Architecture Portfolio_Amina Et Tahiry. Selected works

PO RT F O L I O

Amina Et Tahiry Dottoressa magistrale in Archtettura e Ingegneria Edile Università IUAV di Venezia ettahirya@gmail.com

INDEX

01

URBAN TECTONIC STRATIFICATIONS

P. 04

Urban layers between underground and elevated elements.

Treviso, Italy.

Supervisor: Arch.Doimo Martino; Ing. Cavallaro Federico In collaboration with: Borsato Federica

02

VILLA FORNI CERATO

P. 10

Restoration work in a Renaissance villa.

Montecchio Precalcino, Italy.

Supervisor: Arch.Paternò Lucia Damiana In collaboration with: Borsato Federica

03

TOWARDS ANOTHER URBAN LANDSCAPE IN AFRICA. THE COMPOUND AS A FORM OF LIVING

P. 18

Gutura Urwega. Live the Layers.

Kigali, Murama, Ruanda.

Supervisor: Arch.Barucco Maria Antonia; Arch. Patrizia Montini Zimolo; Ing. Luigi Schibuola In collaboration with: Borsato Federica; Piva Matteo

04

THE SUSTAINABLE PROJECT FOR THE CITY Sustainable transformation of a slum city.

Santo Tomàs, La Pintana, Chile.

Supervisor: Arch.Benno Albrecht; Ing. Mazzarella Olimpia; Ing. Rupi Federico In collaboration with: Borsato Federica; Morsanuto Beatrice

P. 28

01

URBAN TECTONIC STRATIFICATIONS Urban layers between underground and elevated elements.Treviso, Italy.

In the first phase, a large-scale reasoning was developed on the city of Treviso and in particular on the part of the city around the railway station, whose urban planning and landscape problems concerned the need to reconnect the neighbourhood south of the station with the historic centre; the replacement of the existing overpass with a new vehicular passage under the railway; the redefinition on a planivolumetric level of the buildings and open spaces located within the area of the Bastione San Marco.

In particular, the second part of the urban design module dealt with the paradigmatic figures of contemporary city architecture, which develop from the progressive accentuation of the basement element with respect to the elevated element, to the extreme distinction of two different urban layers, a plate/podium and a large autonomous elevation, often elevated on pilotis and in any case out of scale with respect to the immediate context.

4

Master plan of the railway station area and Bastione San Marco.

View of the basement and elevated elements inside the Bastione San Marco.

5

Floor plan 0.00 m

Floor plan 5.80 m

Floor plan 10.30 m

Floor plan 14.80 m

Floor plan 19.30 m

Floor plan 23.80 m 6

South elevation.

Section.

Section.

7

Construction details. Main facade, section, plan.

8

1

2

3

4

1) CHIUSURA ORIZZONTALE SUPERIORE 1 - Pavimentazione per coperture in gres; 2 - Piedini regolabili; 3 - Guaina impermeabilizzante; 4 - Massetto in cls alleggerito, spessore: 50 mm; 5 - Guaina impermeabilizzante; 6 - Pannello isolante, spessore 150 mm; 7 - Massetto in cls, spessore: 100 m; 8 - Lamiera grecata; 9 - Trave reticolare di Warren, h: 300 mm; 10 - Pannello per controsoffitto Ecophon Master 2) CHIUSURA VERTICALE 1 - Rivestimento di facciata in acciaio; con struttura in acciaio composta da montanti per sorreggere il rivestimento; 2 - Infisso verticale;

4) CHIUSURA ORIZZONTALE INFERIORE 1 - Pavimento in legno, spessore 20 mm; 2 - Massetto in cls, spessore: 50 mm; 3 - Pannello isolante in poliuretano, spessore: 45 mm; 4 - Impermeabilizzazione, spessore: 4 mm; 5 - Massetto, spessore 50 mm con rete; 6 - Casseri modulari a perdere in polipropilene riciclato: 500x500 mm, h: 450 mm; 7 - Magrone, spessore: 100 mm; 8 - Membrana Geotessuto

3) CHIUSURA ORIZZONTALE INTERMEDIA 1 - Pavimento in legno, spessore 20 mm; 2 - Massetto di allettamento, spessore: 50 mm; 3 - Pannello isolante in poliuretano, spessore: 50 mm; 4 - Massetto in cls: 40 mm; 5 - Lamiera grecata; 6 - Trave reticolare di Warren, h: 300 m; 7 - Pannello per controsoffitto Ecophon Master

Construction details. Axonometry, sections.

9

02

VILLA FORNI CERATO Restoration work in a Renaissance villa. Montecchio Precalcino, Italy.

The restoration course included an analysis of degradation phenomena and transformation processes (stratigraphic reading) of Andrea Palladio’s Villa Forni Cerato. A study of techniques for the recognition of structural damage processes in buildings also in order to introduce techniques for safety, consolidation and earthquake prevention. A second part of the course dealt with the development of a restoration project with the change of use of the building and the development of a hypothesis for the consolidation of the Renaissance attic with the architectural techniques studied during the course.

10

DEGRADO CON APPORTO DI MATERIA

DEGRADO CON PERDITA DI MATERIA

Colonizzazione biologica

Degradazione superficiale Il fenomeno interessa più del 70% dell’intonaco

Lacuna

Rappezzo incongruo

Deposito superficiale Fronte di risalita

Colonizzazione biologica

Lacuna Erosione + Scagliatura

Colatura

Colonizzazione biologica Fronte di risalita

Mancanza

Presenza di vegetazione

Fessurazione Colonizzazione biologica Presenza di vegetazione Lacuna Mancanza

Mapping of degradation.

11

Construction Demolition Demolito

Demolition and construction plans.

12

Attic floor plan PIANTA PIANO SOTTOTETTO

Sala Conferenze

Laboratorio per ragazzi

Sala Plastici

First floor PIANO plan NOBILE PIANTA

Sala Riviste

Sala Studio

Sala Relax

Sala Studio

Ground floor plan PIANTA PIANO TERRA

Bagno Sala Libri Antichi

Sala Libri Antichi

Project plans.

13

Archivio

A' A

+23,78 m

1

2 +17,93 m

+12,66 m

+9,91 m

Section with slab consolidation work.

14

B

B'

B

B'

+23,78 m

3 +17,92 m

+12,66 m

+9,92 m

Section with slab consolidation work.

15

1 1. Muratura esistente; 2. Tavolato in legno, 60 mm; 3. Trave in legno, circa 240x160 mm; 4. Barre autofilettate; 5. Bulloni a brugola; 6. Piastra angolare in acciaio di collegamento muratura e profili a C, 200x180 mm; 7. Profilo C in acciaio, 75x200 mm, 8. Resina epossidica; 9. Piastra in acciaio di collegamento tra i due profili a C, 200x300x10 mm; 10. Forcella fissa; 11. Tirante in acciaio, 20 mm

1 2

4

3 5 6 7

8 9

10

11

2 1

1. Tavolato in legno, 60 mm; 2. Trave in legno, circa 240x160 mm; 3. Bulloni a brugola; 4. Piastra a T in acciaio di collegamento tra i profili a C; 5. Piastra di appoggio; 6. Profilo C in acciaio, 75x200 mm, 7. Puntone in acciaio, 40x300 mm; 8. Barra filettata in acciaio, 20 mm; 9. Testa sferica per l’alloggiamento dei tiranti;

2

3 4

5

6 11

10

7 8

9

3 1. Tavolato in legno, 60 mm; 2. Trave in legno, circa 240x160 mm; 3. Bulloni a brugola; 4. Profilo C in acciaio, 75x200 mm, 5. Piastra a T in acciaio di collegamento tra i profili a C; 6. Piastra di appoggio; 7. Puntone in acciaio, 40x300 mm; 8. Barra filettata in acciaio, 20 mm; 9. Testa sferica per l’alloggiamento dei tiranti; 10. Tenditore per tirante; 11. Tirante in acciaio, 20 mm

1 2

3 4 5

7 8

10

11

9

Construction details.

16

LIFE - VENETIAN SALON From the time of its foundation, St. Mark’s Square has always been the heart of Venice, the scene of major events and the place where the most important festivities and moments for Venetians are celebrated. Also known as the ‘Salotto di Venezia’, it is the only place in Venice named ‘Piazza’, because in the rest of the city there are only campi and campielli.

PATINA - THE WEIGHT OF TIME Patina, the signature of passing time, enhances and emphasises the strain on the face and body of the Hunchback of Rialto. From the small stage at the top of the column, documents announcing the most important decisions of the Venetian state were read out loud, and death sentences were also made public.

The condemned were carried in chains from St Mark’s to Rialto, to the Gobbo, and whipped along the street as a warning. At the end of the route they would kiss the Gobbo because it marked the end of their sentence. What will happen to the statue of the Hunchback of Rialto now that he is the one serving all the time?

TRANSFORMATION - BETWEEN NEW AND OLD An important historical monument from the 12th century, located in the Cannaregio district, has returned to its former glory. From a convent, public school and military barracks, it has now been transformed into a university residence housing students, researchers and lecturers. The Convento dei Crociferi finally regains its dignity after half a century of neglect, opening its doors to the city of Venice.

The technological intervention carried out does not encroach on the convent’s silence and testimonies, respects the structure’s artistic heritage and integrates modern solutions for living and leisure comfor.

Venetian restoration photography competition.

17

03

TOWARDS ANOTHER URBAN LANDSCAPE IN AFRICA. THE COMPOUND AS A FORM OF LIVING Gutura Urwega. Live the Layers. Kigali, Murama, Ruanda.

The project pays attention to technological and construction aspects as well as the specificities of the site, economic and energy resources, and the social context. In particular, an attempt has been made to design the compound system with an adequate environmental insertion, where factors such as orientation, volumetry, the relationship between full and empty spaces, internal distribution, etc., are declined according to the climatic characteristics of the site. Subsequently, an attempt was made to combine the architectural design with the exploitation of renewable energy sources, integrated into the building, and used starting from the actual resources available on site. Finally, particular attention was paid to the choice of raw materials and products with a reduced environmental impact such as bio-brick (sand, bacteria, calcium carbonate, urine). The research and use of this particular brick allows for sustainable use of on-site resources as well as cost containment.

18

19

Master plan of the new compounds and market.

20

Planimetry of the compounds and the market.

21

PROSPETTO INTERNO

PIANTA PIANO TERRA

Ground plan of the compound, intern elevation and section of the compound and market.

22

PROSPETTO ESTERNO

PIANTA COPERTURE

Roof plan of the compound, intern elevation and section of the compound and market.

23

Ground plan of the market, section and elevation of the compound and market.

24

Roof plan of the market, elevation of the market.

25

Construction details. Stratigraphic axonometry, section.

26

Construction details. Stratigraphic axonometry, Bio-brick production process, section.

27

04

THE SUSTAINABLE PROJECT FOR THE CITY Sustainable transformation of a slum city. Santo Tomàs, La Pintana, Chile.

The course aims to investigate the place of attachment as a multidimensional concept involving the person, the psychological process and the dimensions of place. We have been called upon to analyse the concept of the place of attachment by focusing on the study of the revitalisation and evolution of Italy’s historical centres, the fight against abandonment in small rural centres, reconstruction processes in places affected by natural disasters or wars, the preservation of areas modified by climate change and slum towns. The project aims to increase private space for residents: the objective is to ensure greater security in the neighbourhood, eliminating as far as possible public space, currently a meeting place for drug dealing. Similarly, efforts were made to make the neighbourhood sustainable in terms of transport and materials used. In the Transport module, a project was developed to intervene in the links between infrastructure and the local context, in particular the urban environment, using new transport technologies, automated transport networks, and the use of information and communication technologies (ICT) to optimise forms of mobility, ensuring accessibility and minimising the use and costs of private motorised transport.

28

Picture of the street market at Santo Tomàs, La Pintana, Chile.

Master plan of the Santo Tomàs area, Chile.

29

Existing condition plan.

STAGE 3

STAGE 2

STAGE 1

Project evolution. Illustrated process on a neighbourhood plot.

30

STAGE 0

PHASE 0

PHASE 1

PHASE 2

PHASE 3

PHASE 4

PHASE 5

LEGEND Consolidation structure

New expansions on the structure

Project entrance canopies

Urban gardens

New extensions on the road

Pedestrian street

Project evolution. Illustrated process for a tessus fragment.

31

PHASE 0

PHASE 1

PHASE 2

PHASE 3

Model process for public road.

PHASE 0

PHASE 1

PHASE 2

Model process for semi-private road with vegetable gardens.

32

PHASE 0

PHASE 1

PHASE 2

Model process for private road.

PHASE 0

PHASE 1

PHASE 2

Model process for semi-private road.

33

Construction process. Stage 0.

Construction process. Stage 1.

34

Construction process. Stage 2.

Construction process. Stage 3.

35