Andy Demetriou Architecture Portfolio

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PORTFOLIO ARCHITECTURE

2020 - 2025

A

N D Y D E M E T R I O U

Raised in a culture that values community, I strive to create spaces that bring people together with a focus on sustainability and accessibility. I enjoy incorporating nature into my designs, recognizing the benefits it brings to both the environment and those who interact with it. For me, a successful design is about making spaces that are not only functional but also inspire reflection and connection.

Design Skills

Rhinoceros Enscape Revit SketchUp Photoshop Indesign

Education

Bachelor of Architecture 2025

University of Arizona College of Architecture, Planning & Landscape Architecture (CAPLA)

Experience

Freelance 3D Visualizer

2020-Present

Architectural renderings used for Rob Lamb Realty (Tucson, AZ)

Created concept models, renderings, floorplans and video walkthroughs for developers. Visualizations brought design concepts to life, making them appealing to clients and investors.

Digital Fabricator and Researcher

2024-Present

Fabricated models and created diagrams for Professor Michael Silver for his upcoming sequel publication on the future of architecture - and technologies. Digitized 3D models that are based on Silver’s previous novel about architectural theory and Composite Architecture.

Achievements 2021

Award given for project with overall design excellence that exemplifies the principal of Universal Design (identical access in aesthetics and function regardless of age, ability or status) under anonymous review by a jury of design professionals.

SONORAN DESERT OASIS

TUCSON COMMUNITY CENTER-BATHHOUSE AND CACTUS GARDEN

Resource X Change

Tucson, AZ

Tucson, AZ

Sonoran Desert Oasis

BISBEE ART CENTER

GRAFFITI GALLERY & FLEX PERFORMANCE SPACE

Andy Demetriou

CIRCULATION

5’ ADA CIRCLE

APERTURE SHAPES RESEMBLE THE NEIGHBORING CANVAS ART WALL

THE EXTERIOR WALL CONFORMS TO THE EXISTING GRAFFITI WALL ON THE SITE

THE TWO WALLS DO NOT TOUCH AS A CUT IS MADE TO SEPARATE THE OLD GRAFFITI WALL AND THE NEW THIS CREATES A FRAMED ENTRANCE

THE EXTERIOR GRAFFITTI WALL SHELL DOES NOT TOUCH THE BUILDING IT ENCLOSES

SPACE NEW TECTONIC LIGHT

SEPARATION OF OLD MATERIALS AND NEW

OFFSETTING THE WALL OUT CREATES SPACE INBETWEEN TO BE USED FOR CIRCULATION

SHELL WALL ALOWS GRAFFITTI ART TO BE VIEWED FROM INTERIOR AND EXTERIOR

OLD STEREOTOMIC HEAVY OFFSET WALL

THE FRAME ALONG THE OUTSIDE OF THE BUILDING ALLOWS A LARGE OPEN SPACE IN THE MIDDLE

STAIRS ARE ADDED IN BETWEEN THE FRAME ON BOTH SIDES OF THE BUILDING

KITCHEN RESTROOMS

RAMPS ARE USED AS THE PRIMARY CIRCULATION TO PROVIDE THE SAME EXPERIENCE FOR ALL USERS.

OUTDOOR GRAFFITI GALLERY IS APPEALING TO ALL USERS. EXPERIENCE SIGHT, TOUCH, HEARING AND SMELLS THROUGHOUT THE JOURNEY.

COMBINATION OF RAMPS, STAIRS AND ELEVATORS ACCOMMODATE PEOPLE WITH DIVERSE ABILITIES.

MULTIPLE ENTRANCES INTO THE INDOOR BUILDING FROM DIFFERENT LEVELS.

MAIN INDOOR PERFORMANCE SPACE IS FLEXIBLE IN CONFIGURATIONS.

SWITCHBACK CONFIGURATION OF RAMPS IN THE GRAFFITI GALLERY MAKE IT VERY SIMPLE TO UNDERSTAND CIRCULATION UP OR DOWN THE PLATFORMS.

DOORS INTO EACH PLATFORM’S INDOOR SPACE ARE AUTOMATIC SLIDING DOORS.

CUTS IN THE WALLS OF THE GRAFFITI GALLERY (SHOWN ON THE COVER PAGE) REVEAL WHAT IS ABOVE ON THE NEXT LEVEL. THE CUTS GET SMALLER AS THE LEVEL RISES, CREATING A SENSE OF DIRECTION TO GO UP.

THE MAIN ENTRANCE ADJACENT TO THE OFFICE IS VERY RECOGNIZABLE BECAUSE IT IS EXTRUDED OUT TOWARDS THE STREET AND USES THE EXISTING GRAFFITI WALL ON THE SITE TO FRAME THE ENTRANCE.

THE OVERALL CIRCULATION OF THE RAMPS LEADING TO EACH PLATFORM MINIMIZES UNINTENDED ACTIONS.

WALL HEIGHTS IN OUTDOOR GRAFFITI GALLERY ACT AS HAND RAILS.

PLANTS AND TREE PLACEMENT ACT AS MARKERS FOR IMPORTANT ACCESS/ENTRY POINTS.

ALL RAMPS ARE AT A 1/20 SLOPE TO ALLOW LOW PHYSICAL EFFORT FOR ALL USERS.

RESTROOMS PLACED AT GROUND LEVEL ( IN OFFICE) AND PARK LEVEL (TOP PLATFORM) TO ACCOMODATE ALL PLATFORMS IN BETWEEN.

5’ ADA CIRCLE IS USED THROUGHOUT PROJECT TO ACCOMODATE EASY MOBILITY.

SINKS, COUNTERTOPS, BEDS, DESKS AND HAND RAILS ARE AT AN APPROPRIATE HEIGHT TO ACCOMODATE ALL USERS.

MURAL WALL

THE CONCEPT OF THE PROJECT IS INFLUENCED BY CREATING A CIRCULATION THAT CAN BE INCLUDED INTO THE PERFORMANCE.

THE RAMPS IN THE GRAFFITI GALLERY ALLOW A UNIVERSAL EXPERIENCE FOR EVERYONE. THEY CREATE A JOURNEY THROUGH THE SPACE AND ALLOW ACCESS TO EACH OF THE DIFFERENT LEVEL PLATFORMS IN THE BUILDING.

THE STEPPED PLATFORMS ALLOW A LARGE FLEXIBLE OPEN SPACE TO BE CREATED IN THE CENTER.

THE BUILDING HAS MULTIPLE ACCESS AND ENTRY POINTS FROM THE TWO ELEVATORS, STAIRS, AND RAMPS. THERE IS ENTRY POINTS AT BOTH STREET LEVELS AND AT PARK LEVEL.

COMBINING THE INDOOR SPACE AND OUTDOOR PERFORMANCE SPACE INTO ONE CONTINOUS PERFORMANCE CREATES A JOURNEY THROUGH THE BUILDING.

THE DESIGN ACCOMMODATES PEOPLE WITH DIVERSE ABILITIES TO COME ENJOY AND EXPERIENCE THE ART.

OVER TIME THE GRAFFITI ART GROWS FROM THE ORIGINAL WALL TO FULLY COVERING THE NEW BUILDING

THE BUILDING BECOMES A PERFORMANCE

MAIN ENTRY

RESOURCE X CHANGE

HYDROPONIC GARDEN AND COMMUNITY CENTER

The main circulation through the hydroponic garden creates a place for visitors to experience plants with all of their senses. The roof shape allows plants to hang and create a canopy of nature around. This blurs the border between inside and outside. The curved walls also bring people into the space while also framing views to the nature outside.

The lammelar roof structure made from wood laminate creates a parametric shade structure covering the building. The columns and roof shape are used to funnel and collect rain water to be processed and used in the garden to grow a variety of plants.

DESIGN FOR INTEGRATION

The organic form integrates into nature and embraces it.

The process of bringing nature into the building blurs the border between inside and outside.

The form is integrated into the sight and creates a gathering space for the community.

DESIGN FOR ECOSYSTEMS

Surrounding nature is blended with the new garden landscape.

A variety of new ecosystems are created inside the building. Hanging plants and water misters from the ceiling create a comfortable enviornment year round.

Different lighting conditions throughout the building create a variety of mini ecosystems.

DESIGN FOR EQUITIBLE COMMUNITIES

The main

MAKE CIRCULATION AN EXPERIENCE

SONORAN DESERT OASIS

TUCSON COMMUNITY CENTER-BATHHOUSE AND CACTUS GARDEN

ASSIGNMENT 3.1

FRONT ENTRY
FRONT ENTRY DOWN RAMP

SECTION THROUGH THE 1/20 RAMP DOWN TO THE BASEMENT LEVEL

TECTONIC
STEREOTOMIC
SECTION THROUGH THE THE SAUNA ROOMS AND COLD PLUNGE POOLS WITH SKYLIGHTS
SECTION THROUGH THE THE MAIN SWIMMING POOL AND HOT BATHS
SECTION THROUGH THE PLUNGE POOLS WITH SKYLIGHTS REACHING FOR THE SKY
MAIN SWIMMING POOL WITH FRAMED VIEW

TUCSON COMMUNITY CENTER BATHHOUSE

The bathhouse is located along the Rilito river with many of the framed views to the surrounding water and nature. This creates a relaxing community space for visitors to interact with each other. The sauna and cold plunge pools both have skylights that create a dynamic experience throuout the day. The main pool is shaded by a rippled texture that created dappled light and shadows below. Using stereotomic elements to represent a cave-like experience create spaces that reach for the sky and look for light from above. The tectonic elements are used as a screen to filter light and create dynamic shading/light qualities. Taking inspiration from Peter Zumthor’s Thermal Vals, the Tucson bathouse has a variety of lighting conditions to experience.

SAUNA
COLD PLUNGE POOL

COMPOSITE ARCHITECTURE

ARC - 401 SPRING 2024

ANDY DEMETRIOU

OFFICE

BEDROOM

BATHROOM

Figure 1: Fiber placement robot with reusable tool and gantry-mounted taping head. Mills and laser cutters are notorious for generating large amounts of waste during production.

Figure 2. Fiber placement robot with reusable mold (left) and gantry-mounted taping head detail (right). Fiber placement machines conserve resources through an additive, rather than a subtractive, process of lamination.

COMPOSITE ARCHITECTURE

Automated Fiber Placement technology (AFP) is a relatively new fabrication process that is necessitating fundamental changes in how designers think about space, structure, and program. The system itself employs a robotically controlled taping head that lays down glass, Kevlar, or carbon- reinforced plastic strips on a reusable mold. By controlling the placement and orientation of fibers in a single component, engineers can manage the flow of multiple forces as they change across the surface of a part subject to wind, seismic and mechanical loads. (Fiber-reinforced composites are on average 1.5 times stronger and 10 times lighter than steel.) As replacements for structural components that are over designed and isotropic (I-beams, T-sections, etc.), robotically fabricated composites achieve their efficiency by increasing material densities where stresses are high and decreasing them where they are low. Intricate taping patterns and local variations in surface thickness are produced without a subsequent increase in cost. All of this is achieved by simply changing the data fed to the taping robot. By combining multiple functions in a single fabrication process a sustainable approach to design can be developed in new and unprecedented ways.

REVIT CONSTRUCTION DRAWINGS

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FREELANCE RENDERS

RENDERS USED TO BRING DESIGN CONCEPTS TO LIFE FOR DEVELOPERS AND INVESTORS

CONCEPT FLOOR PLANS

TUCSON MOVIE STUDIO
TUCSON MOVIE STUDIO

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