ANGUSWILLIAMSON
InteriorDesignSelectedWorks 2022-2024
RESUME
Iama2023RMITBachelorsofInteriorDesignHonoursgraduate.Iaman ambitiouspersonwhoishappytoconfrontchallengesandwork togetherinateamtoreachsharedgoals.WithastrongsetofskillsIam extremelycapableofadaptingtonewenvironmentsandresolving problems.Ihavegainedconfidencewithinter-relationalskillsthrough mydegrees,frequentpresentationsandcollaborativeprojects.
EDUCATION
VictorianCertificateofEducation(VCE)Completed2019
RMITBachelorofInteriorDesign(Honours)completed2020-2023
ACHIEVEMENTS
VictorianWoodworkersAssociationFixedprojectcourse2024
RMITSIDAexhibition2022
Skills
Attributes
Novice
WORKEXPERIENCE
RobinBoydFoundation
volunteer : February - July 2024
AsavolunteerIwasanadvocateforsharing thestoryofRobinBoydatthepopularWalsh StreetHouse.Iwasanactiveparticipantin publicfocusedeventsassistinginhouse toursandbehindthescenessupportsuch asworkingbees
StudioPaule
Interior Design Internship : July 2023
Workinginasmallteamduringtheschematic designforanofficeinteriorfitout Thisinvolved collaborativelyresolvingadesignconceptin responsetoprevailingsitecomplications.
FoolscapStudio
Interior Design Internship : April - May 2023
Iwasresponsibleforrearrangingthematerial librarycoordinatingwithsupplierstocollect outdatedsamples.Additionallyproduceda vibranttableclothdesignedfromwastepaper thatwasexhibitedduringMelbourneDesign Week2023
PresbyterianLadiesCollege
Barista : March - August 2024
Iwasinchargeofindependentlysupervisingoneof theschoolscanteendaytodayoperationswhile offeringhospitalityservices InthisroleIconducted regularcoffeemachinemaintenanceandliaised betweentwokitchenstocoordinatestocklevelsof thecanteen.
GoodBoyBilly’s
Barista : 2021 - 2024
Allroundbaristaroleinvolvinglisteningto customerorderswhileensuringmaximumquality andefficiency Ioftenledtheclosingshifts organisingfoodproductionandpreparingthe shopforthenextday.
PROJECTS
Concealed within securely holding the table's carcass are a series of dowels installed using a dowelling jointer.
SIDETABLE
Role:VictorianWoodworkersAssociation student
Process:Handmade
Date:2024
CRAFT. DETAIL. SCULPTURE.
Thisprogramwasacompleteintroductionto woodworkingformewhereIconstructeda prepareddesignundertheguidanceofVWA tutors.Throughthe10weekcourseIgainedan understandingofhowtotreattimberandsafely operatemachinery.Inthisprocesseach componentofthesidetablehasbeenfaced fromanuntreatedtimberboardbymachining Whereasacombinationofsmallermachines andhandtoolsareappliedtogivethesidetable itscharacteristiccurves.OverthecourseI recognisedthelevelofcareandattention requiredofmeforeachcomponentto successfullyproduceapieceofcraft
On the frames rail a router was used to seamlessly join the bridle joint into the leg.
Gently using a handsaw and chisel I removed waste from the legs and rail producing space for mortise and tenon joints.
Opposing southern view within the interior wall of the creeks valley where hillside shadows creep in during the late afternoons
Biik wurrdha Shelter
HonoursThesisResearchProject
Process:Rhino,Photoshop
Date:2023 Role:StudentInteriorDesigner
PLACE. BOUNDARY. FRAMING.
SituatedontheedgeSunburysurbansprawl alongtheremnantwoodlandsofJacksonCreek arethreelightinterventionsthatofferaccess intotheundulatingterrain.Withinthissitethe projectproposesalookout,bikeshelterand bridgethatinunionarecomposedtoemphasize thesightlinesofplace Bywalkingsitethe experienceisanopportunitytointerpretthe countryandwaterwayswheremomentsof introspectioncanrevealacontexttoplace.
Theframingofperforatedsteelisderivedfrom theconstructionofhousingestateswhere opaquematerialskinsseparateinteriorfrom exterior.Theapplicationofperforatedsteel blursthismaterialboundarybetweenlandscape andintervention Additionallytheinterventions followthephysicalboundariesofsite highlightingtheseconditionsandembracing themthroughmovement.
Arriving to a spatial release an incision into the perforated steel composes a vista where the intervention frame expresses the boundaries limit
The perforated steel enclosure frames opposing perspectives through movement around the bend offering both site amenity and awareness to place
WONDER WASTE
Role:InteriorDesignIntern
Process:Upcycling
Date:2023
Due to having limited blue paper it is composed subtly as a fragment treating it as a rarity.
COLOUR.
TEXTURE. COMPOSITION.
WonderWastewasarecycledpaperproject undertakenduringmyplacementatFoolscap StudiowhichwasexhibitedduringOpenTable MelbourneDesignWeek2023 Myrolewasin producingthepiecewhereIcollaboratedwith otherinternsexploringandresolvingmethodsof recyclingpaperwaste.Theworkintendsto revealsustainabledesignopportunitiesthrough thesubtlecompositionandspatialrelationsof thecolourfulwaste
Day to day we produced different waste composites where our mixing techniques evolved and this process is revealed in a vertical timeline.
A set of utensils were cast from left over waste to adorn that table during the exhibition
CAIRO FLATS FURNITURE
Role:StudentInteriorDesigner
Process:Revit,AdobePhotoshop
Date:2022
The use of galvanised steel on the counter top reflects Modernism’s application of industrialised materials which is also evident in the flat’s concrete cantilevered staircase
LIGHT. BOUNDARY. CRAFT.
ThisprojectissituatedwithinBestOverends 1936ModernistmultiresidentialCairoFlats andittransformstheapartmentfora contemporarylifestyle Thespaceisdivided byamultifunctionalcountertopcabinetwith concealedfoldoutbedandmodulartable. Thespatialarrangementopensupthe apartmenttothenorthernwindowextending thesenseofplacebeyondtheinterior
Arriving the audience are confronted by an ambiguous volume that sets up a spatial release beyond creating a curious sense of direction
GALLERY OFTHE SUBLIME
“In the modern era, the sublime took on new meaning, going into the territory of the infinite and the unknowable”
PhilipShaw,‘ModernismandtheSublime’,TheArtoftheSublime, TateResearchPubicaton,January2013
Role:StudentInteriorDesigner
Process:Revit,AdobeIndesignandPhotoshop
Date:2022
SCALE. PERSPECTIVE. NEGATIVESPACE.
Beginningfromdesigningthegallery’svisuallogothedesign playsonmomentsofsightthatdevelopasenseof anticipationforwhatisbeyondtheknown Thegalleryis dividedbytwoexhibitionpavilionswherearchwaysbuilda tensionbetweentheviewerandobjectthattravelsbetweena blurredspace.Bypairingtherawmassofbrickswiththe transparencyofglassanegativespacecastsan overwhelmingformdirectingaudiencestowardstheinterior gallery
Separating the pavilion mass is an open void that exposes audiences to the exterior elements as they travel between sites
The brand logo presents an abstract form in a sublime manner as an undefined symbol that audiences can associate with the gallery