Possible Futures v.2

Page 1

Possible Futures v.2 (revised Fall 2018)

Composed by Andy Jarema


Instrumentation


Notes I

Notes II


Sound sample: Radiohead - Reckoner - 4:02

I Sound sample: RJD2 - A Beautiful Mine - 1:21

II


Sound sample: Justin Timberlake - suit and tie – 5:17

III Sound sample: Ingolf Dahl - Sinfonietta Mvt. III – 3:00

IV

%



Possible Futures

Started 7/27/15 Revised 9/15/18

Mvt. I "Make no little plans. They have no magic to stir men's blood and probably themselves will not be realized." -Daniel Burnham

q = 132 Flute 1

    

  

         f         

  

       

Flute 2

Oboe

Bassoon

  

2

3

4

f

f

   Clarinet 1  

Clarinet 2

   Alto Saxophone 1  

Alto Saxophone 2

   

    

      

Clarinet 3

  Bass Clarinet   

    

Tenor Saxophone

Baritone Saxophone

Trumpet 1

    

Trumpet 2

Trumpet 3

 

   

  French Horn 2   

 

     

   

  

p



p Percussion 1 (Drum Set)

    

       

       

       

 

      

       

     

           

       

     

f

              f

f

Straight mute

      

       

         

          



      

       

ff Straight mute

ff

Straight mute

Stopped horn, bells up (if needed)

Stopped horn, bells up (if needed)



Trumpets & Horns: Buzzy, Electric All Brass: Stagger Breathe

    

  

    

ff

p

   

  

f

f

f

   

f

  

       

p

Tuba

      

f

             

ff

Euphonium

      

6

ff

   

Trombone 2

f

       

     

ff

Trombone 1

   

   

French Horn 1

5

Composed by Andy Jarema

ff

ff

ff

Snare w/brushes

  

f Percussion 2 (Tom-Toms) Percussion 3 (Bass Drum)







   Percussion 4  (Xylophone)  Percussion 5 (Marimba)

f

  

     

f

(Tune Timpani: G - D - E)



     f

5

f

Timpani

mp

Hard mallets

  

  

   

2 mallet roll

Chimes

Slapstick

Percussion 6 (Timpani)

Tom-Toms

 

f

  

 

     

5

 

 

  

5

   




2

7  Fl. 1  Fl. 2

Ob.

Bsn.

Cl. 1

Cl. 3

A. Sax. 1

  

 

   

  

         

       

 

        



 

   9

 



 

10

 

 

      



   

      

   



   

   

 

       

         

       

      

         

       

     

   

   

   



 

   

  



      

   

           

          

          

            

   

              

 

   





   

 

   

  

  

  

 



Tbn. 1



Tbn. 2



Euph.





 

Tom

      

B.D.



  

    

Set

Xyl.

Mar.

Timp.

   

          

Hn. 1

Tpt. 3

Tba.

       

                 

Tpt. 2

Hn. 2

   

       

   

T. Sax.

Tpt. 1



8

           

A. Sax. 2

B. Sax.

 

     

Cl. 2

B. Cl.

   



 

5



    

   

   

 

5

 

5



      

    

 

   

 

     

 

    

 

5

 

 


12

11  Fl. 1  Fl. 2

Ob.

Bsn.

Cl. 1



        

   

      

       

        

       

 

       

       

   

             



Tbn. 2



Euph.



             

       

                  

                                 

 Open

                   

f

    

f

  

Hn. 1

f

  

Tpt. 3

      

f

  

Tpt. 2

Tba.

            B. Sax.  

Tbn. 1

       

T. Sax.

Hn. 2

   

A. Sax. 2

Tpt. 1

16

      

15

      

14

          

      

13

          

Cl. 3

A. Sax. 1

                 12

         

Cl. 2

B. Cl.

3

Open

f

             

 

f

f

f

f

Tom

B.D.



   

  

    

Xyl.

Mar.

Timp.



 

     

Set

    

5

 

    



   

 

  

 

      

 

 

 

 

 

  

 

3


4

17  Fl. 1  

Fl. 2

Ob.

Bsn.

    

p

 



Smooth, frictionless

Smooth, frictionless



    

   

p

     Tpt. 1 

 



 



   

 

 

 

    



    



Opt. slowly move bell into stand

    



 

Tbn. 1



 

Euph.

Tba.

Set



    

pp

pp

Move brushes in circle on drum head

 p

Smooth, frictionless

Tom

    

Slowly move back to stopped horn

pp

    

              



             

pp Tbn. 2

 

Opt. slowly move bell into stand

                       

Suspended Cymbal Snare stick perpendicular to top of cymbal, move in circles B.D.

Xyl.

   

Mar.

Timp.





p

Smooth, frictionless

 

 

3

 

      

  



   

Slowly move back to stopped horn

Hn. 2

   



Opt. slowly move bell into stand

Hn. 1

     

               

Tpt. 3

Smooth, frictionless

  

Tpt. 2

20

     

 

   

p

B. Sax.

p

19

  Smooth, frictionless   A. Sax. 1   

T. Sax.

   

p

  

A. Sax. 2

    

     

 

Cl. 3

18

Smooth, frictionless

 

Cl. 2

   

p

  Cl. 1  

B. Cl.

Smooth, frictionless

 

3

3

 

mf

mf


5

Fl. 1

21   

Fl. 2

Ob.

Bsn.

Cl. 1

Cl. 3

A. Sax. 1



mp

       mp

Tpt. 1

26

p



     

 

pp

pp

 

 





 

  



   

  

  

  



  

   

pp

p

mp

pp

       

       

       

            

    

      pp

pp

pp

pp

Hn. 2

      

mp

  

Hn. 1

25

 

Tpt. 3

     

       

Tpt. 2

24

pp

mp

B. Sax.

23

pp

     

T. Sax.

                               



A. Sax. 2

22

mp

  

Cl. 2

B. Cl.

       



pp

Tbn. 1



Tbn. 2



Euph.





Tba.

Set

Tom

B.D.



Xyl.

mp

ppp



 (let ring)

ppp

mp

  

Mar.

Timp.

Soft mallet

pp

 

 

 

 

 

 



ppp

 ppp


27 Half speed ( q = 66)

6

Fl. 1

27  

Fl. 2

Ob.

Bsn.



  Cl. 1 

28

29

30

31

 

 

  

 

p

  

 

  

  

 

 

B. Sax.

Tpt. 1

Tpt. 2

Tpt. 3

 

Hn. 1

Hn. 2

 

 Tbn. 1

33

mf

Horn cues

36

           

p

(sim)

(sim)

  

Solo, Match marimba decay

           

p

   

   

   

Solo, Match marimba decay

35

   

   

(sim)

mf

34

mf

With expressive shape, hopeful

T. Sax.

With expressive shape, hopeful

   A. Sax. 1   A. Sax. 2

With expressive shape, hopeful

p

 

Cl. 3

B. Cl.

p

Cl. 2

32

p

Horn cues

    p

           

Solo, Match marimba decay p

           

Solo, Match marimba decay

p

           

Solo, Match marimba decay p

Tbn. 2



Euph.





Tba.

Set

Xyl.

   

All Perc: As gently as possible

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

p

   

Sandblock

Tom

B.D.

Sweep brush across head Articulated and short

p Rim



   

  

p

                                       

mp

Mar.

Timp.



Marimba

                                       

mp

   

Slapstick

p

   

   

   

   

   

   

   

   

   


7

37  Fl. 1  

Fl. 2

Ob.

Bsn.

 



  Cl. 1    

Cl. 2

 

Cl. 3

38

Solo, Match marimba decay

    p    

    

  

  A. Sax. 1   p

B. Sax.

 

p

Hn. 2

Tbn. 1

 

 

 p

 

p

 

ff

p

f

ff

p

 

 

ff

f

p

f

p

   

p

p

 mf

 mf

 mf

mp

mp

   

 



 

    

   

   

Tom

   

   

B.D.



   

    

   

p

   

Timp.

 Solo, Cup mute, Match marimba decay         



Mar.

 f

p

Xyl.

p

Set



p

Tba.

   



Euph.

   

   

 

Tbn. 2

   

   

44

   

ff

43

   

p

   

ff

p

p

   

42

f

p

   

Match marimba decay

    

41

   

p

Hn. 1

mp

 

mp

Solo, Cup mute, Match marimba decay

Tpt. 3

 

p

p

      Tpt. 1  Tpt. 2

   

Match marimba decay

p

  With expressive shape, hopeful    

T. Sax.

With expressive shape, hopeful

 

40

p

     B. Cl.  

A. Sax. 2

39



p

f

f

f

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

p


Finished 7/31/15 8

  

45

45

Fl. 1

Fl. 2

Ob.

Bsn.

 



46

47

48

49

50

 

 mp

A. Sax. 1

mp

 

mp

  

  

 

 

 

 

 

Tpt. 3

Hn. 1

 Tbn. 1  

Tom

 

Solo, Cup mute

f Angelic, opt. terminal vibrato

mp

f Angelic, opt. terminal vibrato Solo, Cup mute

 f

 

 f

mp

 

  

f



 

f

 

 f

mp

 

 

(sim)



 f 

 

  

 

 



 

 





  





 

 

  

      



 

           ff



  



            

ff

a2



     

           

                  

            ff                     

f

  

       ff       

f

       ff

ff

Div.

ff

            ff                ff

f

  

 

 

57

ff

           ff              ff

 

f



          

  

 

ff



        ff             ff             

 



      

 

f

f

(sim)

With expressive shape, hopeful

With expressive shape, hopeful

 



(sim)

With expressive shape, hopeful

ff



             ff                  ff               ff  

 

Open, all play

Open

mp

With expressive shape, hopeful

f

Open, all play

 

mp

f

mp

With expressive shape, hopeful

 

56

   

         

ff









mf



f

(sim)

f

 

With expressive shape, hopeful

mp

 f

 Chimes

    f

 

f

 

f

 

       

 

ff

  

ff

    



      

All Perc: Heavy

f



  

   

  Xyl. 



     

     ff Crash + Ride Cym. w/snare sticks Splashy and bright       



Mar.

With expressive shape, hopeful

mp

With expressive shape, hopeful

mp



With expressive shape, hopeful

mp

mp

Euph.

mp

mp

Tbn. 2

mp

 

Tpt. 2



Intense

55



  



54

  

mp

 

 

Timp.

  

 

B.D.

mp

Set

53

  Tpt. 1 

Tba.

 

T. Sax.

Hn. 2

52

mp

 

A. Sax. 2

B. Sax.

mp

 

B. Cl.

Cl. 3

 

mp

  Cl. 1  Cl. 2

51



Let ring

Choke quickly

  

ff

      

           ff                  ff

Choke quickly

  

"thunky"

ff

   

Dead center, Let ring

Hard mallet

  

Repeat 3 notes at random

Repeat 3 notes at random

     

Let ring


Started 8/1/15

Mvt. II "The reason you haven't felt it is because it doesn't exist. What you call love was invented by guys like me to sell nylons." -Don Draper, Mad Men

q = 110

9

Fl. 1

1 



Fl. 2

 

Ob.

 

with separation    All play   Furtive,                        

Bsn.

Cl. 3

3

4

5

6

Solo

   Cl. 1   Cl. 2

2

pp

p

         

9

10

         

  

  

         

         

    

  

   

    

    

   

   

A. Sax. 2

T. Sax.

Tpt. 1

8

Solo

B. Sax.

All play   Furtive, with separation      B. Cl.                                pp p A. Sax. 1

7

Tpt. 2

Tpt. 3

Hn. 1

  

Hn. 2



  

 Tbn. 1

Solo- Cup Mute Furtive, with separation

 

Euph.

Tba.

Set

         

         

 

       

         

         

 

       

         

         

 

All play- Cup Mute









 

 

 

p Cup mute Furtive, with separation

p Furtive, with separation p

 

 

 

Snare brushes Delicate and swift

No accent, even                                                      

p

Tom



B.D.





Xyl.

 



Mar.





Timp.

 

                               pp

Tbn. 2

 

(Tune Timpani: G - C - C#)


10

Xylophone player on Hi-Hat: Player should be positioned on the opposite side of the stage as the drum set player to create a stereophonic effect

14 Fl. 1

11 

Fl. 2

Ob.

Bsn.

Cl. 1



 



17

18

   

7

mp

     

  

   

p

        

  

  

    

 





   p

 





   p

   p

   

   

   

 

    

7                  

Flowing and seemless

 

mp

 





 

 



 

     

  

  





 



 



  

 

Euph.

Flowing and seemless

mp Furtive, with separation mp

 

Tom



   

        

   

  

    



   p



   p





   p





   

   

p

     

Furtive, with separation



pp

p

Flowing and seemless

pp

                

     

  

        

  

  

    

7                 

     

  

        

  

  

    

                

     

  

        

  

  

    

7

7





Flowing and seemless

    

                                                                                           mp Toms w/very soft mallets                                       7

p

 



 

   

 Xyl.  Mar.

p

mp (Hi-Hat w/snare stick)

mp

p

mp

 

 

Timp.

   

Tbn. 2

B.D.

p

mp

Set

16

Hn. 1

Tba.

p

                

15

 

Tpt. 3

Tbn. 1

Tpt. 2

Hn. 2

 



14

 

T. Sax.

Tpt. 1

A. Sax. 2

B. Sax.



13

Cl. 3

A. Sax. 1

  

Cl. 2

B. Cl.

12

 

B.D.- with resonance, very little attack

mp



(sim)

     

       

p Furtive, with separation

    

     

     

                    

      

                                    Hi-Hat w/snare stick

mp Furtive, with separation

p

              

      

            

          


11

19 Fl. 1 



  Cl. 1   Cl. 2   Cl. 3    B. Cl.   A. Sax. 1

  

B. Sax.

Tpt. 1



 Tbn. 1 

Tbn. 2

Euph.

Tba.

Set

 

       pp



pp

   

  

 

    

  

 

mp

Flowing and seemless

pp

mp

pp

  

  

  

  



  

  

  

  

  

  

                

  

  

Furtive, with separation



    

  

   

  

Furtive, with separation

pp



pp

  





Furtive, with separation



Furtive, with separation

  

  

     

  

  

     

  

  

  

  



         

Cup Mute: Furtive, with separation

  

  



    

Cup Mute: Furtive, with separation pp

  

mp

  



       

      

 mp

     

     

mp

mp

Cup Mute: Furtive, with separation

pp



 

with separation



  

25 Furtive,

pp

  

24

 

Hn. 1

23

  

Tpt. 3

  

pp

   

Tpt. 2

Hn. 2

  

  

T. Sax.

 

A. Sax. 2

22

Ob.

21

pp

Fl. 2

Bsn.

20

             

 

     

  

 

     

  

 

pp

  

   

  

  

    

  

 

  

  

    

  

 

  

  

     

  

 

  

pp

mp

mp

mp

    pp

 

 

pp

 

 

pp

pp

Flowing and seemless     

mp

pp

pp

                           

   

                              

                           

  

(Sn./B.D. only)

Tom

B.D.



 Xyl.  

Mar.

Timp.

                                                      mf

                         

                                  



  

   

       

   

   

       

    

     

            mf

     

  



  

  

     

  

  

     

  

  

     

  

 

mf

p


12

Fl. 1

26 







Fl. 2

Ob.

Bsn.

 

  

  

  

 

  

  

  

  

  

 

  

   

27

mp

mp

pp

28

Furtive, with separation

  



pp

 

Cl. 3

  

pp

  Cl. 1  Cl. 2

  

 

   A. Sax. 1     

A. Sax. 2

B. Sax.

Tpt. 1

  

   

  

   

 

  

T. Sax.

     

Tpt. 2

 

Tpt. 3

Hn. 1

Hn. 2



pp

pp

pp



pp

30

  

mp

  

31

32

33











    

 

 

 

        pp

  

  

mp

pp

Crackling

pp B. Cl.

mp

  

Flowing and seemless

29

pp

pp

  

  

5                           

Solo

mp



 

 



  

   





  

   





  

   







pp

pp

pp

Tbn. 1





Tbn. 2



Euph.



Tba.





pp

(Hi-Hat)

Set

 

Tom

  Xyl.  B.D.

Mar.

Timp.

                                   

 

 









pp

                            

pp

pp

            pp        pp

 pp






13

35 Fl. 1

34 



 

 

Fl. 2

Ob.

Bsn.

Cl. 1

 





 

   mp

 

mp

      

  

 

   

      

  

 



   

       

  

 

mp



 mp

mp





  

   

       

  

 

   





  

   

       

  

 

         

a2

5

    

  

  

  



  

  



  



 

Euph.



Tba.



mp

        mf

 

 

mp

  

     

  

   

      

     

   

   

       

mp

      

  

  

  

      

  

  



mf

mf

 







     

mp

  

 

mp

  

    

Straight Mute



mp

   

       



  

   

       



mp Open

      

  

      

  

      

  

    

  

mf

mf

mf

mf

mf

 mp

mf

  

 

mp

mp

    

  

    

    

  

   

mf

mf

mp

mp

  

  

  

  

mp

mp

mp

                                mp                                                                   mp

mp

  

mp

mp Open

mf

mp

mp

mf



mp

Open

mp

mp

 Open

mp

  

  



mp

mp

mp

   

mp

  

Tbn. 2

mp

                              

  





 

   

 



 

     

  

  

     

  

  

     

  

 



 

     

  

  

     

  

  

     

  

 





  mp

 

Tom



Mar.

Timp.

  

 



  

Hn. 1

Xyl.

40       

39

Tpt. 3

B.D.

mf

  

38

Tpt. 2

Set

  

   Tpt. 1  

Tbn. 1

      

37

T. Sax.

Hn. 2

 

A. Sax. 2

B. Sax.

36

Cl. 3

A. Sax. 1

    

Cl. 2

B. Cl.



35

mp

 Xylophone Soft mallet

mp

mp

                Harder attack, still with resonance

   

mp

  


Perc. Cymbals: Hit side edge of cymbal w/butt end of stick Let ring with a wash of sound Fortissimo

16th note rhythm: Softer articulation

14

Fl. 1



Fl. 2



Ob.

Bsn.



41 

       

Cl. 3

B. Cl.

A. Sax. 1



Hn. 1



 Tbn. 1 

Tbn. 2

Euph.

Tba.

Set

 

Tom



   

 



f

   

f

  

f

   

       

43



  

   



   

 



  

       



f

   



   

 



45



  

 46   

   

   

  

   

   



            

            

            

            

f



  

f

 

     



  

 

  

 



  

                                         

f

            

f

            

f

            

 

Timp.

            

f

      f      f

f

        

mp

     

 

      mp

                                      

 mp

 mp

 mp

            

          

            

           

                      

         

                

   

  

   

mp

Suspended cymbal w/snare stick

mp

    

     

   



   

Freely improvise: strike different cymbals at different times, but stay in the eighth note rhythm                                  

f



   

mp

                             f              

Mar.

     

                   

f



 mp

  

f

 Xyl. 

    

                   

f

f

     

mp

     

    

mp

f

   

    

     

Suspended cymbal w/snare stick

B.D.

    

mp

    

mp

    

mp

f



     

f

   

            

                    

   

   

f

   

  

   

   

 mp

   

   

  

                    

 

   

            

   

   

     

   

  

   

44

   

   

            

 

f

      

  

Tpt. 3

f

       

  

Tpt. 2

 

f

 

   Tpt. 1 

 

            

   

     

    

  

T. Sax.

Hn. 2

 

   

A. Sax. 2

B. Sax.

f

      

  Cl. 1   Cl. 2

42       

  

   

  

   

 mp

    


53 Fl. 1

Cl. 1

48

49

50

51

52

53

54

mp

Ob.

mp

Fl. 2

Bsn.

47 

15

mp



  

  

  

  

    



mp

                       

     



 

mp

p

   

  

  

   

  

mp

Cl. 2

mp

Cl. 3

mp

B. Cl.

A. Sax. 1

  

A. Sax. 2

T. Sax.

B. Sax.

Tpt. 1

Hn. 2

Tbn. 1

Tba.

 

 

  

  

  

mp

p

B.D.



                  

                      

 

Xyl.

 

Mar.

 



mp

 



 



 



 

mp

    

  

  

  

  

  

  

  

   

  

  

  

  

  

  

  

   

p

p

                              p

mp

 

(let ring)

          

  

All other cymbals dampened by beat 4

mp

 Choke cym. on beat 4

mp

mp

mp

mp

mp

p

                 

                       

    

 

    

mp



    

mp

Timp.

mp



Tom

    



                   

(let all cymbals ring)

Set

  

    



 

Euph.

   

Tbn. 2

            p            mp 

   

Hn. 1

  

  

Tpt. 3

  

   

Tpt. 2

  

mp

              

   mp

               

  

  

  

  

 

(let ring)

Choke cym. on beat 4

 mp

  

    

    


16

61 Fl. 1

55 

Fl. 2

Ob.

Bsn.

Cl. 1

B. Cl.

A. Sax. 1

      

mp

mp



 





Tpt. 1

 

   

Tpt. 2

     

Tpt. 3

      

Hn. 2



Open

mp

     

     

       

Solo

Horn cues



    

Straight Mute

     

  

       

mp

    

 

 



   

Stopped Horn, buzzy

 



   

Cup Mute

      

      

           

 

               

      





Stopped Horn, buzzy

Xylo- Soft Mallet

    

      

                                                            

mp

  



     

     

Timp.

Mar.

Euph.

 Xyl. 

     





B.D.

     



Tom

    

Tbn. 2





Set



    

 Tbn. 1

     

Tba.

62

    

61



mp



60

mp

    



    

  

Hn. 1

58

mp



    

mp

B. Sax.



T. Sax.

    

   

A. Sax. 2



    

mp

57

   



   

Cl. 3

56

   

Cl. 2

      

59 Solo

       



    



   

              

Soli

Punchy

  mf

Soli Hard mallet

      

               

(Tune Timpani: C - F - Gb)


17 Crackling

63

 Fl. 1 

Fl. 2

Ob.

Bsn.

B. Cl.

A. Sax. 1

mf

p

Crackling

mf

p

 

        68            

mf

 

mf

  

Crackling

                      

              

            mf

Crackling

      

p

mf

mf

 





  

                      

p

mf

         mf

 

 

  

  Tpt. 1 

 

 

A. Sax. 2

T. Sax.

B. Sax.

Tpt. 2

Tpt. 3

Hn. 1

Hn. 2



 

 

   

 

  



 

  

  

 

  

  

   

 



   

 



   

  

   

 

Open



  

 



  

 



  

  

  

 

  

   

Tbn. 2

Euph.

 

Tom

B.D.



Xyl.

 

Mar.

Timp.

  

                        

 



Set

 

Open



mf

  

Tbn. 1

Tba.

Crackling

  



  

  

Open

 

   

                       

Crackling

  

p

mf

67

                       

 

Cl. 3

    65             66         

  Cl. 1  Cl. 2

64

 

       

    



       

 



 



       

     

       

   


18

     

69 Fl. 1  

Fl. 2





Ob.

Bsn.

  

B. Cl.

 

     



B. Sax.

 



Hn. 2

Tbn. 1

Tba.

Set



Mar.

 

  

p

  

mf



      

 

  p

 

p



   mf

mf

mf



  

  

 

  

 



 

 

 

  





 p



mf

    

p









mf

  

  

 

  

 



  

 

Straight mute- Crackling         p

Crackling



mf



Resonant and booming

mp

 

    

  



 

 

 



 



Open- Dark, Sonorous

mf Open- Dark, Sonorous

 



 

       

p

mf Dark, Sonorous

 



mf Dark, Sonorous

 

mf



Dark, Sonorous

p



mf

mf

Straight mute- Crackling

     

Dark, Sonorous

p

 p



p

mf



 

 





      

  



p

p

Dark, Sonorous

 



mf

  

p

  





 

   

Dark, Sonorous

         

 

 

 

p

 

 



mf

Dark, Sonorous





   

Xyl.

Timp.



Tom

B.D.

 

    

  

72

mf

mf

        



  

 



 

  



Euph.







 



Tbn. 2



 

Hn. 1

 

  

  Tpt. 1  

Tpt. 3





   

Tpt. 2

   

p







mf

T. Sax.



     

p

Crackling       A. Sax. 1 

A. Sax. 2



71

 

Cl. 3

 

   Cl. 1  Cl. 2

p

70

 



mf



 

p

  



 



       

 



 



  mf

 

     



 



    


73 Fl. 1 

Fl. 2

Bsn.

mf

B. Cl.



B. Sax.

Tpt. 3



Hn. 2

        

mf

p

  

  

  

     

ff









 

    



 

       

     

     





ff

  

     

 



 

     





 

 

   

   

  

    

   

Mechanical

 



  







 







  







  

ff

        

ff

p

            

ff

p



      

     

   

     

 

Bells up, Stopped Horn Crackling

ff

 

ff

  



ff

           

 

Mechanical

ff

  

mf

    

     



mf

77

    

ff

  

        

Mechanical



  

ff

  

ff

 

ff



    

ff



           

p

mf

 

         76 

Mechanical

  

19

ff



 

  

  

p

mf

   

Hn. 1

           

  Tpt. 1   Tpt. 2

p

mf

   

            

 

ff

p

mf

  

T. Sax.

           

   A. Sax. 1  A. Sax. 2



p

75

   

 



  

Cl. 3

mf

  

  Cl. 1    Cl. 2

p

          



Ob.

         74    

75

Bells up, Stopped Horn Crackling

    

ff

Tbn. 1

 

Tbn. 2

Euph.

Tba.





 ff





ff





ff Mechanical

Set

Tom

B.D.

Xyl.

 



 



Mar.

Timp.

  

mp

  p







  







 







  

ff

ff

       

        

mf

    

   

ff

       

Soar over the band

ff

   ff   





 

ff Mechanical



ff (Staccato- mute quickly Legato- let ring)







 Gong- Dark, Sonorous

   

   







  


Melody: Expressively, Soar over the band (Ob/Tpt. 1/Tbn/Euph)

20

 

78 Fl. 1 

    

Fl. 2

         79 

Ob.

Bsn.

Cl. 1

 





  

f

f

 



 

80



81

     

  

3







  

f

            

    





           82

     

 

     



  

 

 

   

3



  



3



  

      



3

 



    

f

        

Cl. 2

     

Cl. 3

 B. Cl.    A. Sax. 1

T. Sax.

B. Sax.

 

    

      



f



          

 



      

 







   

f

 

 



f



 

 

f

      



 



f

        

  





    



          



 

 



      





 

        

f



  



  

f

(let ring)

mf

 

 f

 







  



 





  

 

 

        





     

 3

 

3

    3

 

   

3

      

   

 

  

 

    

       

3

 



            

3

 



   

    

3

3

 3

 3







 













 

 

 

 

 

 

 

      

 

 

ff

    

       ff

 

 

3

  

 subito f

mf



 3

 

 

ff

 



 



  mf

  

subito f

ff

f

  

subito f

ff





3

      

    

Sus. Cym. w/snare stick, hit on bell Crackling and electric, Always let ring

   

           

ff



 

      

   

f



3

3

 



 

  

  

 

    

         

 

 



3





      





3





           

f

  

3

f





    



f



 Xyl. 

Timp.



   

Mar.



  

f

f

B.D.

    

   

Tom

   



Euph.

 



Tbn. 2



Hn. 1

Set

 



           

Tpt. 3

Tba.

              

Tpt. 2

Tbn. 1

    

  Tpt. 1   

Hn. 2

f

   

A. Sax. 2

f

     

       

  

ff



3





 3

 


21

  

83 Fl. 1  

Fl. 2

Ob.

Bsn.

Cl. 1

 

   

3

  



   

 3

 

 

     









   

 Xyl.  Mar.

Timp.





 



  

f

ff

    

 



 



 

  





          

3

 

 







 



    





 

 



  





3





 

      

  



  

      

 3

















 

  

 

ff

subito f

ff

 





 

3

 

mf



3

 

 

3

        

   

3



3

3

    

   

 





    

 





    

     



 

 

 

      

3

 

3

   



   

 

    

f



3

  

3





 

3



   

3





3





     





  

 

 

ff









 

mf

3



3

3



 

3

3

3

3



 



    



    









3

B.D.

 



    





    

  











    





     

 

86

   

   



Tom

 

 



Set



 

Hn. 2



3

  

  

Tba.

  

Hn. 1

Euph.

3

      

    

Tbn. 2



 

    

     

Tpt. 3

   Tpt. 1  Tpt. 2

   

   



    85      

          

   

T. Sax.

Tbn. 1



    

A. Sax. 2

B. Sax.



  

      

Cl. 3

A. Sax. 1

            

Cl. 2

B. Cl.

  



84

 

3

 

           





ff

ff

subito f

 

3

 


91

22

 

87 Fl. 1  Fl. 2

Ob.

Bsn.

Cl. 1

     

 





  

              

Cl. 3

     A. Sax. 1   

 





mp

 



     





     

        

        



 Tbn. 1









      



     



90

 

         91 

     





  

  

   

 

 





mp

       

     

 

 

   

Tba.

Set

         

 

 

   

 

 

  

 



Tom





 

 

ff

3

pp

3

ff

pp

ff

3

pp

 

        

 3

3

pp

 

  

 

pp

ff

3

 

pp

3

pp

ff

mp

 3

pp

3 pp

3   

pp

ff



  

3

3

ff

ff

ff

ff 3

ff

3

pp

ff

pp

 

     

3

pp

       



3

     



         

           

   





ff

         pp

  

   

 

pp

3



pp

   

    

pp



       

mp



ff

  

mp Euph.

3

 

        

pp

    

mp

Tbn. 2

3

 

     

          

       

 

        

 



       

    





  

     

         

 

 

           

            

         





      

Hn. 2



 







   





    

       

          

Hn. 1

    

           

   

Tpt. 3

            

       B. Sax.   

89

     

T. Sax.

Tpt. 2

  

         

B. Cl.

A. Sax. 2

 

            

Cl. 2

Tpt. 1

         88 

Lows and Perc: Choke end of note Wind players w/tongue (Imitate a reversed recording)

  3

Sus. Cym.- Soft mallets

B.D.



(drop out earlier if necessary)

 

pp

pp

 Xyl. 

Timp.

pp

Mar.

Sus. Cym.- Soft mallets (imitate reverse recording)

 







ff

   







  













3   

pp

ff

  

3

pp

 

3

  

pp

3

 ff

ff

8vb throughout

   

3

ff

3    pp

ff

3

  

pp 3

ff

 

pp


23

92 Fl. 1 

Cl. 1

Cl. 3

Tpt. 3

  

  

3

ff

 

3

 

Tom

ff

3

 94

95

pp



96





 





3

 

3 3      

3 3      

3    

 



3

  

  







pp

3

 



3





 

 





3



3

 



 





     

     

3 3      

3      

3

3

3

3





 

 



     



 

  







pp

 pp



3

3

3

3

 





   

       3

3

3 3       







pp



3

pp

3

     

 



3

3

     

3

pp

3

pp

(sim)

3







3

3

3

3 3      

3 3      

3 3       

3

3

3

3 3      

3 3      

3 3       

3

3

3



3

 3    

 3   3 

 3     

3

(sim)

3

(sim) 3

 

3

pp

ff

 3

 



 Xyl. 

Timp.

(sim)

ff

3



(sim)



Mar.

pp

B.D.



(sim)

Set



(sim)



 

3







  



pp

   

 

Euph.





Tbn. 2

Tba.



    

Hn. 1

Tbn. 1

(sim)



  Tpt. 1  Tpt. 2

  

  

T. Sax.

Hn. 2

3

  

A. Sax. 2

93

   A. Sax. 1 

B. Sax.





pp

    

Cl. 2

B. Cl.

Ob.

Bsn.



Fl. 2

3

3

 

3 

3

3



3

 

3

3

  3

  3

  3



  3

 

3

 

3 

3

3

 3

3

pp

ff

3  

 

3

 

 

3

3

(sim)

3

3

  

 

     

     

      

3       

3  3       

3        

3  3       

3 3       

 3 3       

3 3       

3 3       

3

3

3 

 

3

3

 

3 3      

 

 

3 3        

3

3   

 3 3       

3

3

3

(sim)

(sim)

ff

3

3

3        3

(sim)

 

3  3       

(sim)

3

3

3

3

3 3 3                  3


24

97

K

Fl. 1

97 



Fl. 2

 

Ob.





Bsn.

B. Sax.

Ob. cue

104

 

106

105

103



 



Play     mp

mp



 



 



 



 



 



 



 

mp

 



 



 



 



 



 



 



 



 

mp

 



 



 



 



 



 



 



 



 

   

    

102

 

   mp A. Sax. 1  

  

101



  B. Cl.   

T. Sax.

100

 

    

A. Sax. 2

99

mp

     

Cl. 3

98

mp

   Cl. 1     Cl. 2

( q ≈ 84 )

q = e ≈ 168



 



    mp

 



 









B. Cl. cue

mp

B. Cl. cue

mp

Trumpets: Similar to lows earlier

Mute    Straight   Tpt. 1  

    

Tpt. 2

pp

  

Tpt. 3

ff

pp ff Stopped horn

ff (sim)

(sim)

 

  



 



 



 



 



 



 



 



 





   

 



 



 



 



 



 



 



 



 





mf Stopped horn

Tbn. 2

Euph.

mf







    

(omit if needed)

  

 

 

 

 

 

 

 

 

Xyl.

 

 

 

 

 

 

 

 

 

 

Mar.





 



 

B.D.

 

 



 

 

Tom

 

 

   

mp

 

mp

Timp.

 



Set

   

 Tbn. 1

Tba.

(sim)

Hn. 1

Hn. 2

pp

   

(snare w/ snare stick)

 

ff

(Tune Timpani: G - C - C#)

 





 







  


107

A tempo ( q = 110 ) (tempo returns on beat 2 in ms. 106)

25

107 Fl. 1 



 

 

 

Fl. 2

Ob.

Bsn.

Cl. 1

  

   

  

   

   

    

   

  

  

  

mp

  

mp

mp

   

   

  

  

   

  

  

    

   

mp

mp

  

  

  

  

     

  

     

Play

  

p

p

      p

   

           

    p

Open

   

Open

   mp

   

   

   

   

   



  





   mp

Open mp

Open mp

    mp

 

  

mp

Play

 

 

  

p

mp

p

  

  

   

  

          

mp

  

mp

    

Hn. 1

  

112

      

  

       

mp

  

Tpt. 3

Tbn. 1

   



111

mp

Tpt. 2

Hn. 2

  

T. Sax.

Tpt. 1

  

   

A. Sax. 2

B. Sax.

  

110

Cl. 3

A. Sax. 1

  

109

    

Cl. 2

B. Cl.

  

108

   

Tbn. 2

 

  

  

  

  

  

  

  

  

  

  

  

 

Euph.

 

  

  

  

  

  

  

  

  

  

  

  

 



Tba.

Set

Xyl.

   mp

   

  

                                                  





 







 

Mar.

Timp.

    (snare w/brush, hi-hat w/stick)                                                             mp                                  

Tom

B.D.

mp

Let ring

     

  

Xylo- Hard Mallet

mp Triangle mp

mp

Let ring    mp


26

 

Fl. 2

Ob.

Bsn.

Cl. 1



  

Cl. 2

Cl. 3

B. Cl.

115

  

116

  

117

   

 

   

 

   

118

 

  

  

  

            

p

mp

  

mf

      mf   

   

   





 

   

   

 

 

  

  





      

  

   

  

  

   

  













  

 

 



 

 

   

 

 

   

   

  



Hn. 1

Hn. 2



         mp



 

    

mf

        

p





mp

               

 

Tpt. 3

   

  

Tpt. 2

mf

p

mp

 

T. Sax.

mf

            

  

  

   

 



A. Sax. 2

Tpt. 1

      

  A. Sax. 1 

B. Sax.

114

 

113 Fl. 1 

   

mp

p

     p

   

           

mp







p











   





  





Tbn. 1



Tbn. 2



     

  

  

  

  

  

  

  

   

  

    

Euph.



     

  

  

  

  

  

  

  

   

  

    



Tba.

Set

                                       

  

B.D.



 Xyl. 

    

   

Timp.

                                                                

Tom

Mar.

  

  

  



                  

   

            

 


















27

119 Fl. 1

119 

    

   

    

   

    

   

Fl. 2

Ob.

3

3

 3       Cl. 1   Cl. 2

Cl. 3

B. Cl.

3

 

    3

    3

    3

3 3

    

3

 

  

  

3

mf

3

mf

3

   

     3

    3

   

3

 

3

 

3

 

3

  3

 

 

    

3

3

    

3

  3  

    3

   

3

  3

 

        3

  3

   

    3 3

        3

    3

   

3

  3

 

3

3

3 3

3

3

   

3 3

mf

3

 

3

3

ff

    ff

3

    ff

3

3

  

   

 

   

 

   

3

   3

  3

mf

3

    3

    3

3

  3

 

 3

   mf 3

  

mf

    3



  3

 

  

3

    3

3

ff

    3

ff

    3

ff

   

 

    3

3 3

   

3

 

3

ff

    ff

























 

 

 

 

 

 

 

 

















124

  

   

 

   





 

   

 

   





ff





ff





3

   

ff

3

3

3

3

mf

3

   

3

3

3

   

3

   

   

3

3

mf

  

   

 

 

3

3

123

   

  

3

 

   

 

    

   

3

3

mf

   

3

3

mf

   

 

   

 

3

122

 

Hn. 1

3

   

   

   

Tpt. 3

 

3

121

3 3

   

Tpt. 2

Hn. 2

 

  

  

T. Sax.

Tpt. 1

3

   A. Sax. 1  

B. Sax.

3

 

   

  3      

A. Sax. 2

3

3

Bsn.

3

120

mf

3

  3

3

3

    3

3

3

  3

3

ff

3

    3

 Tbn. 1



Tbn. 2







Euph.













Tba.

(snare w/ snare stick)

 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3  shot                                                            opt. rim                            3

Set

mf

Tom



ff

Sandblock "roll" (imitate white noise)



mp

B.D.

ff



 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3                                                              





 

Resonant and booming

mp

Hi-Hat

ff



Choke

3

 Xyl.  Mar.

Timp.







Lay back on 16ths

mf

ff

Slapstick

mf










28

125 Fl. 1

125 



Fl. 2



Ob.



 

Bsn.

   Cl. 1   Cl. 2

Cl. 3

mf

  

  

     

  

   

  

  

  B. Sax.    

  

  

mf

mf

  

 

   Tpt. 1  

  

  

Tpt. 3

  

p

   

  

  

129

   

Tpt. 2

  

128

   

T. Sax.

  

127

  B. Cl.     mf    A. Sax. 1   A. Sax. 2

126

p

132

         

Solo

           p 

         

p

131

    

   

 Solo           

  

130

  

  

Hn. 1

  

Hn. 2



  

 Tbn. 1 

Tbn. 2

Euph.

Tba.

 

Cup Mute

mf

  

  

 

  

  

  

   





mf

mf

mp

   

   

  

   

Xyl.

   

Mar.

Timp.

 

mp

mp

p

   

   

   

    

pp

   

Suspended cymbal w/snare stick Hit side edge of cymbal w/butt end of stick, let ring with a wash of sound

   

    

  

mf

   

   

   

  

       

 

  

  

  

  

  

    p

p

          

  

mf

          

Claves

 

Timpani

         

p

Suspended cymbal w/snare stick Hit side edge of cymbal w/butt end of stick, let ring with a wash of sound

B.D.

p

                                        

Toms

Tom

 Solo           

p

               

    

    

p

(snare w/ brush)

Set

  

  

mf

  

  

  mf

  

     p


29

133 Fl. 1

133 

Fl. 2

Bsn.

mp

   Cl. 1  Cl. 2

Cl. 3

B. Cl.

A. Sax. 1

Cl. 1 cue

mp

Cl. 1 cue

mp

  

  

 

  

  

 

mp

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

 

 

  

  

  

   opt. one on a part        

 

  

      

   

   

 

 



 

  

Euph.

  

A. Sax 1 cue

   

 



 

mp Hn. 1 cue

opt. one on a part

mp

  

   

mp

Tpt. 2 cue- Cup Mute

  

 



  

  

 

   

Cup Mute opt. one on a part

 

   

  

   

  

 

  

 

 

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

pp

  

  

     

     

     

B.D.



Xyl.

 

Mar.

 

    

Tom

Timp.

 

  

 

 

  



  

mp

Cup Mute opt. one on a part

mp

opt. one on a part

mp



   

 

   

mp

mp

      

 

  

  

  

mp

  

  

opt. one on a part

Tbn. 2

Set

mp

  

Hn. 1

Tba.

  

Tpt. 3

Tbn. 1

 



Tpt. 2

Hn. 2

  

T. Sax.

Tpt. 1

 

  

  

opt. one on a part

 opt. one on a part      

A. Sax. 2

B. Sax.

  

137

  

136

opt. one on a part



135

Ob.

134


Finished 8/11/15 30 opt. one on a part

138 Fl. 1 

139

140

141

142



      3

mp

pp

opt. one on a part

Ob.

Bsn.

Fl. 2

 

Cl. 3

B. Cl.





     

     A. Sax. 1    

A. Sax. 2

Tpt. 1

  

   



 

   

  

  

      

  

pp



pp

  

   

   

 

pp



pp

  

   



  

  

  

  

  

  

   

   

  

  

   

  

  

  

  

  



 

   

   

   

  

  

    

pp

mp

  

pp

 

 

 

 

 

 

 

 

Tom

B.D.



Xyl.

 

Mar.

Timp.

pp

pp

Euph.



3

    

Set

pp

opt. one on a part (cup mute)

3

mp

  



pp

  

  

pp

   

   

   

   

  

 

opt. one on a part

Tbn. 2

Tba.

pp

     

  

  

     

Hn. 1

pp

pp

 

pp

Tpt. 3

Tbn. 1

  

  

3

pp

  



 

  

   

mp

Tpt. 2

Hn. 2

  

  

  

    

pp

  

 

T. Sax.

B. Sax.

  

  

  

  

  

 

   

  

  

      



  

  

  

  Cl. 1     Cl. 2

  

  



 


Started 8/15/15

Mvt. III "And as things fell apart nobody paid much attention" -Talking Heads, "(Nothing But) Flowers"

q = 110   3   

8

Intense Gentle

1    Fl. 1   Fl. 2

Ob.

       

  Bsn.       Cl. 1   Cl. 2

Cl. 3

B. Cl.

      

  

mp

  A. Sax. 1   

2

 

mp

mp

mp

 

mp

 mp

mp

 

  

 B. Sax.    

mp

mp

Tpt. 1

Tpt. 2

Tpt. 3

Hn. 1

    

   

Vaporous

   

mp

     ff     

 

mp

        

 

ff

     ff   

  

mp

mp

 

 

  



    

 

 

  

 

    

  





             

 

            

 

Vaporous

mp Vaporous

          mp

  

Vaporous

ff

mp Vaporous

mp

   



  



ff

ff Cup Mute- Distant



   

 

 



  











p Cup Mute- Distant p Cup Mute- Distant

p

   

     

    

     

           

   

   

ff

pp mp Stopped horn Buzzy and shimmering

    

ff Cup Mute- Distant



Stopped horn Buzzy and shimmering

p Cup Mute- Distant

mp

Very slow gliss.

pp

   

pp

Very slow gliss.

p

pp

  



    











ff

ff

Tom

  

B.D.

   

        

 

Sus. Cym. w/Soft Mallet

Mar.

     

     mp

Vaporous

Xyl.

mp

Set

                     



Vaporous

        Vaporous

 10         

       

mp Fl. 1 solo cue

 

9

mp

Tba.

ff

                    

Solo- Nimble and vibrant

   Tbn. 1  

Euph.

8

 

mp

Tbn. 2

7

mp

Hn. 2

   

6

ff

T. Sax.

ff

5

ff

  

mp

ff

mp

A. Sax. 2

4

ff

mp

31

 

p

mp

Sus. Cym. w/Soft Mallet

 

(Choke on beat 1)

     

     



  



Bells- Let Ring

ff Let Ring

 

p

(Choke on beat 1)

mp

 

ff

Timp.

    

Slapstick ff

(Tune Timpani: Bb - Db - Eb - F)


32 Two on a part  13    14       15           16              12                     Fl. 1          All play

11

     

Fl. 2

   

Ob.

Bsn.

Cl. 1

          

 

     



 



 



 







          mp          



 

  p

  

p

  

p

  

 

 

 

  



   



  



 



  



  Tpt. 1  

T. Sax.

 

       p

      p

    p

 

 

   

A. Sax. 2

p



 

A. Sax. 1

                 

B. Cl.

p All play

 

Cl. 3



 

  

17

   

Cl. 2

             

 

 

mp

 

                                         

   



          mp          mp    

   





 



   





 



mp

mp

mp





 



Straight Mute- Buzzy       





 



 

     

  





 



 

          





 



  



       





 



  



       





 



   







 



  







 



Euph.

  







 



Tba.

   







 



  





 



 

 

                  

 



 B.D.   

 

         

B. Sax.

Tpt. 2

Tpt. 3

Hn. 1

Hn. 2

Tbn. 1

Tbn. 2

Set

Tom

Xyl.

      

Mar.

p Straight Mute- Buzzy

p Straight Mute- Buzzy

p

Open

p Open

p

Ride cymbal w/snare stick Hit on bell Snare w/brushes

          p

Tom-Toms w/snare stick

   

p

Sus. Cym. w/Snare Stick Hit on bell

p



  

Timp.



mp

                   







Woodblock w/snare stick                 



mp

                    mp

Accented, but still with resonance

 

Xylo- Hard Mallet

p

  

Clave

               mp

 



p

               Slapstick

p


18   Fl. 1   

  

Fl. 2

19

20

        Bsn. 

           

Ob.

mp Solo mp

Cl. 1

   

   

     

   

 Cup Mute

  

  

  

  

  

  

mp Cup Mute mp

Cup Mute

mp

  

(Cup Mute)

   Tbn. 1 

  

   

  

  

mp (Cup Mute)

mp

  

Euph.

   

              

   

mf

f

mf

f

    

             



  

   f          

mf

             

    





  

 



 B.D.  

        

Mar.

Timp.

  

        

f Huge!

        

f

  

  

mp

p

   

 

Timpani

    mp

f Open- Huge!

     f Huge!

     f Huge!

f

f

 

           

mf

 

   

Xylo- Hard Mallet

    

Open- Huge!

     Snare w/snare sticks Hard choke f Rim Shot       

 

mp

Triangle

Crash Cym. w/soft mallets

 

f

f Huge!

     Open

        

mp

f Huge!

f Open Huge!

    

        

     Huge!

f

f

 

 

 mf

f Open Huge!

 

Huge!

Huge!

mp

        

  

Xyl.

Tom

f

 



Set

f

       

     f    

f

   

Tba.



       

  

Huge!

f

f

f

mp

  

Tbn. 2

              

             

mf

   

     

   

Hn. 2

 

Huge!

f

mf

mf

  

Hn. 1

     

  Tpt. 1   

Tpt. 3

   

 B. Sax.   

Tpt. 2

     

  

 

     

 

     f    

f

f

  A. Sax. 1   

T. Sax.

          

 B. Cl.   

A. Sax. 2

mf

      

All play

 

Cl. 3

            

mf

f

             

All play

mf

 

Cl. 2

mf

22             

21

            

         

   

  

       

         Solo

33

22

 

 f

(Choke on beat 1)


34

Fl. 1

Fl. 2

Ob.

23          

Cl. 2

Cl. 3

B. Cl.

 Nimble





      

mf Low W.W. cues



 

  

 



Nimble

              







   

 



Hn. 2

        

   

mp

   

                 

 

    





          

 



       

 

             

             

             

 

        f

          

f

            f                Play

  

f

         

f

 

 

 



 





             f               f              

  

         f

       f       

             

     



 



             



 



             



 



              

 



                                                  

 



mp Strong

mp Strong

mp Strong

      

f

  f

 

             

f

 

     

             

mp f                                  

   

mf Tom-Toms

mf

(Rim)

  

mf

 

      



   

mf

 Shaker     

   

mf

   

Nimble

mf

       

     

     

      

    



f

  



   Xyl.  

Timp.



 

Clave

Mar.

f

 

Strong

(Hi-Hat)

 

        

    

      

  

             

mp

 

     

       

B.D.

 

 

 

Tom

      

              

 



        f

             

mp

  

          



       

27

f

  

     

  

Set



 

       

Tba.

               

       

              

       

Euph.







26

               

mp

   Tbn. 1  Tbn. 2





mp Hn. 1

mf

Tpt. 3



             

          Tpt. 1      Tpt. 2

mf

         mf  Nimble         B. Sax.   

T. Sax.





             

  A. Sax. 1  A. Sax. 2

       

mf

 Cl. 1 



25

Nimble

Bsn.

24



    

            



 

                      

          

  

 

f



    

Sus. Cym.- Splash w/Snare Stick



f

Woodblock w/snare stick                     f

        

 



 




x. = e (q ≈ 144)

30

Stagger breathe as necessary

                        28

Fl. 1

35

29

30

p

Fl. 2

Ob.

Bsn.

Cl. 1

      

33      

  

   

   

  

 B. Cl.   

  A. Sax. 1   A. Sax. 2

      

32    

    

p

Cl. 3

Stagger breathe as necessary

                     

 

Cl. 2

31    

  

 

   

p

 

   

 

p

 



 

 

Stagger breathe as necessary

    

   

p



 

 

 

 



    

    

 

Stagger breathe as necessary

 



 

  

 



 

  

 

   

   

 

 

Hn. 1

  

Hn. 2

  

Tbn. 1

   

Tbn. 2

  

Euph.

  

   

B. Sax.

Tpt. 1

Tpt. 2

Tpt. 3

Tba.

Set

       mf

Tom

  

B.D.

  

(Choke)

 

       Xyl.  

Timp.

       

p Rim- Soft Mallet



     

   



   

 

   

  



  



   

 

   

pp

Xylo- Soft Mallet

Marimba

      



pp

   p

 



   

p Rim



pp

  

  

  

  

  

  

  





  

Rim

(choke)

Mar.

   

 

    

  

T. Sax.

p

(Stagger breathe as necessary)

  

p

           

Cl. 2 cue

Cl. 3 cue

  



    

Stagger breathe as necessary

p

 

Cl. 1 cue

Stagger breathe as necessary

 

  



   

 

   


36

Fl. 1

34     

35      

36      

37      

38      

   

   

     

     

     

     

   

Fl. 2

 

Ob.

Bsn.

Stagger breathe as necessary

    

  

  

Cl. 3

B. Cl.



B. Sax.

          

   

    

 

   

    

    

Soaring and connected



          

   

 

 

    

   

    

     



 

 

   



    

  

            

   



mf

     



 

    

  

 

     



 

 

    

   

    

  

 

     



 

    

  

 



Low W.W. cue



mf

Tpt. 2

Tpt. 3



  Tbn. 1 

 

 

 

Euph.

Tba.





Tbn. 2

Soaring and connected



mf

 mp

mp



Connected

mp

Set

 

     

     

     

     

   

 

   

 

   

 

   

 

   

 

   

 

   

 

   

 

   

 

   

 

   

Tom

B.D.



Xyl.

     

Mar.

Timp.

    

   

   

  

  

  

  

  

  

  

  

 

   

 

   

 









 

Hn. 2

Low W.W. cue

mf

          

Tpt. 1

Hn. 1

   



Soaring and connected

    

  

 

  

T. Sax.

    

mf

Cl. 2

A. Sax. 2

   

                                                           

 Cl. 1 

A. Sax. 1

   

 

   


37

Fl. 1

39     

  

  

  

Fl. 2

 

Ob.

Bsn.

    

    

Cl. 2

  

Cl. 3

B. Cl.



  

   

A. Sax. 2

T. Sax.

B. Sax.



 

     

        

  

    

   

  

   

    

    



  

    

 

  

    

 

  

  

   



    

mf

         

 

 



    mf





   

 

mf





  

  

 



  

  

 







    

    

   



  







     

  

  

   



  

  

  

    

 



            

 



    

 

 

 

    

 







   

 

 

 

  

mf

f

43



    

 

42



      

f

  

    

    



  

 

41

          

   

 f

  



f

     

Cl. 1

A. Sax. 1

    

40

 







Tpt. 1

 





Tpt. 2





Tpt. 3















Hn. 1

Hn. 2



  Tbn. 1 

Tom

B.D.

Xyl.



       

    

    

mf

mp



 

        

  

        



 



 



  







mp

mf

mf

f

     

Mar.

Timp.

 mp

    

mf

 

Euph.

Set

  

Tbn. 2

Tba.

             

        

          

  

        

  

  

  

  

 

  

  

  

  

  

    

  

   

  

          

   

  

  w/soft mallet



4

        mp Rumbling

   



  



p

  

 4

       mp


38

Fl. 1

44       

  

   

    46      

47    

48        

      

  

   

           

   

       

Fl. 2

  

Ob.

Bsn.

Cl. 1

    



  

B. Cl.

              

  

 B. Sax.   

   

    

  

  

 

   

 



    



  



 

  

 

 

     

 

  







          

    

 

 

    

                         





 

 

 

    

 

    

 

49

 

 

    

 

            



 

  

    

    



                          

Cl. 3

T. Sax.

    

    

      

A. Sax. 2

    

   

Cl. 2

A. Sax. 1

45

   

   

   

 

   

     

     

   

 

  

    

  

 

 



 

 





 



Play Dry sound, Punchy

         mp









Play Dry sound, Punchy

         mp

Tpt. 1

   





Tpt. 2

 





Tpt. 3

  





Hn. 1

  





Hn. 2

  





    Tbn. 1 

Tbn. 2

   

Euph.

   

Tba.

Set

Tom

    

    

  

    

  

   





 

 







 

 



   





    

   

  

  

 

 

Choke drum head

pp

Xyl.

Mar.

Timp.

  

             

       pp









    

  

 

  

  

 

 

 

   

 

  

 

 

      

 

Dry sound, Punchy

   

Ride Cym. Scrape w/stick Dry sound, Punchy

              mp

     



 

     

    









      

 

pp

 B.D.     



mf

 

     

 Dry sound, Punchy

mp

 Dry sound, Punchy

   

mp Dry sound, Punchy

     mp


Slower than Tempo I (q = 90)

56     50

Fl. 1

Fl. 2

Ob.

    

Cl. 2

Cl. 3

B. Cl.



  A. Sax. 1  A. Sax. 2

T. Sax.

B. Sax.

Tpt. 1

Tpt. 2

Tpt. 3

Hn. 1

54

55

q = e. All play 57 Solo 58 59                             

56

pp pp

 

ff

                            mp



mp

  



mp

Play



  



                            mp Play

ff

                                               ff

       

   

  





  

 

       

   

  





  

 

                 

 

  

   Tbn. 1  Tbn. 2

Euph.

Tba.

Set

Tom

B.D.

Xyl.

Mar.

Timp.

       

 

     

mp

              

 

   

  

pp

pp

ff

      mf

mf

        mf



 



                                       

 



 



 







ff

mp

mp

ff

                             

ff

                            

Tbn- put in cup mute      Solo Do not play until solo              mp ff      Slow Glissando                ff

Slow Glissando

mp



mp

ff

  

 

                 

  





  

 

       

   

  

  

 

   

     

   

 

  

ff



 



  

 





  

 



   

Choke

  

  

  

ff

 

mp

ff

ff

                Choke  

Sus. Cym. w/Snare Stick- Splashy

 

w/snare stick

 

ff

   

mf

Solo Tpt- put in st. mute mp

       

                                  

       

mp

     

ff

mp

        mp       mp

ff

            

mf

         Do not play until solo                       

mp

pp

mf

                                        ff mp         mf                     ff mp mf                                ff mf mp                                  ff mp           mf                    ff mp       mf                        ff mp       mf                                

mp

Hn. 2

mp

                       

Play

pp

mp

 

pp

pp

53

ff

pp

52

pp

 Bsn.    Cl. 1 

51

39

ff

mp



 

Choke

       

   

  

  

 

 

          

   

  

  

 

  

mf

Woodblock w/soft mallet

mp

Choke



                   

ff

ff

 

   

  

mf

 




62 e = q (h = 90)

40

Staccatissimo opt. one on a part

60   Fl. 1   

Cl. 1

 

   

p

    







mp

  

mp

  

  Tpt. 1  

B. Sax.



 

T. Sax.

                           

70

                  

p Staccatissimo opt. one on a part

  

  

A. Sax. 2



p

mf

69

  A. Sax. 1  

68

 

        65       66      67                                    

mp

  

B. Cl.

64

                   

mf

Cl. 3

p Staccatissimo opt. one on a part

mf

   

Cl. 2

        62     63       

mf

   

Ob.

Bsn.

  

Fl. 2

61

     

mp

     

mp

  

  



mp

  



mp

     p     p

     p      p

     p

     p

mf

 

   

  

  

    

     

mp

mp

mf

  p

     p

mf

p

mf

  

p

        p mf         

    p

p

mf

     

mf

p

  

p

Staccatissimo

  

p

                 

  

Staccatissimo

  

Staccatissimo

Hn. 1

  

Hn. 2

   

   

Staccatissimo

Tbn. 1

Tbn. 2

  

Staccatissimo

Euph.

  

Tba.

   

Tpt. 2

Tpt. 3

Set

  

      

p

p

      

Triangle (choke)

p

   Xyl.    

      

(choke)

Timp.

  

  

Mar.

p

        

(choke)

w/soft mallet

B.D.

  

p

Tom

p

        

Ride Cym. w/snare stick

  

 

p

   

  

      mp

Choke quickly     p


41

    

71  Fl. 1  

 

 

 Bsn.  

Fl. 2

Ob.

72

73

74

75

76

77

78

79

mf

    

mf

Cl. 1

 

Cl. 2

Cl. 3



    

  

     

      

B. Cl.

A. Sax. 1

A. Sax. 2

T. Sax.

B. Sax.

mf



      mp          mp

          

         

          

 Tpt. 1  Tpt. 2

Tpt. 3

          



Hn. 2

 

         

   Tbn. 1 

           

  

         

 

 

w/brushes

Euph.

Tba.

Set

Tom

B.D.

Xyl.

     

Mar.

Timp.

 

  

 

         

       p

Solo Tpt Straight Mute

f

Smoother, but still separated                                     f f mf                    

        

Hn. 1

Tbn. 2

f

  

      mp

        

mp

w/soft mallet



p

mp

(choke)

  

pp Sus. Cym. w/snare stick

         p

(woodblock)          

f

      f              f mf        f

 Cup Mute              Smoother,    butstillseparated         f f mf             Solo Trombone

f

      f

      f

   

mp

  

  

Marimba- 8vb

mf

Resonant, let ring

   mp

f

mf

  

p

    mp

mp

On timpani shell

     p

Lightly

 

p


42

82 80  Fl. 1   Fl. 2

Ob.

Bsn.

Cl. 1

Cl. 2

81

82

83

 

 

 

 

84

 

      

86

p

 

p

87

mp

B. Cl.

A. Sax. 1

   

T. Sax.

B. Sax.



Tpt. 1

 

Tpt. 3

Hn. 1

Hn. 2



A. Sax. 2

Tpt. 2

Euph.

Tba.

Set

 

   

                 

mp

mp



 

  

  

  

  

   

  

  

  

    pp

pp

pp

 

   

mp

pp

  

Straight mute

pp

pp

  

  

pp

  

  

(Solo tbn. cup)

 

pp

pp

  

 

 

p

  

  

p

  

pp

p



  

 

  

mp

  

mp

pp

p

    



  

90

 

pp



89

pp

p

              Tbn. 1  Tbn. 2

 

pp

p Cl. 3

Solo

mp

 

  

mp

88

pp

 

 

    

mp

 85 

p

pp

           

Tom

B.D.



                 Xyl.  

Let ring

pp

Mar.

Timp.

 

  


*Conductor's reminder: Trills remain diatonic to the key signature unless otherwise marked

43

97

Stagger breathe 92 93 94 95 96 97 98 99 100                    Fl. 1   Stagger breathe              Fl. 2    Stagger mp breathe              Ob.   91

mp

Bsn.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

A. Sax. 1

A. Sax. 2

T. Sax.

B. Sax.

 

 



 Tpt. 1 



mp



 













 Bring out a bit      

Stagger mp breathe          mp

mp

mp Horn cue

Horn cue

Horn cue

mf







  



  



Tbn. 1

  

Tbn. 2

 

Euph.

 

  

Tba.

 

Hn. 2

Soar over the band



Hn. 1

mp



mf

Tpt. 3

 Stagger breathe         

mf

Tpt. 2



mp

mp

  

Stagger breathe           

Stagger breathe         



mp

 

mf Soar over the band

mf

Bring out a bit

Tom

B.D.



 

 

Timp.

  

 

   

w/brushes pp

  Xyl.   Mar.

mp

mp Set

Soft mallets

   pp

 

 

   

   

p Resonant and booming

   

   

   

   

 

 

 

 

  

  

  

pp

mp

         

w/soft mallet

mp

  

   


44

 102 103 104 105 101      Fl. 1         Fl. 2       Ob.   Bsn.

106

107

108

109

110

111

112







 

    

 

  

f

Cl. 1

 

Cl. 2

    



Cl. 3

    



B. Cl.





 

 



f



       A. Sax. 1  f      A. Sax. 2  

T. Sax.

B. Sax.











  



  



  



  



  



 



  



f

f

 Tpt. 1 

f

Tpt. 2

 f

Tpt. 3

 f

 

Hn. 1

f

Hn. 2



 

All play- Div. Cup Mute

f

  Tbn. 1   

Tbn. 2

Set

   

Tom

B.D.



 

Timp.

 

 

 

    

 

Gliss.

  

mp

  pp

Cup Mute

 

Gliss.

mp

   

pp









Choke



f

f

     

        

   

  Xyl.    Mar.

  

Euph.

Tba.

 

mf

   mf

   

   

   

 

 

 

Choke



  

  





   

f

        

  

f

   Slapstick

ff


Slightly Slower than Tempo I ( q = 100)

115

 113            114            Fl. 1    Fl. 2

Ob.

                                                      

                       Bsn.                           Cl. 1    Cl. 2

Cl. 3

                                                 

                                             A. Sax. 1       B. Cl.

A. Sax. 2

T. Sax.

                            

                    

                    B. Sax.        Tpt. 1

Tpt. 2

Tpt. 3

Hn. 1

Tbn. 2

Euph.

Tba.

Set

Tom

 

                                                            



 B.D.  

  Xyl.   

  

Timp.

   









               



         

                 

 

  

 

  

 

 

 



 



 



 



 



 



 

 

 



 

 

      



 

          



 



 

             



 

                    

   

   

 

      

  

     

     

     

     

         

 



 

          

             

          

                              

             



 



 

      



 

      



 



 



 

                 (choke cym.)         

       

 



       

 

 

 

  

w/snare sticks

Furiously "thunky"

  

f

Xylo- Hard Mallet

Apocalyptic



 





 

Let ring      

                Woodblock w/snare stick                    f

      f

           



           f

 

      

 

f

121

                    

 

     

             

                  

w/snare sticks



120

                            

       

  

 

             

119

                     

          

     

               

45

x. = e (q ≈ 132)

               

 

     

                         

               

      

                        

                         

116

      

     

                                               

117 118              

     

115

f

Mar.

118

                         

                      Hn. 2       Tbn. 1

Percussion Soli



 



 



Mute when needed





 



 

Apocalyptic Hard timpani mallets

           


46

122    

  

   

Bsn.





 

 





   





Cl. 1

   

 

 

Cl. 2

  

 

 

Cl. 3

 





B. Cl.

  





   

 

 

  





 





  





Tpt. 1

   





Tpt. 2

 





Tpt. 3

 





Hn. 1

  





   





Tbn. 1

   





Tbn. 2

  





Euph.

  





Tba.

   





 

 

w/snare brushes

                    3

                                   

   

Fl. 1

Fl. 2

Ob.

A. Sax. 1

A. Sax. 2

T. Sax.

B. Sax.

Hn. 2

Set

123

124

125

126

127

128

3

Tom

B.D.

Xyl.

Mar.

           

 

      





         





 

 

Let ring

 3

  Let ring

                                 Timp.   3

129

130

131

132

133

              

   

           

Sus. Cym. w/snare stick As articulated as possible

              

134

     

 

   

(woodblock)

         

       


47

142   143    

        

       

      

        

       

        

        

135  Fl. 1  

 

 

Bsn.

  

Cl. 1

 

Fl. 2

Ob.

Cl. 2

Cl. 3

B. Cl.

A. Sax. 1

A. Sax. 2

136

137

138

139

140

mf

mf

mf

144

145

146

mf

mf



  

141

mf

mf

mf

 

Tpt. 2

Tpt. 3



Tbn. 1

  

Tbn. 2

 

Euph.

 

Tba.

  

T. Sax.

B. Sax.



Tpt. 1

Hn. 1

Hn. 2

Set

Tom

B.D.



   

      



   

      Xyl.   Mar.

Timp.

                    

      

                   



         

 

          

3

3 3

3

3

           

 Driving forward

  Choke                      

Choke                              

3

 

 

 

  

  



  

Driving forward

Choke      

w/snare stick Driving forward



 

 

 



  

   

    

    

       

   

  

Driving forward


152

48

Fl. 1

Fl. 2

Ob.

Bsn.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

147  

 

 

    

T. Sax.

B. Sax.

Tpt. 1

Tpt. 2

Tpt. 3

Xyl.

 

mf

    

ff

mf

    

ff

mf

    

  

  

 

  



ff Wall of sound

ff Wall of sound

ff

mf



ff



Wall of sound

ff

ff



mf



 



 



  

  

Wall of sound



Wall of sound

Wall of sound ff

Trumpets: Straight mute Enter at a random time each measure Maintain the tempo and rhythm

Wall of sound



ff

              

  

          



          

mf

ff

mf

ff

mf

ff

mf

ff

mf

ff

mf

ff

mf

ff

mf

ff

mf

  

Bells up- Wall of sound

Bells up- Wall of sound     

              



ff

              

                     

                     

ff

ff

 

  

 



  

 

 



  

 



  

  





  

  

 

 

Trombones: Open, Slow and siren like Pitches and timing only approximate Repeat as necessary

    







ff

  

ff

Rim shot Like a warning shot

 

 

 

     

    

   

 

        



ff

 

 

ff Wall of sound

Ride + Crash Cym.

            

 



  

   

Wall of sound

 

       

ff

 

   

     

ff

Timp.

ff



    

mf



Wall of sound

Wall of sound ff

ff

Mar.

mf

    

154

  



ff



ff

B.D.

    

 



153

 

Tom

mf

    

ff



ff

 

 

mf

    

Set

ff

  Tbn. 1 

Tba.

152

Euph.

    

 

151

 

Tbn. 2

Hn. 2

150

  



Hn. 1

ff

 

149

Flutes/Oboe: Enter at a random time each measure Maintain the tempo and rhythm



  A. Sax. 1  A. Sax. 2

148

Tempo I ( q = 110 ) e= x.



  

 

 

ff Like a warning shot

ff Bells Repeat 3 notes randomly and maniacally

  

3

  

3

ff Chimes Repeat 3 notes randomly and fairly quickly

 

ff

 

 

Like a warning shot

ff

  

3

3

  

 

3

3

 


49

158

                 ff ff ff mf mf mf f                                                                ff ff ff mf mf mf f                                                                      

155              156            157            158 Fl. 1    Fl. 2

Ob.

ff

 Bsn.    Cl. 1

  

Cl. 3

B. Cl.





ff

 



   



mf

ff

 



   



mf



   

  

A. Sax. 2

T. Sax.

B. Sax.

Cl. 2

A. Sax. 1

mf



 Tpt. 1  

Tpt. 2

Tpt. 3

     

f

                           f                   f

                             f                               f                              f                            f

                           f                           







mf

ff

ff

mf

ff

mf

mf

ff

ff

mf

ff

mf

ff

mf

ff

mf

mf

                                                                          

 

     Tbn. 1  Tbn. 2

Euph.

 

  

 

 Tba.    Set

Tom

B.D.

 



  

 

Mar.

Timp.

    

 

   

3

                     

     



f Open

                 f Open                   f Bells normal                           

   

 

  

  

 

3

 

  









Ride Cym.

  mf

 

 

 

mf

3

 

 

 

   

  

 

Choke

 

 

   ff    

Choke

mf



Bells normal                            f                 

3 

 

 

3

 

 

3



ff

Dead center

ff

 

mf

  

 

  

Choke

Dead center

ff



             

                f

 

f

             ff

             f







f

 

 

        

               

ff



 (Mallet slide)                            Xylo- Hard Mallet

ff

f

    

f

           f          

 



Choke

 



opt. 8va Open                    

Choke

     



  Xyl.   





f

                                    

ff



                                 

f

Hn. 2

     

f

 

Hn. 1

159

    (Mallet slide)                     Marimba

f

ff




166 Rock! e.= q (q ≈ 144-152)

50

Fl. 1

Fl. 2

Ob.

Bsn.

160     

Cl. 3

B. Cl.

A. Sax. 1

A. Sax. 2

T. Sax.

B. Sax.

      162      163 

164

    

165

     

       

   

 



    

  

       

       

    

     

    

       

   

      

        

  

   

                

     

      

   



 

              

     



   

       

  Cl. 1    Cl. 2

     161  

    



    





 

    

      

    

     

    

    

     

    

       

     

     

   



 

    

 

  Tpt. 1   

      

8vb only if necessary



                

 

 

       

 

 

 

     

       

     

    

Tpt. 3

  

      

             

    

     

    

Hn. 1

   

      

               

    

      

     

Hn. 2

           

  

  

  Tba.  

Tbn. 1

Tbn. 2

Euph.

     

   

 

    



    



      

  

     

    

 

      

      

      

f



        

       f         

           

      

      

      

      

f



      

   

      

      

      

      

      

f

f

f

f

Set

Tom

  

      

  

      

f

         Resonant

B.D.

Mar.

Timp.

       

            

   

   

    

             

   

    

    

Lead the band: Use China/trash cymbal

                  

     

   

  

    

     

   

      

    

    

    

     

  

       

     

      

    

        

                

mp

  Xyl.    

f

      

           

Tpt. 2

       

   167    

           

      

         

      

  

 

   

             

 

    

166

Sus. Cym. (w/xylo mallets)

f

Woodblock (w/marimba mallets)

              

(Xylo- join as quickly as possible)

(Marimba- join as quickly as possible)

f

   

f


171 Woodwind soli*        169    170   Fl. 1   168

Fl. 2

Ob.

Bsn.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

            

 

171

51

          

172

          

 

 

            

 

             

            

 

 

         

 

 

 

           

         

 

        



         

          A. Sax. 1               

 

(Loosen embouchure)

    

         

  

   

mf



         B. Sax.    

 

 

 

 

 

 

 

 Tpt. 1 

         

Tpt. 2

         

 

Tpt. 3

         

 

          

 

         Hn. 2    

 

          Tbn. 1   

 

                        

Hn. 1

Tbn. 2

Euph.

 Tba.  

Set

Tom

B.D.

Xyl.

Mar.

Timp.

 



         

 

          

       

               

       

           

         

 

 

 

 

 

   

 

          

       

       

       

        

                   

(Sim.)

         

       

(Sim.)

        

mp

         mp             mp               

        

                    

       

        

                     

                  

mp

             mp                   

mf

        Choke   

(Sim.)           (Sim.)

                  

  

  

f

   

8vb

 



      

mp

     

   

    

                  

       

mf



mp

  

 

                 

Shaker mf

       

         

mf

Rim Shot

Choke

       

mp

 

mp

                   

mf

 

         

        

(Sim.)

        

                   

(Loosen embouchure)

mf

Drum set fill (feel free to improvise on fills)

         

(Loosen embouchure)

 

T. Sax.

174

    (Sim.)                

(Loosen embouchure and/or slowly cover tone holes)

         

(Loosen embouchure and/or slowly cover tone holes)

             

         

            

(Loosen embouchure and/or slowly cover tone holes)

 

A. Sax. 2

173

(Roll mouthpiece)

mf

 

         

       

 

(Roll mouthpiece)

                 

mf

*This guitar solo-like passage should be played only by as many players as can perform it adequately at the required speed and badassery

       


52

  175         176 Fl. 1 



          



           



Fl. 2

Ob.

Bsn.

                                         

     



 

        



 



Cl. 2

        



 



Cl. 3

        



 



B. Cl.



A. Sax. 2

T. Sax.

B. Sax.

                 



3 

3

 

3

 

3

 

178

 

 

                 

  

  

  



       



       





Hn. 2   

Tpt. 3

Hn. 1

sfp

 

Euph.

Tba.

Set

Tom

B.D.

Xyl.

Mar.

Timp.

             

Smoother mp Smoother mp

Smoother

mp Smoother

       





sfp



sfp

Smoother

        mp

Smoother         mp

        Smoother

mp

    

  



 



 

 



sfp

                

   sfz

                     

 

         



  

  

  

 

 



 





 

      

f

    

mp

 



mp

     

  

   

  

     

opt. 8va

      

    Drum set fill  (feel free to improvise)                   

   

                              

  

                   

       

  

  

     

  

     

opt. 8va

                            



  

                       

    

     

                          

                    



   

     

mp

sfp

  Tbn. 1  Tbn. 2

sfp

sfp

             

       

sfp

  

                

                                                     

                  

180

 Tpt. 1  Tpt. 2

   

                             3                           3                          

 

         

3

           

              

     

Cl. 1

A. Sax. 1

  

 

     

                    

        179   

     

3

 

  

177     



     

    



  

  

  

  

   


53

  184    182           183                  

 

       

 

                                  

181   Fl. 1   Fl. 2

Ob.

Bsn.

         

 

        185

                  

                       

            

 

    

          

              

         

       

Cl. 1

 

                         

                 

Cl. 2

                               

                 

Cl. 3

                               

                 

B. Cl.



A. Sax. 1

   

A. Sax. 2

T. Sax.

B. Sax.



Tpt. 1

 

Tpt. 2

Tpt. 3

                                                                                         

                                

       

       

        

                         

 

  

 

    

     

     

                  

                

        

       

      

 

      

 

      

 

    

   

       Tbn. 1  

 

    

   

 

   

   

Tbn. 2

 

   

   

              

Hn. 1

      Hn. 2    

                

Euph.

Tba.

Set

           

Tom

B.D.

Xyl.



 

 



 

 

 

    

 

           

 

  

 

 





      

            

mf



           

 

   

    

       

Mar.

Timp.

 

 

 

 

  

      

 

  

 

 

 

  

 

 

 

 

 

         

 

 



       

       

  

      

         

        

                     

On shell

Subito f

       

          

 

          

         

      

mf


54

186  Fl. 1   Fl. 2

Ob.

 



(E to F trill)

187

   (E to F trill)

   (E to F trill)  

  (F# to G trill)  Cl. 1    (F# to G trill) Cl. 2    (F# to G trill) Cl. 3 

Tpt. 2

Tpt. 3

Hn. 1

Hn. 2

 

 

   

ff Brassy, Raucous

  

Brassy, Raucous

 

 

ff Brassy, Raucous

  

ff Tbn cue

ff

Tom

B.D.

 

Mar.

           

  Timp.   

On shell

  

      

    

         

mf

  

mf

mf

 

  

         

             mf

mf

         

 

  

mf

           

      

   

 

f

Booming and resonant

    

  

        



          

   



   



 

   

    

   



   

   

   



Brassy, Raucous

   

   

   



       

       



    ff    

   

   

   



 

   



  

ff Brassy, Raucous

 

   

 

  

Wall of sound

 

 

      

  

f

   

 

  

 

 

    

     

 

  

 

   

 

   

   

 

   

 

f

Chimes- Wall of sound

Wall of sound

 

f

3

3

      

 

B.D.- Wall of sound

 

On bell of ride cym. >

 

ff

   

 

f Sus. Cym. w/snare stick- Huge crash!

mf

 



f

   

 

   

Crash

   

   

f

(Mute cymbal)

Brassy, Raucous

ff Wall of sound

   

  



Tbn Cue

    



   

ff

    Xyl.   

    

f Wall of sound

ff

       

f

   

mf

 

    191   

 



 

Wall of sound

ff Brassy, Raucous

ff

  

  

Brassy, Raucous

         

f

  

          

 

Set

Wall of sound

            

  

  

mf

  

Tba.

Euph.

   Tbn. 1  Tbn. 2

190

        

 

189

            (C# to D trill)   A. Sax. 1     (C# to D trill)  A. Sax. 2 

Tpt. 1

B. Cl.

B. Sax.

188

     Bsn.        

T. Sax.

189 Groove! Slightly excessive and bombastic

Suddenly Slower  q = 84-88

   Xylo- Hard Mallet

mf



        

 

         



     

 

  





 

   



 

   




(Swing)

193

    193                       Fl. 1   (Swing)

192

Fl. 2

3

Ob.

(Swing)

                             3

(Swing)

(Swing)

55 Stagger breathe

  

  Bsn.  

(Swing)

3

 

 

 

(Swing)

      

                           Cl. 1   3

Cl. 2

(Swing)

B. Cl.

(Swing)

 

 

T. Sax.

3

              Tpt. 1  

B. Sax.

Tpt. 2

Tpt. 3

Hn. 1

       

     

               Tbn. 1  Hn. 2

Tbn. 2

Euph.

Tba.

Set

Tom

  

  

    



   

  

       

   

            

  



 

       

     

 

       

 

Swing

      

    

   

3

  

   

         

       

       

    

   

   

 

   

 

   

  

 

  

 

  

 

  



   

 



   

 

 

  

 

  

   

 

   

   

   

 

      

Swing Drum set fill

    

   

  

      

   

   

    

(Swing)                           Xyl.   

Timp.

 

 

  

 

   

 

(Swing)

  



 

      

  

 

   



  

Mar.

  

 

   

 

 

  

 

    

    

Stagger breathe

       

Stagger breathe

  

B.D.

    

   

  

 

Stagger breathe

  

 

     



Stagger breathe

  

 

         

    

  

         

 

          

        

   

  

                  

        

  

(Swing)

(Swing)

      

  

  

                           

      

Stagger breathe

Stagger breathe

                     A. Sax. 1          A. Sax. 2

 

  

(Swing)

(Swing)

3

196

(Swing)

                          

     

(Swing)

3

Cl. 3

195

  

        (Swing)                       3

Stagger breathe

  

                            

194

   

   

 

Ride cymbal (or largest cymbal) Darkest sound, becoming more "splashy" Slow, brooding crescendo



        

 

 

  

 

       

 

 

  

Sus. Cym. w/snare stick Darkest sound, becoming more "splashy" Slow, brooding crescendo

     

       

   

             


56

197   Fl. 1   Fl. 2

Ob.

198

  

 

Bsn.

  

Cl. 1

 

Cl. 2

Cl. 3

B. Cl.



A. Sax. 2

T. Sax.

  

  



  

  

  

   

   

   

  

   

   

   

   

  

  

   

   

   

   

 

   

  

   

  

  

  

   

   

  

202

  

   

   

  



  

  

201

   

 

     

200



   

 

 

   

 

199

     A. Sax. 1 

B. Sax.

  

   

   

 

   

   

Tpt. 1

 

Tpt. 2

   

   

   

   

   

   

Tpt. 3

   

   

   

   

   

   

       

   

   

   

   

   

              Tbn. 1 

       

       

       

       

       

      

   

   

   

   

   

Hn. 1

Hn. 2

Tbn. 2

Euph.

Tba.

   

 

   

 

   

 

   

 

   

 

   

 

  

 

  

 

  

 

  

 

  

 

  

  

  

Tom

B.D.



 

Xyl.

Mar.

           

                                                                                                    

 

  

 

                Cluster tones- Play random notes Becoming more and more dissonant

   

  

  

 

       

  

 

  

 

               

        

   

  

   

  

   

  

   

  

   

each note a different tone Make        

 

  

 

  

 

  

 

  

Begin slowly detuning the E timpani

Timp.

    

Set


203  Fl. 1   Fl. 2

Ob.

  

        

 

 

 

  



 

  

 

  

 Tpt. 1 

 

             Tbn. 1          

Tom

B.D.



sfz



sfz

Timp.

 

    



   

sfz

                     sfz                     

 

sfz

  





 

  

   

      

  

   



       Choke          

  



 



Choke

Choke

 

                mp ff                 mp ff            mp mp

                      ff        

   

            mp

  



mp

     mp

 

B. Cl. cue

Choke       

                 ff           ff             ff

            ff         

                            

                   

ff

    ff

Choke

  

Choke

 Choke          

ff

     

Marimba            ff

ff

*See previous note

   

     

ff

Choke cym.

  

     

ff

sfz

Let ring



ff

sfz

 

 

ff

   

mp

ff

 

 

   

    

8vb only if needed

                    

  

ff

sfz

sfz

         

ff

sfz

              

            mp ff

ff

      

 

mp

57

ff

sfz

sfz

sfz

     

ff

 Drum set fill (16th notes swung)                       3                      ff             

     



       

ff

ff

opt. 8va

      Xyl.   Mar.

    

Choke cym.

Set

Hn. 2

          

               

       

 

   

  

                      

 

 

mp

          

Tpt. 3

Euph.

   

ff

 

    

 

                          

Tpt. 2

Tbn. 2

 

              

   

   

Hn. 1

    sfz           

 

 

   

sfz

  

  

  

T. Sax.

Tba.

  

   A. Sax. 1 

B. Sax.

  

A. Sax. 2

       206                

205

 

Cl. 1

B. Cl.

  

  

Cl. 3



204

 

Bsn.

Cl. 2

Suddenly Faster* q = 180 207       208           

207




Finished 8/28/15 58

Fl. 1

Fl. 2

Ob.

Bsn.

Cl. 1

209    

     



   

     

 



   

  

 

     

 

     

210

    





  





  

 

     

     

Cl. 3

 

     

     

B. Cl.





A. Sax. 1





 

212     

213

p

   

     

    

    

    



     

Cl. 2

211

  

    

 

p

p

    

    





p

   

   

    

     

  

 

   

   

     

  



A. Sax. 2

T. Sax.











p

 

Tpt. 2

Tpt. 3



Tbn. 1

  

Tbn. 2

 

 

  

Tom

B.D.



  Xyl.  

 

  

B. Sax.



Tpt. 1

Hn. 1

Hn. 2

Euph.

Tba.

Set

Mar.

Timp.





Bells- Gently p


Mvt. IV "Ruins inspire wonder. They give the mind this task of reconciling what's there and what's not. What once was and what now is." -Avery Truffelman, 99% Invisible (ep. 112)

Started 8/28/15

Pensive ( q = 84) 1    Fl. 1       Fl. 2       Ob.      Bsn.

     

Cl. 3

    

  B. Cl.         A. Sax. 1       T. Sax.     B. Sax.   

A. Sax. 2

    

   Tpt. 1     Tpt. 2

Tpt. 3



 Solo horn cue



mp

  Rubato

 



    

Solo horn cue (flugelhorn if playing)

 mp

    

 

Rubato





    



      

   

mp Rubato

Hn. 2

Tbn. 1

Tbn. 2

Euph.

                     

   







   

 

  

mp

 mf

Gently

  

 mf

mf

 Brief



Gently

Intense and buzzing

 









    







 Brief

Molto rit.



 

 



pp



 Intense and buzzing

   

 

  

pp

 mf

mf

mf

 

  

f

Gently

mp



mf



mf

Heroic Hard attack

 

mf

mf



f

Intense and buzzing



f

All play Intense and buzzing

  



f

mf

Brief

Cue- play only if to support horns Intense and buzzing

 mf

Cue- play only if to support horns Intense and buzzing

f

mf

mf

Gently

mp



 mp

mf

Heroic Hard attack

 

Heroic Hard attack

 

mf Heroic Hard attack

 

mf Heroic

Gently

mf















  Xyl.     





    





     





 mp

Hard attack  

mf

    















mf



Gently



(Tune Timpani: G - B - Db)



Timp.



Mar.

B.D.

mp

 

mf



Tom



 

mp

f

Set





 mp



     

Tba.





Gently

pp

     

 

Molto rit.





8

Molto rit.

7

    

Solo- Wistful

Hn. 1

mf



6



5













    

4

 





3

 

   Cl. 1     Cl. 2



2

59

Gently

 

mp



 

 mp

 pp


60

Organ-Like

9    Fl. 1      9

Fl. 2

Ob.

f

 

f

        

  Bsn.        Cl. 1     Cl. 2

 

    

 

10

 

11

 

 

 

 

f

  f 

  

f

        

  

  

 

  

  

 

f

         f   B. Cl.           f Play      A. Sax. 1    Cl. 3

        

   

        

   

f

         f   T. Sax.         f   B. Sax.         f Play      Tpt. 1   

A. Sax. 2

   

   

   

   

  

  

  

  

f

       Play

Tpt. 2

 

 

f

 

12



 

  

  

  

            

     

                       

    

       

 

 

  

     Hn. 2     

 

 

  

       Tbn. 1   

 

 

    

        

   

Hn. 1

f

f

f

Tbn. 2

Tba.

Set Tom

          f

      

 

    f  



   

          f  Xyl.     B.D.

Chimes Light articulation

Mar.

        

   

f Thunderous resonance Light articulation

Timp.

            f

   



 16   

mf

 



 



Sonorous, Graceful

mf Sonorous, Graceful

mf

 



mf Sonorous, Graceful



mf

Softer attack Intense cresc.

Softer attack Intense cresc.

f

  

mp



mf

Sonorous Graceful

 

mf Sonorous Graceful

mf

    



mf

f

 





mp







A Tempo

 

mp



 

A Tempo

 



f

f

mf A Tempo





A Tempo



mf

 ff

f

Softer attack Intense cresc.

ff

f

Softer attack Intense cresc.

f

mf

ff

Softer attack Intense cresc.

 ff

 

mf





f



    

A Tempo

f



mp

f

 

ff

f



ff

f

 



   

f

mp

   

Softer attack Intense cresc.

mp

mp

 

f



Sonorous, Graceful

  

Sonorous, Graceful

18



mp

17



A Tempo

A Tempo





mf

mf



   

    

Softer attack



Softer attack



15

   

    

Thunderous resonance Light articulation



  

    

14

   

f

Euph.

13

  

   

f

    

   

Play

Sonorous, Graceful

 

         

Tpt. 3

Molto Rit.

Softer articulation, Weighted, Slight separation

 

   





Softer attack

ff

ff

ff

Harder articulation



 





A Tempo



   

    

   

    

    



      



ff

Triangle- Gracefully

 

mf

Ride Cym. w/brushes

 

mp



Sus. Cym. w/soft mallets

 

mp

mp


19        19

Fl. 1

Fl. 2

Ob.

     



20

   p

mf



       

    Bsn.    

Cl. 2

     

 

f

B. Cl.

      

   A. Sax. 1    A. Sax. 2

T. Sax.

subito mf

    

   B. Sax.     Tpt. 1

Tpt. 2

     

    

 

 

 

p

 

        

     



f

  

 

 

  mp

mp

 

  

 

        

mf Straight Mute

p

mf

p

     



      



Soaring

Hn. 1

f

Soaring

Hn. 2

f

Tbn. 1

 

        



      



mp Connected

p

mp Connected

mp

            

p

 p

p

p

 

mp Connected

     



f

Tba.

        

Set

Tom

B.D.

   







f

 

f

Timp.

p



     

          f

  







      

Open- Triumphant

mf Triumphant

       mf Triumphant

        mf Triumphant

        mf Warm

  

 

mp

Warm

  





Warm  



p



(w/snare stick)

f Booming and resonant

 

p







  f

 

       

mp

Ringing and connected

  

p

  

 

w/soft mallets

Triangle

Chimes

   

mp

Warm

mp

 

mp

   

mp

  

mp

Let ring through

 

mp Sus. Cym. (w/soft mallets)

 



 





mp

          

mp

p



Warm











  

        

        

  



 



(w/brushes)

mp

          



mp

mf

   

  

mp Connected



 

 

p

f

      Xyl.      Mar.

         

             



mf

  

 

mp

Support, but do not over balance F. Horn

    

    

        

  

mp Connected

 

 

          

            

p

          



    

mp

 

          

  

mp

 



            

p

mf

Euph.

 

mp

  

mp Connected

  

               

mf

Tbn. 2

mp Connected

p

      

 

Connected

                

 

Straight Mute

p

p



p

Support, but do not over balance F. Horn

Tpt. 3

        

28

   



subito mf

Support, but do not over balance F. Horn

f



27

 

 

 

26

   

25

         

 

mf

     



24

 

Support, but do not over balance F. Horn

Cl. 3

23

mf

    

22



subito mf

 

p

mf

mf

Cl. 1

   21

61

 

mp


62

 30      31        

Buoyant, Crackling

29

  Fl. 1      29

Bsn.

Cl. 1

34

            

f

    



            

Buoyant, Crackling

mf

    







mf



  

T. Sax.

B. Sax.

 







mf

  

f

     



 



mf

    

  

    

   

   

f

Set

Tom

B.D.

                   

 



Mar.

        

39

 



 























 

















 









 



 

sfz

f

 

(Tune Timpani: Bb - Eb)

 Let ring



 

  

ff

 ff



  



  

With Force

 



   









               With Force              With Force

   

 









 

   

With Force



   



With Force







 





 

 





 

 

 

 

 

sfz

  

 

 

 

 

 

 

 

 

 

 

 

 

 

                                        With Force

  

sfz

  

 

ff

ff Choke ff

 

ff

ff

 

ff



 

sfz



sfz

 

ff

ff

 



ff

ff

          With Force                    

ff





      

ff

ff

    With Force      

ff

ff

With Force









 



ff







ff

ff



With Force

                         

sfz

f Aggressive sfz

Triumphant

   Timp.       

 





 





   

With Force

   

  

 

Open- With Force



 

   

With Force











 

              





 

Ride cym. w/snare stick- Buoyant, Crackling



    





sfz Aggressive





f

  

With Force





    

 

 

41

f

 

  

f

  

With Force





 

       



f



With Force



 

 

 

f

  

    

  

 

  

f



 

  40  

With Force



   WithForce                                      



mf Aggressive w/Snare Sticks

   Xyl.    







f

   

   Hn. 2    

Tba.



            

f

Euph.





   

Tbn. 2





    

Tbn. 1



Buoyant, Crackling

f

Hn. 1







f

Tpt. 3





f

38

With Force

 





mf

   Tpt. 1    Tpt. 2





    

A. Sax. 2





f

f

  A. Sax. 1  



f

   

  B. Cl.    

37

f

mf

Cl. 3



                         With Force            

f





36



 



ff

 





35

f

mf

 

 

f

mf Buoyant, Crackling

    

Cl. 2

               

    

Ob.

33

mf Buoyant, Crackling

    

Fl. 2

32

ff

ff

Let ring

Choke

ff

 Let ring   ff

 

 

ff

Let ring


Slower ( q = 72) 49 Slightly Conductor's note: Reduce number of players on each part as needed Slight rit.   Fl. 1      42

Fl. 2

Ob.

Bsn.

Cl. 1

Cl. 2

Cl. 3

A. Sax. 2

T. Sax.

B. Sax.

Tpt. 1

Tpt. 2

Tpt. 3

Hn. 1

Hn. 2

44

45

46

47

48

    

        

  

  

50





p

  

 

Solo Horn cue- Intense to start Gradually relaxing, Slight rit.







ff

  







ff

  



     

  p

 

p

Tbn. 2

    

   

Solo Horn cue- Intense to start Gradually relaxing, Slight rit.

Euph.

Tba.

   







ff

   

No break

 

(softest possible)

    

 

  



 

    Xyl.     

Mar.

   Timp.  

 











pp

 

mp

  

Bsn. cue

  

mp

Wispy, distant

pp

mp

pp

pp

 

mp

pp







mp

mp

All play, Stopped horn- Wispy, distant

pp

Cup Mute- Wispy, distant

pp





   

mp

mp

Cup Mute- Wispy, distant



  

   

pp



mp

pp

pp

 

 

   

 



mp

Stopped horn





mp

pp Cup mute- Wispy, distant

mp



pp Cup mute- Wispy, distant

Wispy, distant





pp

Cup mute- Wispy, distant

pp

pp

pp

pp





 

pp



 Wispy, distant  

 

pp

   

Wispy, distant

 

 

pp

pp



mp

pp

 

pp

pp

pp



 Delicately    

pp

pp



mp

pp

 58   

Delicately

pp

 

pp

    



B.D.



 

pp

57

pp

pp

56

pp

  

Tom

 

 

 

Wispy, distant

Set

55

mp

  



p





 

mf

 

No break

 

pp

pp



 Molto rit. Delicate

pp

 

 



54

pp



p Tbn. 1



p Wispy, distant

p

mf



p Wispy, distant

 Molto rit. Delicate



Wispy, distant



Wispy, distant

Wispy, distant



52

 

 

p Wispy, distant

 

mf



No break

   

(softest possible)

 Molto rit. Delicate

Solo- Intense to start Gradually relaxing, Slight rit.

   

(softest possible)

  



Wispy, distant

p

 



53

51

Wispy, distant

 

   

Wispy, distant

p

  

   

49

p

    

 B. Cl.    

A. Sax. 1

43

63

Marimba- delicately

   p

  

  


64

70

59 A tempo Fl. 1

59   

Fl. 2

Ob.

Bsn.



   

Cl. 3

B. Cl.

p

60

61

pp

 

 

p

mp

    

  Cl. 1  Cl. 2

Solo

62

63

p

mp

mp

p

mp

p

mp

mp

       

 

p

   

mp

Ob. cue

pp

65

66

67

p

mp

p

64

Fading away

    

mp

 

68

Pull back

69

 

   



71





72

ppp Solo Be absorbed into mallet sound

 

 





pp

70

Release (a tempo) Be absorbed into mallet sound

ppp

pp

mp

p

  

   

 

mp

pp

pp

pp

mp

Solo Be absorbed into mallet sound



ppp

pp

 







 

pp

A. Sax. 1

     

A. Sax. 2

 

T. Sax.

B. Sax.

Tpt. 1



   

Tpt. 3

 

Hn. 1

Tbn. 1









pp

mp

 

  

mp

p

   

pp

mp





   



   



  



  



  



  



     

Tpt. 2

Hn. 2

pp

pp

pp

pp

pp

pp



Tbn. 2

pp











Tom



B.D.





  Xyl. 

Euph.

Tba.

Set

Mar.

Timp.



Bells- Hushed, dream-like As quiet as possible while still being heard



    

ppp

   

pp

 

 

 

 

 

 

 

 

 

 

    

Marimba- Hushed, dream-like As quiet as possible while still being heard

 

ppp

     

    

 


65

Fl. 1

73    

   

Ob.

  Bsn.   Cl. 1

    

 

    

   

    

 



pp

 



 

(Stagger breathe)

Serene

pp (Stagger breathe)



pp Serene

(Stagger breathe)



 





   



   

  

  Hn. 2   

 

pp





 

   

  

  

Tuba cue

(Stagger breathe)

pp



  Tba.  



mp

  

   

  

  

  

  

  

   

 

Open, Div.- Serene



pp

  

  

   

 mp



 

(Stagger breathe)

  

   



  

  

  

mp

  



  



  





mp

(Stagger breathe)

Bsn. cue- 8vb if possible

pp

Serene

(Stagger breathe)

pp





Tom





B.D.







 

 

   

 

 

 

 

 

 

 

 

 

 

 

 



  

 



 



 





 







 



Set

Xyl.

       

Mar.

Timp.

  

 

 



 



  

  

pp

 

  

  

pp



  

  

 

Open- Smooth, Slightly Insidious

(Stagger breathe)

mp

   

Tbn. 1 cue- open

  

  

   



mp

pp

   

(Stagger breathe)

  

  

T. Sax cue- Cup Mute

 

  

pp



T. Sax cue- Cup Mute

Open- Smooth, Slightly Insidious

  

  

 

 

Smooth, Slightly Insidious

Horn 2 cue (div.)

pp

  

 

pp

Horn 2 cue (div.)

pp

  



 

Serene

(Stagger breathe)

   

 

Serene

pp



  Tbn. 1 

 



pp

 

   

Serene

(Stagger breathe)

Euph.

All Play- Serene

 

Smooth, Slightly Insidious

Serene

   

Tbn. 2

 

Hn. 1



Tpt. 3

Tpt. 2

78

pp

    

Tpt. 1

77

 

 

T. Sax.

76

pp

    

A. Sax. 2

B. Sax.

 

 B. Cl.     A. Sax. 1



  

Cl. 3

   

Cl. 2

75

pp

  

Fl. 2



74


Finished 8/29/15 66

79  Fl. 1  Fl. 2

Ob.

Bsn.

Cl. 1

    

    

A. Sax. 2

Tpt. 1

 (Stagger breathe)

   





Tpt. 3

Hn. 1

83

 

84

 

           

85

 

86

 

87

 

 

pp

mp

82

      

































  

  

  

  

pp

 Open Off stage, Well articulated Each note slowing down

      

mf

 

  

 

  

 



  

  

  

Decay with the bells

pp

  

  

   pp

 

pp

  



Tbn. 1



  

  

Tbn. 2



  

Hn. 2

  

Tpt. 2

81

     

T. Sax.

B. Sax.



80

  

Cl. 3

A. Sax. 1

  

Cl. 2

B. Cl.

(Stagger breathe)







   











pp

   

pp



Euph.

Tba.



 

Tom

B.D.



Set

  Xyl.  

Mar.

Timp.



  



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Solo Less dreamy, more clarity

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Chimes- Solo Less dreamy, more clarity

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mp


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