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Ancient Levant COLLECTION 2025

The term " Ancient Levant " generally refers to these periods, from the rise of early civilizations around 3300 BCE to Roman conquest in 63 BCE. Now, you have the rare opportunity to own a piece of this rich and storied history, to hold in your hands the echoes of ancient peoples, kings, and empires. These artifacts, preserved through the centuries, are more than relics—they are the tangible soul of a region that shaped the very foundations of human civilization.

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CONTENTS Canaanite 2000 BC – 1200 BC (Bronze Age)

Egyptian 3100 BC – 30 BC (spanning the Early Dynastic Period to the Ptolemaic Dynasty)

Greek 1600 BC – 600 AD (encompassing the Mycenaean Period, Classical Greece, Hellenistic Period, and Byzantine influence).

roman 753 BC – 476 AD (Western Roman Empire), continuing as the Eastern Roman Empire (Byzantine) until 1453 AD.

WEAPONS Over 3,000 years of warfare and craftsmanship

Coins Of The Bible

Ancient jewelry

Canaanite 2000 BC – 1200 BC (Bronze Age)

Ceramic

Canaanite Artifacts from the Bronze Age

The Canaanites, an ancient Semitic-speaking people, thrived in the Levant during the Bronze Age (2000–1200 BC), establishing city-states such as Jericho, Megiddo, and Hazor.

They engaged in extensive trade with Egypt, Mesopotamia, and the Aegean, exchanging goods like timber, purple dye, and pottery. Canaanite society was deeply religious, worshipping deities such as El, Baal, and Asherah. Influenced by neighboring civilizations, their culture blended Egyptian, Mesopotamian, and Hittite elements.

By the end of the Late Bronze Age, the region faced upheaval due to invasions, including those of the Sea Peoples and emerging Israelite settlements, marking the transition to the Iron Age.

Material: Ceramic

Size H. 18 cm

A Gray Painted Burnished Large Canaanite Jar Early Bronze, 3100 B.C. - 2100 B.C.

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This ceramic vessel is a fine example of Canaanite pottery, featuring a globular shape, wide base, narrow neck, and a lug handle opposite a cylindrical spout. Its dark brown and grey surface, with hatched detailing and calcareous concretions, suggests a long burial period. Likely used to serve wine, oil, or water, the piece reflects the Canaanites’ skill in blending practicality with aesthetic harmony.

The Canaanites, thriving during the Bronze Age in the Near East, benefited from their position between Egypt and Mesopotamia, leading to cultural and artistic prosperity.

Though their civilization declined due to invasions and instability, they resurged in the Iron Age. This vessel embodies their artistic legacy with its elegant and balanced design.

Egyptian 3100 BC – 30 BC (spanning the Early Dynastic Period to the Ptolemaic Dynasty).

Ancient Egypt (3100 B.C. – 30 B.C.) was one of the world’s longest-lasting civilizations, spanning from the Early Dynastic Period to the Ptolemaic Dynasty. Known for its powerful pharaohs, monumental pyramids, and rich religious traditions, Egypt thrived along the Nile River, developing advanced architecture, art, and writing systems like hieroglyphs.

Its history ended with the Roman conquest in 30 B.C., marking the fall of the last pharaoh, Cleopatra VII.

Egyptian, 26th/30th Dynasty, 664 B.C.E - 342 B.C.E.

Material: Bronze

An Egyptian Sitting Cat The sacred representation of the cat-headed goddess Bastet, a goddess of joy, festivity, grace, and fertility.

Patroness of women and a goddess of maternity.

Seated in the typical graceful attitude with an alert expression, its tail curled forward, it wears a gold earring in the left ear, a collar around its neck, and a protective wedjat eye amulet.

Fine Condition.

Height: 15 cm

EGYPTIAN 26TH-30TH DYNASTIES | LATE PERIOD (664–342 B.C.E.)

The Late Period of ancient Egypt (664–342 B.C.E.) was a time of resurgence and external influence. It began with the 26th Dynasty, also known as the Saite Period, where Egypt experienced a cultural revival, restoring old traditions while expanding trade and diplomatic relations. This era saw the rise of powerful pharaohs who sought to reclaim Egypt’s greatness.

However, the subsequent 27th Dynasty brought Persian domination, followed by a brief period of independence under the 28th to 30th Dynasties. The period ended with the Persian reconquest, setting the stage for the arrival of Alexander the Great.

ANCIENT EGYPTIAN BRONZE MASTERPIECE

This exquisite Egyptian Sitting Cat is crafted from bronze, an alloy primarily composed of copper and tin, known for its strength, durability, and ability to capture fine details.

Bronze was a favored material in ancient Egypt, especially during the Late Period (664–342 B.C.E.), for creating statues of deities, ritual items, and protective amulets. The alloy’s resilience made it ideal for intricate castings, while its natural patina adds to the artifact's timeless beauty and historical authenticity.

Egyptian, 26th/30th Dynasty, 664 B.C.E. - 342 B.C.E.

Material: Bronze

A Bronze Figurine of Horus as a Falcon Solid cast, the bird is shown in a typical pose, wings crossed over the tail, with the feathers all cleanly incised.

It wears the double crown of Egypt, and traces of gilding remain scattered over the surface.

This probably once decorated the top of a sarcophagus.

H. 14.4 cm Provenance: Former French private collection, acquired ca. 1970. David Ghazelbash IADAA Member, France 2011. French Passport # 128908

Greek 1600 BC – 600 AD (encompassing the Mycenaean Period, Classical Greece, Hellenistic Period, and Byzantine influence).

Greek history from 1600 BC to 600 AD spans the Mycenaean civilization, known for its warrior-kings and early Greek writing, followed by the Classical era, which saw the rise of democracy, philosophy, and powerful city-states like Athens and Sparta. The Hellenistic Period spread Greek culture across Asia after Alexander the Great’s conquests. Under Roman rule, Greece remained a cultural hub, later transitioning into the Byzantine Empire, where Greek language and Orthodox Christianity defined the Eastern Roman world.

Civilization: Greek, 330 B.C.E. – 63 B.C.E.

Material: Ceramic

Greek Red Figure Oinochoe Painted with a Face Oinochai are a particularly styled wine jug made of pottery. This oinochoe’s surface is beautifully painted with sensuous lines and a pensive portrait in silhouette. The widely looped handle connects where the neck has been crafted into a unique opening of the mouth, a design this is both subtle and purposeful.

We might imagine an intimate setting for this vessel, pouring rich Greek wine in equally ancient glasses. This piece dates from 330 B.C.E. – 63 B.C.E. and is 20 cm in height and is in excellent condition, its paint still bold with bright whites and crisp blacks laid by the hand of a nameless Greek potter.

Height: 7.9 inches / 20 cm

TIME AND PERIOD: HELLENISTIC GREECE (330 B.C.E. – 63 B.C.E.)

GREEK RED-FIGURE OINOCHOE AND ARTISTIC EXPRESSION

The period from 330 B.C.E. to 63 B.C.E. marked the height of the Hellenistic era, following Alexander the Great’s vast conquests. This time saw the spread of Greek culture across the Mediterranean and beyond, blending Greek traditions with those of Persia, Egypt, and the Near East.

The Greek Red-Figure Oinochoe, a type of jug often used for pouring wine, represents a pinnacle of ancient Greek ceramic art.

Introduced in the late 6th century B.C.E. and popular throughout the Hellenistic era, red-figure pottery allowed for greater detail and realism.

It was an era of remarkable advancements in philosophy, science, and art, characterized by innovation and emotional expression. As Greek political power waned under Roman expansion, its cultural influence persisted, shaping the arts and thought of the Mediterranean world.

Artists used fine brushes to paint figures in red against a black background, achieving intricate depictions of human expressions and mythological scenes. Pieces like the Red-Figure Oinochoe Painted with a Face often featured detailed portraits or dramatic compositions, showcasing the Greek mastery of form and storytelling through functional art.

Material: Ceramic

Size H. 18 cm

Greek Ceramic Figurine of a Sphinx Civilization: Greek 6th – 5th century B.C.E. Condition: In a good state of preservation, without any restoration.

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Civilization: Greek 6th – 5th century B.C.E.

The sphinx, a hybrid creature with features of a woman, lion, bird, and serpent, symbolized divine power and fear. Its origins trace to Egyptian iconography, where it represented pharaonic authority.

In Greek art, sphinxes appeared as terracotta vessel decorations in the 7th century BC and later as marble funerary symbols. This terracotta sphinx features a serene female face, Corinthian-style polos, and detailed bird-like wings, embodying its role as an apotropaic figure warding off evil in Greek necropoleis.

Size: H. 18 cm

Provenance Private collection G. A., Gardena, California, USA. 1980s, Jerusalem private collection

Literature BILLOT, M.F. “Le Sphinx du Louvre CA 637”, Bulletin de Correspondence Hellénique. 1977. MARCONI, C. Temple Decoration and Cultural Identity in the Archaic Greek World. Getty Foundation. 2007, p. 90. RENGER, A.B. Oedipus and the Sphinx: The Threshold Myth from Sophocles through Freud to Cocteau. UCP. 2013.

STILLWELL, A. N. Corinth: The Potters’ Quarter. Harvard Univ. Press. 1952.

Material: Ceramic

Diameter: 10.6 inches / 27 cm

A Large Medmaeian Bust of Medusa Greek Magna Graecia, Medma, Archaic Period, circa. 600 B.C.E.

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This terracotta artifact represents a Gorgoneion, a powerful protective symbol from Greek mythology, fashioned in the Archaic style. Originating from Medma, a colony in Magna Graecia, the grotesque bust of Medusa was molded with meticulous attention to detail. Her face is depicted with beastly, exaggerated features, and her writhing hair of serpents radiates outward, encapsulating the terror and mysticism of her mythological image.

The object likely served as an architectural antifix, designed to adorn the roof of a structure. Such figures were believed to ward off malevolent spirits and protect the inhabitants of the building.

This piece, with its forward-facing grimace and intricate craftsmanship, exemplifies the dual role of art and function in the ancient world, serving both as a protective talisman and an emblem of Greek cultural identity.

Provenance The Private Collection of the Baidun Family Mahmoud Baidun (1920-1980) founded what would become Khader M Badiun and Sons Galleries in Jerusalem, Isreal. As a young boy, Mahmoud would accompany archeologists, biblical scholars, and visiting delegations on excavation sites all over Jerusalem and other sites within the country. Earning the trust of scholars and archeologists alike, Mahmoud became an indispensable presence and guide to other visiting scholars. When Mr. Baidun entered the antiquities trade, he would be granted trade license under the British Mandate and from the Hashemite Kingdom. When Israel authorized the trade of antiquities, Mahmoud was issued one of the first antiquities licenses issued in the country. He would later forge close relationships with other merchants; slowly building a massive private collection that would go on to sell to political leaders, international museums, and private collectors globally.

Greek Ceramic Figurine of a Sphinx Civilization: Greek 6th – 5th century B.C.E. Condition: In a good state of preservation, without any restoration.

This large ceramic zoomorphic pouring vessel, also known as a rhyton, is shaped in the form of a bull, a sacred animal in many ancient Near Eastern cultures.

Crafted with a gray slip, the bull is depicted in a resting position with all legs folded beneath its body. The vessel features a basket handle, elegantly arched across the bull's back, connecting to the lip of the vessel for easy handling. The pouring spout is centrally placed between the front legs, ensuring controlled liquid flow, making it ideal for serving wine or ceremonial libations.

Originating from Amlash, a region in the Near East known for its distinctive ceramic and bronze artifacts, this vessel exemplifies the craftsmanship of the early Iron Age. Bull imagery held deep religious and cultural significance, often symbolizing strength, fertility, and divine protection in ancient societies. Such rhytons were commonly used in ritualistic feasts, religious offerings, or elite banquets, emphasizing their prestige and ceremonial value.

roman 753 BC – 476 AD (Western Roman Empire), continuing as the Eastern Roman Empire (Byzantine) until 1453 AD.

The Roman civilization (753 B.C. – 476 A.D.) began as a small kingdom, grew into the powerful Roman Republic, and ultimately became the vast Roman Empire, dominating the Mediterranean world. The Western Roman Empire fell in 476 A.D., but the Eastern Roman Empire, later known as the Byzantine Empire, continued until the fall of Constantinople in 1453 A.D. Rome's influence on law, architecture, engineering, and governance shaped Western civilization, leaving a lasting legacy that endures today.

Glass

Roman Glass Artifacts from the Era of Jesus

Roman glass from the 1st century AD is celebrated for its delicate beauty and groundbreaking craftsmanship, with glassblowing enabling the creation of intricate vessels for perfumes, oils, and wine.

These artifacts, central to daily life, hold biblical significance, as jars like those used for the anointing of Jesus

by Mary (John 12:3) reflect the material culture of the time.

Owning Roman glass preserves a tangible link to the artistry and sacred traditions of the Jesus era, making it a cherished treasure for collectors and history enthusiasts.

Roman Glass

1st Century AD Artifact from the Time of Jesus

Roman Glass Medicine Bottle This Roman glass medicine bottle, dating back to the 1st century AD during the time of Jesus, is a remarkable artifact of the ancient world. Crafted using the groundbreaking glassblowing techniques of the Roman Empire, this piece features a pear-shaped body with a narrow neck and an elegant applied handle, showcasing the ingenuity of ancient glassmakers. Its translucent green hue is complemented by a stunning patina that has developed over the centuries, giving it a unique, iridescent character. Bottles like this were used to store medicinal oils, perfumes, or other precious liquids, reflecting both the practical and aesthetic priorities of the Roman period.

Height: 3.3 inches / 8.5 cm

Roman Glass

1st Century AD Artifact from the Time of Jesus

Roman Glass Medicine Bottle This Roman glass medicine bottle, dating back to the 1st century AD during the time of Jesus, is a remarkable artifact of the ancient world. Crafted using the groundbreaking glassblowing techniques of the Roman Empire, this piece features a pear-shaped body with a narrow neck and an elegant applied handle, showcasing the ingenuity of ancient glassmakers. Its translucent green hue is complemented by a stunning patina that has developed over the centuries, giving it a unique, iridescent character. Bottles like this were used to store medicinal oils, perfumes, or other precious liquids, reflecting both the practical and aesthetic priorities of the Roman period.

Height: 3.3 inches / 8.5 cm

Ceramic

Roman ceramic Artifacts from the Era of Jesus

Step into history with our Jesus Era pottery collection, featuring oil lamps, plates, and oil bottles from the time of Christ.

These artifacts were part of daily life in the Holy Land, used in homes, marketplaces, and places of worship. Each piece is a genuine connection to the world where Jesus walked, preached, and performed miracles.

Dating back to the Roman Empire period under King Herod (37– 4 BC) and his successors, this era was marked by grand architectural projects, bustling trade, and the spread of diverse cultural influences.

Monumental Imperial Roman Marble Eagle Civilization Roman

A large and imposing majestic Roman marble eagle, straight gaze, with its wings spread and legs bent preparing to take flight

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PROVENANCE French Private Collection purchased in Paris in the 1970’s.

Civilization: Roman, 100 C.E.

Material: Stone

Outstanding Marble Life Size Right Leg of an Athlete Large marble leg of Roman origin depicting an athlete in motion. The piece begins midway up the thigh and extends to the sculpture’s original marble base. The sculpture depicts the idealized Roman anatomy and displays elements of equal proportion.

REFERENCE # SI_RM_1098 SIZE: H. 75 cm CONDITION: Rejoined at the knee and at the ankle

ROMAN EMPIRE | EARLY IMPERIAL PERIOD (1ST CENTURY C.E.)

MATERIAL: MARBLE

This remarkable marble sculpture dates to the Early Imperial Period of the Roman Empire, around 100 C.E. A time characterized by a flourishing of the arts, this period saw the creation of masterful sculptures that celebrated the human form, influenced by classical Greek aesthetics.

Crafted from fine marble, this sculpture embodies the skill and artistry of Roman sculptors.

Roman artists skillfully combined idealized proportions with realistic details, showcasing their mastery in depicting the human anatomy.

Marble, a prized material in the Roman world, was favored for its smooth texture, luminous surface, and ability to capture intricate details. Carefully polished and expertly carved, this piece reflects the high level of craftsmanship characteristic of Roman monumental art.

WEAPONS Over 3,000 years of warfare and craftsmanship, from the earliest metal weapons of the Near East to the advanced arms of the Roman legions.

This collection features swords, spears, mace heads, and Roman arrowheads spanning from the Bronze Age to the Roman Empire.

Used by warriors across different civilizations, these weapons showcase the skill, craftsmanship, and innovation of ancient warfare. Each artifact carries a piece of history, offering a glimpse into the battles and cultures of the past.

A Large Elaborate Bronze Sword Civilization: from the 1st Millennium B.C.E. Condition: In a good state of preservation, without any restoration.

This sword has a long triangular tapering blade with a high mid-rib and is decorated with multiple grooves. The semi-circular guard and rectangular grip are cast together. The grip is complete with recessed geometric decoration that may have contained inlays. A hemispherical pommel is attached to the grip, with the purpose of balancing the sword. The weapon has a wonderful and natural green patina.

This weapon was used mainly for close combat, for piercing body armor.

L. 60 CM

Provenance The Private Collection of the Baidun Family Mahmoud Baidun (1920-1980) founded what would become Khader M Badiun and Sons Galleries in Jerusalem, Isreal. As a young boy, Mahmoud would accompany archeologists, biblical scholars, and visiting delegations on excavation sites all over Jerusalem and other sites within the country. Earning the trust of scholars and archeologists alike, Mahmoud became an indispensable presence and guide to other visiting scholars. When Mr. Baidun entered the antiquities trade, he would be granted trade license under the British Mandate and from the Hashemite Kingdom. When Israel authorized the trade of antiquities, Mahmoud was issued one of the first antiquities licenses issued in the country. He would later forge close relationships with other merchants; slowly building a massive private collection that would go on to sell to political leaders, international museums, and private collectors globally.

A Large Elaborate Sword with Open Work Decorate Grip Civilization: from the 1st Millennium B.C.E. Condition: In a good state of preservation, without any restoration.

L. 57 CM

This sword has a long triangular wide blade that is decorated with multiple grooves. The guard and the handle are cast together. The grip is complete, decorated with grooves for the fingers and terminates with a hemispherical pommel, which acts as a counterweight to balance the sword. The skin has a natural deep green patina.

From the design of this weapon, such as a wide and not too long blade, indicates that it was used in close range combat.

Provenance The Private Collection of the Baidun Family Mahmoud Baidun (1920-1980) founded what would become Khader M Badiun and Sons Galleries in Jerusalem, Isreal. As a young boy, Mahmoud would accompany archeologists, biblical scholars, and visiting delegations on excavation sites all over Jerusalem and other sites within the country. Earning the trust of scholars and archeologists alike, Mahmoud became an indispensable presence and guide to other visiting scholars. When Mr. Baidun entered the antiquities trade, he would be granted trade license under the British Mandate and from the Hashemite Kingdom. When Israel authorized the trade of antiquities, Mahmoud was issued one of the first antiquities licenses issued in the country. He would later forge close relationships with other merchants; slowly building a massive private collection that would go on to sell to political leaders, international museums, and private collectors globally.

A Majestic Large Bronze Persian sword Civilization: from the 1st Millennium B.C.E.

The sword features a long, robust blade with a gently tapering form, accented by deep vertical grooves along its surface that emphasize its sleek, aerodynamic design.

The grip of the sword is particularly notable, adorned with intricate openwork patterns and geometric incisions that highlight the artisan’s skill. The pommel, shaped like a domed cap, features small perforations, possibly for functional or decorative purposes, adding further detail to the overall design. Its rich patina, with hints of green oxidation, speaks to the sword’s age while preserving its elegant form and historical character.

Historical Background This Persian bronze sword dates back to the 1st Millennium B.C.E., a time of rising empires like the Elamites, Medes, and early Achaemenids. Such finely crafted weapons were used by elite warriors and nobility, reflecting both military power and artistry. The deep grooves and ornate grip suggest a high-status weapon, possibly for battle or ceremonial use. As Persia advanced, iron weapons replaced bronze, but pieces like this remained prized for their craftsmanship and durability.

A Very Elegant and Elaborate Bronze Sword Civilization: from the 1st Millennium B.C.E. Condition: In a good state of preservation, without any restoration.

This sword has a long and wide triangular tapering blade, and is decorated with multiple incised lines to both sides of the high central ridge. The guard separating the blade and grip is decorated with small squares forming a “T” shape. The grip is particularly ornate, decorated with a geometric pattern. The skin has a wonderful and natural green patina. This is indeed, a very elegant and richly decorated sword.

From the design of this weapon, with such as a very wide and short blade, indicates that it was used in close range combat, to pierce the enemy's body armor.

L. 55 CM

Provenance The Private Collection of the Baidun Family Mahmoud Baidun (1920-1980) founded what would become Khader M Badiun and Sons Galleries in Jerusalem, Isreal. As a young boy, Mahmoud would accompany archeologists, biblical scholars, and visiting delegations on excavation sites all over Jerusalem and other sites within the country. Earning the trust of scholars and archeologists alike, Mahmoud became an indispensable presence and guide to other visiting scholars. When Mr. Baidun entered the antiquities trade, he would be granted trade license under the British Mandate and from the Hashemite Kingdom. When Israel authorized the trade of antiquities, Mahmoud was issued one of the first antiquities licenses issued in the country. He would later forge close relationships with other merchants; slowly building a massive private collection that would go on to sell to political leaders, international museums, and private collectors globally.

A Very Elegant and Elaborate Bronze Sword Civilization: from the 1st Millennium B.C.E. Condition: In a good state of preservation, without any restoration.

The sword features a long, tapering triangular blade with finely incised grooves that run along its length, enhancing both its form and functionality. A prominent, well-crafted guard separates the blade from the handle, providing both aesthetic balance and structural integrity.

The grip is particularly striking, adorned with rounded studs arranged symmetrically, culminating in a pointed, conical pommel. This design would not only ensure a secure hold during combat but also serve as a decorative element, showcasing the artisan’s attention to detail. The surface exhibits a natural green patina, a result of centuries of oxidation, which adds to its authenticity and visual appeal.

Provenance The Private Collection of the Baidun Family Mahmoud Baidun (1920-1980) founded what would become Khader M Badiun and Sons Galleries in Jerusalem, Isreal. As a young boy, Mahmoud would accompany archeologists, biblical scholars, and visiting delegations on excavation sites all over Jerusalem and other sites within the country. Earning the trust of scholars and archeologists alike, Mahmoud became an indispensable presence and guide to other visiting scholars. When Mr. Baidun entered the antiquities trade, he would be granted trade license under the British Mandate and from the Hashemite Kingdom. When Israel authorized the trade of antiquities, Mahmoud was issued one of the first antiquities licenses issued in the country. He would later forge close relationships with other merchants; slowly building a massive private collection that would go on to sell to political leaders, international museums, and private collectors globally.

Bronze Double Headed Bull Mace Head Near East Anatolian, circa 2100 B.C.E.– 1550 B.C.E.

Condition: In a good state of preservation, without any restoration.

This Bronze Double-Headed Bull Mace Head, originating from the Near East Anatolian region circa 2100–1550 B.C.E., is a striking example of ancient artistry and symbolism. The mace head features two imposing bull heads sculpted with remarkable detail and power, with their facial features exuding strength and dominance.

The bulls’ horns and expressions reflect the reverence for these animals in ancient cultures, often symbolizing fertility, power, and protection.

The handle, crafted in an openwork lattice style, showcases the artisan’s advanced skill in metalworking. The lattice pattern adds both aesthetic beauty and functional lightness to the piece. Though one of the bulls’ ears shows an ancient loss, the artifact remains in fine condition, its surface adorned with a rich natural patina, adding to its historical authenticity and appeal.

Provenance The Private Collection of the Baidun Family Mahmoud Baidun (1920-1980) founded what would become Khader M Badiun and Sons Galleries in Jerusalem, Isreal. As a young boy, Mahmoud would accompany archeologists, biblical scholars, and visiting delegations on excavation sites all over Jerusalem and other sites within the country. Earning the trust of scholars and archeologists alike, Mahmoud became an indispensable presence and guide to other visiting scholars. When Mr. Baidun entered the antiquities trade, he would be granted trade license under the British Mandate and from the Hashemite Kingdom. When Israel authorized the trade of antiquities, Mahmoud was issued one of the first antiquities licenses issued in the country. He would later forge close relationships with other merchants; slowly building a massive private collection that would go on to sell to political leaders, international museums, and private collectors globally.

Coins Of The Bible Artifacts from the Time of Scripture and Ancient Judea

This collection features historically significant coins from the biblical era, including pieces from key figures such as Herod Agrippa I, Pontius Pilate, and the First Jewish Revolt.

Each coin tells a unique story, offering a tangible connection to the ancient world of the Bible. From the humble Widow's Mite to the minted currency of Roman rulers, these coins provide valuable insight into the economy, politics, and daily life during the time of Christ and the early Christian era. These artifacts are a remarkable testament to the cultural and historical backdrop of the New and Old Testaments.

Ancient Levant COLLECTION 2025

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