Yap Jien Yong_1001956747_Design Studio 4 Portfolio

AR415 Architecture Design Studio 4

E- Portfolio Prepare by: Yap JIen Yong Student ID: 1001956747 Prepare for: Ahmad Fahmi Zainazlan, Mr. Chiew Chuen Chan, Ar Lim Hock Huat , Mr. Ng Zhia Zhing, Ms. Tan Shin Bian, Dr. Allen Khin Kiet Lau

About Me

NAME: ANSON YAP JIEN YONG BIRTHDAY: 27 AUGUST 2000 HOBBY: HIKING, JUNGLE TRACKING, CAMPING EDUCATION: 2013 – 2017 SMK SERI KEMBANGAN (SPM) 2018 – 2019 BRICKFIELD ASIA COLLEGE (A-LEVEL IN SCIENCE) 2020 – 2021 (NOW) UCSI UNIVERSITY (BUILT ENVIRONMENT) SKILL: BASIC SURVIVAL SKILL BASIC FIRST AID SKILL MODEL MAKING SKILL PIONEERING PROJECT BUILDING SKILL

Content

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Artistic Manifestation PROJECT 1A – Tectonic Identity Manifesto PROJECT 1B – Site Mapping (Group Work) River Vs Settlement Macro Analysis Local Structure Plan Micro site analysis Design Brief DEsgn Consideration

CYCU-UCSI International Workshop Site Perceive Sharing Session Propose Urban Plan Design Concept G-13 TOD Development city center Recreational Agricultural Park Garden and comfortable life

03

Art Gallery/ Cultural Institution Tectonic Facade Case Studies Design Concept Design Development Design Exploration Develop model Site Strategies Floor Plans Section Drawings Exploded Axonometric Night View rendering of art gallery Site rendered images Elevation drawings Sectional Drawings Physical Sectional model

Artistic Manifestation PROJECT 1A – Tectonic Identity Manifesto PROJECT 1B – Site Mapping (Group Work) River Vs Settlement Macro Analysis Local Structure Plan Micro site analysis Design Brief Design Consideration

Tectonic Identity Manifesto

PROJECT 1B – Site Mapping (Group Work)

River Vs Settlement

Macro Analysis

Local Structure Plan

Micro site analysis

Design Brief

Design Consideration

CYCU-UCSI International Workshop Site Perceive Sharing Session Propose Urban Plan Design Concept G-13 TOD Development city center Recreational Agricultural Park Garden and comfortable life

Site Perceive Sharing Session

CYCU-UCSI International Workshop

CYCU-UCSI International Workshop

CYCU-UCSI International Workshop

CYCU-UCSI International Workshop

CYCU-UCSI International Workshop

CYCU-UCSI International Workshop

CYCU-UCSI International Workshop

CYCU-UCSI International Workshop

Art Gallery/ Cultural Institution Tectonic Facade Case Studies Design Concept Design Development Design Exploration Develop model Site Strategies Floor Plans Section Drawings Exploded Axonometric Night View rendering of art gallery Site rendered images Elevation drawings Sectional Drawings Physical Sectional model

Case Studies

Performance

Wayang kulit is a traditional form of puppet shadow play that first appeared in the cultures of Java, Bali, and Lombok in Indonesia. In the Wayang kulit performance, the puppet figures are rear-projected on a taut linen screen with coconut oil (or electric) lamps. Da Lang (shadow artist) manipulates the carved leather figure between the lamp and the screen to bring the shadows to life. The narrative of wayang kulit is usually related to the themes of good vs evil.

Painting the wayang kulit

The dhalang tells the stories of kings, princesses, ogres, and knights, using deft hand movement and narration. While traditional performances used cotton sheets and oil lamps to create the play of light, electric bulbs or other sources of light are used today.

Wayang kulit combines deep spiritual meaning, entertaining storytelling, extraordinary musicality (both in the gamelan and vocals), deep philosophical messages, current political commentary, and bawdy humor. It is one of the most complete art forms, with everything in the hands of the dhalang. A good dhalang is indeed a celebrity who commands a high fee and can perform in front of audiences as large as 6 or 7,000 people.

Carving the leather

Stages of making wayang kulit

Case Studies

This building’s name is Mountain and Sea Art Museum which located in the west of Kunming City and is an important public building in the Cuifeng Ecological Park. Its total builtup size is 2998m².The meaning of "mountain and sea" originates from its location, away from the hustle and bustle of the city, abruptly on the mountain, and from its location at the northern end of Dianchi Lake, with excellent landscape resources, and the city, water, and mountains are all included in the sight as the diagram below. The strong site characteristics also create a special art space.

Case Studies Plans and Sections

Ground Floor plan

Intermediate Floor plan

Roof plan

From the ground floor plan showing that this art museum is mostly opening toward the east side to allow the morning sunlight enter the main exhibition space and the audient can enjoy the sunrise from the sea level while they are seeing the artwork . From the section below showing high Ceiling designed in the main exhibition space to maximize the morning sunlight enter the exhibition space.

Case Studies Material Used in the Museum Glazing Wall

Concrete Floor Slab

Steel Frame Rammed Earth Wall

Concrete Floor Slab

Steel Frame

Rammed Earth Wall

The main façade material is the rammed earth and the glass wall. The high ceiling of the space with glass wall allow the natural light enter the building and having a good vista of surrounding vegetation. Stainless steel with finished installed on the walkable roof at the first floor to allow the visitor to walk through which surrounded water surface side by side. Roof top was made by concrete slab and creating the few rises on the sky platform of the building.

Case Studies Design Concept

"Standing on the mountain, it feels as if the whole mountain is filled; looking at the sea, I imagine it like a surging river.

Located at the junction of mountain and sea, the staggered stone forest is the prerequisite to trigger the design, and it is also the spatial continuity that the conceptual deepening wants to present. With the support of the builders, the building dances with the site according to the context of the site, blending with the mountains and the sea. From the sectional perspective, obviously showing how the building stand and merge with the site itself.

Art Gallery

Design Development Site Analysis

View from site

Water Body

Sun Path and Vegetation

Acoustic

The view are mostly block in West, highway’s view in the North and nature with river view (good view) in East to South.

The arrow of water body showing the direction of river flow and the width is showing the depth of the river, the wider the river, the shallow the depth.

The sun path diagram showing less shadow casting toward the site proposed because the building and trees surrounded are short.

The yellow waves showing the high pitch and loudness from the highway and the commercial area. There are many noise come from the highway because of vehicles but less noise the commercial area.

Design Development

Carve Out There are one-way to acces the car parking area. Dotted arrow is represent the circulation of visitor drop-off. Carve out the massing to form a turnel for loading entrance.

Lift and Carve Life up the east roofing and carve into the massing to form the opening space which to fully utilize the site condition. To allow the wind enter from the river site. The visitor may enjoy the river view from the 1st floor.

Connect and Slice To connect those massing to join each space on the 1st floor which allow the visitor walkthrough the opening corridor to enjoy the nature river view. Slice off the roofing to create the glass roofing to harvest maximum of natural lighting during the daytime.

Design Exploration

Develop Model Exploration Develop Model (Space exploration)

8.00am

9.00am

10.00am

11.00am

12.00pm

1.00pm

2.00pm

3.00pm

4.00pm

5.00pm

Develop Model (Facade exploration)

Site Strategy

Ground Floor Plan

1st Floor Plan

Sectional Drawings

Sectional Drawings

Exploded Axonometric

Night View Rendering

Shadow Campfire Space

Family's Shadow Interaction Space

Site Rendered Images

Pavilion along the pedestrian wallk way

Outdoor Exhibition

Water Feature

Fishing Platform

Elevation Drawings

East Elevation

West Elevation

Elevation Drawings

West Elevation

South Elevation

Sectional Drawings

Physical Construction Model

Overall Board Composition

The End