Portfolio2013

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Bachelor of Science in Landscape Architecture Temple University School of Environmental Design, May 2012



DESIGN PORTFOLIO 2008-2013


EFFECTIVE PLACES

Ghana, 2003

Kalamazoo, 2004

Rural Michigan, 2005

Valley Forge, 2008

Dunbarton Oaks, 2010

Winterthur, 2010

Northern California, 2009

Longwood Gardens, 2011

New York, 2009

Grand Rapids Michigan, 2010

New York, 2010

Philadelphia, 2012


RECENT EXPERIENCE

Longwood Gardens - Route 52 Punchlist, 2012

Spring Garden Street Proposal Visit, 2012

Above Below Beyond Exhibit, 2012

League Island Park Construction Admin Visit, 2012

East Orange Parks Site Visits, 2013

East Orange Parks Community Meeting, 2013

East Orange Parks Plan Adopted, 2013

Above Below Beyond, Compas Magazine Photo Shoot, 2013

League Island Park Construction Admin Visit, 2013

Viaduct Tours, 2013

Cedar Crest Professional Park Charrette, Site Visit, 2013

Above Below Beyond Award, ASLA Annual Meeting, 2013

EXISTING OPPORTUNITIES


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>>> THE CITY AND ITS PARKS: THE EAST ORANGE PARK SYSTEM

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LEGEND

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Vacant parcels Existing Parks Areas of Greatest Park Need (Based on Demographics Analysis and Distribution of Existing Parks): Darker shade indicates greater need

KI SA KAPAB FE PAK OU YOU PI BEL?

THE CITY AND ITS PARKS: THE EAST OR

BETTER?

tell us!

~ Parques de la Tercera Sala ~~Paks nan Katye 4~

~first ward~

East Orange El Parque de Elmwood y Oval e Francis-Haire Pak 26 MAS 2013 from 6:00 - 8:00 pm El Parque de Washington

Nan sant sivik Fellowship ki chita nan 1 Fellowship Sèk 13 de Marzo 2013 de 6:00-8:00pm En la Casa de Campo Elmwood April 4th, 2013 from 6:00 - 8:00 pm at the Campus High School on Prospect Street Pou plis enfomasyon:

Soverel Park

Rele Naiima Fauntleroy Analis Grants, Dept Lwa, Plan ak Devlopman nan (973)-266-5140 Ou byen ale sou entenet: http://www.eastorange-nj.gov/Calendar/Calendar.html Llamar Naiima Fauntleroy, Analista de Becas Departamento de Políticas, Planificación y Desarrollo al (973) -266-5140 O ir a http://www.eastorange-nj.gov/Calendar/Calendar.html

Para más información: For more information: Call Naiima Fauntleroy, Grants Analyst

Dept. of Policy, Planning & Development at (973)-266-5140 Or go to http://www.eastorange-nj.gov/Calendar/Calendar.html


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“No men are foreigners to me; of one blood are all nations.”

n of the city really came into its own rolley cars began running on Central the early 1900s, in the days before the changed cities forever. “Trolley cars ng Central Avenue were the open sesere, for the development of unoccupied ng homesteaders and adding to the taxons of the city. The Elmwood section, in opulous state of 1920, justifies the City ction” (Pierson 544).

ark itself was donated to the City by od Home Association on April 2, 1855 ed of about 9 acres of swampland (Hart 66).

used as a dump for many years and at house small pox patients, when there epidemic in the town.

THE FIELD HOUSE AT ELMWOOD IN THE 1930s (Hart, Images 109)

“THE ALTAR OF DEMOCRACY” USED TO STAND AT THE RHODE ISLAND AVENUE ENTRANCE (Hart, Images 105)

cause of the dumping by the City” (Recreation Commissioners 45). The park ceased use as a dump in 1910 (Hart Postcards 66).

put by residents and industry. In 1917, a private resident by the name of Mr. Alden Freeman made it clear he would donate money to complete Elmwood Park if the City would eliminate the open sewer (Recreation Commissioners 46). This water course was consequently buried in a seven-foot wide, 1600-foot long concrete pipe, the Elizabeth River Valley Drain, for a cost of almost

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FIGURE I2: ELMWOOD PARK PROPOSED IMPROVEMENTS PLAN

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With this work complete, Mr. Freeman invested about $150,000 of his own funds into the park. A large part of this sum was used for a series of sculptures dedicated to his father and entitled, “The Shrine of Human Rights”, by the sculptor Ulric H. Ellerhuson. These sculptures were located at the Rhode Island Avenue entrance to the park and centered around the theme of equality and human rights, a very hot topic at this time in American history. The main sculpture


EAST ORANGE PARKS MASTER PLAN


Project Understanding Design Approach: 3000 Block of Walnut Street Looking West

Paving Strip This thin strip of feature paving visually links the design interventions across the gateway bridge. It could use both imagery

Main Campus

and words as an eye catching element or to tell as story. From top right: Images tell a story at Mt. Fuji Park in Japan, Paving becomes a feature with a sandblasted design, accent paving on a Montreal Boulevard

Pedestrian Access to Ground Level View to Campus Railroad Trestle

Singh Center

Penn Park

Walnut Street Bridge

Feature Lighting

Penn is proposing the Walnut Street Enhancement Project for 30th Street to 33rd Street. Walnut Street is the main portal connecting Center City to the University of Pennsylvania’s core campus.

Sculptural and exciting, a

It is identified as a “Living and Learning Bridge” in the Penn Connects Master Plan. Penn Park

site specific and interactive

is now open and the new Singh Center and Walnut Street Bridge improvements are currently

installation under the threshold of the existing trestle will mark

under construction. Envisioned as a pedestrian oriented vibrant mixed-use corridor, the new

the important campus entrance.

Walnut Street enhancements provide a wonderful opportunity to revitalize this important eastern

Penn’s logo might take a more

gateway.

prominent, permanent form, visible from far away when lit up

A recent feasibility study was prepared to explore improvements to this area to assess potential

Proposal to Provide Professional Design Services for

WALNUT STREETSCAPE

between 30th Street and 33rd Street Submitted to the University of Pennsylvania July 31, 2012

at night.

Edge Treatment Opportunities

extending the university’s standard streetscape

From left: Interactive OLED display, Sidewalk light installation, Philadelphia Avenue of the Arts

scope and budget. For the 30th to 32nd Street

The streetscape environment is harsh and uninviting for both pedestrians on the sidewalk and vehicles

portion, improvements assumed widening the

on the street. Particularly on the south side between 30th and 32nd Streets, the sidewalk is relatively

sidewalk and adding a new cobble strip/curb

narrow, linear and unattractive. A landscape solution is challenging and potentially unrealistic.

and pedestrian lighting. For the 32nd to 33rd

Cladding / Railings Walls wrapped with a thin,

portion, improvements assumed new concrete

Some possible edge treatments we will explore may include

decorative and bold surface

sidewalks, granite curbing, cobble pavers, street

custom/ decorative paving strips; cladding or surface

treatment come to life under

treatments to the bridge parapet wall; custom railing and/or

sunlight, in the wind, or when

fencing; and feature lighting and/or art.

backlit. Railings present an

tree planting trenches, and pedestrian lighting. The estimated construction cost for these

opportunity to incorporate

improvements is approximately $2,600,000. We

pedestrian lighting and continuity.

assume this feasibility study will be utilized as the initial basis of design.

From top: Punctured Corten Steel at the DeYoung Museum, Backlit Cladding at the Solar Decathlon, a Ned Kahn art piece that moves in the wind, “Lumenrail” railing with integrated lighting

The parapet of the Walnut Street bridge could provide opportunities for an edge treatment.

Walnut Street is on structure from 30th to 32nd Street and at-grade from 32nd to 33rd Street. Images from Penn Connects speak to the importance of this gateway.

PROPOSAL TO PROVIDE PROFESSIONAL DESIGN SERVICES FOR

Spring Garden Connector Street Between 2nd Street and Festival Pier

SUBMITTED TO THE DELAWARE RIVER WATERFRONT CORPORATION OCTOBER 26th, 2012

PROJECT UNDERSTANDING The Spring Garden Connector Street between 2nd Street and

SOME THOUGHTS...

Columbus Boulevard is at the confluence of several exciting forces in the present and future landscape of Philadelphia and the central Delaware River waterfront. It is one of the few streets that provides an at-grade link between the City and the River; it is the gateway to the Northern Liberties Neighborhood and to the Festival Pier site; it will be the transition to the Penn Street Trail and an important node

MARINE INDUSTRIAL A nod to history of the east terminus of Spring Garden Street, industryinspired materials, forms and styles can be reinterpreted with a modern edge.

on the East Coast Greenway; and it will define the character of one end of the Spring Garden Greenway. As the third Primary Connector Street project undertaken by the Delaware River Waterfront Corporation (DRWC), the Spring Garden project will continue the quality and commitment to intelligent, inspiring, and safe streetscape design that has characterized these projects so far. The intent of the project is to create a vibrant, compelling, and safe connection between Philadelphia and its river during the day and through the night. This connection will celebrate the myriad ways that people traverse the city—whether by foot, car, train, bus, or bicycle—each of which are represented within the project area. This strengthened connection will embody the creative energy of the city, which will be directed through a lens of community engagement and distilled into a final, forward-looking design for the streetscape and underpass, which will include a significant and integral public art component. The project will also embrace sustainable strategies through an increase in urban tree canopy coverage and by capturing and treating stormwater runoff. For all lighting components, sustainable products and techniques will be used that reduce and simplify DRWC’s operational costs and procedures.

THE SPRING GARDEN CONNECTOR STREET PROJECT WILL: • REINFORCE THE CONNECTION BETWEEN CITY AND RIVER • PROMOTE GREENING AND SUSTAINABILITY • PROVIDE FOR AND CELEBRATE A NETWORK OF TRANSPORTATION OPTIONS • FULLY INTEGRATE INNOVATIVE ART AND LIGHTING • BECOME AN ICONIC GATEWAY

Above: The Cramp Shipbuilding Yard during the Delaware waterfront’s booming industrial hey day. Left: An historical photograph of the nearby Pier 3 in 1923.

Clockwise from top left: A graphic surface treatment created using ‘fin’ construction; Warm light filters through a baffle; Like this gear, relics from the former Cramp ship building yard present an incredible opportunity for public art; A weathered, marine inspired material; Simple, industrial style lighting makes a subtle connection to the waterfront; An undulating form made of linear parts at Tanner Springs park in Portland, OR; Lines and arcs create the skeletal structure of a wooden boat during construction.


MARKETING LAYOUT SOME THOUGHTS...

TRANSIT POP Taking cues from the classic line art of subway maps, this portion of Spring Garden Street can be a true celebration of all the modes of transportation converging on the site.

Clockwise from left: Pop influences and unexpected colors enliven a street (below) and an overpass (above) in murals by artist-duo LangBaumann; An intricate illusion made of simple concentric circles by Felice Varinni; Bright vertical lines defining space; A bench inspired by bold lines; light filters through perforated metal; 3- dimensional ribbons of metal could be used as a backlit wall treatment; Vertical wind turbines, treated with the color and vibrance of the surrounding design, could act as a powerful beacon, visible from far away.

Above: Lines and colors chart a complex system of transit in this classic Brooklyn Subway map. Left: An energetic, iconic entry invites kids in to this children’s library in New York.


THE CITY AND ITS RIVER Spring Garden Street is a broad line that rolls under Interstate 95 and connects the vibrant Northern Liberties neighborhood to the Delaware River. It is one of the precious few connections that allow us to experience the river without ďŹ rst climbing over the interstate. It accommodates a constant ow of pedestrians, drivers, cyclists, elevated rail cars, and buses and it represents the future of public space design in our city.


MARKETING LAYOUT

THE SPRING GARDEN CONNECTOR STREET PROJECT WILL:

REINFORCE THE CONNECTION BETWEEN CITY AND RIVER

PROMOTE GREENING AND SUSTAINABILITY

PROVIDE FOR AND CELEBRATE A NETWORK OF TRANSPORTATION OPTIONS

FULLY INTEGRATE INNOVATIVE ART AND LIGHTING

BECOME AN ICONIC GATEWAY


L Dining Terrace M Wildflower Meadow P Stormwater Retention Pond

E Great Lawn F Overlook Terrace

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From top: entry lane, parking lot treatment, “bosque” or grid of trees in a plaza

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Amphitheater (sharp man-made lines and natural fractured stone inspiration)

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GARDEN PLANTING (drifts of color/drifts of green with well defined edges)

UPLAND MEADOWS (simple grass texture)

WATER FEATURES, from top: a rill that ends up as a fountain, an at-grade rill, a stone wall that water trickles down, neat liner planters beside water

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WILDFLOWER MEADOWS (less grouping than garden areas, 60/40 mix casual flowers to grass)

WET MEADOWS (coarser texture than upland w/ water peeking through)


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SITE PERIMETER TREATMENT KEY

JENNERS VILLAGE MEDICAL CENTER Landscape Concept Diagram

AREA UNDISTURBED BY CONSTRUCTION

February 20th, 2013 AREA DISTURBED

A. Dry Laid Wall and Jenners Village Sign B. Formal Entrance Drive Allee C. Feature Orchard in Manicured Lawn Panel D. Raised ADA Pedestrian Crossing E. Pick Up/Drop Off and Perennial Display F. Meadow OverlookTerrace G. Event Lawn and ADA Wellness Loop H. Meadow Path and Fire Access

I. Views from Waiting Area to Garden J. Feature Lawn Panel and Contemplative Garden K. Custom Feature Screen L. Pick Up/Drop Off and Perennial Display M. Views from Waiting Area to Bosque N. Screening Hedge to define Bosque area O. Tree and Shrub Groupings to Screen and Frame Views

AREA DISTURBED - STORMWATER MANAGEMENT LOCATION REVISED MOWN WELLNESS PATH CONCEPT

1. MOWN WELLNESS PATH IN GRASSY MEADOW 2. FEATURE MEADOW AREA (MORE FORBS) 3. STORMWATER FEATURE PLANTING 4. HEDGEROW HABITAT AREA 5. MANICURED BUILDING PERIMETER LANDSCAPE 6. MOWN WELLNESS PATH IN GRASSY MEADOW 7. VIEWS TO ACTIVE FARMLAND 8. PATH AT EDGE OF WOODLAND AND EDGE OF STORMWATER BASIN


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PROJECT CONTEXT | CEDAR CREST PROFESSIONAL PARK

EXISTING STORMWATER FLOW

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TRANSIT ROUTES

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OPPORTUNITIES AND CONSTRAINTS | CEDAR CREST PROFESSIONAL PARK

EXISTING PARKING ANALYSIS

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INVENTORY AND ANALYSIS | CEDAR CREST PROFESSIONAL PARK

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TRANSIT CIRCULATION

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INVENTORY AND ANALYSIS | CEDAR CREST PROFESSIONAL PARK

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CEDAR CREST PROFESSIONAL PARK | SITE DESIGN

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CEDAR CREST DESIGN CHARRETTE DESIGN CONCEPT: ELEMENTS

A. B. C. D. E. F. G. H.

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As a starting point, images of the southwest provide for vibrant inspiration. Color jumps from bleached backgrounds and life flourishes where there is water in these images. Here, architecture responds to the elements.

PRECEDENT AND INSPIRATION | CEDAR CREST PROFESSIONAL PARK

MATERIAL PALETTE FOR CEDAR CREST

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New park sign built into slope Entry Gateway Feature Reduced parking lot entrances Improved outdoor amenity space at 1259 Improved parking lot connector to encourage adjacent lot use Possible stormwater treatment and trail system connection Improved drop off and play space at 1255 Major Pedestrian Spine (Incorporates Transit Stops, Stormwater Management, Wayfinding and Branding signage, and Southwest Landscapes Pop-up style street plaza with vendor space Improved pedestrian connection to parking garage Bank drive-thru traffic improvements Pedestrian priority zone between 1243 and the garage Improved pedestrian connections through lot Improved pedestrian connections over slope to encourage adjacent lot use Possible trail connector for campus walking loop

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A consistent palette of materials for the campus will ensure visitors to Cedar Crest are left with a memorable image of the campus as a whole. Through site furnishings, lighting, signage, planting hardscape materials and other site elements, the campus will develop a cohesive image. Custom elements will reflect the Cedar Crest brand from the entry statement to printed marketing materials. New materials used on the campus will have a clean, modern and slightly urban look that is inspired by the natural grandeur and the most compelling translations of Southwest landscapes in contemporary design. The new direction of Cedar Crest Professional Park will be reflected in the material use throughout the campus, and will set a high design standard for future projects.

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CASE STUDY The Arizona State Polytechnic Campus has a memorable and cohesive campus look which is achieved through consistent hardscape materials used throughout the campus perimeter, landscaping, gardens, pavings, site furnishings, structures and buildings. Elements range from wildly natural to simple and geometric, but they hang together through a consistent palette of colors and materials. Here, the landscape around building entrances and in courtyards differs slightly in color and treatment from the paths meant to convey pedestrians from place to place. The subtle mix of materials makes for clearly defined circulation and an imageable campus.

DESIGN DETAILS >>> MATERIAL PALETTE | CEDAR CREST PROFESSIONAL PARK

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CEDAR CREST PROFESSIONAL PARK | SITE DESIGN



CONSTRUCTION DOCUMENTATION


PLANTING NOTES:

5.

6. 7.

KS ENGINEERS, P.C.

DF

1501 Cherry Street, Philadelphia, PA 19102

4.

KSE

The Trust for Public Land

3.

130-60 W. Westmoreland Street (07-2-1883-10) Philadelphia, PA 1913

2.

PROVIDE SLOPES IN PLANTING AREAS AS INDICATED ON GRADING PLANS. SEE CIVIL DRAWINGS FOR GRADING AND ALL UTILITIES. STAKE LOCATIONS OF NEW PLANT MATERIALS BEFORE EXCAVATING PLANT PITS FOR REVIEW IN FIELD WITH LANDSCAPE ARCHITECT. CONTRACTOR IS RESPONSIBLE FOR VERIFYING THE LOCATION OF UNDERGROUND UTILITIES PRIOR TO PLANTING. PROVIDE QUANTITY OF EACH PLANT INDICATED ON THE PLANTING PLAN IF THOSE QUANTITIES DO NOT AGREE WITH THOSE SHOWN IN PLANT SCHEDULE. KEEP SEALS ON PLANTS UNTIL SUBSTANTIAL COMPLETION. SEE PLANTING DETAILS FOR PLANTING SOIL DEPTHS.

JOSE MANUEL COLLAZO PARK

1.

DC 1"=10'

LANDSCAPE ARCHITECTURE

PLANTING PLAN

L-4


CONSTRUCTION DOCUMENTATION


LWLA INTERNSHIP PLANT LIST KEY # BOTANICAL NAME SHRUBS 1 Rhus copallinum 'Prairie Flame'

COMMON NAME

PLANT QTY

SIZE

MATURE FLOWER BLOOM TIME FOLIAGE COLOR LIGHT HEIGHT COLOR J F M A M J J A S O N D SP SMR FALL WTR

Flameleaf Sumac

20

#5 3-4'

5-7'

Virginia creeper

70

1 Gallon

35'

x x

x

Asclepias tuberosa Aster oblongifolius 'October Skies' Coreopsis verticillata 'Zagreb' Liatris spicata 'Kobold' Phlox paniculata 'Pink Flame' Phlox x 'Minnie Pearl' Solidago shortii 'Solar Cascade' Callirhoe involucrata Panicum virgatum 'Shenandoah'

Butterflyweed Fragrant Aster Whorled tickseed Dwarf Blazing Star Summer Phlox Dwarf Hybrid Phlox Shorts Goldenrod Wine Cups Switchgrass

205 205 155 205 155 155 155 90 45

2 Quart 2 Quart 2 Quart 2 Quart 2 Quart 2 Quart 2 Quart 2 Quart 2 Quart

2-3' 18-24" 1-2' 1.5-2.5' 2-5' 12-15" 1-2' 1-2' 2-3'

x x

3

Panicum virgatum 'Heavy Metal' Panicum virgatum 'Prairie Fire'

Switchgrass Switchgrass

33 33

2 Quart 2 Quart

2-3' 2-3'

4

Aster laevis Chrysopsis mariana Echinacea purpurea Euphorbia corollata Monarda fistulosa 'Claire Grace' Pycnanthemum incanum Rudbeckia fulgida Schizachyrium scoparium Baptisia alba Heliopsis helianthoides 'Summer Nights' Solidago rugosa 'Fireworks' Vernonia glauca Chasmanthium latifolium

Smooth Aster Maryland goldenaster Purple Coneflower Flowering Spurge Wild Bergamot Mountain Mint Black Eyed Susan Little Bluestem White False Indigo False Sunflower Rough-leaved Goldenrod Tawny Ironweed River Oats

350 350 350 350 350 570 350 350 75 75 75 75 50

2 Quart 2 Quart 2 Quart 2 Quart 2 Quart Plug 2 Quart 2 Quart 2 Quart 2 Quart 2 Quart 2 Quart 2 Quart

1-3' 8-16" 2-3' 2-3' 3-4' 3-4' 2-3' 2-4' 3' 3-5' 2-6' 3-5' 4'

7

Senecio aureus Phlox divaricata 'Blue Moon' Aster macrophyllus

Golden Groundsell Woodland Phlox Big-leaved Aster

180 190 171

2 Quart 2 Quart 2 Quart

1-3' 1' 1-2'

8

Andropogon gerardii Ratibida pinnata

Big Bluestem Yellow Coneflower

130 100

2 Quart 2 Quart

5-8' 3-6'

VINES Parthenocissus quinquefolia

HERBACEOUS PERENNIALS 1

2

5

6

x x x x x x x x x x x x x x x x x x

x x x x

x

x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x

x x x x x x x x x x x x

Loading the Truax Drill Seeder, 2011


LWLA INTERNSHIP

Managed Woods Ready for Live Plants, 2012

Typical Early Morning Live Planting

First Year Coreopsis Blooms, 2011

Milton Hershey School Meadow Installation, 2011

Penstemon Blooms During a Spring Seeding, 2012



ABOVE BELOW BEYOND


1 2

0 3 4

A birds-eye view of Next City’s office and the “Storefront for Urban Innovation,” as it

was transformed for Above Below Beyond.

Event Space

The exhibit celebrated it’s opening night was an official event for Design Philadelphia, an annual citywide design festival.

Panel Discussion

The exhibit culminated in a panel discussion that explored how student involvement can encourage development of sites like the Reading Railroad.

Storefront / Office During business hours, we stashed the boards away and Next City used their office as usual.

Open Exhibit

We kept the exhibit open to visitors 7 days a week for 6 weeks.

Meeting Place

The exhibit allowed us to have impromptu and planned meetings with all kinds of people interested in the site.


ABOVE BELOW BEYOND


VIA PHILADELPHIA | ARCHITECTURE INVENTORY


VIA PHILADELPHIA | DESIGN DEVELOPMENT


TEMPLE UNIVERSITY BERK’S PLAZA | INVENTORY AND CONCEPT


TEMPLE UNIVERSITY BERK’S PLAZA

| STORMWATER ANIMATION


PLANTING DESIGN | A COLOR GARDEN

Gerhard Richter, Cage 6

Color Analysis Collage


SPATIAL STUDIES | RAT AND RABBIT ISLAND

Exposure

Refuge


phone // 269.206.4410 email // amy.syverson@temple.edu web portfolio // http://issuu.com/amy.syverson/docs/portfolio2013


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