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portfolio ARCHITECTURE

Aniruddh Muvva

Hello, I am Aniruddh Muvva

aniruddh2002muvva@gmail.com

+91 9100474155

Hyderabad, India

@aniruddhmuvva2728

@saroo_711 (Two Faces)

About Me

My passion lies in enriching the user experience of architectural designs through meticulous attention to detail and a profound exploration of materials and structures. I am eager to gain insights from practrical experiences, as I believe they will contribute significantly to the development of my architectural skills.

Education

R V College of Architecture, Bengaluru Bachelor’s of Architecture 2019 - 2024

Dr.KLP Public School, Guntur Pre-University 2017 - 2019

Kendriya Vidyalaya, Bapatla Boards 2015 - 2017

Work Experience

Doro, Ahmedabad Intern Dec 2023 - Apr 2024

Hobbies & Interests Languagues

Crafting, Miniatures, Sketching, Illustrations, Movies

English, Telugu, Hindi, Kannada

Technical skills

AutoCAD

Lumion

Adobe Fresco

Adobe Photoshop

Adobe Illustrator

Adobe Indesign

Rhinoceros 3D

SketchUp

Revit

MS Office

Hand-drafting

Model Making

Sinuation

Silhoutte

Ekashila

Prayaana

Working Drawings

Hand Crafted Models

Miniatures

SINUATION 01

Year :

Site :

Typology :

2020

M.G. Road Museum

The advent of global health pandemic COVID-19 has resulted in some unprecedented changes in our lives. The only plausible solution appeared to be resorting to a lockdown, which was counter intuitive to basic human nature - confining the bounds of his freedom. the three most conspicuous emotions which any individual must have gone through during these daunting times would have been lonliness, fear and uncertainity. The museum shall look to stimulate emotions to recreate the same state of mind and to relate with people fighting the pandemic.

The concept involves the usage of circular chambers that emulate the emotion of endless entrapment - no start or end of sight. The word entrapment in this context is mutlifaceted, and also depicts the emotion of fighting back your own thoughts and pacing in circles in your head.

The concept involves the usage of circular chambers that emulate the emotion of endless entrapment - no start or end of sight. The word entrapment

entrapment in this context is mutlifaceted, and also depicts the emotion of fighting back your own thoughts and pacin g in circles in your head.

SILHOUETTE

The insert refers to a retail unit located at Suryalanka Beach in Bapatla, where typical retail activities are conducted using small carts. The primary objective was to repurpose waste materials and create an environmentally sustainable unit. To achieve this, a selection was made to utilize various discarded fishing nets to construct a semi-open retail space for selling fried fish. These discarded fishing nets are creatively overlapped to create diverse patterns of shadows, resulting in a dynamic and engaging experience for customers as the sun changes its position throughout the day.

EKASHILA

Year :

Site :

Typology :

2022

Bangalore University

Institution

The project is situated within the premises of Bangalore University, enveloped by an abundant tree cover on all sides of the site. The main objective was to establish an institution dedicated to preserving and promoting traditional crafts, including pottery, bamboo craftsmanship, stone sculpting, and carpentry.The architectural design of the structure draws inspiration from the concept of monolithic architecture and incorporates arches into its design elements.

7. SEMINAR HALL

6. TOILETS

9. STAFF ROOMS

10. ADMIN

S - STORAGE

W - WORKSACE

8. CAFE

3. POTTERY CLASSROOM

2. STONE CARVING CLASSROOM

5. BAMBOO CLASSROOM

CARPENTRY CLASSROOM

EXHIBITION SPACE & PLAZZA

MULTI PURPOSE HALL

SEMINAR HALL

BAMBOO CLASSROOM & WORKSHOP

CARPENTRY CLASSROOM & WORKSHOP

EXHIBITION SPACE & PLAZZA

POTTERY CLASSROOM & WORKSHOP

STONE CARVING CLASSROOM & WORKSHOP

ADMIN STAFF ROOMS CAFE

TOILETS

PRAYAANA

Year :

Site :

Typology :

2023

Kengeri metro station

Urban Intervention group work

The proposal aims to improve the pedestrian connectivity between the Kengeri Bus Terminal Metro Station, the Kengeri TTMC, and the Kengeri Railway Station by using vibrant colors as a means to enhance this connection. The intervention is a combination of multiple elements; the fabric canopy - an element of shading screen, the urban wall - an element of inclusivity, and the pedestrian cross-over - an element of linkage.

PEDESTRIAN CROSSING

PEDESTRIAN WALKWAY

UNDERGOING CROSSING LEGEND

URBAN WALL

FABRIC CANOPY

MODULE 5 BUS STOP & DRINKING WATER FACILITY

MODULE 4 SEATING

MODULE 2 SEATING & FRAMING

MODULE 1 VENDING SPACE

MODULE 3 GROUP SEATING

The urban wall in an attempt at designing a barrier which sculpts itself into a series of different elements including a bus stop, seating, framing the lake, a vending space, amenities, etc.

The fabric canopy is an intervention accentuating the road connecting to the railway station and the main road as well as shading the street. The canopy is an undulating plane floating in air connected to the last floor of the existing buildings or to polls embedded on the road.

The pedestrian cross-over is an element connecting the users from the bus station to the lake front at the ground level followind a similar character as the wall and the canopy.