SELECTED WORKS 2022-2025
ARCHITECTURE STUDENT
annakolybikhina@outlook.com |
Hand Sketching
Architectural Detailing
Structural Design
Drafting & Model Making
Problem - Solving
Communication
Sustainability Awareness
Effective Teamwork
BIM - Revit | Drofus | BlueBIM
CAD - AutoCAD
Modeling - SketchUp | Rhinoceros
Rendering - V-Ray | Enscape | Twinmotion | D5
Adobe - Photoshop | Illustrator | InDesign
Microsoft Office
3D Scanning - ReCAP | RealityScan
Computational Design - Dynamo
Advanced Diploma in Architectural Technology
George Brown College of Applied Arts and Technology
Sept 2023 - Present
Sept 2022 - Aug 2023
Reconstruction and Restoration of Architectural Heritage
Saint Petersburg State University of Architecture and Civil Engineering
Sept 2025 - Dec 2025
Architecture Co-Op Student | Parkin Architects
ā¢ Supported the Trillium Health Partners Hospital Project by managing room data and updates using Revit, dRofus, Excel, and Bluebeam
ā¢ Assisted with Revit tasks, room finishes, security drawings, and room remapping for architectural and interiors teams
ā¢ Contributed to a student-led office charrette focused on charity and sustainability, developing the theme and visual concept
Nov 2024 - May 2025
Work-Study Student | George Brown College
ā¢ Assisted faculty with digital modeling and fabrication tasks using SketchUp and 3D Printing
ā¢ Supported research on sustainable materials and construction innovations
ā¢ Contributed to campus scanning and visualisation initiatives using Revit, ReCap and BIM tools
ā¢ Demostrated initiative in workflow problem-solving and mentoring peers on technical plartforms
ARCH 3023
SPRING 2025 GROUP PROJECT (4 PEOPLE)
PROFESSOR: STEFFANIE ADDAMS
Cloud Nine Residence bridges history and modern student living near Casa Loma using an expressive brick faƧade. I was solely responsible for all design, visualizations, and documentation presented.
1.cafe 2. vestibule/exit 3.barrier free unit/common area 4.kitchen 5.barrier free washroom 6.barrier free bedroom 7.barrier free bedroom 8.barrier free bedroom 9.universal washroom 10.laundry room 11.mechanical room 12.electrical room 13.storage 14.janitor closet
2nd - 4th typical floor
ARCH 2015
WINTER 2024-2025
GROUP PROJECT (2 POEPLE)
PROFESSOR: TRACEY LOSTON
Designed to balance emergency efficiency with staff well-being, this facility places the apparatus bay on the east for quick access and public spaces on the west. The second floor houses staff living areas with a rear terrace, while the site offers amenities like a gym and a classroom. All work presented here was created by me. My duties included project scheduling, communication with representatives, and the design of key elements.
1. APPARATUS BAY BELOW
2. CLASSROOM
3. KITCHEN & LOUNGE ROOM
4. GYM
5. DORM 1
6. DORM 2
7. DORM 3
8. DORM 4
9. DORM 5
10. DORM 6
11. DORM 7
12. DORM 8
13. DORM 9
1. APPARATUS BAY BELOW 2. CLASSROOM
3. KITCHEN & LOUNGE ROOM 4. GYM
5. DORM 1
6. DORM 2
7. DORM 3
8. DORM 4
9. DORM 5
10. DORM 6
11. DORM 7
12. DORM 8
13. DORM 9
14. DORM 10
15. CAPITANāS OFFICE
16. PRIVATE BATHROOM
17. PRIVATE BATHROOM
18. FEMALE BATHROOM
19. MALE BATHROOM
20. NON-BINARY BATHROOM
21. HOSE TOWER
22. EXIT STAIR 1
23. EXIT STAIR 2
24. ELEVATOR
25. ACCESIBLE ROOFTOP TERRACE
1. APPARATUS BAY
2. WATCH ROOM
3. DATA ROOM
4. WORKSHOP
5. STORAGE
6. CLEAN/LAUNDRY ROOM
7. EQUIPMENT STORAGE ROOM
8. AIR ROOM
9. ELEVATOR
10. LOBBY
1. APPARATUS BAY
2. WATCH ROOM
3. DATA ROOM
4. WORKSHOP
5. STORAGE
6. CLEAN/LAUNDRY ROOM
7. EQUIPMENT STORAGE ROOM
8. AIR ROOM
9. ELEVATOR
10. LOBBY
11. BARRIER FREE WASHROOM
12. OFFICE
13. CONFERENCE ROOM
14. MECHANICAL ROOM
15. CUSTODIAL CLOSET
16. FLOOR ABOVE
17. HOSE TOWER
18. EXIT STAIR 1
19. EXIT STAIR 2
1. RECLAIMED BRICK ON STEEL STUDS
2. RECLAIMED BRICK ON CONCRETE BLOCK
3. LOADBEARING COLUMN
4. PARAPET WALL
5. DECORATIVE COLUMN
6. CURTAIN WALL SYSTEM
7. FIRE TRUCK DOOR
8. AMBULANCE TRUCK DOOR
9. SUV DOOR
10. METAL FRAME DOOR
11. CURTAIN WALL METAL FRAME DOOR
2 5 14 15 18 4 11 13 17 15% 16 19 21 20 12 6 7 8 9 10 3
1. FLAT ROOF w/2% SLOPE. METAL DECKING, 2 LAYERS OF 76mm INSUL., MEMBRANE LAYER
2. 750mm DEEP OWSJ @ 1820 O/C
3. 178mm x 303mm STEEL I BEAM
4. CLIP ANGLE AT MULLION
5. GRID ACT CEILING TILE
6. STEEL I COLUMN
7. GLAZED CURTAIN WALL. 28mm THICK GLAZING w/ 200mm THICK PREFINISHED ALUMINIUM FRAME
8. STEEL COMPOSITE DECK SLAB: 50mm DEEP STEEL DECKING w/ 160mm THICK POURED CONCRETE
9. 12.7mm GYPSUM BOARD
10. FIRESTOPPING
11. CLIP ANGLE AT MULLION
12.VERTICAL WIRE HANGER
13. SPANDREL PANEL w/ 60mm RIGID INSUL
14. GRID ACT CEILING TILE
15. GLAZED CURTAIN WALL. 28mm THICK GLAZING w/ 200mm THICK PREFINISHED ALUMINIUM FRAME
16. 250mm POURED CONC. TRENCH WALL 50mm ABOVE GRADE, EXTENDING 304mm BELOW GRADE
17. METAL FLASHING
18. ASPHALT, 152mm THICK
19. 300mm POURED CONC. TRENCH WALL 304mm BELOW GRADE, EXTENDING 1220mm BELOW GRADE
20. REINFORCED CONCRETE SLAB. 200mm REINFORCED CONC. SLAB ON 152mm GRAVEL ON UNDISTURBED SOIL
21. 1220mm DIA. REINFORCED CONC.CAISSON EXTENDING 3050mm BELOW GRADE
2% 2 5 4 7 6 3 18 17 15% 16 19 21 20
1. FLAT ROOF w/2% SLOPE. METAL DECKING, 2 LAYERS OF 76mm INSUL., MEMBRANE LAYER
2. 750mm DEEP OWSJ @ 1820 O/C
3. 178mm x 303mm STEEL I BEAM
4. SHEAR-RESISTING STEEL CONNECTION
5. STEEL I COLUMN
6. ALUMINIUM CURTAIN WALL. 40mm ALUMINUM PANEL w/ 205mm THICK RIGID INSUL BETWEEN, 5mm ALUMINIUM PANEL
7. OVWR HANG DRIVE-IN DOOR 3050mm x 2400mm
8. 250mm POURED CONC. TRENCH WALL 50mm ABOVE GRADE, EXTENDING 304mm BELOW GRADE
9. METAL FLASHING
10. ASPHALT, 152mm THICK
11. 300mm POURED CONC. TRENCH WALL 304mm BELOW GRADE, EXTENDING 1220mm BELOW GRADE
12. REINFORCED CONCRETE SLAB. 200mm REINFORCED CONC. SLAB ON 152mm GRAVEL ON UNDISTURBED SOIL
13. 1220mm DIA. REINFORCED CONC.CAISSON EXTENDING 3050mm BELOW GRADE
1. PREFINISHED METALFLASHING W/ COUNTER FLASHING
2. 250mm X 50mm WOOD BLOCKING
3. METAL FLASHING ON ROOF MEMBRANE
4. GRAVEL
5. FLAT ROOF W/ 2% SLOPE. METAL DECKING, 2 LAYERS OF 76mm RIGID INSULATION, WATRFPROOFING MEMBRANE LAYER
6. SHEAR-RESISTING CONNECTION
7. STEEL I BEAM
8. PRECAST CONCRETE SANDWICH PANET. 76mm CONCRETE, 98mm RIGID INSULATION, 76mm CONCRETE
9. HSS STEEL COLUMN
1. PRECAST CONCRETE SANDWICH PANET. 76mm CONCRETE, 98mm RIGID INSULATION, 76mm CONCRETE
2. METAL FLASHING
3. ASPHALT
4. ISOLATION JOINT
5. REBAR
6. REINFORCED CONCRETE SLAB. 200mm REINFORCED CONCRETE SLAB ON GRAVEL ON UNDISTURBED SOIL
7. ANCHOR BOLTS W/ LEVELING NUTS ON PLATE
8. REBAR
9. REINFORCED CONCRETE CAISSON EXTENDING BELOW GRADE
10. POURED CONCRETE TRENCH WALL
ARCH 2004
FALL 2024 INDIVIDUAL PROJECT
PROFFESOR: BRENTWOOD JOLLEY
Ā«In the TreesĀ» features a fully off-grid bike workshop designed with a focus on sustainability and urban resilience. The design uses a timber framing structure on helical piles. Features such as cork cladding, bamboo flooring, solar power, and a closed-loop water system help keep the structure secure. Recycled materials and minimal site impact support an eco-conscious approach.
1. ALUMINUM FLASHING
2. ROOFING MEMBRANE XPS RIGID INSULATION AIR/ VAPOUR BARRIER CLT ROOF PANEL
3. EXTERIOR CLADDING ON CLT PARAPET
4. EXTERIOR WALL LOUVERS
5. CLT SHEAR WALL BEYOND
6. BASE FLASHING
7. SHEARWALL 5-PLY CLT
8. CONTINUOUS STEEL ANGLE
9. CLT WITH CONCRETE TOPPING
10. PARTIALLY THREADED SELF-TAPPING SCREWS AT LEDGER
11. GLULAM LEDGER AT WALL LOCATIONS. PROVIDE PARTIALLY THREADED SELF-TAPPING SCREWS TO CLT WALL
12. DECK
13. HELICAL BEAM OR SPREADER
14. HELICAL PIER
1. STRAP WITH FULLY THREADED INCLINED SCREWS AT ENDS OF WALL AT WALL JOINT LOCATION
2. CLT WITH CONCRETE TOPPING
3. PARTIALLY THREADED SELF-TAPPING SCREWS AT LEDGER
4. GLULAM LEDGER AT WALL LOCATIONS. PROVIDE PARTIALLY THREADED SELF-TAPPING SCREWS TO CLT WALL
5. GLULAM GIRDER AS PER PLAN. NOTCH INTO END OF WALL TO PROVIDE 200 BEARING
1. CLT FLOOR PANEL
2. GLULAM COLUMN
3. PLATE WITH EPOXIED THREADED RODS AT GLULAM COLUMN END
4. GLULAM PURLIN PARTIALLY THREADED SELF-TAPPING SCREWS
5. FORM FITTED CONNECTORS
6.GLULAM GIRDER
1. PLATE WITH 4 EPOXIED THREADED RODS INTO END OF GLULAM COLUMN TO FACILITATE CONNECTION
2. CONCRETE TOPPING
3. CLT PANEL
4. 4 EPOXIED THREADED RODS INTO ENDS OF GLULAM COLUMN
5. FORM FITTED CONNECTOR DAPPED INTO COLUMN AT GIRDERS-COLUMN CONNECTIONS
ARCH 3019
SPRING 2025 INDIVIDUAL PROJECT
PROFESSOR: PIETRO FERRARI
The Diomede Islands lie between two nations, two days, and two worlds, seemingly remote, yet vibrating with the gathered presence of life. The islands are not blank. They hold echoes of communities past and present, of explorers crossing the strait, of movements across ice and sea, of borders drawn and resisted, of silence that was never truly empty.
Inception can be different, but nothing ends with form, it resonates. Here, āechoā is not merely sound; it is the conveyed energy of human presence, of environmental rhythms, of stories that resist full disappearance. The landscape remembers, even when the world looks away. Before encountering the space, explore its story, feel the echo. Be shaped by that energy regardless of whether it is desired or not.
Listen rather than disrupt. This is a subtle gesture of respect: a park without markers, a crossing without a bridge. Observe, do not conquer. This is unity, untouched and authentic.
120 HOURS MINI COMPETITION
DECEMBER 2025
INDIVIDUAL PROJECT
āThat is beautiful which is produced by the inner need, which springs from the soul.ā -
Wassily Kandinsky
Inspired by the pipe organ, The Valves stands as a grid of shadows where light is scarce. Yet, a pulse remains. We cannot wait for the air to flow on its own; we must be the force that breathes life and sound into this complex
machine.
responding task to space that a sound, sketches dissect internal of the organ piano, revealing hidden 'inner of the instruments
to the create a feels like sound, these dissect the mechanisms organ and revealing the 'inner world' instruments
Metropolis: Work in Progress...
Fritz Langās 1927 sci-fi masterpiece, Metropolis, depicts a dystopian future split between elite "thinkers" in luxury high-rises and oppressed workers in the underground depths.
The story follows Freder, the son of the cityās master, who becomes a āmediatorā between this class divide after falling for Maria, a saintly figure for the workers. Central to the film is Maria's retelling of the Tower of Babel; she uses the biblical story as an allegory for the city's own discord, illustrating how the "head" (planners) and "hands" (builders) failed to communicate.
In the contemporary urban centers, just like in the film, we face a tragic paradox: people speak the same language but do not understand each other, which inevitably leads to conflicts and wars.
In the contemporary world a āMediatorā is a necessity. Architecture visualizes the series of life in a contemporary city, where a search for a new force is needed to help bridge polar views. Human would act as a connecting link between divided parts of society, calling for peace and unity.
WINTER 2025-2026
PROFFESOR: PIETRO FERRARI
Monday (The Tower Construction)
Tuesday (In The Skies)
Friday (The Wrong Way)
Saturday (Humanity)
Wednesday (The Disconnect)
Sunday (The Celebration)
Thursday (The Collapse)
Seven continents. Seven pavilions. One unified experience at the heart of Earthās most celebrated ecostems.
Refering to Monday as a first day of construction. Positive and uplifting emotions achieved with the help of a large amont of light, some lifting up and expansion of space.
Refering to Friday as a wrong direction. A sense of awareness comes when people walk in a backward direction under the columns they recently walked on top of. While people below are able to see people above, those above are not able to do so.
Refering to Tuesday as a day in the skies. A sense of supremacy and power is achieved through the raised columns along which a person walks.
Refering to Saturday as an emergence of humany. A sense of enlightenment and understanding is achieved through a curcular chaped room where people are exposed to a large amount of light. Being together, each person is illuminated and shown to the others.
Refering to Wednesday as a disconncetion appeared. A feeling of confusion and inhibition is achieved by an unpredictable obstacle in the form of the wall. People must go against their instincts and change their tragectory, choosing the path to the right or to the left.
Refering to Sunday as an act of celebration. Here at the end humanity and unity are celebrated by nature and piece and their importance in our lives.
Refering to Thursday as a collapse. A feeling of fear and loss is achieved through the absence of light and narrowing space. People are forced to go down a chosen corridor. The corridors are identical.
section and plans