AP - USF SACD Core Portfolio

CORE PORTFOLIO

ALYSSA PIPOLO

USF SCHOOL OF ARCHITECTURE AND COMMUNITY DESIGN

ALYSSA PIPOLO USF M.ARCH SACD alyssapipolo@usf.edu

CONTENT 1

CORE 2 - MARK WESTON - 01/2021-02/2021

2

CORE 2 - MARK WESTON - 02/2021-04/2021

3

CORE 3 - TARA DOZARK - 09/2021-10/2021

4

CORE 3 - TARA DOZARK - 10/2021-12/2021

CHANNELSIDE PARKING GARAGE (RE)IMAGINING THE HORIZON(TAL) FORT MATANZAS “LONG HOUSE” EXTENSTION HIGHLINE DIA FOUNDATION ANNEX

1

4

CHANNELSIDE PARKING GARAGE TAMPA (RE)ACTIVE CONNECTIONS

1

CORE 2 - MARK WESTON - 01/2021-02/2021

5

I

II

I II

Elevation Elevation

The project is an intervention into an existant parking garage in Channelside in an alternate realm of dramatic dimention and contextual elements.

The intervention provokes parasitical architecture, as a multiple layered structural system that attaches to context. The structure acts as a object that feeds off of the occupants and demolishion of the garage. The object provides circulation, visitor assemblage, and shelter from the new realm.

A skin manipulated rigidly along the facade, attached with 3 scales of structure, articulating a sense of scale and thresholds to folding spaces.

III

III

Elevation

IV

The garage intervention is to provide an interaction of the apocoliptical environment and accessibility of formilly understood structures. The structure attaches itself as parasite architecture to the post constructed garage, while articulating itself towards the newfound objects placed on the site.

Structure of the intervention depend on the garage while embelishing and adding a terchiary system.

The first level of the intervention acts as a transportation object, and feasibly understood space of interaction.

The second level of the intervention is assembly space for observation of the new realm existing beyond its perimeter, with gathering space and interaction in corridors next to open-to-below spaces.

The third level of the intervention acts as mezzanine for the intervention and circulation to the former garages final level.

IV

Floorplan Level One - Transportation

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V VI

Floorplan Level Two - Assembly Floorplan Level Three - Mezzanine

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VIII

IX

XII XIII IX

Norman Perspective Channelside Street Entrance Lower Level Garage

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X

Grazing Field and Underpass

Perspective Section

XI

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Long Section

XII

XII XIII

XIII

Mezzanine Floor Assemby Floor

2

(RE)IMAGINING THE H DAY IN THE LIFE OF HE CORE 2 - MARK WESTON - 02/2021-04/2021

HORIZON(TAL) ERMAN

An architectural exercise within the context of the desert, exploring the modality of a given context, hence the way an intervention imagines the context in its own modality.

The vertical and horizontal construct is to imagine the architecture to generate an emeshed expierence.

The project is a remote train accessable observatory for a large scale satelite, providing visitor access and employee facilities.

I

I

Sketch Site Plan

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II III

III

Plaster and Matrix - Landscape Derivative Horizon Perspective

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IV V VI

Elevations

VII

A semi-circle dune provides an articulated landscape for the observatory complex to reside in a protected environment. The complex is an organic gridded structure, made up of a modular base that is bound to the landscape, erecting organic formed pods.

The circular language of form is reflected in the plaza and train station as an impression of space.

The program is modulated to the different pods and base, providing direction of visitor and employee with public and private spaces and circulation. The rigid base and structure juxtapose the organic forms and provide boundaries.

VII

Long Section

VIII

VIII

Cross Section

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Long Section

X

X

Deck Perspective - Pod Connection

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XII

XIII

XIV

XI XII XIII XIV

Visitor Learning Center Level One - Archive Employee Observatory Elevation Sketch

Plaza Perspective

Employeee Observatory Pod

Visitor Center Learning Pod

3

FORT MATANZAS "LONG HOUSE" EXTENSION

3

CORE 3 - TARA DOZARK - 09/2021-10/2021

I

I

Diagramatic Map Analysis - Rattlesnake Island and Matanzas Inlet

II

III

IV

II III IV

SouthEast Draft Model Birds Eye Draft Model North Draft Model

The Long House is to be a physical extension of the historic fort on RattleSnake Island and an integral component of a larger promenade expierence for the landscape.

The schematic proposal of a promenade of vistas and expierence traversing the inlet park on the outer limits of historical St Augustine.

The proposal is built from concepts of efficent solar activity,horizontal geometries with tinsel connections to masses, and views of visitor admittance.

The form is conceptually derived from the anatomy of a crab. Massive programed exterior shells that flexibly functional by a joint axis, which is exposed at points of connection.

The axis of the building is a long 3-story ramp circulation. The ramp circulates between the massive programed geometries, while acting as the threshold of fort, horizon, wetland, and water.

MATANZAS INLET

FORT MATANZAS

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VI

VII

VIII V VI VII VIII

Solar Map Analysis Elevation Sketch Section Sketch Process Sketch

IX

XI IX X XI

Site Plan - Model Process NorthEast Isometric North Perspective

XIV

XII

XIII

XII XIII XIV

Lobby Theatre Entrance Process Sketch

XV

The structure of the ramp/catwalk efficently act as a sun shading mechanism.

Vertical fins are at varying fixed directions and widths to provide shading and active fortification of the new interior/exterior spaces. The harsher southern sun is blocked while creating varying linear shadows and gleams of light in the interior courtyard space through out the day.

XV

Fortified Courtyard

XVI

XVI

FLOORPLANS - ONE-THREE

XVII

XVII

CROSS SECTION

XVIII

XIX

Materials: plywood base, 3D printed structure, basswood sticks, self-treated galvanized steel, chip board

XVIII XIX

Top View Final Model Final Model Perspectives

4

HIGHLINE DIA FOUNDATION ANNEX

4

CORE 3 - TARA DOZARK - 10/2021-12/2021

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II

III

The Dia Center Annex will bring the Dia to the visitors of the High line, connecting them to the history of Chelsea as an artistic and creative enclave.

The 155’ Annex is to provide exhibition space for the Dia center’s collection.

The architecture sites on the West side of High Line with plaza extension to 10th Street.

The varying proportions and heights of the spaces are in response to the program, which stack in implicit and explicit spaces creating a sequence of expierential thresholds.

Diagramatic trace sketches developed the form of the building’s section, which interects and projects shapes to make up the geometric facade.

The folding of spaces and placement of mass facade pieces juxtapose the space of interaction and circulation in the voids.

I II III IV

Trace Process Sketch Structure Sketch Generative Graphic Process Sketch

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V

Trace Paper Elevation Sketch - Front Facade - Section - Rear Facade

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XVII

Final Model

XVIII

XIX

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Materials: basswood (method painted), museum board, chip board, acetate

XVIII XIX XX

Rear Elevation 26th Avenue Elevation Plaza and Highline Interaction

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XXI

North Cross Section

XXII

XXII

West Long Section

XXIII

XXIII XXIV

The articulation of the facade occurs as a vertical fracture flexes and exposes the spaces of interaction with the Chelsea neighborhood.Dark geometries are used to be playful with grimy overpowering mass. The exposition provides release and circulation from the dramatically encapsaled exhibition spaces. The fracture is articulated through the basement to the plaza, acting as dramatic circulation and direction from passerbyers on the street.

Perspective Section 10th Avenue Perspective

XXIV

The primary programmatic goals of the Dia Center Annex is to is to provide additional exhibit space for the Dia Center’s collection, connect visitors of the High Line to site-specific and other off-site work beyond Manhattan, and provide housing and dedicated gallery space for commissioned artists.

A two entry ramp system from High Line level circulates visitors into public corridors that guide towards desired program; theatre, lobby, cafe, museum ticketing.

Resident artists are placed in 600sqf apartments at the visual level of the High Lines green space. There is direct circulation to access a private courtyard space.The artist studios are at the 7th level after procession between gallery and vistor interaction.

The gallery and exhibition are spaces vast, providing need to be occupied by large scale activity and works.

ALYSSA PIPOLO USF M.ARCH SACD alyssapipolo@usf.edu

USF SCHOOL OF ARCHITECTURE AND COMMUNITY DESIGN