Anish Aditya Prasad | Architecture Portfolio 2024

A RC H I T E C T U R E P O RT F O L I O

A N I S H A D I T YA P R A S A D

ANISH ADITYA PRASAD B.ARCH | SEMESTER 9 As a student of the built environment, I believe that architecture serves as a tangible index of wider societal phenomena. Through my academic journey, I have come to understand the politics of representation and the many ways in which buildings can contribute to space/identity/dream building.

This portfolio contains a selection of works that show my exploration in design through various scales. It showcases my experience in working on the scale of the human hand to the scale of the city.

I am passionate about the human experience that architecture can provide and I wish to produce work that challenges the status quo.

Golden Pagoda Building, M.G Marg, Gangtok, Sikkim - 737101 anishadityaprasad@gmail.com + 91 8250641240

EDUCATION July 2023

Architectural Association, London Summer School

August 2020 - 2025

Jindal School of Art & Architecture, Sonipat Bachelor of Architecture President, Student Council | 2022 - 23 Batch Representative | 2020 - 22

April 2010 - 2020

Welham Boys School, Dehradun Senior Secondary Schooling School Prefect | 2019 - 20

WORK EXPERIENCE April 2023 - Current

SpaceMonks, New Delhi Externship | Interior Design & Documentation

December 2023

Serendipity Art Festival, Goa Volunteer | Exhibits & PR

September 2023 - November 2024

WIP Labs, New Delhi Externship | Graphic Design & Illustration

December 2022 - January 2023

Aviot Architects, Bangalore Internship | Architecture

December 2021 - January 2022

Phenotype Architecture Studio, New Delhi Internship | Architecture

COMPUTER SKILLS MS Office

Word | Powerpoint | Excel

Adobe CC

Photoshop | Illutsrator | InDesign | Premier Pro

CAD/BIM

AutoCad | Revit*

3D Modelling

Sketchup | Rhino*

Rendering

Enscape | Twinmotion | Lumion*

*Basic proficiency that can be built upon

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CONTENTS

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A R C H I T E C T U RA L P R O J E C T S

CASAMANCE COMMUNITY SCHOOL, SENEGAL

| 08

KN KATJU MARG RENEWAL, NEW DELHI

| 14

CAFE DELHI HEIGHTS, BANGALORE

| 20

E X T RA - C U R R I C U L A R P R O J E C T S

GRAPHICS & ILLUSTRATIONS

| 30

THE SANDWICH SANDWICHER

| 36

PAINTED CANVASES

| 38

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ARCHITEC TUR

RA L P RO J EC TS

CASAMANCE COMMUNITY SCHOOL, SENEGAL PROJEC T TYP E: ARCHITEC TURA L D E SI G N ATE L I E R | G ROUPWOR K SUP ERVI SI ON: AR . SUPA R N A G HOSH TE RM: SEM 6 | 2023

Located in the Casamance region of Senegal, Africa, this project was part of our studio coursework. It was also part of the Kaira Looro International Competition, 2023.

The requirements of the space were to accommodate 125 students, serve as a community space and be buildable by the local community using local materials.

Further, there was no fixed site for the school hence the design had to be one that could be adapted to any site condition in the Casamance region.

Since this project was based in a context that is far from our ‘normal’, an in-depth research on Senegal’s history/culture/materials was first conducted. We zeroed down on compressed earth blocks (prepared on site) for walls, and local bamboo for the roof structure. Further, retractable rattan screens were incorporated to provide additional flexibility to spaces. We also created a modular system of spaces that could be expanded/contracted to form different spaces and serve different functions.

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MODULE DEVELOPMENT Since ease of construction was a primary concern, we adopted a modular approach towards space building. By manipulating the configuration of the modules, we were able to achieve unique functionality each time.

Square Footprint

Dimensionally, this was achieved by using a square base that could further be built on. This base module would primarily serve as a classroom.

Adding a corridor for circulation

Placing two of these modules sideways would result in a space that could serve as a fully functional lab.

Adding Walls & Fenestration

Placing four of the modules in a square arrangement would create a large space that would could accommodate large gatherings.

This would primarily serve as the school canteen, however opening it up would allow it to become a pavilion for community gatherings, events etc.

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Adding the main roof structure

BA STRUC

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AXONOMETRIC VIEW STAFF ROOM 5.4 X 5.4M CANTEEN/COMMUNITY CENTRE 10.8 X 10.8M WASHROOMS 2.7 X 5.4M LAB 11 X 5.4M

AMPHITHEATRE 10.8 X 5.4M

AMBOO CTURE STABILISED EARTH BRICKS RETRACTABLE RATTAN SCREENS

CLASSROOMS 5.4 X 5.4M

MEDICAL ROOM 5.4 X 5.4M STORE 2.7 X 5.4M OFFICE 2.7 X 5.4M 11

SCHEMATIC DRAWINGS

LAB 11 X 5.4 M

AMPHITHEATRE 10.8 X 5.4M

WASHROOMS 2.7 X 5.4 M

CLASSROOM 5.4 X 5.4 M

CLASSROOM 5.4 X 5.4 M

CLASSROOM 5.4 X 5.4 M

CLASSROOM 5.4 X 5.4 M

CLASSROOM 5.4 X 5.4 M

CLASSROOM 5.4 X 5.4 M CANTEEN/ COMMUNITY CENTRE 10.8 X 10.8M

MEDICAL ROOM STORE 5.4 X 5.4 M 2.7 X 5.4 M

OFFICE 2.7 X 5.4 M

PLAN

SECTION 12

STAFF ROOM 5.4 X 5.4M

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K.N. KATJU MARG RENEWAL, NEW DELHI PRO JEC T TYPE: U RB AN DESI GN AT ELI ER | GRO U PWO RK SUPERVISI ON: DR . ALO KEPA RNA SENGU PTA TERM: SEM 7 | 2023

K.N. Katju Marg is a sub-arterial road located in Rohini, New Delhi.

As part of an urban design studio, our task was to conduct fieldwork and redesign a 500m section of the road. The first requirement was to understand the existing site conditions and concerns. Post this, we had to propose a design solution that would address the identified concerns along with improve the overall safety for all users.

Considering the scale of the site, extensive photographs, interviews & audits were conducted through weekly site visits over 8 weeks. To come up with the proposal, we closely referred to IRC (Indian Road Congress) guidelines to understand and implement existing standards in the current site conditions. Further, we used several projects from various cities in India/abroad as references to translate their ideas onto our site.

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SITE CONTEXT & LAND USE OF ROHINI, NEW DELHI 15

EXISTING SITE CONDITIONS SITE FEATURES

IDENTIFIED USERS

USER MODAL SHARE

MORNING

AFTERNOON

EVENING

VEHICULAR MOVEMENT PATTERNS AT INTERSECTION

TWO WHEELER

THREE-WHEELER

BUS

CAR

TEMPO

SITE PROBLEMS

Incorrect Movement Direction

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Damaged Pavers

High Pedestrial Walk

Damaged Drain Covers

Tree Obstructing Service Lane

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DESIGN STRATEGIES

1. DEMARCATING SPACE FOR ALL USERS Once we identified all users of the road, we inferred that pedestrians/cyclists were the most vulnerable group. Thus, a universally accessible footpath was demarcated to for all pedestrians/ disabled users. A cycle track was added to ensure a safe and smooth passage for cyclists. Finally, the carriageway was divided into three lanes including a designated bus lane to ensure smooth traffic flow.

2. DESIGNATING PARKING SPOTS | 3. INCORPORATING TSR PARKING To combat haphazard parking on the road, designated parking spots were provided for 4wheelers and 2-wheelers. Further, a TSR (Three-wheeler scooter rickshaw) parking was provided to ensure safe boarding and drop-offs for this heavily used but severely neglected mode of transport.

4. PRIORITISING THE PEDESTRIANS/CYCLISTS | 5. DESIGNATING MULTI-UTILITY ZONES Lastly, pedestrians and vendors were given priority by providing multi-utility zones which included vendors, seating and green spaces. This would ensure that pedestrians have a pleasurable and safe walking experience throughout the stretch.

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PROPOSED SITE LAYOUT 0 - 180m

180m - 360m

360m - 540m

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CAFE DELHI HEIGHTS, BANGALORE PRO JEC T TYPE: I NTERNSHI P PRO J EC T SUPERVISI ON: AR . SU HANT M A I NI TERM: WI NTER | 2021

Cafe Delhi Heights (CDH) is a restaurant franchise originally based in New Delhi. They set to expand and tap into the lively food culture of Bangalore with a new outlet in 2022.

My task was to design the space for CDH’s new outlet. My scope of work included working on the interior layouts as well as the facade design. Considering this was CDH’s first outlet in Bangalore, the design had to be novel yet evocative of the existing brand.

The structure for the existing site was constructed using only steel which in turn paved the way for an industrial approach to the aesthetic. Using elements such as exposed bricks and steel beams helped build on this and achieve a new visual language. To add a touch of familiarity in this new outlet, pop colours and decorative pipes were borrowed from the interiors of existing CDH outlets’.

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SCHEMATIC FLOOR PLANS

GROUND FLOOR The ground floor layout was done in a way that it accommodated 44 covers. A cut-out on the mezzanine floor above enhanced the openness of the ground floor making it feel more inviting.

TERR The terrace was the largest area of the CDH outlet. There

boasting a 15 feet long bar that would cater to the 78 covers

such as wood & grass (flooring) and vegetation that serves 22

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MEZZANINE The mezzanine served as a pit stop to the terrace with a mixture of booth and balcony type seating. Since the mezzanine also serves as the floor with the main kitchen, it would be buzzing with service activity, hence the seating was arranged to accommodate 18 covers only.

RACE efore, It was designed to be the hub of the establishment,

s on the terrace. There is abundant usage of natural elements

s as a material and visual relief from the industrial look.

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FACADE DEVELOPMENT & VIEWS The approach to developing the facade and exterior was dictated by the existing structure.

Considering that it was steel, it already imbued an industrial style.

This was further developed into a cohesive visual

language

by

incorporating

more

industrial materials such as glass and exposed

Adding Walls to the Existing Structure

brick for the exterior walls.

Certain areas of the facade were exaggerated by creating an external skin using the same Ibeams as the structure. This also helped visually tie the facade to the structure.

The industrial look of the exterior

was

contrasted with a warmer feel in the interiors.

This also translated into the furniture, which was made of softer and more natural materials such as jute and wicker.

Adding the Lift Shaft

Adding a steel and glass skin

MATERIAL PALETTE

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Finished Facade

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EXT RA - C U R R I C U

ULAR PROJEC TS

THE SANDWICH SANDWICHER PRO JEC T TYPE: PRODUCT DESIGN SUPERVISI ON: B ODO NEUSS, J AC EK REW I NSKI , DA NI GA RC I A & SHA N PAT EL TERM: SUMMER SCHO O L 2023 | AA , LO NDO N

The theme of the 2023 Summer School at the Architectural Association, London was ‘London’s Belly’. It aimed to explore the intersection of design and the food of London.

The objective of my unit titled, ‘Unforgettable Noon’ was to design and build a product that enhances the making/eating/packaging of a dish of our choice. I decided to choose the Sandwich for how banal yet versatile it is. The Sandwich Sandwicher is a rebellion to the endless rows of pre-curated supermarket sandwiches so prevalent in London. It aims to bring excitement and the agency of choice (in terms of ingredients) back to its user.

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SCAN/CLICK TO WATCH THE SHORT FILM

THE LITTLE STINT - GRAPHICS & ILLUSTRATIONS PRO JEC T TYPE: EXTERNSHI P PRO J EC T SUPERVISI ON: ANI RB AN GHO SH TERM: SEM 7 | 2023

The Little Stint is a recurring art & cultural event organised by Delhi-based WIP Labs. In 2023, the Little Stint showcased and promoted female artists from various disciplines.

This event was organised in Dhanmill, New Delhi from 4th - 8th October, 2023.

My scope of work for this event was to develop a visual theme using graphics and illustrations that could be used in print and digital media. I set out by researching prominent as well as unrecognised women artists from India, and illustrating icons that represented their works/ideas. I then refined and arranged these icons to form a 4x4 pattern that could serve as a background to flyers, postcards, etc.

The background for this spread is an example of how these illustrations/pattern can be used. The postcards on the right, also designed by me, contain the pattern along with larger individual illustrations. These postcards were printed and distributed during the event.

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S Qurratulain Hyder Author

Qurratulain Hyder 1927-2007

An iconic Indian Urdu novelist, she unfolded the tapestry of history and culture through her prolific literary works.

Born in Aligarh, she navigated the turbulent waters of post-Partition India, crafting narratives that transcended time and space. Hyder's magnum opus, "Aag Ka Darya" (River of Fire), stands as a monumental exploration of human history spanning millennia. A recipient of the Sahitya Akademi Award and the Jnanpith Award, she seamlessly blended tradition with modernity, capturing the essenceof a changing world. Hyder's unparalleled storytelling and linguistic finesse solidify her legacy as a literary luminary, bridging worlds through the power of words.

Mahadevi Verma Poet

Mahadevi Verma 1907-1987

Mahadevi Verma was a preeminent Hindi poet, freedom fighter, and women's rights advocate who illuminated India's literary landscape with her poignant verses. A prominent figure in the Chhayavad movement, Verma's poetic brilliance explored themes of spirituality, social consciousness, and womanhood. Her notable works, like "Yama" and "Neelkanth," showcase a deep connection with nature. Verma's commitment to women's education and empowerment led to her founding the Hindi magazine "Chand," emphasizing the transformative power of education. The Padma Bhushan awardee, known as a "modern Meera," left an indelible mark, inspiring generations.

Rukmini Devi Arundale Dancer

Rukmini Devi Arundale 1904-1986

A visionary dancer and theosophist, Rukmini Devi reshaped the landscape of Indian classical dance. Founder of Kalakshetra, an institution devoted to preserving and promoting traditional arts, she revitalized Bharatanatyam, infusing it with spiritual and philosophical dimensions. Rukmini Devi's performances, marked by grace and innovation, earned her global acclaim. Her commitment to arts extended beyond the stage; she played a pivotal role in the renaissance of Indian dance forms. Awarded the Padma Bhushan and Padma Vibhushan, Rukmini Devi's enduring legacy lies in her profound influence on dance, education, and the cultural identity of modern India.

Fatima Begum Director A pioneer in Indian cinema, she was the first woman film director and actress in Indian cinema history. A trailblazer during the silent film era, she directed and acted in Ardeshir Irani's 'Bulbul-e-Paristan' (1926),contributing significantly to the burgeoning Indian film industry. Breaking societal norms, she played diverse roles and became a symbol of empowerment.

Her daughter, Zubeida, continued her legacy in Indian cinema. Fatima Begum's pioneering spirit and enduring impact on early Indian cinema make her a trailblazing figure, carving a path for future generations of women in the film industry.

Fatima Begum 1892-1983

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ART PROJECTS PRO JEC T TYPE: PERSO NAL PRO J EC TS TERM: 2018 - 23

These are selected works from my dabbles in the world of visual arts. This section includes paintings, collages and diagrams made by me through my undergraduate program as well as high school.

The painted canvases explore themes of animals, human figures, and the built environment for which I use varied mediums such as charcoal, acrylic paints and oil paints (displayed on the right & spreads below).

I later studied the Dadaist & Surrealist art movements which challenged my existing notions of art and its aesthetics. Understanding the spirit of Dadaism also drove me to create some of my own Dadaist works such as collages and paintings (diplayed on the right).

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Skipper 24 x 36” Acrylic Paints on Canvas

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Ocean Eyes 48 x 60” Oil Paints on Canvas 41

Pa(w)ddle On 48 x 36” Charcoal on Canvas

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Antlers 36 x 48” Charcoal on Canvas

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THANK

ANISH ADITY Golden Pagoda Building, M.G M anishadityapras + 91 8250

K YO U

YA PRASAD Marg, Gangtok, Sikkim - 737101 sad@gmail.com 0641240