Great Estate Auction at The Barn, May 3 & 4, 2024

GREAT ESTATES AT THE BARN: DAY 1

Friday at 11a MAY 3, 2024

ONLINE & INPERSONAT THE GARTH’S BARN

PREVIEW:

Tuesday, April 30, 10a - 5p

Wednesday, May 1, 10a – 7p

Thursday, May 2, 10a - 11a

Auction Day Preview 9a - 11a each day or by appointment.

AUCTION & PREVIEWLOCATION:

Garth’s Barn, 2690 Stratford Road, Delaware, Ohio 43015

FULLY ILLUSTRATED, ONLINE CATALOG & LIVE INTERNET BIDDING AVAILABLE ameliajeffers.com

Phone & internet bidding available. Condition reports are encouraged and available upon request

TERMS:

20% Buyer’s Premium (25% Online)

Payment & Shipping options available at ameliajeffers.com/payment

All items removed to our Columbus Warehouse upon auction completion.

Auctioneer: Amelia Jeffers & Jeff Whittington

Ihaveoftensaid,IdonotknowwhatattractsmetotheAmericanantiquesbusinessmore-the itemswehavethegoodfortunetohandle,orthepeoplewithwhomweareluckytoconnect.

Handlingthiscollectionisaperfectexample:boththehusbandandwifewerepresent,aswell astheirwonderfulcollection,arefullofcharm,interest,depth,andauthenticity.

StartingoutincentralOhiomorethan40yearsago,theircuriosityandpassiondrovethemto advancetheirtreasurehuntingfromfleamarketstoauctions.WhentheystumbleduponGarth’s inDelaware,theyinitiallystucktothemoremodestlyvaluedantiquesandcollectiblesofferedat “StratfordAuctionCenter”-themetalpolebuildingthatstoodjustahundredyardsfromthe iconicGarth’sBarnwheretheircollectionwillsellthisMay.Theirfirstpreviewinthedustyold barnblewthemaway-thequalityandpricesseemedunattainable.Withauctioncatalogsthat doubledastextbooks formany,Garth’sbecametheir“antiquesgraduateschool”,helpingthem todevelopabreadthanddepthofknowledgeandhonetheireyeforchoiceAmericanaandfolk art.Jugglingworkandkidsandantiques,theydabbledinshopownershipforafewyearsbefore hittingtheshowcircuitasdealers,attheirpeakdoing25showsinayear.Whenthehecticpace becametoomuchfortheirfamily,theystoppedsettingupatshows,butkeptattendingtheir favorites,includingNewHampshireAntiqueWeekeachsummer.Everyoneeventuallyhasto makethedecisiontodownsize,orleavethingsforkidstomanage.Forthesecollectors,the opportunitytoreturnmanyoftheitemsintheircollectiontothecommunityoflike-minded kindredspiritsviaanauctionintheGarth’sBarnwasperfectlytimed.

Formyteamandme,theirauctionrepresentsexactlywhywedowhatwedo:tofeedour passiontocultivateknowledge,friendships,andcuriosity.Weviewourcatalogsasan opportunitytotakeadeepdiveasateamandtopresentcollectionsinawaythatendeavorsto providebuyerswithsomehistoricalanddesigncontext,comparativeanalysisofsimilaritems, andbackgroundinformationwherewecan.Itisoursincerehopethatoureffortsleaveevery sellerandbuyer,forwhomweareincrediblygrateful,enrichedinevenonesimpleway.

Amelia

**Pleasenote,anumberofitemsfromthiscollectionareincludedintheSaturday,May6Ohio ValleyAuctionsession.Thoseitemsarenoted.

PUFFY SLEEVE ARTIST (ACTIVE 1830-1831)

HOLLOW-CUT SILHOUETTE OF A LADY.

American, attributed to Ezra Wood (Massachusetts, 1798-1841). Cut paper with black cloth backing, watercolor, and ink. Attractive woman in a hat and dress trimmed with blue belt, blue pinked neckline, and high white lace collar, holding a spray of blue flowers. In the original pressed brass frame, 4.25”w. 5”h. Ex David Good (Ohio).

3000-5000

PUFFY SLEEVE ARTIST (EZRA WOOD, 1798-1841)

HOLLOW-CUT SILHOUETTE OF A LADY.

American (Massachusetts), circa 1830. Cut paper, watercolor, and ink profile image of elegant woman in hat and pink dress trimmed with white lace neckline, blue belt, and blue necktie, holding book. Molded and rope-twist carved gilt frame, 4.25”w. 5”h. Ex Joan Brownstein (Maine). Illustrated in The Magazine Antiques, July / August 2014, p. 122, “Unmistaken Identity”. See Sotheby’s, January 21, 2021, lot 178, for a similar example.**A copy of the Magazine Antiques issue is included with this lot.

2000-4000

For individual photos of all items and bidding, visit ameliajeffers.com

3

AMOS HOLBROOK (ACTIVE 1830-1831)

DOUBLE MINIATURE PORTRAITS OF A HUSBAND AND WIFE.

American (New England, probably New Hampshire), circa 1830. Paper, watercolor, and graphite in an eglomise frame. The lady with earrings, a large hair comb, and lace collar; the gentleman with black jacket and high-collared shirt. Molded gilt frame, 7.5”w. 5.25”h. Ex Stephen Douglas Antiques (Vermont). See New England Auctions (Connecticut), January 8, 2022, lot 17, for a similar pair.

600-1200

4

DOUBLE HOLLOW-CUT SILHOUETTES OF A HUSBAND AND WIFE. American, first-half 19th Century. Fine detailed paper cutouts of husband and wife over black cloth. Oval reverse glass eglomise decoration. Molded gold-leaf frame, 5”h. 6”w.

250-350

5

AMERICAN TRANSITIONAL WALNUT COURTING MIRROR. American Queen Anne to Chippendale, circa 1780. Handsome scroll-cut, tulip-top crest over molded mirror-glass frame, 5.5”w. 5.75”h. Overall, 8.5”h. 5.5”w.

300-600

6

THREE VALENTINE PAPER CUTOUTS.

American, 19th Century. Each retain vibrant color and molded gilt frames. Heart-in-hand paper cutout with blue heart, 4.5”w. 5.75”h.; robin’s egg blue heart, arched lock of hair and inked name of “Thomas Reid”, 3”w. 3.825”h. Together with pink and blue inverted woven hearts 4”h. 4.125”w. 200-400

FRAMED FOLK ART PAPER CUTOUT HEART AND HAND.

American, second-half 19th Century. Folksy paper cut-out love memento on lined paper with intertwined red silk ribbon, and pencil detail. In a gold leaf frame, 8.5”h. 5.625”w. 150-300

8

VALENTINE HEART WATERCOLOR.

Probably American, 19th Century. Printed and watercolored heart with verse. With the unusual decorated background with oil of tragacanth, commonly used in early books. Molded gilt frame, 3.75”w. 4.375”h. 150-300

9

HEART AND HAND MARBLE CARVING.

American, circa 1850. Deep relief-carved smooth white marble hand pointing to heaven with heart. Incised “Mahala E. Cousins and H. Goding”. Overall, 5.5”h. 3.5”w. 1.875”d. 150-300

10

PENNSYLVANIA WATERCOLOR FAMILY RECORD.

American (Lancaster, Pennsylvania), dated 1792. Watercolor on paper with hearts and chronological family detail. Inscribed “Gardiner, married to Charity Countryman, 1792”. 8.5”h. 6.5”w. Framed, 9.75”h. 8”w. 500-1000

11

PENNSYLVANIA PINPRICK HEART FRAKTUR.

American (Pennsylvania), circa 1838. Painted pinprick image. Painting, 5.825”w. 8”h. In a tiger maple frame, 7.5”w. 9.75”h. Ex Ellie Hoover (Ohio). See info on reverse.

500-1000

12

EARLY WATERCOLOR BOOK PLATE.

American (probably Southern), late-18th or early-19th Century. Primitive watercolor of flower basket with birds, trees, and the best surface in red, yellow, green, blue, black, and sepia ink script, with name on bottom. Plate, 6.5”h. 4.375”w. Molded frame, 8.5”h. 6.375”w. Ex Bruce Rigsby (Kentucky).

400-800

13

WATERCOLOR BIRTH AND MARRIAGE CERTIFICATE.

American, dated 1868. Watercolor stencil decorated with birds, heart, acorn, and oak leaf, in blue, green, black, yellow, rose, and gray. Certifying the marriage of Jacob Franklin (1846) and Emma Sechler (1849). In a reeded, cross-corner frame. Overall, 20” x 16”. 200-400

14

FOLK ART WATERCOLOR DRAWING OF A HOUSE.

American (New England), dated 1842. Watercolor, pen, and ink view of a New England house with trees, birds, and girl. Signed by “Abraham Smith March 6, 1842”. 8”w. 6.25”h. Decorated and molded frame, 10.25”w. 8.5”h.

200-400

15

A FINE DIMINUTIVE PAINTDECORATED TREENWARE COVERED CANISTER (JAR).

American, first half-19th Century. Turned-wood footed container and finial withvinegar-grained sponge decoration in red and black.

Approximately 3.25”h., 3”dia. at base.

800-1200

16

DIMINUTIVE PAINT-DECORATED TREENWARE COVERED CANISTER (JAR).

American, first-half 19th Century. Turned-wood footed container and finial withvinegar-grained sponge decoration in red and black.

Approximately 3.25”h., 3.5”dia. at base.

600-900

17

DIMINUTIVE PAINT-DECORATED TREENWARE COVERED CANISTER (JAR).

American, first-half 19th Century. Turned-wood footed container and finial with vinegar-grained sponge decoration in red and black.

Approximately 4.5”h., 3.25”dia. at base.

600-900

DIMINUTIVE PAINT-DECORATED TREENWARE COVERED CANISTER (JAR).

American, first half-19th Century. Turned wood container and finial with vinegar-grained sponge decoration in red and black. Approximately 3.75”h., 3.25”dia. at base.

600-900

19

THREE VELVET FRUIT PINCUSHIONS.

American, second-half 19th Century. Pear, peach, and gourd.

From 4” to 6”l.

400-800

20

THREE VELVET CARROT PINCUSHIONS.

American, second-half 19th Century. Velvet carrots in lengths from 7.5” to 11.5”.

400-800

21

TWELVE PIECES OF VELVET FRUIT.

American, 19th Century. Collection of two large strawberries, four pears, two peaches, one carrot, a large apple, and two smaller strawberries.

400-800

22

PAIR OF EARLY PINCUSHIONS.

American, late-18th Century. Primitive design of bird on a book, 4.5”h. Together with a peafowl design, 4”h.

150-300

23

FOUR MAKE-DO PINCUSHION WHIMSEYS.

American, late-19th Century. Plum or purple berry with smaller strawberries; round and blue cushion; yellow with two small strawberries; and a red strawberry. The tallest, 7”h.

150-300

24

LARGE SEWING BALL PIN CUSHION.

American, late-19th or early-20th Century, satin. Red and light blue with button decoration. Overall, approximately 10.75”dia.

200-300

25

TWO SEWING BALL PIN CUSHIONS.

American, late-19th or early-20th Century, satin. Red and green with multicolor stitching, 6”dia., and a yellow and red floral embroidery with multicolor stitching and movable design. 7”dia.

300-500

26

GROUP OF SEWING BALL PIN CUSHIONS.

American, late-19th or early-20th Century. Four cushions including: black and red velvet, black and red with floral design, cream corduroy and orange floral design with faux pearl decoration, and two-tone purple with satin. Approximately 4”-4.5”h.

200-300

26A

COUNTRY SHERATON TIGER MAPLE STAND.

American (possibly Ohio), circa 1810. Country Sheraton stand with shaped cherry rounded cut-corner top above dovetailed tiger maple drawer and cherry base. Each front leg has carved motif flanking the drawer. Top measures 19.5” x 19”. Stand, 28”h.

400-800

27

PAINT-DECORATED APPLE BOX.

American, second-half 19th Century. Poplar box with canted sides, base with quarter-round edge, black and red graining, gray foliate stenciling, and yellow striping. Stenciled dogs on sides and butterflies on ends. 4.75”h. 11”w. 6”h.

ExJewett Berdan (Maine).

400-800

27A

PENNSYLVANIA PAINT-DECORATED PINE CANDLE BOX.

American (Pennsylvania), circa 1850-70. Pine slidelid candle box with original bold red, square nail construction, and carriage paint floral and striped decoration in black and yellow.

14.5”l. 8.5”w. 8.5”h.

250-500

PENNSYLVANIA MINIATURE GRAIN-PAINTED PINE CHEST.

American, first-half 19th Century. Dovetailed case and two dovetailed drawers, simple feet and warm reddish-brown graining. 3.5”h. 5”w. 2.5”d.

300-600

29

DECORATED MINIATURE SLIDE LID BOX.

American (attributed to Pennsylvania), circa 1850. Poplar decorated with black, orange, yellow with tulip and dog. 4”l. 2.5”w. 2.5”h.

300-600

30

MINIATURE WALLPAPER BAND BOX.

American (New England), circa 1840. Valuables box with lettering, “Behold, I bring you good little things” over flying angel. Images of husband and wife. Probably for a wedding. 2.25”h. 3.25”w. 2.25”d.

200-400

31

FOLK ART CARVED WOOD SNAKE.

American, first-half 20th Century. Carved wood, segmented, folk-art snake with original red, green, and black paint with open mouth. 38”l.

150-300

THREE FOLK ART CARVED WOOD SNAKES.

American, first-half 20th Century. All segmented. Original dark brown and black paint, 36”l.; red, green, and yellow paint, 27.5”l.; and together with a black, dark green, red, and yellow crackled paint, 13.5”l.

150-300

33

FOLKSY HIGH BACK CUPBOARD.

American, circa 1780-1810. Pine and maple, nail constructed, and in two parts, the top is scalloped and open, 53”h. 24”w. The lower with two side-by side drawers over two hinged, raised panel doors. Unusual form with folky details in a beautiful dark pumpkin-pine patina. Base, 36”h. 57”w. Purchased at Garth’s Auctions (Ohio).

1000-2000

34

DENVER, PA SIGNED FOLK ART CARVED WOOD CANE.

American, late 19th century. Folk art heavily carved wood cane with 3-dimensional vegetation and full Native American carved figure at top of cane. Signed “DENVER, PA”. 32”l.

200-400

35

PRIMITIVE CARVED WOOD CANE.

American, late 19th Century. Wooden folksy can with full carved head. 33.5”.

150-300

36

PAIR OF PRIMITIVE CARVED WOOD CANES.

American, 19th Century. Two wooden canes with folksy carved faces with large eyes on handles. One with a folksy alligator. Both 36”l.

200-400

37

PRIMITIVE FOLK ART CARVED WOOD CANE

American, late 19th century. Primitive folk art cane made from natural looped tree branch with Native American chief face and headdress. 34.5”. 125-250

38

TWO FOLK ART CARVED WOOD CANES.

American, late-19th Century. Dog cane with allegorical woman, and another with faces (appear to be bone). Both 33”h. 200-400

39

TWO FOLK ART CARVED WOOD CANES.

American, 19th Century. The first cane with carved fish, carved hand, acorn, alligator. The second, with a simple handle carved “9114”, “WMV”. The shaft carved with lodge motifs, snake, crucifix, crossed axes, handsaw, spoon, pliers, dice, carved diamond, heart, spade, clubs, and corkscrew. Both, 37”l.

250-450

40

TWO FOLK ART CARVED WOOD CANES.

American, circa 1900. One cane with a horse, 36”l., and the other with a primitive face, 34”l.

200-400

40

41

TWO FOLK ART CARVED WOOD CANES.

American, 19th Century. One has a large bird (7.25”) with fine detail. And a primitive cane with bird, eagle, pig, and Native American figure, 38”l. 200-400

42

TWO FOLK ART CARVED WOOD CANES.

American, late-19th early-20th Century. A carved dog-head (opposite man’s face) handled cane with a horse, a pig named “Cleveland” and a deer hunter. Retaining an old brown paint. 33”l; a folk-art wood carved two-ball whimsey cane, 34”l; and a carved cane with erotic 1890’s shoe handle. 200-400

43

THREE FOLK ART CARVED CANES WITH SNAKES.

American, late-19th early-20th Century. The first with green-painted vines, with fish, and two snakes, 36”l.; natural finish cane, 35.5”l.; and black snake cane, 37.25”l.

200-400

44

THREE FOLK ART CARVED WOOD CANES. American, 19th Century. Finely carved ball-in-hand cane with serpent, 32”l. Primitive cane with ball cap, 33”l. Together with a cane with carved bulbous clenched fist, 36”l. 200-400

45

THREE FOLK ART CARVED WOOD CANES. American, circa 1890-1930. A carved and crosshatch, foliate decorated cane with an eagle head with split bill; an open handle carved wood cane with wrapped snake; and a carved and green-painted cane with wrapped snake. 150-300

46

FOLKSY SEWER TILE DOG.

American, 19th Century. Rare spread-leg position with pierced eyes, eyebrows, collar, and mouth. Excellent condition with small splatter of paint. 11”h. 10.5”w. From The 40 Year Americana Collection of a Central Ohio Couple. 1000-2000

47

47

OHIO SEWER TILE SEATED DOG. American (Ohio), circa 1880-1900. Mottled glaze, 13”h. From The 40 Year Americana Collection of a Central Ohio Couple. 500-1000

48

SEWER TILE DOG.

American, 19th Century. Pierced collar and leash, on oval base. 8.75”h. 150-300

49

TWO OHIO SEWER TILE SPANIELS. American (Ohio), circa 1890. Glazed and with hollow bottoms, both 5.5”h. From The 40 Year Americana Collection of a Central Ohio Couple. 200-400

50

AMERICAN COUNTRY TIGER MAPLE MAKEDO WHIMSY. First-half 19th Century. Tiger maple blocked and turned short post with acorn top and brass hook, set on rectangular beveled-edge base. Good surface and patina. Overall, 7”h. 250-500

54

HOLLOW-CUT FULL-LENGTH SILHOUETTE GROUP.

American, first-half 19th Century. Cut paper mounted on black of two gentlemen engaged in conversation (one bearing a strong resemblance to Andrew Jackson), with a lady in gown and necklace behind. Frame, 5.875”w. 5”h. 200-400

56

EARLY MINIATURE HOLLOW-CUT SILHOUETTE OF A GENTLEMAN.

57

MINIATURE HOLLOW-CUT SILHOUETTE OF A WOMAN.

American, first-half 19th Century. Cut, laid paper mounted on black. The woman cut with delicate features. In a period, gilded ogee frame with a contemporary inscription on the back: “Phila CA 1810”, approximately 2”w. 2.5”h. 150-250

58

EARLY MINIATURE HOLLOW-CUT SILHOUETTE OF A GENTLEMAN.

American, second-half 18th Century. Cut laid paper, mounted on black. The gentleman with a queue hairstyle. In a step-molded 19th Century frame, approximately 3.125” square. Ex David Good (Ohio). 250-500 54 56 60

American, second-half 18th Century. Cut laid paper mounted on black. The gentleman with a queue hairstyle. Retaining labels for TF Thornton (Tom) and the Mary Thornton (Ohio) auction held at Garth’s Auctions (Delaware, Ohio), January 9 & 10, 1976. In a 19th Century frame, approximately 3.25”w. 3.5”h. 200-400

59

MINIATURE WATERCOLOR PORTRAIT OF A YOUNG LADY.

American, second-quarter 19th Century. On paper, profile wearing a puffy-sleeved lownecked dress and necklace with locket. Draped background, seated on an Empire chair. Molded and black painted frame, 4.75”h. 4.5”w. 250-500

60

MINIATURE WATERCOLOR PORTRAIT OF A GENTLEMAN.

American, second-quarter 19th Century. Watercolor on paper of gentleman wearing a dark blue tie, vividly patterned vest, and black jacket with a fancy Sheraton chair back showing under right arm. Ogee molded gilt frame, 5”h. 4.5” w. 150-250

61

MASSACHUSETTS WALLPAPER BAND BOX BY JOSEPH S. TILLINGHAST.

American (New Bedford, Massachusetts), 19th Century. Retaining paper label, made by “Joseph Tillinghast, Manufacturer of Band Boxes.”

Overall, 14.75”h. 21.5”l.

500-1000

62

MASSACHUSETTS PAPER HAT BOX.

American (Princeton, Massachusetts), 19th Century. Garden scene hat box with trees having belonged to Dolly Daring, married to Daniel Cheerer in Princeton, Massachusetts, December 18, 1818. Overall good condition.

Overall, 18”h. 12” dia.

500-1000

63

WALLPAPER BAND BOX.

American, 19th Century. Church scene with village homes, in bold blue and white. The lid with image of men. 12”l. 16.5”w.

500-1000

64

PENNSYLVANIA PAPER HAT BOX.

American (Pennsylvania), circa 1830-40. Historic wallpaper covered hat box with newspaper lined interior. 13.5” x 8”. Together with a beaver top hat signed by maker Valentine Gibson (1789-1845), Norristown, Pennsylvania. Excellent condition. 12.25” x 7.5”. 400-800

65

THREE BLUE BAND BOXES.

American, 19th Century. Paper covered wood band box with goat and dog, 3.5”h., the top 9”x5”; a paper box in medium blue and white, 8.75”h., the top 12.5” x 10”; and a larger blue, white, and maroon paper box with graphic floral pattern, 10.5”h., the top 12” x 16”.

350-700

67

MINIATURE PAINT-DECORATED PATRIOTIC BUCKET (PAIL).

American, late-19th Century. Stave-constructed wood with metal straps. The staves painted with red five-pointed stars on white ground with blue straps. Wire and wood bail handle with diamond escutcheons. Inscribed on the bottom, “1938 grammie Foss gave to Polly Hines grammie had at age 4 is now 76”. Overall, 3.5”h.

600-1200

67

MINIATURE PAINT-DECORATED BUCKET (PAIL). American, late-19th Century. Stave-constructed wood with metal straps. The staves stamped with red five-pointed stars on light blue ground with darker blue straps. Wire and wood bail handle with diamond escutcheons. 3.5”h.

600-1200

PAINT-DECORATED “UNION”

BERRY BUCKET (PAIL).

American, late-19th Century. Stave-constructed wood with metal straps. The staves painted bittersweet with black swags framing “UNION” at middle, with black straps. Wire and wood bail handle with diamond escutcheons. 4.25”h. Ex Clark Garrett (Ohio). 600-1200

70

PAINT-DECORATED TIN TRINKET BOX.

France or Italy, circa 1830-50. Sarcophagus form in original blue and tole decoration. Red painted paw feet. Overall, 3.5”h. 3”w. 100-200

71

WATERCOLOR PORTRAIT OF EUNICE P.

MATTHEWS BY JOSEPH H. (JH) DAVIS (1811-1865).

American (Maine/New Hampshire), dated 1834. Watercolor and ink on paper full-length portrait, the identified sitter in a black dress with lace collar and apron. Holding a book in one hand and a reticule in her other, standing on a runner with an oval pattern. In Spencerian script across bottom, “Eunice P. Matthews Aged 19 Years & 5 Months, 1834”. Molded gilt frame, 11.75”h. 9.5”w. Ex Dennis Raleigh (Maine). 1500-2500

72

WATERCOLOR PORTRAIT OF “HENRIETTA”.

American, possibly by Daniel Evans, second-half 19th Century. Watercolor on paper portrait of lady in a black puffy-sleeved dress and feathered headdress. Nicely lettered across bottom. Found in Worcester, Massachusetts, 7”h. 6”w. Ex Pam Boynton (Massachusetts). 300-600

73

PRIMITIVE INK PORTRAIT OF A YOUNG GIRL.

American, second-quarter 19th Century. Charming full-length pen and ink on laid paper, wearing a patterned dress and has a bird perched on her hand. Molded gilt frame, 8.5”h. 7.25”w.

350-700

74

WATERCOLOR PORTRAIT OF A YOUNG GIRL HOLDING A ROSE.

American, second-quarter 19th Century. Charming full-length portrait on paper of lady in a yellow patterned dress, apron, and pantaloons, holding a rose and standing beside a rose bush. In a carved rope-twist gilt frame, 8.25”h. 6.25”w. Illustrated in A Loving Likeness, American Folk Portraits of The Nineteenth Century, p. 53.

300-600

75

WATERCOLOR OF A YOUNG BOY.

Likely American, second-half 19th Century. Full-length with fine detail and blue eyes, wearing a black dress with red trim and holds a buggy whip. Veneered frame, 9.5”h. 6.75”w. 200-400

76

WATERCOLOR PORTRAIT OF A YOUNG LADY.

American, first-half 19th Century. Watercolor on paper of girl wearing a white dress, holding a book, bouquet of flowers, and standing on a patterned rug. Black-painted frame, with gilt detail, 7”h. 5.25”w. 200-400

77

WATERCOLOR THEOREM ON PAPER.

American, second-quarter 19th Century. Woven basket of flowers and fruit with faint pencil inscription across bottom, “A Basket of Foreign Fruit”. Ogee molded gilt frame, 9”h. 11”w. 200-400

78

PRINTED THEOREM ON CLOTH.

American, mid-19th Century. Stenciled flowers and strawberries and leafy green stem on linen. Molded gilt frame, 8”h. 10”w. 150-300

79

STRAWBERRY THEOREM ON LINEN PAINTING.

American, circa 1830-50. Linen with red and green paint in an unusual layout of graphic strawberries. Berries are not stenciled but painted with fingertips. Molded frame in red paint, 14.5”w. 12.25”h. 300-600

80

SCARCE

American (New York), dated 1840. Wool in blue (indigo) and white. The border with spread-eagles holding olive branches flanking a federal building with 19 stars above. Medallion center field and numerous fraternal (masonic) columns. The corner block woven, “Agriculture & Manufactures are the Foundation of Our Independence. July 4, 1840.” Woven with “Jane A. Peck” and checkerboard pattern at both ends. 101” x 77”. See Smithsonian: https://americanhistory.si.edu/collections/ nmah_621583

1000-2000

81

UNUSUAL BLUE AND WHITE OVERSHOT COVERLET.

American, dated 1838. Wool with cotton calico in indigo and white. Large eagle and urn border, center field with soldiers on horseback, and woven “Eagle & Stars 1838” at border. 86” x 96”.

600-1200

American, dated 1839. Wool textile. Classic Tyler coverlet with snowflake pattern in the center field, apple tree fence border, and lion corner block with inscription, “Woven for Olive Parker 1839”, and further inscribed at border, “Jefferson Co NY”. 76” X 86”.

500-900

83

NEW JERSEY DOUBLE WEAVE COVERLET WITH UNUSUAL COLOR PALETTE BY VAN NORTWICK.

American (New Jersey), dated 1843. Wool in red, blue (indigo), gold, and white. Spread-eagle border with shirls and trees; the center with floral medallions. Corner block inscribed, “SARAH MARIA SCHAMP ASBURY

1843 C. VAN NORTWICK FANCY WEAVER”. Approximately 78” x 80”. 300-600

84

UNUSUAL PAINTED AND CARVED BLANKET BOX.

American (Bergen County, New Jersey), 19th Century. Walnut, pine, and cherry carved and painted blanket box with original till. The body of the chest with carved “matchstick” detail in a herring bone architecture. Walnut lid and ogee bracket feet with overall dry surface that creates the illusion the box is painted red and salmon. Bold ogee feet, 5”h. Overall, 24.25”h. 40.5”w. 19”d. 800-1600

85

PAINT-DECORATED TREENWARE

COVERED CANISTER (JAR).

American, first-half 19th Century. Turned wood container and finial with vinegar-grained sponge decoration in red and tan. Approximately 5.25”h. 5”dia. at base. Ex Don Walters (Massachusetts).

800-1200

86

PAINT-DECORATED TREENWARE

COVERED CANISTER (JAR).

American, first-half 19th Century. Turned-wood, footed container and finial with vinegar-grained sponge decoration in red and black. Approximately 8”h. 6.5”dia. at base.

600-900

NEW YORK DOUBLE WEAVE SUMMER WINTER COVERLET.

NEW YORK OVERSHOT COVERLET ATTRIBUTED TO HARRY TYLER.

87

PAINT-DECORATED TREENWARE COVERED CANISTER (JAR).

American, first-half 19th Century. Turned wood container and finial with vinegar-grained sponge decoration in tan and reddish brown. 7.75”h. 6.5”dia. at base. Ex Stephen-Douglas (Vermont).

600-900

88

PAINT-DECORATED TREENWARE COVERED CANISTER (JAR).

American, first-half 19th Century. Turned wood container and finial with vinegar-grained sponge decoration in unusual green, red, and tan. Approximately 6.”h. 5”dia. at base.

400-800

89

THREE VELVET CARROT PINCUSHIONS.

American, second-half 19th Century. Carrots in lengths from 3” to 6”. 400-800

90

THREE VELVET PEAR PINCUSHIONS.

American, second-half 19th Century. Velvet pears from 3” to 5”l. 400-800

91

THREE VELVET STRAWBERRY PINCUSHIONS.

American, second-half 19th Century. One with beaded seed decoration. From 4.5” to 5.5”l. 400-800

92

THREE VELVET FRUIT PINCUSHIONS.

American, second-half 19th Century. Two strawberries, one with beaded seed decoration, and an unusual ear of corn. Lengths from 3” to 7.5”. 400-800

93

COLLECTION OF 13 FRUIT-FORM PINCUSHIONS.

Amwerican, 19th Century. Velvet and other materials. Peach, berries, pear, etc. including a makedo strawberry mounted on glass base, 6.5”h. 150-300

93A

SOUTHERN SHERATON SPLAY-LEG WALNUT STAND.

American (Kentucky), circa 1790-1820. Butternut and walnut. Oval, overhung butternut oval top, 18”w. 25.5”d., above single, canted dovetailed drawer with embossed brass rosette knob. Turned and fluted tapered legs and resting on ball feet. Walnut base, 25”h. 1000-2000

94

PAIR OF FOLK ART PORTRAITS.

American (Exeter, New Hampshire), circa 1844. Oil on canvas. Husband and wife, the woman with a red book, and the man with a newspaper, “Exeter News-Letter”, dated “Sept 16, 1844.” Both measure 21.375”h. 17.125”w. Framed, 23”h. 19”w. 1000-2000

95

PUFFY SLEEVE ARTIST (ACTIVE 1830-1831) HOLLOW-CUT SILHOUETTE OF A YOUNG BOY.

American, attributed to Ezra Wood (Massachusetts, 1798-1841). Cut paper, watercolor, and ink of a young boy in formal navy-blue waistcoat, yellow vest, white necktie with blue pin; with one hand in a pants pocket and the other holding a book inscribed, “Aged 12 1830”. Original molded and rope-twist carved gilt frame, 4.25”w. 5.25”h. Illustrated in The Magazine Antiques, July / August 2014, p. 122, “Unmistaken Identity”. Illustrated in A Loving Likeness, American Folk Portraits of The Nineteenth Century, p. 47. Ex David Hillier, Antiques Associates at West Townsend (Massachusetts). **A copy of the Magazine Antiques issue is included with this lot. 2000-4000

American (Massachusetts), circa 1830. Cut paper, watercolor, and ink profile of a woman in a black dress with peaked neckline, belt, white lace collar, and red ribbons; holding a sprig of red moss roses with green leaves. In a later molded gilt frame, 4”w. 5.875”h. Sold Northeast Auctions (New Hampshire), November 17, 2012, lot 107. Ex Pam and Martha Boynton (Massachusetts). 1500-2500

PUFFY SLEEVE ARTIST (EZRA WOOD, 1798-1841) HOLLOW-CUT SILHOUETTE OF A WOMAN.

PUFFY SLEEVE ARTIST (EZRA WOOD, 1798-1841) HOLLOW-CUT SILHOUETTE OF A WOMAN. American (Massachusetts), circa 1830. Cut paper, watercolor, and ink profile of a young lady in a blue dress with pink belt and ribbon and white collar, holding a parasol. In a period, but not original, frame with tiger maple veneer, 6”w. 6.5”h. Ex Thurston Nichols (Pennsylvania). 1500-2500

FULL-LENGTH HOLLOW-CUT SILHOUETTE PORTRAIT OF A YOUNG GIRL.

American, first-half 19th Century. Cut paper and watercolor mounted on black. The little girl in a dress trimmed in white with straight hair, shoes, and holding a book. Wonderful, period paint-decorated frame with incised diamond cross-hatching around the border of the opening and applied beaded border around outer perimeter, 5.5”w. 8”h. 600-900

100

MEMORIAL WATERCOLOR DRAWING.

Probably American, dated 1828. Watercolor and ink depiction of a woman wearing a cloak and hat with flowers in hand. Notated “CHARLOTTE AT THE TOMB OF WERTER Nov. 6th, 1828.” Most commonly printed in England or Germany. This is an unusual rendition of an American naive perspective. Probably a German that settled in Pennsylvania, 1790s to 1830. Painting, 8”w. 10”h. In a black painted beveled frame, 12”w. 14”h. Ex David Good (Ohio). 500-1000

101

PAIR OF HOLLOW-CUT WATERCOLOR SILHOUETTES.

American (New England), circa 1830-40. On paper, reverse painted gold swag border. Reeded frame with original black paint, 6” x 9”.

250-450

102

PAIR OF AMERICAN SCHOOL SILHOUETTES WITH WATERCOLOR.

American (New England), first-half 19th Century. Frame, 5” x 7”. Silhouettes, 4” x 6”.

200-400

103

HOLLOW-CUT SILHOUETTE OF A LADY.

American, first-half 19th Century. Reverse glass eglomise decorated. In a molded frame, 6.75”h. 5.5”w.

250-450

MASSACHUSETTS MEMORIAL WATERCOLOR.

American (Massachusetts), first-half 19th Century. Colorful memorial remembering “1832 Nehemiah Ramsdell, Winchendon, MA”, “1838 Mary Ramsdell, Winchendon, MA”, and “Louis Ramsdell, Lowell, MA.” Veneered frame, 26”w. 20.75”h.

500-1000

107

PRIMITIVE NEW ENGLAND WATERCOLOR MOURNING SCENE.

American (New England), circa 1830. Detailed mourning scene, 16.5”h. 12.25”w. In a beveled frame, 20.75”h. 16.5”w.

400-800

108

PRIMITIVE “AUTUMN WINTER” WATERCOLOR.

American, mid-19th Century. The foreground with a mother and daughter picking apples in the autumn; the background with father watching a child sled downhill in winter. Molded gold leaf frame, 10.75”h. 13.5”w. 200-400

109

COUNTRY PINE TABLE-TOP CABINET.

American, circa 1850. Pine clock case bonnet-form with single, inset panel door, and resting on original, knob turned feet. 26”h. 14.5”d. 20”w.

250-500

110

DECORATED PINE DOCUMENT BOX.

American (New England), circa 1790-1820. Pine dome top in original decoration with humpback, leather handle, brass rivets, and cut-nail construction. Wire bail catch. 8”h. 14.5”l. 9.75”w.

250-500

111

MINIATURE INLAID WALNUT TALL CASE CLOCK.

American, circa 1890-1920. Walnut with original surface. Proportionally correct for a period clock. Clock face with keyless auto clock, some inlay, and primitive moon face. Overall, 19”h. 5”w. 3”d. 200-400

112

THREE MINIATURE BRASS CHAMBER STICKS.

American or English, 19th Century. Largest thumb handle, 5.5”, rectangle 2.75” x 2.25”, round 3.5” with handle. Possibly traveling sticks.

150-300

113

THREE DECORATED ENAMEL BOXES.

England, 19th Century. Three Bilston-type decorated patch boxes. Square lidded box, “Keep This for My Sake”, with beehive decoration; oval “Trifles fhew Respect” (sp) with two robins; and an oval box with script, “Efteem the Gift...” (sp).

All approximately 1” x 1.25”. 100-200

114

UNUSUAL SOUTHERN TILT-TOP CANDLESTAND ATTRIBUTED TO LEVI OR JOHN COCHRAN (MARSHALL COUNTY, TENNESSEE).

American (Tennessee), circa 17901810. Two-board top with applied raised rim over bulbous turned column with boxed frame. Top, 19”dia. Overall, 25.5”h. For related examples and attribution research, see The Art & Mystery of Tennessee Furniture and its Makers Through 1850 by Derita Coleman Williams and Nathan Hursh, p. 123, plates 103 and 104. **A copy of the book is included with this lot. 600-1200

115

HISTORICAL STAFFORDSHIRE

AMERICAN VIEW OF PHILADELPHIA BLUE TRANSFER PLATE. England, first-half 19th Century. Philadelphia Waterworks & Dam, 10” dia. 200-400

116

HISTORICAL STAFFORDSHIRE

AMERICAN VIEW OF ERIE CANAL BLUE TRANSFER PLATE.

England, first-half 19th Century. DeWitt pattern (with eulogy inscription) of the historic “Erie Canal Boats & Locks” border, 10” dia.

200-400

117

HISTORICAL STAFFORDSHIRE

AMERICAN VIEW OF WHITE HOUSE BLUE TRANSFER PLATTER. England, first-half 19th Century. James Clews 1818 White House with states border in deep flow blue. 14.75”l. 12.25”w.

200-400

118

HISTORICAL STAFFORDSHIRE

AMERICAN VIEW OF NEW YORK BLUE TRANSFER PITCHER. England, first-half 19th Century. “New York City Hall and Asylum”, 6.25”h., approximately 4.5” dia., and 7.5”d.

200-400

119

HISTORICAL STAFFORDSHIRE AMERICAN VIEW OF NEW YORK BLUE TRANSFER PLATE.

England, circa 1825. Stevenson image of “New York Battery”, 7”dia. 100-200

120

HISTORICAL STAFFORDSHIRE AMER-

ICAN VIEW OF NEW YORK BLUE TRANSFER CUP PLATE.

England, circa 1824. Clews with ships “Landing of LaFayette” Castle Isle at New York port scene with American flag, 4.5”dia. 100-200

121

HISTORICAL STAFFORDSHIRE

AMERICAN VIEW OF BOSTON BLUE TRANSFER PLATE.

England, circa 1825. Transfer-printed image of Nahant Hotel in Boston by Stubbs & Kent. 8.5”dia. 150-250

122

TWO HISTORICAL STAFFORDSHIRE

AMERICAN VIEW OF ALBANY BLUE TRANSFER PLATES.

England, mid-19th Century (circa 1825-40). Enoch Wood & Sons image of the historic “City of Albany” and “Steamboat” patterns with a shell border. Plate, 10” dia. 150-300

123

HISTORICAL STAFFORDSHIRE

AMERICAN VIEW OF PHILADELPHIA BLUE TRANSFER CUP PLATE.

England, circa 1840. “Staughton’s Church / Philadelphia” cup plate, 4.125”dia. Ex Richards Collection. 100-200

124

HISTORICAL STAFFORDSHIRE

AMERICAN VIEW OF WASHINGTON BLUE TRANSFER PLATE.

England, circa 1825. View of the Capital at Washington by Wood, 6.5”dia.

100-200

125

HISTORICAL STAFFORDSHIRE

AMERICAN VIEW BLUE TRANSFER CUP PLATE.

England, first-half 19th Century. Enoch Wood image depicting American flag and port scene with boat and two men at river. Impressed eagle mark. Plate, 3.75”dia.

100-20

131

126

HISTORICAL STAFFORDSHIRE AMERICAN VIEW BLUE TRANSFER CUP PLATE.

England, first-half 19th Century. Clews historical “America and Independence” cup plate with Washington and a scalloped edge border, 3.875”dia.

100-200

128

THREE QUADRUPED HISTORICAL STAFFORDSHIRE BLUE TRANSFER PIECES.

England, first-half 19th Century. Oval hyena tureen or gravy boat underplate, 8”l. 6”d., and two cup plates, 4” and 4.25”dia. 200-400

129

TWO STAFFORDSHIRE TRANSFER-PRINTED PLATES.

England, circa 1850. “California” black transfer child’s tea set plates entitled “Away to California” and “California Digging.” Both 3”dia. 100-200

130

MAKE-DO CHINESE EXPORT

MANDARIN TANKARD.

Chinese, 18th Century (circa 1780). Chinese export porcelain large mug in a mandarin palette with iron makedo band and bronze handle. 5.25”h. 4.25”d. Handle, 2.25”. 200-400

131

WILLIAM MATTHEW PRIOR (1806-1873)

PORTRAIT OF YOUNG WOMAN.

American (Boston, Massachusetts), circa 1840. Portrait on board of blue-eyed woman in olive-green dress and necklace. 15”h. 11”w. In a paint-decorated frame, 16.25”h. 12.24”w.

800-1500

132

PRIOR-HAMBLIN SCHOOL PORTRAIT.

American (New England), circa 1840. Oil on board seated portrait of a gentleman with a window, waterfall, and mountains in the background. Original surface. Architectural cherry corner block frame with pilasters, 12.25”w. 14.75”h.

500-1000

133

FOLK ART HOOKED RUG OF RUNNING HORSE.

134

HORSE AND SULKY MOLDED COPPER WEATHERVANE ATTRIBUTED TO L.W. CUSHING & SONS.

American (Massachusetts), 19th Century. Hollow-body with old, gilt surface and patina. 17.5”h. 33”l. Sold Garth’s Auctions (Delaware, Ohio).

3000-6000

135

SOUTHERN PIE SAFE.

American, circa 1840. Dry, patinated walnut case with eight-tin front and single hinged door punched with fylfots and hearts. Each side with overlapping tins in the same design. Tall, turned foot measures 11.25”h. Overall, 52”h. 52”w. 18”d. Purchased at the Heartland Antique Show in Richmond, IN.

2000-4000

American, circa 1880. Exceptional design showing galloping horse. Body of the horse contains numerous shades of red, contrasted with black background and framed with repeating rectangular box border. Saddle is bright indigo. Mounted on a stretcher, 31”h. 52”w.

1000-2000

137

GROUP OF FIVE BUTTERFLY PENWIPES. American, late-19th Century. In a butterfly or moth-form and Victorian style with good color. 200-400

138

FOUR MOTH PINCUSHIONS.

American, circa 1870-80. Velvet, felt, and beading. Black velvet with full body and stitchery design, containing layers of muslin pen wipes, 7”w. Beaded with wings and primitive antenna head, 5.125”w. Red felt, 4”w. And brown velvet with black body, bead eyes, and stitchery, 3.125”w. 150-300

139

PENNSYLVANIA PENWIPE PINCUSHION. American (Pennsylvania), 19th Century. Pincushion with tole decorated base and red paint, 6”h. 4”dia. 150-300

140

WATERCOLOR DRAWING OF SOLDIER.

Probably American, late-18th Century. Detailed polychrome image of Hessian soldier with sword on blue horse [back]. Newer, black painted corner block frame with red stars, 22”h. 14.75”w. 1000-2000

141

FOLK ART EAGLE WATERCOLOR WITH SHIELD.

American, first-half 19th Century. Watercolor on paper of an American spread eagle in blue watercolor with white shield. Paper 9.125” x 9”. Frame with original paint, 10.825” x 8.825”. 400-800

142

AMERICAN WATERCOLOR OF TWO WOMEN. American, circa 1843. Watercolor depicting two women. Notation on back “Father Shepard, Walking Dresses for Jan 1843”. Painting, 8”h. 6.5”w. Tiger maple wood pinned frame, 8”w. 9.5”h. 350-700

143

UNUSUAL GODEY-STYLE PRIMITIVE WATERCOLOR.

American, circa 1870-1880. Hand-drawn fashion watercolor with a bouquet on a pedestal centered between the fashionable women of the day. Some staining. Watercolor, 10”h. 14”w. Likely original Victorian, black-painted cross-corner reeded frame, 20”w. 16”h. 200-400

144

AMERICAN SCHOOL MOURNING WATERCOLOR.

American, circa 1790-1810. Fine detailed mourning watercolor drawing depicting a woman named Maria with dog, a house with widow’s walk, in an oval surrounded by verse, swags, flowers, and foliate detail. Painting, 11”h. 15”w. Framed, 14”h. 18”w. 200-400

145

PRIMITIVE WATERCOLOR OF SEATED GIRL. American, 19th century. Primitive painting of blue-eyed girl sitting in a ladderback armchair. 2.5”w. 4”h. Ogee molded gold leaf frame, 3.25”w. 4.75”h. 250-500

146

RARE SHEEP PULL TOY.

German, late-19th Century. Rare, large sheep with billy goat whiskers. All original, retaining brass bell on silk ribbon. 12”l. 13”h.

300-500

147

GERMAN WAGON PULL TOY.

Germany, late-19th Century. Pine wagon with original black paint drawn by two mohair-covered cattle with leather harness, standing on red-painted, iron-wheeled base. Overall, 23”l. 7.125”h.

200-400

148

GROUP OF TOY LAMBS.

American (Pennsylvania) or German, circa 1900. Impressive collection of 22 toy sheep with black hooves (Christmas). Largest is on wheels, 6”l. 5.5”w.

200-400

149

SONGBIRD PIPSQUEAK TOY IN GLASS CASE. Germany, 19th Century. Outstanding songbird pipsqueak pull-toy on wheels in a wood and glass case, 5.5” square.

250-450

150

THREE PAPER MACHE WOODPECKER PIPSQUEAKS.

American, second-half 19th Century. All with original paint and original spruce or pine bellows. Heights from 4.75”h. to 7.75”h.

200-400

151

THREE GERMAN CANDY CONTAINERS. German, circa 1890-1920. Mohair bunny-form containers range from 4.5”-6.5”h.

150-300

152

GROUP OF THREE PAPIER MACHE CANDY CONTAINERS.

German, early-20th Century. Composition, cardboard, and fabric baby-faced, rabbit-eared figures with removable heads include standing on haunches, 3.5”h., smaller seated container, 3.5”h., and larger seated container, 6”h. 150-300

153 PAINTED TIN DOCUMENT BOX.

American, 19th Century. Original tole decoration paint and brass handle. Black background. 9.75”l. 7.5”w. 200-400

154

GROUP OF PAINTED TIN DOME TOP BOXES.

American, 19th Century. Tole decorated including large document box with dome lid, 9”l. 6”w. And, two smaller boxes with dome lids, 4”l. 2.75”w. 200-400

155

PAINTED TIN STORAGE BOX.

American, 19th century. Oval box in original tole decoration with yellow and red flowers, green leaves. 7”l. 5.75”w. 4.75”h.

150-300

156

PAINTED TIN CANISTER.

American, (probably Connecticut), 19th century. Round tole decorated lift-lid canister, 8.5”h. 8.75”dia. 250-500

157

PAINT-DECORATED CANDLE BOX.

American (New England), 19th Century. Painted pine with yellow, green, and red over black decoration of an overflowing urn with foliate growth. 10.5”l. 6”h. 6.75”d. 1000-2000

158

DECORATED “BUCHER” PANTRY BOX.

American (Pennsylvania), late-18th or early-19th Century. Oval bentwood decorated in the manner

Heinrich Bucher, Berks County, Pennsylvania. Polychrome tulips, flowers, and leaves. 3.5”h. 9.5”w.

500-900

159

RARE PENNSYLVANIA CHALK GARNITUREWITH FRUIT.

American (Pennsylvania), mid-19th Century. Incised leaves with fruit and berries. Excellent condition with early or old varnish. 13.5”h. 9”w.

400-800

160

DECORATED DOME TOP BOX.

European (France), 19th Century. Decorated dome top with bird and flower design and original bail handle and lock. Overall, 8”l. 7”w. 3”h.

300-600

161

NEW ENGLAND DECORATED BOX.

American (New England), circa 1830-60. Original yellow paint-decorated box with chased stenciled heart decoration around the lid. 4.5”dia. 2”h.

200-400

162

DECORATED BLANKET BOX WITH TREES.

American (probably Pennsylvania), circa 1830. Mustard-painted base coat with red-orange trees. Black, scalloped base. Reminiscent of Rufus Porter. 23”h. 45.5”w. 19.25”d.

1000-2000

163

LARGE CHALKWARE CAT.

American, 19th Century. Full-bodied, seated cat with black paint decoration, yellow eyes, and a salmon collar with locket. 15”h. 8”w. Purchased at Berner’s Auction (Ohio).

3000-5000

164

CHALK GARNITURE.

American, second-half 19th Century. Fruit on a decorated plinth. The garniture is 11”h. Pictured in “Treasury of American Design”, page 387. 400-800

166

PAIR OF PENNSYLVANIA

CHALKWARE FRUIT BASKETS.

American (Pennsylvania), 19th Century. Hollow-molded with eight pieces of various fruit types. Both are 9”h. 8.25”w. 250-500

167

TWO PENNSYLVANIA

CHALKWARE SQUIRRELS.

American (Pennsylvania), 19th Century. Squirrels seated and eating a nut. 6.25”h. and 4.75”h. 200-400

168

PAIR OF PENNSYLVANIA

CHALKWARE BIRDS ON BASKETS.

American (Pennsylvania), 19th Century. Colorful birds nesting on baskets with red, green, and yellow paint. 4.75”h.

200-400

169

CHALKWARE NODDER CAT WITH MAKE-DO REPAIR.

American, 19th Century. Early make-do cover appears to have been made in the 19th century. 4”h. 7”l.

300-600

170

PENNSYLVANIA CHALKWARE CAT.

American (Pennsylvania), 19th Century. Seated cat decorated in red, black, and yellow, 5.5”h.

200-400

171

PENNSYLVANIA CHALKWARE RABBIT.

American (Pennsylvania), second-half 19th Century. Seated rabbit with old paint. 5.5”h. 150-300

172

ROOSTER MOLDED COPPER WEATHERVANE ATTRIBUTED TO FISKE.

American (New York), 19th Century. Large, gold gilt over copper, molded figure mounted on base. With base included, 24”h. 24”l. Purchased at the Frank Gaglio New Hampshire summer antiques show.

1500-3000

171

174

LEATHER FIRE BUCKET.

American, dated 1834. Red, yellow, and dark green paint and decoration. With handle, 17.5”h. 350-700

175

NEW ENGLAND PAINT-DECORATED BELLOWS.

American (New England), first-half 19th Century. Large, stylized stenciled folk bird in gold paint on red field. 17”l. Ex Clark Garrett (Ohio). 400-800

176

NEW ENGLAND PAINT-DECORATED BELLOWS.

American (New England), circa 1840. Exceptional red and brown stencil decoration and color with mustard body, exhibiting good surface. 16”l. 150-300

177

NEW ENGLAND PAINT-DECORATED TURTLE-BACK BELLOWS.

American (New England or Philadelphia), circa 1840. Turtle-back form with stenciled urn or flower basket with gold, black, and green over red paint. 18”l. 150-300

178

BLACKHAWK HORSE MOLDED COPPER WEATHERVANE ATTRIBUTED TO A.H. JEWELL. American (Massachusetts), 19th Century. Gilded body on a modern base, 24”h. 19”l. 1000-2000

179

DIMINUTIVE GILDED QUILL WEATHERVANE.

American, circa 1880. Desirable size, 24”l. Ex Dennis Raleigh (Maine). 1000-2000

180

AMERICAN ARCHITECTURAL PAINTED PINE CORNER CUPBOARD.

American (possibly Eastern Shore Virginia), first-quarter 19th Century. Yellow pine and blue-painted one-piece cupboard with stepped cornice over picture frame-molded body. Two six-light glazed doors in front of scroll-cut and shaped interior shelves, above two tall, raised panel lower doors. Straight-bracket stepped cutout feet. The top right corner is chamfered, likely to fit in the space it was built for. The blue in a grungy surface. Overall, 87”h. 44.5”w. 38” corner. Purchased at Garth’s Auctions (Delaware, Ohio). 2000-4000

181

MOCHAWARE DECORATED PITCHER.

English, 19th Century. With brown, green, blue, and black stripes and unusual clovers decoration. 7.5”h. 800-1600

182

MOCHAWARE DECORATED PITCHER.

English, 19th Century. In brown, gold, and amber with bold tobacco leaf decoration and brown band at the top. 6.75”h. 400-800

183

MOCHAWARE DECORATED PITCHER.

English, 19th Century. Unusual alternating pale blue, sponge design, and pale yellow. 6.25”h. 300-600

TWO MOCHAWARE DECORATED PITCHERS.

English, 19th Century. The first with robin’s egg blue and brown bands at top and bottom, and earthworm around the body, 7”h. The second, wide pale blue bands and blue, yellow, and white earthworm decoration overlaid between thin dark brown bands. 6.75”h.

300-600

185

MOCHAWARE DECORATED PITCHER OR CREAMER.

English, 19th Century. Straight-body jug with blue and pale green and brown stripes with earthworm design. 6.25”h.

250-450

186

VICTORIAN GAZING BALL.

American, late-19th Century. Scarce blown glass ball decoupaged with silhouettes of girls, five-pointed stars, and birds. Approximately 8”h.

200-400

187

PAINT-DECORATED TREENWARE COVERED CONTAINER.

American, first half-19th Century. Unusual short form turned wood footed container with vinegar-grained sponge decoration in red and tan. Turned wood finial. Approximately 6.25”h., 10.25”dia. at base.

400-800

188

PAINT-DECORATED TREENWARE

COVERED CANISTER (JAR).

American, first-half 19th Century. Turnedwood footed container and finial with vinegar-grained sponge decoration in tan and reddish brown. Approximately 6.5”h. 4.5”dia. at base.

400-600

189

PAINT-DECORATED TREENWARE

COVERED CANISTER (JAR).

American, first-half 19th Century. Turned wood container and finial with vinegar-grained sponge decoration in red and black. Approximately 5.25”h. 5.5”dia. at base.

400-600

190

PAINT-DECORATED TREENWARE COVERED CANISTER (JAR).

American, first half-19th Century. Turned wood oval container and finial with vinegar-grained sponge decoration in red and black. Approximately 6.5”h., 2.25”dia. at base.

400-600

191

RARE CANDLESTICK WITH PAINTED WALL REFLECTOR.

American or English, 19th Century. Black painted tin chamberstick with deep saucer base together with an unusual wood candle holder and curved tin reflector. Retains original, dry green paint. 13”w. 16”h.

300-500

192

THREE WOOD CANDLESTICKS AND HOLDERS.

American, late-18th and early-19th Century. Turned wood candlestick, 9”h.; a wood and tin table candle sconce with tin candle insert, 8.5”h.; and a long-handled “lollipop” candle holder with tole collar, 10”.

300-500

193

TWO WROUGHT IRON CANDLESTICKS.

England, late-18th or early-19th century. Wrought spiral candlestick in round wood base, 18”h., and wrought iron stable candlestick with round wood base, 7.25”h. 200-400

194

COUNTRY FOLK ART WALNUT CANDLE LAMP.

American or English, circa 1850-1880. Turned in the form of an oil lamp with hurricane shade, wick raiser knob, and font base, the top bored out with single, candle socket. 13.5”h.

150-300

195

COUNTRY HEPPLEWHITE PAINT-DECORATED DROP LEAF STAND.

American (New England), circa 1840. Scrub top over single dovetailed drawer and tapered legs. Decorated with mottled mustard over black, and a green and red band framing the drawer edge. Knob is original. Stand, 28”h. 18”w. Top open, 34.75” x 23.5”, and drop leaves, 7.75”.

800-1600

196

DECORATED POPLAR THREE-TIER WALL POCKET.

American (probably Pennsylvania), circa 1870. Poplar with tulip top and fanciful scrolled cutouts. Likely a mail letterbox, 23.5”h.

350-700

197

PAINT-DECORATED TULIP BOX.

Probably German (reputedly American), 19th Century. Fanciful paint-decoarted lift-lid box with urn of tulips and other flowers. Box is 10”l. 7”w. 4.75”h. Ex Sotheby’s (New York). 500-1000

198

DECORATED PINE DOMETOP BOX. European, circa 1840-50. Wood pin construction and original paint. 3.2”h. 5”w. 3”d. 350-700

199

DECORATED DOME TOP BOX WITH TULIP. Continental, 19th Century. Pine with blue ground and tulip decoration, floral dome top. Wood pin peg construction and wire hinges. 2.825”h. 4.375”w. 2.5”d. Ex Northeast Auction (New Hampshire).

250-500

200

TWO INLAID SAILOR’S BOXES.

American, 19th Century. One drawer sewing box with hearts and capped with sewing fabric top, 5.5”l. 3.5”w. 3”h. Together with a walnut and birch inlaid mariner compass slide lid box, shaped in the form of a book, circa 1860. Used as a trinket box. 5”w. 7.5”h. 2.5”d.

150-300

200A

TWO GRAIN-PAINTED PINE BOXES.

American, mid-19th Century. Both pine with pin-hinged lift lids. Larger, 3.25”h. 10.5”w. 6.25”d.; and smaller, missing hinge pins, 2”h. 7.5”w. 4.5”d.

100-200

201

DOUBLE HOLLOW-CUT SILHOUETTES OF A HUSBAND AND WIFE.

American, first-half 19th Century. Cut paper, watercolor, and ink. The gentleman with coat and high collar; the woman with lace collar and bonnet. Cut-paper border inscribed “AEt. [at the age of] 78” under him and “AEt. [at the age of] 70” under her. Inscribed on backboard “Capt. J.C. Baron (?) & Wife” and in later pen “from Petersham, Great Great Grandparents of E.H. Miss Davidson”. In a grain-painted frame with corner blocks, approximately 6.25”w. 5.25”h. 300-600

202

DOUBLE HOLLOW-CUT SILHOUETTE

PORTRAITS OF A HUSBAND AND WIFE.

American, first-half 19th Century. Cut paper with hand-colored printed dress in an eglomise frame. The lady in blue dress with white lace color and gold brooch; the gentleman with black coat, vest, and necktie. Molded gilt frame, approximately 9.25”w. 7”h. 250-450

203

HOLLOW-CUT SILHOUETTE OF A GENTLEMAN.

American, first-half 19th Century. Cut paper and ink mounted on black. The gentleman’s coat with exuberant collar over a high-collar shirt. Molded gilt frame approximately 4”w. 5”h. 250-450

204

HOLLOW-CUT SILHOUETTE OF A LADY.

American, first-half 19th Century. Cut paper and graphite, mounted on black cloth. The lady with an exuberant collar; the whole decorated with graphite details and embellishments. Molded gilt frame, 3.75”w. 4.25”h. Ex Carol Schulman (Ohio). 200-400

205

HOLLOW-CUT SILHOUETTE OF A GENTLEMAN FRAMED WITH A LOCK OF HAIR.

American, mid-19th Century. Cut paper mounted on black of the sitter with a bow tie and buttons, and a lock of hair bound by string. Molded frame, 4.5”w. 5.5”h. 200-400

206

HOLLOW-CUT SILHOUETTE OF A LADY WITH A HAT.

American, first-half 19th Century. Cut paper and graphite mounted on black cloth. Cut in two parts: the head with pinking at neckline and a hat over the torso surrounded by graphite details. Molded gilt frame, approximately 4.25”w. 5.5”h. Ex Don Walters (Massachusetts). 200-400

201

203

204

202

205

206

207

HOLLOW-CUT SILHOUETTE OF A LADY.

American, first-half 19th Century. Cut paper, watercolor, and ink mounted on black of a lady (identified on the back as “Lavina Wilson”) with blue dress, white lace collar, and ribboned necklace. Molded black-painted frame, approximately 4”w. 5”h. 200-400

208

FOLK ART WATERCOLOR OF WOMAN WITH BIRD.

American, late-18th or early-19th Century.

Watercolor on paper depicting woman in blue dress with a bird in hand standing under an arbor. Paper watermark G.R. 1700s.

Watercolor 9” x 10.375”. Framed, 11.75” x 12.5”. 1000-2000

209

PAIR OF AMERICAN SCHOOL WATERCOLOR PORTRAITS.

American, circa 1830-40. Presumably a husband and wife in formal dress, seated, with fine detail, signed “W.L. McLoughlin”.

Original walnut veneer frames with original glass, 6.125” x 5.5” 800-1200

210

MINIATURE INLAID WALNUT CHEST OF DRAWERS. American, circa 1850. Inlaid walnut with two-over-two dovetailed drawers. Primitive designed inlay to top, front, and sides. 11.5”d. 16.5”h. 20”w. 600-1200

211

FOLK ART MINIATURE INLAID WALNUT DRESSER. American, mid-19th Century. Walnut with tiger maple inlaid circles, stars and elaborate design. Drawers are dovetailed and with early square nails.

17”h. 14.5”w. 8”d. 600-1200

212

TWO PAINT-DECORATED TRINKET BOXES.

European, circa 1840-50. Pine with wood pin construction. Original blue with flat top, 6.25”w. 4”d. 1.75”h. Green painted and decorated dome top box with tin latch and original green paint and decoration, 1.75”h. 3.5”w. 250-500

213

MINIATURE WATERCOLOR OF A LADY. American, second-quarter 19th Century. On paper, bust portrait of a lady wearing a gray patterned dress with lace collar, bonnet, and a beaded necklace. Stippled background with lower banner, “By P. Lerner (?) 1828”. Walnut frame, 4.5”h. 3.75”w. 200-400

214

FINE MINIATURE WATERCOLOR OF A LADY ATTRIBUTED TO JUSTUS DALEE (1793-1878). American (New York), second-quarter 19th Century. Watercolor on paper profile of an older lady in a black dress with lace collar and bonnet. The back of a red chair shows at her back. Rope carved gilt frame, 4.75”h. 4.25”w.

1000-2000

215

MINIATURE PORTRAIT OF A YOUNG GIRL.

European, 19th Century. Oval portrait on porcelain or ivory with fine detail seen in blue dress and pearls. 3.5”w. 3.75”h. 100-200

216

FINELY EXECUTED MINIATURE PORTRAIT BROOCH.

American, mid-19th Century. Painted bone ivory or porcelain octagonal brooch portrait of “Grace Warren, aged 46”, as noted in engraved script on reverse.

Overall, 1.75”w. 2.25”h. 100-200

217

THREE MINIATURE SHOE-FORM PINCUSHIONS.

American or English, circa 1850-70. Red shoe, 2”h., silver and pink silk with black buttons, 2”h., and folky shoe with blue and white, 3”h. 100-200

218

THE REVEREND HENRY YOUNG (1792-1861) BIRTH AND BAPTISMAL FRAKTUR.

American (Mifflin County, Pennsylvania), dated 1847. Ink and watercolor on paper birth certificate of the “single woman” type by Reverend Henry Young, formerly known as the Centre County Artist (see The Rainbow, Quarterly of the Pennsylvania German Society Fall, 1977). Vibrant depiction of a woman in red dress with hair comb, earrings, and basket. Standing side profile and holding a bouquet of flowers, flanked by birds, tulips, fanciful roses, and stars. Notation at the top reads: “Miss Mary Sibella Ort a daughter of Mr. Henry Ort and his wife Hannah born a Miller was born September 7, 1847 in Perry Township, Mifflin County State of Pennsylvania.” 11.375”h.

8.75”w. Frame has good, original flame grain paint, 15”h. 11.75”w. Ex Bill Samaha (Ohio/Massachusetts). Sold at Garth’s Auctions (Delaware, Ohio),

November 26-27, 2004, retaining the label for The Tom & Carolyn Porter Auction. 4000-8000

THE

American (Mifflin County, Pennsylvania), circa 1820. Watercolor and ink on paper. The “man and woman with wine glass” type by Reverend Henry Young, formerly known as The Centre County Artist (see The Rainbow, Quarterly of the Pennsylvania German Society Fall, 1977). The woman with white dress dotted with rosebuds and red sash; the man with blue coat, yellow vest, and holding a wine glass. A candlestand between them with turned column and bordered with an eight-pointed star in each upper corner. Corner block frame, 13.75”h., 11.5”w. Sold Sotheby’s (New York), Sale #1066, lot 298. Ex Rich & Susie Burmann (New Hampshire). See Young America: A Folf Art History by Lipman, Warren, Bishop, page 136 - Miss Frances Taylor, 1831. 3000-5000

220

THE

American (Mifflin County, Pennsylvania). Watercolor and ink on paper birth certificate of the “hearts with birds and flowers” type by Reverend Henry Young, formerly known as The Centre County Artist (see The Rainbow, Quarterly of the Pennsylvania German Society Fall, 1977) documenting the 1829 birth, and with later death notation added. 10.5”h. 7.375”w. In an old flame-grain paint-decorated frame. 1500-2500

PAINTED PANTRY BOX.

American, 19th Century. Dark gray-blue paint. 7.25”dia. 3.25”h. 250-450

222

PAINT-DECORATED “BAKING POWDER’S” PANTRY BOX.

American, 19th Century. Old blue and white decorated baking powder pantry box. 8.25”dia. 4”h.

300-600

223

PAINTED PANTRY BOX.

American, circa 1830-50. Early blue paint. 8.75”dia. 3.25”h. 300-600

224

PAINTED PANTRY BOX.

American, 19th Century. Blue paint with patinated surface. 4.25”h. 9”dia. 400-800

225

PAINTED PANTRY BOX.

American, 19th Century. Bentwood in chrome yellow paint. 4.5”h. 9.25”dia. 300-600

226

PAINTED PANTRY BOX.

American, 19th Century. Bentwood in a chestnut brown paint. 10”dia. 6”h. 250-350

227

PAINTED PANTRY BOX.

American, 19th Century. Yellow bail handle pantry box, 7”h. 12”d. With bail up, 12.5”h. 200-350

REVEREND HENRY YOUNG (1792-1861) FRAKTUR.

REVEREND HENRY YOUNG (1792-1861) BIRTH FRAKTUR.

228

LARGE PAINTED PANTRY BOX.

American, 19th Century. Worn blue-green paint and two-board top. 15”h. 17.5”dia. 200-450

229

LARGE PAINTED PANTRY BOX.

American, early-19th Century. Large tomato red pantry box. 16.75”dia. 10”h. 250-450

230

LARGE PAINTED PANTRY BOX.

American, 19th Century. Taupe pantry box, 19”dia. 7.5”h. 200-300

231

LARGE PAINTED PANTRY BOX.

American, first-half 19th Century. Large white painted pantry box constructed with early cut rose head nails. 23”dia. 150-300

232

LARGE PAINTED PANTRY BOX.

American, 19th Century. Federal blue-gray paint. 17”dia. 5”h. 250-450

233

PAINTED BENTWOOD PANTRY BOX. American, 19th Century. Dark blue-green original paint. 10”d. 5.75”h. 150-300

234

TWO PAINTED BENTWOOD PANTRY BOXES.

American, 19th Century. A pantry box in old green paint, 6”w. 2.5”h., and a pea-green repainted storage box, 3”h. 7”d. 100-200

235

PAINTED OPEN-TOP STEPBACK CUPBOARD

American, circa 1820. Old bayberry paint over red. The stacked cornice over four-shelf open top with breadboard ends at the “working” surface or top board. The lower with two inset-panel diamond-raised blind doors. Nice vertical backboards approximately 11-12”w. Cupboard overall, 72”h. 42”w. 18”d. Ex Joanne Boardman (Illinois). 1500-300

239

PENNSYLVANIA PAINTED TIN GOOSENECK COFFEE POT.

American (Pennsylvania), circa 1830s. Red tole decorated gooseneck pot with red and pinwheel painted top. Overall, 10.5”h. Ex Feldman, lot 132.

500-1000

237

PAINTED TIN COFFEE POT.

American, circa 1840-60. Tole decorated coffee pot painted blue, orange, yellow, white, and green. 8.5”h.

300-500

238

237

PAIR OF PENNSYLVANIA PAINTED TIN SUGAR CADDIES.

American (Pennsylvania), 19th Century. Red tole decoration in original paint. Each, 3.125”h.

200-400

PAIR OF POLYCHROME PAINTED TIN SYRUP PITCHERS.

American, 19th Century. Two tole syrup pitchers with original paint decoration. The larger in fine condition, 5”h. 4”d. And, the smaller “as is”, 4”h. 3”d.

200-400

240

PAIR OF PENNSYLVANIA PAINTED TIN CANISTERS.

American (Pennsylvania), 19th Century. Two red tole decorated spice pantry canisters, 4.25”h. and 2.75”h.

200-400

241

PAINTED TIN PANTRY CANISTER.

American, 19th Century. Original polychrome tole decoration with fruit design. 8”h. and 4.25”dia. base. 200-400

242

RETICULATED PAINTED TIN TRAY.

American, 19th Century. Tole decorated tray with a large apple pattern, pierced oval body, and handle cutouts, 13.5”l. 8”w. 200-400

243

PAINTED TIN CANISTER AND TWO CUPS.

American, mid-19th Century. Tole decorated lidded red canister, 5.75”h; Pennsylvania decorated mug and cann, 4.25”h.; and a tole decorated cup, 2.25”h. All three with original paint. 200-400

244

TWO MOCHAWARE DECORATED MUGS.

English and American, 19th and 20th Century. The larger with blue, tar, and black bands and seaweed decoration, 6”h. The shorter by “D.G. Carpentier ‘94” (Don Carpentier, New York, 1951-2014) with blue, black, and brown bands and earthworm decoration. 5”h. 400-800

245

TWO MOCHAWARE DECORATED PITCHERS.

English, 19th Century. The first with bands of grey and pale blue and unusual leaf inside oval decoration, 5.75”h. The second with blue and black bands and cat’s eye or polka dot decoration, 6.75”h. 350-550

246

THREE MOCHAWARE DECORATED MUGS.

English, 19th Century. Blue and brown stripes with seaweed decoration. The larger two marked as “QUART”, 6”h. and 6.5”h. The smaller, 5”h. 200-400

247

THREE MOCHAWARE DECORATED BOWLS.

English, 19th Century. Brown and green bands with blue and brown “dollops”, 3”h.; brown, blue, black, and yellow squiggly bands, a green engine-turned rim with crosshatching, 3.25”h.; and grey and gold and brown wide bands and seaweed decoration, 3.25”h.

300-500

248

FOLK ART CARVED PINE RIFLE TRADE SIGN.

American, first-half 20th Century. Carved and painted pine double-barrel shotgun hanging sign. The stock of the gun is brown (an old repaint), and the barrels are original black. Overall, 81”l.

1000-2000

249

FOLK ART “AMERICA” TRADE SIGN WITH EAGLE .

American, circa 1920. Plywood. Untouched, as-found painting of an eagle proudly displaying a banner reading “AMERICA”. Gold and black eagle and high relief to America in blue paint. White background with framed decorated oval border. 36”h. 77”w. 800-1200

250

SHEET STEEL BOOT TRADE SIGN.

American, circa 1890-1910. Sheet steel “Influenced Regal Boot” trade sign with star spur. Old brown paint with gold spur. 24.5”h., 18”w. Iron hanger, 18” x 18”.

400-800

251

PAINTED PINE BARBER POLE.

American, 19th Century. Red, white, and blue painted pine, wall-mount barber pole with gilded acorn finial. Overall, 75”h. 7”w.

300-600

252

WALLPAPER ADVERTISING TIN TRADE SIGN.

American, late-19th or early-20th

Century. Double-sided tin sign in wood frame with original paint. Nice, untouched condition. 48”l. 10”h. 1.75”d.

300-600

253

DIMINUTIVE WATCHMAKER

TRADE SIGN FOR N. MEYER.

American, circa 1900. Tin case, iron fob, and gold patina with works in the case for “N. Meyer Watchmaker”. Overall, 7”dia. 10”h. 300-600

254B

PRIMITIVE OIL PAINTING OF TRAIN AND HILLSIDE TOWN.

American (possibly Ohio or Pennsylvania), circa 1860-1880. Highly detailed oil on canvas primitive perspective of the locomotive “Logan” with a US mail car, coal tender, and passenger car. Also seen is a sidewheeler, three-story brick building with a large flag flowing from its spire, and numerous allegorical details. Village in the background, tunnel and bridge. Gold leaf frame, 28”h 36”w. 1000-2000

255

PRIMITIVE FOLK ART FARM SCENE.

American (New England), circa 1840-60. Pastel, pen and ink on artist’s board of detailed homestead with rolling hills, white horse, and two cattle. Painting, 13”w. 8.75”h., in a molded gold leaf frame, 12”h. 16”w. 300-600

256

PRIMITIVE WATERCOLOR FARM SCENE.

American, second-quarter 19th Century. Polychrome on paper aerial view of the “Chas. Aldrich” farmstead dated “1846”, with fence-enclosed house, barn, and trees surrounded by red and blue border. Simple, molded gilt frame measures 9.5”h. 6”w. 250-500

257

AMERICAN WATERCOLOR COLLAGE OF A TURKEY.

American, 19th Century. Watercolor with mounted feathers in an early watercolor landscape with feathers to add dimension. Good detail. Flat frame with beveled liner, 12”h. 14”w.

200-400

259

SHEET IRON ROOSTER WITH FIVE BRASS KITCHEN UTENSILS.

Early 19th Century. Three brass skimmers, approxiamtely 17”l. Brass heart and ladle, 16.5”l. Together with a rooster utensil, 15” x 15” with riveted forged hooks. 200-400

260

BAT WING SKIMMER.

American or English, late-18th or early-19th Century. Brass tooled incised iron with unusual bat wing form, 21”l.

200-400

261

INCISED SKIMMER WITH EAGLE.

American, 19th Century. Brass skimmer, 9”l. 5.5”w. Total, 22”l. 150-300

262

THREE FOLKY SCOOPS.

American, 19th Century. Wood, 13”l.; brass, 16”l.; and steel and brass scoop, 13”l.

150-300

263

GROUP OF CHESTNUT WARMERS AND ROASTER.

American, 19th Century. In brass, three chestnut warmers and one roaster. The largest warmer, 25”l. with copper rivets. The roaster, 20”l., 4.5” square. And scalloped edge and fleur-de-lis pattern, 23.5”l.

150-300

264

GROUP OF SKIMMERS.

American and English, 19th Century. Brass with copper rivets. Largest, 28”l. 150-300

265

FORGED STEEL FORKS.

American, 18th Century. Three toasting fireplace forks. Longest, 36”l. 150-300

254B

266

BRASS AND WOODEN BEDWARMERS.

American or English, 18th or 19th Century. Bed warmers or chestnut roasters, 32”l. and 23”l.

100-200

267

BRASS SKIMMER.

American, early-19th Century. Rare brass wrought iron skimmer, 34”l. Pan, 12.5”d.

100-200

267A

GROUP OF BRASS LADLES AND SKIMMERS.

American, 19th Century. Brass. Largest, 22.5”l. Also, Canton, Ohio, patented 1896. 13.5”l. 100-200

268

FIVE BUTTOCKS BASKETS.

American, 19th Century. Overall good condition. Largest measures 6.5” x 6”.

200-400

269

FIVE SPLINT BASKETS.

American, 19th Century. Lidded basket, 8”; small buttocks basket, 4”; and basket with tall hoop handle, 6.5”. Together with two others.

200-400

270

PAINTED APPLE BASKET WITH HANDLE.

American, circa 1890-1920. Painted pine with hickory handle. Lapped finger stave with pine slats. 14.5”h. 17”d. 150-300

271

UNUSUAL LONG HANDLE BOX WITH LOLLIPOP TOP.

American (New England), circa 1830. Old blue over green painted pine canted and dovetailed box with long, lollipop handle. 32”h. Open box, 9.75” square at top, and 8.25” square at bottom. 250-500

272

BLUE-PAINTED MAPLE BOWL.

American, 19th Century. Maple with turned edge rim. 20.5”dia. 7.5”h. 500-1000

273

BLUE-PAINTED MAPLE BOWL.

274

DECORATED FOLKY CUTLERY BOX.

American, circa 1850. Yellow and butterscotch decoration against background in black paint, white painted interior. 4”h. 11”d. 8”w. Ex Lewis Scranton (Connecticut). 350-700

275

HANGING PINE SALT BOX.

American or English, 19th Century. Pine with nailed construction and slant front with lift lid. Overall, 15” x 7”. 200-400

American, 19th century. Turned wood (maple) with wonderful blue paint in excellent condition and patina. 15”dia. 250-500 272

276

HEART SHAPED KRAUT CUTTER.

American, first-half 19th Century. Carved from ash with lollipop cutout heart handle, in a scrubbed, dry finish.

Overall, 23.5”l. 7.5”w. 150-300

277

GROUP OF STONE FRUIT AND VEGETABLES.

American, early-20th Century.

Seventeen painted pieces featuring melon slice, mushroom, lemon, white cherries, and purple carrot, 7.5”l. 300-500

278

GROUP OF STONE FRUIT AND VEGETABLES.

American, early-20th Century. Fifteen painted pieces featuring melon slice, walnut, lemon, carrot, and eggplant, 5.5”l. 300-500

279

GROUP OF STONE FRUIT.

American or Continental, 19th Century. Group of 23 stone fruit, including an exceptional chalk canteloupe, 4”. Also stone artichoke, various fruits, including lime-lemon half slice. 300-500

280

TWO STAFFORDSHIRE HEN-ON-NEST COVERED DISHES.

England, circa 1860. Both in the form of a hen on nest, 7.5”h. and 9.25”h. 200-400

281

PAIR OF FOWL CERAMIC TUREENS.

England and France, circa 1870. Tureen in the form of a duck and chick together, 9”h. Together with a French Faience chicken with eggs and nest, 9”h. Ex Les Holstner. 200-400

282

THREE STAFFORDSHIRE

HEN-ON-NEST COVERED DISHES. England (Kent), 19th Century.

Ceramic hen and her eggs, 5.375”h.; white hen numbered “140” on interior, 4.375”h.; and a brown hennumbered “163” on interior, 9.25”h. 200-400

283

FOUR MOTTLE-GLAZED EARTHENWARE PIG BANKS. Austria or England, first-quarter 20th Century. Colorful glazed still-banks ranging from 4”-6”l. 100-200

284

TRANSITIONAL COUNTRY PINE PIE SAFE.

American Sheraton to Empire transition, circa 1840-1860. The bold form with an overhung scrollcut top conforming to flanking turned and split drop finial detail, applied to the outer stiles. The bottom of the case, with opposing upright finial. Solid ends and two mortised doors with six (total) original, star-punched tin panels that conceal shelved interior with remnants of green paint. High turned foot, 9”. Pie safe overall, 49”h. 40”w. 16.75”d. 1000-2000

285

CARVED FOLK ART CHICKEN. American, 19th Century. Folksy carved wood chicken in original paint, 5.25”h. 5.25”l. 400-800

277

278

279

280

285

286

PAIR OF CHICKENS.

German, circa 1890-1910. Polychrome composite bodies with wood legs and base. A rooster, 8” x 8”. and a hen, 6.25” x 7”.

100-200

287

DECORATED TREENWARE COMPOTE.

American (Wisconsin) or Scandinavian, circa 183040. Initialed “M.H. - D.H.” Crack on the base. Lid is missing. Overall, 5.5”w. 6.125”h. Ex. Clark Garrett (Ohio), and sold at one of his auctions, Mike Clum Auction (Ohio), as lot 327.

300-500

288

PAINTED TREENWARE LIDDED JAR.

American, 19th Century. Rare, turned wood white painted jar with high turned finial and two whimsical rings. Unique form. 5.25”h.

300-500

289

LEHNWARE EGG CUP BY JOSEPH LONG LEHN (1798-1892).

American (Clay Township, Lancaster County, Pennsylvania), 19th Century. Turned wood with paint decoration on desirable blue ground, 5”h.

150-300

290

MINIATURE PAINT-DECORATED “GOOD GIRL”

BUCKET (PAIL).

American, late-19th Century. Stave-constructed wood with metal straps. The staves painted pale yellow with red hearts across the top, flower vine with birds, and “Good Girl” in the middle, with blue straps. Wire and wood bail handle. 3.5”h.

600-1200

291

MINIATURE PAINT-DECORATED “GOOD BOY”

BUCKET (PAIL).

American, late-19th Century. Stave-constructed wood with metal straps. The staves painted bright yellow with green five-pointed stars across the top. The middle with horses and flags and “Good Boy”; with blue straps. Wire and wood bail handle. 3.5”h.

600-1200

292

PAINT-DECORATED CHILD’S BUCKET (PAIL).

American, late-19th Century. Stave-constructed wood with metal straps. The staves painted pale yellow with green stenciled vines across top. Stylized tree with bird, horse and red flowers around the middle; the straps with traces of blue paint. Wire and wood bail handle with diamond escutcheons. 5.75”h.

400-800

293

PAINT-DECORATED CHILD’S BUCKET (PAIL).

American, late-19th Century. Stave-constructed wood with metal straps. The staves painted yellow with heavy green stencil faux bois, horse, cat, dog, and birds. The straps with traces of blue paint. Wire and wood bail handle. 5.5”h. 400-800

294

NEW ENGLAND CROCK OR BUCKET BENCH.

American (New England), first-half 19th Century. Pine with dry wood patina. Kitchen or country crock bench with well, 3”d. Scalloped profile with high cutout feet. Wonderful condition. Overall, 27.25”h. 13.5”d. 44”w. 1000-2000

American, mid-19th Century. Decorated “Sugar” box with carriage-paint handle. 7.5”h. 11.5”d. With handle up, 13”h. Ex Ed Weissman (New Hampshire). Information gathered over the years point to this box and related examples (see Lots 296, 297, 298, 299) were painted by a carriage or sled painter. 400-800

SWING HANDLE PAINT-DECORATED “SUGAR” PANTRY BOX.

PAINT-DECORATED “GINGER” PANTRY BOX.

American, 19th Century. Pantry box decorated with “GINGER”. Base is black with red, yellow, and white. Original paint. 5”h. 7.5”d. Information gathered over the years point to this box and related examples (see Lots 295, 297, 298, 299) were painted by a carriage or sled painter.

300-500

297

PAINT-DECORATED “SPICE” PANTRY BOX

. American, 1840-60. Untouched green, yellow, and red paint. 3.75”h. 8”d. Information gathered over the years point to this box and related examples (see Lots 295, 296, 298, 299) were painted by a carriage or sled painter.

300-500

298

PAINT-DECORATED “PEPPER” PANTRY BOX.

American, mid-19th Century. Original paint with large green band at base. 4.75”h. 7.5”dia.

Information gathered over the years point to this box and related examples (see Lots 295, 296, 297, 299) were painted by a carriage or sled painter.

200-300

299

SWING HANDLE PAINT-DECORATED

OPEN PANTRY BOX OR CARRIER.

American, mid-19th Century. Decorated box with carriage-paint handle and exuberant flower cartouches adorning the sides where handles connect. 6.5”h. 1o.25”d. With handle up, 13.5”h. Information gathered over the years point to this box and related examples (see Lots 295, 296, 297, 298) were painted by a carriage or sled painter. 300-600

300

SWING-HANDLE PANTRY BOX.

American, 19th Century. Body of the background is early and appears original. Signed in white, “JB Taylor”, is later. 10.5”dia. 7”h. 100-200

301

FOLK ART WOOD SHIELD PAINTED GAME BOARD.

English, 1880-1900. Original vibrant blue and red painted ring toss gameboard with iron hooks. Numbers 10 through 60. Overall, 27”h. 22”w. 300-500

302

THREE SCARCE COUNTRY PIERCED TIN NUTMEG GRATERS.

American, 1800-1860. Tin and wood collection of three graters with one carved with leaf, one washboard-style, and one with a paddle handle. The largest,10”. 250-450

303

GROUP OF SCARCE COUNTRY PIERCED TIN NUTMEG GRATERS.

American, 1800-1860. Tin and wood collection of four graters with three wall-hanging (two are diminutive), and one diminutive painted metal. The largest, 7”. 200-400

304

THREE CUTTERS.

American, late-18th or early-19th Century. Incised and forged including large vegetable cutter initialed “JB”, 6.75” x 4”; a forged 18th century chopped for bowl arrowhead; and a curved chopper, 5” x 6”.

150-300

305

TWO TIN FOOD MOLDS.

Continental (German?), late-19th or early-20th Century. Tin Jello or salmon mousse molds, both in the shape of a fish. 11.5”l. and 12” curved.

75-150

306

DECORATED STONEWARE PITCHER.

American, 19th Century. Bold, blue slip decorated pitcher of monumental size, 16.5”h. Purchased at Garth’s Auctions (Delaware, Ohio) in 1999. 1000-2000

307

DECORATED STONEWARE PITCHER.

American, 19th Century. Bulbous handled form with archaic incised design of birds and vine with blue glaze. Overall, 13.5”h. 500-1000

308

PENNSYLVANIA DECORATED STONEWARE PITCHER.

American (Pennsylvania), 19th Century. Handled bulbous pitcher with bold cobalt tulip and foliate decoration, 10”h. 400-800

309

PENNSYLVANIA DECORATED STONEWARE PITCHER.

American (Pennsylvania), 19th Century. Salt glazed stoneware with bold flower and foliate decoration and stamped “2”. Overall, 13.75”h.

200-400

310

STONEWARE PITCHER WITH MAKE-DO REPAIR.

American, 19th Century. Salt glaze with cobalt blue decoration. Old, tin repair bands with tole handle. 10.75”h.

200-400

311

BURKE’S BEER DECORATED STONEWARE BOTTLE.

American (Milford, New Hampshire) circa 1853. Salt glaze with bright cobalt banded top. Impressed “MW Burke’s Beer” and “1853”. Overall, 10.125”h.

100-200

312

SCARCE AMERICAN PAINTED TIN ROLLING HOOP TOY OF HORSE AND JOCKEY.

American, circa 1870’s. Original hand-painted blue wheel with red, white, and black jockey riding a white-painted horse. As child rolls tin hoop, horse and jockey revolve and stay in a rocking horizontal pose. Hoop, 7.5”dia.

600-1000

313

SCARCE AMERICAN PAINTED TIN ROLLING HOOP TOY OF HORSE AND RIDER.

American, circa 1870’s. Original hand-painted one dimensional galloping white horse and rider in red hunt coat and black hat. As child rolls tin hoop, horse and rider revolve and stay in a rocking horizontal pose. Green painted hoop, 4.375”dia.

600-1000

314

SCARCE AMERICAN PAINTED TIN ROLLING HOOP TOY OF MAN.

American, circa 1870’s. Original hand-painted one dimensional bearded man in red hat with buttoned coat and high collar. White painted hoop, 4.25”dia.

500-700

315

SCARCE AMERICAN PAINTED TIN ROLLING HOOP TOY OF GOAT ATTRIBUTED TO HULL & STAFFORD.

American (Clinton, Connecticut), circa 1870’s. Original hand-painted pumpkin color tin bearded goat. As child rolls tin hoop, goat revolves and stays in a rocking horizontal pose. Hoop, 5.125”dia. 800-1600 300-500

316

TIN HORSE AND FIRE WAGON TOY.

American (probably Pennsylvania), 18701900. Original paint. Wheel to boiler top, 14”l. 6.5”h. Horse is 5.75”h. 500-1000

317

GEORGE W. BROWN & CO. PRESSED TIN HORSE PULL TOY.

American (Bristol, Connecticut), circa 1870-1880. Scarce American tin toy, the yellow pressed body of a trotting horse on an embossed, wheeled base decorated with inverted stylized hearts. Overall, 4.5”h. 6.25”l. 300-600

318

SCARCE LARGE PRESSED TIN DOG PULL TOY. Possibly German, circa 1870-1880. Embossed and nicely detailed body of a black-painted dog with red collar. Original black painted surface. On a stepped-tin base with wheels. 15”h. 14.5”l. 300-600

319

HULL AND STAFFORD PRESSED TIN GOAT PULL TOY.

American (Clinton, Connecticut), circa 18701880. Exceedingly scarce American tin toy, the yellow embossed body of the goat is printed with details for the black hair and facial features, red saddle and collar. On a green-painted tin paneled base with wheels.

Overall, 6”w. 5.125”h.

250-500

320

PRESSED TIN SHEEP PULL TOY.

American or German, circa 1870-1880. Scarce tin toy, the light-yellow embossed body of the sheep is printed with details for the ears, collar and bell. On a blue-painted tin paneled base with wheels. Overall, 6.375”h. 7”l.

250-500

321

PRESSED TIN DOG PULL TOY.

Possibly German, circa 1870-1880. Embossed body of the dog with good patina and remnants of painted surface. On a green-painted tin base with wheels.

Overall, 9.5”l. 8”h.

200-400

322

PRESSED TIN RABBIT PULL TOY.

American (Connecticut), circa 1870-1880. Possibly Merriam manufacturing Company. Scarce American tin toy, the white press-molded body of a seated rabbit on a green-painted wheeled base.

Overall, 6”h. 6.5”l.

200-400

323

PRESSED TIN CAMEL PULL TOY.

Possibly German, circa 1870-1880. Bold form in a yellow-painted body of the camel on a later, green-painted tin base with wheels. Overall, 7.75”l. 7”h.

150-300

324

PAINTED FOLK ART HORSE TOY.

American, 19th Century. Original paint and original rollers. Padded seat has wear. Missing balls. 14”h. 21”l. 6.5”w. 200-400

325

THREE TIN TOYS.

American (possibly Connecticut), late 19th Century. All original paint with a horse jumping through hoop, 4.5” x 4”; lamb toy, 4.5” x 3”; and a running dog, 3.5” x 3”. Attributed to George Brown, Connecticut. 150-300

326

PAINTED TIN HANGING SHELF.

American, circa 1870. Original tole decorated shelf in yellow and green. Shelf in nook is 3”d. 7”w. At top, 12”w. 12”h. 200-400

327

FOLKSY CARVED WOOD WALL SHELF.

American, circa 1900. Boldly carved wood two-tier wall shelf in light-brown or tan paint. The sides are foliate carved with a serpentine-form. 17.5”h. 11.5”w. 250-450

328

GROUP OF MINIATURE BUTTER PRINT STAMPS AND GOLD RING.

American, early-19th Century. Baby gold ring with wax sealed top in 2.125” oval box. Together with carved hard maple heart butter print, 2.375”, and a carved maple rare miniature bull butter print.

200-400

329

THREE MINIATURE SPLINT BASKETS.

American, 19th Century. Three miniature baskets. Old, dry blue painted, 2.375”h. 3.5”w., and a miniature cheese basket, 1.75”h. Together with miniature handled brown painted basket.

150-300

330

FOUR MINIATURE SPLINT BASKETS.

American, late-19th or early-20th Century. All handled. Round basket, 2.875”h. Buttocks, 1.75”; Buttocks, 2.75” x 2.75”; and a buttocks, 3” x 2.25”.

150-300

331

COUNTRY GENERAL STORE DISPLAY STAND.

American, 19th Century. Rotating stand with three rotating graduated shelves on an early turned base. Retaining original worn red wash. The shelves, each banded with tin, measure 12” square bottom, 10” square center, and topped with 6.75” square. Overall, 22”h. 400-800

332

COUNTRY SHERATON COUNTERTOP STORE DISPLAY

American (New England or New York), circa 1840-60. Red painted with removable glass display frame, resting on turned feet. Single drawer with turned wood knob.

Measures 10” x 12” x 7.5”.

300-500

333

PAINT-DECORATED “GOOD GIRL” CHILD’S BERRY BUCKET (PAIL).

American, late-19th Century. Stave-constructed wood with metal straps. The staves painted white with red five-pointed stars across the top. The middle with flags, lyres, and “Good Girl”; with blue straps. Wire and wood bail handle with diamond escutcheons. 4.5”h.

600-1200

333

326 327

328

330 329

334

PAINT-DECORATED “GOOD BOY”

BERRY BUCKET (PAIL).

American, late-19th Century. Stave-constructed wood with metal straps. The staves painted mustard with green five-pointed stars across top; stylized trees, acorns, and a horse with “Good Boy” around the middle; the straps with traces of red paint. Wire and wood bail handle. 4.5”h. Ex Schere Mumpower (Ohio).

400-800

335

THREE PAINT-DECORATED CHILD’S BUCKETS (PAILS) ONE WITH FINE SPONGE-DECORATION. American, late-19th Century. Stave-constructed painted wood with bail handles and metal straps. A sponge-decorated bucket with yellow base under vibrant original green and red decoration; a red bucket, and a pale salmon bucket. All measure 4.5”h. 5.5”dia.

600-1200

336

FOLK ART DOLL.

American, 19th Century. Painted face and a jewel pin attached to dress. 23”h. 300-600

337 FOLK ART DOLL. American, 19th Century. Early clothes with a painted face with costume jewelry. 16”h.

300-500

338

AMERICAN FOLK DOLL.

American, 19th Century. Painted and decorated face, original clothes. Overall, 13”h. 200-400

339

FOLK ART OIL PAINTING OF GIRL AND HER DOG.

American, first-half 19th Century. Charming fulllength oil on artist board portrait of girl in light blue dress and straw hat, training or petting her white poodle, on a patterned carpet. Beveled maple frame, 26.5”h. 21.75”w.

1000-2000

340

FOLK ART WATERCOLOR DRAWING OF GIRL AND DOG.

American, circa 1860. Watercolor, ink, and pencil on ledger paper identified as “IDA & FREDDIA”. Drawn in profile, Ida, the girl, in a blue dress, holding a flower bouquet with her dog, Freddia. 12”h. 10”w. Framed, 14.25”h. 12.25”w. 400-800

341

MICHIGAN FOLK ART PAPER CUTOUT ATTRIBUTED TO FRANK BEARDSLEY.

American (Owosso, Michigan), late19th Century. Polychrome printed image of dog against printed wallpaper. Cross-corner blocked silver painted frame, 11”w. 9”h. Ex Lana Smith (Kentucky). 250-500

342

FOLK ART WATERCOLOR NURSERY RHYME PICTURE.

American, circa 1830. Seated young lady in patterned dress with basket of flowers at her feet. The bottom of the image with ink recount of her story, “It was Miss Mira, who turned in her toes, and poked down her head, till her knees met her toes.” Painting, 3.5”w. 4.5”h. Reeded frame, 4”w. 5”h.

100-200

343

PENNSYLVANIA CHALKWARE SEATED CAT.

American, 19th Century. Chalkware with wonderful patina and original yellow paint. 9.5”h.

800-1200

339

343

334 335

336

344

PENNSYLVANIA DECORATED CHALKWARE DEER.

American (Pennsylvania), 19th Century. Decorated, hollow body molded chalkware deer. 10”h. 8.5”l. 200-400

345

PENNSYLVANIA CHALKWARE SQUIRREL.

American (Pennsylvania), second-half 19th Century. Chalkware decorated squirrel eating a nut, 5.5”h. 150-300

346 PAIR OF PENNSYLVANIA CHALKWARE DOGS. American (Pennsylvania), 19th Century. Two seated spaniels, 5.625”h. 200-400

347

PENNSYLVANIA CHALKWARE CAT.

American (Pennsylvania), second-half 19th Century. Seated cat with red, green, and brown. 5.5”h. 200-400

348

CHALKWARE COMPOTE.

American, second-half 19th Century. Decorated decoupage compote with lemons and pear. Overall, 14.5”h. 200-400

349

PAIR OF PENNSYLVANIA CHALKWARE DOVES.

American (Pennsylvania), 19th Century. Hollow-body molded with closed bottom (base). 10”h. 7.5”w. 150-300

350

TWO PIECES OF FIGURAL CHALKWARE. American, late-19th Century. Olive and red dog, 5.5”h. And a red, green, and yellow rooster, 5.25”h. 150-300

351

CHALKWARE “PROSPER” BANK.

Probably English, 19th Century. Large chalkware bank in the shape of a pear with painted “Prosper” decoration. 8.25”h.

150-300

352

FOLK ART HOOKED RUG WITH CATS.

American, circa 1880-1920. Five border rag rug with cats in bold color. Mounted on a stretcher, 33”w. 21”h.

400-800

353

AMERICAN HOOKED RUG WITH CAT AND KITTENS.

American, circa 1880. Possibly a Frost pattern. Hooked rug depicting kittens with momma cat. Good color and condition.

Mounted, 51”l. 26”h.

400-800

344

346

348

349

350 347

352

353

354

THREE FOLK ART CAT TOYS.

German, late-19th or early-20th Century (circa 1910). A seated cat with pull string that moves the mouth, 8.75”h., standing cat with stripes and pink collar, 5.5”h., and a seated cat with mouth pull string, 6”h.

200-400

355

PAIR OF STAFFORDSHIRE

PORCELAIN CATS.

English (Chelsea), first-half 19th Century. Fine detail and color, sitting on a gilt corner-tasseled pillow. The back of the pillows with a gilt anchor mark. The cats are 2.5”h. on a 2” base.

150-300

356

TWO FOLKSY FABRIC CATS.

American, circa 1880-1910. Standing velvet cat with vertical tail and bold tiger decoration, 2.5” x 2.5”. And a tiger-striped cat with one eye, 3” x 4.5”.

150-300

357

NEW ENGLAND WATERCOLOR OF TWO CHILDREN ATTRIBUTED TO MARY B. TUCKER (1784-1853).

American (Massachusetts), circa 1830-40. Watercolor on paper view of two children learning from an ABC’s book, with a tree and a leaf; baby in a decorated highchair, and young boy holding ABCs book. Painting measures 20.5”h. 15”w. Framed, 26.75”h. 22.25”w. Sold, Garth’s Auctions (Delaware, Ohio). See American Radiance, The Ralph Esmerian Gift to the American Folk Art Museum, page 71 Plate 40 for “Learning the ABCs”, a related example exhibiting minor differences between the images. This painting is likely a copy made by the artist for other family members. Further research published in The Magazine Antiques, August 9, 2019, indicates the artist to likely be Mary Bagnall Tucker (1824–1898), daughter of itinerant Reverend Thomas W. Tucker and Mary Orne Tucker, a writer in her own right. **A copy of American Radiance is included with this lot.

4000-8000

THE ROCKHILL ARTIST (ACTIVE 1830-1848) BIRTH AND CHRISTENING RECORD.

American (Centre County, Pennsylvania), dated 1828. Polychrome watercolor birth record with facing angels and striped columns and colorful arch, for Jacob Nestleroad. 12.25”w.

7.825”h. Paint decorated frame, 12”h. 16”w.

400-800 359

WATERCOLOR PAINTING OF WOMAN.

Watercolor painting depicting a woman with puffy sleeves holding a red book, painted chair. Painting, 4” x 5.25”. Frame, 6” x 7.25”.

350-700

360

AMERICAN

American, circa 1830-50.

Depiction of child holding a basket of flowers with a single flower in her left hand. Nice detail with church steeple topped with a rooster weathervane. Painting, 5.25” x 4.25”. Frame with gold leaf, 5.75” x 4.75”.

350-700

FOLK ART PAINTING OF GIRL WITH BASKET.

361

AMERICAN WATERCOLOR OF LADY WITH DRESS.

American, mid-19th Century. Primitive American watercolor depicting woman wearing a dress in front of a red swag curtain. Painting, 3.75” x 5.25”. Gold frame, 5.25” x 7”.

365

WATERCOLOR ROSES IN A BASKET.

American, circa 1830-40. Primitive watercolor basket with five roses vining upwards. Overall good condition with some staining and crumpled area of paper. Molded frame with gilt liner, 6.5”w. 8.75”h.

150-300

ENGLISH FOLK ART WATERCOLOR. England, circa 1830-50. Watercolor on paper full-length portrait of boy (or girl?) in blue dress with whip. Fine detail to face and hair. Watercolor, 5.5”w. 7.5”h. In a walnut frame with gold liner, 8”w. 10”h.

200-400

363

FOLK ART WATERCOLOR OF SEATED WOMAN.

England, circa 1850-70. Matted watercolor depicting elderly woman wearing a bonnet and seated outside. She appears to be knitting. Watercolor on paper, 3.5”w. 5.125”h. Walnut frame with gilt liner, 7.5”w. 9”h.

150-300

364

FOLKSY WATERCOLOR DRAWING BY MARGARET ORMAND.

American, dated 1850. Watercolor stencil painting of three birds. Signed “Margaret H. Ormand’s Painting, 1850”. Painting, 13.5”w. 9.5”h. Veneered frame, 16.5”w. 12.5”h.

200-400

366

American (probably Massachusetts), dated 1817. With silk, a detailed house with chimneys billowing smoke, flanked by trees. Exceptional floral vine embroidery border is centered at the top with swags. Wrought by “Lydia Hale Phillipston September 4, 1817.” Sampler, 18.75” x 20”. Molded gold leaf frame measures 21.75” x 23”. Sold Garth’s Auctions (Delaware, Ohio).

2500-5000

367

PENNSYLVANIA KIMBERTON SCHOOL

NEEDLEWORK SAMPLER. American (Chester County, Pennsylvania), late-18th Century (dated 1787). Silk embroidery depicting a bird perched on a tree stump, facing another bird. Chamfered poplar back panel with notation, done by “Martha Roberts, year 1797”. She was later Martha Nixon. Molded frame, 11.75”w. 9.5”h.

500-1000

NEW ENGLAND NEEDLEWORK FAMILY RECORD SAMPLER.

368

NEEDLEWORK SAMPLER.

American or English, dated 1839. Wrought by “Pyarea Jebbs Work Aged 10 1839.” Needlework with alphabet and numerals above verse, over maker’s name. The bottom panel with a small central urn flanked by facing swans and gentleman and lady holding staffs. Molded birdseye maple frame with gilt liner, 21.5” x 20”. 250-500

369

AMERICAN FOLK ART NEEDLEWORK SAMPLER.

American, early-19th Century (possibly late 18th Century). Sampler with stitched woman, butterfly, birds, dog, and deer below incomplete wreath at the top. Center is blank, so sampler was never completed. 16” x 16.5”. 200-400

370

ENGLISH NEEDLEWORK SAMPLER.

England, dated 1836. Sampler by “Martha Sole 1836” featuring angels, butterflies, and a house surrounding by vining border. Simple black frame with gilt liner, 16.25”h. 13”w. 350-600

371

ENGLISH NEEDLEWORK SAMPLER. England, circa 1840. The needlework depicting house, angels, deer, flower basket, and strawberries. Sampler, 10”h. 12”w. Dark, beaded edge oak frame, 13.5”w. 11.5”h. 150-300

372

FOUR SEWING BALL PIN CUSHIONS.

American, late-19th or early-20th Century. Pink and orange, cream and purple-gray satin, and cream with salmon velvet with button decoration, each 3-3.5”dia. Together with pink and green velvet, 5”dia. 200-400

373

FOUR SEWING BALL PIN CUSHIONS.

American, late-19th or early-20th Century. Black and burgundy velvet, purple and gray, and orange and teal with sewn decoration at cross sections, each approximately 3.5”dia. Together with a large brown and red cloth ball, 7.5”dia.

200-400

374

THREE FOLK ART MAKE-DO PINCUSHIONS.

American, 19th Century. Brown coneberry with one strawberry on glass base, 10”h., strawberry with ten dangling berries on glass base, 9.5”h., and a faded berry on glass base, 6.5”h.

150-300

375

FELT SEWING POCKET WITH THREE CUSHIONS.

American (Pennsylvania), circa 1860-70. Bold felt sewing pocket with three corn-shaped pincushions. Red trade-cloth strap and binding. Bag open with strap, 22.5”h. Purse is 6.5” x 7”.

100-200

376

GROUP OF BEADED STRAWBERRIES.

American (Western New York), circa 1870-1900. Sixteen strawberries overall, including Seneca Indian and a velvet strawberry example. Sizes range 1’2” - 3.25”.

200-400

STRAWBERRY BOX WITH FOLKY STRAWBERRIES.

American (Pennsylvania), 19th Century. Two Berries Tobacco box with 20 strawberry pincushions.

150-300

378

FRENCH MILLINER’S HEAD.

France, 19th Century. Composition painted head, 9”h. On stand, 15.5”h. 200-400

379

INLAID SEWING CABINET.

American, circa 1870. Mixed woods with marquetry inlay. Three dovetailed drawers with original fabric lining. 16.5”w. 13.5”h. 10.5”d. 150-300

380

PAINT-DECORATED PINE BOX WITH PINCUSHION TOP.

European, first-half 19th Century. Original polychrome paint decoration of town scene on all four sides. The slant front lift-lid top, with iron strap hinges, is covered with a blue-green wool. 9”w. 5”h. 400-800

381

PENNSYLVANIA PAINTED POPLAR

SEWING BOX.

American (Pennsylvania), circa 1860. Original red painted poplar with black trim and yellow pinstriping. Single drawer. Box, 4.75”l. 5.25”w. Pincushion atop, 1”h. 4.5” square.

150-300

382

PAPER SEWING BOX.

American, mid-19th Century. Sweet “Eliza” painted stencil-decorated pin cushion top in green and red. Forget-me-not script, “In memory of Jacob Burkhart” on the interior. Overall, 2.5”h. 5”l. 3.75”d.

150-300

383

HISTORICAL WALLPAPER SEWING BAND BOX.

American, circa 1840. Oval box in bold, original colors and with pincushion top. 4.75”l. 3.5”h.

300-600

384

TWO WALLPAPER SEWING BOXES.

American, 19th Century. Early example with fabric pincushion cap and heart design in circle, 3”d. 3”h., and a primitive oval box, 4”w. 3”h.

150-300

385

WALLPAPER BAND BOX.

French, 19th Century. Men’s paper hat box with French script and unusual lid. 10”l. 14”d. 8”h. 100-200

386

GROUP OF WALLPAPER BAND BOXES.

American, 19th Century. Paper wallpaper-printed boxes, including oval with tiger decoration and superior finish, 8.75”l.; oval with floral pattern, 5.75”l. 2.5”w.; and round with “Ida is a good girl” penciled in the interior, 5.5”l. 200-400

387

TWO MAKE-DO WALLPAPER BAND BOXES.

American, 19th Century. Two oval paper band boxes with make-do decoration. The larger box has old cloth cover on top, 9”l. And a smaller box, 6.125”l.

150-300

388

NEW ENGLAND WALLPAPER DOME TOP BOX.

American (New England), circa 1840. Wallpaper dome top box with yellow, green, and black stenciled foliate pattern and brass bail handle. Printed wallpaper lined interior. 5”h. 8.5”l. 4”d.

300-500

389

THREE WALLPAPER BAND BOXES.

American, 19th Century. Three “Custer” paper band boxes: Grandmother Custer, 4”l.; mid-size, 6.25”l.; and a large geometric box, 7.125”l. 200-400

390

THREE WALLPAPER BAND BOXES.

American, 19th Century. Oval form, 3.75”l. 2.5”w.; round box with “Mary Stoltzfus”, 2.5”l. 2”w.; and round with graphic design, 5”dia. 200-400

391

OVAL MIRRORED DOUBLE CANDLE SCONCE.

American, 20th Century. Tole and glass mirror. 9” oval reflector, 10”w. 150-300

392

ROUND MIRRORED SCONCE.

American, 19th Century. Old repairs to single candle holder, 8.75”d. with old cracks to two glass inserts. 100-200

393

CHIPPENDALE TIGER MAPLE CHEST.

American (New England), circa 1780-90. Figured maple two-over-four overlapping drawer chest with dovetailed case and drawers. Tall, dovetailed straight bracket base. 46”h. 19”d. 36”w. 1000-2000

394

UNUSUAL COUNTRY TIGER MAPLE STAND.

American, circa 1840. Figured maple with rosette knobs. Scroll-cut backsplash over deep drawer and 15”-tall extended Sheraton legs. Large drawer, 12”h. Overall, 29”h. 37”w. 17.5”d. 500-1000

395

DOUBLE WEAVE COVERLET WITH STRIKING AND UNUSUAL COLOR.

American, mid-19th Century. Wool and cotton woven in a beautiful federal grey-blue, red, and dark blue (indigo). Steamwheeler (with flag) double border on two sides and grapevine border on one end. Center field with a depiction of the U.S. Capitol with flags and stylized trees. 74” x 73”. Purchased at Garth’s Auctions (Delaware, Ohio).

600-1200

396

BIEDERWINE WEAVE COVERLET.

American (attributed to Pennsylvania), mid19th Century. Wool in red, dark blue, light blue, and green. The end borders with church and tulip design; the side borders with vining tulips. The center field with floral medallions and snowflakes. Corner block with eagle and “LIBERTY”. 81” x 64”.

300-600

397

PENNSYLVANIA CRIB COVERLET BY WILLIAM NEY (1811-1892).

American, William Ney (Myerstown, Jackson Township, Pennsylvania), mid-19th Century. Wool in red, blue (indigo), lighter blue, and white. The border inscribed “Made by WM. NEY.MYERSTOWN, LEBANON CO PA”.

65.5” x 32”.

200-400

398

BISCUIT-TOP BLACK PAINTED SHERATON SIDE TABLE.

American (probably Maine), circa 1830-50. Single dovetailed drawer and column legs with old untouched finish. Top, 20”w. 17”d. Overall, 29.125”h. Ex Schere Munpower (Ohio).

1000-2000

399

TWO FOLK ART SHIPS IN BOTTLE WHIMSEYS.

American, late-19th or early-20th Century. Wood with original polychrome paint. Tugboat with flag in fine condition, 10.75”l, and a wood schooner, 11”l. 200-400

400

SHIP IN A BOTTLE WHIMSY WITH FISH.

American or English, circa 1880. Wood and tin ship in a bottle whimsy on the obverse; with decoupage fish on the rear. Label that reads “Pirate Ship” on the bottom of bottle. Overall, 10”l.

150-250

401

TWO FOLK ART BOTTLE WHIMSEYS.

American, late-19th or early-20th Century. Wooden cap on blue glass bottle with a wooden whimsy tree made of pine and a dice base, 12”h. And a clear bottle with wood stopper and hand yarn winder, 7”h. 150-300

402

COUNTRY HEPPLEWHITE WALNUT HUNT BOARD.

American, 19th century. Overhung top with bold, fanciful scroll-cut three-side gallery, shaped apron, and tapered, beaded legs. Overall, 45.25”h. and 37.25”w. 1000-2000

403

PAINT-DECORATED OVAL STORAGE BOX.

American (New England), mid-19th Century. Original brown paint with black decoration, 7.125”h. 16”l. 800-1200

404

PAINTED SHAKER THREE-FINGER OVAL BENTWOOD BOX. American, 19th Century. Original green “as-is” painted oval pantry, 10.75”l. 3.75”h. 300-500

405

PAINTED FINGERED OVAL BENTWOOD BOX.

American (New England), mid-19th Century. Pine oval pantry in original dark blue paint. Initialed on top “H.D.”. 2.75”h. 5.25”. 300-500

406

DECORATED OVAL BENTWOOD PANTRY BOX. American, circa 1830. Original paint and early cut nails. 9.25”d. 3.5”h. 300-500

407

PAINTED SHAKER THREE-FINGER OVAL BENTWOOD BOX. American, 19th Century. Pantry in old, repainted blue-grey over green, 4.625”h. 11.625”l. 200-400

408

PAINTED SHAKER THREE-FINGER OVAL BENTWOOD BOX. New England, 19th Century. Original green painted pantry box. 7.5”l. 3.75”h. 200-400

409

SIX AMERICAN OVAL BENTWOOD BOXES BY G.H. DAVIS.

American (Baltimore, Maryland), 19th Century. Finger-constructed nested group with notation of being made by Shakers. Sizes range from 2.5”h. to 5.5”h.

200-400

410

PAINTED WOOD BIRD TREE.

American or German, ca. 1900. Old paint. Each bird approximately 4.5”. Total tree measures 17”h. On a faceted wood base. 200-400

411

SIX CARVED SONGBIRDS.

American or German, ca. 1900. Original paint. Each approximately 5”. 200-400

412

FOLK ART CARVED BIRD.

American, 1880-1920. Fine carved bird in original paint of red-orange with yellow beak, black eye, and decoration on green base. 3.5” x 5.5”. 200-400

413

FOLK ART CARVED BIRD.

American, 1880-1920. Original blue-green paint with good surface. Tack eyes. 3.25”h. 5”w. 200-400

414

FOLK ART CARVED BIRD.

American or English, late-19th Century. On an oval base, carved bird with wire legs, painted eyes, wings, and tail are an old green repaint. 5.125”h. 7.75”l.

150-300

415

GROUP OF WOODEN BIRDS.

American, 20th Century. Parakeet whistle, 6”, and five (5) pairs of birds. Ex David Good (Ohio).

200-400

416

FIVE PAINT-DECORATED CARVED BIRDS.

American, 20th century. Group of five birds, including pair of wire-leg polychrome birds on round bases, two standing songbirds, plus a black and white bird with red painted throat. 3.5” to 7”h.

100-200

417

FOLK ART BABY DOLL WITH ORIGINAL CLOTHES. American, 19th Century. Baby with bonnet and sweet face dressed in original attire. Overall, 10.5”h.

200-400

418

PAINTED WOODEN DOLL WITH ORIGINAL CLOTHING.

American, circa 1840. Low-position head, wooden arms and legs, and original clothing. 10”h.

150-300

419

DOLL QUILT WITH FOUR POSTER CANOPY DOLL BED.

American, 19th and early-20th Century. Beautifully made, finely turned maple four-poster bed with bonnet canopy, 10”w. 15”l. 15”h. Together with doll quilt and pillow, circa 1850-1880. Quilt, 12.5” x 15.5”. 100-200

420 PAIR OF SKOOKUM DOLLS.

Native American, early-20th Century. Original clothes and blankets. Chief, 16”h. Papoose, 14.5”h.

125-250

421

TWO STEIFF MONKEYS.

Germany, first-half 20th Century. White mohair. Mother and baby monkey Steiff figurines with label button. 4”h. 3.75”w. 100-200

422

REVERSE GLASS FOLK ART PAINTING. American (probably New England), circa 1840s. Reverse on glass of an allegorical perspective of a train and bridge with mountains, waterfalls, and New England village. Script on reverse reads, “Miss Whitney”. Molded old leaf frame, 19”w. 15”h. 200-400

423

SHEARED HOOKED RUG WITH FLOWER BASKET.

American, 19th Century. Unusual blue and white rug with theorem-form basket with peafowl and whimsical border. Mounted on a stretcher 36”w. 24”h. 250-500

424

HUDSON RIVER PAINTING.

American, circa 1850. Painting on artist’s board fall scene with Native Americans in a boat on the Hudson River. Molded gold leaf frame, 15.125”w. 11.125”h.

150-300

425

FOLK ART WOODEN EAGLE WITH DRAPED FLAG.

Probably American, late-19th Century. Colorful red and yellow shield with carved eagle above. May have been from a circus wagon or carousel. 21.5”h. 19.5”w.

150-300

426

PAIR OF VICTORIAN FRAMED FOIL PICTURES. American, circa 1870-1890. Paper cutout folk art flowers and foil behind glass. Flower basket and “Think Of Me - Out of Friendship”. Framed, both measure 3.75” x 2.75”. 150-300

427

TWO GLASS BEADED VICTORIAN BAGS. American or Continental, circa 1870-80. Two-sided pictorial fashioned bag with hand-beading on a fine net base with original strap. Depicting man training a bear to stand, the other side depicting a man in a barrel with a drink in his hand. 8” x 7”. Together with blue glass bead drawstring purse with star or snowflake pattern, 4” x 2.75”.

100-200

Terms & Conditions of Sale

All property offered and sold (“Property”) by Amelia Jeffers, Auctioneers & Appraisers (“Auctioneer”) shall be offered and sold on the terms and conditions set forth below. By bidding at the auction, whether present in person or by agent, by written bid, telephone, internet or other means, the buyer agrees to be bound by these terms and conditions.

aGency:

Unless otherwise indicated, all Property will be offered by Auctioneer as agent for the Consignor.

riGht tO mOdify:

Auctioneer reserves the right to modify the terms of sale by written or oral modification and any such modification shall become part of these Conditions of Sale.

as-is:

Buyer acknowledges that they had the right to make a full inspection of all Property prior to sale to determine the condition, size, repair or restoration of any Property. Therefore, all property is sold “AS-IS”. Auctioneer is acting solely as an auction broker, and unless otherwise stated, does not own the Property offered for sale and has made no independent investigation of the Property. Auctioneer makes no warranty of title, merchantability or fitness for a particular purpose, or any other warranty or representation regarding the description, genuineness, attribution, provenance or condition to the Property of any kind or nature with respect to the Property.

withdrawal:

Auctioneer in her sole and exclusive discretion, reserves the right to withdraw any Property, at any time, before the fall of the hammer.

auctiOneer’s discretiOn:

Unless otherwise announced by the Auctioneer at the time of sale, all bids are per lot as numbered in the printed and online catalogue. Auctioneer reserves the right to modify the order, precedence or appropriate increment of bids or the constitution of lots. If the auctioneer determines that any opening or later bid or any advance bid is not commensurate with the value of the Property offered, she may reject the same and withdraw the Property from sale.

auctiOneer as arBiter:

The highest bidder acknowledged by the Auctioneer shall be the buyer. The Auctioneer has the right to reject any bid, to advance the bidding at her absolute discretion and in the event of any dispute between bidders, the Auctioneer shall have the sole and final discretion either to determine the successful bidder or to re- offer and resell the article in dispute. If any dispute arises after sale, the Auctioneer’s sale record shall be conclusive in all respects.

transfer Of title:

Upon the fall of the hammer, title to any offered lot or article will immediately pass to the highest bidder as determined in the exclusive discretion of the Auctioneer, subject to compliance by the buyer with these Conditions of Sale. Buyer thereupon assumes full risk and responsibility of the property sold, agrees to sign any requested confirmation of purchase, and agrees to pay the full price, plus Buyer’s Premium, therefore or such part, upon such terms as Auctioneer may require.

payment and stOraGe:

No lot may be removed from Auctioneer’s premises until the buyer has paid in full the purchase price including Buyer’s Premium or has satisfied such terms that Auctioneer shall require. Subject to the foregoing, all Property shall be paid for and removed by the buyer at her/her expense within ten (10) days of sale and, if not so removed, may be sold by Auctioneer, or sent by Auctioneer to a public warehouse, at the sole risk and charge of the buyer(s), and Auctioneer may prohibit the buyer from participating, directly or indirectly, as a bidder or buyer in any future sale or sales. In addition to other remedies available to Auctioneer by law, Auctioneer reserves the right to impose a late charge of 1.5% per month of the total purchase price on any balance remaining ten (10) days after the day of sale. If Property is not removed by the buyer within ten (10) days, a handling charge of 1% of the total purchase price per month from the tenth day after the sale until removal by the buyer shall be payable to Auctioneer by the buyer; Auctioneer shall charge 1.5% of the total purchase price per month for any property not so removed within 60 days after the sale. Auctioneer will not be responsible for any loss, damage, theft, or otherwise responsible for any goods left in Auctioneer’s possession after ten (10) days. If the foregoing conditions or any applicable provisions of law are not complied with, in addition to other remedies available to Auctioneer and the Consignor (including without limitation the right to hold the buyer(s) liable for the bid price) Auctioneer, at her option, may either cancel the sale,

retaining as liquidated damages all payments made by the buyer(s), or resell the property. In such event, the buyer(s) shall remain liable for any deficiency in the original purchase price and will also be responsible for all costs, including warehousing, the expense of the ultimate sale, and Auctioneer’s commission at her standard rates together with all related and incidental charges, including legal fees. Payment is a precondition to removal. Payment shall be by cash, certified check or similar bank draft, or any other method approved by Auctioneer. Checks will not be deemed to constitute payment until cleared. Any exceptions must be made upon Auctioneer’s written approval of credit prior to sale. In addition, a defaulting buyer will be deemed to have granted and assigned to Auctioneer a continuing security interest of first priority in any property or money of, or owing to such buyer in Auctioneer’s possession, and Auctioneer may retain and apply such property or money as collateral security for the obligations due to Auctioneer. Auctioneer shall have all of the rights accorded a secured party under the Ohio Uniform Commercial Code.

RESERVES:

Unless the sale is advertised and announced as “without reserve”, each lot is offered subject to a reserve and Auctioneer may implement such reserves by bidding through her representatives on behalf of the Consignor. In certain instances, the Consignor may pay less than the standard commission rate where Auctioneer or her representative is a successful bidder on behalf of the Consignor. Where the Consignor is indebted to Auctioneer, Auctioneer may have an interest in the offered lots and the proceeds therefrom, other than the broker’s Commissions, and all sales are subject to any such interest.

ABSENTEE BIDDING:

No “buy” bids shall be accepted at any time for any purpose. Any pre-sale bids must be submitted in writing to Auctioneer prior to commencement of the offer of the first lot of any sale. Auctioneer’s copy of any such bid shall conclusively be deemed to be the sole evidence of same, and while Auctioneer accepts these bids for the convenience of bidders not present at the auction, Auctioneer shall not be responsible for the failure to execute, or, to execute properly, any pre-sale bid.

BUYER’S PREMIUM:

A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be announced at the auction, in the printed and online catalogs, and in all published ads. Auctioneer reserves the right to modify Buyer’s Premiums up to and including the day of auction.

TAXES:

Unless exempted by law from the payment thereof, the buyer will be required to pay any and all federal excise tax and any state and/or local sales taxes, including where deliveries are to be made outside the state where a sale is conducted, which may be subject to a corresponding or compensating tax in another state.

SHIPPING:

Auctioneer may, as a service to buyer, arrange to have purchased property posted and shipped at the buyer’s expense. Auctioneer is not responsible for any acts or omissions in packing or shipping of purchased lots whether or not such carrier is recommended by Auctioneer. Packing and handling of purchased lots is at the responsibility of the buyer and is at the entire risk of the buyer.

LIABILITY:

In no event shall any liability of Auctioneer to the buyer exceed the purchase price actually paid.

MODIFICATION AND WAIVER:

No claimed modification or amendment of ther Agreement on the part of any party shall be deemed extant, enforceable or provable unless it is in writing that has been signed by the parties to ther Agreement. No course of dealing and no delay or omission on the part of Auctioneer in exercising any right under ther Agreement shall operate as a waiver of such right or any other right and waiver on any one or more occasions shall not be construed as a bar to or waiver of any right or remedy of Auctioneer on any future occasion.

GOVERNING LAW:

These Conditions of Sale and the buyer’s, the Consignor’s and Auctioneer’s rights under these Conditions of Sale shall be governed by, construed and enforced in accordance with the laws of the State of Ohio and Consignor and Buyer agree to the exclusive jurisdiction of the Franklin County, Ohio Court of Common Pleas and the United States District Court for the Southern District of Ohio.

LICENSE & BOND:

Auctioneer is licensed and bonded by the State of Ohio Department of Agriculture, Auctioneer Program, 8995 E. Main St., Reynoldsburg,OH 43068; Phone: 614.728.6240; Email: auctioneer@agri.ohio.gov.

© Amelia Jeffers, 2024

740.362.4771

EVALUATIONS: Weoffercomplimentaryevaluationsofasingleitemoranentirecollection. “Written”appraisalsforinsurance,probate,orsettlementareavailableatanhourlyrate.

COMMISSIONRATES: Ourcompetitivecommissionratesarechargedonaslidingscale, basedonper-itempricesrealized.Forhighvalueitemsorentirecollections,customcommission structuresmaybeavailable.Wechargenoadditionalfeesformanagementofconsignments, advertising,orinsurance.

PAYMENT: Wepayourconsignorswithin14-42daysaftertheauction.

LOGISTICS: Ourteamcanhandleallaspectsofyourcollection,includingtransportation, storage,andwhole-housecleanouts.Ourservicesareprovidedatcostforconsignorsselling withus.

MARKETING: Ourmarketingiscomprehensive,consistent,anddesignedtobreakthroughthe chatterofabusymarketplacetogainthemostattentionforourconsignors’collections.

Everycollectionandcollectorcomeswithuniquecircumstances,challenges,andopportunities. Helpingothersdrivesmyworkeveryday.IfIcan'tbeofservicetoyouorsomeoneyouknow,I canconnectyoutosomeonewhocan.

AmeliaJeffers,Auctioneer&Appraiser a@ameliajeffers.com

740.815.7016

Whatmyclientshavetosay:

“I'veworkedwithagreatmanyauctioncompanies...Ameliaissmart,thorough,innovative, &absolutelycommittedtoseeingthat excellencenevergetssacrificedforexpedience.That visionof"doingitright"isechoedintheattitudesofeveryonewhoworksforher.Can't recommendherhighlyenough.”

“...duetotheunfailingprofessionalismofAmeliaJeffers.She overseeseveryaspectofthe auctionprocesstomakecertainclientsaretreatedwithan exceptionaldegree ofattention andcourtesy...Ican recommendherwithouthesitation asathoroughgoingpro."

"...Beyondherprofessionalism,sheischarismatic,compassionate,andresponsive.She hasadeepunderstandingofthemarketandanequallydeepunderstandingofthe humanemotionsandpracticalitiestiedtotheprocess.

For individual photos of all items and bidding, visit ameliajeffers.com

GREAT ESTATES AT THE BARN:

DAY 2

Saturday at 11a MAY 4, 2024

ONLINE & INPERSONAT THE GARTH’S BARN

PREVIEW:

Tuesday, April 30, 10a - 5p

Wednesday, May 1, 10a – 7p

Thursday, May 2, 10a - 11a

Friday, May 3, 10a - 7p

Auction Day Preview 9a - 11a each day or by appointment.

AUCTION & PREVIEWLOCATION:

Garth’s Barn, 2690 Stratford Road, Delaware, Ohio 43015

FULLY ILLUSTRATED, ONLINE CATALOG & LIVE INTERNET BIDDING AVAILABLE ameliajeffers.com

Phone & internet bidding available. Condition reports are encouraged and available upon request

TERMS: 20% Buyer’s Premium (25% Online)

Payment & Shipping options available at ameliajeffers.com/payment

All items removed to our Columbus Warehouse upon auction completion.

Auctioneer: Amelia Jeffers & Jeff Whittington

The Annual Ohio Valley Auction (Lots

428 - 743)

In30yearsofmeetingcollectorsofallmannerofartandantiques,ithasbeenmyexperience thatthevastmajorityoffirst-generationcollectorsstarteitherbyaccidentoroutofcuriosity.For thosecollectors,itusuallyonlytakesonegreat“find”tolaunchthemonalifetimeof treasure-huntingthatcanresultinanimpressiveandfocusedassemblageofitems.Those collectorsneverconsiderthemselves“owners”ofthethingstheylove,butstewards.Their connectiontotheobjectstranscendssimpleaestheticsorhistoricalsignificance.Theobjects becomeanextensionoftheirfamily-aphysicalmanifestationofmemoriesandinterrelatedness totheircommunity,heritage,friends,family,andsignificantother.

BethTrimblehasbeenafriendofminefor20years.SheandEarlhadsoldafewthingswith Garth’syearsago,andwhenIleftthecompanyin2017,Bethwasoneofthefirstpeopleto reachouttomewithcompassionandencouragement.Beth’sdepthofknowledgeandpassion aboutstoneware(specificallysouthwesternPennsylvania)isonlybestedbyhercapacitytolove thepeopleshecaresaboutdeeply.Thecollectionshebuiltalongsidetheloveofherlife,Earl Trimble,representsdecadesofscouringauctions,fleamarkets,antiqueshows,andgoodold door-knocking.Shecanrecountthedetailsofeveryacquisitionwithincredibleprecision.Aswe cataloguedthe77piecesofstonewareinthisauction,Bethdeliberatedovereveryiteminher collection.Choosingwhattoreleasenowversuslaterwashard,itwasevident.Bethdescribes the“firstinstallment”asthe“firstletting”-possiblyaslipofthesubconscious,anodtoher nursingbackgroundandblood-letting,representativeofthedifficultywithwhichshebeginsthe processoftransferringstewardshipoftheircollectiontoothers.

IamhonoredandgratefultoBethforhertrustinmeandmyteam.We haveendeavoredto honorthelegacyandjourneyonwhichsheandEarlstartednearly50yearsago.

Amelia

428

A. (ALEXANDER) CONRAD (NEW GENEVA, PA) DECORATED STONEWARE BOWL WITH STARS.

American (Southwestern Pennsylvania), 19th Century. Cobalt stenciled label with checkerboard, swags, and five-pointed stars. Excellent condition. 5.5”h. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection. 800-1600

430

JAS. HAMILTON & CO. (GREENSBORO, PA) STONEWARE SPITTOON.

American (Southwestern Pennsylvania), 19th Century. Cobalt decoration to top with flowers, stripes, and dots; to front and back with maker’s logo and location, with half moon drain hole. Hairlines. 5”h. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection. 600-1200

LOTS

429

FREEHAND DECORATED STONEWARE MILK PAN WITH POUR SPOUT, PROBABLY EASTERN SHORE.

American, 19th Century. Symmetrical freehand cobalt decoration around sides, and tooling at rim. 13.75”l. Approx. 6”h. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection.

600-1200

431

FREEHAND DECORATED STONEWARE CAKE CROCK ATTRIBUTED TO MAULDEN PERINE (BALTIMORE, MD).

American, 19th Century. Large freehand cobalt flowers and swags on both sides, lug handles. 7.5”h. 11”d. Cataloguer’s note: the cake crock lid attributed to A.L. Hyssong makes a nice marriage with this crock. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection.

800-1600

For individual photos of all items and bidding, visit ameliajeffers.com | 5

SCARCE AND FINE DECORATED DOMED STONEWARE CAKE CROCK LID ATTRIBUTED TO A.L. HYSSONG (BLOOMSBURG, PA).

American (Pennsylvania), 19th Century. Well-formed domed lid with dimpled knob and cobalt flowers and swags similar to those found on A.L. Hyssong pieces. Excellent condition. 10.5”d. Approx. 3.5”h. Cataloguer’s note: the cake crock attributed to Maulden Perine makes a nice marriage with this lid. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection.

250-450

433

J.B. MAGEE (INDIANA, PA) TWO-GALLON STONEWARE BOWL.

American (Southwestern Pennsylvania), 19th Century. Cobalt flower decoration with incised “2” and maker’s label. 8”h. Ex Charles & Virginia Stone, Aliquippa, PA. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection.

250-450

434

CONTEMPORARY TANWARE PRESENTATION CROCK.

American (New Geneva, Pennsylvania), 20th Century. Albany slip decorated with tulips and vines and inscription to “Hon. Charles D. Stone Purveyor of crocks, jugs, and fine stoneware”. 9.5”h. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection.

100-200

435

J. WEAVER (BEAVER, PA) FREEHAND DECORATED TWO-GALLON STONEWARE JUG.

American (Pennsylvania), 19th Century. Stylized freehand single cobalt flower on front with strong impressed mark highlighted with cobalt above. Applied strap handle with cobalt accents. 15”h. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection. 600-1200

436

A RARE DATED FREEHAND DECORATED AND DATED J. SWANK (JOHNSTOWN, PA) FOUR-GALLON STONEWARE CROCK WITH ADVERTISING PIECE.

American (Southwestern Pennsylvania), 19th Century. Freehand cobalt swags around top, lug handles with flower accents and strong impressed mark under one with freehand “1858” and lines under the other. 13”h. Together with a later Swank Hardware Company datebook. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection.

1500-2500

J. (JAMES) HAMILTON (BEAVER, PA) FREEHAND-DECORATED STONEWARE CROCK.

American (Pennsylvania), mid-19th Century. Large cobalt flowers at top third of ovoid-form body with lug handles and cobalt dabs. Impressed mark for maker and “6” inside beaded cartouche. 16.5”h.

From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection.

800-1500

438

SCARCE STEPHEN H. WARD (WEST BROWNSVILLE, PA)STONEWARE HALF-GALLON CANNING JAR.

American (Southwestern Pennsylvania), third quarter 19th Century. Cobalt-decorated with maker’s name and bold, thick brushed stripes on the diagonal and horizontal stripes at rim and base. 7.25”h. Illustrated and discussed in “Stoneware of Western Pennsylvania” by Phil Schaltenbrand (see page 73, plate number 73). From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection.

500-1000

439

UNCOMMON E. (ENOCH) FOWLER (BEAVER, PA) OVOID FREEHAND DECORATED THREE-GALLON STONEWARE JUG.

American (Pennsylvania), 19th Century. Freehand cobalt undulating vining flower across front with large and strong impressed mark above. Tooled shoulder. Substantial applied strap handle with cobalt highlight. Approx. 15.5”h. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection.

1500-2500

440

SOUTHWESTERN PENNSYLVANIA DECORATED STONEWARE PITCHER.

American, 19th Century. Cobalt undulating vine around middle, stripes and slashes adorning spout, applied strap handle, and heavily tooled cobalt rim molding. 11”h. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection.

600-1200

VIBRANT A. (ALEXANDER) CONRAD (NEW GENEVA, PA) DECORATED

FIVE-GALLON STONEWARE JAR.

American (Pennsylvania), 19th Century. Large, vibrant stenciled lettering, sun, and flowers. Lug handles with cobalt accents. 15”h. Illustrated and discussed in “Stoneware of Western Pennsylvania” by Phil Schaltenbrand (see page 62, plate number 58). From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection.

800-1600

442

RARE JOS. {?} SHIBLER STONEWARE WAX SEALER. American (Southwestern Pennsylvania), dated 1869. Freehand cobalt decoration with swag, stripes, undulating vine and leaf, and hand-written “Jos. {?} Shibler. aug the 31 1869.” across the middle. Shibler was likely the fatherin-law of Alexander Conrad of Greensboro. See Crocker Farm, March 19, 2016, Lot 274 for a remarkably similar example. Approx. 9.5”h. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection.

1500-2500 443

FINE AND RARE FREEHAND-DECORATED A.P.

DONAGHHO (PARKERSBURG, WVA)

THREE-GALLON STONEWARE JAR.

American (West Virginia), 19th Century. Exuberant freehand cobalt vining flower across upper half of front with stenciled label below. Stripes to top and bottom, lug handles with cobalt accents. Approx. 13.25”h. Illustrated and discussed in “Stoneware of Western Pennsylvania” by Phil Schaltenbrand (see page 84, plate number 81). From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection.

2000-3000

ONE-GALLON STONEWARE PITCHER

ATTRIBUTED TO J. WEAVER (BEAVER, PA). American, 19th Century. Freehand cobalt vine and leave decoration, applied strap handle with blue, and blue dabs at spout. 11”h. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection. 1500-2500

445

FINE T.F. REPPERT (GREENSBORO, PA) SIXTEEN-GALLON

DECORATED STONEWARE JAR.

American (Southwestern Pennsylvania), 19th Century. Stenciled label with feathers, stylized freehand undulating vine, “16”, squiggle, and lines. Lug handles with cobalt lollipop accents. Excellent condition. 24”h. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection. 2500-4500

446

446

SCARCE

JAR.

American (Southwestern Pennsylvania), 19th Century. Large and vibrant cobalt freehand stylized horizontal flower, squiggle line, stylized “5”, and folksy stylized partial cartouche. Oval impressed mark at top center. Lug handles. Chips to under rim and handles. 15.5”h. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection. 2000-3000

AND IMPORTANT FOLKSY A.N. BURCHFIELD (WEST ALLEGHENY, PA) DECORATED FIVE-GALLON STONEWARE

447

RARE R.W. RUSSELL (BEAVER, PA)

DECORATED OVOID STONEWARE FOUR-GALLON WATER COOLOR.

American (Pennsylvania), 19th Century. Cobalt freehand branch with what looks like pears across the front with impressed mark above. Cobalt at bunghole. Tooling to top under rim, applied lug handles. Approx. 15.5”h. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection. 1500-2500

449

A SCARCE AND EXUBERANTLY

DECORATED STONEWARE A.V. BOUGHNER (GREENSBORO, PA) FIVE GALLON CROCK.

American (Southwestern Pennsylvania), 19th Century. Cobalt blue freehand and stenciled pears, undulating vines, stripes, and label with lug handles. 15.25”h. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection. 3000-5000

448

UNUSUAL AND EXCEPTIONAL HAMILTON & JONES (GREENSBORO, PA)

DECORATED FOUR-GALLON

STONEWARE CHURN WITH THISTLES.

American (Southwestern Pennsylvania), 19th Century. Cobalt stenciled label with large lettering, feathers, freehand squiggles and stripes, and three stenciled thistles within picture frame borders. Fine tooled rim and shoulder, applied lug handles with cobalt lollipop accents. Two large salt drops on front. Excellent condition. 15.25”h.

From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection. 4000-8000

450

EXCEPTIONAL R.T. WILLIAMS (NEW GENEVA, PA) SIXTEEN-GALLON DECORATED STONEWARE JAR.

American (Pennsylvania), 19th Century. Large freehand cobalt undulating vine with flowers across upper third with stenciled lettering below, stylized freehand “16”, slashes, and vine across base. Lug handles with cobalt accents. Excellent condition.

23.5”h. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection. 2500-4500 450

452

STAR POTTERY (HAMILTON & JONES, GREENSBORO, PA) DECORATED FOUR-GALLON STONEWARE SNUFF JAR WITH EAGLE.

American (Southwestern Pennsylvania), 19th Century. Large cobalt stenciled eagle, freehand undulating vine, stylized “4” and stripes. 14.5”h.

From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection. 2000-3000

451

RARE AND IMPORTANT WM. PORTER (OIL CREEK, PA) DECORATED STONEWARE BARREL-FORM WATER COOLER.

American (Pennsylvania), mid-19th Century. Fine and vibrant freehand cobalt flower at center with tooled tonal glazed bands at top and bottom. Incised square cobalt escutcheon at bunghole. Strong impressed mark at top. Unusual barrel form with filling hole at top. Excellent condition. Approx. 15”h. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection. 8000-12000

453

E. (ENOCH) FOWLER (BEAVER, PA) DECORATED THREE-GALLON STONEWARE JAR.

American (Pennsylvania), 19th Century. Freehand cobalt vertical fern fronds with a stylized “3” in the middle and lines above and below. Lug handles. Hairline along one side is stable. 11.25”h. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection. 600-1200

454

SCARCE STONEWARE WAX SEALER WITH PEARS ATTRIBUTED TO HAMILTON & JONES (GREENSBORO, PA).

American, 19th Century. Cobalt stenciled decoration with stripes and two pears hanging from a branch (the stencil nearly identical to examples having the Hamilton & Jones maker label). 10.25”h. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection. 600-1200

455

A FREEHAND DECORATED R.W. RUSSELL (BEAVER, PA) SIX-GALLON CROCK.

American (Pennsylvania), 19th Century. Large freehand cobalt vines with flowers, lug handles. Impressed mark at top center. 16”h. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection. 600-1200

456

STONEWARE CREAM PITCHER ATTRIBUTED TO RICHARD REMMEY (PHILADELPHIA, PA).

American (Southeastern Pennsylvania), 19th Century. Cobalt decorated with Remmey-style swags. Applied strap handle and fine incised rim and base treatment. Approx. 7”h. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection. 400-800

AN EXUBERANTLY DECORATED STONEWARE

A & W BOUGHNER (GREENSBORO, PA) SIX GALLON CHURN.

American (Southwestern Pennsylvania), mid-19th Century. Large, bold stylized cobalt floral vine with freehand roman numeral “VI” and swags; impressed to top of back; lug handles with cobalt decoration. 17.75”h. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection. 2500-5000 457 458

459

J. SWANK & CO. (JOHNSTOWN, PA) HALF GALLON STONEWARE CREAM PITCHER.

American (Southwestern Pennsylvania), 19th Century. Cobalt decoration to front with leaf swag, at strap handle, at spout, and stripes to sides of top. Incised mark for maker, size, and location. 8.5”h. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection. 800-1200

458

A FINELY DECORATED HAMILTON (GREENSBORO, PA) FIVE-GALLON STONEWARE JAR.

American (Southwestern Pennsylvania), 19th Century. Large and beautiful cobalt floral vine across front. Applied lug handles with lollipop cobalt accents. Strong mark impressions at top, slightly off-center. Probably by Leet Hamilton. Chips to left handle. 12.5”h. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection. 2000-3000

459 460

460

FREEHAND DECORATED R.W. RUSSELL (BEAVER, PA) FOUR-GALLON STONEWARE CROCK.

American (Pennsylvania), 19th Century. Two bold cobalt daisies on front, lug handles, and impressed mark at top center. 12.5”h. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection. 600-1200

461

DECORATED STONEWARE CROCK WITH FREEHAND STYLIZED FLOWERS AND VINE.

American (Southwestern Pennsylvania), 19th Century. Funky and folksy cobalt freehand decoration with stylized flowers and leafy vine. 8.25”h.

From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection.

400-800

462

SCARCE FOLKSY FIGURAL STONEWARE DUCK SANDER OR SUGAR SHAKER. American (probably Pennsylvania), late 19th Century. Cobalt-decorated hand-formed duck with pinched beak and tail, applied eyes, and applied base with pinched feet. Approx. 4.75”h. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection.

400-800

463

EXTREMELY RARE DECORATED STONEWARE PLOT MARKER FOR C.E. DILLINER (NEW GENEVA, PA).

American (Southwestern Pennsylvania), 19th Century. The front with freehand incised and cobalt-highlighted text “C.E. Dilliner” and “No. 111”; the back with large incised and cobalt tree of life; the arch-paneled base rising to a bulbous body that tapers to an acorn finial with incised swags and cobalt highlighting throughout. 20.5”h. One of only four known. For a partial (broken-off) example, see Crocker Farm, March 2, 2013, Lot 227.

From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection.

15000-25000

A FINELY DECORATED NEW GENEVA POTTERY FOUR-GALLON STONEWARE CROCK.

American (Southwestern Pennsylvania), 19th Century. Freehand cobalt vines, flowers, squiggles, and lines with stenciled label and lug handles. 13.75”h. Illustrated and discussed in “Stoneware of Western Pennsylvania” by Phil Schaltenbrand (see page 61, plate number 56), where it is attributed to Alexander Conrad. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection. 2000-4000

464

465

R.T. (ROBERT T.) WILLIAMS (NEW GENEVA, PA) DOUBLE-HANDLED EAGLE FIVE-GALLON STONEWARE JUG.

American (Southwestern Pennsylvania), 19th Century. Cobalt decoration with stenciled eagle with shield, maker’s name and location; and freehand “5” with dabs and stripes at bottom and top. Wide applied strap handles with cobalt. Approx. 19”h. Illustrated and discussed in “Stoneware of Western Pennsylvania” by Phil Schaltenbrand (see page 92, plate number 87). From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection. 1500-2500

467

466

FREEHAND POTTER-SIGNED R.T. (ROBERT) WILLIAMS (NEW GENEVA) THREE-GALLON STONEWARE CROCK.

American (Southwestern Pennsylvania), 19th Century. Large freehand potter signature across the front with stripes and a folksy “3”. Lug handles. 13.75”h. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection. 800-1600

467

SCARCE STENCILED PLUM STONEWARE WAX SEALER.

American (Southwestern Pennsylvania), 19th Century. Cobalt stenciled plums on a branch. 8”h. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection. 800-1200

468

DECORATED THREE-GALLON STONEWARE JAR BY T.F. REPPERT (GREENSBORO, PA), SUCCESSOR TO JAS. HAMILTON & CO.

American (Southwestern Pennsylvania), 19th Century. Strong cobalt stenciled label with stylized “3”, bold lines, and squiggles. Lug handles with oversized cobalt lollipop accents.

13.25”h. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection.

600-1200

469

HAMILTON & JONES (GREENSBORO, PA) DECORATED STONEWARE TWO-GALLON CREAM POT.

1500-2500 468

American (Southwestern Pennsylvania), 19th Century. Large cobalt lettering with feather accents. 10”h. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection.

500-1000

470

A FINE A.P. DONAGHHO (PARKERSBURG, WVA) DECORATED THREE-GALLON STONEWARE JAR WITH EAGLE.

American (West Virginia), 19th Century. Cobalt stenciled eagle, label with large lettering, cartouche with “3” and classical foliate band at bottom. Tooled lug handles. Approx. 13.5”h. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection.

1500-2500

471

FOLKSY FREEHAND DECORATED TEN-GALLON STONEWARE JUG WATER COOLER.

American (Southwestern Pennsylvania), 19th Century. Freehand cobalt horizontal squiggles with a large “10” above the square escucheon and bunghole (chipped). Substantial applied strap double handles. Approx. 25”h. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection.

472

472

“OLD RYE IS GOOD” A. (ALEXANDER)

CONRAD (NEW GENEVA, PA) ONE GALLON WHISKEY JUG.

American (Pennsylvania), 19th Century. Cobalt stenciled label with leaf swags and freehand text “Old Rye Is Good”. Applied strap handle. 12.5”h. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection. 600-1200

473

A HAMILTON (GREENSBORO, PA) FIVE-GALLON STONEWARE CHURN WITH BEAUTIFUL FREEHAND DECORATION.

American (Southwestern Pennsylvania), 19th Century. Large freehand cobalt vine with flowers, squiggles, a “5”, lines, and lug handles. Impressed mark on reverse at top center (probably James Hamilton). 16.75”h. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection. 1500-2500

474

A SCARCE TWO-GALLON A. (ALEXANDER) CONRAD (NEW GENEVA, PA) FAYETTE COUNTY DECORATED STONEWARE PITCHER.

American (Southwestern Pennsylvania), 19th Century. Large cobalt unusual stenciled triangular label on front center with flower in the center, a “2” above, and stripes with applied strap handle. 13”h. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection. 1000-2000

475

475

RARE A. LEET (GREENVILLE, PA) DECORATED THREE-GALLON STONEWARE JAR.

473

474

American (Pennsylvania), 19th Century. Large freehand cobalt flower bunch on front with impressed mark at top center and impressed dotted arch below. Lug handles with cobalt accents. Approx. 12.5”h. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection. 800-1600

476

A MCKENZIE & JACKSON (BEAVER, PA) STONEWARE JAR WITH FREEHAND DECORATION.

American, 19th Century. Freehand cobalt flowers on front with impressed mark at top, lug handles. 13.75”h. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection.

600-1200

477

SCARCE ONE QUART GREENSBORO, PENNSYLVANIA STONEWARE WAX SEALER.

American, 19th Century. Cobalt-decorated with stenciled cherries, stripes, and “Greensboro”. 6.75”h. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection.

500-1000

478

WEYMAN & BRO (PITTSBURGH, PA) STONEWARE SNUFF JAR.

American (Southwestern Pennsylvania), 19th Century. Cobalt-decorated with stenciled tobacco leaf on reverse with freehand lines and merchant label on front. 10”h.

From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection. 250-450

479

UNUSUAL FORM DECORATED STONEWARE HARVEST JUG ATTRIBUTED TO WEAVER (BEAVER, PA).

American (Pennsylvania), 19th Century. Simple freehand cobalt flower on front center. Oversized tooled carrying handle is attached with stoneware screws. Approx. 13”h.

From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection. 500-1000

480

AN EXCEPTIONAL FREEHAND DECORATED HAMILTON (GREENSBORO, PA) 20-GALLON STONEWARE CROCK.

American (Southwestern Pennsylvania), 19th Century. Large freehand cobalt undulating vines, flowers, lines, and squiggles with lug handles and strong impressed mark at top of rear. Probably William (“Leet”) Hamilton. Excellent condition. 24”h.

From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection. 3000-5000

481

482

482

A. (ALEXANDER) CONRAD & CO. (NEW GENEVA, PA) STONEWARE HALF-GALLON WAX SEALER WITH GRAPES.

American (Southwestern Pennsylvania), 19th Century. Cobalt-decorated with stenciled grapevine, maker’s label, and lines on front. Approx. 8”h. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection. 600-1200

481

ONE-AND-ONE-HALF GALLON STONEWARE

MERCHANT CROCK, WARDEN & BARNHART (PLEASANT UNITY, PA).

American (Southwestern Pennsylvania), 19th Century. Freehand and stenciled cobalt decoration with vine, lines, squiggles, and merchant name and location. 9.5”h. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection. 1500-2500

483

LION POTTERY (A. CONRAD, NEW GENEVA, PA) STONEWARE ONE GALLON EAGLE CROCK.

American (New Geneva, Southwestern Pennsylvania), 19th Century. Cobalt-d ecorated with stenciled eagle. Large (1”) rim chip at inside. 8.25”h. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection. 800-1500

483

484

UNUSUAL T.F. REPPERT EAGLE

POTTERY (GREENSBORO, PA)

DECORATED STONEWARE

THREE-GALLON JUG WITH EAGLE.

American (Southwestern Pennsylvania), 19th Century. Crisp and bold cobalt stenciled label with eagle and dotted double border at front with corner accents, a stylized freehand “3” with lines and squiggle. Applied tooled strap handle with thumbprint at base. 16”h. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection. 1500-2500

484

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485

SCARCE A.P. DONAGHHO (FREDERICKTOWN, PA) EXCELSIOR

POTTERY DECORATED STONEWARE CREAM POT WITH EAGLE.

American (Southwestern Pennsylvania), 19th Century. Strong cobalt stenciled eagle label with large lettering. 9.5”h. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection.

800-1600

486

MCKENZIE & JACKSON (BEAVER, PA) DECORATED STONEWARE

FIVE-GALLON CROCK.

American (Pennsylvania), 19th Century. Large freehand cobalt flowers at front; lug handles with cobalt. Impressed maker’s mark. Unmarked as to size, possibly six-gallon. 17”h. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection.

800-1200

487

DECORATED ST. CLAIR, PA (BEDFORD COUNTY, PA) POTTERY

DECORATED STONEWARE PITCHER.

American (Pennsylvania), 19th Century. Cobalt decoration includes stenciled maker label, freehand lines and squiggles, and leafy vine at bottom with tooled rim molding, flared neck, and tooling at shoulder. Applied strap handle. 10.5”h. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection.

600-1200

488

R.W. RUSSELL (BEAVER, PA) TWO-GALLON STONEWARE JAR.

American (Southwestern Pennsylvania), late 19th Century. Two-gallon jar freehand cobalt decoration in a stylized leaf and vine design with blue lug handles. Impressed mark at top center. Small flake at top. 11”h. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection.

300-600

489

AN EXUBERANTLY DECORATED HAMILTON & JONES (GREENSBORO, PA) SIX-GALLON STONEWARE CHURN.

American (Southwestern Pennsylvania), 19th Century. Large and bold cobalt freehand vining flower, stripes, dots, and “6” with stenciled lable and stars. Strap handles with cobalt. Canted, ovoid form. 19”h. Exhibited in “Made in Pennsylvania: A Folk Art Tradition”, The Westmoreland Museum of American Art, 2007 and illustrated in the exhibit catalog on page 71. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection.

2500-4500

490

491

FINE A. RUSSELL (BEAVER, PA) FREEHAND DECORATED STONEWARE JAR.

American (Pennsylvania), 19th Century. Large freehand stylized cobalt flower vine with line across bottom, impressed mark at top center. Lug handles with cobalt accents. 14.5”h. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection. 1500-2500

491

HAMILTON & JONES (GREENSBORO, PA) DECORATED STONEWARE TWO-GALLON WHISKEY JUG WITH STARS. American (Southwestern Pennsylvania), 19th Century. Stenciled and freehand cobalt decoration including five stars with upside down Lincoln drape, squiggles, undulating vine, swags, and accents. Tooled spout and applied strap handle with cobalt accent. Approx. 12.75”h. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection. 800-1600

492

J. WEAVER (BEAVER, PA) FREEHAND DECORATED THREE-GALLON STONEWARE JAR.

American (Pennsylvania), 19th Century. Strong cobalt horizontal vine with flowers across middle, impressed mark at top center, lug handles. 12”h. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection. 600-1200

493

SCARCE DECORATED STONEWARE CHILD’S BEDPAN ATTRIBUTED TO WELLS & RICHARDS (READING, PA).

American (Pennsylvania), mid-19th Century. Round, open basin with cobalt rings surrounding the sloped top and cobalt bands to spout. 11.75”l. For a similar example, see Crocker Farm, 10/26/19, Lot 48. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection. 400-800

494

AN UNUSUAL & FOLKSY HAMILTON (GREENSBORO, PA)

FREEHAND DECORATED FOUR-GALLON STONEWARE JAR WITH PLUS SIGNS.

American (Southwestern Pennsylvania), 19th Century. Two rows of freehand cobalt plus signs across the middle with lines and dots. Cobalt accent to rim and lug handles. Impressed mark at center top of back. Probably by Leet Hamilton. 14”h. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection. 1500-2500

492

For

494

495

SCARCE WILLIAMS & REPPERT (GREENSBORO, PA) DECORATED STONEWARE PITCHER.

American (Southwestern Pennsylvania), 19th Century. Cobalt stenciled flower and label with stripes, squiggles, and slashes. Applied strap handle. Chips to rim. 11”h. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection.

800-1600

496

AN UNCOMMON KELIN & HARBAUGH (BEAVER, PA) DECORATED FOUR-GALLON STONEWARE JAR.

American (Pennsylvania), 19th Century. Freehand cobalt flower vine with impressed mark and lug handles with cobalt accents. Approx. 13.75”h. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection.

400-800 495

496

497

497

FREEHAND DECORATED J. WEAVER (BEAVER, PA) FIVE-GALLON STONEWARE CROCK. American (Pennsylvania), 19th Century. Large freehand cobalt vines with flower, lug handles. Impressed mark at top center. 13.5”h. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection. 600-1200

498

MINIATURE COBALT DECORATED STONEWARE JUG.

American (Eastern Shore), 19th Century. Freehand cobalt flowers around top third, applied strap handle. 8.5”h. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection. 250-450

499

FREEHAND DECORATED STONEWARE CAKE CROCK LID.

American (Southwestern Pennsylvania), 19th Century. Bold cobalt flower at knob and dabs around edge. 10”d. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection. 200-400

500

TWO FREEHAND DECORATED STONEWARE CAKE CROCK LIDS.

American (Southwestern Pennsylvania), 19th Century. A scarce large lid with stylized leaves or feathers and stripe at knob. 12.5”d. Together with a smaller example with cobalt clovers around edge and old make-do repair. 10”d. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection. 300-600

RUSSELL (BEAVER, PA) DECORATED STONEWARE

TWO-GALLON WHISKEY JUG.

American (Pennsylvania), 19th Century. Freehand cobalt floral vine across the front with impressed mark to top. Applied strap handle with cobalt accents. Approx.13”h. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection.

400-800

502

RARE ALBERT GALLATIN’S FRIENDSHIP HILL CENTENNIAL STONEWARE WAX SEALER.

American, circa 1901 (dated). Cobalt-decorated with stenciled eagle, freehand vines, and lines. Probably made by Hamilton & Robbins Pottery, New Geneva, Pennsylvania celebrating the 100th anniversary of Albert Gallatin’s appointment to Secretary of Treasury by President Thomas Jefferson in 1801. Gallatin served in the position for nearly 13 years, notably reducing the national debt, overseeing the purchase of the Louisiana Territory, and funding Lewis & Clark’s exploration. Gallatin’s country estate, Friendship Hill (so-named for his many friends and business associates) is near New Geneva, which Gallatin founded and named after his hometown of Geneva, Switzerland. 7.25”h. Illustrated and discussed in “Stoneware of Western Pennsylvania” by Phil Schaltenbrand (see page 181, plate number 195). Purportedly one of six made. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection. 600-1200

“FRIENDSHIP HILL” PAINTED DIRECTIONAL SIGN.

American, late 19th Century. Painted wood. Wear, replaced eye screws. Approx. 11”h. 48”w. Purchased at an auction near Washington, Pennsylvania. Friendship Hill was Albert Gallatin’s country estate (so-named for his many friends and business associates) located near New Geneva, which Gallatin founded and named after his hometown of Geneva, Switzerland. Albert Gallatin was appointed to Secretary of the Treasury by President Thomas Jefferson in 1801. Gallatin served in the position for nearly 13 years, notably reducing the national debt, overseeing the purchase of the Louisiana Territory, and funding Lewis & Clark’s exploration. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection. 200-400

504

FRAMED GROUP OF PENNSYLVANIA

STONEWARE-RELATED EPHEMERA.

American (Pennsylvania), 19th Century. A letter dated 1889 from C.L. Williams to his wife, on R.T. Williams (New Geneva, PA) company letterhead, with envelope. And an invoice from Hamilton & Jones (Greensboro, PA) dated 1882. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection. 300-600

505

SEPIA-TONED PRINT FROM A LATE 19TH CENTURY GLASS NEGATIVE OF A STONEWARE SELLING TRIP.

Fully loaded barge with stoneware being transported down the Monongahela river for sale at different towns and merchants. Three men, one of whom is presumed to be R.T. Williams, who later drowned on a selling trip on the river according to local history. Print from a late 19th Century glass negative. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection. 200-400

506

SEPIA-TONED PRINT FROM A LATE 19TH CENTURY GLASS NEGATIVE OF AN UPDRAFT STONEWARE KILN IN NEW GENEVA, PA WITH SEVERAL NOTABLE POTTERY WORKERS. Several noted personalities appear in the photograph. Front row: Chip Rumble, Frank Cleavenget, Steve O’Neal, Atas Ham - ton, Frank Dean, Albright Spitzlet, Arthur Robbins holding his son, and James Sahe disky Back row: Loyal O Neil Alex Rumble, and Frank Hamilton, who was also the postmaster in 1906. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection. 200-400

507

510 SCARCE AND IMPORTANT PENNSYLVANIA

NEEDLEWORK SAMPLER.

1500-2000 507 509 511

SCARCE DECORATED STONEWARE FOOTED PIE CARRIER WITH HANDLE.

American, early 20th Century. Pierced bottom with four applied feet, strap handle with cobalt brushing. Incised “The Hanson & Van Winkle Co” on the side (probably an advertising item for The Hanson & Van Winkle Company, a chemical and electroplating company based on Chicago).

10.5”d. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection. 300-600

508

GROUP OF MINIATURE STONEWARE ITEMS.

American, 19th & 20th Century. A fine glazed redware milk pan (1.5”h.); a signed Grace Nell Howard miniature grotesque face jug (3.25”h.); a saltglazed stoneware cake pan or salt cellar (1.25”h.); a freehand cobalt decorated salt-glazed crock (1.5”h.); a freehand cobalt decorated salt-glazed crock (2.5”h.); a freehand cobalt decorated salt-glazed crock (2.25”h.) with a mismatched decorated lid; and a sleepy eye pitcher (2.75”h.). From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection. 250-450

509

PENNSYLVANIA DECORATED CROCK SHELF.

Mid 19th Century. Pine. Canted front, boot jack ends, three shelves and four lower drawers. Original brown paint with black circular decoration. Some wear, age shrinkage and repair. 61”h. 57.25”w. 15.25’’d.

American (Pittsburgh, Pennsylvania) early-19th Century. Silk, isinglass, and watercolor on linen. A fine sampler exhibiting several techniques including a stumpwork variant, petit point, watercolor highlights, inset isinglass, and complex composition with a fox and building (possibly a school) with willow tree at the bottom, alphabet and numbers across the top and above the poem: “Ye sprightly fair whose gentle minds incline, to all thats curious innocent and fine, with admiration in your works are read, the various texture of the twining thread, then let those fingers whose unrivaled skill, exalt the needle grace the noble quill”, and a framed cartouche of leaves with a single flower underneath: “Performed by Mary Ann Smith In the 14th Year of her Age A.D. 1819.”. Surrounding all is a sawtooth border, further enclosed in bold and detailed vining tulips around the outer edge. Minor bleeding at watercolor, mild toning, and a few loose threads. Overall excellent condition. Professionally gilt framed. Frame, 25.5”h. 20.75”w. Sold at Garth’s Auctions (Delaware, Ohio). Ex David Good (Ohio). From The 40 Year Americana Collection of a Central Ohio Couple. 4000-8000

511

PENNSYLVANIA HEPPLEWHITE TALL CASE CLOCK. Fayette County, circa 1800. Walnut with poplar secondary. Bonnet with urn turned finials, broken arch pediment, inlaid shield with incised carved eagle, vine inlay, arched door and turned pilasters, case with molding under bonnet and at waist, quarter reeded columns burled overlapping door with scalloped top, base with lambs tongue chamfers, French feet and shaped apron with inlaid fan. Painted sheet steel face with fazed of the moon dial, celestial and terrestrial globes and fruit and foliage. Brass works, weights, pendulum and key. Refinished age split on case base and replaced feet and finials.

109”h. 22.5”w. 11.25’’d.

2500-5000

GRAIN PAINTED TWO PIECE FLAT WALL CUPBOARD.

West Virginia, mid 19th Century. Walnut with poplar secondary. Top with cove molded cornice, solid ends, two single panel doors and waist moldings, base with solid ends, two single panel doors and bracket feet. Original bold reddish brown graining. Some wear to paint and was originally a one piece cupboard. 92.5”h. 55”w. 21’’d.

1500-2500

513

“A VUE OF SEWICKLEY” BY JIM BAKER.

American, 2nd half 20th century. Oil on wood, signed and dated 1980 on back. River scene depicting “Snuggery Farm” built 1795, “Sewickley House” built 1810 and the steamboat “Betsy Ann 1899” captained by”Capt. Fred Way Jr.” Border has pumpkins and verse. The back has presentation dated 2019 from Capt. Usher VMA (AW) 242. Integral frame, 37.75”h. 48.25”w. From a Sewickley, Pennsylvania estate.

400-800

514

JAS. HAMILTON & CO. (GREENSBORO, PENNSYLVANIA) DECORATED THREE GALLON STONEWARE JAR.

American (Southwestern Pennsylvania), 2nd half-19th Century. Cobalt-decorated jar with stenciled flowers and label, lug handles. 13.5”h. See Crocker Farm, (Maryland), July 20, 2019, lot 186. From the collection of the late Audrey Caspari (New Jersey).

300-600

515

PENNSYLVANIA FOLK ART CARVED WOOD LODGE CANE.

American (Williamsport, Pennsylvania), early-20th Century. Finely chip-carved with carved “Wmsport Pa, BPOE 43, St Marys”. The Benevolent and Protective Order of the Elks (“the Elks”) St. Mary’s, PA lodge is actually number 437. The cane in original surface, measures 35.5”l. From The 40 Year Americana Collection of a Central Ohio Couple. 200-400

516

AQUA NEW GENEVA BLOWN GLASS GLOB OR BOTTLE.

American (Pennsylvania), 19th Century. Approx. 10.25”h. Ex Peter Chillingworth, Scenery Hill, PA. 150-250

517

FIVE VOLUME SET OF HISTORY OF OHIO BY RANDALL & RYAN.

American, early 20th Century. Published by The Century History Company, New York, 1912. Complete set with index in Volume 5. Octavo Folio. 200-400

518

SINGLE VOL. THE MEMOIRS OF RUFUS PUTNAM.

American, early 20th Century. Published by Houghton, Mifflin and Company, 1903. Compiled and annotated by Miss Rowena Buell, Marietta, Ohio. Octavo Folio. 200-400

514

512

519

ARCHAEOLOGICAL ATLAS OF OHIO

BY WILLIAM C. MILLS.

Published by the Ohio State Archeological And Historical Society. 1914. A County by County map of the Native American Earthworks of Ohio. Some cover and page wear. Folio size. 100-300

520

FIVE OHIO HISTORY BOOKS.

Circa 1900. Three Centennial of Springfield, Ohio 1901. by Springfield Publishing Company, Octavo folio, Ohio Statesmen And Annals Of Progress 1788-1900 by William A. Taylor. Octavo folio and Scotts History of Highland County, Hillsboro, Ohio 1890. Rebound, Octavo folio. 100-200

521

SINGLE VOLUME SPRINGFIELD AND CLARK COUNTY HISTORY.

American (Ohio), dated 1908. By Biographical Publishing Co., Chicago, IL. 20th Century History of the County and City, edited and compiled by William M. Rockel. 1054 pages. Quatro Folio. 100-300

522

TWO VOLUME SET SPRINGFIELD AND CLARK COUNTY BY PRINCE.

American (Ohio), 20th Century. 1922 Published by The American Historical Society, Chicago and New York. Volume I is 562 pages with both Vol.’s index and Volume II is 433 pages. Octavo Folio. 100-200

523

SINGLE VOLUME CLARK COUNTY, OHIO HISTORY.

American, early 20th Century. By S.J. Clarke Publishing Company, New York and Chicago, 1902. Biographies of leading citizens of the county. Quatro Folio. 100-200

524

SINGLE VOLUME DIRECTORY OF THE CITY OF SPRINGFIELD.

American (Ohio), published 1852. Hardcover. Print by Stephenson & Co., City Charter And Ordinances, Brief History Of The City. Sixteenth size folio. 100-200

525

TWO CLARK COUNTY OHIO ATLASES.

American, second half 19th Century. Green binding

1870 and brown binding 1875. Both have wear. Folio size.

100-200

526

SINGLE VOLUME HISTORY OF CHAMPAIGN COUNTY.

American (Ohio), dated 1881. Published by W. A. Beers & Co. 921 pages. 8th folio. 100-200

527

SINGLE VOLUME HISTORY OF FORT WAYNE BY WALLACE A. BRICE.

Published by D.W. Jones, Fort Wayne, Indiana, 1868. 324 pages with an additional 33 pages of Biographical sketches and index. Octavo Folio. 100-200

528

SINGLE VOLUME WITHER’S CHRONICLES OF BORDER WARFARE.

American (Cincinnati), late 19th Century. Published The Robert Clarke Company, 1895. New edition edited and annotated by Reuben Gold Thwaites. History of the settlement by the Whites, of North Western Virginia. 447 pages including index. Octavo Folio.

100-200

529

SINGLE VOLUME WESTERN WILDS BY J.H. BEADLE.

American (Cincinnati, Ohio), dated 1878. “An Authentic Narrative Of Seven Years Travel In The Far West”, 624 pages. Loose cover and wear. 8th Folio.

150-250

530

SINGLE VOLUME CROGHAN AND THE WESTWARD MOVEMENT.

By Arthur T. Volwiler, Published by The Arthur H. Clark Company, Cleveland, Ohio 1926. Cloth bound. Octavo folio.

50-100

531

MAP OF THE STATE OF OHIO.

Mid 19th Century. Published by Thomas Cowperthwait &, Co, Philadelphia, Pennsylvania. With profiles of the Ohio Canals and rivers. Toning. 20.75”h. 16.75”w.

100-200

532

A BRIEF SKETCH OF TRENTON, OHIO.

Fourth-quarter 19th Century. History of the Tuscarawas County town. Prepared by the Iron Valley Reporter, Canal Dover in 1881. Some water stains in upper right margin and paper toning. 14.5”h. 10”w.

100-300

533

OHIO MUSKINGUM VALLEY SCENERY IMAGE. Second Half 19th Century, Albumen Print. In a series “No. 86 - Z & O.R.R. Train At Waterford Station. Number 3”. Zanesville and Ohio River Railroad locomotive, baggage car and passenger cars at Waterford Station on Muskingum River. Water stains on margin at left. Framed 17.75”h. 21.75”w.

200-400

534

OHIO HAND DRAWN PLAT MAP.

American, second-quarter 19th Century. U.S. Military lands in Knox County. Survey of properties dated February 4th and 5th, 1842. Wear and tears at fold lines. Period frame. 15.75”h. 11.75’’w.

100-200

535

POSED IMAGE OF COLUMBUS U.S. BARRACKS BAND.

Fourth quarter 19th Century. Albumen Print. The uniformed band posed on and in front of the ornate bandstand in the Barracks Yard. Taken by Balcers Art Gallery, Columbus. Bottom margin lists the members in’ the image. 19.5”h. 21.5”w.

100-300

536

FULL STOCK RIFLE ATTRIBUTED TO JOSHUA STACKHOUSE.

American (Powhatan Point, Belmont County, Ohio), mid 19th Century. Silver inlays, patch box, brass butt plate, trigger guard and forestock hand rest. Professional restoration. 55”l. Ex. Jack Adamson, Zoar, Ohio. 800-1200

537

HALF STOCK LONG RIFLE BY PETER ALBERT REINHARD.

American (Ohio), mid 19th Century. .38 caliber half stock, converted to percussion, barrel stamped P.A. Reinhard, has beautiful brass patchbox with heart, trigger guard and butt plate, overall good working condition. Made in Loudonville, Ohio. 47”l. Barrel 31”l. 500-1000

538

OHIO TIGER MAPLE HALF STOCK LONG RIFLE BYCHRISTIAN SIEBERT (1822-1886).

American (Columbus, Ohio), circa 1870. Percussion half stock rifle with silver accents, brass patch box, and stamped on barrel “CHRISTIAN SIEBERT”. Old patina. 48”l. From The 40 Year Americana Collection of a Central Ohio Couple. 250-500

539

HUNTING BAG WITH ACCOUTREMENTS.

American, mid 19th Century. Leather. Hand sewn and includes a powder horn, knife with brass inlay, patch material, leather shot flask and small powder horn. Some wear and loss. 10.5”h. plus strap 12”w. 250-450

540

NATIVE AMERICAN FIGURAL CARVED SCOOP.

American, late 19th Century. Maple. Folksy carved horse head finial on handle. Subtle wear. Found near Canton, Ohio. 10.5”h. 900-1200

541

KENTUCKY POLITICAL NEEDLEWORK SAMPLER.

American (Kentucky), circa 1840. Linen and thread alphabet and pattern sampler with stylized flowers and broad leaves surrounding three sides with a cider barrel, log cabin, American flag with “Liberty”, and inscribed “To log cabin frugality we owe our independence”, “Wm. Harrison”, and “Worked by Mary Jane Mitchell, Halifax Ky”. 17.5”w. 17”h.

Purchased at an antique show in Troy, Ohio from Chloe Ann Snyder (Indiana or Illinois). From The 40 Year Americana Collection of a Central Ohio Couple. Cataloguer’s note: Halifax is in Allen County, Kentucky. The maker of the sampler is likely Mary Jane Mitchell Claypool (18311913), daughter of Henry Shelby Mitchell (a constable of Allen County) and Malinda Burton. He and Malinda had nine children including a son named William Henry Harrison Mitchell (1837-1913) and Henry Clay Mitchell (1844-1911).

4000-8000

541

542

SCARCE POLITICAL WATERCOLOR FRAKTUR WITH PARROTS ATTRIBUTED TO ABRAHAM HUTH (ACTIVE 1807-1830).

American (Berks County, Pennsylvania), dated 1848. Two parrots in yellow and blue face one another, perched on an arch with “Berks County” and “1848” with flowers and German text below that translates (notated on reverse, as well): “I am for Gen. Scott. Hurrah, hurrah, hurrah!”. Molded black painted frame, 8”w. 10”h. From The 40 Year Americana Collection of a Central Ohio Couple. Cataloguer’s note: The fraktur refers to a political campaign slogan used by Winfield Scott, who lost the Whig nomination to General Zachary Taylor for the 1848 Presidential race. Gen. Zachary Taylor or Winfield Scott, 800-1600

543

WILLIAM HENRY HARRISON PITTSBURGH

CUT-GLASS TUMBLER ATTRIBUTED TO PAGE AND BLACKWELL.

American (Pittsburgh, Pennsylvania), circa 1840. Cut glass tumbler with large American flag, log cabin with smoke billowing out from chimney, and cider barrel marked “HARD CIDER”. Overall, 3.5”h. From The 40 Year Americana Collection of a Central Ohio Couple. 300-600

544

OHIO CIVIL WAR “CAMP CHASE” CANE.

American (Columbus, Ohio), dated December 7th, 1862. Carved from hickory. In addition to the date and location, carved into the cane is “J.L. Breedlove” (probably the maker), as well as a heart and pointing hand. 36”l. Cataloguer’s note: Camp Chase was a military staging and training camp established in Columbus, Ohio, in May of 1861, which later included a large Union-operated prison camp for Confederate prisoners during the war. From The 40 Year Americana Collection of a Central Ohio Couple. 400-800

545

ENGRAVING OF WILLIAM HENRY HARRISON BY NATHANIEL DEARBORN (1786-1852).

American (Boston, Massachusetts), circa 1845. Likely a memorial tribute to Harrison’s legacy. Nineteenth Century painted frame with original surface, 3.5” x 4”. 150-300

546

ABRAHAM LINCOLN PHOTO CABINET CARD BY BOWMAN AND RAWSON.

American (Peru, Illinois), circa 1860’s. Sepia image with pencil script “436 Heads”. Bowman and Rawson photographers. Overall, 2.5”w. 4”h. From The 40 Year Americana Collection of a Central Ohio Couple. 100-200

547

MEZZOTINT OF HENRY CLAY.

American, second-quarter 19th Century.

Published by W. Bender Company, Philadelphia, Pennsylvania in 1843. Some staining along lower margin. Framed 31.25”h. 23.5”w.

100-300

548

FRAMED IMAGE OF OHIO SENATE.

Dated 1864, Albumen Print. Photographed by M. Will, Columbus,Ohio, Designed by Jonas A.

Shaffer 126th O.V.I. Some yellowing. 15”h. 11.25”w.

100-200

549

OHIO POLITICAL SLOGAN DECORATED STONEWARE JAR WITH “O.K.”.

American (Urbana, Ohio), 19th Century. Stoneware in salt glaze with blue cobalt. Folksy design with cobalt polka dots surrounding “O.K”. Overall, 8.75”h. Base 5.375”, top 3”. From The 40 Year Americana Collection of a Central Ohio Couple. Cataloguer’s note: Research published in the Ohio History Journal by J. Warren Kiefer (see “O.K.”) indicates that the expression “OK” originated after a notable Whig convention was held in Urbana, Ohio during the Presidential campaign of General William Henry Harrison. At the event, a local farmer apparently displayed a banner that read “THE PEOPLE [or FARMERS] IS OLL KORRECT. Democrats seized the opportunity to deride and ridicule Whigs as ignorant and misinformed due to the misspelling until Daniel Leffel in Sugar Grove (just west of Springfield) had the letters “OK” painted above the entrance to his tavern in a bold act of support for Harrison. As a result, Urbana became known as “O.K. City” for a time. The phrase is also strongly associated with Harrison’s failed opponent, Martin Van Buren’s campaign as he was known as “Old Kinderhook”.

200-400

550

NEWCOMERSTOWN, OHIO STONEWARE SPANIEL.

American (attributed to George Bagnall Pottery, Newcomerstown, Ohio), circa 1870-1910. Light sewer tile glaze. Incised collar. Overall, 10”h. From The 40 Year Americana Collection of a Central Ohio Couple.

600-900

551

NEWCOMERSTOWN, OHIO STONEWARE DOG.

American (attributed to George Bagnall Pottery, Newcomerstown, Ohio), circa 1870-1910. Seated spaniel doorstop, 10”h. From The 40 Year Americana Collection of a Central Ohio Couple.

500-700

552

FREEHAND DECORATED WESTERN

PENNSYLVANIA HALF-GALLON STONEWARE JAR.

American, 19th Century. Typical Western Pennsylvania undulating vine and flower freehand cobalt decoration. Tooling at middle and shoulder. Small chip under rim. 9.75”h. From The First Installment of The Beth & Earl Trimble Salt Glazed Stoneware Collection.

400-800

553

INCISED CANTON OHIO JOSEPH HALM STONEWARE JUG.

Mid 19th Century. Ovoid shape with applied handle. Incised inscription in German roughly translates “Joseph Halm at the barnard goets pottery, 1855”. Faint slip lettering appears to read “Halm, Canton”. Wear, hairlines and a chip inside lip. 11.75”h.

500-1000

554

I.M. MEAD OHIO DECORATED STONEWARE CROCK.

American (Mogadore, Portage County, Ohio), 19th Century. Three gallon, two-handled crock stamped “Mogadore, Ohio”. Cobalt decoration with primitive tulip design. 12.75”h., 7.5” dia. at the top. From The 40 Year Americana Collection of a Central Ohio Couple.

300-500

555

I.M. MEAD DECORATED STONEWARE JUG.

Ohio, second quarter 19th Century. Ovoid shape with applied handle; impressed” I.M. MEAD, Mogadore, Ohio” with freehand cobalt tulip decoration. Three gallon size. Some surface wear, crazing and chip on base. 16.25”h. 300-500

556

“OHIO” DECORATED STONEWARE BEAN CROCK.

Ohio, 19th Century. Cobalt decorated handled bean crock signed “OHIO”. Overall, 7.5”h. With handle, 9.5”w. From The 40 Year Americana Collection of a Central Ohio Couple. 200-400

557

STONEWARE JUG IMPRESSED “S. ROUTSON”. American (Ohio), second-half 19th Century. Applied handle, tan glaze with impressed “S. Routson, Wooster, Ohio”. Some wear and crackling. 11.5”h. 200-400

558

PAINTED BUCKET BENCH.

American, late 20th Century. Pine. Shaped apron, canted sides with haldf round cutouts, lower shelf. Distressed black paint. From the workshop of David T. Smith. 28.75”h. 27.5”w. 11.75”d. 150-250

559

OHIO FOLKSY FIGURAL PINCUSHION STAND BY EDWIN JACOB (EJ) SCHLEMER (1880-1963). American (Greentown, Stark County, Ohio), late-19th early-20th Century. Wonderfully carved wood cat with original paint decoration on stepped and canted painted base with (replacement) cloth pincushion. Pencil signed on the bottom, “Carved by Mr. Schlemer Greentown, Ohio”. 4.75”l. 5”h. See Pook & Pook (Pennsylvania), January 16, 2010, lot 746, for a related example. From The 40 Year Americana Collection of a Central Ohio Couple. 1500-2500

560

OHIO COOPER SCHOOL NEEDLEWORK SAMPLER.

American (Dayton, Ohio), dated 1833. The work of 12-year old “Leah Jane Ashton” and dated “1833”. Wrought images include apples, pear, (central) baskets with flowers, birds, and trees. Leah Jane Ashton Morrow (1821-1884) lived in Piqua. Daniel C. Cooper (1773-1818) helped found the Dayton Academy, Dayton’s first school to educate boys in 1807. Sampler, 17”w. 21”h. Simple molded wood frame, 18”w. 22”h. Exhibited at the Decorative Arts Center of Ohio, in Lancaster, 2003. From The 40 Year Americana Collection of a Central Ohio Couple. 2500-5000

561

ELIZA GOIDAN NEEDLEWORK SAMPLER.

American (Ohio), second-quarter 19th Century. Linen. Floral border, alphabet, numbers, flowers, trees and three bay townhouse. Found in Washington County. Her name lower right and dated 1841. Fading, holes and some wear. Molded and gilded frame, 25”h. 20.5”w. From The 40 Year Americana Collection of a Central Ohio Couple.

300-600

562

OHIO SARAH ALLEN FLOSS SAMPLER.

Second quarter 19th Century. Floral border, Alphabet, her name age 13 done in 1848, Republic, Ohio. In a contemporary frame. 16.5”h. 19”w. 100-300

563

FRAMED OHIO QUILT SQUARE.

Mid 19th Century. Cotton. An applique three bloom tulip in patterned fabrics inscribed in black ink “Susan Elizabeth Vanskiver, Westfield, Preble County, Ohio 1851”. Some toning to white fabric. Framed 13” square. 100-300

564

OHIO CALLIGRAPHY EXERCISE

BY DANIEL SELMEY.

American (Smithville, Wayne County, Ohio), dated 1854. Fine Spencerian-type calligraphy exercise in colorful sepia ink, “Daniel Selmey, Smithville Wayne County Ohio October 11 AD 1854”. In an old, beveled and painted frame, 8.75”h 10.75”w. From The 40 Year Americana Collection of a Central Ohio Couple.

250-500

565

OHIO MARRIAGE CERTIFICATE.

American (Gallia, Gallipolis County, Ohio), dated 1807. Watercolor with seal imprint of Gallipolis County. Certifying the marriage of Charles Scott (17861854) and Mary Darst Scott (1789-?) on August 10, 1807. Circa 1880’s carved rustic cross-corner frame, 14.75”w. 13”h. From The 40 Year Americana Collection of a Central Ohio Couple.

1000-2000

566

PAIR OF OHIO MINIATURE PORTRAITS OF A HUSBAND AND WIFE WITH BIOGRAPHICAL INFORMATION.

American (Ashtabula County, Ohio), first-half 19th Century. Watercolor, ink, and graphite. The sitters identified in the top opening: “Davis D. Sturgis was born Dec. 10th 1796” and “Ruth Sturgis was born April 11th 1800”, with additional inscription at bottom reading “Davis D. and Ruth Sturges was [sic] married Sept 7th 1817 in the Town of Harpers-field in the county of Ashtabula in the State of Ohio”. Original, paint-decorated frame, 9.5”h. 7.5”w. From The 40 Year Americana Collection of a Central Ohio Couple.

800-1200

567

WATERCOLOR MEMORIAL.

American (Found in Louisville, Ohio), second quarter 19th Century. Lady in a high waisted dress with puffy sleeves, trees flowers and monument in background. 12.5”h. 10”w. Ex Ross Trump and Ed Brown (Ohio).

600-800

568

PAIR OF HOLLOW-CUT SILHOUETTES OF THE STONE SISTERS IN AN ARCHITECTURAL FRAME.

American (probably Ohio), first-half 19th Century. Cut paper and ink mounted on black in an eglomise frame, mounted in a wonderful folksy architectural frame. Identified as Amanda Stone (left) and Mary Stone (right), possibly the Stone family of Belpre, Ohio. Backboard inscribed “Minnie D. Olcott” and (in different ink) “Taken in 1818”. The late Sheraton period frame with bold, stepped cornice, divided openings framed by horizontal reeded half pilasters, set on a high, shaped bracket base with side cutouts. Approximately 12.5”w. 12”h. Ex Stephen Douglas Antiques (Vermont). Sold Northeast Auctions (New Hampshire), April 5, 2009, lot 78. From The 40 Year Americana Collection of a Central Ohio Couple.

800-1600

CHRISTIAN SHIVELY JR. (1770-1836) OHIO

TWO-PIECE WALNUT CUPBOARD.

American (Madison Township, Montgomery County, Ohio), circa 1800-1820. Wonderful dry walnut patina with oak secondary wood. Upper section with bold, stepped cornice over two glazed, six-light doors with “H” hinges, flanking a three-light fixed panel, all fronting a shelved interior. The sides, with the distinctive Shively molded and scalloped ends where the top is fit to the base with wood pins, bracket a high pie shelf measuring 13”. The lower section with four side-by-side dovetailed, beaded-edge short drawers above two raised two-over-one panel configured doors with “H” hinges, resting on molded base with ogee feet and apron with spurs and center drop. The top, 59.5”h. And base cupboard, 35.5”h. Overall 95”h., 63.75”w. 23”d. See Ohio Furniture Makers 1790-1845, Vol. 1, page 165. Illustrated in Ohio Antiques Review, September 1983, p. 65 “Another Shively Comes to Light”. (Exhibited and) Illustrated in Equal in Goodness: Ohio Decorative Arts 1788-1860, p. 100. Purchased at Garth’s Auctions (Delaware, Ohio), October 14, 1983. From The 40 Year Americana Collection of a Central Ohio Couple. 20000-40000

570A

PENCIL DRAWING OF THE “RESIDENCE OF G.P. OTT DOYLESTOWN OHIO 1893” BY E.L. (EDWARD) OTT. American (Ohio), dated 1893 (Ott was active late 19th - early 20th Century). Detailed pencil drawing on paper of a farm with house, barn, trees, and animals from a birdseye perspective reminiscent of, but less folksy than the earlier farm drawing works by Ferdinand Brader. G.P. Ott was possibly Edward Ott’s father. Professionally cleaned and conserved. Sight, 27.25”w. 21.5”h. Frame, 31.5”w. 24.5”h. 3000-6000

571A

PENNSYLVANIA FARM SCENE.

Sommerset, mid 19th Century. Oil on canvas. Five bay two story brick house with out buildings on a country lane. Relined, cleaned, some restoration and inpainting and revarnished. 19.75”h. 28.75”w.

Framed. 25.5”h. 34.25”w. 1000-1500

572

RARE OHIO WATERCOLOR OF A MERINO RAM BY N.W. (NOAH WESLEY) WINELAND (1856-1929). American (Centerburg, Delaware County, Ohio), circa 1880. Watercolor and charcoal on paper. Portrait of a four-yearold ram named “Hall, Property of CE Green.” Painting, 24”w. 18.5”h. Molded gold frame, 28”w. 22.5”h. See Museum of Fine Arts, Boston (accession number 56.744) for a related example by the same artist. Ex Tom Delach (Ohio). From The 40 Year Americana Collection of a Central Ohio Couple. 800-1200

571A

572

570A

OHIO RIVER AT MANCHESTER, OHIO ATTRIBUTED TO HENRY WARREN (1794-1879).

Mid 19th Century. Oil on canvas. The ferry landing at Manchester with sidewheel ferry and wharfboat. People and wagon and buildings up the hill. Penned note on stretcher “Manchester, Ohio to Temperanceville 1853.” Relined, cleaned, restored with a little inpainting. 9.5”h. 15”w. Period frame. 13”h. 18.25”w.

300-600

574

CHIPPENDALE BLANKET CHEST.

American (Ohio), late 18th Century. Cherry with poplar secondary. Lid with applied edge moldings, dovetailed case, three lower dovetailed drawers with tiger maple fronts, bracket feet with ornately scrolled apron and interior lidded till. Old finish, age splits, shrinkage and wear. 23”h. 42.25”w. 19.25’’d. Ex David and Margret Davis (Ohio). Came from an old Ashland, Ohio collection and was originally purchased from an estate west of Shelby, Ohio.

300-600

575

OHIO CHERRY TALL CASE CLOCK.

American (Sandusky, Ohio), circa 1815. Cherry with original surface. Beautiful carved pediment is thick and chamfered. Exceptional clock face with vine scrolled border and scalloped decorated circle with a polychrome bird with berries. The back board reads in black paint, “Sandusky City 1815 No. 15” painted on back. Overall, 90.75”h. (Retaining, but not included in the photo, are the original finials with brass mountings). From The 40 Year Americana Collection of a Central Ohio Couple.

1500-3000

576

OHIO BOWESMITH AND POCOCK WALNUT BAROMETER.

American (Mansfield, Ohio), late-19th Century. Carved walnut “Bowesmith and Pocock” barometer with paper label. Elaborate cut-out, scalloped design with pineapple top. Overall, 48.75”l. Ex Muleskinner Antiques (New York). From The 40 Year Americana Collection of a Central Ohio Couple.

600-1200

577

SHAKER WAG ON THE WALL CLOCK CASE.

American, Ohio, mid 19th Century. Walnut with tiger maple panels. Tall slender shape. Single paned door over two panels, base molding and simple cut out feet. Pegged and square nail construction. Old dry finish has some wear. 78”h. 10.25”w. 5.25”d.

400-800

578

OHIO FOLKSY SEWER TILE DOG.

American (Ohio), circa 1880-1900. Rare spread-leg position with pierced nose, eyes, and eyebrows. 11.5”w. 13”h. Purchased at Garth’s Auctions (Delaware, Ohio) in 2013. From The 40 Year Americana Collection of a Central Ohio Couple.

1000-2000

578

579

OHIO SEWER TILE DOG.

American (Ohio), late-19th or early-20th Century. Unusual, well-detailed, black-glazed collar and leash. Oval base. 12”w. 13”h. From The 40 Year Americana Collection of a Central Ohio Couple.

600-900

580

SEWER TILE SPANIEL.

American (likely Ohio), circa 1900. Seated form with molded and sculpted detail. 11”h.

250-450

581

TWO OHIO SEWER TILE DOGS.

American (Ohio), late-19th Century. Probably hand-molded, two seated Spaniels. One initialed “J.H.S”. 5”h. and 3.75”h. From The 40 Year Americana Collection of a Central Ohio Couple.

200-400

582

OHIO SEWER TILE SPANIEL HEAD.

American (Ohio), circa 1900. Molded head with hollow base. Overall, 4”h. From The 40 Year Americana Collection of a Central Ohio Couple.

100-200

583

OHIO RED CLAY LION.

American (Akron), late 19th Century. Reclining figure with nice detail on an oval base. High brown glaze has a few small flakes and base chips. 10”h. 17”w. 9”d.

650-950

584

JOHN BELL FLOWERPOT WITH ATTACHED SAUCER BASE.

American, second half 19th Century. Redware. Mottled brown glaze with impressed mark on bottom. “John Bell, Waynesboro”. Some wear and lime residue. 7.25”h. 8.25”dia. 200-400

585

SONNENBERG PAINT DECORATED KAS.

American (Wayne County, Ohio), second quarter 19th Century. Poplar. Dovetailed case, core molded cornice, solid end, moldings on front edge and base, overlapping three panel door, interior dovetailed drawer and original grain paint and decoration. Some wear and edge damage. 76.5”h. 55.5”w. 20.25”d. 1200-1800

586

ZOAR PAINTED CUPBOARD.

Ohio, mid 19th Century. Poplar. Simple cornice and base moldings, two raised panel doors, interior shelves and weathered original gray paint. Some scuffs and edge wear. Found in Zoar in 2021. 66”h. 60’’w. 25.75”d. **This cupboard was bought by Jack Adamson out of The Assembly House in Zoar. Ex Darin Good (Zoar, Ohio), Ex Pat & Jack Adamson (Zoar, Ohio). 900-1400

587

ZOAR POTTY CHAIR.

American, second-half 19th Century. Poplar. Lid with applied edge molding, corner posts terminating in truncated tapered legs, lower dovetailed drawer and old worn finish. Wear and age splits. 19”h. 19.75”w. 17”d. 100-300

588

ZOAR, OHIO COVERLET.

American (Zoar, Ohio), mid-19th Century. Wool in red, federal grey-blue, and blue (indigo). Rampant lion border woven with “ZOAR” and with wonderful, stylized tree. Center field with medallions, stars, and pinwheel variant. 71” x 72”. Ex Jack Adamson (Ohio). See Robert Bishop’s book in Henry Ford Museum, page 255. From The 40 Year Americana Collection of a Central Ohio Couple. 1000-2000

589

OHIO DOUBLE WEAVE SUMMER WINTER COVERLET BY JESSE HART.

American (Wilmington, Clinton County, Ohio), dated 1848. Wool in blue (indigo) and white. Very unusual double border with vine and birds perched on branches. Center field with repeating eight-pointed stars. Corner block woven with “Be ye to others kind and true as youd have others be to you and neither say or do to them whatever you would not take again OHIO 1848 BY J HART”. 76” x 70”.

From The 40 Year Americana Collection of a Central Ohio Couple.

600-1200

590

OHIO DOUBLEWEAVE COVERLET BY G. STITCH.

American (Newark, Ohio), dated 1842.

Three-color wool in red and blue bird basket border with church. Corner block, “Wove At Newark Ohio By G. Stitch 1842”. Overall, 72” x 84”. From The 40 Year Americana Collection of a Central Ohio Couple.

500-1000

591

OHIO DOUBLE WEAVE COVERLET

ATTRIBUTED TO DANIEL BOYD, COSHOCTON.

American (Roscoe Village, Coshocton, Ohio), first-half 19th Century. Wool in red, blue, and white, double border with stripes at each end and flowers. Center field with turkeys and peafowl. 90” x 81”. Ex Sandra Mitchell (Ohio). See Chicago Art Institute Book, page 158. From The 40 Year Americana Collection of a Central Ohio Couple. 400-800

592

OHIO DOUBLE WEAVE COVERLET BY GABRIEL RAUSCHER.

American (Delaware County, Ohio), dated 1843. Wool in red, dark green, and blue (indigo). Birds and flower border with center field in flowers and medallions. Corner block signed, “Gabriel Rauscher Delaware County Ohio 1843” with hearts. 80” x 64”. From The 40 Year Americana Collection of a Central Ohio Couple. 300-600

593

HIGH-STYLE COUNTRY TIGER MAPLE SECRETARY BOOKCASE.

American (Ohio), mid-19th Century. In two parts, the upper section with an ogee molded cornice topped with removable carved crest, rests over two six-pane glazed doors with interior shelves, over two side-by-side drawers. The lower case with fall front desk over two blocked and rolled side-by-side drawers, above two long drawers, flanked by turned, applied columns and resting on straight bracket-style feet, centering a scroll-cut apron. Drawer pulls are nicely turned in a “mushroom” form. Strong refinished maple figure retains warm color. Pine secondary wood. 89.75” high to the top of crest. Overall, 43.5”w. 20.5”d. 800-1600

594

COUNTRY SHERATON TIGER MAPLE STAND.

American (possibly Ohio), circa 1810. Country Sheraton stand with shaped cherry rounded cut-corner top above dovetailed tiger maple drawer and cherry base. Each front leg has carved motif flanking the drawer. Top measures 19.5” x 19”. Stand, 28”h. From The 40 Year Americana Collection of a Central Ohio Couple.

400-800

596

LATE SHERATON CHEST.

American (East Coast), second quarter 19th Century. Birch with pine secondary. Backsplash with scrolled ends, paneled ends, rope turned pilasters, turned and needed legs and four dovetailed drawers with birdseye veneered fronts and applied beaded edge. Signed on bottom of dust panel “Ohio 1822”. 46.5”h. 41”w. 20”d.

400-800

597

SHERATON DROP LEAF STAND.

American (Ohio), second quarter 19th Century. Walnut with poplar secondary. One dovetailed drawer with applied beaded edge and burled fan inlay and rope turned legs. Refinished. 29.75”h.

37.5”w. with 9.5” leaves up. 20.5’’d. Signed on drawer bottom “Belfountain, Ohio”.

300-600

596

598

OHIO TRANSITIONAL CHEST OF DRAWERS. American, second quarter 19th Century. Cherry, tiger maple, mahogany and poplar secondary. Paneled ends, foliate-carved stiles, pilasters and front feet and four dovetailed drawers. Made by Uriah Merwin, Braceville, Ohio. Refinished, small section of missing veneer at left on front and some wear. 49.5”h. 43”w. 22.5”d.

400-800

599

MEDIUM HIGH POST BED.

American, 19th Century. Tiger maple. Modified to full size, Found in Medina County, Ohio. basswood rails. 82.25”l. 61.5”w.

300-500

602

604

600

INDIANA DOUBLE WEAVE COVERLET BY SAMUEL STINGER.

American, dated 1848. Indigo and white with grapevine border and trapunto-like grapes. Center field with floral medallions. 85” x 79”. See Indiana Coverlet Weavers and Their Coverlets, page 95, for a related and illustrated example. From The 40 Year Americana Collection of a Central Ohio Couple. 600-1200

601

INDIANA DOUBLE WEAVE COVERLET

BY WILLIAM HICKS.

American (Madison, Indiana), mid-19th Century. Cotton and wool in red, dark blue / black (indigo?) and lighter indigo blue. Gorgeous tri-color, double-horse border with stars and fringe and peafowl corner blocks signed “William Hicks”. Center field with floral medallions. 92” x 84”. For another by Hicks, with the same corner block, see Indiana Coverlet Weavers and Their Coverlets, page 58. From The 40 Year Americana Collection of a Central Ohio Couple. 600-1200

602

INDIANA DOUBLEWEAVE COVERLET BY GILMORE.

American, William or Joseph Gilmour (Union County, Indiana), dated 1839. Wool in indigo and white. Corner blocks with sailboat and “Year 1839”. Log cabin and fence border, center field with floral medallions and trees. 72” x 89”. Ex Gschwendtner Antiques. From The 40 Year Americana Collection of a Central Ohio Couple. 600-1200

603

OHIO “IRISH CHAIN” AMISH QUILT.

American (Ohio), circa 1925. Cotton with double border in blue and yellow. Printed back. 68.5” x 68”. Ex Tom Delach (Ohio). From The 40 Year Americana Collection of a Central Ohio Couple. 200-400

604

DAVID T. SMITH KING SIZE PAINTED BED.

American (Morrow, Ohio), contemporary. Tiger maple. Country empire style. Turned posts are from a period bed. Headboard with turned crest, scrolled ends and three raised panels. Footboard with flat crest and aged finish. 85.5”h. 84”w. 89”l.

3500-4500

605

607

THREE CURLY MAPLE CUTTING BOARDS.

American (Morrow, Ohio), 21st Century. Graduated sizes wth tapered hangers. From The Workshops of David T. Smith. 20”h. 32”h., 28”h., and 20”h.

100-200

608

HEPPLEWHITE STYLE PAINTED HUNTBOARD.

American (Morrow, Ohio), contemporary. Walnut with poplar secondary. Dovetailed gallery back with scrolled detail. Deep dovetailed drawer, scrolled front apron, slender tapered legs and distressed green paint. Assembled from old parts. From the workshop of David T. Smith. 48”h. 40.75”w. 22.25”d. 300-600

609

PAINTED SHERATON STAND.

American, second-quarter 19th Century. Poplar. Dovetailed drawer with tiger maple front, turned legs. Distressed black over green paint. From the workshop of David T. Smith. 28.5”h. 20.25”w. 19.25”d. 150-300

605

DAVID T. SMITH QUEEN SIZE PAINT DECORATED BED.

American (Morrow, Ohio), contemporary with second-quarter 19th Century bed posts. Mixed woods. Black distressed paint with yellow and red branding on posts. 45”h. 68.5”w. 87”l.

1500-2500

606

OHIO EMPIRE PAINTED GRAIN BIN.

American, second quarter 19th Century. Pine. Slanted hinged lid, turned legs and two well interior. Old mustard yellow paint over original red. Wear and legs are loose. 26.5”h. 39.25”w. 19.5”d.

300-600

610

COMB BACK WINDSOR ROCKING CHAIR.

American (probably Ohio), circa 1800. Mixed woods. Spindle-back turned stiles and bamboo turned legs. Refinished and crest may be an old replacement. 17.25”h seat. 43.5”h. Ex Garth Oberlander and Carolyn and Tom Porter (Ohio). Sold at Garth’s, November 26-27, 2004, Lot 59.

400-800

611

SET OF EIGHT BOW BACK WINDSOR CHAIRS.

American (Morrow, Ohio), 20th Century. Mixed woods. Combback style, spindle backs, turned legs and “H” stretchers. Black distressed paint. From the workshop of David T. Smith. 18” seat height. 45”h.

1400-1800

612

THREE PAINTED WINDSOR STYLE BAR CHAIRS.

American (Ohio), late 20th Century. Mixed woods. Bow backs, saddle seats and turned legs and stretchers. River band chairs with distressed paint. From the workshop of David T. Smith. 28” seat h. 50.5”h.

600-1000

611

613

FIVE PAINTED FANBACK WINDSOR STYLE CHAIRS.

American, late 20th Century. Archad crests with carved lobes, spindle backs and boldly turned stiles, legs and “H” stretchers. Distressed paint. From the workshop of David T. Smith. 18” seat h. 40”h.

600-800

613

614

TWO TURTLECREEK REDWARE JAR LAMPS.

American (Morrow, Ohio), late 20th Century. Executed in the dalft style. One i sbarrel shaped with vining flowers and birds decoration. Lettered at base “Turtlecreek potters, design from english delftwore tankard (1722). Cathy Gatch 1990.

200-400

615

EARLY PAINTED BLANKET CHEST.

American (Ohio). Poplar in original blue painted finish with overhanging lid with thumb molded edge, interior with lidded till, applied molding around base with cut-out boot-jack ends. 24.25”h. 36”w. 17.5”d.

300-600

616

OHIO GRAIN PAINTED TRANSITIONAL CHEST.

American (Zanesville, Ohio), second quarter 19th Century. Pine. Sheraton to Empire, paneled ends, half turned pilasters, turned front legs, four dovetailed drawers and original warn brown and reddish brown grain paint. Some minor wear. 44”h. 43”w. 21’’d.

400-600

616

617

GRAIN PAINTED TRANSITIONAL CHEST OF DRAWERS.

American, second-quarter 19th Century. Walnut with pine and poplar secondary. Sheraton to empire, paneled ends, half turned pilasters, turned feet and four dovetailed drawer. Contemporary red and black graining, black panels, pilaster and feet and yellow banding. From the workshop of David T. Smith. 46.5”h. 43.5”w.

250-500

618

PRIMITIVE WEAVER BENCH FROM THE GORDON FAMILY.

American (Barlow Township, Washington County, Ohio). Slab of pine log, retaining bark, seat and oak legs. Some wear and loose legs. 28”h. 40.5”w. 8.75’’d.

100-200

619

TWO GRAIN-PAINTED PINE BOXES.

American, mid-19th Century. Both pine with pin-hinged lift lids. Larger, 3.25”h. 10.5”w. 6.25”d.; and smaller, missing hinge pins, 2”h. 7.5”w. 4.5”d. From The 40 Year Americana Collection of a Central Ohio Couple.

100-200

620

GROUP OF BRASS LADLES AND SKIMMERS.

American, 19th Century. Brass. Largest, 22.5”l. Also, Canton, Ohio, patented 1896. 13.5”l. From The 40 Year Americana Collection of a Central Ohio Couple.

100-200

621

THREE PIECES OF “JUMBO” PATTERN GLASS.

American, late 19th Century. Canton Glass Company. A creamer 6.5 “h, a lidded sugar, chip on tail, 9.25 “h and a covered butter dish. 7 “h.

100-200

622

FIREMAN’S HORN.

American (Springfield, Ohio), late 19th Century. Brass. Nice form with silver circular reserve engraved “Silver Gray Fire Co. No. 2, Springfield, Oh.”. Some dents and a small split. Some oxidation. 20.75”h.

300-600

622

618

623

PRESENTATION CONDUCTOR’S BATON.

American (Ohio), first quarter 20th Century. Ebonized shaft with gold filled ferrules and cap with ivory carved handle. Engraved “To Director O.P. House, From Klark Kounty Klan Korus, March 13, 1924.” Some minor wear, 18”l. in original cloth lined case.

200-400

624

REVERSE PAINTED ON GLASS BANK SIGN.

American (Ohio), circa 1900. White background with gold shaded in black lettering “KENNARD STATE BANK” in a copper frame. 30”h. 20”w.

200-400

625

BUENA VISTA FREESTONE COMPANY ADVERTISING POSTER.

Freestone (Ohio), fourth-quarter 19th Century, Lithograph. Central scene with four circular vignettes detailing the quarries’ abilities. Tears and toning. 22.75”h. 28.75”w.

100-300

626

“SPEAR HEAD” TOBACCO CUTTER.

Ohio, circa 1900. Cast iron. Original red and gold worn paint. Made for PJ. Sorg Co., Middletown, Ohio by the Rogers Iron Works, Springfield, Ohio. 4”h. 17”l.

150-300

627

“JAMES CARSON AND COMPANY” TOBACCO CUTTER.

American (Ohio), circa 1900. Cast iron. Carson was a wholesale grocer in Springfield, Ohio. Cast by T. G. Johnson Company, Quincy, Illinois. Worn nickle plating and rust. 8.75”h. 16.5”l. 100-250

628

TWO BOXES AND A BUTTER MOLD.

American, 19th and 20th Century. A pine grain painted document box, dovetailed case, original hardware. Cherubs and floral decals on front and lettered. Z.A.E.S in gold. Some wear. 10”h. 16.5”w. 9”d. A tiger maple box with dovetailed case signed “Bernard Harter”. 3”h. 5.25”w. 4.25”s. And an individual case butter paint with floral carving. 2.25”h.

100-200

629

CAST IRON JOCKEY HITCHING POST.

American, late 19th Century. Hatted figure with horseshoe tie off on a round base. Layered worn paint. Found outside of Massillon, Ohio. 20”h.

600-900

630

MINIATURE PAINTED URN.

American (Galion, Ohio). Cast iron. Very small black painted urn with handles, brass plaque affixed says “Made by Geo F. Klein, Galion O.”. 13.25”h. 9.75”w. at handles.

150-300

631

TWO SPHERICAL SCULPTURAL CONCRETIONS. North America, (found in Central Ohio). Wonderful color and patina. Pulled from the Olentangy River between Delaware and Worthington, Ohio. Also known as fossil cannonballs, concretions are a hard, compact mass, found in sedimentary rock or soil, and formed by the precipitation of mineral cement within the spaces of the rock or soil. From The 40 Year Americana Collection of a Central Ohio Couple.

200-400

632

TWO SPHERICAL SCULPTURAL CONCRETIONS. North America, (found in Central Ohio). Wonderful color and patina. Pulled from the Olentangy River between Delaware and Worthington, Ohio. Also known as fossil cannonballs, concretions are a hard, compact mass, found in sedimentary rock or soil, and formed by the precipitation of mineral cement within the spaces of the rock or soil. From The 40 Year Americana Collection of a Central Ohio Couple.

200-400

633

H. CROFT WINDMILL SALESMAN’S SAMPLE. Ohio, fourth quarter 19th Century. Tin, brass and walnut. Original red, white, blue and black paint. Lettered on tail “H. CROFT, Pat. Nov. 14th. 1876, Springfield, Ohio” and on reverse, “Croft”. 32.5”h.

400-800

633

634

KENTON CHRISTMAS TREE FENCE.

American (Ohio), circa 1900. Cast iron. Fourteen sections and two pairs of gates. Original green paint with gold trim and geometric pattern. Some paint wear. 5.25”h. and sections 11.75”w. 11.5”w. and 9.75”w.

150-300

635

CRANBERRY CUSPIDOR SHAPED VASE. American (West Virginia), second half 19th Century. Likely Hobb And Brockunier, Wheeling. Ribbed body with flared lip and applied opalene rim. Broken pontil and nice wear on base. 6.75”h.

150-300

636

SIGNED DOMINICK LABINO (1910-1987) BOWL.

American (Ohio), second half 20th Century. Deep form with flared lip, electric blue color and optic pattern. Signed and dated “6-1976” inside polished pontil. 4.5”h. 6” dia. 150-300

637

LANDSCAPE BY J. EDWARD BURK.

American (Ohio), late 19th Century. Oil on board. A grist mill with stream and trees. In pencil on reverse “Edward Burk, Springfield O. R.D. IO. Hand painting of all kinds. Hand painted borders in houses ____ and ____, Yours Truly”. some wear. 13”h. 9”w.

100-200

638

LANDSCAPE TITLED “WA-PAK IN 1831”.

American (Ohio), late 19th Century. Oil on board. Wapakoneta on the banks of Auglaze River with mill and mill race. Some flaking paint. 22”h. 26.5”w. Framed 27.5”h. 32.5”w. 100-300

639

PRINTED MEMORIAL.

American (Ohio), second-quarter 19th Century. Hand colored print, in pen “Henrietta Almira Pease, died February 11th 1838, aged 4 years, 10 months, 13 days. Died at Vermillion, Huron Co. Ohio”. Stains and scuffs. In a period grain painted frame. 13.25”h. 17.25”w.

100-200

640

“OLD MILL IN LANDSCAPE”BY THOMAS CORWIN (TC) LINDSAY (1839-1907).

American (Cincinnati, Ohio). Oil on canvas of very detailed village mill and river confluence scene. Signed in red lower left. Stretcher, 26”h. 48”w. Molded and gilded frame.

1000-2000

641

“GLORIOUS SUNSET” RIVER LANDSCAPE BY THOMAS CORWIN (TC) LINDSAY (1839-1907).

American (Cincinnati, Ohio). Oil on canvas river landscape at sunset. Signed in red lower left. Stretcher, 24”h. 42”w. In original gilded frame.

800-1200

642

“FIELD OF GOLDENROD” PASTURAL SCENE BY THOMAS CORWIN (TC) LINDSAY (1839-1907).

American (Cincinnati, Ohio). Oil on canvas of sunlit sweeping pastural scene with wild goldenrod. Initialed in the lower left. Stretcher, 18”h. 25”w. Molded, carved gilded frame. The Cincinnati Art Museum owns a companion piece to this work.

800-1200

643

PAIR OF WATERCOLOR VIEWS OF NIAGARA FALLS BY WILLIAM COVENTRY WALL (1810-1886).

American (Pennsylvania), mid-19th Century. Two watercolors on paper of the falls. Signed. Sight of each, 7”h. 11”w. (sight). Matted and gilt-framed together, 23.5”h. 18”w. 1250-2500

644

“CLOUDY LANDSCAPE” BY ALEXANDER HELWIG WYANT (1836-1892).

American (New York or Ohio), late 19th Century. Oil on canvas view of a lake under cloudy skies. Signed on lower left. In a carved and gilded period frame, 13”h. 19.75”w. 500-1000

645

HANDCOLORED PRINT BY ALEXANDER HELWIG WYANT (1836-1892).

American (New York or Ohio), late-19th Century. Oil on board landscape of a field with trees. Sight, 7.5”h. 10.5”w. Veneered frame with gilt liner, 13”h. 16”w. 100-300

646

“MAD RIVER, NEAR SPRINGFIELD O.” ENGRAVING AFTER GODFREY NICHOLAS FRANKENSTEIN (1820-1873).

American (Ohio) or European (Germany), late-19th Century. View engraved by James David Smillie (1833-1909) after Frankenstein’s painting of the Mad River near Springfield. Molded frame with double mat, 11”h. 14”w. 30-70

647

PORTRAIT OF OHIO GOVERNOR JOSEPH FORAKER BY ALBERT C. FAULEY (1859-1919).

American (Ohio), dated 1903. Oil on canvas half-portrait of Jospeh Foraker (1846-1917) in a dark suit with a large moustache. Foraker served as the 37th governor of Ohio from 1886 to 1890 and as a United States senator from Ohio from 1897 until 1909. Signed and dated on lower right. Molded and gilded Hackman (Ohio) frame, 31.5”h. 26.5”w. 400-800

648

“RIVER LANDSCAPE” BY JOHN JAY BARBER (1839/40-1910).

American (Ohio), dated 1877. Oil on canvas river view with log raft. Signed and dated on lower left. Sight, 15”h. 30” w. Carved and gilded period frame, 24”h. 39”w. 800-1200

649

“DER STAUBBACH VON LAUTERBRUNNEN”

BY RUDOLF TSCHUDI (1855-1923).

American (Ohio) or European (Switzerland), 19th Century. Oil on panel view of the Staubbach Falls near the Swiss village of Lauterbrunnen. Signed on lower right. Carved, gilded, and floral decorated frame, 15.5”h. 19.25”w.

300-600

650

“COWS IN VIEW OF FARMHOUSE” BY THOMAS CORWIN (TC) LINDSAY (1839-1907). American (Cincinnati, Ohio). Oil on canvas of cows in a fenced field, within the view of the brick background farmhouse. Signed lower right. Stretcher, 14”h. 22”w. Cove-molded and gilded frame.

800-1200

651

“FLOCK OF SHEEP IN SPRINGTIME ORCHARD” BY THOMAS CORWIN (TC) LINDSAY (1839-1907).

American (Cincinnati, Ohio). Oil on canvas of small flock of sheep milling in a budding, springtime orchard. Signed lower right. Stretcher, 17”h. 22”w. Ornate pierce-carved and gilded frame.

600-1200

652

“EWE WITH TWO LAMBS” BY THOMAS CORWIN (TC) LINDSAY (1839-1907).

American (Cincinnati, Ohio). Oil on canvas of pastural scene with ewe and her two lambs, signed in the lower left. Stretcher, 30”h. 38”w. Modern molded and gilded frame.

600-1200

652

653

“CLAM FISHING, NEW ORLEANS”

BY ANNA LOUISE THORNE (1866-1965).

American (Ohio), dated 1954. Watercolor view of boats at the dock. Signed on lower right. In a black painted wood frame, 24”h. 30.5”w. Exhibited in “The Feminine Hand” at the Zanesville Museum of Art, spring 2013.

600-1200

654

“A SCENE IN NEW ORLEANS”

BY ANNA LOUISE THORNE (1866-1965).

American (Ohio), early or mid-20th Century. Watercolor on canvas view of a house surrounded by foliage. Signed on lower right. Matted and in a molded frame, 15.5”h. 19.5”w. Exhibited in “The Feminine Hand” at the Zanesville Museum of Art, spring 2013. 400-800

655

“ROCKS AND SEA, LAJOLLA, CALIFORNIA”

BY ETHEL M. COOKE (1887-1976).

American (Ohio), dated 1921. Oil on board image of a rocky coast. Signed on lower left; signed, dated, and titled verso. In a silver-gilt, molded frame (probably a Hackman (Ohio) frame) with beautiful silver gilt liner, overall 12.25”h. 13.5”w. Exhibited in “The Feminine Hand” at the Zanesville Museum of Art, spring 2013.

300-500

656

“FARM SCENE IN FALL” ATTRIBUTED TO THEODORE M. WENDEL (1859-1932).

American (Ohio), late-19th or early-20th Century. Oil on artist board view of two barns by a stream with fall trees in the foreground. Signed on lower left. Identified on back, “Theodore Wendel, Old Mill and Farm”. Molded and gilded frame, 20”h. 25”w.

100-300

657

“WOMAN IN RED” BY JOHN RETTIG (1855-1932).

American (Ohio), late-19th or early-20th Century. Oil on canvasboard portrait of a woman in a red shirt and jewelry. Signed on upper left. Carved and gilded frame, 16”h. 14”w.

300-500

658

“LANDSCAPE” BY MAURICE STEWART HAGUE (1862-1943).

American (Ohio), late-19th or early-20th Century. Oil on canvas view of a forest in the fall. Signed on lower right. Molded and gilded frame, 28.5”h. 33.5”w.

150-350

659

“LANDSCAPE WITH FIGURES” BY ANNA LOUISE THORNE (1866-1965).

American (Ohio), early-20th Century. Oil on board scene of a creek with figures. Signed on lower left. Molded and gilded Hackman (Ohio) frame, 14.75”h. 14.75”w.

400-800

660

“FALL LANDSCAPE” ANNA LOUISE THORNE (1866-1965).

American (Ohio), early-20th Century. Oil on board view of a lake in the fall. Signed on lower left. Molded gilt frame, 13”h. 14”w. 400-800

661

“LANDSCAPE WITH FIGURES”

BY ANNA LOUISE THORNE (1866-1965).

American (Ohio), early-20th Century. Oil on canvas landscape image with two figures resting. Signed on lower left. Molded and gilded Hackman (Ohio) frame, 11.25”h. 13.25”w. Exhibited in “The Feminine Hand” at the Zanesville Museum of Art, spring 2013. 300-600

661

662

“WALKING THE SAND DUNES”

BY ANNA LOUISE THORNE (1866-1965).

American (Ohio), early-20th Century. Oil on board image of a person walking the dunes carrying a bundle of sticks. Signed on lower right. Molded and gilded Hackman (Ohio) frame, 13.75”h. 15.75”w. 300-600

663

“TWO WHITE TREES”

BY JOHN GILLESPIE (B. 1901).

American (Ohio), 20th Century. Colorful watercolor view of a wooded landscape along a river. Signed on lower right and titled on verso. In a molded and gilded Hackman (Ohio) frame, 19”h. 21”w.

100-300

664

“SELLS FLOTO CIRCUS” BY REYNOLDS BEAL (1866/67-1951).

American (Ohio), dated 1922. Pastel on paper view of a circus scene with four elephants and a “CIRCUS” tent in the background. Signed and dated on lower right, titled on lower left. Carved and gilded frame with gilt liner, overall 25”h. 28”w. The Sells Floto Circus, toured with sideshow acts across North America during the early 1900s, was a combination of the Floto Dog & Pony Show and the Sells Brothers Circus.

400-800

665

“AUTUMN IN OHIO” BY WILLIAM JOHN EDMONDSON (1868-1966).

American, second-quarter 20th Century. Oil on canvas fall landscape along a river. Signed on lower left and titled on the stretcher. In a carved and gilded Newcomb-Macklin frame, 27”h. 33”w.

400-800

666

“PASTORAL SCENE IN SPRING”

BY HUGH HUNTINGTON HOWARD (1860-1927).

American (Ohio), late-19th or early-20th Century. Oil on artist board view of blossoming trees and a meandering path. Signed on lower left and identified on verso. Carved and molded gilt frame, 24.5”h. 32.5”w.

250-350

667

“VIEW OF BUILDINGS”

BY HENRY GEORGE KELLER (1869-1949).

American (Ohio), early-20th Century. Watercolor on paper of two buildings in a tropical setting. Signed on lower right. Molded gilt frame with gilt liner, overall 28”h. 34”w. 400-800

668

“COASTAL LANDSCAPE”

BY HENRY GEORGE KELLER (1869-1949).

American (Ohio), early-20th Century. Watercolor on paperboard of a sunset view of a rocky coast with a ship. Monogrammed on lower left. Molded and gilded frame, 24”h. 28”w. 400-800

669

“LANDSCAPE” BY HENRY GEORGE KELLER (1869-1949).

American (Ohio). Pastel on paper view of rolling hills under a cloudy sky. Artist signed on lower right. Molded and painted frame, 16”h. 21”w.

300-600

670

“NUDE” DRAWING BY HENRY GEORGE KELLER (1869-1949).

American (Ohio), early-20th Century. Pencil and charcoal on paper drawing of a standing nude. Signed on lower left. Black frame and matted, 22.5”h. 16.5”w.

100-300

671

PAINTING OF GUATEMALAN GIRLS BY ALICE SCHILLE (1869-1955).

American (Ohio/New Mexico), early 20th century. Oil on canvas. Two girls with large pot and figural wall drawing in the background. Estate stamped on stretcher, paper label with “#2 - Alice Schille Heirs” on stretcher, partial label for “United Fruit Company, steamship service” on reverse. 37”h. 29”w., sight. 43”h. 35”w., framed. Exhibited: Columbus Gallery of Fine Art (now Columbus Museum of Art), 1964 Schille Memorial exhibit mounted by Edmund Kuehn; El Paso Museum of Art, 1972; Huntington National Bank, 1967. 10000-12000

671

672

“LANDSCAPE WITH BUILDINGS” BY WILBUR L. OAKES (1876-1934).

American (Ohio), late-19th or early-20th Century. Watercolor view of buildings beside a reflective body of water. Signed on lower right. Matted and in a black frame, 17.75”h. 25”w.

200-300

673

“OCTOBER” BY AUGUST FREDERICK LUNDBERG (1878-1928).

American (Ohio), late-19th or early-20th Century. Oil on board autumn view in the hills. Signed on lower left and titled verso. Carved and molded gilt frame, 25”h. 21”w. 600-1200

674

COUNTRY LANDSCAPE SIGNED GEORGE G. ADOMEIT (1879-1967).

American, mid 20th Century. Oil on artist board. Field with haystacks and barns in background. Signed lower left. 16”h. 20”w. In a Hackman frame, 22.25”h. 26.25”w. 1500-2500

675

“COUNTRY ROAD” BY GEORGE GUSTAV ADOMEIT (1879-1967).

American (Ohio) or European (Germany), early-20th Century. Oil on canvasboard colorful view of a country road and a barn. Signed on lower right. Molded and gilded Hackman (Ohio) frame, 20”h. 21.5”w. 500-1000

676

“GREEN LANDSCAPE” BY ANNA ALTHEA HILLS (1882-1930).

American (Ohio or California), dated 1920. Watercolor on paper view of a landscape with tall trees. Signed and dated on lower left. Molded gilt frame with mat, 16.25”h. 18”w. Exhibited in “The Feminine Hand” at the Zanesville Museum of Art, spring 2013. 300-600

677

“FACTORY ALONG THE RIVER”

BY AUGUST F. BIEHLE (1885-1979).

American (Ohio), 20th Century. Watercolor on paper view of a factory and river with boats. Signed on lower right. Matted and in a gilded frame, 17.25”h. 20.25”w. 600-1200

678

“PAINTING OF FACTORY” BY AUGUST F. BIEHLE (1885-1979).

American (Ohio), 20th Century. Watercolor on paper view of a large building with five billowing smokestacks. Signed on lower right. Carved and gilded frame. 400-800

679

“PORTRAIT OF A LARGE SHIP”

BY AUGUST F. BIEHLE (1885-1979).

American (Ohio), mid-19th Century. Watercolor on paper of a tug towing large cargo vessel into port. Signed on lower right. Matted and in a molded gold frame, 21”h. 23.5”w. 200-400

680

ROY BRYANT WEIMER (1890-1968), CLEVELAND SCHOOL, “WOMAN AT THE GATE”.

American (Ohio), 1923 (dated). Oil on canvas. Woman standing at a gate with lush garden and brick walkway, set against a large house. Signed and dated lower left. Remnant of an exhibition label on reverse. 29”h. 25”w., stretcher. 2000-4000

681

“WOODED LANDSCAPE” BY PAUL BOUGH TRAVIS (1891-1975).

American (Ohio), mid-20th Century. Watercolor on paper of a wooded landscape. Signed on lower left. Matted and in a molded gilt frame, 22”h. 18”w. 250-500

“BALCONY VIEW” BY PAUL BOUGH TRAVIS (1891-1975).

American (Ohio), mid-20th Century. Watercolor on paper view of a city street from a balcony. Signed on lower right. Matted in a black frame with black liner, overall 22.5”h. 18.5”w.

250-350

683

682

“LANDSCAPE” BY AUGUST F. BIEHLE (1885-1979).

American (Ohio), mid-20th Century. Gouache on paper landscape with two prominent trees. Signed on lower right. Beautiful molded and gilded Hackman (Ohio) frame, 17”h. 17”w.

200-300

684

“ERIE CANAL - NEAR UTICA, NY”

BY FRANK NELSON WILCOX (1887-1964).

American (Ohio), 20th Century. Watercolor on paper view of waterway with a church steeple in the background. Signed on lower right and identified on lower left. Molded and gilded Hackman (Ohio) frame, 14.5”h. 18.5”w.

800-1200

685

“LANDSCAPE WITH BRIDGE” BY FRANK NELSON WILCOX (1887-1964).

American, first-half 20th Century. Watercolor on paper view of a river and bridge. Signed lower right. Molded frame with decorative finish, 16.5”h. 22.5”w.

300-600

686

“SHIPYARD” ETCHING BY FRANK NELSON WILCOX (1887-1964).

American (Ohio), late-19th or early-20th Century. Etching view of a large ship in a shipyard undergoing maintenance. Signed in pencil on lower right. Matted and in a black frame, 12.75”h. 14”w.

250-350

687

“HORSES AND JOCKEYS”

BY FRANK NELSON WILCOX (1887-1964).

American (Ohio), 20th Century. Pastel and watercolor on paper view of jockeys on horses at a racetrack. Artist signed on lower right. Gilt framed and double matted, 19”h. 23”w.

200-300

688

“COASTAL LANDSCAPE”

BY FRANK HARMON MYERS (1899-1956).

American (Ohio), 20th Century. Oil on artist board view of trees with water in the background. Signed on lower right. Molded and gilded frame, 20.5”h. 26.5”w.

400-800

689

“LANDSCAPE WITH HILLS”

BY GLEN TRACY (1883-1956).

American (Ohio), dated 1925. Watercolor on paper view of a farm in a valley with hills in background. Signed and dated on lower left. Molded frame, 21.5”h. 28.5”w. 300-600

690

“GLOWING FOREST”

BY ADAM LEHR (1853-1924).

American (Ohio), early-20th Century. Oil on canvas view of two figures in a wooded field. Signed on lower right, as well as artist and title on verso (canvas). Molded and gilded frame, 25”h. 32”w. 300-500

691

“GREEN LANDSCAPE” BY MAURICE STEWART HAGUE (1862-1943).

American (Ohio), late-19th or early-20th Century. Oil on canvas wooded view of trees with green foliage. Artist signed lower left. Molded and gilded oak frame, 22.5”h. 27.5”w. 100-300

692

“FLOWER STAND” BY LOWELL ELLSWORTH SMITH (1924-2008).

American (Ohio), mid 20th Century. Highly detailed watercolor on paper view of a flower stand at the San Miguel market. Signed on lower right. Molded frame with mat, 15.5”h. 19.25”w. 200-300

693

“BUSINESS AND PLEASURE” BY LESLIE COPE (1913-2002).

American (Ohio), dated 1986. Oil on board, signed and dated lower right and left. Harbor scene in Gloucester, Massachusetts. Sight, 23”h. 35”w. Framed, 31”h. 43”w. 800-1200

694

“THE AMISH HOMESTEAD” BY LESLIE COPE (1913-2002).

American (Ohio), dated 1996. Oil on board, signed and dated lower right. Amish farm scene. Sight, 23”h. 35”w. Framed, 33.5”h. 46”w. 400-600

695

“CAROUSEL” BY LESLIE COPE (1913-2002).

American (Ohio), dated 1983. Oil on board, signed and dated lower right. Carousel scene with riders. Sight, 24”h. 30”w. Framed, 34.5”h. 40.5”w.

300-600

696

“THE OLD BUGGY SHOP” BY LESLIE COPE (1913-2002).

American (Ohio), dated 1973. Oil on canvas, signed and dated lower right. Amish buggy shop scene in Farmerstown, Ohio. Sight, 23”h. 35”w. Framed, 34”h. 46”w.

300-500

697

TWO STORE SCENES BY LESLIE COPE (1913-2002).

American (Ohio). Oil on canvas, signed and dated “1986” lower right. A scene of “The Country Store Walnut Creek, Ohio”. Sight, 11.25”h. 15.25”w. and frame, 17”h. 21”w. Together with an oil on board, signed and dated “1995” lower right, of “The Anytime Shop Essex, MA”, 200-400

698

EMERSON BURKHART (1905-1969)

“REAR OF HOUSES, EAST SIDE”.

American (Ohio), July 17, 1943 (dated). Oil on canvas. A painterly depiction of the rear side of a row of houses with an open lot. Acquired by the present owner from the estate of Karl Jaeger. 18”h. 26”w., stretcher. 23”h. 31”w., framed. Cataloguer’s note: Burkhart frequently painted the rear of houses and backyards, and explained when asked that one learns more about the occupants by looking at the back of a house than by looking at a well-manicured facade.

4000-6000

699

EMERSON BURKHART (1905-1969)

“BEFORE THE HARVEST”.

American (Ohio), 1956 (dated). Oil on canvas. Signed lower right. Beautifully executed autumnal scene in vibrant colors of a corn field and fence row. Commissioned by a farmer in Fayette County of his property. 27.25”h. 48”w., stretcher.

3000-6000

700

EMERSON BURKHART (1905-1969)

“LAUNDRY LINE”.

American (Ohio), May 29, 1952 (dated verso). Oil on canvas. Signed lower right. A superbly rendered painting depicting the rear of several homes, in what appears to be a semi-rural area, presumably in central Ohio - possibly Gahanna. 25.25”h. 30.25”w., stretcher.

2500-4500

701

EMERSON BURKHART (1905-1969)

“COLUMBUS REDBIRDS-1951”.

American (Ohio), 1951 (dated on the scoreboard). Watercolor on paper. Signed lower right. Depiction of a baseball game in summer. 8.5”h. 11.25”w., sight. Cataloguer’s note: The artist was an avid baseball fan and frequently attended Columbus Redbird games, though his paintings of the club are uncommon.

1500-2500

702

MOUNTAIN LANDSCAPE

BY EMERSON BURKHART (1905-1969). Ohio, 1963. Oil on canvas. Landscape with mountain in background in mostly pastel tones, signed and dated lower right. 25.25”h. 35.75”w., stretcher. 32”h. 42”w., framed. 1000-2000

703

“PORTRAIT OF A HOUSE” LINOCUT

BY EMERSON C. BURKHART (1905-1969).

American (Ohio), circa 1943. View of the back of a sided house. Several inscriptions in the margins, and a note on the back indicates that this first print of Burkhardt’s first linocut was gifted to Lloyd E. Siberell in November of 1943. Nicely framed, matted, and with liner, 15”h. 17”w. 100-200

702

711

704

“SUMMER IN THE PARK”

BY CLYDE J. SINGER (1908-1999).

American (Ohio), dated 1939. Watercolor on paper view of figures in a landscape beside a body of water. Signed on lower left corner and signed, dated, and titled on verso. Carved and molded gilt frame, 19.5”h. 25.5”w. 1000-2000

705

“COURTYARD SCENE”

BY CLYDE SINGER (1908-1999).

American (Ohio), 20th Century. Oil on canvas view of a courtyard with two figures by a doorway. Signed on lower right. Molded and gilded Hackman (Ohio) frame, 21”h. 18”w. 100-300

708

“RIVER AND BRIDGE LANDSCAPE” BY CHARLES SALIS KAELIN (1858-1929).

American (Ohio or Massachusetts), late-19th or early-20th Century. Oil on masonite scene of a bridge over a river. Signed on lower right. Carved and gilded Hackman (Ohio) frame, 10”h. 17”w. 100-300

709

“WOODED LANDSCAPE” BY CHARLES SALIS KAELIN (1858-1929).

American (Ohio or Massachusetts), late-19th or early-20th Century. Pastel on paper of a wooded landscape. Signed on lower right. Molded gold frame with mat, 24.5”h. 19.5”w. 100-300

710

“HARBOR VIEW” ATTRIBUTED TO CHARLES SALIS KAELIN (1858-1929).

American (Ohio or Massachusetts), late-19th or early-20th Century. Pastel on paper of a harbor scene. Signed on lower right. Gold painted frame with mat, 18”h. 21”w. 100-200

706

“WOMAN WITH UMBRELLA”

BY CLYDE J. SINGER (1908-1999).

American (Ohio), dated 1954. Pencil on paper sketch of a woman walking with an umbrella. Signed on lower right and dated “54”. Matted and in a carved gilded frame, 13.5”h. 16.5”w. 100-300

707

“WOODED LANDSCAPE” ATTRIBUTED TO CHARLES SALIS KAELIN (1858-1929).

American (Ohio or Massachusetts), late-19th or early-20th Century. Pastel on paper view of a rocky creek in the woods. Signed on lower right. Molded and gilded frame, 23”h. 19”w. 400-800

711

COVERED BRIDGE SCENE BY LESLIE COPE (1913-2002).

American (Ohio), dated 1993. Oil on canvas, signed and dated lower right. Figures and horses walking across “Cope’s Crossing” red covered bridge in the fall. Sight, 23.5”h. 29.5”w. Frame, 30”h. 36”w. 300-600

712

“EUROPEAN CITYSCAPE” BY LESLIE COPE (1913-2002).

American (Ohio), dated 1950. Oil on artist board view of a bustling street scene. Signed and dated on lower right. Gilded frame with linen and gilt liners, overall 25”h. 31”w. 300-600

713

TWO COVERED BRIDGE SCENES BY LESLIE COPE (1913-2002).

American (Ohio). Oil on board, signed and dated 1991 lower right. A covered bridge on a “September Afternoon (Morgan Co., Ohio)”. Sight, 5.75”h. 7.75”w. and frame, 10.25”h. 12.25”w. Together with a covered bridge scene of a man walking with two horses, signed and dated 1993 lower right. Sight, 5.5”h. 7.5”w. and framed, 10”h. 12”w. 200-400

714

“WINTER AT THE BRIDGE”

BY LESLIE COPE (1913-2002).

American (Ohio), dated 1995. Oil on board, signed and dated lower right. Red painted covered bridge scene with deer in a stream. Sight, 11.5”h. 15.5”w. Frame, 18”h. 22”w. 200-400

715

PAIR OF PAINTINGS OF “THE MILLWHEEL, MILLBRIDGE, PA” BY

LESLIE COPE (1913-2002).

American (Ohio), both dated 1994. Oil on board, one signed and dated lower right, the other signed and dated lower left. Two views of the Millwheel. Both sights, 5.5”h. 7.5”w. Identically framed, 10”h. 12”w. 200-400

716

“THE OLD MILL GATLINBURG, TENN.”

BY LESLIE COPE (1913-2002).

American (Ohio), dated 1993. Oil on canvas, signed and dated lower right. Mill scene with figures on a bridge. Sight, 15.25”h. 19.25”w. Frame, 21.75”h. 25.75”w. 200-400

717

BARN SCENE BY LESLIE COPE (1913-2002).

American (Ohio), dated 1994. Oil on board, signed and dated lower right. Wooded barn scene with figures conversing near a horse with an approaching a horse and carriage in the background. Sight, 10.5”h. 13.5”w. Frame, 17”h. 20”w. 150-300

718

TWO OHIO LANDSCAPES

BY DAVID (JAMES) HILL (1926-2007).

American (Hamilton, Ohio), circa 1996. Sunlit “Winter Scene with Snowy Country Road” oil on canvas of a rural house and trees after snowfall, signed lower left and dated ‘96. Stretcher, 16”h. 20”w. Molded and gilded frame with linen liner. Together with an oil on artist board summer scene, “Landscape with Stream and River”, signed in the lower left. Stretcher, 14”h. 18”w. In a natural finish wood frame with linen liner. Self-taught, Hill preferred to paint only in natural daylight.

400-800

719

TWO OHIO OIL PAINTINGS

BY DAVID (JAMES) HILL (1926-2007).

American (Hamilton, Ohio), circa 1994. Oil on canvas summertime scene of “The Gathering” along a side yard with sunshine and shadows. Signed in the lower right and dated ‘95. Stretcher, 20”h. 24”w. Molded and gilded frame with linen liner. Together with an oil on canvas, “Autumn Still Life, Basket with Corn”, with basket, harvest jug, flint (Indian) corn, and garden vegetables on a tabletop. Signed in the lower left and dated ‘93. Stretcher, 16”h. 20”w. Molded and carved wood frame with linen liner. Self-taught and always seeking inspiration, Hill was known to walk the fields of Darke County each day with his dogs.

400-800

“WOODED LANDSCAPE” ATTRIBUTED TO CHARLES SALIS KAELIN (1858-1929).

American (Ohio or Massachusetts), late-19th or early-20th Century. Pastel on paper view of woods in winter at sunset. Signed on lower right. Molded gilt frame with mat and gilt liner, 13.5”h. 15.5”w. 100-300

721

“FALL VILLAGE LANDSCAPE” BY CHARLES SALIS KAELIN (1858-1929) . American (Ohio or Massachusetts), late-19th or early-20th Century. Oil on board view of a village in fall. Signed on lower left. Molded and gilded frame, 12”h. 15”w. 100-300

722

“WINTER LANDSCAPE” BY CHARLES SALIS KAELIN (1858-1929).

American (Ohio or Massachusetts), late-19th or early-20th Century. Oil on board image of a village in the winter. Signed on lower left. Molded and gold painted frame, 14”h. 17”w. 100-300

723

TWO OHIO LANDSCAPES BY DAVID (JAMES) HILL (1926-2007).

American (Hamilton, Ohio), circa 1987-1996. Oil on canvas wintertime scene of a “Red Barn” on a partially cloudy day with sunshine and shadows. Signed in the lower right and dated ‘96. Stretcher, 8”h. 10”w. Molded and gilded frame with carved liner. Together with an oil on canvas with an elevated perspective of “Himself and Chuck the Dog”, on a sunny, springtime day in April. Signed in the lower right and dated ‘87. Stretcher, 21”h. 27.5”w. Modern molded and carved wood frame. Self-taught and always seeking inspiration, Hill was known to walk the fields of Darke County each day with his dogs. 400-800

724

LANDSCAPE “FARM SCENE WITH RED BARN” BY DAVID (JAMES) HILL (19262007).

American (Hamilton, Ohio), circa 1991. Oil on canvas autumnal landscape with red barn in the distance. Good use of sunshine and shadows. Signed in the lower right and dated ‘91. Stretcher, 20”h. 24”w. Molded and gilded frame with linen liner. 200-400

725

“THREE STUDIES” OF WOMEN BY KATHERINE DORN CASS (1901-1971).

American (Ohio), mid-20th Century. Watercolor on paper studies of women. All signed. Unframed, the smallest is 7.5”h. 5.5”w., and others are 15”h. 13.5”w. 150-250

726

“FLOWERS” BY ANNA LOUISE THORNE (1866-1965).

American (Ohio), dated 1936. Oil on canvas of a white and pink bunch of flowers. Signed and dated on lower right. Molded and gilded Hackman (Ohio) frame, 28”h. 25.5”w. 600-1200

727

“BUILDINGS ON A HILLSIDE” BY ANNA LOUISE THORNE (1866-1965).

American (Ohio), early or mid-20th Century. Oil on board view of several homes on a hillside. Signed on lower right. Molded driftwood-style frame with linen and liner, overall 27”h. 33”w. 400-800

728

“MIDDLE EASTERN SCENE” BY ANNA LOUISE THORNE (1866-1965).

American (Ohio), early or mid-20th Century. Watercolor scene of a courtyard and numerous robed figures. Signed on lower right. Matted and in a carved frame, 20”h. 18”w. 100-300

729

“PORTRAIT OF AN OLD MAN”BY ANNA LOUISE THORNE (1866-1965).

American (Ohio), early-20th Century. Watercolor on paper portrait of an older man with long hair and beard. Signed on lower right. In a black frame with mat, 23.5”h. 19.5”w.

100-200

730

“CARRYING THE BASKETS” BY ANNA LOUISE THORNE (1866-1965).

American (Ohio), early or mid20th Century. Watercolor scene with women carrying produce in baskets. Signed on lower right. Beveled black painted frame, 23.25”h. 19.25”w. 300-600

731

“FISHERMEN AND BOATS” BY SANDOR VAGO (1887-1946).

American (Ohio), late-19th or early-20th Century. Pencil drawing of a fisherman with net and boat along the shore. Signed on lower left. Matted and in a molded black frame, 13.75”h. 15.75”w. 100-200

732

“WOODED LANDSCAPE” BY CHARLES SALIS KAELIN (1858-1929).

American (Ohio), early-20th Century. Pastel on paper image of a wooded landscape with creek. Signed on lower left. Matted and in a black frame, 23”h. 18”w. 75-150

733

TWO PRINTS OF MEXICO BY MABEL MASON DE BRA KING (1895-1950).

American (Ohio), first-half 20th Century. Colored prints entitled “Late Afternoon, Oaxaca” and “Taxco” titled on lower left, signed on lower right. Both framed and matted, the larger measures

20.5”h. 17.5”w.

250-350

734

CLIFFTON, OHIO STREETSCAPE BY AIMEE D. BROWN (1882-?).

American (Dayton, Ohio), first half 19th Century. Oil on canvas. Rural street scene with storefronts and side of building right foreground with circus posters. Cleaned and revarnished with paint flake lower center. 25”h. 30”w. In a Hackman frame, 31.5”h. 36”w.

300-600

735

COLUMBUS CITYSCAPE BY FRANK

C. LIND. American (Columbus, Ohio), mid 20th Century. Oil on masonite. Power plant on the river with downtown skyline in background. Signed lower right. 17.5”h. 12”w. Framed 20”h. 13.5”w. 100-200

736

“PORTRAIT OF A MAN” BY PASCAL CUCARO (1915-2004).

American (Ohio or California), mid-20th Century. Oil on board portrait drawing of a man with a hat. Signed on lower center. Craved and molded frame with gilt liner, 20”h. 16.5”w. 75-150

SPRING LANDSCAPE BY ROBERT BOLLING BRANDEGEE.

Connecticut/ New York, 18491922. Oil on canvas, signed in pencil with “Farmington” lower right. Field with blossoming fruit tree. Rebacked on canvas. 12”h. 19”w., framed, 15.5”h. 22.5”w. 900-1200

738

LANDSCAPE BY ROBERT BOLLING BRANDEGEE.

Connecticut/ New York, 18491922. Oil on canvas, unsigned. Hill and farmstead from “The Farmington Years”. Exhibition label for the New Britain Museum of American Art, New Britain, Connecticut. Rebacked on canvas, restretched. 10”h. 14”w., framed, 16.5”h. 20.25”w. 400-600

739

POND BY ROBERT BOLLING BRANDEGEE.

Connecticut/ New York, 18491922. Oil on canvas, initialed “RB”. Study of a pond with trees. Rebacked on canvas, new stretchers. 12.25”h. 19.5”w., framed, 15”h. 22.25”w. 200-400

740

GENRE SCENE BY ROBERT BOLLING BRANDEGEE.

Connecticut/ New York, 18491922. Oil on canvas, signed and dated “R.B. Brandegee, 1877”. Titled on the back “The Henpecked Husband”. Northern European kitchen scene with husband seated in chair. Tear. 15”h. 18”w., framed, 18.5”h. 21.75”w. 200-400

741

LANDSCAPE BY ROBERT BOLLING BRANDEGEE.

Connecticut/ New York, 1849 - 1922. Watercolor on paper, unsigned. “Landscape with Pond” from “The Farmington Years”. Exhibition label for the New Britain Museum of American Art, New Britain, Connecticut. Some spotted stains. Framed, 16”h. 15.5”w. 200-400

742

SUMMER LANDSCAPE BY ROBERT BOLLING BRANDEGEE.

Connecticut/ New York, 18491922. Oil on artist board, unsigned. Pasture with watering hole and cattle. 12.5”h. 18”w., framed, 16.25”h. 21.5”w. 100-300

743

ELDERLY MAN BY ROBERT BOLLING BRANDEGEE.

Connecticut/ New York, 18491922. Oil on canvas, partial pen and ink paper label on back “Robert - Brandegee”. Elderly gentleman reading a newspaper. Loose canvas folded over the Eastlake frame. Canvas approximately 11.5”h. 9”w., frame, 15.5”h. 15.25”w. 100-300

744

NATIVE AMERICAN PORTRAIT SIGNED HAL EMPIE (1909-2002).

American, dated 1994. Oil on masonite. Titled “Concha” & is of a young lady with long braided hair. Signed lower left and dated 9-10-(19)94 on reverse. 9”h. 7”w.

Framed 18”h. 16”w. 300-600

745

BUCKING BRONCO “WHERE’S LUTHER”

SIGNED HAL EMPIE (1909-2002).

American, late 19th Century. Oil on masonite. Horse losing his rider signed lower right. 5”h. 4”w. framed 15.5”h. 14.5”w. 200-400

746

SOUTHWESTERN

SCENE “CLAY BLUFF

RANCH” SIGNED HAL EMPIE (1909-2002).

American, late 19th Century. Oil on masonite. Windmill with barn on a mountainous stone bluff background. Initialed “H. E.” lower left. 6”h. 4”w. framed 17.5”h. 15.5”w. 200-400

747

LANDSCAPE TITLED “DOMINGO”

SIGNED HAL EMPIE (1909-2002).

American, late 20th Century. Oil on masonite. Dated 1993 in pencil on reverse. Image of a group of people gathering for Sunday services at a white stucco church. Initialed lower left. 4”h. 5”w. Framed 15.5”h. 16.5”w. 200-400

748

SIGNED AND NUMBERED PRINT “LONDA TWICE”.

American, dated 12-(19)66. Woodblock on paper. Nude female, numbered 1/5 lower left, titled at center and signed illegibly at right. 18”h. 15”w.

100-200

749

“LANDSCAPE WITH RUINS”

BY DOUGLAS ARTHUR TEED (1864-1929).

American (Michigan), late-19th or early-20th Century. Oil on canvas view of a landscape with a river, small waterfall, and ruins of a building. Signed on lower left. Sight, 15.5”h. 19.5”w. Ornate carved gilt frame, 20.5”h. 24.75”w.

500-1000

750

“STUDY OF A NUDE” DRAWING BY ARTHUR BOWEN DAVIES (1862-1928).

American (New York), early-20th Century. Charcoal and chalk on paper full-length sketch of a nude woman. Signed on lower right. Unframed, 9.75”h. 8.75”w.

300-500

751

“LANDSCAPE” BY WILLIAM JOHN EDMONDSON (1868-1966).

American (Ohio), second-quarter 20th Century. Oil on canvasboard of a vibrantly colorful landscape with hills. Signed on lower right. Molded frame with linen liner, 13”h. 16”w. 200-400

752

MOUNTAINOUS

LANDSCAPE SIGNED ANNIE MONTGOMERY (1908-1981).

Australian, mid 20th Century. Oil on masonite. Arid scene of Marke Mountain, signed lower right and dated 1955. In pencil on reverse “Marke Mountain Landscape” with her name and address. 23”h. 27”w. framed 28.25”h. 32.25”w. 200-400

753

WATERCOLOR OF TWO WOMEN

ATTRIBUTED TO EUNICE PINNEY (1770-1849).

American, 19th Century. Watercolor and pencil on paper, wood frame. Two women walking, one holding a parasol. Inscription on back indicating this painting “from collection of E.W. & B.C. [Col. Edgar William and Bernice Chrysler ] Garbisch SPB [Sotheby’s Parke Bernet] Sale # 4103 - Apr 1, 1978” with additional inscription comparing this work to another “ex-Garbisch” watercolor by Pinney. Painting, 5.5” 6.5”. Frame, 6.75” 7.75”. From the collection of the late Audrey Caspari (New Jersey).

500-1000

754

PORTRAIT OF A LADY ATTRIBUTED TO ZEDEKIAH BELKNAP (1781-1858). American, second quarter 19th Century. Oil on canvas. She wears a high waisted red chess with lace collar. Cleaned, restoration especially on face and revarnished. 26.5”h. 22”w. Contemporary frame. 31.75”h. 27.25’’w. Ex Dover House Antiques. From the collection of the late Audrey Caspari (New Jersey).

600-900

755

PORTRAIT OF A GENTLEMAN.

American, mid 19th Century. Oil on canvas. He has curly hair and sideburns, a gold earring, high collared shirt with lace front and a filigree tie pin. Possibly a ship captain. Cleaned, restored, rebacked and revarnished. 20”h. 16.25”w. Framed 24.25”h. 20.5”w. From the collection of the late Audrey Caspari (New Jersey). 300-600

756

MINIATURE WATERCOLOR OF A CHILD ATTRIBUTED TO RUFUS PORTER (1792-1884). American, 19th Century. In an eglomise frame. Contemporary notation on back “Miss Mallery Painted by Rufus Porter 1827”. 4.5”w. 5.5”h. From the collection of the late Audrey Caspari (New Jersey). 800-1200

757

FRAMED MINIATURE PORTRAIT. Possibly American, Second Quarter 19th Century. Watercolor on oval wafer. Woman in white bonnet and black dress. Wear to frame. 5.25”h. 4.5”w. 100-200

753

754

756

755

759

758

CONNECTICUT RIVER VALLEY WARDROBE.

American, second half 18th Century. Poplar. Cornice and base molding, solid ends, raised panel doors flanked by raised panel stiles, lower overlapping dovetail drawer, simple feet, “H” hinges and pegged and rosehead nail construction. Redwash finish. Some wear and edge damage. 77.5”h. 60.5”w. 20”d. Ex David Good (Ohio). 2500-3500

759

LONG ISLAND GEORGIAN ARCHITECTURAL CUPBOARD.

Second quarter-18th century, pine. In the Palladian style and was originally a built in cupboard. Facade has arched opening with fluted keystone and applied moldings, arched multi-mullioned glass doors and “H” hinges at top. Base has flat fluted pilasters and center raised panel door with hinges attached by rosehead nails. All painted in original grey blue paint and black baseboard. Finely designed top interior is barrel backed, scalloped opening, shell carved top with lower molding and fluted keystone capped with a floral carved shell, shaped and scrolled shelves. Original rust red paint, grey blue striping inside shell and white, rust red and grey blue on floral keystone cap. Rose head nail and mortised construction. Some wear and loss to paint and wood, one scallop missing from interior arched opening, some added round nails and doors are most likely a later addition. 85”h. 41.5”w. 22”d. Ex Chuck White (New York). 10000-20000

760

HUDSON VALLEY PAINT DECORATED KAS.

First half-18th century, poplar. Top piece with simple crown molding, dovetailed case, quarter round corner pilasters, overlapping doors with two raised panels, rat tail hinges and forged hardware including unusual looking device for left side. Base with dovetailed case, waist and base moldings and two overlapping dovetailed drawers. Retains original reddish brown graining and doors have worn white striping around panels. Top was originally one piece but has been cut into two pieces. Edge loss, added wire nails and wear. No evidence of ever having had feet. 72.25”h. 76.25”w. 24.5”d. Ex Betty Mintz, Maryland. 1500-2500

761

MORAVIAN ANNIVERSARY SCHERENSCHNITTE.

American (North Carolina), fourth quarter 18th Century. Cut out border featuring birds, animals, and human figures with punched decoration. Central pen and ink section is in Dutch and is a message from the children to the parents on their twenty-fifth anniversary. Found in Tryon, North Carolina. 20.75”h. 15.25”w. Displayed at the “American Folk Arts” exhibit from the collection of Ruth and James O. Keene, Detroit, Michigan, and at the New York Folk Art Museum. See photos. 1500-2500

762

QUEEN ANNE HIGH CHEST.

American, 2nd half-18th Century. Mahogany with pine secondary. Top with dovetailed case, applied cornice and waist moldings, and eight dovetailed drawers with applied beaded edges. Base with applied top moldings, single dovetailed drawer with applied beaded edges, truncated cabriole legs, and trifid feet. 67”h., 42”w., and 23”d. 1000-2000

763

ONE PIECE OPEN STEP BACK CUPBOARD.

American (North Shore), fourth quarter 18th Century. Pine. Top with three shelves and picture frame molding around outer edge, base waist and base molding, quarter round columns on corners, three center dovetailed drawers flanked by raised panel doors. Retains original red wash finish. Some wear and edge damage. From a Connecticut Collection. 87”h. 67”w. 21.5”d. 3500-5500

764

AMERICAN DECORATED SIX-BOARD BLANKET BOX.

Attributed to New Hampshire, late 18th century, pine. Rose head nail and pegged construction, staple hinges and old worn red wash with reddish brown decoration. Central tulip on front flanked with flowers, ends geometric designs and back with initials “A.M”. Edge damage, repairs and age splits. 19’’h. 46.25”w. 17.5”d.

2000-4000

765

CONTINUOUS ARM BRACEBACK WINDSOR CHAIR.

American (likely Connecticut), circa 1800. Mixed woods. Spindle back, boldly turned stiles, legs and “H” stretcher. Layered paint with worn black top coat. Has lost height. 14” seat ht. 34”h.

150-300

766

ADJUSTABLE IRON FLOOR CANDLE HOLDER.

American, late 18th - early 19th Century. Weighted wrought iron lighting device with adjustable double-socket candle arm and crimped cups. 45.5”h. 16.5”w. From the collection of the late Audrey Caspari (New Jersey).

250-450

767

EARLY ADJUSTABLE OAK DOUBLE CANDLE STAND.

American (probably New England), 18th Century. Oak and hickory with a threaded and turned standard, dished circular table with double candle sockets, on a simple turned pedestal and tripod-base. Overall, 35”h. From the collection of the late Audrey Caspari (New Jersey).

200-400

768

SQUARE ADJUSTABLE FLOOR-STANDING CANDLE HOLDER.

(American, probably New England), 18th Century. Forged iron adjustable single socket candle holder with square hardwood molded, chamfered, and scroll-cut base, joined by a single large dovetail at each corner. 12” square base and 40”h. From the collection of the late Audrey Caspari (New Jersey).

200-400

769

WOOD BARN LANTERN.

American or European, late 18th - early 19th Century. Four-glazed sides, tin hood, and bent iron handle. The interior with a rare, square tin font or oil reservoir. Overall, 4”w., 10”h. From the collection of the late Audrey Caspari (New Jersey).

200-350

770

TWO SQUARE PIERCED TIN CANDLE LANTERNS.

American, 19th Century. Two glazed, four-sided tin lanterns with [glass] guards, pyramidal star-pierced tops, and ring handles. With handle, 4.5”w., 16”h. From the collection of the late Audrey Caspari (New Jersey).

150-300

771

TWO TIN CHAMBER STICKS.

American (New York), 19th Century. Two molded tin chamber sticks. The first: handled, frying pan-type, 12.5”l., 7”dia. Together with round base, caged stick, 4”h. From the collection of the late Audrey Caspari (New Jersey).

150-300

772

LATE CHIPPENDALE GRAINED PAINTED BLANKET CHEST.

American, circa 1800. Poplar. Lid with applied edge moldings, dovetailed case and bracket feet with interior lidded till. Original bold graining. Some paint and edge wear. 25”h. 44”w. 20”d.

400-800

773

PAINTED PLATE RACK.

American, circa 1800. Dovetailed frame, scalloped ends, three grooved rails and layered paint over original dark green. 33”h. 35”w. 6.75”d. From the collection of the late Audrey Caspari (New Jersey).

200-400

774

ONE PIECE GRAIN PAINTED STEP BACK CUPBOARD.

American (found In Ogdensburg, New York), first quarter 19th Century. Pine. Ogee cornice, two eight pane glass doors, two lower single panel doors and simple cut out feet. Original mellow grain paint. Some wear and scuffs with broken upper left door hinge. 74”h. 49”w. 17.75’’d.

1200-1800

775

COUNTRY CUPBOARD WITH ORIGINAL RED WASH.

American (Eastern Pennsylvania), circa 1800. Pine. Simple construction, door with three raised panels and Holy Lord hinges. Repainted interior. Some wear. 85”h. 42.5”w. 16.25’’d. 1200-1500

776

HEPPLEWHITE CELLARETTE.

American, mid Atlantic states, circa 1800. Mahogany with pine secondary. In two pieces. Top with line inlays on sides, base dovetailed drawer having line inlay on front and slender tapered legs. Refinished with some patches and repairs. 36”h. 17.5”w. 14.5’’d.

1800-2200

777

SET OF 10 COUNTRY BANNISTER-BACK DINING CHAIRS.

American, 20th Century. Bold curly maple William and Mary-style chairs with foliate and scroll carved crest rail above four split turned bannisters, flanked by turned rear posts topped with ball-and-urn finials. Trapezoidal rush seat with turned front legs, joined by bulbous stretcher. Side and rear spindle stretchers. Rear legs fit with tilters. The set is comprised of two arm and eight side chairs. 20.25”w., 18” seat height, 44.5”h. overall. See Sotheby’s (New York), 1/20/24, for a period painted armchair of this same form and carving attributed to Suffolk or Essex County, Massachusetts. 2000-4000

778

SET OF EIGHT SHERATON SIDE CHAIRS.

American, second quarter 19th Century. Mahogany. Square backs, carved openwork urn and ribbon splats, balloon shaped upholstered seats and turned and stopped fluted legs. Old worn alligatored finish. 18”h seat. 36”h. 600-1200

779

AMERICAN HEPPLEWHITE CARD TABLE.

Early 19th century, curly maple. Tapered legs, one swing leg and shaped corners. Refinished, some putty fill, top has slight warp. 29”h. 36”w. 17.5”d. 250-450

780

BUTLER’S TRAY STAND.

American, 20th Century. Tiger maple. In the 18th Century style. Bold turnings and stretchers with scalloped aprons. Refinished. 23.5”h. opened. 17.75”w. 15.5”d. 150-300

781

SOUTHERN COUNTRY HEPPLEWHITE PAINTED PINE SUGAR TABLE.

American (Meriwether County, Georgia), first quarter 19th Century. Southern yellow pine constructed round lift-top table with hinged lid revealing open compartment, square tapered legs, mortised and pegged construction, and original iron lock. Light green paint. 30”h. 31.75” dia. Purchased in 1973 from Miss Lena Florence (Odessadale, GA). From the collection of the late Audrey Caspari (New Jersey).

1500-2500

782

COUNTRY PAINTED PINE PIE SAFE ON HIGH LEGS.

American (likely Southern), first quarter 19th Century. Pine case with mortised construction, single door, three two-piece punched tins with flowers in a basket pattern, square chamfered legs, and worn apple green paint. 40.75”h. 26”w. 19.25’’d. From the collection of the late Audrey Caspari (New Jersey).

1000-1500

783

NEW ENGLAND PAINTED TAVERN TABLE.

American, likely New Hampshire, circa 1810. Birch. Scrubbed two board pinned top with breadboard ends, turned legs, pinned construction and original dry red paint. 29”h. 42.5”w. 29”d. Ex. Bill Edmiston collection, St. Louis.

200-400

784

TWO PIECE STEP BACK CUPBOARD.

American, first quarter 19th Century. Cherry with poplar secondary. Top with dovetailed case, molded cornice, two six pane glass doors with center stile, pie shelf and interior plate rails and spoon racks. Base with three dovetail drawers, two lower single panel doors with center stile and bracket feet. Refinished with some wear, repainted interior and replaced brasses. 85.75”h. 58.25”w. 22.5”d.

800-1200

782

777

778

784

785

MOCHA LIDDED MUSTARD POT.

England, first half 19th Century. Tan and blue bands with seaweed decoration. Chips around table ring. 2.5”h.

200-400

786

MOCHA MASTER SALT.

England, first half 19th Century. Footed form with bulbous bowl, tan and dark brown bands and seaweed decoration. A little discoloration and wear on foot.

2”h. 3.25”dia.

200-400

787

MOCHA MASTER SALT.

England, first half 19th Century. Footed form with canted sides, horizontal ribs with blue and black bands. 2”h. 3”dia.

150-300

788

MOCHA PITCHER.

England, first half 19th Century. Bellied footed shape, molded leaf handle, coggled band and putty, green and brown bands. Professional repair to handle and some glaze pitting on bottom. 5.25”h.

150-300

789

TWO MOCHA PITCHERS.

England, first half 19th Century. Both have bellied footed shapes. One with molded leaf handle and blue bands. Flake around spout. 6”h. The second has blue bands, the upper of which has marbling. Professional repair to spout. 6.5”h.

150-300

790

TWO MOCHA MUGS.

England, first half 19th Century. Both have banded decoration and molded leaf handles. Gray and tan bands, 3.25”h., and tan and dark brown bands, 3.5”h. 150-300

791

PAIR OF CANDLE SCONCES WITH MIRROR REFLECTORS.

American, 19th Century. White painted wood post with mounted mirrored reflectors and tin arms. 12.25”h. Mirror, 3.75”dia. From the collection of the late Audrey Caspari (New Jersey).

200-400

792

PAIR OF TIN WALL CANDLE SCONCES.

American, 19th Century. Pair of round tin wall sconces with scalloped backs and crimped drip cups. Unusual deep reflection.

9.5”dia., 13”h. From the collection of the late Audrey Caspari (New Jersey).

150-300

793

PAIR OF THREE-LIGHT TIN WALL SCONCES.

American, early 19th Century. Pair of three-socket wall sconces with elongated, arched, and crimped back reflectors, and crimped drip pans. 11.25”w., 9”h. From the collection of the late Audrey Caspari (New Jersey). 150-300

794

TWO TIN WALL SCONCES.

American, 19th Century. Double with crimped top edge (in traces of white paint) and a single in black with floral decoration (wear). 8.6” x 11.5” and 4.75” x 11.5”, respectively. From the collection of the late Audrey Caspari (New Jersey). 100-200

795

PAIR OF TIN WALL SCONCES.

American, 19th Century. Pair of tin diamond-back wall sconces with punched hearts and crimped drip cups. 16.5”h. From the collection of the late Audrey Caspari (New Jersey). 100-300

796

PRIMITIVE PINE AND TIN ROTATING CANDELABRA.

American, 19th Century. Pine, tin. Primitive four-arm rotating candelabra. 10”h. 20” arm span. From the collection of the late Audrey Caspari (New Jersey). 150-300

797

TIN CANDLE HOLDER AND TINDER BOX.

American, early 19th Century. Tole tinder box two candles with six lights and six told candle plates. 5.5” x 3.5”. 6.5” tin box. From the collection of the late Audrey Caspari (New Jersey). 150-300

790

791

793

798

WALLPAPER BAND BOX.

American, second quarter 19th Century. Papered in block printed bright yellow paper with floral patterned lid and squirrels and trees patterned base. Some wear and loss and two holes on sides. 9.5”h. 16”w. 12”d. Ex. Hilary Underwood. Sold at Sotheby’s October 8, 1983. 500-1000

798A

PEN WIPE FABRIC TABLE COVER. American, 19th Century. Polychrome cotton and wool fabrics with “pennies” pieced and embroidered together in a shingled composition. Heart patterns on corners. 24” x 48”. From the collection of the late Audrey Caspari (New Jersey) 200-400

799

MASSACHUSETTS SHERATON DROP LEAF SEWING STAND.

Second quarter 19th Century. Mahogany with pine secondary. Rope turned legs, and three dovetailed drawers with replaced brasses. Top two drawers are fitted, one with a velvet covered writing surface. The bottom drawer has restoration including an early silk bag tacked and glued to a wooden support. Added screws, some added runners. Refinished. 29”h. 18”w. with 10” leaves, 17.75”d. 300-600

799

799A

DOUBLE FULL-LENGTH CUT SILHOUETTE BY AUGUSTE A.C. EDOUARD (1789-1861). French, second-quarter 19th Century. A gentleman seated in a rolling chair reading a book attended to by his man servant. At lower left, “Aug Edouart, fecit (made) 1827”. Label on reverse advertising his skills and prices for different types of silhouettes. At that time he was in Bath, England. Framed, 12.75”h. 11.75”w.

300-600

799B

FULL-LENGTH CUT SILHOUETTE BY AUGUSTE A.C. EDOUARD (1789-1861). French, second-quarter 19th Century. Gentleman with top hat in swallow tail coat carrying an umbrella. Lower left “Aug. Edouart fecit (made) 1827”. Label on reverse advertising his skills and the prices for different types of silhouettes. At that time he was in Bath, England. Some toning. Framed. 13.5”h 8”w.

200-400

799C

A PAIR OF SILHOUETTES SIGNED R.M. STAIGG (1817-1888). American, second quarter 19th Century. The sitters are Hannibal Hamlin and his wife and are dated 1844. Hamlin was Lincoln’s first Vice President. 7”h. 5.5”w. From the collection of the late Audrey Caspari (New Jersey).

300-600

800

FAMILY RECORD WITH SILHOUETTES.

American, second quarter 19th Century. Three cut silhouetted at top with marriage and birth dates of the Williams family. Pen and ink border with floral and bird decoration. In a period frame. 11.5”h. 9.5”w.

150-300

801

THEOREM SIGNED AMELIA FLOOR [?].

American, third quarter 19th Century. Watercolor on paper. Basket of fruit with a green and red bird eating a berry. Signed and dated 1862 right center. Inlaid mahogany frame. 16.75”h. 20.75”w. From the collection of the late Audrey Caspari (New Jersey). 200-400

802

STENCILED THEOREM.

American, second quarter 19th Century. Compote of fruit and flowers in vibrant colors. Some paper toning. Ogee frame 23.75”h. 25.5”w. Gifted to The Baltimore Museum Of Art by Edgar William and Bernice Chrysler Garbisch. From the collection of the late Audrey Caspari (New Jersey).

200-400

802

803

STILL LIFE OF FRUIT SIGNED JOHN TENSFELD. Framed 20”h. 17”w. Sight 14”h. 11”w. 200-400

803

804

PRIMITIVE WATERCOLOR BY G.B. FRENCH.

American (Pennsylvania), 20th Century. General and Mrs. Washington in a sponged frame with black corner blocks. Signed lower right. Holes drilled in frame. 12”h. 10.25”w. From the collection of the late Audrey Caspari (New Jersey).

150-250

801

805

SHERATON STAND.

American, second quarter 19th Century. Walnut. Top with dovetailed well, turned legs and lower shelf with well. Old finish with wear, age splits and some edge loss. 30.75”h. 30.75”w. 16.75”d.

200-400

806

COUNTRY PAINTED “JAIL” CUPBOARD.

American (likely midwestern), 19th Century. Pine with square nails. Onepiece wall cupboard with molded cornice and two paneled doors with lattice-type barred windows. Interior shelves. Later robin’s egg blue paint with wear. 72”h. 48”w. 19”d.

3000-5000

807

PAINT DECORATED CORNER CUPBOARD.

American, possibly Pennsylvania, second quarter 19th century, poplar. In two pieces, ogee molded cornice, nine pane glass door with Gothic arch tops. Original old wavy glass. Waist molding, two lower single panel doors and scalloped apron. Original reddish brown grain paint and door with faux marble paint. Some wear and scratches and missing left piece of waist molding. 79”h, 50.25”w, 27.5”d. Takes a 35” corner.

1000-2000

808 PAINTED PINE FIREWOOD BOX.

American, Second-quarter 19th Century. Square nail constructed, scalloped and scrolled gallery back and ends, upper shelf, bin base, and shaped aprons. Worn blue paint over original red. 44”h., 29.5”w., and 16.75”I. From the collection of the late Audrey Caspari (New Jersey).

400-800

809

RED-PAINTED LEATHER FIRE BUCKET.

American, 19th Century. Painted leather, wood. Red ground with yellow, green, and black decoration. 12.75”h. From the collection of the late Audrey Caspari (New Jersey).

300-600

809A

BLACK PAINTED LEATHER FIRE BUCKET.

American, 19th Century. Leather, wood. Black painted fire bucket denoted “E. Porter 1832.” Fire decoration in the center of the bucket. Copper rivets on the bottom of the bucket. The leather and wood band handle is old and make-do repair. 11”h. From the collection of the late Audrey Caspari (New Jersey).

300-600.

810

PAINT-DECORATED SHERATON STAND.

American, second quarter 19th Century. Overhung painted top above dovetailed drawer and simply turned legs. Original worn red paint and gold trim. 29.25”h., 18.25”w., and 13.75’’d. From the collection of the late Audrey Caspari (New Jersey).

150-250

811

PORTRAIT OF A LADY.

American, second quarter 19th Century. Oil on canvas. She has her hair in a bun, curly bangs, a dress with puffy shoulders, lace collar with brooch and pearl necklace. Signature on back looks like D. W. Perry or Percy. Relined, restored, cleaned and revarnished. 22.5”h. 17.75”w. Framed 27”h. 22.5”w. From the collection of the late Audrey Caspari (New Jersey).

300-600

812

PORTRAIT OF A GENTLEMAN.

American, Mid 19th Century. Oil on canvas. He wears a black tie, coat and vest, holds a rolled document and is seated on a carved chair with tufted red upholstery. Cleaned, revarnished, crazing and some small paint flakes. 36”h. 29”w. in a contemporary frame 40.5”h. 33”w.

200-400

813

STENCIL DECORATED SETTLE BENCH. American, second quarter 19th Century. Mixed woods. Shaped crest, half spindle back, deep seat, scrolled arms and simple turnings. Original green paint and stenciled flourishes and baskets of fruit. Some paint loss and wear. 17” seat ht. 34.25”h. 72”w.

22”d.

400-800

814

EMPIRE CHEST OF DRAWERS.

American, second-quarter 19th Century. Tiger maple with poplar secondary. Paneled ends, sleigh front, square legs with base molding and four dovetailed drawers. Refinished. 47.25”h. 43.25”w. 24.25”d.

400-600

815

STENCIL DECORATED EMPIRE MIRROR.

American, second quarter 19th Century. Pine. Turned half pilasters with corner blocks, original black and gold paint with gold and bronze floral stenciling. Partial label on reverse. 19.75”h. 12”w.

100-200

816

THREE PAINTED WOOD SLIDE LID BOXES.

American, 19th Century. Dated document boxes, dovetailed construction, with original paint and stenciled labels. Pine box, “S.V.F. & Co 1838.9”, 4.5”h., 14.25”l., and 9.25”w.; a poplar box, “S.V.F. & Co 1835 & 6, 1840-1”, 6.5”h., 14.25”l., and 9.25”w.; and a poplar box stenciled “S.V.F. & Co 18367”, 6.5”h., 14.25”l., and 9.25”w. From the collection of the late Audrey Caspari (New Jersey).

150-300

817

COUNTRY STORE SET OF SHELVES. Illinois, mid 19th Century. Poplar. Shaped ends, deep work surface, single drawer and six shelves. Top right three shelves are staggered to fit under a staircase. Worn original surface. 82.25”h. 70.5”w. 24.5’’d.

2000-4000

818

VIRGINIA PIE SAFE.

Wythe County, mid 19th Century. Walnut with poplar secondary. Two board top, two upper drawers, ends and doors with surface mounted punched tins with circular pattern and short tapered legs. Pegged and square nail construction. Old refinishing with some wear, shrinkage and age splits. 49”h. 51.25”w. 18’’d.

1500-2500

819

MUSTARD PAINTED HANGING PIE SAFE.

American (possibly Pennsylvania), second half 19th Century. Poplar constructed frame with original mustard paint. Extended corner posts with hanging holes, single door, and all four sides with punched tin in circular and star pattern. 28”h., 40.25”w., and 20’’d. From the collection of the late Audrey Caspari (New Jersey).

300-600

820

DECORATED BENTWOOD PANTRY BOX. American, late 19th Century. Pine. Lap joints, green painted sides, black lid with floral decoration. Some edge wear. 2.25”h. 5.75” dia.

100-200

821

DECORATED PANTRY BOX.

American, 19th Century. Round bentwood box with stenciled decoration on dark field. Lapped seams with iron tacks. Repainted and some loss.

50-100

822

YELLOW WARE CREAMER WITH MOCHA DECORATION.

England, second half 19th Century. Bellied shape with brown and cream bands and blue seaweed decoration. 5”h.

150-300

823

YELLOW WARE LIDDED CHAMBER POT WITH MOCHA DECORATION.

England, second half 19th Century. Typical shape with cream bands and blue seaweed decoration. Some chips and lime residue. 7.25 “h.

150-250

824

THREE YELLOW WARE PIECES WITH MOCHA DECORATION.

England, second half 19th Century. A mug with tan band and seaweed decoration, 3.25”h., a mug with cream band and faint blue seaweed decoration, 2.75”h., and a miniature chamber pot with white band and blue seaweed decoration, 2”h.

125-250

825

SCHRIMSHAW PIE CRIMPER.

American, possibly Nantucket, 19th Century. Scrimshaw and baleen. Whale shape with snake handle. 23.8.1 on side. Repairs

150-250

826

FIVE TIN COOKIE CUTTERS.

American, late 19th - early 20th Centuries. Tinsmith made. Largest is a man on horseback. 7”h., house and heart, two birds. And an angel. Some oxidation. 8.5”h. and 5.25”h. From the collection of the late Audrey Caspari (New Jersey). 200-400

827

TIN HEART-IN-HAND COOKIE CUTTER.

American, Second half 19th Century. 5.5”h. From the collection of the late Audrey Caspari (New Jersey). 100-300

828

TWO TIN HEART AND HAND COOKIE CUTTERS.

American, 20th Century. Tinsmith made with a little oxidation. 8.5”h. and 5.25”h. From the collection of the late Audrey Caspari (New Jersey).

100-200

829

TIN COOKIE CUTTER.

American, late 19th Century. Silhouette of a horse. Some oxidation and resoldering. 5.5”h. 7.25”w. 50-100

830

RED PAINTED TIN CANDLE LANTERN.

American, 19th Century. Tin, red painted four [glass] window lantern with hinged glazed door and crimped smoke bell. Overall, 14”h. From the collection of the late Audrey Caspari (New Jersey). 250-400

831

TWO PUNCHED TIN REVERE-TYPE CANDLE LANTERNS.

American, 19th Century. Two cylindrical punched tin candle lanterns with hinged doors, conical tops, and round hangers. 13”h. Overall, 16”h. with handle. From the collection of the late Audrey Caspari (New Jersey). 150-300

832

THREE CANDLE LANTERNS.

American, 19th Century. Three glazed, four-sided tin candle lanterns with pyramidal tops and round hangers. Each approximately 12”h. From the collection of the late Audrey Caspari (New Jersey).

150-300

833

THREE PIECES OF TIN.

American, 19th Century. A chamber stick, wall sconce, and a shelf. Wall sconce 17”. Tin wall shelf 13.5”h. 14”w. Tin chamber stick 5.25” sq.

From the collection of the late Audrey Caspari (New Jersey).

150-300

834

TIN CANDLE LANTERN WITH GREEN CHIMNEY. American, 19th Century. Tin lantern with peacock green glass chimney. Base, 4.25”dia. Lantern, 11”h. From the collection of the late Audrey Caspari (New Jersey).

100-200

835

LARGE TIN CANDLE LANTERN WITH IRON GUARD.

American, 19th Century. Tin, glass. Original glass. 16”h. base and 6.5” sq. From the collection of the late Audrey Caspari (New Jersey).

100-200

836

PUNCHED TIN THREE-LIGHT CHANDELIER.

American or European, 19th / 20th century. Tin. Three-light punched tin chandelier. Embossed design with tole printed caps. Green over red paint. 14”h. From the collection of the late Audrey Caspari (New Jersey).

100-200

837

TWO PUNCHED TIN REVERE-TYPE CANDLE LANTERNS.

American, 19th Century. Two cylindrical, punched tin candle lanterns with hinged doors, conical tops, and round hangers. 12”h. and 18.5”h. From the collection of the late Audrey Caspari (New Jersey).

100-200

838

PUNCHED TIN REVERE-TYPE LANTERN WITH SMOKESTACK.

American, 19th Century. Cylindrical, punched tin candle lantern with unusual “smokestack” over hinged door. Conical top and round hanger. Overall, 15.5”h. From the collection of the late Audrey Caspari (New Jersey).

100-200

839

PORTRAIT OF A YOUTH AND DOG.

American, 19th Century. Pastel on paper. He wears a white dress, has a bobbed haircut, and is holding a white puppy. Nice condition. Period frame 17.75’’h. 14.75”w. From the collection of the late Audrey Caspari (New Jersey).

300-600

840

PORTRAIT OF A GENTLEMAN.

American, first half 20th Century. Oil on canvas. Three quarters length portrait of a man with blue eyes and graying hair wearing an open neck white shirt and black jacket. Unsigned. Relined, cleaned and revarnished. 48”h. 36”w. In a modern frame. 52”h. 40”w.

300-600

841

PORTRAIT OF A LADY.

American, second quarter 19th Century. Watercolor on pasteboard. She has flowing look, wears a sleeveless dress with shawl and draped background and rocky shoreline. Paper toning. 16”h. 14”w. From the collection of the late Audrey Caspari (New Jersey).

150-300

842

FOLKSY BLUE PAINTED WOOD WALL SHELF

American, 19th Century. Black polka dots over blue paint. Scroll-cut shaped back, spoon 16.75”h., 11.75”w., and 4.75”d. From the collection of the late Audrey Caspari (New Jersey).

350-700

843

FOLKSY SMOKE-DECORATED

PINE WALL SHELF.

American, 19th Century. Carved lollipop hangers atop arched back with iron hanging pegs, over curved sides, and single shelf with drawer below. Yellow with smoke decoration. 15”h., 9”w. From the collection of the late Audrey Caspari (New Jersey).

300-500

844

OVERSIZED FOLKSY CARVED PINE WATCH HUTCH.

American or English, 19th Century.

Pierced and carved crest. 6”w., 11.5”h. From the collection of the late Audrey Caspari (New Jersey).

150-250

845

GRAIN PAINTED WALL BOX.

American, mid 19th Century. Pine. Arched hanger, hinged lid and warm reddish brown and black graining. Some wear and paint loss. 9.25”h. 13.5”w. 7.75’’d.

400-800

846

PENNSYLVANIA PAINT-DECORATED

PINE CANDLE BOX.

American (Pennsylvania), circa 1850-70. Pine slide-lid candle box with original bold red, square nail construction, and carriage paint floral and striped decoration in black and yellow.

14.5”l. 8.5”w. 8.5”h.

250-500

847

BLUE PAINTED WOOD HANGING CANDLE BOX.

American, 19th Century. Nailed construction with beveled top edge and canted sides. Overall, 17”h. From the collection of the late Audrey Caspari (New Jersey).

250-450

848

AMERICAN HANGING CANDLE BOX. Mid 19th century, poplar. Dovetailed with lift lid and scalloped crest. Old refinishing. 8”h. 13.5”w.

200-300

849

GREEN PAINTED PINE HANGING SALT BOX.

American, 19th Century. Nail construction, lift lid and sloped sides. 13”h., 6”w. From the collection of the late Audrey Caspari (New Jersey).

200-350

850 OPEN WALL BOX.

American, mid 19th Century. Cherry. Shaped crest, base molding and worn old finish. 8.5”h. 16.25”w. 6.75’’d. Found in Eastern Pennsylvania.

200-400

851

GRAIN PAINTED AND STENCILED BOX.

American, mid 19th Century. Pine. Reddish brown graining, yellow pinstriping and bronze powder floral and fruit stenciling. Some wear and paint loss. 6.25”h. 13.75”w. 9.25”d.

150-300

852

TOLEWARE DOCUMENT BOX.

American, 19th Century. Toleware document box in original paint, yellow interior, has original clasp and ring on top of lid. 7.25”h. 10”w. 6.25”d.

200-400

853 PAINTED DOCUMENT BOX.

American, mid 19th Century. Pine. Dovetailed case, lid with beveled edge, original hinges and original gray paint. Some wear. 4.75”h. 12”w. 7.5’’d.

100-200

854

STILL LIFE OF FRUIT.

American, 20th Century. Oil on masonite. A variety of fruit on a marble table with a goblet of white wine. 19.5”h. 23”w. Framed 28”h. 32”w. 200-400

855

STILL LIFE OF FRUIT.

American, second half 19th Century. Oil on canvas. Banana, peaches and grapes. Cleaned and revarnished. 10”h. 8”w. Framed 16.75”h. 14.75”w. 200-400

855

858

COUNTRY EMPIRE GRAIN PAINTED BLANKET CHEST.

American, second-quarter 19th Century. Pine and poplar. Lid with applied edge molding, dovetailed case, turned legs and interior lidded till. Original tiger maple like graining on case and black painted legs. Some paint wear and shrinkage. 24.5”h. 43.5”w. 22.5”d. 400-800

858

860

PENNSYLVANIA GERMAN PRAYER CARD.

American, mid 19th Century. Floral water color on cloth, embossed paper border and German verse “keep a faithful heart...”. Some wear and stains. 2.75”h. 2”w. 100-200

861

DOUBLE WELLED COLLECTION PLATE. American, mid 19th Century. Walnut. Two cylindrical wells with handle. Some wear and age splits. 2.25”h. 8”w. 10”l. 100-200

862

TWO FOLKSY WOODEN PIECES.

859

COUNTRY CUPBOARD TOP.

American, second quarter 19th Century. Cherry with poplar secondary. Dovetailed case, core molded cherry cornice, two four pane glass doors, chamfered corners and backboards with beaded edge. Old alligatored finish. 27”h. 44”w. 11.25”l. 300-600

American, second half 19th Century. An oak compass with forged iron hard wave. 12.5”h. and funnel. Wear, loss and age splits. 7”h. 100-200

863

IRON TWO-SOCKET CANDLE HOLDER.

American, 18th Century. Forged iron rectangular base device with opposing handle and sticking tommy ends. 12”l. From the collection of the late Audrey Caspari (New Jersey). 200-350

863

856

STILL LIFE OF FRUIT.

American, late 19th Century. Oil on canvas. Compote of fruit with watermelon in background. Crazing and surface scratches. 15.5”h. 19.5”w. From the collection of the late Audrey Caspari (New Jersey).

125-250

857

PAINTED COUNTRY BUCKET BENCH.

American, mid 19th Century. Poplar through-mortised construction, backsplash, shaped (upper) sides, two fixed shelves, and sides with bootjack cutouts. Old yellow over original black. 33.25”h., 36.25”w., and 12.5’’d. From the collection of the late Audrey Caspari (New Jersey). 350-700

857

859

864

WROUGHT IRON MAKE-DO TABLE-TOP RUSH LIGHT.

American, 18th Century. Wrought shaft with slight twist detail supporting combination form of rushlight holder, counterweighted with a single-socket candle holder. Make-do blue painted wood tripod base. Overall, 13.5”h. From the collection of the late Audrey Caspari (New Jersey).

200-400

865

TWO MAKE-DO CANDLESTICKS.

American, early 19th Century. Two make-do candle holders, one with a turned wood base, one with a handle. 8.5”h. 5.25”h. From the collection of the late Audrey Caspari (New Jersey).

150-300

866

WROUGHT IRON TABLE-TOP RUSH LIGHT.

American, 18th Century. Twisted shaft supporting combination form of rushlight holder, counterweighted with a single-socket candle holder and drip pan, raised on three cabriole. Overall, 8.75”h. From the collection of the late Audrey Caspari (New Jersey).

150-250

867

TWO MAKE-DO LIGHTING PIECES.

American, 18th Century. Iron. One candle stick and one triple candelabra on wood base. 7”h. Six-point star, 5”d. From the collection of the late Audrey Caspari (New Jersey). 100-200

868

PAIR OF ADJUSTABLE DOUBLE CANDLE LAMPS.

American, 19th Century. Iron mounted on a contemporary board. Two adjustable double candle lamps, open to 18”. Two tin candle holders. From the collection of the late Audrey Caspari (New Jersey). 100-200

870

WROUGHT IRON HANGING GIMBLE LAMP.

American, early 19th Century. Single socket and drip pan. 6.5”w., 16”h. From the collection of the late Audrey Caspari (New Jersey). 100-200

300-500 864 865 866

868

870

869

TWO WALL-MOUNT ADJUSTABLE IRO LIGHTING BRACKETS.

American, 19th Century. One single and one adjustable double. Double candle opens to 24”, single to 12”. From the collection of the late Audrey Caspari (New Jersey). 100-200

871

PAIR OF FOLKSY THREE-CANDLE HOLDER HANGING LIGHTS.

American, 19th Century. Iron, wood, and tin. 11”w. 7”h. From the collection of the late Audrey Caspari (New Jersey). 100-200

872

FORGED IRON HANGING CHANDELIER.

American or European, late 18th - early 19th Century. Three-arm. Fully hung height, 20.5”h. Candle arms, 8”h. 10”w. From the collection of the late Audrey Caspari (New Jersey). 100-200

873

LARGE SAMPLER BY MARIA TAYLOR.

England, second quarter 19th Century. Linen. Strawberry border, manor house flanked by urns of flowers, birds and verse. Fading, toning and some small holes. Rosewood veneered frame has some loss. 37”h. 37.5”w. From the collection of the late Audrey Caspari (New Jersey).

873

874

SAMPLER BY HANNAH BUCKLEY.

England, second quarter 19th Century. Linen. Alphabet, numerals, urns of flowers, birds, people and verse. Some fading. Contemporary frame. 14.25”h. 16.25”w. From the collection of the late Audrey Caspari (New Jersey).

200-400

875

SARAH PYER SAMPLER.

American, second-quarter 19th Century. Linen. Strawberry border, alphabet, numbers and verse. Done in her 8th year. At bottom house with fenced yard, trees and birds. Wear, loss, holes and stitched repair. Framed 12”h. 16.5”w.

100-200

876

SOUVENIR SILK NEEDLEWORK WITH AMERICAN EAGLE.

France, early 19th Century. Patriotic needlework on silk with tatted lace border. “Souvenir of France”. Slight staining and discoloration, some loss to lace and silk rot. 24” square.

100-200

877

APPLIQUE AND TRAPUNTO QUILT.

American, mid 19th Century. Hand-stitched cotton with twelve pattern blocks surrounded by a floral vine border to all four sides in pieced red, blue, and yellow fabrics. Quilted and vining trapunto work. Similar to Whig Rose pattern. Signed “March 5th, 1851 by Susan Miller.” Also with ink inscription, “Thus should we live.” 72”l. 83”w. From the collection of the late Audrey Caspari (New Jersey).

250-500

878

PASTEL OF A YOUNG SHEPARD.

American, mid 19th Century. Shepherd holding a lamb with a garland of flowers around its neck. A crook with blue ribbon at his feet with a background of forest, waterfall, and stream. In an ogee grain painted frame. 30.25”h. 26.5”w. From the collection of the late Audrey Caspari (New Jersey).

300-600

879

ROMANTICIZED UPPER MISSISSIPPI RIVER SCENE.

American, second-half 19th Century. Oil on canvas. Mountainous background with bluffs along the river, ornate Victorian house with manicured yard, sailboat, and raft boat at center and in background a sidewheel steamboat. Relined canvas, inpainting, repair and revarnished. 26.75”h. 38.25”w. From the collection of the late Audrey Caspari (New Jersey). 300-600

880

PAINTING OF THE ROBERT E. LEE AND NATCHEZ RACE SIGNED PAT SPOHN.

American, third quarter 20th Century. Oil on canvas. Famous 1870 race between the sidewheel packets. At that time the most bet upon sporting event in American history. Signed and dated “6-(19)65” lower right. 22”h. 28”w. Sold Slotin Folk Art: 4/26/2008, Lot 554. From the collection of the late Audrey Caspar (New Jersey).

300-600

881

ROMANTICIZED WATERCOLOR PAINTING OF “MOSES IN THE BULLRUSHES”.

American, second quarter 19th Century. Watercolor on paper. Three ladies discovering the baby Moses with a background of bullrushes, stream and mountains. Paper toning. Framed 19.5”h. 24.25”w. From the collection of the late Audrey Caspari (New Jersey).

200-400

882

“SHIPWRECKED SAILOR” BY MARTHA CAHOON (1905-1999). American (Massachusetts), late 20th Century (dated 1987). Pencil and colored pencil. Whimsical scene of a sailor and three mermaids. Signed and dated lower right. Framed. 12.5”h. 16.5’’w. From the collection of the late Audrey Caspari (New Jersey).

200-400

883

“ADAM AND EVE” BY MARTHA CAHOON (1905-1999).

American (Massachusetts), late 20th Century. Pencil and colored pencil. Unusual depiction of a couple in a seaside setting with Adam on shore and Eve as a mermaid. Signed and dated (19)84 lower right. Framed 17.5”h. 20.75”w. From the collection of the late Audrey Caspari (New Jersey).

200-400

883A

WINTER FARMSCAPE SIGNED BARBARA STRAWSER.

American (Pennsylvania), dated 1977. Oil on artist board. Barn with animals and two story center chimney saltbox house in background. Signed and dated lower right. 18”h. 24”w. In a grain painted frame. 23”h. 29”w. 200-400

884

PLAYFUL BARN SCENE SIGNED C.L. VREDENBRUGH (1858-1926).

American (New York), late 19th - early 20th Centuries. Oil on canvas of three sleeping puppies being watched by two kittens. Signed lower left. Crazing. 12”h. 16”w. Framed 14”h. 18”w. From the collection of the late Audrey Caspari (New Jersey).

300-600

885

BARNYARD SCENE SIGNED W. BRUCE (1861-1911).

American (New York), late 19th Century. Oil on canvas. Sheep and chickens in an enclosed barnyard. Signed lower left. two patches on back, in painting, cleaned and revarnished. 15.5”h. 22”w. In a Hackman frame, 20”h. 7’’w.

300-600

886

PASTEL SIGNED RALPH CARLYLE PRATHER (1889-1953).

American, second quarter 20th Century. Man on horseback with a keg of Seneca Oil and a mountainous background. Includes map of Oil Creek and history of Seneca Oil. Signed lower right and dated 1934. 38.5”h. 22.25”w. From the collection of the late Audrey Caspari (New Jersey).

300-600

887

NAIVE PORTRAIT OF A LADY.

American, second quarter 19th Century. Oil on canvas. She wears a high waisted black dress with puffy sleeves and high necked lace collar. Note on reverse says the sitter was born in South Kingston, Rhode Island in 1795 and was thirty years old when her portrait was painted. Artist Unknown. Relined, cleaned, revarnished, restoration and inpainting. 30.5”h. 22.75”w. Framed 34.5”h 26.75”w. From the collection of the late Audrey Caspari (New Jersey).

400-800

888

WILLIAM KENNEDY (1817-1871) OIL ON BOARD

PORTRAIT OF A RHODE ISLAND LADY.

American (Massachusetts), dated 1845. Captivating oil on wood panel of a young lady, waist up, brown hair, accentuated with curls framing her pensive face, wearing a black laced-collar dress, and holding a red book. The background with trees and a colorful sky. The backboard is signed and dated in pencil, “Wm W. Kennedy 1845”, with additional inscriptions, “French Family Her Aunt ‘Sot’ For It in Bristol” and “Aunt of Mrs. Lorenzo Sherman Kingston, R.I.” The verso also retains gallery label for Hirschl & Adler Folk (New York). Kennedy, most active during 1840-1850, was a member of the Prior-Hamblin School of artists. 17.5”h., 13.5”w. Framed, 24”h., 19”w. Ex Sotheby’s (New York), January 27, 1983, lot 161; Christie’s (New York), January 15, 2004, lot 286; Private collection; Freeman’s (Pennsylvania), April 22, 2015, lot 129; and Joan Brownstein (Massachusetts/Maine). From the collection of the late Audrey Caspari (New Jersey), having purchased from Brownstein. 5000-10000

889

AMERICAN CIGAR STORE INDIAN MAIDEN

ATTRIBUTED TO SAMUEL ROBB (1851-1928). American (New York), late-19th Century. Hardwood carved and polychrome painted figure of a maiden holding cigars. Deep, definitive carved headdress, hair, facial features, feathers, and overall attire. Polychrome paint with evidence of paint history. Overall, 68”h. Attached to canted base (and with a wooden “stem” mount) the red, repainted base reads “TABAC” (sic) and measures 20”w. 21.75”d.

7500-15000

890

DECORATED SIX-GALLON STONEWARE CROCK WITH CHICKEN ON FENCE.

American, 19th Century. Freehand cobalt decoration, impressed “6”. 13”h., 13.5”d. From the collection of the late Audrey Caspari (New Jersey).

800-1200

891

FREEHAND DECORATED STONEWARE BATTER JUG.

American, 20th Century. Cobalt floral swags flanking each spout. 14”h. From the collection of the late Audrey Caspari (New Jersey).

300-600

892

FREEHAND DECORATED STONEWARE BATTER JUG WITH BIRD ON BRANCH. American (New York), 19th Century. Cobalt decoration. 9”h. From the collection of the late Audrey Caspari (New Jersey).

300-600

893

DECORATED CAKE CROCK WITH LID. American (Pennsylvania), second half 19th Century. Stoneware. Lid with knob handle, base with applied handles and freehand cobalt fern decoration. Lid is a little loose fitting. 6.25”h. 9.5” dia.

300-600

894

FREEHAND DECORATED STONEWARE WATER COOLER WITH BIRD.

American (New York), 19th Century. Old wood replaced spigot. 14.5”h. From the collection of the late Audrey Caspari (New Jersey).

250-400

895

DECORATED N. CLARK JR. (ATHENS, NEW YORK) FOUR-GALLON STONEWARE CROCK. American, 19th Century. Cobalt freehand floral decoration with impressed mark. Sold, Crocker Farm, From the collection of the late Audrey Caspari (New Jersey).

200-400

896

DECORATED STONEWARE CROCK WITH FLOWER.

American, 19th Century. Freehand cobalt-decorated flower decoration; lug handles. 9”h., 10”d. From the collection of the late Audrey Caspari (New Jersey).

100-200

897

REDWARE FLOWER POT.

American, second half 19th Century. Red, tan and brown glaze. Some wear and pinpoint flakes. 4.25”h. 5.25”d.

150-250

898

TWO REDWARE FLOWER POTS.

American, second half 19th Century. Both have attached saucer bases. The small has a dark brown mottled glaze. Some wear and glaze flakes. 4”h. 5”dia. The larger has tan and brown mottled glaze. Edge chips, lime residue and some restoration to glaze flakes. 5.5”h. 5.5”dia.

100-300

899

REDWARE BOWL WITH SLIP DECORATION.

American, mid 19th Century. Canted sides with rolled lip, high glaze interior with yellow slip squiggles. Crazing and a little wear. 5”h. 10.5” dia.

150-250

900

TWO REDWARE JARS.

American, second half 19th Century. Both are cylinder shaped, have flared lips, a horizontal band and mottled green and orange glaze. Some wear, glaze flakes and small chips. 8.25”h and 8”h.

125-250

901

REDWARE JAR.

American, second half 19th Century. Cylinder shape with flared lip and coggled band. Manganese glaze has some wear. 9.25”h.

100-200

902

TWO OVOID REDWARE JARS.

American, second half 19th Century. One has a flared lip and tan and green mottled glaze. Wear and glaze flakes. 8.5”h. The second has handles and mottled brown glaze. Glaze flakes and small chips.

200-400

903

TWO PIECES OF REDWARE WITH SLIP DECORATION.

European, mid 19th Century. A handled ovoid jug with with double spouts and vertical striped decoration. Wear and chips. 11”h. And a bellied pitcher with circular slip decoration. Chips and wear. 10.5”h.

150-300

904

THREE PIECES OF REDWARE WITH MARBLED GLAZE.

European, mid 19th Century. A bellied pitcher, 6.5”h., a cylinder shaped pitcher, 6”h., and a cup, 2.5”h. Glaze wear and some chips throughout.

150-300

905

FOUR PIECES OF REDWARE.

European and American, 19th Century. A bellied pitcher with tan glaze and brown sponge decoration. Wear and chips. 4.75”h. A handled bellied jar with orange glaze and manganese mottling. Wear and chips. 6”h. A handled jar with brown glaze and manganese mottling. Glaze wear. 5.75”h. And a bellied jar with brown glaze and manganese mottling. Surface wear. 5.5”h.

200-400

906

REDWARE INKSTAND.

European, mid 19th Century. Heart shaped, nib tray, well and sander. High mottled green and brown glaze. Glaze flakes and small chips. 2.75”h. 7.25”w. 6”d.

150-250

907

LARGE TURNED BURL BOWL.

American, second half 19th Century. Nicely turned with pronounced lip. Very nice patina and wear. 7”h. 18.75”dia.

400-800

908

TURNED BURL BOWL.

American, second half 19th Century. Nice mellow color with ring turnings. Refinished with age crack. 3.25”h. 10.5”dia.

200-400

908

911A

TWO CHIMNEY THROAT STONES.

American, Mid 19th Century, Sandstone. Neary cubical stnoe with cylindrical holes. Some chips and wear. 10.25”h. Approx. 11” squares.

200-400

912

MINIATURE BLANKET CHEST.

American, late 19th Century. Pine. Miniature blanket chest with mustard grain painted surface. 9”h. 14”w. 8”d.

300-500

909

TURNED BURL BOWL.

American, second half 19th Century. Nice small size, mellow color with some wear and chips. 3”h. 7.75”dia.

200-400

910

PAINTED BURL BOWL. Possibly Native American. Hand carved and footed burl bowl in black paint. 13.25” x 4”.

200-400

911

TWO WOODEN DIPPERS WITH FIGURAL FINIALS.

American, second half 19th Century. Possibly upper West Coast Native American. The larger has a cluck finial with tack eyes, 10.75”h., and the second has a notched handle and goose finial. Nice color with some chips and wear around the bowl. 5.25”h.

200-400

912

913

FOLKSY MINIATURE BARBER POLE SIGNED BYRNE.

American, Second half 19th Century, Hardwood. Nicely turned, original red white and blue paint with gold finial. 18.5”h.

200-400

914

MINIATURE CHEST OF DRAWERS.

American, second half 19th Century. Walnut with pine secondary. Top and case with rounded corners, solid ends and two dovetailed drawers with cigar box box bottoms. Ring bale pulls and original looks. Old finish has some wear. 9.25”h. 10’’w. 6.25’’d.

150-300

915

CARVED STONE MINIATURE SOFA.

American, mid 19th Century. Empire style sofa with worn black paint. Some edge chips. 3”h. 8.25”w. 2.25’’d.

150-250

909

916

MINIATURE SAILOR’S CHEST.

American, 20th Century. Pine. In the 18th Century style with canted sides, black paint and open painted rope border with sailing ships on front. 2.75”h. 6.25”w. 3”d.

100-200

917

PAINTED GAME BOARD.

Nineteenth Century. Double sided red and black painted game board. Red and black checkerboard on the front and backgammon board on reverse. Approx. 16” square. 125-250

918

COBALT BLOWN GLASS BOWL.

American, second half 19th Century. Deep shape with ruffled rim and cylindrical foot. Broken pontil and nice wear on foot. 6”h. 10.5” dia.

100-200

919

NUMBER FOUR SHAKER ROCKING CHAIR.

American, second half 19th Century. Maple. Likely Mt. Lebanon. Three slat back with top shawl rail and worn upholstered seat stamped “4” on back of top slat. Original alligatored finish. 16” seat ht. 34.5”h.

200-400

920

TWO COUNTRY FOOTSTOOLS.

American, mid 19th Century. Oak. One has turned legs and worn blue paint, 8”h. 12.5”w. 8”d. and the second has cut corners on top and pencil post splayed legs. 8”h. 14”w. 7”d. 150-250

921

HORN CUP.

Incised Adam and Eve garden scene with serpent around tree; primitive lion, two angels, 2.75”h., 2.5”dia.

300-500

922

HORN CUP.

Incised with older couple seated in detailed chairs, shes drinking, he has pipe in colonial dress, the opposite with formally dressed young courting couple 2.25”h., 1. 5/8”dia.

200-350

923

TWO HORN CUPS.

Incised elaborate landscape scene with figures and church on town square 4”h., 2.5”dia. Incised woman wearing hat with lamb on a leash; mom and daughter at a table with a beehive. 2.5”h., 1.75”dia.

150-300

924

HORN CUP.

Incised birds in tree, women with bonnets and hats, and formally dressed courting couple. 3 5/8”h., 2.5”dia.

150-300

925

HORN CUP.

Incised farm scene with man raking hay, farmhouse, young boy playing violin and children dancing. carved crossed rake and hay fork, bailed wheat shafts 3.5”h., 2.75”dia.

150-300

926

HORN CUP.

Incised three blacksmith: making horse shoes and blacksmith at furnace, proud next to anvil horses, carved horse shoes, possibly cow horn 4.5”h., 3”dia.

100-200

927

STRAP OF SLEIGH BELLS.

American, late 19th Century. Graduated set of brass bells on a leather strap. Some splits on bells and wear to leather. 67”l.

100-200

928

CHILD’S SLANT FRONT PAINTED PINE DESK.

American, late 19th Century. Distressed blue paint over red and yellow with tan over red interior. Overhung top board above fall-front writing surface with breadboard ends concealing fitted interior, over three lower, long drawers. 23.25”h., 15.75”w., and 12.75’’d. 15” writing height. From the collection of the late Audrey Caspari (New Jersey).

300-600

929

FOLKSY PAINTED PINE “PIES” BOX.

American, 20th Century. Constructed from a “Great Western Cereal” crate with added shelves, sliding door, worn red paint and vertically lettered “Pies” on each side of door. 17”h. 26”w. 12’’d. Possibly Amish. Ex Uncle Tom’s Antiques (Virginia). From the collection of the late Audrey Caspari (New Jersey). 250-450

930

FOLK ART WATERMELON FRUIT STAND TRADE SIGN.

American, 20th Century. Shaped and painted like a slice of melon and lettered “1/4 Mi”. Overall, 17.75”h. 36”w. From the collection of the late Audrey Caspari (New Jersey). 250-500

931

SHEET METAL AND IRON FIGURAL SIGN. American, late 19th Century. Arrow hanger and upright scrolled-end side posts that frame a sign for “Banbury Way”, set over a silhouette of a man on a galloping horse, in black over red paint. 37.5”h., 33.25”w. From the collection of the late Audrey Caspari (New Jersey). 350-700

932

FULL-BODY MOLDED COPPER FISH WEATHERVANE.

American, 19th Century. Scaled fish weathervane above arrow with fletching, over patinated directionals on copper sphere. Modern stand. Overall, 42”h. From the collection of the late Audrey Caspari (New Jersey). 350-700

933

FOLKSY FISH TRADE SIGN.

Folksy metal fish trade sign. 36”l. 12.5”h. 6.5”d. 300-600

934

TWELVE DRAWER HARDWARE CHEST.

American, second half 19th Century. Cherry and pine. Simple construction with later green paint and labels. Some wear and loss. 18.5”h. 14.75’’w. 7.25’’d.

150-300

935

PAINTED FOLK ART WALKING STICK.

American, 19th Century. Curly folk art walking stick in black paint. 37.5”l.

150-300

936

FIGURAL CANE HANDLE.

American, circa 1900. Horn. In the shape of a horse’s leg with gold filled horseshoe engraved “R.J. McAndlis”. 4.75”h. 100-200

937

CAMPAIGN TORCH HANDLE.

American, second half 19th Century. Tiger maple. Well turned with socket for torch. 13”h. 150-250

938

FOLKSY SQUIRREL CAGE.

American, second half 19th Century. Tin house shaped cage with cylinder revolving wheel on a wooden base. Dents, rust and missing chimney. 14”h. 31”w. 10’’d. 100-200

939

PEWTER ICE CREAM MOLD.

American, late 19th Century. Cast mold of a bust of George Washington. 3.5”h. 50-100

940

FOUR VOLUMES OF THE BURTON HISTORICAL COLLECTION.

American (Chicago), second quarter 20th Century. Published by The Lakeside Press. The Personal Narrative Of James O. Patti of Kentucky, Christmas 1930. Edited by Timothy Flint., Wav- Bun The “Early Day In The North-West” by Mrs. Kinzie. 1932., “Forty Years A Fur Trader” by Charles Larpenteur, Christmas 1933. and “War On The Detroit” edit by Milo Milton Quaife, Christmas 1940. 12th Folio.

150-300

941

TWO VOLUMES BY CHARLOTTE REEVE CONOVER.

American, first quarter 20th Century. Soft bound suede “The Patterson Log Cabin”, published by N.C.R. Press 1906, 44 pages. And “Concerning The Forefathers”, published by N.C.R. Press, 1902. First edition, 432 pages plus index. Quatro Folios. 100-300

942

COPPER ENGRAVING PLATE.

American, second quarter 19th Century. Image of an east coast sidewheel steamboat (most likely for a bill of lading or stationary). Comes with a print of the block. 5.75”w. 2.5”d. From the collection of the late Audrey Caspari (New Jersey).

300-600

943

PENNSYLVANIA TOWNSHIP PLATT MAP.

American, circa 1900. Printed and hand colored map of Caernarvon Township in Berks County. In a painted frame. 18.75”h. 20”w. 100-200

944

MEZZOTINT OF WASHINGTON AND HIS FAMILY. Mid 19th Century. Engraved by J. Sartain, Published by William Smith, Philadelphia, Pennsylvania. The family with the Potomac River in the background. Framed and matted. 26.5”h. 33.75”w.

100-300

945

MEZZOTINT “MEN OF PROGRESS”.

Third Quarter 19th Century. Engraved by John Sartain, published by Munn’s Company, New York in 1863. Scene of some of the famous inventors of the period. Some wear, loss and toning. 26”h. 37”w. 75-150

946

FRAME SHEET MUSIC COVER.

American, second half 19th Century. Lithograph.” Chicago Quickstep” by Mrs. D. C. Payne dedicated to her sister Mrs. J. D. Montgomery. Central scene of Chicago lakefront. tears and toning. Framed 16”h. 20.75”w. 25-50

971

L.E. HOYT MANUFACTURING COMPANY

DRAFTING TABLE.

American (Watlon, New York), potential July 10, 1894. Cast iron base with worn black repaint over original blue and tiger maple adjustable top with aged finish. 32.5”h. (flat) 60”w. 34.5”d. 400-600

971

972

AMERICAN FOLK ART CARVED DOG.

America, late 19th-early 20th Century, pine or poplar. Shaggy dog similar to the style of Aaron Mountz. Original red/brown paint. Edge flakes. 4.75”h. 8”l.

200-400

973

FIGURAL CAST IRON SHOOTING

GALLERY TARGET.

American, circa 1900. In the form of a rooster. Some oxidation. 6”h.

200-300

974

CARVED AND PAINTED WHIMSY.

American, first half 20th Century. Pine. Carved from one piece of wood, a chain and cages with spheres. Original black and red paint. 21”l. 100-200

975

“GOLDEN RULE” WALL MOUNT COFFEE GRINDER.

American (Ohio), circa 1900. Cast iron and pine. Coffee well with finger joints, embossed decoration and lettering “Golden Rule Blend Coffee, The Finest Blend In The World” and “The Citizen’s Wholesale Supply Co., Columbus, Ohio”. 17.5”h.

150-300

976

WATCH HUTCH.

American, circa 1900. Mahogany. In the form of a tall case clock, broken arch pediment, beaded moldings and turned pilasters. Original alligatored finish. 10.75”h.

200-400

977

WATCH HUTCH.

American, circa 1900. Maple. In the form of a tall case clocks with chip carved fans and pinwheels. Old refinishing. 12.75”h. 200-400

978

AFRICAN AMERICAN FAMILY SIGNED “A.G. LAZIER”.

American, circa 1900. Oil on board. Painted on a lap tray with gallery edge. Husband and wife standing in front of a log house with their daughter in the doorway. Age split across middle and a little wear. Signed lower right. 25”h. 32.25”w. From the collection of the late Audrey Caspari (New Jersey).

300-600

979

AFRICAN AMERICAN SCENE.

American, late 19th Century. Oil on canvas. Street scene with two ladies and two children, one of which is tumbling from a two wheel cart. Cleaned, revarnished and patched repair. 16”h. 26”w. Framed 20.5”h. 27.5”w. 200-400

980

WONDERFUL PENCIL DRAWING OF A SHAKER MEETING HALL SCENE.

American, circa 1900. Pencil on paper. A dance is in progress with ladies on left and men on right. A lady chaperone is seated at left. framed 17”h. 24.25”w. From the collection of the late Audrey Caspari (New Jersey). 200-400

981

AMISH COMMUNITY QUILT.

American (Lebanon County, Pennsylvania), circa 1920. Vibrant Trip Around The World Amish quilt, a traditional Amish community pattern of diamond radiant design of 1.25” x 1.25” assembled small patch blocks, 13.5” lavender border with sawtooth mounted flap fringe, back in royal blue cotton fabric, hand quilted with flowers and vine pattern on border. 82” square. 300-600

982

CONTEMPORARY AMERICAN PIPE BOX.

Late 20th century, maple. Nicely made with fan carved, dovetailed drawer and distressed green paint. 21.75”h. 100-300

983

CONTEMPORARY AMERICAN PIPE BOX.

Late 20th century, curly maple. Nicely made with fan carved, dovetailed drawer. 21.75”h.

100-300

984

SET OF HANGING SHELVES.

American, late 20th Century. Maple. shaped ends, four shelves with plate grooves. Distressed blue gray paint over red. Some wear and paint loss. 31”h. 18.75”w. 5.5”d.

100-200

985

EIGHTEEN CARVED AND PAINTED MINIATURE DECOYS. merican, second half 20th Century. Ten of the geese and ducks are initialed on bottom “D. R. W” and some are dated 1976. Four unsigned birds, one missing legs and perch and three unsigned ducks and one goose. From .75”h. to 3.25”h. 200-400

986

A PAIR OF DOVE DECOYS.

American (New York State), first quarter 20th Century. Original painted decoration with glass eyes. On a driftwood base. 16”h. 900-1200

987

CAUCASIAN ROOM SIZE RUG.

Mid 20th Century. Wool. Hand knotted. Light blue field, rust boarder and geometric pattern in cream, blues and reds. Loss at ends and some heavy traffic pattern wear. 9’ 6”w. 12’ 10.5”l.

400-800

988

PERSIAN MALAYER RUNNER.

Second half 20th Century. Wool. Rust field with floral pattern and triple border. Very minor if any wear. 3’ w. 12’ 10.5”l.

200-400

989

SCRIMSHAW ENGRAVED POWDERHORN.

England. “Walter Shea Leut, 1756” and inscribed with motto for The Order of the Garter. Decorated with windmill, sailing ships, urn and tulip and a rendering of Philadelphia. 11”l. Ex. Bill Edmiston collection, St. Louis. 400-600

991

COURTING MIRROR.

Continental, 1st half-18th Century. Early reverse glass painted and etched mirror, mounted in a frame. 15.5”l., 11.5”h. From the collection of the late Audrey Caspari (New Jersey).

200-350

992

A PAIR OF PORTRAITS.

German, second quarter 19th Century. Pastel on paper. The sitters are Mr. and Mrs. Joseph H. Engel. He was born in 1773 and died in 1847, She, Hanchen, was born in 1784 and died in 1843 at Baryenbury on the Elbe. 21.25”h. 17.5”w. in period frames 24.25”h. 20.5”w.

300-600

992

European, 19th century. Pine wood pinned taupe or dirty mustard ground, chased vining rose mawl around lid and body. Gentleman with two ladies with parasols flanked by trees 8”h., 17.5”l., and 11”w. Scandinavian 300-500 985

993

OVAL BENTWOOD BRIDE’S BOX.

990

COFFER OR BLANKET CHEST.

European (England), 18th Century. Oak. Paneled construction and blocked feet. Old refinish. 24”h. 50”w. 21”d.

300-500

993

986

987

989

994

EUROPEAN BRIDE’S BOX.

Europe, 19th Century. Bentwood oval box with laced seams. Well done tulip decoration in bright original paint. Some edge loss at split. 5”h. 13”l.

250-450

995

FINELY CARVED WOOD DISTAFF (SWIFT).

European (Scandinavian), late 18th-early 19th Century. Pierce-carved with hex sign, a vertical branch with leaves, and an eight-pointed star. Overall, 35”l. From the collection of the late Audrey Caspari (New Jersey).

150-300

996

TWO MAKE-DO CANDLE HOLDERS.

French, 19th Century. Folksy handled make-do chamber-type candlesticks or holders in wood, tin, and iron. From the collection of the late Audrey Caspari (New Jersey).

250-350

997

WROUGHT IRON CANDLE CHANDELIER.

European, late 18th Century. Twisted center column with hook finial, two tiers, ten “S” shaped arms chandelier. Overall, 37”h., 23.5” across. From the collection of the late Audrey Caspari (New Jersey). See Conestoga Auction (Pennsylvania), May 7, 2016, lot 130.

250-500

998

FLOOR-STANDING FORGED IRON PRICKET AND SOCKET CANDLESTAND.

European, 17th or 18th Century. With six candle prickets and sockets. 15”d. 47”h. From the collection of the late Audrey Caspari (New Jersey).

150-300

999

UNUSUAL TIN CANDLE WALL SCONCE.

European, 19th Century. Tin, glass. Scalloped edge with seven glass panels plus a glass front. 13”h. 8.5”l. From the collection of the late Audrey Caspari (New Jersey).

100-200

1000

TIN AND COPPER LANTERN.

England, 19th Century. Tin and copper. Tin and copper lantern with bifold door. 4”l 3”w 9.5”h. From the collection of the late Audrey Caspari (New Jersey).

100-200

1001

PAINTED TIN WALL HANGING LAMP BRACKET.

Probably European, 19th Century. Tole red painted folk art wall bracket with forged sloping hanger above leaf top and multi-faceted round geometric reflector, over tulip and canted ring [fixture] holder. Unusual form and decoration. 17.5”h. From the collection of the late Audrey Caspari (New Jersey).

100-200

1002

GRAIN PAINTED BENTWOOD BOX.

European, mid 19th Century. Pine lid with batten handle and notched ends, laced joints, and wood spring keeper. Original tan graining has wear and initiated “R.Y.” on lid. Edge loss and added steel strapping. 14.25”h. 18”w. 14’’d.

150-250

1003

CHINOISERIE TEA CADDY.

China, mid 19th Century. Lacquered decoration in geometric patterns with scenic reserves. Interior with two large pewter canisters with floral and scenic engraving. Some small chips and cracks to lacquer decoration. 5.5”h. 14”w. 10.25’’d.

300-600

1004

ENGLISH COOKIE BOARD.

Eighteenth-19th Century, oak. Double sided with two standing figures. Man and woman in feathered caps. Carved initials “KRK”. 21.25”h.10.5”w.

200-400

1005

FRENCH PORTICO MANTLE CLOCK.

Continental, 19th Century. Round portico clock, the top supported by seven pillars. 16”h. From the collection of the late Audrey Caspari (New Jersey).

200-400

998 995

1002 996

1006

DELFT CHARGER WITH POLYCHROME DECORATION.

European, 18th Century. Bird and foliage with floral cartouche rim. Early Delft mark. Crazing, edge wear and glaze loss. 14” diameter.

250-500

1007

HISTORIC BLUE DELFT CHARGER. European, 18th Century. Cobalt Delft decoration. Edge wear, glaze loss and pitting. 13.75” diatmeter.

200-400

1007A

STAFFORDSHIRE HISTORICAL BLUE PLATTER. England, Second Quarter 19th Century. Stevenson acorn and oak leaf border. Windsor Castle transfer. Wear to bottom. 18.5”w. 14”d.

100-300

1008

TWO PIECES OF PHILLIPS BLUE TRANSFER IRONSTONE.

Longport, England, Third quarter 19th Century. A pate and soup plate. “Lobelia” pattern. Some discoloration and edge wear.

50-100

1009

THREE CARVED WOOD EUROPEAN SCOOPS. 19th century. Kitchen wooden ware Marrow-form primitive lion’s head handle with glass beaded eyes, 4.5”l.; red and yellow paint-decorated wood shovel-form scoop with small carved heart at the base of the handle, overall 6.125”l.; and shaped spoon with inscribed folksy chicken on the bowl, geometric and heart handle, and foliate design to the backside of bowl. Overall, 6.75”l. 300-500

1010

EUROPEAN CARVED DOUBLE SPOON.

Nineteenth century. Elaborately framed pierced and chip-carved pinwheel over mariner’s compass, flanked by two hearts, above double carved spoons. 9.75”l., 3.125”w.

300-500

1011

CARVED SPOON.

19th century. deep carved shaped Scandinavian spoon with tulip chip carved border flower on the handle bold form with oval shaped bowl. Initialed “MHR” incised on the reverse. Nice patina 7”l.

1012

CARVED SPOON.

19th century. deep carved Scandinavian spoon with mariner compass on lollipop carved handle with spurs below, long oval shaped bowl. 7.25”l.

150-250

1013

CARVED SPOON.

19th century. Shaped Small, burled wood scoop with incised geometric decoration to the handle and incised detail around the exterior of the bowl. Teardrop cutout for hanging. 5”l.

150-250

50-100 1007 1006 1010 1009

200-300

1014

TIN CANDELABRA / CHANDELIER.

Europe, 19th Century. Cylindrical center post with hook finial, three “S” shaped candle arms with dish shaped bobeche and base with three pan candle holders. Some oxidation. 26.5”h. From the collection of the late Audrey Caspari (New Jersey).

200-400

1015

TWO EARLY CANDLESTICKS.

European (likely Spanish), early 18th Century. Brass. One has ballister stem with flat base. 6”h. and the second with paneled stem and ejector hole. 6”h.

200-400

1016

A PAIR OF QUEEN ANNE CANDLESTICKS. England, first half 18th Century. Brass. Seamed construction with metal bases. 7.25”h.

200-400

1017

EARLY CANDLESTICK.

European (likely Spanish), early 18th Century. Brass. Ballister stem, square base with paw feet. 5.75”h.

150-300

1018

TWO SMALL COMICAL PRINTS.

England, late 18th Century. Hand colored. “Caleb Quizem, Esq.” and “Game Wigs”. Matted and framed. 9.25”h. 7”w.

Great Estates at The Barn: Americana and Folk Art feat.

The Annual Ohio Valley Auction

MAY 4, 2024