2024 Interior Design Future100 Portfolio by Anastasia Matzakos

A N A S TA S I A M AT Z A K O S BACHELOR OF SCIENCE IN INTERIOR DESIGN U N I V E R S I T Y O F T E X A S AT A U S T I N

TA B L E O F C O N T E N T S 0 1 / VIR TUAL INTERIO R I T I E S D E S I G N V | FA L L 2 0 2 2

11/

PUB LIC HOUSE

21/

HALB OX ATHENAE U M

31/

MEMORY PAL AC E

DESIGN VI | SPRING 2023

DESIGN IV | SPRING 2022

D E S I G N I I I | FA L L 2 0 2 1

VIRTUAL INTERIORITIES A U S T I N , T X | D E S I G N V | FA L L 2 0 2 2 I N S T R U C T O R : R I A B R AVO

Following the principles explored in the earlier studies of Abstract Interiorites, the design of the NFT gallery transforms Wonderspaces of Austin by using organic systems of space that come to define the occupants experience as they interact with the NFT art in its’ visual, video, auditory, and interactive forms. The composition creates an immersive experience that envelops one in the interior as an organic vessel, with the 3D printed cladding reshaping the form of the building. Moreover, the combination of spatial porosity in the form of the modules and the sinuously patterned circulation add a sense of curiosity to the space. The culmination of physical and digital interiors engages the occupant and brings our relationship with the newfound art of NFTs into question.

VISUAL GALLERY WITH AUDIO P ODS | 2

PA T T E R N S A N D A R T I FAC T O F I N T E R I O R I T Y

The organic qualities of interiority that provided the basis for the NFT gallery’s spatial porosity were explored through pattern generation in combination with the use of AI. These studies generated a more complex understanding of how abstract qualities can be used to define an interior, in this case looking out how organic objects such as caves or sponges are driven by the connections between networks of space. This concept was further investigated through both a digital and physical model, which was 3D printed.

VISUAL/AUDIO GALLERY 3 VISUAL/AUDIO GALLERY 3

360 PROJECTION 360 PROJECTION ROOM ROOM

VISUAL GALLERY 4 VISUAL GALLERY 4

CELEBRATORY RAMP CELEBRATORY RAMP

BELOW BELOW

VISUAL VISUAL GALLERY 2 GALLERY 2

OPENING TO DOUBLE-HEIGHT AREA OPENING TO DOUBLE-HEIGHT AREA

X- BRACE X- BRACE

CLOSET CLOSET

BACK OF HOUSE BACK OF HOUSE

VR PODS VR PODS

VIDEO GALLERY 2 VIDEO GALLERY 2

VIDEO GALLERY 1 VIDEO GALLERY 1

X- BRACE X- BRACE

INTERACTIVE INTERACTIVE POD POD

ELEV. ELEV.

BACK OF HOUSE BACK OF HOUSE

FLOOR 2

N N

LEVEL 22 PLAN LEVEL PLAN 1/8" = 1'-0" 1/8" = 1'-0"

VISUAL/AUDIO GALLERY 3 VISUAL/AUDIO GALLERY 3

360 PROJECTION 360 PROJECTION ROOM ROOM

VISUAL GALLERY 4 VISUAL GALLERY 4

CELEBRATORY RAMP CELEBRATORY RAMP

VISUAL VISUAL GALLERY 2 GALLERY 2

STAIR A STAIR A

LINE OF MEZZ ABOVE LINE OF MEZZ ABOVE

CLOSET CLOSET

VISUAL VISUAL GALLERY 1 GALLERY 1

LOBBY LOBBY

STORAGE STORAGE BACK OF HOUSE BACK OF HOUSE

MEN WC MEN WC

CAFE CAFE

MEN WC MEN WC

WOMEN WC WOMEN WC

BACK OF HOUSE BACK OF HOUSE

THEATER THEATER

JC JC

STORAGE BACKSTORAGE OF HOUSE BACK OF HOUSE

STAIR B STAIR B

WOMEN WC WOMEN WC

ELEV. ELEV.

N N

F L1OLEVEL OR11 PLAN 1

LEVEL 1 PLAN 1/8" = 1'-0" 1/8" = 1'-0"

3D Printed Shell

Inner Shell

Seating Element

Sitting

Standing

Interactive

FLOOR 2 CHUNK 7

Service Spaces

Video Art

Visual Art

Interactive Art

Audio Art

Circulatory Spaces

AXONOMETRIC 8

Floor Lights

Outer Ceiling Lights

Cladding Top Lights

Central Ceiling Lights

The lighting throughout the galleries includes recessed floor lights, recessed wall lights, and pendant ceiling lights. The overall lighting strategy of combining these elements helps create a sense of way finding in the dark, sinuous interiors that at times may be hard to navigate based on the organic compositional form.

OV E R LO O K O F LO W E R GA L L E R I E S | 1 0

DESIGN EXCELLENCE NOMINEE

PUBLIC HOUSE B E AC O N H I L L , M A | D E S I G N V I T E C H N I C A L S T U D I O S P R I N G 2 0 2 3 | I N S T R U C T O R S : A L L I S O N G A S K I N S , LY S A JANSSEN, & MARL A SMITH

The Hancock is a Public House located in the intimate, historical Beacon Hill neighborhood of Boston. The design of the cafe draws on concepts of localness and domesticity central to Boston’s character, focusing on the rich Victorian and Federal styles that encompass the architecture. With such, the furniture and finishes bring in an ornate quality and sophisticated reworking of these traditional styles while incorporating restored pieces as well. With technical and aesthetic qualities both considered, the Hancock creates a home-like space for both locals and visitors, drawing on the cuisine and pre-existing design style of the beautiful surroundings.

SUNROOM | 12

THE

COCK HAN CAFE & BAR

C O F F E E

T E A

C O C K T A I L S

S T A R T E R

Frappe

Cappuccino

Clam Chowder

Oysters

The Hancock

Newbury

Latte

Americano

Potatoes, Pork, Onions

Fresh Oysters with House Bread

Gin, chamomile, ﬁno

Vodka, Vermouth, Ambroso Aperitivo, Apple Syrupp

Espresso

Machiatto

Spring Mix Salad

Seafood Salad

Chai Assorted Teas

House Blend Cider

Spring Mix, Walnuts, Gorgonzola

Shrimp and Crab with Greens

Breakfast Sandwich

Vegetable Quiche

Prosciutto, eggs, and cheese

Spinach and mushrooms

Lobster Roll

New England Crab Roll

Fresh Roll with Truﬄe Fries

Buttered Rolls with Lump Crab Meat

Chicken Sandwich

Roast Beef Sandwich

Brioche, Beef, Onions, and Cheddar

Chicken, Tomatoes, Parmesan

Beacon Hill

Faneuil

Tito's vodka, Coﬀee Liqueur, Vanilla Cinnamon Espresso Whipped Cream

Cognac, Rose Vermut, Pineapple

Plain Croissant

M A I N S

Coﬀee Cake

Cannoli Baked Alaska

Baked Stuﬀed Scrod

Vanilla Bean Scone Grilled Blueberry Muﬃn

Cider Doughnut Boston Cream Pie

Coated cod with Truﬄe Fries

Filet with Boston Baked Beans

Fish and Chips

Irish Beef Stew Pie

M A I N Scallops

W I N E

B E E R

Beef Roast Crab Cakes

Cajun Marinated Penne

Fresh Crab with Boston Baked Beans

Chardonnay

Baked Stuﬀed Scrod

Pinot Noir

Filet with Boston Baked Beans

Riesling

Cabernet Sauvignon

Brut Champagne

Sauvignon Blanc

Syrah

Pinot Gris

Crab Cakes

Boston Lager

Bourbon Barrel

D E S S E R T Baked Alaska

Cannoli

Cake with Browned Meringue

Fried pastry with Creamy Ricotta

Cider Doughnut

Blueberry Crumb Cake

Fresh Dough with Cider Infused Glaze

Potatoes and Root Vegetables

Creamy Lobster Pasta

Cava Rose

Beef, Mutton, Potatoes

Fresh Crab with Boston Baked Beans

Seafood Salad Shrimp and Crab with Greens

Herbed Rice and Greens

Prosecco P A S T R I E S

Oysters Fresh Oysters with House Bread

Spring Mix, Walnuts, Gorgonzola

Vodja, St. Germain, Lavender, Lemon

Tequila, Grapefruit Liqueur, Liqueur D’Orange

S A N D W I C H E S S N A C K S

Old North

Fenway

Clam Chowder Potatoes, Pork, Onions

Spring Mix Salad

Light Cake with Blueberries and Cinnamon

FINISH & FURNITURE SELECTIONS The selected finishes and furniture address sustainability and health standards that play an important role in both commercial and residential design. Tying to the ideas of localness explored, many furniture pieces are sourced from within Boston, coming from vintage collections and carpenters who draw on the area’s historical style in new approaches. The scheme of patterns and colors unify the distinct rooms and show the vivid style inspired by Victorian design.

LEVEL A1 1/16” = 1’ 0”

29' - 3 3/4"

12' - 5 1/4"

18' - 7 1/2"

23' - 3 3/4"

40' - 3 1/4"

9' - 4"

15' - 6 1/2"

14' - 4 3/4"

5' - 1"

18' - 10 1/2"

34' - 5"

24' - 8"

DN C

34' - 1 1/2"

23' - 8 1/2"

16' - 10"

A. Bar

27' - 4 1/2"

B. Sunroom A. Bar

C. Dining Room

B. Sunroom

D. ADA Restroom

A. Bar

C. Dining Room

E. Lounge

B. Sunroom

D. ADA Restroom

C. Dining Room

E. Lounge

D. E. 15

4” GYPSUM CEILING

SUNROOM

COFFER CROWN MOLDING BLOCKING 2X6 BLOCKING

CUSTOM BOOTH

0' - 8"

3' - 1 1/2"

3' - 8"

3' - 3 1/4"

0' - 6"

CROWN MOLDING

2' - 0 1/4"

COFFER CEILING DETAIL

0' - 4 1/4" 0' - 6"

2X6 STUD

3' - 6"

PLAN A1 CUSTOM BOOTH 1/2" = 1'-0"

1' - 6"

6' - 0"

MILLWORK CASING DETAIL

0' - 1"

3/4” PLYWOOD SHEATHING

CUSTOM BOOTH AXONOMETRIC

1' - 6"

7' - 11"

1” BOOKSHELVES

5' - 1 1/4"

4” GYPSUM CEILING

P-1

COFFER CROWN MOLDING ø 0' - 11"

LS-1

BLOCKING 2X6 BLOCKING

5' - 7 1/4"

2X6 STUD

ARCHED PLAN A1 CUSTOM BLOWN PENDANT THRESHOLD VP-1 3' - 3 1/4" 0' - 8" 1/4" =TO 1'-0" LOUNGE P-1 & RESTROOM

3' - 8"

0' - 6"

CROWN MOLDING

0' - 4 1/4" 0' - 6"

COFFER CEILING DETAIL

2' - 0 1/4"

2' - 9 3/4"

11' - 2 1/4"

0' - 1" 2' - 9 3/4"

2' - 5" 5' - 0"

3' - 11 1/4" S-3

1' - 5 1/4"

4' - 8"

0' - 10 1/4"

CUSTOM BOOTH SECTION 3/4" =4' -1'-0" 8"

C-1

2' - 6"

T-1

L-5

3” TOE KICK

C-1

7' - 10 3/4"

6' - 0"

7' - 8"

1' - 8"

6' - 0"

1' - 8"

BLOWN SW-3 PENDANT

ELEVATION CUSTOM BLOWN LIGHT ELEVATION CUSTOM BOOTH SEATING S-3 1 ASSEMBLY 1/2" 2'=- 6"1'-0" 0' - 5 1/4" 2X6 BLOCKING 1/2" = 1'-0" C-1 C-1 3' - 0 1/4"

3' - 1 1/2"

18” UPH

5' - 10 3/4"

L-5 0' - 11 1/2"

1' - 7"

3/4” PLYWOOD SHEATHING

2' - 5"

T-1 L-5

6” FABRIC CUSHION

0' - 3 1/2"

T-1

C-1

3' - 0 1/4"

6” UPHO S

3' - 7"

3' - 11 1/2"

1/4" WIRE WITH BRASS CORD COVER

0' - 11 1/4"

T-1

0' - 5 1/4"

0' - 3 1/2"

2X12 BLOCKING 1' - 10"

2' - 6"

6” BASE BOOTH CUSHION S-3

S-3

0' - 3 1/2"

2X6 BLOCKING

3' - 0"

2' - 10 3/4"

0' - 11 1/2"

3” TOE KICK

S-3

5' - 1 1/4"

5' - 4"

1' - 6"

9' - 5 1/4"

1' - 0"

6' - 3 1/4"

3' - 7"

3' - 4 1/2"

2' - 7 1/4"

2' - 5"

S-3

0' - 3 1/2"

3/4” PLYWOOD SHEATHING

3' - 0" 3' - 6"

4' - 8 1/2"

6” FABRIC CUSHION

1” BOOKSHELVES

S-3

1' - 5 1/4" C-1

MILLWORK CASING DETAIL 3/4” PLYWOOD SHEATHING

6' - 1"

1' - 10"

0' - 3 1/2"

T-1

6” UPPER BOOTH CUSHION

2' - 7 1/4"

ARCHED WALL ALCOVES

2X12 BLOCKING

1' - 6"

3' - 6"

1” BOOKSHELVES

6' - 0"

1' - 8"

1” BOOKSHELVES

ARCHED WALL ALCOVES

6” UPPER BOOTH CUSHION

1' - 0"

3' - 0" 3' - 6"

4' - 8 1/2"

6' - 1"

S-3

3' - 0" S-3

6” BASE BOOTH CUSHION

T-1

L-5

C-1 3' - 1 1/2"

C-1

L-5

C-1

7' - 8"

1' - 8"

C-1 6' - 0"

C-1 1' - 8"

L-5

C-1 6' - 0"

1' - 8"

P-2

LS-1

WP-2

P-5

P-2

L-5

ARCHED THRESHOLD TO LOUNGE & RESTROOM

L-5

0' - 1" 1' - 5" 0' - 1"1' - 5 1/2"

P-2

L-5

VP-1 P-1

P-1

2' - 9 3/4"

1” BOOKSHELVES

S-3

C-1

S-3

C-1

6” UPHOLSTERED SEAT BACK

S-3

C-1 6' - 1"

9' - 5 1/4"

1” WOOD BOOTH CAP

C-1

5' - 0"

T-1

0' - 3 1/2"

T-1

1' - 8 3/4"

6' - 0"

P-5

1' - 8"

2' - 7"

2' - 5"

18” UPHOLSTERED SEAT

5' - 10 3/4"

12' - 0"

P-1

T-1

6' - 0"

1' - 8"

6' - 0"

T-1

1' - 11"

P-1

1' - 8 1/2" 0' - 10 1/4"

PLAN A1 CUSTOM BOOTH 1/2" = 1'-0"

1' - 8"

6' - 0"

2' - 6"

5' - 0"

1' - 2"

ELEVATION CUSTOM BOOTH SEATING 1/2" = 1'-0"

Count

Coreco Custom Manitowoc Ice KegWorks T&S Brass and Bronze Works, Inc. Estella Caffe

1 1 1 1 2 1

Front Front Front Back Back Back

S-1

P-2

3' - 6"

F-5 F-6 F-7 F-8 F-9 F-10

2' - 4"

Refrigerated Counter MRS-150 Recycling/Trash UDF0140A Ice Maker Tiered Bar Shelving B-1225 Drink Dispenser Espresso Coffee Maker

0' - 11 1/2"

1' - 4"

HVAC SUPPLY VENT 2” WALL FINISH

WELLINGTON 12X12 ACOUSTIC TILE

1' - 1 1/2"

RECESSED LED LIGHTING

1” PERMANENT SHELVES

0' - 1"

7' - 8"

1' - 4"

1/8” INNER CABINET FINISH

4' - 0 1/4"

1' - 6"

1” PLYWOOD SHEATHING 2x4 BLOCKING UNDER CABINET LIGHTING

0' - 3"

0' - 8"

2x8 BLOCKING PURSE HOOK

S-1

0' - 2" 1' - 11 3/4"

BM-1

0' - 6"

0' - 4"

1' - 5"

8' - 0"

7' - 8 1/4"

0' - 6"

A-4

0' - 2 1/2"

A-4

ANI MATZAKOS INTERIORS

A-4

F-9

F-10

F-9

2' - 0"

2' - 0" 0' - 0 1/4"

2' - 2"

T-1

0' - 1"

P-2

L-5

2' - 1"

4' - 2"

0' - 1" 1' - 6" 0' - 1" 1' - 7"

1' - 7"

M-1

G-1

6' - 0"

F-8

8' - 1"

0' - 1"

F-8

3' - 0"

2' - 4"

S-1

0' - 4"

P-2

1' - 10 3/4"

ELEVATION BACKBAR 1/2" = 1'-0"

2' - 0"

0' - 1" 1' - 9"

1' - 9"

ELEVATION BAR FRONT 1/2" = 1'-0"

7' - 8"

7' - 0"

0' - 8"

0' - 6"

L-5

22' - 2 3/4"

0' - 2 1/2" 0' - 8"

BAR OVERALL SECTION 3/4" = 1'-0"

A-4

P-2

1' - 5 1/2"

0' - 6 1/2" 0' - 3"0' - 6"

0' - 2 1/2" 2' - 6 1/4"

7' - 1 1/2"

2” BRASS FOOT RAIL

0' - 6"

2x8 BLOCKING 2x4 BLOCKING

0' - 4" 0' - 6"

Location

3' - 0"

EQUIPMENT

WALNUT WOOD FINISH

0' - 1 1/2"

L-4

3' - 0"

WALNUT WOOD FINISH

2' - 5"

3' - 0"

EQUIPMENT AND CABINETRY

2x4 BLOCKING

L-4

0' - 2"

LOWER CABINET WITH TRIM

1X6 BLOCKING

L-4

0' - 4"

2x6 BLOCKING

Back Bar Elevation

T-2

0' - 2"

2' - 1"

3/4” PLYWOOD SHEATHING

0' - 3 1/2"

1/4” BACKSPLASH TILE

1” PLYWOOD SHEATHING

P-1

2' - 2 3/4"

0' - 4"

Overall Bar Section

3' - 0 1/4"

2x4 BLOCKING

ELEVATION BAR FRONT EQUIPMENT 1/2" = 1'-0"

2x6 BLOCKING METAL FRAMING

0' - 1" 0' - 11 1/2" 0' - 6"

INSULATION BATTING

MEDIUM BROWN RED OAK WOOD VENEER

1' - 0"

3/4” PLYWOOD SHEATHING

STRIPE TILE FINISH

1' - 9"

1' - 9" 0' - 1"

2' - 0"

1' - 10 1/2"

DESIGN TEAM: ANI MATZAKOS CONSULTANTS: ALLISON GASKINS LYSA JANSSEN MARLA SMITH

7' - 10 1/4"

0' - 2"

COFFEE AND COCKTAIL BAR | 20

HALBOX AT H E N A E U M AU S T I N , T X | D E S I G N I V | S P R I N G 2 0 2 2 I N S T R U C T O R : C L AY O D O M

A re-imagining of UT School of Architecture’s Hal Box Athenaeum and South Lobby, this design explores the compositional opportunities adapted from human, spatial, and contextual qualities of interiors. By understanding and exploring the relationships between these elements, forms can be uncovered and guide the design in a way that generates an overall sense of unity and cohesion. With such, proxemics became an essential part of the manner in which the design process was approached. Using the human body as a guide, the design addresses occupant needs through the development of social seating, arranged using principles of grouping and orientation. While the Hal Box Athenaeum and the South Lobby have different programs they focus on, they are unified in the overall design strategies and layout that lie at the foundation of the composition.

H A L B OX AT H E N A E U M | 2 2

REL ATIONAL INTERIORS: C O N S I D E R A T I O N S O F S PA T I A L AND SOCIAL PROXEMICS

The overall compositions of both interiors rely on the pre-existing lines of extension to guide the approach to circulation, furniture interventions, and materials. The circulation is integrated within the envelope and creates a diagonal flow that guides the occupants throughout Goldsmith. While the placement of interventions somewhat dictates movement, the transitions between areas are seamless and allow for the exploration of the different programmatic zones.

5’ 1’

10’

Discussion Space and Display

Discussion Spaces Student Work Display Group Study Area

Individual Study Area

5’ 1’

10’

PROGRAM AND CIRCUL ATION

5’ 1’

10’

Walk-through Student Workspaces

Social Zone

Leisure Area

Shelving/Seating Units

Personal Zone

Discussion Space

Occupied Program Space

Intimate Zone

Study Space

Main Circulation/Transitory Area 27

5’ 1’

HAL BOX ATHENAEUM

G O L D S M I T H S O U T H L O B BY

S O U T H L O B BY W E S T E N T R A N C E | 3 0

M E M O R Y PA L A C E S PA I N | D E S I G N I I I | FA L L 2 0 2 1 | I N S T R U C T O R : A L L I S O N G A S K I N S

The Memory Palace is a space created simply for the purpose of existing. A museum-like space designed by exploring the opportunities of spatial arrangement, the interior sequence of chambers embodies the designated region, Spain. In studying the folklore, climate, culture, and other characteristics of Spain, the spaces come to express these conditions and tell the stories of cultural folklore as well as traditions shared in the region. A large focus was held on the intentional sequencing of spaces, as the interiors should be created to guide the viewer and generate the desired environment and accompanying feelings. This can be displayed in the circulation of the space that has the power to alter the experience through the intentional organization of the chambers. In the approach to cultivating this Memory Palace, light and shadows became essential elements developed with intent through lighting studies and the creation of brise soleil screens.

EXHIBITION HALL | 32

BRISE SOLEIL AND LIGHTING STUDIES

The process of designing the Memory Palace began with studying how patterns created through a brise soleil can produce ephemeral lighting effects that change with time and impact our experience of interiors. Multiple iterations were created, each with their own unique qualities derived from the context of Spain through its’ culture and folklore. The final pattern is inspired by a Spanish fairytale, The Enchanted Castle in the Sea and reflects an abstraction of the waves in the ocean.

A. Entrance B. Exhibit Hall C. Theater J

D. Restrooms E. Storage F. Side Stairway G. Main Hall

H. Entrance Balcony

Meditation Room

J. Entrance Stairway K. Dome Walkway L. Transitional Hall

M. Public Reading Room

FLOOR 2

A H

LAPENTOR

WA L K - T H R O U G H

E B

LIGHTING S T U DY V I D E O S

FLOOR 1 36

EXHIBITION HALL | 38

39 | LIBRARY

O C C U PA T I O N D I AG R A M

N Low Occupation Low Occupation Gradient: Fast to Slow 40

ANASTASIA MATZAKOS SKILLS

CONTACT PHONE

832-612-7935

animatza16@gmail.com

www.linkedin.com/in/ anastasia-matzakos

EDUCATION

G E N E R A L Microsoft Office, Google Suite A D O B E S U I T E Illustrator, Photoshop, InDesign, Acrobat D E S I G N S O F T W A R E Revit, Rhino 3D, Grasshopper, Enscape, Blender C R A F T S K I L L S Model Making, Laser Cutting, 3D Printing, Rendering

HONORS AND AWARDS

THE UNIVERSITY OF TEXAS AT AUSTIN

UNIVERSITY HONORS

Bachelor of Science in Interior Design Minor in Business Expected August 2024 GPA: 3.91

University of Texas at Austin, Fall 2020, Fall 2021, Spring 2022, Fall 2022, and Spring 2023

LAWRENCE E. ELKINS HIGH SCHOOL High School Diploma 2016-2020 Endorsements in Arts and Humanities, STEM, and Multidisciplinary Studies

SPRING 2023 DESIGN EXCELLENCE NOMINEE University of Texas at Austin School of Architecture, April 2023 COLLEGE SCHOLAR University of Texas at Austin School of Architecture, February 2023 UTSOA HONORS SCHOLARSHIP University of Texas at Austin School of Architecture, April 2021 FALL 2020 DESIGN EXCELLENCE NOMINEE University of Texas at Austin School of Architecture, December 2020

EXPERIENCE MATERIALS EXCHANGE FACILITATOR University of Texas at Austin School of Architecture, Austin, August 2021-Present • • • •

Facilitate collection of recyclable materials from the School of Architecture Organize the Materials Exchange Expand the opportunities for material reuse within the student body Promote a culture where students have access to needed supplies for free

INTERIOR DESIGN INTERN Lambrakos Studio, Houston, June - July 2023 • • • • • •

Collaborated with lead designer in creating design iterations to fulfill clients’ visions Interpret architectural drawings into 3D Revit Project models and create construction documents of interior details Initiated streamlining of the studio’s Revit Project Setup to improve the design workflow Organized office and Material Library Created project proposals and presented to clients in weekly meetings Interfaced with contractors and vendors to reflect cross-discipline concerns within our designs

ORGANIZATIONS UNDERGRADUATE ARCHITECTURE STUDENT COUNCIL Member 2020-Present, Mentorship Co-Chair 2022 - 2023 • • •

Engage in conversations surrounding the design school culture and create plans for improvement Coordinate the mentorship program for first-year design students in collaboration with the Co-Chair Organize monthly events for the mentorship families and collective School of Architecture

AMERICAN SOCIETY OF INTERIOR DESIGNERS Member 2021-Present INTERNATIONAL INTERIOR DESIGN ASSOCIATION Member 2022