Andrea Hinojosa Portfolio

Andrea Hinojosa

Andrea Hinojosa

Undergraduate Architecture Portfolio

Undergraduate Architecture Portfolio

Texas A&M Univesity

Texas A&M Univesity

Personal Objective

I view architecture as being the experience one feels when entering any space, not just the space itself. And I believe that every person should enjoy the architecture surrounding them no matter the circumstances of their life. Through my work that is presented here I have grown not only in diversifying my skills, but also in my understanding of the world. I hope to continue on in my education to obtain a masters degree in architecture and then continue on the path of licensure so I can design the experiences I know are possible.

Andrea Hinojosa

The In-Between

Calvesbert

Software:

Rhino 7

Grasshopper

Adobe Illustrator

Adobe Lightroom

Contributions:

Documenting current site buildings though Axon and Floorplan, Concept iterations, Ground-Plan Canopy Linework, Market Vignette, Transverse Sections of site, Laser cutting/Printing/Assembly of Physical Model

In this redesign of Bryan-College Station Salvation Army campus, our approach is a multifaceted front: creating spaces which are suitable to serve a variety of individuals while also seeking to provide a housing solution for a vulnerable population looking to rebuild and reinforce their life skills. The In-Between explores the delicate relationship between containment and levels of privacy. This calls for a deeper consideration of in between spaces as more than just a conveyor from built space to built space. Outdoor pathways are a unique experience in and of themselves, tying the structures together through a common axis and transport corridors.The brick wrapper is a method of exploring containment between the offset of the built walls, while also being respectful of the privacy which is desired in varying levels by different individuals and types of occupants. Flexibility within spaces supports present occupants and allows The Salvation Army to expand their capacity to serve their neighbors. Transitional housing on the site allows for family groups of all types to be given the basic needs in their time of in between so that they can pursue stability.

Team Members | Ava Greaney and Leah Thaxton Professor | Tyrene

ADA Unit

Swing Unit

Typical Unit

Block Party

Software:

Midjourney V6

Rhino 7

Grasshopper

Keyshot

Adobe Illustrator

Adobe Lightroom

Contributions:

Inputting Prompts to MidJourney AI, Iterations of Housing Design, Designing the Housing Units, 3D Printing and Assembly of Physical Models, Line Drawings of Interior and Porch Space

This project explores the topics of porches and exposed structures through AI imaging to create a new approach of standardized-structured workforce housing. The research process was started through the exploration of Midjourney. Utilizing this tool, our normative understanding of architecture is expanded to new possibilities. From many different interpretations, prompts, and words, we were able to see what would create a more desirable outcome using our agency. We created 5 unique massings that each allow for various types of aggregations and connections. This site hosts 14 different aggregations of the 5 massings. The porches of these massings are primarily of a subtractive operation to maximize space and verticality, so as to not over reach into public space to maintain individual ownership. We took inspiration from the AI’s use of framing of the space and implemented that in our design. The land the community sits on is in a Community Land Trust, where a non-profit organization owns the land and residents own the building itself, this allows for freedom of the interpretation of what property is. Reinterpreting the townhouse typology, which can otherwise be limited by the straight connections from unit to unit, our approach considers the opportunities for unique spaces within part-part relationships. Through the use of repetitive elements, we were able to aggregate massings that created individuality, while maintaining a cohesive community language

Team Members | Aidan Lozano, Mallory Jordan, Nate Sorensen, and Ian Thomas Professors | James Tate and Benjamin Ennemoser

The Catalan Street

In collaboration with Jayne Goodman Professor | Miguel Rodan

Software:

Rhino 7

Adobe Illustrator

Adobe Photoshop

Contributions:

Concept iterations, Possible Structure Design, Exploded Axon Line Drawing, Section Market Render, Elevation Line Drawing

As Barcelona has grown, the importance allocated to the public space provided by its streets has remained the same. The Rambla, Gran Via, the Cathedral Square and many other spaces are catalysts for movement, gathering and wandering. Our project brings this narrative to the neighborhood of Gracia by celebrating its heritage. Inspired by the classic catalan vaults and ceramics, this project utilizes the crossing of two atypical vaults as the circulation and structure. This structure is supported by steel beams and girders encased in a double shell of ceramic tiling made up of a singular vault on top and a series of vaults below. The double shell and light wells reduce the weight of the traditionally heavy system. The crossing of the vaults provides structural stability and a unique circulation. They act as both roof and ground, creating a diverse set of spaces to explore and experience. The ceramic brick extends beyond the vaults and site to blur the line between neighborhood and project which allows for an easy transition from street to the above ground market. Once below, the community is provided with an artisan market and cafe. At the center, the main water feature acts as a versatile object that allows for sitting, laying down and interaction with the water. The refreshing space acts as a retreat during the hot summer days and a refuge during winter. Overall the project is centered around the traditional catalan vault and the untraditional scale that provides the structure and circulation.

Strangely Familiar

Software:

Rhino 7

Houdini

Zbrush

Adobe Illustrator

Adobe Lightroom

Contributions:

Concept Design Interantions, Modeling in ZBrush, Rendered Vingette Images, Assembly and Design of Physical Models

Our project explores the unintentional consequences of hoarding: irregular circulation, the paradox of more hoard creates more access but with less accessibility, Non-human design via happenstance spaces, and the coincidental porosity of the surface creating a language representing the qualities of the interior. Hoarders primarily address an object through its ontology rather than its intended or current use.Through this lens the efficacy of objects within an assemblage from a human perspective is overlooked as their importance in the design is derived from their ontological value. Similarly, the ground condition found in the object contains unusable elements such as old buildings and industrial pieces. These objects have intrinsic value as vibrant matter, despite lacking efficient contribution to the assemblage as a whole. The larger the hoard the less direct control and influence over the hoard’s accessibility, transitioning the assembly from a private collection to a public assembly. Larger hoard also means more desire for access, drawn by thingness, collection within the hoard creating impromptu circulation, circulation without circulation symbols (stairs, walkway etc) granting accessibility through the reterritorialization of the assemblage, something no longer private, but restricting access through assembly without the intent of accessibility. As our object ascends over time, what was once there is never really discarded, but acts as the vernacular formal and material object in which ours is an extension of. In turn these qualities produce an assemblage that is Strangely Familiar.

Team Members | Stormy Hall and Aiden Kinney Professors | Patrick Danahy, Gabe Esquivel

An Urban Hinge

In collaboration with Mary Tran Professor | Shawn Lutz

Software:

Rhino 7

Adobe Illustrator

Adobe Lightroom

Contributions:

Digital Modeling, Pull Apart and Unrolled Drawings, Building Line work of Sections and Elevation Drawings, Floor plan Drawings, Consruction and Asemblage of Physical Model

The following design is meant to provide a space where the community of the Houston Third Ward can gather and collaborate in a public sense. This space is the focal point of collaboration between all the artists of the Project Row Houses and the surrounding community of the Third Ward. This idea was used to invite the residences of the Row Houses into the space by using two main hinge points to rotate two volumes, the secondary spaces, out from under the upper studio. Thus creating a hierarchical focus on the primary studio space where collaboration of the artists can take place. The rotation creates an elevated space for movement of the community to flow under. Inspired by the iconic gable roofing of the Project Row Houses, the gable of the primary space is misaligned creating two other corner gables. The rooflines then all flow and gather at the hinge points centralizing the viewer’s focus. From there the roofs of the secondary and tertiary spaces focus at the hinge points creating the asymentical rooflines seen in the elevation drawings. The misaligned hatching on the roofs and walls tighten at the hinges and corners creating a unique moire effect. The project design allows the community to display their work in the gallery space, while keeping in mind other family members with the children’s studio. With the unique hinge moments that occur in the main massing, the upper level studio gives people the opportunity to explore the different spaces that are seen inside and outside of the design.