Anna Korsun - auelliae for organ

anna korsun

auelliae for organs of St. Peter Kรถln

commissioned by Deutschlandrundfunk

Leipzig, August 2016

2

Auelliae is imaginary creature, living on exoplanet. Auelliae can take any shape and produce huge amount of sounds.

ANNOTATION

The score is schematic, can be performed very free (including rhythm, notes’ pitch and duration, tempo, pauses, winddrossel control), it is base for improvisation/variation.

For notation was used playing range from C to g3. Written are playing keys, which sometimes are not equal to real pitch, which is to be varied due to help of air pressure changes system.

- changes of registers: turn on/add; turn off - the notes are played in time of fast air pressure changes, controlled by winddrossel. This causes effect of glissando up and/or down. The notes without this indication are played primarily in time of smooth air pressure changes (or sometimes without changes).

- unprecise sustained notes - cluster, not exact notes - vary arpeggiato during full duration

3

auelliae Anna Korsun

q=45 free Winddrossel Chor.



 

Winddrossel Haupt.



full opened

closed full opened

16

4





closed

 







III









II









IV

      123

I

Pedals



    

       

   

          

4

4

W.C.

I



         

  

  

(123)



  

      

   



7

W.C.

W.H.

II

 I

 

                81





                    





11

W.C.

W.H.

 IV  II

I



               3











  



   













          

5 15

W.C.

             (123)

 I

     

          

     

19

W.C.

IV

I



 

 

(3)+4



         

        





     

+6





23

W.C.

W.H.

     IV 

II

I

  



  

              

-3,-4,-6,+08

 

     

 

(81)

 

 

6 27

W.C.

W.H.

 IV  II



     (08)



          (81)









   



  

   





31

W.C.

                      IV  



   

34

W.C.

W.H.

          -08, +3

IV

III





     

    

(123)

I

     +4

             +6

     



          

-123,+122,+124





 38,39

  

  

7

q=55

40

W.C.

W.H.

  IV 

(3,6)-4

 



-52,+37,-39

        (122,124)

I

                   

+52

(38,39)

III

 

   





           









 q=45 44

W.C.

W.H.

   III   









 

      

  



           



 IV  

-3,-6,+07



-07,+4

       -37 (38)

  

8

q=45

q=55 49

W.C.

W.H.

 IV   

+6,-4

 

   

+39

(38)

III

       

 





-6,+07





          





(81) II









          





54

W.C.

W.H.

      

-07,+2,+3,+6

IV

-38,-39,+43

III

   

 

+55,-43,+40

 

 





     

  

9 57

W.C.

W.H.

              IV    (2,3,6)

-2



 



                        

(40,55)

III



 

  

60

W.C.

  IV        I





 







  3                                       

(124)-122,+123 etc.



q=55

64

W.C.

I

          

  

 

            



10

q=45

rit.

from zero until sound appears and immediately back

68

W.C.

          (123,124)

I

                   

   

  



72

W.C.

W.H.

                  

-3,-6,+12,+13,+15,+16

IV

   







                        -40,-55,+38,+39,+52

III



   I  



 

 







11 from zero until sound appears and immediately back

77

W.C. W.H.













  



    





192

Ped.



        

  



IV



          

-12,-13,-15, -16,+08

(12,13,15,16)





  



84

W.C.

          

IV





-08



+07

  

  

  

           

+01

  

  

        



90

W.C.

W.H.





IV

    

II





 

         

-01

   

  

 (81) -7

  



        

12

96

W.C.

W.H.

+08,-07

  IV   

         

                           





(81)

II

 





 from zero until sound appears and immediately back

100

W.C.

W.H.

 IV    



III

Ped.

          









   

     

    



    

+03,-08 +06,+07

  



-192,+183 -7

 

    3

(52)-38,-39,+51

 



13

105

W.C.

W.H.

    3   3  3    





IV

              



(03,06,07)

3



   

-51,-52,+39+42+53 III



             

(51,52)









(183)

Ped.









  

14

q=35

109

W.C. from zero until sound appears W.H.

 IV

   



(39,53)+54,-42

III

   

(03,06,07)





   

-81,+79+82+83



II

I







   

-123,-124,+121,+125

          







-79, -82, -83 from zero to zero

+76





  



   





-183,+164

 

Ped.





   



+165

      

+230

 



-39,-53,-54,+44

   

 

114

W.H.

III

II

Ped.

  

 





+90









+76

-76







 +91,-76

















-164,-165,-230,+162

 

   



 







+179, +180

+161

 

  

15 122

W.C.

III

 (44)+45   

(90)+88,-91 variate 

  

-121,-125, +128,+129,+133

-128, -133 variate  

   



  





must be tuned with appr. 1/4 pitch difference

 

  



 

(161,162,179,180)

Ped.

  



     

I









II

 

W.H.





 

           







 



  

127

W.C.

W.H.

III

II

 

    variate

     

Ped.



           variate

I



 



 



   

  

+62,+63

 

+128, +133

 

  

 

 

        

   











 



16

q=40

q=50 the weakest possible sound

132

W.H.

         

must be tuned with appr. 1/4 pitch difference (44,45,62,63)







III

           

II



-88,-90,+82,+83

 

(161,162,179,180)

Ped.



  









all register, including physharmonica

+88,+90,+91

      





 

play primary diatonical scale, sometimes including chromatical, building cluster from sustained the keys almost full   range cluster

   



 

 





+153 + sirene



q=35

139

W.C.

W.H. + harp

II

I

  

- harp - sirene gradually switch off registers, except physharmonica (double vibr.)

-153 physharmonica









  

 

  

-128,-129,-133,+121,+124,+125





  

  

   -121,-124,-125, +134,+135,+138

    

17

q=40

q=45 147

W.C. W.H.

IV

 

(06,07)-03



3

3

     



 



-06



3

-44,-45,-62,-63,+51,+52 III

II

    





 

(physharmonica double vibr.)

 

 



   

(134,135,138)

I



















q=45 151

W.C.

W.H.

         +81,+97

II

       

-physharmonica

+82, -81, -97 tune with appr. 1/8 tone difference



 

-134,-135,-138,+122 I

















 

   



18 157

W.C.

W.H.

III

 



  



         

(122) appr. 1/4 tone difference I













(82) II



appr. 1/8 tone difference -51,-52,+38

 

 







 







  













  

163

W.C.

W.H.

IV

III

  







II



I

 





 







 

tiny pitch difference between all four manuals -03,-06,-07,+08

     



   







  





 

    

  

 



  



19 169

W.C.

W.H.

IV

III

  

   (08)



   

I

  

(122)







(82) II



  

 

 











  





 



















 





 

 

 









(38)



 



175

W.C.

W.H.

IV

III

II

I

  

 

 





  

 









 



  

  

 





20

from zero until sound appears

182

W.C. W.H.

IV

  

(08)

 



 



(82)

II

 

I

 

Ped.







 

 

      









+179

(162)-161,-179,-180)+168



  



 

(122)

  

(38)

III



-08, +03, +06, +07









187

W.C. W.H.

IV

     

III



II



I



 

  



 

   

  

improvise/repeat several times





 





  



 

      

approximate duration 17'40