portfolio
application for part II architectural assistant
Selected Works 2018-2025
Anson Tang ARB/RIBA Part II
re:flow
weaving a new logistics network
/
This project aims to seamlessly weave a new logistics network into London’s existing infrastructure, like adding the final stitch to a well-crafted garment. Rather than replacing the current failing system, it proposes reviving the overlooked canal network to promote waterborne freight, easing pressure on roads and reducing environmental impact. Centred on a masterplan along the Lee Navigation in East London, it introduces a main logistics hub with smaller micro-hubs to form a cohesive network for construction logistics. The scheme aspires to reactivate canals not just as leisure spaces, but as functional waterways contributing to a more liveable and resilient city.
// Anson Tang
Bow Goods Yard, London, UK Industrial Project 2024-2025
C lick here or scan the QR code to watch the animation: animation basin / On the opposite side of the canal, both the new basin and the whole building can be seen, including the busy sights of barges going in and out and cable cranes moving above, creating a unique and rare scene in Central London.
UK shipping density /
The research started by looking at UK shipping density. To get a better understanding of such geographical knowledge, a cross-disciplinary approach was taken and QGIS is used for the analysis to get the correct data and present them in a suitable way, setting the tone for a project that focuses on flow and connection.
// Anson Tang
concept model
One of the barges has just arrived at the building to unload construction waste that it brought on the way back. Cable cranes operate on top, loading and unloading other barges to finish the busy day. At the far back, interior industrial processes can be barely seen through the screened doors.
Storage for Raw Materials (Aggregates, Cements, etc)
Concrete Batching Plant
Concrete Pouring Area with Overhead Cranes
Concrete Curing and Storage Area 7. Loading Dock with Cable Crane System
Floating Islands with Cable Crane System
Visitor Centre
Concrete Lab
roof
/
A bird-eye view from the roof. The metallic texture of the panelled strips that form the roof makes a huge contrast with the complex steel structure of the administrative towers above. Yet, their curves both represent the concept of flow of the design.
connection of girder to truss
1. girder: 500 mm steel CHS, powder-coated
2.
6.
7.
8. sheet-steel gutter
9. steel-cable tension element
facade section 1:10
1. 50/50/5 mm steel T-section
2. 60 mm sprinkler pipe
3. 145 mm powder-coated aluminium panel, thermally insulated
4. spaceframe member, 100 –250 mm steel tube
5. silicone-coated fibreglass textile
6. upper chord: 90/90/5 mm steel SHS
7. ventilation flap, 145 mm powder-coated aluminium panel
8. aluminium profile with adhesive strip
9. Mero spaceframe node, 132 mm steel tube
10. steel frame, three-dimensionally adjustable
// Anson Tang
recreating connections through social cohesion
A large-scale mixed-use market located in the now-existing Billingsgate Market site in South Poplar, East London. The main design aim is to reconnect Canary Wharf and South Poplar, two extremely diverse areas physically, socially, and economically, which are divided by Aspen Way to the north. By implementing biomimetic design, multiple finger-like linkages inspired by batwing are extended from the building to enforce the connectivity theme. Overall, the project aims to be more than just a market serving daily local needs; it aspires to become a community hub that unites the area and stands as a new landmark in London.
Market, Trafalgar Way,
South Poplar
Canary Wharf
Aspen Way
DLR depot
Dock
West India Quay
DLR station
Trafalgar Way
1. Main market (Food, craft and farmers market for local businesses) 2. Indoor courtyards
Stiff core (Offices and amenities)
Customer service
Watersports centre (Boat storage, workshop, classroom and gym) 6. Promenade 7. Piers
Loading and unloadng area
01. promenade hosting water sports like swimming and kayaking
02. interior market view including food market and public square
04. urban forest viewed from one of the entrances
03. roof as public space underlooking skyscrapers
Inspired by the batwing’s form, the proposed structure features fingerlike connections that blur the boundary between roof and ground to foster connections throughout the site. These connections also act as primary structural supports, akin to the fingers of a batwing to its membrane to ensure stability for the main structure. Surrounding the structure are various linkages and pedestrian footbridges spanning multiple directions. All in all, the design envisions an oasis within an urban landscape which address disparities between neighbouring areas through active linkage.
exterior views
// Anson Tang
bridge from south poplar
maquette with context
dlr entering/leaving canary wharf ground level
01. Intensive and Semi-Intensive Green Roof incorporated into Blue Roof System with CLT panels (unaccessible)
02. Extensive Green Roof incorporated into Blue Roof System with CLT panels (accessible)
03. CFRP Glulam Primary Beams and Secondary Beams
04. Laminated Double Glazing Facade and Steel-Mesh Center-Pivot Doors
05. CFRP Glulam Columns and Stiff Cores 06. CLT Panel Walls
07. Glulam Grid Structures
CLT Cladded Openings 09. External Timber Public Steps and Piers 10. Reinfored Concrete Pile Foundations
A. Extensive Green Roof on Blue Roof System 1:7.5
B. Carbon Fibre Reinforced Polymer (CFPR) Glulam Beams Connection 1:10
C. Skylight 1:5
a. promenade
b. roof
c. farmers market
d. food market
e. craft market
City Centre, Cardiff, UK
Mixed-use Project
2020-2021
experimenting a nomadic live-work prototype in the post-covid era
Inspired by the blurred boundary between living and working spaces, this hybrid experimental prototype is designed for the Welsh Romani, a local nomadic community. The project highlights the innovative use of ETFE façade material to address their specific needs. The main challenge lies in overcoming discrimination and misunderstanding toward this vulnerable population, while simultaneously reintegrating them into the community and respecting their rich culture and heritage.
section CC
1:150
cardiff city centre
1. SHAPE
1. Shape
Shapes are decided with the intention of maximising the potential of inclusivity of the sites, site A is opened in the middle so the back alley can be well-used
Shapes are decided with the intention of maximising the potential of inclusivity of the sites, site A is opened in the middle so the lack alley can be well-used
Anson Tang
2. VOLUME
2. Volume
The forms are then raised up to 2-storey high so as to cohere with the surrounding buildings and emphasizing inclusivity to the public in city centre
The forms are then raised up to 2-storey high so as to cohere with the surrounding buildings and emphasizing inclusivity to the public in the city centre
site:
plan in wider context
3. PROGRAMME
3. Programme
Programme is then positioned according
Programme are then positioned according to the hierarchy of spaces on the site, residential parts which are in green are placed in a parallel manner so as to link up 2 buildings
4. CIRCULATION
4. Circulation
Residential parts are then divivded into small units which allow caravans to plug-in and depart conveniently to provide the intended flexibility to the nomadic population
Residential parts are then divided into small units which allow caravans to plug-in and depart conveniently to provide the intended flexibility to the nomadic population
public square
A group of public are using the space outside of Dynamic Unit A and passersby can interact with the insiders thanks to the transluscent ETFE membrane. For the the Welsh Romani, they can directly enter their respective live-work units from the ground level where their caravans are parked and depart easily.
dynamic unit A
Inside the Multifunctional Hall A which is designed for more dynamic activities, there is a group of Welsh Romani Artists performing. The roof is constructed with ETFE membrane to provide sufficient natural lighting to the interior. On the first floor is the communal space for residents where they can interact with the users downstairs.
static unit B
In Static Unit B, a pair of couple just entered from the entrance to the multifunctional hall B as it is currently hosting the ‘Gypsy Maker’ art exhibition which is held by RCAC to celebrate the artwork of Welsh Romani artists. The ETFE membrane with the double-heighted space of the hall makes it pleasant to be used for other static activities like conferencing and teaching.
edge
• ETFE membrane welded to neoprene intermediate layer
• 76mm dia.tubular tensioning member welded to 20mm dia. threded rod; adjustment via 39mm dia. threaded sleeves
• 35mm dia. steel tube
• Three layer ETFE membane cushion with transparent inner skin
roof
• Three layer ETFE membrane cushion with white inner skin
• Aluminium clamping strip
• Aluminium ventilation louvre, manually operated
• 12mm steel sheet
joint
• Splice plate
• 152 x 152 x 23 steel U-section
floor
• 2mm PVC flooring
• 30mm gypsum fibre board
• 30mm cardboard honeycomb with granule infill
• 25mm LVL panel
• 45/213mm LVL ribs
technical section of live-work unit prototype 1:20
04 professional works
/
The year working in P&T Architects Limited was mainly focused on the construction of the new Immigration Headquarters for the Hong Kong Government. As the project was at stages 4 to 6 when I joined, I gained first-hand experience on how to manage and deliver a project in alignment with its procurement requirements.
Project Title: Design and Build of Immigration Headquarters in Area 67
Location: Tsueng Kwan O, Hong Kong
Client: Hip Hing Engineers Limited/The Hong Kong SAR Government
Designer: P&T Architects Limited
Duration: 2019-2023
GFA: 108,050 sqm
Project Cost: 500M HKD
Tsueng Kwan O, New Territories, Hong Kong Public Project 2021-2022
Interior of Main Lobby
The project is a development of two 16-storey towers for the Headquarters of the Immigration Department at the civic node of Tseung Kwan O, encompassing public service sections, departmental offices, detention facilities, fire ranges, an auditorium and supportive functions for the operations of the Immigration Department. The days in the office were quite challenging and exciting, and I learned a lot, especially in improving my time management skills to meet tight deadlines, communication skills to coordinate between different parties, and organisational skills to manage different tasks at the same time.
It is in its later stages when I joined, preparing for its handover to the client, so I was mainly working on tasks that can be classified into the RIBA Plan of Work Stages 4 to 6. I was involved in preparing, plotting, printing and dispatching multiple complete sets of formal DDA, User and Construction Submission Drawings. I also participated in regular meetings with clients and contractors and attended several site visits to monitor project progress. As a fresh graduate, I was responsible for the administration of project submissions, which gave me a comprehensive understanding of how a project works in the real world. Last but not least, I was involved in the preparation of other formal tender submissions at their Stages 0 to 1.
Elevation of North Facade
BARRIER FREE ACCESS DIAGRAM (G/F)
BARRIER
(G/F)
05 personal works
floating nexus future spaces foundation student competition 2024
/
The group project imagines Canary Wharf in 2035 to transfrom from a commercial hub into a fully accessible, multi-generational, multicultural community space. The project features tea islands inspired by British, Chinese, Indian and Japanese cultures. Each island includes a tea pavilion, planted tea leave, both traditional and interactive playground structures, fostering engagement with nature, education, and tradition across generations.
The design addresses intergeneration by creating spaces where children, adults, and the elderly can gather and interact. The tea pavilions not only serve as gathering points but also as educational hubs, teaching visitors about the history and cultural significance of tea, a shared tradition across generations. The elderly and adults enjoy sliding and climbing islands alongside younger visitors, promoting active play to make the space inviting for all ages. By reintroducing tea culture to the docks, this project connects people, transforming Canary Wharf into a wellbeing-focused, nature-integrated, and educational space.
Anson Tang
Japanese Tea Garden
Indian Tea Garden
Chinese Tea Garden
River Thames, London, UK Installation 2024
Last but not least, a selection of works showcasing skills in various fields, which are all practised on different occasions throughout the years. Each of these has influenced and refined my approach to understanding and presenting architecture, consolidating my foundation in becoming a proficient architect.
Hand-drawing
Anson Tang
Photography
