of their fourth child Titus, the only one of

their children to survive into adulthood. Rembrandt’s drawings of Saskia on her sickbed are among his most intriguing works. Following her death, his life fell into disarray and he went through a period of crisis, making poor decisions and accumulating debts, causing him to fall from favour with both friends and patrons and miss payments on his expensive mortgage.

Before Saskia died, she had made a will leaving her sizeable estate to Titus but allowing Rembrandt the use of it if he didn’t remarry. While he never remarried, he did have a succession of child nurses cum mistresses.

One of them, Geertje Dircx, claimed that he promised to marry her and when he didn’t, she charged him with

‘Rembrandt’s parents could afford to give their son a good education, and they sent him, from the age of seven, to the Latin School in Leiden’

Tobit and Anna with the Kid Rembrandt van Rijn, 1626 Oil on panel, 39.5cm (H) × 30cm (W) Tobit’s blindness has condemned him and his wife to a life of grinding poverty – his once expensive tabard is tattered and torn. When Anna comes home with a young goat, a reward for her hard work, Tobit thinks she has stolen it. In desperation, he asks God to grant him a quick death. Anna looks on in bewilderment.

Rembrandt was just twenty years old when he painted this small but impressive panel. His characteristic use of light and dark is not yet fully developed, but the onset is visible. Even in this early work, he has already developed the ability to portray deep human feelings, enabling observers to identify with Tobit’s suffering and with Anna’s anger at his wrongful accusation.

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EXHIBITION

Musical Company Rembrandt van Rijn, 1626 Oil on panel, 63.5cm (H) × 48cm (W) What the artist intended to express in this intriguing painting is not precisely known. The image has been interpreted as a warning to praise God with singing and music-making, and also as a risqué scene of seduction. The gaudy clothing and red shoes of the young lady are of questionable taste, and the old woman looks on suspiciously like a procuress. Perhaps the painting contains a warning against immoral conduct, as the painting on the wall behind the figures depicts the Escape from Sodom.

In this early painting, Rembrandt has started to experiment with portraying a multitude of different textures, from textile fabrics to leather, parchment and the wood of musical instruments. The various ways in which the consistency of the paint could be manipulated to achieve these different effects was to fascinate him all his life.

Self-portrait Rembrandt van Rijn, c. 1626 Oil on panel, 22.6cm (H) × 18.7cm (W) The human face fascinated Rembrandt from the beginning and this brought him many lucrative commissions. However, he was never just concerned with achieving a physical likeness, whether of his own face or that of others; he also wanted to capture the sitter’s character and state of mind.

His self-portraits include eighty to ninety paintings, drawings and etchings that give viewers a unique insight into every stage of his emotional life. Painting these works in

constant succession helped advance his career and shape his public image.

This self-portrait, at the age of about twenty-two, is dark and secretive. As inexperienced as he is, the young artist does not shy away from experimenting. Here, the light is cast over his right cheek while the rest of his face is enveloped in shadow.

It takes a moment to realise that his eyes, almost obscured in shadow, peer out at the viewer. Rembrandt accentuated the curls of his tousled hair by drawing into the wet paint with the pointed end of the brush handle.

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Portrait of Haesje Jacobsdr van Cleyburg Rembrandt van Rijn, 1634, Oil on panel, 68.6cm (H) × 53.4cm (W) Haesje van Cleyburg, the wife of a wealthy Rotterdam beer brewer, is fashionably yet conservatively dressed. Rembrandt’s ability to capture a likeness and a sense of the sitter’s character set him apart from many of his contemporaries. His portrayal of older people, in particular, was always disarmingly accurate.

In this portrait, he doesn’t try to depict Haesje as more beautiful than she actually was; her bushy eyebrows, shadows under her eyes, wrinkles and grey hair are all portrayed with painstaking realism. With its loose application of paint, this work shows the painter’s acute observation and imaginative insight into the mood and the personality of the sitter. The faint smile that plays across her slightly parted lips is what makes the portrait so appealing.

This is a typical portrait from the period when Rembrandt was achieving great commercial success. The oval format was fashionable in Amsterdam at that time.

Landscape with a Stone Bridge Rembrandt van Rijn, 1638 Oil on panel, 25cm (H) × 42.5cm (W) × 5.5cm (D) Rembrandt painted very few landscapes, and when he did they contained mostly imaginary scenes inspired by his time walking through the countryside. Although this work is composed of elements studied from reality, it probably does not represent a specific place.

This is the only time that he painted such a typically Dutch landscape. The painting’s magical quality is due to the contrast between the dark clouds and the bright rays of sunlight breaking through. Rembrandt emphasised this effect by giving the darker portions of the composition only a thin layer of paint, while the lighter sections are thickly painted.

His evident appreciation for the outdoors is not surprising, as he famously advised artists to ‘choose only one master – nature’.

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EXHIBITION

Militia Company of District II under the Command of Captain Frans Banninck Cocq Known as ‘The Night Watch’, Rembrandt van Rijn, 1642 Oil on canvas, 379.5cm (H) × 453.5cm (W); weight 337kg Rembrandt’s largest and most famous canvas was made for the Arquebusiers’ Guildhall.

This was one of several halls of Amsterdam’s civic guard or town watch, a defensive military support system for the local authority. Its officers were wealthy citizens appointed by the city magistrates; other members were

drawn from a range of occupations. In theory, everyone was obliged to serve, but in practice, membership was limited to citizens with the financial means to purchase their own arms and the physical ability to engage in regular military exercises. In return, membership gave civic status and a sense of accomplishment.

Some companies commissioned portraits of the present membership to decorate the walls of their headquarters. Most of these portraits arranged the sitters with the men standing to attention or seated around the table in statuesque poses. What distinguishes Rembrandt’s portrait from others is the

dramatic action of the guardsmen, with the captain and the lieutenant sweeping forward in a march towards the viewer while the other figures get into formation. The use of chiaroscuro and deep space add to the dramatic effect and animate the scene.

In 1715, the painting was moved to the Amsterdam Town Hall and appears to have been trimmed on all four sides, presumably to fit between two columns. This resulted in the loss of two characters on the left side, the top of the arch, the balustrade and the edge of the step. Rembrandt had used this balustrade and step as key visual tools to lend a sense of forward motion to the painting. The original composition can be seen in a copy of the painting by Gerrit Lundens (1622–1683) at the National Gallery, London.

The masterpiece has been on display at the Rijksmuseum since 1808 when the gallery was specifically designed to showcase it. It was removed temporarily during World War II, along with other important artworks, and stored in a secret bunker in a village outside Amsterdam.

This prevented Dutch collections from falling into the hands of the German occupiers who, under the reign of art-loving Hitler, were instructed to loot artworks throughout Europe.

In July 2019, the Rijksmuseum launched a major research and restoration project of the painting, which has been placed inside a specially designed glass chamber so that it can still be viewed while being restored. The restoration can also be viewed online.

‘Unlike many of his peers who travelled to Italy to further their artistic training, Rembrandt never left the Dutch Republic during his lifetime’ breach of promise. As a result, she was awarded a yearly alimony, which added to his financial difficulties.

His artistic output was affected by his complex personal life, and over the next few years he produced very little work. In 1647, he hired Hendrickje Stoffels, a woman twenty years his junior, to be his housekeeper.

Two years later they began a relationship and lived as common-law husband and wife for the remainder of their lives. Of course, had they married, Rembrandt would have lost access to the trust set up for Titus in Saskia’s will. But even with the security of this trust, he continued to have financial problems, which eventually led to bankruptcy and the loss of his house.

It was a rule of the Amsterdam painter’s guild that no one in Rembrandt’s financial situation could trade as a painter. To overcome this obstacle, Hendrickje and Titus established a business partnership as art dealers and took Rembrandt on as an employee.

Through this business, he fulfilled major commissions for individual portraits, group portraits and other works. Despite all the difficulties he faced, this was his most prolific and creative period, during which he produced one masterpiece after another.

Hendrickje died during a plague epidemic in 1663, and in 1668, as the plague swept through the Netherlands again, Rembrandt lost his beloved son and ANTHOLOGY AUTUMN 2019 33

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Portrait of Dr Ephraïm Bueno Rembrandt van Rijn, 1645–1647 Oil on panel, 19cm (H) × 15cm (W) × 6cm (D) In the 1640s, Rembrandt painted very few portraits. Commissions that he evidently still accepted were given to pupils or assistants to execute, either wholly or in part. In 1647 he painted this oil sketch of Dr Ephraïm Bueno, who lived on the same street as the artist, as a preparatory study for an etched portrait.

Bueno came from a prominent Jewish family of doctors in Amsterdam and would have belonged to the same literary circles as Rembrandt’s friends. What is unusual about this study is that Rembrandt generally drafted his portraits straight onto the printing plate.

However, this small sketch suggests that perhaps he did not know the sitter very well and needed it as a memory aid.

Rembrandt’s Son Titus in a Monk’s Habit Rembrandt van Rijn, 1660 Oil on canvas, 79.5cm (H) × 67.7cm (W) This is a stunningly beautiful and touching portrait of Rembrandt’s nineteen-year-old son, Titus, dressed as a Franciscan monk. He is cloaked in a brown habit and cowl and set against a dark brown and green backdrop.

His serene, pale face is isolated, making it the focus of the viewer’s attention. His head is tilted and his eyes are downcast, lending him an air of quiet introspection. A barely visible smile plays on his lips, and it is this smile that makes the picture so mysterious.

The painting portrays not just the young man’s physical appearance but also his thoughts and emotions. Every brushstroke appears to depict the artist’s love for his son, who died eight years later at the age of twenty-seven.

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EXHIBITION

The Sampling Officials of the Amsterdam Drapers’ Guild Known as ‘The Syndics’, Rembrandt van Rijn, 1662 Oil on canvas, 191.5cm (H) × 279cm (W) This important guild was a group of officials appointed by the Mayor of Amsterdam to regulate the quality of cloth sold in the city. They held their meetings, in private, in a building known as the Staalhof (Hall of the Drapers Guild), where the painting was displayed after its completion.

In Rembrandt’s time, group portraits were

generally painted according to a very formal and fixed format. Civic associations preferred an image of austerity and humility, its members posing in dark clothing and usually wearing hats while the servants remained hatless. The great problem with this style of composition was that the group appeared very static, especially as the men dressed almost identically.

Rembrandt follows the accepted model but adapted it to his own vision, infusing the sitters with individual personalities while binding them into a cohesive group. Another obvious change is the low viewpoint: he

took into consideration the intention of the patrons to place the portrait high over a fireplace. In contrast to the chiaroscuro of his earlier group portraits, the lighting is relatively even and bright. The glowing colour of the rug on the table substitutes for this by providing a compositional focus that draws the viewer towards the sitters.

The painting also stands out for its exceptionally large format and more than life-sized figures, all of them engaging with the viewer, one figure even rising from his chair as if to acknowledge our presence.

‘His wife enhanced his career by bringing him into contact with prominent members of society who eagerly commissioned portraits’ assistant Titus, aged only twenty-seven. Heartbroken, Rembrandt died one year later, on 4th October 1669, and was buried a pauper.

In 2019, the Rijksmuseum in Amsterdam, renowned for its collection of Rembrandt’s masterpieces, is honouring him with prestigious exhibitions. The year-long celebration opened with an exhibition showing, for the first time, all twenty-two paintings, sixty drawings and over 300 of the artist’s prints in its collection. The cele-

brations will end with Rembrandt-Velázquez, Dutch and Spanish Masters (11 October 2019 to 19 January 2020), an exhibition of masterpieces by Rembrandt and his contemporaries on loan from museums such as Museo Nacional del Prado in Madrid. However, throughout the year, visitors to the museum can also enjoy the daily Rembrandt tour, which gives a fascinating insight into his life and work. There is a selection from the museum’s permanent collection, included in the tour.

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Isaac and Rebecca Known as ‘The Jewish Bride’ Rembrandt van Rijn, c. 1665–c. 1669 Oil on canvas, 121.5cm (H) × 166.5cm (W) This is one of Rembrandt’s late works and one of his most beautiful. With its superb harmony of reds, golds and warm browns, it also exemplifies the artist’s genius for expressing human emotion. He left the work unnamed, and the identification of the subjects has sparked a great deal of debate.

It was named ‘The Jewish Bride’ in the early nineteenth century by an Amsterdam art collector who identified the figures as that of a Jewish father bestowing a necklace on his daughter on her wedding day. This title is almost certainly a misnomer as the costumes are not those normally worn by Jews in Holland in Rembrandt’s time.

It is now thought that the painting represents the Old Testament scene of Isaac and Rebecca being spied on by Abimelech. A preparatory drawing shows a man looking down

on the couple, which supports the theory.

To prevent being killed and having his wife captured by King Abimelech, Isaac concealed his love for Rebecca by pretending they were brother and sister. However, their intimacy betrayed them when they thought they were not being spied on. Rembrandt depicts them in a tender moment.

Towards the end of his career, Rembrandt painted mostly on large canvases that contained one or two figures depicted in thick loose brushwork. This painting is an example of the ageing artist at his finest. He works with exceptional freedom, applying the paint with an almost sculptural quality, thinly in some areas and thickly in others. The heavier impastos used in his later period were modified by thin glazes of colour, creating special illusory effects. The visible heavy slashes of paint that create the texture of the folds of the woman’s skirt and the small, square brushstrokes that form the man’s golden sleeve are fine examples of this technique.

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PHOTO: HANS ROGGEN

MUSIC

The Royal

A must for classical music lovers

Concertgebouw WORDS OONAGH KEOGH

T

his magnificent concert hall in Amsterdam has been at the

over Europe who had auditioned and won a place to take part in a

forefront of cultural life in the city since its completion in

two-week residential course, followed by performances in a series

1888. Its architect, Adolf Leonard van Gendt, was inspired

of concerts.

by the Gewandhaus in Leipzig, built two years earlier (though sadly

The programme we heard included Tchaikovsky Symphony No. 5, as well as Mendelssohn’s Violin Concerto in E minor performed

destroyed in 1943).

In the late nineteenth century, acoustics were not highly devel-

by Julian Rachlin and conducted by Pablo Heras-Casado. It was full

oped, so designers drew on auditoriums that

of fire and virtuosity, and the performers re-

had worked in the past without entirely under-

ceived rapturous applause and a standing ova-

standing the science of it all. Whatever they did

tion from the packed hall. It was hard to believe

was certainly successful, as it is still considered

the young age of the musicians, and we were

to be one of the top six concert halls in the

very proud indeed that two of them – Aoibhin,

world, more than holding its own acoustically

a cellist and Eve, a violinist – were Irish.

The hall not only hosts orchestral and

with the more scientifically designed concert

operatic performances, but also jazz and world

halls that came after it.

music, and from September to June free

During our visit to Amsterdam we attended a concert given by RCO Young, a new European

lunchtime concerts are held on Wednesdays at

youth orchestra run by the Royal Concertge-

12.30pm.

bouw Orchestra, the world-famous orchestra that makes its home at the hall. RCO Young included musicians between the ages of fourteen and seventeen from twenty-seven countries all

Irish musicians Eve Quigley and Aoibhin Keogh Daly, who performed with the RCO Young orchestra

The full programme of events can be found on the website and concerts can be booked online up to an hour before the concert begins. www.concertgebouw.nl/en/ ANTHOLOGY AUTUMN 2019 37

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Exploring the world’s largest collection of works by Vincent van Gogh at the Van Gogh Museum in Amsterdam WORDS EDEL CASSIDY

VAN GOGH’S

World M

ystery and intrigue have always surrounded the life and works of Vincent van Gogh, and our fascination with the artist continues to grow the more we know about him. His sad story has been portrayed through countless books, plays, documentaries, films and songs while his paintings appear on every type of merchandise conceivable. Nowadays, everyone has heard of Van Gogh. But it wasn’t always like that.

During his lifetime, Van Gogh sold very few paintings. He needed some kind of income, so in exchange for a monthly allowance, Vincent’s brother Theo, an art dealer, became the owner of all his paintings and drawings. When Vincent died in July 1890, Theo was determined to make his brother’s work known, but he died himself just six months later. It was Theo’s wife, Johanna

van Gogh-Bonger, who wrote Vincent’s first biography and it is she who is also largely responsible for keeping his memory alive. Following her death in 1925, her son, Vincent Willem van Gogh, assumed responsibility for his uncle’s works. In 1962, he reached an agreement with the Kingdom of the Netherlands to transfer control of the family’s entire collection to the Vincent van Gogh Foundation. In return, the state arranged for the Van Gogh Museum to be built, helping to ensure that the collection always remains accessible to the public.

The Van Gogh Museum, Amsterdam, opened its doors in 1973 and houses the largest collection of Van Gogh artefacts in the world. The collection, comprising 205 paintings, 500 drawings and more than 800 letters and other archive material relating to the artist, also features paintings, drawings and statues by Van Gogh’s friends and contemporaries.

More than one million people now visit the Van Gogh Museum annually. Here are just some of the highlights of the collection.

‘Nowadays, everyone has heard of Van Gogh. But it wasn’t always like that’

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EXHIBITION

Self-Portrait with Grey Felt Hat Vincent van Gogh (1853–1890), Paris, September–October 1887. Oil on canvas, 44.5 cm x 37.2 cm. Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation).

To become competent in portraiture, Vincent painted many self-portraits. He wrote to Theo, ‘If I manage to paint the colours of my own face, something which is not without its problems, I can also paint the heads of other men and women.’

This portrait was painted in 1887 when he had been in Paris for almost two years. Inspired by the stylistic innovations of Neo-Impressionism, he adopted elements of the pointillist technique but in a highly individualised way.

His energetic but controlled brushstrokes radiate outwards from the eyes, building up to the blue and orange halo-like aura that surrounds the outline of his head.

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The Potato Eaters Vincent van Gogh (1853–1890), Nuenen, April–May 1885.

Oil on canvas, 82 cm x 114 cm. Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation).

Van Gogh portrays both the harsh reality and the dignity of peasant life in this painting, which was influenced, Vincent told Theo in a letter, by the work of Jean-François Millet: ‘While I was doing it I thought again about what has so rightly been said of Millet’s peasants – ‘“His peasants seem to have been painted with the soil they sow”’.

He painted the figures in earth colours with weathered faces

and bony working hands to show that they ‘have tilled the earth themselves with these hands they are putting in the dish ... that they have thus honestly earned their food’.

The message of the painting was more important to Van Gogh than correct anatomy or technical perfection and he was pleased with the result. But he was disheartened when the work was criticised because the colours were so dark and the figures and features not quite in proportion. It is now one of the artist’s most famous works.

Irises Vincent van Gogh (1853–1890), Saint-Rémy-de-Provence, May 1890. Oil on canvas, 92.7 cm x 73.9 cm. Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation).

Van Gogh painted this still life in the psychiatric hospital in Saint-Rémy. It took a month to dry because it was painted in a thick impasto style, so he couldn’t take it with him when he left the asylum; one of the staff had it sent to him later. Vincent wrote to Theo, ‘The canvases from yonder have arrived.

The irises are thoroughly dry’.

For him, the painting was mainly a study in colour. He set out to achieve a powerful colour contrast. By placing the purple flowers against a yellow background, he made the decorative forms stand out even more strongly. The flowers were originally purple, but as the red pigment faded over time, they have turned blue. Van Gogh made two paintings of this bouquet. In the other version, he contrasted purple and pink with green.

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EXHIBITION

Almond Blossom Vincent van Gogh (1853–1890), Saint-Rémy-de-Provence, February 1890. Oil on canvas, 73.3 cm x 92.4 cm. Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation).

Japanese art was a powerful source of inspiration in Van Gogh’s work and this influence can be seen here. The subject, the bold outlines and the positioning of the tree in the picture bear all the hallmarks of Japanese printmaking.

This painting is of particular significance to the Van Gogh Museum. It was a gift from Vincent to his brother and sisterin-law who had just had a baby son, Vincent Willem (later, the founder of the museum). In the letter announcing the new arrival, Theo wrote: ‘As we told you, we’ll name him after you, and I’m making the wish that he may be as determined and as courageous as you.’

The Bedroom Vincent van Gogh (1853–1890), Arles, October 1888.

Oil on canvas, 72.4 cm x 91.3 cm. Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation).

The artist created three paintings of his bedroom in his beloved Yellow House in Arles. The first version, which now hangs in the Van Gogh Museum in Amsterdam, was painted in 1888 but suffered water damage later that year due to flooding at the house. So he decided to paint a second version in September 1889. Identical in scale but with slight variations from the

original, this painting now belongs to the Art Institute of Chicago’s permanent collection. Three weeks later, he painted a smaller version as a gift for his mother and his sister Willemien; this version is now at the Musée d’Orsay in Paris. While the three paintings are of the same subject, each has distinct and unique details.

One of the public’s favourites, The Bedroom is beautiful in its simplicity and that is exactly what Vincent wanted to portray. Leading a simple, frugal life, without luxury, was very important to him.

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THE PAINTER OF SUNFLOWERS

Sunflowers Vincent van Gogh (1853–1890), Arles, January 1889. Oil on canvas, 95 cm x 73 cm. Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation).

While visiting the Van Gogh Museum recently, Sunflowers, one of the artist’s best-known paintings, was the centrepiece of the summer exhibition Van Gogh and the Sunflowers.

Vincent painted a total of five large canvases with sunflowers in a vase. He wanted to impress his friend Paul Gauguin and hung the first two in his bedroom before he arrived at the Yellow House in Arles in 1888. Gauguin thought the paintings were very successful and felt that they should be Van Gogh’s signature work.

In 1889, Vincent returned to the subject and painted this version, which is part of the permanent collection at the Van Gogh Museum. As it is sensitive to vibration and variations in temperature, the painting is no longer allowed to travel.

As part of the Sunflowers exhibition, the museum displayed a collage of work by artists worldwide who have been inspired by this iconic painting. What I found most interesting was that the artists had not simply copied the masterpiece but interpreted it in their own way.

Some of the great artists whose work was displayed in this collage are David Hockney, Egon Schiele, Emil Nolde, Banksy, Edvard Munch and Paul Gauguin.

Irish artist John Nolan, who is a great admirer of Van Gogh and has been inspired by the artist for many years, was honoured to have his work selected as part of the collage.

A powerful colourist, John’s painting, Still Life with Vincent, showcases his exuberant style, combining bold outlines with bright exotic colours.

READERS’ COMPETITION To win a limited-edition hand-finished artist’s proof of John Nolan’s Still Life with Vincent, send the answer to this question to info@anthology-mazagine.com. Please include your name, email address and telephone number.

Q. At what museum was John Nolan’s Still Life with Vincent exhibited this summer?

Competition closes on Thursday 12 December 2019. The winner will be notified the following week and details will be announced on our social media platforms.

Three runners-up will receive a selection of greeting cards of John Nolan’s original artworks.

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NEWLY DESIGNED ABERDEEN BAR & RESTAURANT Special Offer

Standard Twin or Double Room B&B from €99 (€175 for 2 nights)

Nominated in Hotel & Catering Gold Medal Awards Best Four Star Hotel

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Telephone: +353 (0) 65 7081100 info@lahinchcoasthotel.ie Web: www.lahinchcoasthotel.ie

22/09/2019 19:02

NOT ALL PAINT

Is Created Equal!

What paint to use on which surface – a guide WORDS LOUISE HIGGINS

Painting tired rooms is an excellent way to give your home a makeover. Choosing the paint colour alone can be a daunting experience, but there’s another key element to consider when choosing the correct blend and finish – the surface that you’re painting.

What should you use on a radiator or a skirting board? When should you use gloss, satin or eggshell?

Here’s a little insight into paint finishes to help demystify them and aid the decision process.

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INTERIORS

Interior Walls and Ceilings These will be the largest areas to be painted and emulsion is the popular choice for these surfaces, but then you’ve got to decide on a finish.

Ultra-flat matt paint with a slightly chalky finish has been the trend with many homeowners in recent years, as it helps to hide imperfections in the walls and has great depth of colour. However, this finish will appear differently in natural and artificial light, so it’s really important to test your chosen colour in your room to ensure you’re happy with the colour as the light changes throughout the day. Also, beware – it’s not washable!

For high-traffic areas, such as a hallway or kitchen, or rooms that will be used by children and pets, go for paint with a three to seven per cent soft sheen because it will be easier to clean. If you just love the look of a matt finish, then consider a more durable stain-resistant finish such as ceramic matt, which gives a flat matt finish that is silky smooth yet washable.

Bathrooms tend to require a higher sheen level, as flat matt finishes tend to show watermarks and stains. Moisture and mould-resistant paints are options to consider for a busy bathroom. Semi-gloss paint stands up best to water and cleaning and, therefore, is a good choice for bathrooms, playrooms and children’s bedrooms.

To create a fun feature in a child’s bedroom or playroom, you could use chalkboard paint so that toddlers can express their creativity without getting into trouble. Magnetic primer can be used under the chalkboard paint for a doubly useful fun surface.

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Exterior Walls Outdoor concrete absorbs moisture from the ground, so it requires special masonry paint that will contract and expand with the surface.

It needs to be resistant against good and bad weather. Opt for a paint that is mildew- and mould-resistant.

Wood Surfaces Emulsion is not suitable for wood as it chips off easily. Instead, you need to use a wood paint, which essentially means gloss, satin or eggshell. Most paint companies supply their range of colours in various finishes. So, for example, if you have chosen an emulsion paint for the walls and want to match a radiator cover, you can simply opt for a gloss, satin or eggshell finish (depending on the level of sheen you prefer) in the same colour.

Eggshell tends to have a discreet low sheen to create a calm, classical look while gloss finishes have a high sheen value, which adds energy to a space.

Radiators Again the best option will be a gloss, satin or eggshell finish, depending on the sheen level desired. Gloss paint can be a good choice as it is exceptionally hard-wearing and easy to clean. Gloss paints can have an eighty to ninety per cent sheen level, while an eggshell water-based alkyd for metal can have a twenty-five per cent sheen.

Floors The advantage of water-based paint is that it has a relatively low odour and dries very quickly, important considerations when decorating a house you already live in. But oil-based paint is much more durable and stands up better to foot traffic, abrasions and spills.

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INTERIORS

Furniture Today there is a huge emphasis on the environment, and upcycling and repurposing items is quite popular, offering great opportunities to experiment with creative paint finishes. As already mentioned, eggshell, satin and gloss finishes can be used on all wood surfaces.

But for something a little different, try some alternative specialist paint finishes, depending on the look and style to be achieved. Some trending paint finishes include chalky paint, metallic detail, distressed finish, stencilling and spray paint.

Mismatched older furniture can be unified by using one paint colour to create a cohesive scheme.

Alternatively, if you love to embrace bold colours, then a splash of bright colour on a statement piece of furniture can brighten a room and create a stunning focal point.

Top Tip Primers can make or break a decorating project. It’s important to have the relevant primer for the chosen paint to achieve a hard-wearing finish.

Fun Tip Mixing textures in the same colour can be fun. Consider adding high sheen stripes or a geometric pattern to a matt wall for an experimental textured look.

Louise Higgins, founder of Perfect Headboards and Aspire Design, is an award-winning designer and a graduate of the Interior Design Academy of Ireland.

Louise is a full member of the Interiors Association and is also a member of the Crafts Council of Ireland.

For further advice, contact Louise at 045-982265 or louise@aspiredesign.ie.

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CURATOR An Irish paint manufacturer’s new and unique colour collection, Curator, is inspired by Ireland’s design community

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INTERIORS

P

assionate about paint and committed to being at the cutting edge of paint technology, the General Paints Group was established by Ronan O’Connor in 1953. Still family-run, the company, based at Celbridge in Co. Kildare, is now headed by Ronan’s son Kevin. True trail-blazers of the paint industry in Ireland, they were first to introduce acrylic paint technology to the country and the first to bring in advancements in pigment and tinting techniques. They also manufacture the very popular Colourtrend range.

Curator, their new designer paint brand, is a unique paint collection of vibrant and whimsical colours created in collaboration with some of Ireland’s finest designers. It consists of 144 curated paint colours, inspired by twenty-nine Irish designers, available in five stunning finishes.

Creating the Curator collection involved three years of research and travelling throughout Ireland to collaborate with Irish artisans – from potters and milliners to jewellers. Colours were identified from their designs to produce a carefully curated original palette, each colour telling a tale of Irish culture and inspiration.

‘Brushed Gold’ is inspired by goldsmith Niamh Utsch’s collection, which consists of handcrafted rings, bracelets, necklaces, cufflinks, bangles, brooches and earrings.

‘Running Tide’ is based on Carol Cronin’s seascape paintings that capture the power and ever-changing moods of the Atlantic Ocean and the rugged West Kerry coast.

Elaine Tomlin found inspiration on the forest floors of Wicklow for ‘Woodland Light’. This illuminating tone can be found in her beautiful paintings.

A luminescent brown-black, ‘Ancient Black’ lives in the layers of Ronnie Graham’s sculptures, which are made from 5,000-year-old bog oak.

Curator paint, which has recently enjoyed a successful launch in the United States, is environmentally friendly, water-based, low odour, easily washed and suitable for every room in the house.

The five finishes include Enhanced Matt, a luxuriously soft, washable finish for interior walls; Subtle Sheen, an elegant interior wall finish with a beautiful sheen; and Gloss, Satin and Eggshell, three sheen finishes for wood and metal.

Curator is available in Colourtrend showrooms and select stockists nationwide.

Prices range from €32 for 1L to €99 for 5L.

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Jackie Tyrrell Design interior interior architecture ¡. interior design ¡. graphic design

Forall allyour your Commercial commercial and residential interior For & Residential interiorneeds, needs including Design Spaceplanning, planning, including design&& Build, build, space Branding, Sourcing, Soft furnishings & Project management branding, sourcing, soft furnishings, and project management w: www.jtd.ie

e: jackie@jtd.ie

m: 086 277 87 96

MAIN STREET, KILBEGGAN, CO. WESTMEATH, IRELAND, N91 FNK1

T: +353 57 93 32167 / +353 57 93 33946 F: +353 57 93 32978 I E: eganstoneworks@eircom.net / eganstoneworks@gmail.com

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22/09/2019 20:08

STOCKIST OF FARROW & BALL PAINT & WALLPAPER

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Buckleys Fireplaces

The perfect fit for your home For over thirty years, the Buckley family has held the tradition of producing quality fireplaces with outstanding workmanship and skill from their factory in Dublin.

All their fireplaces are made by traditional stone masons working with natural stone, granite, limestone and marble to produce the very finest in mantels, fireplaces and chimney pieces.

Buckleys also supply and install the very best quality gas, electric and solid fuel inserts. To arrange a survey and have your fireplace installed visit the showroom or call +353 1 294 6865. http://buckleyfireplaces.ie

ZINZAN

Add a little energy to your colour scheme If you are lover of all things bright and beautiful, ZINZAN is the perfect place to find gorgeous quirky and colourful chairs to make a statement in your home! Vibrant colours can evoke feelings of optimism, energy and happiness.

ZINZAN is a 100% Irish-owned and operated online furniture store with a strong focus on quality and a love of unusual, eye-catching designs, both contemporary and traditional.

Their mission is to set the trend in replica and original designs, providing everyone with the opportunity to create homes with an edge.

The ZINZAN team is constantly searching for fun and creative designs to add to their range, offering inspiration to help you create a décor that reflects your personality. www.zinzan.ie I Nationwide Delivery

The Irish Design Gallery The Irish Design Gallery is located in the historic 158-year-old Harbour Master’s House, now known as Moran Park House, at the seafront in Dun Laoghaire (beside the Lexicon Library).

It was in this setting that the first live wireless report was made on July 1898 when Marconi transmitted a commentary on the regatta of the Royal St George Yacht Club.

The gallery was opened by Sinéad Buckley Quinn in 2016 and showcases the work of local designers, artists and photographers. Featuring the work of over forty-five designers, there is sure to be something for everyone, from Dalkey handmade soaps at €5 to a Vincent Devine painting for €5,000 and everything in between – jewellery, scarves, bags, wood, ceramics books and textiles. Open seven days a week from 11am–5pm, with late night opening during December. Dogs (small/medium) welcome. Wheelchair and buggy friendly too! +353 1 663 9924 I www.irishdesigngallery.ie

Mylestone Interiors - A focus on lighting Lighting can make a big difference in enhancing the mood and ambience of the home.

Mylestone Interiors recently launched website offers an extensive range of traditional and contemporary lighting. It is also the go-to resource for classic and chic modern furniture and accessories. Browse the collection of upscale, stylish home lighting and furnishings for home delivery at unbeatable prices.

Mylestone Interiors flagship store in East Avenue Road, Killarney, is a popular destination for fine home goods where you will find design inspiration for every room in your home. The new website offers an even wider variety to customers who are looking for home decorating inspiration. www.mylestoneinteriors.ie

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e: info@aspiredesign.ie

I

t: 086 3999926 / 045 98226

www.aspiredesign.ie Louise Higgins Aspire Design Studio, Firmount, Clane, Co. Kildare, W91 R903

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CAROL CRONIN SEASCAPES The Carol Cronin Gallery, Upper Green Street, Dingle, Co. Kerry Tel: 086 103 1074 www.carolcronin.com

Facebook.com/IrishDesignGallery

@IRDesignGallery irishdesigngallery

where Irish-made treasures are found... t)

W www.irishdesigngallery.ie

Moran Park House (beside dlr Library), Queens Road, Dún Laoghaire Open Daily 11.00AM - 5.00PM

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From the Preservation Series, oil on canvas, 80 x 80cms

DEBORAH JOYCE The visually arresting and emotional paintings created by Deborah Joyce are all about natural rhythms, movement and energy. Her inspiration is derived from the ever-changing aspects of nature, which are known to improve vitality and mood. She works across all disciplines of art and design, including interior design. Her innovative works are known for their power, vibrancy and natural verve.

Her work is available at The Boathouse Gallery in Kinsale, Cleo Gallery in Kenmare, Castlemartyr Gallery in Cork, Caffreys Gallery in Ballina, and Solas Gallery in Louisburgh.

Limited editions are available from The Top Drawer and Pantry, Achill Island, and on the artist’s website.

New work at Dublin Art Source, RDS, 15 - 17 November, Stand J126

+353 85 858 7848

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deborahjoyce100@gmail.com

https://deborahjoyce.art

22/09/2019 20:28

Best known for her contemporary art inspired by the beautiful Inishowen Peninsula, award-winning artist Sharon McDaid works primarily in oil on canvas. She exhibits and works from her own private gallery/studio, The Silver Birch in Carndonagh, North Inishowen. The gallery houses three spacious exhibition rooms that carry a body of original oils, mixed media artworks and a large collection of limited edition Giclee prints. Visitors to the gallery have the opportunity to meet Sharon while she works on her latest collections. The gallery also provides a bespoke framing and canvas reproduction service.

Malin Road, Carndonagh Co. Donegal

Located on the stunning Wild Atlantic Way outside Carndonogh en route to Ireland’s most northerly point, Malin Head.

+353-74-9373082 I sharon@sharonmcdaid.com I www.sharonmcdaid.com

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ART

+

DESIGN

John Nolan 2019 T

he celebration of colour and form have preoccupied Dublin artist John Nolan from an early age, his talent nurtured by the encouragement and instruction received from his father, who was an artist himself.

John explores colour through his stylised, contemporary and abstract styles, his paintings transmitting a positive, upbeat feeling. He moves from one style to another, keeping his work fresh, and allows one painting to mature in his mind while working on another in a different style. His mantra is ‘Paint what you feel, not what you see’.

John’s work is valued and acclaimed all over the world. He has represented Ireland at The Biennale Internazionale dell’Arte Contemporanea, also known as the Florence Biennale. In 2008 John started a series of stylised paintings, under the title Paying Homage, that pay homage to the great masters. Homage to Vincent Van Gogh, one of the paintings in this series, recently came to the attention of the Van Gogh Museum in Amsterdam, who invited him to exhibit at their summer exhibition, Van Gogh and the Sunflowers. This has been a huge honour for John as his work was exhibited alongside many of the great masters who were inspired by Van Gogh’s Sunflowers.

Earlier this year, a selection of John’s work was purchased for the AmaMagna, the largest luxury river cruise ship in the world, which was launched on the Danube in July.

Despite his phenomenal success, John has remained an unassuming individual. In addition to painting, he teaches adult painting classes and participates in special projects at several elementary schools in Dublin. For John, art is a visual language, an important means of communication.

For more information on original works, prints and greeting cards visit: www.nolanart.com Tel: 086 8118063 Email: john@nolanart.com

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Jennifer Hart W

ith a combined background in textile studies and interior design, Hart’s arresting paintings demonstrate a richness of abstract versatility. Her work embodies figurative, landscape and still-life images as she translates her observations of the world around her into pure colour and spontaneous realism.

Her large imposing canvases draw the viewer in with their majesty as they beam hues of pinks and purples across city, land and seascapes. Sunset Over the Bay (2019), one of her latest works, eschews any strict descriptive method of painting and instead presents us with surreal expressionism. An expanse of purple occupies the surrounding view of the landscape, directing the line of sight to the centre, revealing spots of light and colour.

Jennifer holds a BA in Fashion Textile Design and a BA in Interior Design. She has exhibited widely in Ireland, the US and the UK. She exhibits each Sunday at the People’s Park, Dún Laoghaire, and regularly at the People’s Art, Stephen’s Green.

T: +353 87-8288877 I E: jenniferhartdesigns@gmail.com I https://www.facebook.com/jenniferhartpaintings/

Sculptural Ceramics at

Louis Mulcahy P otadóireacht na Caolóige near Clogher Beach in Dingle, Co. Kerry, is where you’ll find Louis Mulcahy Workshop and Pottery Showrooms. This is where Louis has been making pots since he founded his workshop in 1975 with his wife Lisbeth.

Recently Louis has dedicated his time to creating a number of one-off sculptural pieces, including ceramic roosters that are hand-built and moulded, masks that have individual characteristics, life-size druids that sit out in the garden, and ceramic boats known as ‘naomhógs’ or currachs. His vision when he started his workshop was to produce the most aesthetically pleasing and technically accomplished pottery possible and to leave an indelible print on the history of Irish handicraft.

Now that he has achieved this, it’s time to turn his talent and energy to his new ventures.

Louis’ new work, along with his full range of pottery and hand-painted lampshades, can be seen at his showroom on the scenic Slea Head Drive. Open 7 days a week. www.louismulcahy.com

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ART

+

DESIGN

Jean Lowndes L

+353 86 8154805 lowndes4_j@hotmail.com https://jeanlowndesart.ie

ayers of brilliant primary colours, mixed and merged, adding depth and texture to the canvas, are the hallmarks of Jean Lowndes’ work.

Jean spent her childhood on the family farm in north County Dublin and became fascinated with nature as depicted throughout her many paintings of flowers, farm animals, coastal and woodland scenes. Her work is easily recognisable due to her colourful palette, use of the palette knife and thick impasto strokes that create an almost three-dimensional effect, inviting the viewer to engage with the work. Her paintings have been known to evoke an aesthetic and emotional response, with viewers experiencing a feeling of calm and well-being.

Her most recent work features experimental abstract paintings as well as her familiar scenic landscapes. This new collection of work reveals virtuosic handling of colour, with a focus on strong yellows, sky blues, pinks and lively greens. They exude a palpable energy that imparts her passion for art and nature combined. Personal experiences with specific locations inspire her work. Beautiful sunrises and sunsets demonstrate vivid moments experienced by the artist, with sequences of rich pigment imitating sun rays spanning the canvas.

Jean exhibits regularly throughout Ireland. This includes exhibiting frequently at Merrion Square Outdoor Gallery and the Red Stables in Clontarf. She also has work on permanent display at Crafters Kilrane, Co. Wexford and the Little Shop of Treasures, Bray, Co. Wicklow.

Forthcoming shows this year include Art Source, RDS, Dublin, 15–17 November, and Gifted, RDS, Dublin, 4–8 December.

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seasonal

CHIC

Trends this autumn are an eclectic mix of colours and styles, from effortless chic for the busy working woman and sassy styles for the more adventurous to beautifully tailored timeless classics.

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Ralph & Russo

Structured silhouettes with clean, sharp lines and interesting textures with futuristic elements such as metallic silver, crystal embellishments and dashes of bold fuchsia deliver luxurious and elegant sophistication. The collection is versatile and daytime friendly with an elegant edge and unique allure.

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Delpozo

The fashion house marks a new chapter under recently appointed creative director Lutz Huelle with a collection that is a stylish mix of playfulness and elegance. A complete wardrobe for the modern woman, featuring some showstoppers for special occasions that have always been the hallmark of the brand.

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Georges Hobeika

Shrouded in mystery yet surrounded by light, the collection celebrates joyfulness with a stream of head-turning feminine silhouettes. Maison George Hobeika has a reputation for dramatic elements, outstanding craftsmanship and timeless designs that are firm favourites with confident and discerning women.

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Ulyana Sergeenko

Modern and classic, pretty and powerful, Ulyana Sergeenko ups the luxe factor with this ultra-feminine collection. Each piece is sophisticated and chic, but with an emphasis on luxury and comfort. Her autumn collection is a celebration of elegant femininity and glamour.

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Fresh

Irish Design Inspired by a contemporary approach to heritage and craftsmanship WORDS EDEL CASSIDY

Sarah Murphy

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bership spans fashion, accessories, millinery and jewellery, recently showcased their autumn/winter 2019

collections. The show featured collaborations with makers from the Design & Crafts Council of Ireland’s Guilds, Asso-

Niamh Daniels

T

he Council of Irish Fashion Designers, whose mem-

ciations, Networks and Societies (GANS), which resulted in innovative and unique designs.

In this season’s collections there is something for everyone, for every occasion, from weekday to weekend. Edgy streetwear counterpoints sharp, effortless business attire that can rise to the most elegant of occasions. The collections also reflect the considered approach of consumers who seek sustainability through thoughtful design, lasting quality, limited editions and carefully planned production runs.

Hazel Greene Ashleigh Myles

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Aoife Kirwan - milliner & Sara O’Hara - embroidery

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Leonora Ferguson - milliner & Cathy Earle - lace maker

Sara O’Neill

FAO Millinery by Freya Oatway & Linda Smith - crochet

Caroline Mitchell

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Rebecca Marsden

Sewphie by Sophie Murphy

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Michelle Kearns - milliner & Breda Foy - felt maker Clare O’Connor - accessories designer & Paula Rafferty - textile artist

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Sibéal

MUSIC

Irish ‘sean-nós’ singer Sibéal Ní Chasaide releases her self-titled debut album

PHOTO: RAINER HOSCH

WORDS DOLORES O ’ DONOGHUE

I

t was a fortuitous moment when celebrated Irish composer Patrick Cassidy heard his young relative, Sibéal Ní Cha-

saide, sing for a gathering in Claremorris, Co. Mayo. Patrick was on one of his regular trips home from his base in Los Angeles for the European premiere of his Famine Remembrance symphony, which had been performed to commemorate the centenary of St Colman’s Church in his native Claremorris earlier that evening. So taken was he with the pure quality of her voice and her authentic ‘sean-nós’ style that he knew he had to work with her.

A perfect opportunity arose when the composer was commissioned to write the score for 1916: The Irish Rebellion, a docu-

al impact on viewers.

It came as no surprise, then, that the

Sibéal is a native Irish speaker from the Ráth Cairn Gaeltacht in County Meath.

mentary series, narrated by Liam Neeson,

young star was offered a major label record

Patrick attended an all Irish-speaking

telling the story of the events that took

deal. But Sibéal decided to focus on her

school and was responsible for composing

place in Dublin during Easter Week 1916.

academic studies first – she has just com-

The Children of Lir, the first major sym-

pleted her first year in physiotherapy at

phonic work written in the Irish language.

admirer of Patrick Pearse, decided to set

University College Dublin. Her debut album

It is heartening to witness the successful

the words of the revolutionary’s poem

has now been released to wide acclaim.

collaboration between these two creatives

Patrick, who has always been a great

‘Mise Éire’ to music specifically to suit

What is unique about this first album is

Sibéal’s voice. When the young singer

that the majority of the songs are in Irish,

performed the composition live at the

and it has brought the tradition of ‘sean-

Centenary Concert it had a huge emotion-

nós’ singing to a whole new audience.

who are playing their part in preserving our unique Irish traditions.

Sibéal was produced by Patrick Cassidy and released by Universal Music Ireland.

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OLIVIER THEYSKENS: I N P RA ES E N T I A

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EXHIBITION

The Museum of Lace and Fashion celebrates its tenth anniversary by exhibiting the work of celebrated designer Olivier Theyskens WORDS DOLORES O ’ DONOGHUE PHOTOS JULIEN CL AESSENS AND THOMAS DESCHAMPS

E

stablished in 2009, the Museum of Lace and Fashion showcases the famous Calais hand-made and mechanical lace. It is located in what was the site of the Boulart factory in Calais, which manufactured lace from the 1870s to 2000. To celebrate the occasion of its tenth anniversary, the museum is featuring the Belgian designer Olivier Theyskens.

As a young and unknown designer, twenty-year-old Theyskens attracted international attention when, following his first Parisian fashion show in 1998, Madonna wore one of his designs to the Oscars.

Dubbed the ‘Gothic prince’ of fashion, his aesthetic of dark romanticism is reflected in his dramatic silhouettes that are often created in black, a colour he manipulates by layering various textures, especially lace.

His reputation has grown inexorably throughout a career that has seen him embark on numerous creative adventures, not only under his own brand name but also that of the historic Paris houses of Rochas and Nina Ricci, and the American ready-to-wear label Theory.

The exhibition demonstrates the important relationship between textile manufacturing and fashion design. Through an exquisite display of Theyskens’ contemporary designs alongside historic textiles, garments and machinery, furniture and tools from the museum’s collection, visitors are invited to learn about the centuries-old lace industry.

Unique pieces from the museum’s historical collection

Olivier Theyskens, Autumn/Winter 2000-2001

In Praesentia was curated by Lydia Kamitsis, fashion historian, author and freelance curator, and will run at the Museum of Lace and Fashion (Cité de la Dentelle et de la Mode), Calais, until 5 January 2020.

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Olivier Theyskens, Autumn/Winter 2001-2002

Olivier Theyskens, Autumn/Winter 2001-2002

Olivier Theyskens, Spring/Summer 1999

Olivier Theyskens, Spring 2000

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Olivier Theyskens, Spring 2017

EXHIBITION

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Olivier Theyskens, Autumn/Winter 2000-2001

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EXHIBITION

Historic textiles, garments, furniture and tools from the museum’s collection

Dress with trimmings, 1875, Collection Cité Dentelle Mode

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Corset in cotton twill, 1900, Collection Cité Dentelle Mode

23/09/2019 12:01

GERARD BYRNE: MODERN IRISH IMPRESSIONIST

In conversation with Edel Cassidy, Gerard discusses how he made a career change from electrician to artist, his exhibition this year in Singapore and his hopes for the future.

WORDS EDEL CASSIDY

A

n avid plein-air painter, Gerard Byrne can often be found setting up his easel to capture urban landscapes in his native Dublin City. When the weather is not favourable to outdoor painting, he works from his elegant gallery in the heart of Ranelagh Village, Dublin, which he established in 2017. Here, visitors get a unique opportunity to experience a contemporary gallery space and to see close up the artist’s creative process and work.

I believe you have some exciting news to share with our readers about an exhibition in Singapore this year.

Last summer I staged an exhibition of my botanical work, Inside Outside and Beyond, in the National Botanic Gardens, Dublin, in conjunction with the Office of Public Works. It was a great success, with over 3,500 visitors over three weeks, and one of those visitors happened to be the newly appointed Irish Ambassador to Singapore, Pat Bourne. He immediately took a great

ABOVE: Gerard Byrne at work in his

studio. Photo: Andrew Roach.

OPPOSITE: It’s Not You. It’s Me. Oil on canvas, 79 x 119cm

interest in my work and, as a result, one of my paintings now hangs proudly in the Irish Embassy in Singapore.

The ambassador, along with Dr Nigel Taylor, the director of Singapore Botanic Gardens, invited me to take up residence this year for one month as part of the commemorative celebration of the Gardens’ 160th anniversary.

My residency culminates in an exhibition, Botanical Fusion, which will include my botanical paintings from Ireland, Kew Gardens, and my new Singaporean collection. It will run for ten weeks at the People’s Gallery, Singapore Botanic Gardens, from 1st September to 10th November 2019.

As your work is generally quite large scale, is it a major operation to have the paintings transported?

It’s not easy to transport large-scale paintings. Special shipping crates complying with Singapore import regulations had to be manufactured. It’s a logistical nightmare, hoping all the artwork will arrive on time and in one piece. It’s especially tricky with paintings that are framed behind glass. Due to size restrictions, even the initial selection of paintings for the exhibition was not easy.

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PORTRAIT

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Life is A Dream.

Oil on canvas, 100 x 150cm

You have developed a very recognisable style. Did you go through many changes before finding this style?

My style developed naturally over time. I’m a self-taught artist and my motto in life is ‘practice makes perfect’, therefore I keep practising painting every day if I can. I don’t think my style has changed much, but it has improved and I feel it continues to develop.

I do like a challenge and would get bored painting the same subjects repeatedly. So my subject varies from street scenes, to still life, to figurative and industrial pieces. I like to think ‘I have many strings to my bow’.

You have produced some very beautiful botanical works. Do you like working ‘en plein air’? Is there any particular location where you prefer to work?

I love getting out of my studio and braving the elements. When I paint outdoors I capture not only what I see but also the energy of my surroundings. This ‘hidden ingredient’ is something that can’t be achieved when working from photographs. It also gives me an opportunity to meet people – working in a studio can be very isolating.

I grew up near the Botanic Gardens in Glasnevin, and it became an obvious location for me to paint ‘en plein air’ as it offers

‘A warm climate provides a different quality of light, strong shadows and deep colours that can be quite surreal’ colour, structure and ever-changing compositions. Our Irish weather is not very conducive to working outdoors, but the Palm House and the glasshouses offer shelter and warmth even on breezy, wet days. Surrounded by lush greenery and exotic flora I still feel like I’m painting in the open air.

Other favourite local spots are Sandymount Strand and Sandycove. Then there’s Dalkey, where I lived for many years. There’s a view there that I return to again and again – Vico Road, where I can capture the spectacular view of Sorrento Terrace with Dalkey Island in the background. From an artist’s perspective, Vico Road on a sunny day can be as picturesque as any Mediterranean coastal view.

I like to travel abroad to where there is more sun and heat. A warm climate provides a different quality of light, strong shadows and deep colours that can be quite surreal. These elements help massively to create a painting with depth – a third dimension. Without the sun there are no shadows; everything can appear quite flat and I find it difficult to paint in those conditions. I love to travel to Provence, the Amalfi Coast, the French Riviera and coastal Croatia.

When a picture is executed at ease, without me having to endure too much hardship and when I’m fully enjoying the process, my joy and happiness seem to radiate through to viewers. Quite often a client will comment, ‘I don’t know what it is about this picture but it makes me feel happy.’

Can you tell me about your process and the materials you use?

I paint both from reality and imagination. I use only professional quality art materials.

Gerard Byrne in his studio.

Photo: Ruth Maria.

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PORTRAIT

Endless Summer.

Oil on canvas, 60 x 120cm

I started painting with oils and then moved to acrylics for a number of years because they dry quicker than oils, which made travelling and transporting the work a little easier. However, I switched back to oils again because they provide richer, warmer, more vivid colours than matt acrylics. Oils also offer a rich texture and ease of blending, resulting in a more ‘buttery effect’, as I call it. I’ve tried different brands over the years and eventually found my favourite: Old Holland. I’ve been using them for years.

They have a fantastic range of colours and I love the density and texture of the paints.

The superb quality justifies the higher price.

For many years I also searched for ‘the perfect canvas’. Only recently, while in London, I came across the one for me: Claessens Belgian Linen. Again, its quality is reflected in the price.

Using top-of-the-range art materials also increases the longevity of my paintings, which is important to art collectors.

Before your career as an artist you trained as an electrician. Deep down, did you always have aspirations to become an artist?

From a very young age I had an interest in art and wanted to become an artist. My parents were very encouraging and did their best to help me follow my passion. I remember them buying me my first easel and set of oil paints, which I know was a great financial sacrifice for them at the time. My mother also attempted to get me into art college. But I didn’t have sufficient qualifications and I was refused. Coming from a working-class family, my parents advised me to get a ‘real job’ and I started an apprenticeship as an electrician.

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‘Coming from a workingclass family, my parents advised me to get a “real job” and I started an apprenticeship as an electrician’ What prompted you to eventually give up your job as an electrician and pursue a career in art?

I had this feeling that I hadn’t accomplished what I wanted to do in life. I had a longing to become a painter and thought that if I could have one solo exhibition, my dream would be fulfilled. I had worked in New York as an electrician for two years and saved enough money to buy a small house in the Liberties in Dublin. This enabled me to focus on drawing and painting, and I spent a lot of time in the local market, painting the people and the local scenes.

My best friend, Fran, had seen artists exhibiting their work on St Stephen’s Green railings and thought it would be a good idea for me to display my art there. I was reluctant because I wasn’t very confident that my work would be good enough. Fran, however, persuaded me to go, and it was there that a gallery owner noticed my work and offered me a solo exhibition in his gallery. That was a dream come true, and six months later, on 28th November 1989, I launched my first solo exhibition in the George Gallery on South Frederick Street.

Despite this achievement, I found it hard to support myself as a full-time artist and went back to working as an electrician.

Shortly afterwards, I suffered a severe electric shock at work that nearly killed me. That was the wake-up call which finally made me realise I needed to change my focus and follow my true ambition of being an artist.

Another Me. Oil on canvas, 95 x 225cm

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PORTRAIT

How did you get started?

I decided to leave Ireland. This was 1989, and having seen a documentary on the changes taking place in East Berlin, I felt a strong urge to be there. So I packed my paints and canvas into an old camper van and left for Germany.

When I arrived, I got to know members of an underground movement who offered to make me their artist-in-residence. I spent seven months working in the streets of East Berlin, painting the local scenes and architecture, which resulted in a solo show

of my works. An exhibition was organised undercover in the People’s Gallery, a dilapidated old supermarket that was transformed into an impressive space for the event. The theme of the works was not politically charged, but the event itself was an act of freedom, a statement of the love of art and an assertion against the state interfering in the freedom of expression.

When I returned to Ireland, I continued to work as a full-time artist. To date I have had over thirty solo exhibitions and participated in many group shows. I have had the

Lever Crane.

Oil on canvas, 100 x 100cm

privilege of exhibiting my work in some of the best art galleries in Ireland, such as the Gorry Gallery in Dublin, the Greenlane Gallery in Dingle, and the Guinness Hop Store.

I still love to travel in search of new experiences and sources of inspiration.

Have you been influenced by other artists? Which artists do you admire?

I have always been influenced by the great masters of Impressionism like Monet, Van Gogh, Cézanne and Sargent.

I also admire the work of the Irish artists Orpen, Lavery and Leech.

Before opening my gallery in Ranelagh I lived in London for four years, and I found it very inspirational to have the opportunity to visit some great art exhibitions there. These included exhibitions at The National Gallery such as Inventing Impressionism (2015), Australia’s Impressionists (2017) and Monet & Architecture (2018).

At Tate Britain, I visited David Hockney: 60 Years of Work (2017), The EY Exhibition: Impressionists in London (2018) and All Too Human: Bacon, Freud and a Century of Painting Life (2018).

Sorrento Dreams.

Oil on canvas, 70 x 100cm

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What achievements are you particularly proud of?

The first art competition I entered was Pintar Rapido in London, 2016. This is the UK’s biggest plein-air painting competition and exhibition, and I was delighted to be awarded second place. While living in the UK, I was also chosen to participate in Sky Arts Landscape Artist of the Year 2017.

Of course, I am very honoured by my latest invitation to Singapore. It was a great privilege to recently welcome Felix Loh, CEO of Gardens by the Bay, Singapore, and his colleagues Gary Chua and Justin Wu, along with Ambassador Pat Bourne to my gallery in Dublin.

Are there any places you would like to visit in the future?

Someday I would love to have the opportunity to paint cherry blossoms in Japan and Monet’s garden in Giverny, and to visit South America. I’m a colourist and I love bold colours. I think places like Mexico, Peru, Tibet, Africa, Australia – the list goes on – could be amazing sources of inspiration for me. I feel my best painting has yet to come.

The Temperate House in the Afternoon Sun. Kew Gardens. Oil on canvas, 80 x 70cm

Gerard Byrne’s work can be viewed at his gallery, 15 Chelmsford Road, Ranelagh, Dublin, or at www.gerardbyrneartist.com

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22/09/2019 12:50 22:24 29/11/2017

what’sNEW

WORDS EDEL CASSIDY

I

t’s almost impossible to keep up with all the new products, ingredients and trends in the beauty industry. But for those of us who love our cosmetics, it’s always exciting to try new ranges that are innovative and unique. Here are some recently launched products that I found simply impossible to resist.

Elemis Superfood Boosters These two Superfood Boosters are blended with prebiotics, powerhouse antioxidants and enzymes. Cica Calm is formulated with fermented cica and agave, ingredients with a long history in traditional medicine to soothe and repair sensitive or inflamed skin. AHA Glow is perfect for lacklustre skin.

It contains pumpkin, a natural exfoliator, and acerola cherry for a brightening, facefirming effect.

For best results, incorporate into your skincare routine by applying over facial oil, or spritz to allow the booster to spread better, especially on dry skin. It absorbs instantly, leaving the skin soft and smooth, ready for moisturiser application.

L’Occitane Immortelle Precious Eye Balm L’Occitane’s reformulated Precious Dynamic Youthcare range helps the skin keep up with the fast pace of life. At its heart lies a duo of complementary active ingredients: Immortelle essential oil and the dynamic hyaluronic acid complex.

This eye balm is very luxurious and only the tiniest bit is required as it’s so spreadable and melts into the skin. The consistency is smooth and rich, and visibly firms and revitalises the eye area.

Reform SPF 50+ Antioxidant Sunscreen The sun plays a major role in prematurely ageing our skin, but this can be prevented by wearing a broad-spectrum cream with a high SPF. This new product from Reform is a serious player in the SPF market and a must-have for anyone who is exposed to intense sun or who is out in the sun for a long time.

A high-protection cream, especially good for fair skin, including children’s or those sensitive to solar radiation, it boasts both chemical and physical filters as well as UVA and UVB protection. It’s dermatologically tested, has antioxidant properties and is excellent for everyday use. This non-sticky lightweight cream blends into the skin with ease, leaving no white residue.

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BEAUT Y

Clarins Cheeky Cheeky Bam Bam Make-Up Collection Turn up the volume and listen! Clarins has created a young, fresh, vibrant collection to adorn eyes, lips and cheeks with intensely coloured vibrant shades that melodically match.

Joli Blush – available in six shades in a colourful case with a lid in your chosen blush shade.

Natural Lip Perfector – four shades with individual gold motifs inspired by the Roaring Twenties to vamp up your smile.

Wonder Perfect Mascara 4D – the next step in your makeover for thicker, longer, perfectly curled, high-definition eyelashes.

Sisley Velvet Sleeping Mask

Botánico Vida Oil

Use this lovely light-feeling mask as an overnight hydration hit when your skin is really thirsty and needs a moisture boost. To be applied up to twice a week in a thin layer on the face and neck instead of your regular night-time skincare treatment. In the morning, skin is relaxed, feels soft and is full of vitality.

The mask contains saffron flowers, an ingredient traditionally used to treat skin inflammation and to stimulate blood circulation, thus improving the texture of dry and dull skin, leaving it smooth and glowing.

A multi-purpose oil that works well on a multitude of skin problems, from dry, red, irritated skin to stretch marks, scars, cradle cap and chronically dry skin. The ingredients are 100% natural, unlike petroleum-based oils. It’s very fine and doesn’t leave a greasy residue. Perfect to use under a moisturiser to give skin an extra moisture kick or to prevent full-coverage foundation from drying. The key ingredient, Sacha Inchi seed oil, is native to Peru and rich in Omega 3, 6 and 9. All ingredients are ethically sourced and sustainable. The company works directly with farming communities that actively nurture the environments where they work and the people they employ.

Aurelia Overnight Recovery Mask There is no better feeling than waking up to hydrated, nourished and comforted skin. For an overnight hydration boost apply a generous layer to clean skin, massaging gently to leave a little product on the skin’s surface.

This beautifully indulgent, soothing recovery treatment deeply replenishes, calms and protects to give soft, supple, even-toned skin. The formula includes nourishing shea butter and Aurelia’s signature probiotic ingredients which continuously protect, restore and balance. Delicately fragranced with lavender to help with deep relaxation, it is ideal for skin that’s prone to dryness, dullness, flakiness and irritation.

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&

Mindfulness Productivity

HEALTH

WORDS JEANNIE CROUCHER

Enhance productivity and reduce anxiety in the workplace through mindfulness

M

indfulness seems to have

er hectic working day, we’ve only ticked

things that lie ahead. By shifting our focus

become the new buzzword,

off one thing on our to-do list and none

back to the now, away from the past and

even for busy people who may

of the urgent deadlines have been met.

the future, mindfulness alleviates anxie-

have previously cringed at the ‘airy-fairy’

When distractions interrupt it’s impor-

ties and keeps us grounded in the pres-

idea of applying the principles of medi-

tant to be able to regain concentration

ent. Our sleeping patterns often improve

tation to their daily lives. It seems quite

quickly and shift the focus back to what’s

as a result, which, of course, is essential

contradictory, when you’ve got a long

important to do in the present.

to the normal cognitive functioning of

list of things to do and urgent deadlines

Practising mindfulness doesn’t require

the brain and to good health in general.

Mindfulness also helps to build emo-

to meet, to instead slow down and sit

any expensive equipment or a lot of time.

in silence doing nothing. However, the

One option is to take a class to learn the

tional resilience. If you’re in a negative

practice of mindfulness can be an ex-

basics of how to practise and incorporate

emotional state because, for instance,

tremely effective tool for anyone wanting

mindfulness into your daily life. There are

a customer gave you bad feedback or a colleague undermined you, it can result

to increase their focus, concentration, effectiveness and productivity.

So what is mindfulness and how can it help?

Mindfulness is the art of bringing awareness to the present moment – the here and now – and clearing the mind of distracting thoughts. When we are mindful, we are aware of how we feel and what we are thinking right now.

It’s normal for thoughts to flit in and

‘When distractions interrupt it’s important to be able to regain concentration quickly and shift the focus back to what’s important to do in the present’

in poor work performance. Mindfulness facilitates the regulation of emotions by bringing you back to the present moment rather than allowing you to wallow in negative thoughts.

It’s also much easier to form new ideas when the mind is relaxed and decompressed. How many times have you thought of the solution to a problem when washing the dishes or having a shower? Sitting in peace and quiet

out of our heads. As many as 60,000 thoughts flood our minds daily and this

also several apps that provide guidance

without any distractions brings greater

can be very distracting. When we start

(try Aura and Headspace, for example),

focus, thereby allowing you to come

on a task at work, we’re often interrupt-

along with numerous books that give tips

up with new ideas and devise plans to

ed both by our own thoughts – did I lock

on getting the best out of the practice.

solve problems. Mindfulness, practised

the front door before I left for work?

As little as ten minutes daily is all

daily, helps to lift the fog and cut out

have I got that PowerPoint presentation

that’s needed, along with a quiet and

the static, giving you clarity of vision and

ready for later in the week – and by dis-

comfortable space. It is essential,

confidence to take action.

tractions from our physical environment

however, to commit to regular short

– telephones ringing, colleagues asking

sessions, as the more you practise the

won’t see a difference overnight, but

questions, emails arriving. We can spend

greater the results will be.

practised regularly over time mindfulness

a large part of our daily lives running on

One of the most powerful benefits of

As with all the best things in life you

will improve levels of concentration and

‘automatic’, mindlessly moving from task

mindfulness is its ability to reduce stress

efficiency, helping you to become a more

to task, being busy but somehow not

and anxiety. It is all too easy to worry

relaxed person, ready and able to take on

getting much done. At the end of anoth-

about stuff that has already happened or

the challenges of life.

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The Blonde in the Gondola Debut author Orna O’Reilly shares her experience of moving from Ireland to Italy and achieving her dream of getting her first novel published WORDS ORNA O ’ REILLY

F

or several years I had harboured two huge ambitions

writing stalled for the time being as, after tying the knot in

for life after retirement. First, I was going to move

2016, we moved to Puglia in Southern Italy, a region with

to Italy, and then I was going to write a novel. They

a unique landscape of beautiful old towns, historic castles

were both going to be pretty difficult to achieve, but I have always enjoyed a challenge.

Before moving to Italy, I visited the country regularly and spent

and great beaches. Once we settled in, I resumed writing, by which time I felt well qualified to write a romantic novel.

As part of my research, I inter-

considerable time on these visits

viewed a gondolier, and I incorporat-

looking at gorgeous-coloured hous-

ed many of the tales the handsome

es overlooking lakes, vineyards and

Venetian told me during our lengthy

olive groves. Back home, I continued

chat sitting on his gondola, moored

researching properties and dream-

at the side of a canal in the Santa

ing of a future in sunnier climes.

Maria del Giglio area of Venice. I was

When the time was right, I

particularly interested to find out if

purchased an apartment in the

the tales of romance surrounding

Euganean Hills and finally felt ready

these gondolieri were true or merely

to start writing a novel. At that point

fiction. His responses gave me great

I had no idea what the novel would

material for my book. Perhaps his

be about, nor where it would be

lucky wooden beads, which he wore

set, but, in the meantime, I be-

on his wrist, were responsible for his

gan to write a blog about living in

success with the ladies, but that’s just

Italy (Orna O’Reilly: Travelling Italy

speculation on my part.

https://ornaoreilly.com). As I was

My novel is based around the lives

constantly writing articles about

of two women. Olivia has everything:

all things Italian, I found myself

a handsome husband, a thriving inte-

regularly visiting Venice to take part

rior design business and a privileged

in blogging events, and I met many people who live in that

life in Dublin; Jane is married to an Italian aristocrat and wants

magical city, from expats to local Venetians. Before long

for nothing – except, perhaps, the attention of her husband,

I decided that my first work of fiction would be set there,

who seems to devote his life solely to their young daughter.

with plenty of winter fog to add to the atmosphere.

I had begun writing The Blonde in the Gondola when,

When tragedy strikes the lives of both women, they are thrown together in Venice where they pit their wits against

late in 2013, my life took a wildly unexpected turn. Not in

each other for the love of the same man, a handsome

a million years could I have foretold that on a visit to a Pal-

gondolier becoming the catalyst for a fight to the finish

ladian villa I would meet a fellow blogger of similar vintage

involving conspiracy, betrayal and death.

and end up marrying him!

Real life had intervened in a most pleasant way, and my

As I am sure anyone who has tried to get a book published knows, the actual writing is the nice part. Searching for an

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BOOK L AUNCH

‘I incorporated many of the tales the handsome Venetian told me during our lengthy chat sitting on his gondola’

agent or publisher proved, for me, far more difficult than I had envisioned. First of all, most of the agents and publishers have different requirements. Some want the entire manuscript; others want the first three chapters or forty pages; they all want a tightly written synopsis and a biography of writing experience, social media platforms, number of followers and so on. These submissions take a lot of time and I made umpteen.

At the start of the submission process, I received a considera-

Author, Orna O’Reilly

ble number of rejections, which mostly took the form of ‘Nicely written, but it’s not what we’re looking for at the moment’. Then, just as I was beginning to lose hope, I was contacted by a UK publisher in January this year with a resounding ‘Yes!’.

That’s when the real work began. The manuscript was edited and proofread until everyone was satisfied and then the book cover was designed. The publishers held my hand throughout the entire editorial process but made all the decisions about the presentation of the book themselves, though they ran everything by me. As regards the production of the book, the only part where I had any input was my short biography inside the back cover.

Happily, I now have a book to my name. I hope that everyone who reads it will enjoy it as much as I enjoyed writing it.

The Blonde in the Gondola is published by Pegasus Elliot Mackenzie Publishers, and is available directly from the publishers, from Amazon and all good bookshops.

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ch to Flogas home heating get 1,200 litres of LPG free*.

AUTUMN DINNER MENU: 1,200 AND COMFORTING WARM FREE RECIPES FOR COOL EVENINGS Get

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er you are

Flogas is delighted to be partnering with Neven Maguire of MacNean House and Restaurant this autumn to bring you these wholesome recipes, full of flavour SPEEDY COQ AU VIN

(Serves 4)

This coq au vin is made with chicken thighs, which have a wonderful succulent flavour, but you could use chicken breasts if you prefer. I love it with the garlic mashed potatoes, but buttered noodles would also work well and take much less time to prepare.

Ingredients

1. Season the flour and toss the chicken thigh pieces in it until

25g (1oz) plain flour

they’re lightly coated, shaking off any excess. Heat the oil in a large

450g (1lb) skinless, boneless chicken thighs,

sauté pan over a medium-high heat and tip in the dusted chicken.

well trimmed and quartered

Sauté for 3–4 minutes, stirring occasionally, until just beginning to

2 tbsp olive oil

brown.

knob of butter 175g (6oz) button onions or small shallots, halved

2. Add the butter and toss until evenly coated, then add the

175g (6oz) button mushrooms, trimmed

onions or shallots, mushrooms and pancetta and cook for 3–4

100g (4oz) pancetta (streaky bacon lardons)

minutes.

450ml (¾ pint) chicken stock (from a cube is fine) 150ml (¼ pint) red wine

3. Pour the stock into the pan with the wine and Worcestershire

2 tsp Worcestershire sauce

sauce, then add the thyme. Bring to the boil, then reduce the heat

1 tsp chopped fresh thyme, plus extra leaves to garnish

and simmer gently for about 15 minutes, until the chicken and

2 tbsp chopped fresh flat-leaf parsley

vegetables are cooked through and the sauce is slightly reduced

sea salt and freshly ground black pepper

and thickened. Stir in the parsley and season to taste.

To serve

4. Place the garlic mashed potatoes on warmed plates and spoon

garlic mashed potatoes

over the coq au vin. Garnish with some thyme leaves, and serve

steamed French beans

with the steamed French beans.

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FOOD

APPLE TART WITH CUSTARD

(Serves 6-8)

Homemade apple tart – a winning combination of delicate sweet pastry filled with heavenly scented apples – simply can’t be beaten. To ring in the changes, mix the apples with blackberries or try a mixture of rhubarb and strawberry. To make your tart extra special, add a vanilla pod to your bag of sugar and leave for at least a week before using.

Pastry:

4. Roll out the pastry scraps and cut into leaf shapes. Brush the

225g (8oz) plain flour, extra for dusting

shapes with milk and stick on top of the pie. Brush the entire

2 tbsp icing sugar

top of the pastry with milk and sprinkle over the remaining

100g (4oz) butter, diced and chilled

tablespoon of sugar. Bake for 25–30 minutes, then reduce

2 large egg yolks

the oven to 180°C (350°F/Gas Mark 4) and bake for another

2–3 tablespoons ice-cold water

20–25 minutes until golden brown.

Filling:

5. Meanwhile, to make the custard, place the egg yolks in a

900g (2lb) Bramley cooking apples

large bowl with the sugar and vanilla seeds. Whisk with an elec-

100g (4oz) caster sugar

tric mixer for a few minutes until pale and thickened.

¼ tsp ground cinnamon good pinch of ground cloves

6. Place the milk and cream in a medium pan and bring to the

1 tbsp milk

boil, then immediately remove from the heat. Gradually whisk the heated milk and cream into the egg yolk mixture until smooth,

Custard:

then pour back into the pan and place over a gentle heat. Cook

5 egg yolks

gently for 6–8 minutes on a medium heat, stirring constantly until

3 tbsp caster sugar

the custard coats the back of a wooden spoon. Keep warm.

½ vanilla pod, split in half and seeds scraped out 300ml (½ pint) milk

To serve, cut the warm apple tart into slices and arrange on

100ml (3½ fl oz) cream

warmed serving plates with some of the custard. Put the remainder of the custard into a jug on the table.

1. To make the pastry, sift the flour and icing sugar into a bowl. Using a round-bladed knife or the tips of your fingers, work in the butter and then mix in the egg yolks with enough of the ice-cold water that the dough just comes together. Wrap in clingfilm and chill for at least 30 minutes.

2. Preheat the oven to 190°C (375°F/Gas Mark 5). Lightly dust the work surface with flour. Divide the pastry into two portions, one slightly larger than the other, then roll out the larger piece until it’s about 30cm (12in) in diameter.

Use it to line a 20cm (8in) pie dish or a 23cm (9in) flat plate. Trim the edges with a knife and reserve the excess for decorating. Place back in the fridge to chill while you prepare the apples.

3. Peel, core and slice the apples. Place in a large bowl with all but 1 tablespoon of the caster sugar. Add the cinnamon and cloves and mix together. Brush the edge of the pastry with a little milk and then pile the apples into the lined pie dish. Roll out the second piece of pastry into a circle slightly larger than the pie dish and use to cover the apples. Press the edges together to seal, then use a sharp knife to cut away any excess. Crimp the edges of the tart with the end of a round-bladed knife or prongs of a fork.

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Delivered directly to your door

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HOTELS

Enjoy an autumn break utumn is a wonderful time of the year to explore our beautiful countryside and coastline. Here we look at a selection of hotel getaways located in some of the most breathtaking and beautiful scenic locations in Ireland.

in Ireland

Belleek Castle A cultural adventure on the Wild Atlantic Way Looking for a magical autumn break?

Come stay in Belleek Castle, Ballina, one of Ireland’s oldest stately homes, now a 4-star hotel with ten boutique bedrooms.

Enjoy the facilities of the ancestral home of the Earl of Arran, historic and unique, intimate and magical. All rooms are decorated in period style, some with four-poster beds.

Room rates include a continental buffet and a full Irish breakfast. Dine in the Library Restaurant, winner of the Fine Dining Restaurant of the Year 2019 at the Irish Hotel Awards. Explore the castle and its medieval armoury on the castle tour.

For enquiries phone +353 96 22400 or email info@belleekcastle.eu www.belleekcastle.com

Lahinch Coast Hotel & Suites Reaping the reward just months after reopening Ideally located for exploring the treasures of the Wild Atlantic Way – the Cliffs of Moher, the Burren and Loop Head – Lahinch Coast Hotel offers great food and warm hospitality to its visitors.

The recent refurbishment, designed by Paul Haffey, has given a stylish new look to the entire ground floor, including the Aberdeen Bar and Restaurant and Breakers café, and it has been well received. Georgina Campbell has listed the hotel as one of the places to stay and dine in Ireland, and it has been nominated for Best Four-Star Hotel in the Hotel and Catering Review Gold Medal Awards 2019.

Proprietors John and Brid O’Meara, both with strong hospitality backgrounds, are delighted with how the changes have been received, especially during the Dubai Duty-Free Irish Open at the Lahinch Golf Club in July.

The hotel has 144 bedrooms, including one- and two-bedroom suites with a spacious lounge and kitchen, and a fantastic leisure centre and swimming pool. Check out the great packages on offer for families. +353 65 7081100 www.lahinchcoasthotel.ie ANTHOLOGY AUTUMN 2019 97

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Waterford Castle A gourmet getaway

The Falls Hotel At the heart of the Wild Atlantic Way Just ten minutes from the majestic Cliffs of Moher, the Falls Hotel and Spa is nestled in a wooded vale beside the tumbling waters of the River Inagh in the quaint town of Ennistymon, Co. Clare. Set in fifty acres of grounds, there are wonderful riverside and woodland walks. It’s the ideal spot to savour the change of season and all the colour it brings.

The hotel is perfectly located to explore the natural attractions, from Loop Head to The Burren and the Cliffs of Moher Geopark. Enjoy woodland walks, cosy coffees, beach strolls and dinner by the fire.

The luxurious River Spa is a haven within the Leisure Club – leave time for the Ther-

mal Suite and stunning relaxation room. The Club itself has a twenty-metre swimming pool, outdoor hot tub and gym.

Overnight mid-week autumn breaks with dinner from €163 for two people.

Contact +353 65 707 1004 www.fallshotel.ie

This autumn treat yourself to a stay at the wonderful private-island experience at Waterford Castle. There are a host of amenities for guests to enjoy, including an eighteen-hole championship golf course, a golf performance centre, tennis, clay pigeon shooting, falconry, croquet, nature trails and a playground and kids’ club (on selected dates).

One of the castle’s main attractions, also open to non-guests, is the elegant Munster Room, exquisitely decorated with floor-toceiling oak panelling, which offers exquisite dinner menus for both early-bird diners and those who prefer to make an evening of it.

Enjoy an aperitif at the Fitzgerald Bar, which offers a range of drinks, including made-to-order signature cocktails and premium whiskeys and gins.

Chef Luis H. Martin, a true culinary star, uses fresh and seasonal produce from premier local suppliers to create exquisite dishes. Some of the popular choices on the menu include a starter of Scallops and Earthy Caviar and a main of Poached Monkfish served with Grantstown Tomato Carpaccio and Herbal Tea Fish Consommé.

The wine list features some of the finest wines from around the world.

The lavishly decorated castle, with its antique furnishings, paintings and twinkling Waterford Crystal chandeliers, is a dream destination to experience in all its splendour.

Leave your worries at the shore …

For bookings: +353 (0) 51 878 203 www.waterfordcastleresort.com

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