Dracula Pageant. Broadway: Waitress, The Glass Menagerie. Regional: The Colored Museum, Huntington Theatre Company. MORGAN JENNESS Original Script Development and Dramaturgy Morgan Jenness is the recipient of a 2015 Doris Duke Impact Award and a 2003 Obie Award Special Citation for Longtime Support of Playwrights. She has spent almost three decades working as a dramaturg and creative consultant for theaters (including the Public Theater, LATC and NYTW) and developmental workshops, university theater programs, funding organizations, ensembles, and individual artists across the country. ERIKA BAILEY Voice and Dialect A.R.T.: Fingersmith, Waitress, In the Body of the World, O.P.C. Broadway: Mary Stuart. Boston area: New Electric Ballroom, Gloucester Stage Company; Absurd Person Singular, Nora Theatre Company. Regional: Arms and the Man, Guthrie Theatre; A Christmas Carol, McCarter Theatre; The Foreigner, Cabaret, Bus Stop, To Kill a Mockingbird, A Christmas Carol, Kansas City Repertory Theatre. A.R.T. Institute Head of Voice & Speech: vocal production, dialects, Shakespeare; heads MFA program in voice pedagogy. MA in Voice Studies from the Royal Central School of Speech and Drama. JULIE FOH Voice and Dialect A.R.T.: Cardenio. A.R.T. Institute for Advanced Theater Training: Ajax in Iraq. Off-Broadway: The Tallest Tree in the Forest, Tectonic Theater Project at BAM; Murder for Two, The Tutors, Modern Terrorism, Second Stage. New York: The Babylon Line, The Danish Widow, NY Stage & Film; Wasps, Miss Lilly Gets Boned, Studio 42; Nightlands, New Georges; We in Silence Hear a Whisper, Red Fern Theatre Company. Regional: An Ideal Husband, Eurydice, American Players Theatre. MFA: A.R.T. Institute for Advanced Theater Training.
KATIE AILINGER Production Stage Manager A.R.T.: The Plough and the Stars, In the Body of the World, Nice Fish, The Tempest, The Lily’s Revenge, The Donkey Show, Woody Sez, Futurity: A Musical By The Lisps, Ajax. Off-Broadway: Nice Fish, St. Ann’s Warehouse; Nixon’s Nixon, Fresh Play Festival, MCC Theater; Trial by Water, I Land, Ma-Yi Theatre. Boston area: Choice, The Second Girl, Cry of the Reed, Streamers, Huntington Theatre Company; Other Desert Cities, RED, The Divine Sister, The Great American Trailer Park Musical, SpeakEasy Stage Company; God’s Ear, Pericles, Henry VIII, Actors’ Shakespeare Project. Additional credits include Center Theatre Group, Theatre @ Boston Court, Milwaukee Rep, Trinity Rep, and WGBH’s annual concert A Christmas Celtic Sojourn. BFA: University of Southern California (Stage Management). Proud member of Actors’ Equity Association. JENNY KENNEDY Assistant Stage Manager A.R.T.: In the Body of the World. Broadway: The King & I, Bloody Bloody Andrew Jackson, Red. Off-Broadway: The Wedge Horse, Fault Line Theatre; A Minister’s Wife, When I Come To Die, Lincoln Center Theater; Mr. & Mrs. Fitch, Second Stage Theatre; The Play Company. New York: Retro Productions, The Civilians, BC/EFA, Baryshnikov Arts Center. Regional: The Lion In Winter, Two River Theater; Kavinoky Theatre; Jewish Repertory Theatre; Ten seasons with Chautauqua Theater Company. The actors and stage managers employed in this production are members of Actors' Equity Association, the union of professional actors and stage managers in the United States.
United Scenic Artists represents the designers and scenic painters for the American Theatre.
The Director and Choreographer are members of the STAGE DIRECTORS AND CHOREOGRAPHERS SOCIETY, a national theatrical labor union.
Partial support for open captioning provided by Theatre Development Fund.
The American Repertory Theater is a proud partner of PoNY 2.0, providing an artistic home for PoNY Playwrights of New York. The American Repertory Theater is a member of ArtsBoston, StageSource, and Theatre Communications Group.
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