Aniket Sharma's PORTFOLIO

PORTFOLIO PORTFOLIO

ANIKET

PORTFOLIO. ANIKET SHARMA

ANIKET SHARMA SELECTED WORKS 20-23 ARCHITECTURE ANIKET SHARMA SELECTED WORKS 20-23 ARCHITECTURE ANIKET SHARMA SELECTED WORKS 20-23 ARCHITECTURE ANIKET SHARMA SELECTED WORKS 20-23 ARCHITECTURE ANIKET SHARMA SELECTED WORKS 20-23 ARCHITECTURE ANIKET SHARMA SELECTED WORKS 20-23 ARCHITECTURE ANIKET SHARMA SELECTED WORKS 20-23 ARCHITECTURE ANIKET SHARMA SELECTED WORKS 20-23 ARCHITECTURE ANIKET SHARMA SELECTED WORKS 20-23 ARCHITECTURE ANIKET SHARMA SELECTED WORKS 20-23 ARCHITECTURE ANIKET SHARMA SELECTED WORKS 20-23 ARCHITECTURE ANIKET SHARMA SELECTED WORKS 20-23 ARCHITECTURE ANIKET SHARMA SELECTED WORKS 20-23 ARCHITECTURE ANIKET SHARMA SELECTED WORKS 20-23 ARCHITECTURE ANIKET SHARMA Internship SELECTEDApplication WORKS 20-23 ARCHITECTURE Portfolio Selected Works 2020-2023

ANIKET SHARMA

1 SELECTED WORKS

20-23

ARCHITECTURE

PORTFOLIO

ANIKET

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aniketsharma.architecture@gmail.com 990-699-4550 Court Road Udhampur, 182101 JAMMU & KASHMIR, INDIA

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A GOOD HUMAN

A GOOD DESIGNER

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I AM A GOOD HUMAN. I CONSIDER EVERYTHING. I DEVELOP STRONG, INFORMED OPINIONS. I MAKE THINGS, LIKE THEY MATTER.

Aniket Sharma Architecture Student

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CONTENTS.

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CHOICE-LESS ACADEMIC PROJECT

p. 6-11

NARRATIVE SPACES ACADEMIC PROJECT

p. 12-13

VIDEH

ACADEMIC PROJECT

p. 14-16

PROFESSIONAL WORKS PART-TIME AT STUDIO AGAMA

p. 17-19

MISCELLANEOUS

ACADEMIC PROJECT + COMPETITIONS

p. 20-22

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CHOICE-LESS UNDULATING FORMS MANIPULATING LIGHTS What is this new architectural object? It intrigues us with its purity, it minimalist geometry and its immaculate white… …a new place….The place of observation….. choice-less observation.

The proposal consists of designing a building that aspires to have the ability to go through time and not become obsolete, adapting to the physical conditions and making the most of them to present the situation and solution in an innovative way.

2023

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CONCEPT Choice-less awareness, here simply means the design of my apartment TRIES TO BE devoid of anything that brings awareness of choice, dislikes from deep rooted prejudices.

Choiceless awareness implies to be aware both objectively, outside, and inwardly, without any choice. Just to be aware of the colour, of the forms, of the trees, the mountains, nature – just to be aware. Not choose, say, ‘I like this’, ‘I don’t like that’ or ‘I want this’, ‘I don’t want that’. Right?

To observe without the observer. The observer is the past, which is conditioned, therefore he is always looking from that conditioned point of view, therefore there is like and dislike, my design is better, my god, your god, all the rest of it.

To be aware implies to observe the whole environment around you, the mountains, the trees, the ugly walls, the towns, aware, look at it. And in that observation there is no decision, no will, no choice.

The proposal consists of designing a building that aspires to have the ability to go through time and not become obsolete, adapting to the physical conditions and making the most of them to present the situation and solution in an innovative way.

The four towers are arranged with separate communication cores between two square towers, facing each other perpendicularly forming a + The curved geometry together with the intense eastern sun favour the slender perception of tower.

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A

B

C

D

E

F

G

Concrete perimeter

1

column structure

SEAT

LIVING

DINING

KITCHEN CABINETS

SEAT

2

ISLAND DINING TABLE

COUNTER

FAMILY ROOM REFRIGERATOR

3

7 X 4.3 MTRS.

13 X 7 MTRS.

D1

D1

EXIT

4

3.7 x 2.5 MTRS.

Hall

5

Concrete Shear walls maximum stiffness

TEMPLE

SERVICE-DUCTS

WASHER

Hall

DRYER

Elevator shaft

ENTRY

D1

D1

D1

Bathroom

6

GRANITE STONE FLOORING

3.3 x 2.6 MTRS.

EXIT

WC

D1

D1 D1

D1

ARCH WALK-IN CLOSET 3.7 x 2.5 MTRS.

D1

7

CABINETS

D1

D1

Bathroom

Bathroom

3.8 x 2.3 MTRS.

D1

CABINETS

2.8 x 2.1 MTRS.

D1

D1

D1

STUDY

D1

ARCH

8

Master Bed-Room

D1

01

STUDY

Bed-Room 02

Bed-Room

4.6 x 4.3 MTRS.

03

9

7.4 x 3.8 MTRS. WALK-IN CLOSET 4.6 x 2.4 MTRS.

6 x 4.3 MTRS.

CABINETS

Concrete perimeter column structure

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STUDY

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The structure is configured using a rigid core and the distribution of the floors facilitates the materialization of a simple structure.

The façade is projected using a solid surface that adapts to the geometry without the need for thermoforming, anchored to the supporting structure creating a ventilated façade system.

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PORTFOLIO

ANIKET A

B

C

D

E

F

G

INFINITY POOL AREA

1

2 STEPS

SEAT

DINING

KITCHEN

LIVING

SEAT

CABINETS

2

W

ISLAND

FAMILY ROOM

DINING TABLE

COUNTER COVERED WITH GLASS-BLOCKS

REFRIGERATOR

D1

3

DRYER SIDE COURTYARD GARDEN

WALK-IN CLOSET

WASHER

W1

BATH

Bed-Room WC

D1

WATER FEATURE

D1

SHOWER ROOM

02

W1 D1

STUDY

STUDY

D1

ARCH

03

5

WOODEN DECK

02

SHOWER ROOM W1

W1 D1

01

D1

4

WALK-IN CLOSET

Master Bed-Room

ENTRY - FOYER

01

STUDY D1

W1

Bed-Room 03

WALK-IN CLOSET

D1

W1

W1

D1

W2

6

FISH POND (ALSO COVERED WITH GLASS BLOCKS)

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ENTRY GROUND FLOOR AREA = 227.52 m2 FFL

FSL FFL

Sprinkler main pipe

Raised floor tiling system with underfloor wiring and air supply Sprinkler dropper pipe

Suspended ceiling system

FCL

Stair Section

Light and sprinkler Close-up detail of standard semi-recessed sprinkler head set into ceiling

Services riser

Close-up detail of ‘pop-down’ sprinkler head, hidden behind flat circular disk

Lift

Slab

ELEVATOR AND STAIR CORE 1 2

21

3 4

19

5

18

6

17

Shown here: speed wall structural shaft lining system to shaft side, FRR plasterboard cladding to external face.

Shaft can also be made from AAC or solid concrete where needed.

SERVICE DUCTS

Wall mounted electric regenerating lift motor mounted within shaft

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16

Counterweight

8

15 14

Base Isolation of Services

Stair plan

22 20

Services need room to flex/expand/contract when building is base-isolated

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12

11

10

9

Lift car wall lining fixed to thin steel panels of Car

Stairs and elevator also need to be isolated and move with building above

Guide wheels / tracks

Lifting beam over car X indicates clear void needed for lift shaft Control panel

Base isolator supports slab of ground floor above

Lift car doors Fire-rated Lift lobby doors slide across opening, fixed to inside of shaft wall

Base Isolation of elevator shaft and stairs

Wall covering to front of Lift lobby, with hard-wearing materials to exposed corners around doors

Typical layout

Base isolation sections in basement

Lift plan

10

Beams only - walls not needed between lift shafts

Services Riser

900

Light and sprinkler

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NARRATIVE SPACES ART GALLERT, MUSEUM & LIBRARY WHOLE OF MY DESIGN FOR THIS ART GALLERY WAS INFORMED AND INSPIRED BY THE EXISTING SITE CONDITIONS. MY FIRST MOVE WHEN I STARTED TO THINK ABOUT FORM WAS TO DECPHER THE SITE FIRST, ITS CONTOURS ,IT SIMPLY HELPED ME IN UNDERSTANDING WHAT TO IGNORE, SUBSTRACT, ERASE OR ADD TO THE EXISTING SITE CONDITIONS.

2022

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ABSTRACT While designing art gallery, the challenge of the designing consists of facing the complexity of reality by interweaving contents that they must reshape, giving them a narrative pace. The result of this recasting is a narrative museum. This is a concept that is developed through in-depth research and has implemented in many actual museum projects in recent years. Conceived as a reaction against and opposition to the type of design used in the cases of the nailin-the-wall museum, the narrative museum makes the user the active protagonist of an interactive multimedia diorama ,like in a game.

These spaces are defined beyond forms with the aim of activating new usage patterns, placing an emphasis on the narrative quality of the place.

DECK AND INFINITY POOL VIP UNDERGROUND PARKING FOR ARTISTS

UP UP

ADMINISTRATIVE OFFICE SOUVENIR SHOP

RECEPTION & ENQUIRY COUNTER

RAMP

LANDSCAPED COURTYARD

THIRD FLOOR LEVEL +11500 MM

INDOOR AUDITORIUM SITTING SPACE FRAMING VIEWS

D ENTRY/EXIT

HVAC SYSTEMS & WATER STORAGE FOR POOL AND WATER FEATURES

LOUNGE/BAR

SECOND FLOOR LEVEL +6300 MM CAPSULE LIFT

FIRST FLOOR LEVEL +3600 MM

VIP LOUNGE D

D

D

LANDSCAPED AREA

GROUND LEVEL 0

D

VIP PARKING FOR ARTISTS

RAMP

BASEMENT LEVEL 1 -3600 MM

LANDSCAPED AREA

D

D

BASEMENT LEVEL 2 -10000 MM WATERFALL

ART GALLERY - AUDITORIUM SECTIONAL VIEW 13

N

NAME : ANIKET SHARMA SEMESTER - FOURTH SUBJECT: ARCHITECTURE DESIGN STUDIO-2 GOVERNMENT SCHOOL OF ARCHITECTUREJAMMU

DATE : 13/10/2022 ROLL NUMBER : 10-SOARCH-20 SUBMISSION CHECKED BY: DRAWING NUMBER:

PORTFOLIO

ANIKET

VIDEH PRIMARY HEALTH-CARE CENTRE WHAT IS HEALTH? VERY VAGUELY ITS ABSENCE OF DISEASE, OR WHEN YOU ARE AT EASE AT ALL LEVELS,OUR ANCIENT SCHOLARS DESCRIBE HEALTH VERY PROFOUNDLY THROUGH A SINGLE WORD ‘VIDEH’(BODY-LESS), FOR THEM A HEALTHY PERSON FORGETS HE’S THE BODY, IN SIMPLER WORDS ‘OBSERVED REMAINS – OBSERVER DIES’

2023

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CONCEPT CONCEPT OF HEALTHCARE arises from our shared humanity and frailty, our hopes and fears. The origins of healthcare – in religion, charity, medical science, war, trade, cities and architecture – have bound us all together in the quest for a healthier future. This journey has had its dark moments, as well as joyous celebrations of discoveries and cures.

The journey continues today with more knowledge and technology than ever before, but the essential subject of this exploration – the human – remains mortal.

Person-centred design changes the design of hospital buildings from technical ‘white boxes’ oriented around the medical staff to buildings which in themselves support wellness and recovery. However, here I also cared to provide areas and environment suitable for the carers and families as well as patients and also, of course, the all-important staff..

Provided access to external spaces whether landscape, courtyard or balcony all are valued by patients, visitors and staff, and can provide welcome relief from often necessarily clinical interior environments. External spaces can include facilities such as a terraces, rehabilitation areas or quiet gardens for remembrance or reflection.

Multi-sensory design includes scented plants that will be encouraging insect and bird-life to provide interest and help reduce stress for staff, patients and visitors.

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PROFESSIONAL WORKS PART-TIME INTERNSHIP AT STUDIO AGAMA Worked on design, visualization, and coordination for design projects.Presented iterations and design idea.

Used AutoCAD, Sketchup, Revit, Illustrator, PowerPoint and Photoshop to produce presentation plans and elevations ON- SITE Documentation, Site Plan, Floor Plans, Elevations and Sections of SHRI RANVIR SINGH LIBRARY for Jammu Smart City.

Badrinath Temple Detailed Drawings and Documentation for Badrinath Masterplan (ASI).

2023

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GRID SIZE-1M X 1M

Notes :

PORTFOLIO

ANIKET LVL +10285

LVL +8725

LVL +6540

Client :

LVL +5250 LVL +4450

JAMMU SMA BAHU PLAZ 4TH FLOOR

LVL +3080

Contrac

M/s CEEKAY Hall NO. 109, SOUTH BLOC GANDHI NA

LVL +925 LVL ±00

Consult

NORTH ELEVATION

STUDIO AGA

40 1/A SOUT TRIKUTA N JAMMU - 18

LVL +10285

LVL +10285

LVL +9000

LVL +8725

LVL +6540

SRS CE

Dwg Titl ELEVATI MAIN B

LVL +6350

Architectu

LVL +5250

LVL +5250

Key Plan :

LVL +4450

LVL +4450

LVL +3080

SIZE-1M X 1M

Name of

LVL +2880

LVL +925

LVL +760

LVL ±00

LVL ±00

0

1

WEST ELEVATION

EAST ELEVATION

0.5

Date :- Ap

Drg. No. :

Drawn By

ROAD MODERNIZATION OF SRS CENTRAL LIBRARY COMPLEX, KACHI CHHAWANI, JAMMU. 2900

ENTRY

Checked B 5240

TOILET

LVL +450

TOILET

6200

4400

2500

4400

4400

STAIRCASE

AUTOMATION ROOM (6200 X 4400)

1800

LVL +450

1575

1575 LVL +300

LVL +450

TOILET 3450

1200

2500

STORE 2 (4400 X 4400)

5240

2600

ROOM

ROOM

3450

2448

2639

CORRIDOR No. 2 LVL +450

2960

5164

4500

1644

2232

URDU SECTION ROOM 1 (9250 X 4525)

4500

LVL +450

4525

HINDI SECTION ROOM 3 (4500X 2625)

2531

2625

STAIRCASE

KITCHEN (2448 X 4500)

LVL +450

3800

12450

LVL +450

STAIRCASE ENGLISH SECTION CENTRAL HALL (13400 X 6750)

3216

6750

LVL +450

4900

RAJA RAM MOHAN ROOM 1 (3450 X 12450)

9250

HINDI SECTION ROOM 2 (4900 X 3800)

LVL +300

CORRIDOR No. 3

LVL +450

4450

11230

LVL +450

2949

ACCOUNT SECTION (3400 X 4200)

4200

CHIEF LIBRARIAN (5350 X 4400)

4400

LVL +450

2755

5800

13400

HINDI SECTION ROOM 1 (4450 X 5800)

LVL +450

CORRIDOR No. 1

STAIRCASE

LVL +450

3400

5350

3225

3269

STORE 1 LVL +450

LVL +/-0.0

LVL +300

READING ROOM 2 (3429 X 10342)

STAIRCASE

READING ROOM 1 (9300 X 6833)

2400

LVL +450

6833

STAIRCASE

3429

ENTRY

PATHWAY

PATHWAY

LVL +300

STORAGE 3 (9362 X 5540) LVL +450

ROAD

MODERNIZATION OF SRS CENTRAL LIBRARY COMPLEX, KACHI CHHAWANI, JAMMU.

18

5540

LVL +450

7622

3492

3962

READING ROOM 2 (7622 X 3492)

PARKING

10342

9299

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ANIKET

Served as an part-time Architecture & Design Intern at Studio Agama from February 2023 to August 2023, contributed to design , documentation ,visualization and coordination of projects including Shri Ranvir Singh Library modernization plans and the Badrinath Temple documentatin for ASI.

(SHOWCASING SOME OF THE DETAILED DRAWINGS OF SRS LIBRARY & SHRI BADRINATH TEMPLE)

© 2023

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MISCELLANEOUS WORKS HANDMADE PHYSICAL MODELS + WORKS PHYSICAL MODELS FROM ACADEMIC PROJECTS AND COMPETITION

20-23

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“TRANSIT IN TRANSITION” PHYSICAL MODELS STUDY MODELS FOR ACADEMIC ARCHITECTURE DESIGN STUDIO AND FOR ARCHITECTURE COMPETITIONS

‘Site’

‘CONCEPT’ In this context I present a street furniture collection made out of bamboo as the primary construction material with net zero energy, designed here for a street named ‘long street’ ( ‘लंबी गली’ ) which is highly adaptable and functional. In a scenario where structures are responsible for a large part of the energy consumed on the planet, it is necessary that the concepts of energy efficiency and use of sustainable materials like bamboo become the part off the new structures since their conception. This design not only matches with the much discussed energy efficiency but also with the sustainable principles of using sustainable materials but at the same time optimising public transport promoting different uses connectivity and transit. As an additional benefit of using bamboo, the environmental impact of construction are avoided, reducing the emission of and global warming.

My objective with this project was to demonstrate not only what sustainable materials are, but exactly how much each of them positively impacts its users, society and the environment.

The site is located in the historical part of Udhampur , which today is represented as complicated market and public space. This street can be accessed mainly via Gole market, width of street is 240 cm. This street is a popular shopping hub due to the shops on adjacent sides and stalls during the festive seasons.

3-D SKETCHES

“DESIGN EVOLUTION”

Scale 1:15

‘FINAL MODEL’ 40 cm

230 cm

It also symbolizes openness and an eagerness to evolve with the changing times, it consists of swing benches on alternate sides to sit, empty spaces for shops and house openings. Rich flow of traffic in this place led to the idea of the whole structure, consolidating a communicative environment and trade, as important elements of the economy and history of this area. Arrow like bamboo beams to create directionality for users coming from both sides, also interest and movement in space for the user to experience . Also this model is not a accumulation of space, it is an enhancement for space.

“JOINERY DETAILS”

Aniket

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thank you!

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ANIKET SHARMA ANIKET SHARMA ANIKET SHARMA ANIKET SHARMA ANIKET SHARMA ANIKET SHARMA ANIKET SHARMA ANIKET SHARMA ANIKET SHARMA ANIKET SHARMA ANIKET SHARMA ANIKET SHARMA ANIKET SHARMA ANIKET SHARMA ANIKET SHARMA

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ARCHITECTURE ARCHITECTURE ARCHITECTURE ARCHITECTURE ARCHITECTURE ARCHITECTURE ARCHITECTURE ARCHITECTURE ARCHITECTURE ARCHITECTURE ARCHITECTURE ARCHITECTURE ARCHITECTURE ARCHITECTURE ARCHITECTURE

ANIKET SHARMA

24 SELECTED WORKS

20-23

ARCHITECTURE