FOLIO
SELECTED WORK
01 BETHEL LUTHERAN
PROJECT COMPLETE
- SPACE PLANNING
- CONCEPT + SCULPTURE DEVELOPMENT
- FINISH RESEARCH + SELECTION
- RCP DESIGN + DEVELOPMENT
- LIGHTING SELECTION
- CONSTRUCTION DOCUMENTS
- MEP COORDINATION
- CONSTRUCTION ADMINISTRATION
- SPECIALTY FINISH COORDINATION
02 RED ROCKS VISITOR CENTER
IN-PROGRESS
- CONCEPT DESIGN
- ENVIRONMENTAL, GRAPHIC + DISPLAY SUPPORT
- RCP DESIGN + DEVELOPMENT
- COORDINATION WITH LIGHTING, AUDIOVISUAL, GRAPHICS, AND EXHIBIT DESIGN
- CUSTOM MILLWORK DESIGN
- CONSTRUCTION DOCUMENTS
03 jEWELERS WORKSHOP
PROJECT COMPLETE
- SPACE PLANNING
- FINISH RESEARCH + SELECTION
- RCP DESIGN + DEVELOPMENT
- LIGHTING SELECTION
- ACOUSTIC COORDINATION
- CUSTOM MILLWORK DESIGN
- CONSTRUCTION DOCUMENTS
- EQUIPMENT COORDINATION
- CONSTRUCTION ADMINISTRATION
YAHARA BAY
DISTILLERS
PROJECT COMPLETE
- ENVIRONMENTAL, GRAPHIC + DISPLAY SUPPORT
- FINISH RESEARCH + SELECTION
- CONSTRUCTION DOCUMENTS
- CONSTRUCTION ADMINISTRATION
- SPECIALTY FINISH COORDINATION
04
MAJESTIC VIEW NATURE CENTER
IN-PROGRESS
- PROGRAMMING
- CONCEPT DESIGN
- FACILITATED STUDIO + COMMUNITY ENGAGEMENT
- FINISH RESEARCH + SELECTION
- SUMMARY PACKET (70 PG) FOR CONCEPTUAL DESIGN
- PRICING SET (DD)
06 SENTRY HALL
IN-PROGRESS
- CONCEPT + DESIGN DEVELOPMENT
- RCP DESIGN + DEVELOPMENT
- FINISH RESEARCH + SELECTION
- COORDINATION WITH LIGHTING, AUDIOVISUAL, AND MEP
- SPACE PLANNING
- PRELIMINARY REVIEW DOCUMENTATION + SET
- FURNITURE COORDINATION + BUDGET PRICING (PR)
SAMPLING OF PROJECT DETAILS IIDA-WI - OVERVIEW OF EVENTS
BETHEL LUTHERAN
01 MIXED USE
15,300 SF
PROJECT
Located in the heart of downtown Madison, Bethel Lutheran Church was built in 1941. A driven Bethel team initiated this project to improve Bethel's public spaces, emphasize community connection and create a welcoming experience for visitors and members alike.
ROLE
Lead Interior Designer 2018
CHALLENGE
To meet complex space needs while respecting the existing architecture and incorporating the spiritual history of Bethel. The project team worked with eight user groups overall and observed Saturday community events as well as Sunday service. Prioritized various needs throughout the project duration.
+ AWARD OF EXCELLENCE, LITURGICAL , IIDA WI CELEBRATE IN DESIGN AWARDS, 2019
+ GOLD AWARD, ART/SCULPTURE , NOMMA TOP JOB AWARDS, 2019
INSPIRATION + PRELIMINARY CONCEPTS
PATTERN LANGUAGE
A passage in a Bethel pamphlet powerfully expresses the power of symbolism to bind us together in feeling and experience
This idea took physical form with woven, sculptural pattern language. The repetition of wood slats mimic a loom with an interplay of positive and negative space. Handlacquered copper strips and metal rods create vibrant dimension and character. The woven elements in the lobby integrate into historic limestone and harmonize with the wood slats above, creating a first impression of warmth and identity.
FEATURE SCULPTURE
The bulk of the remodel was completed in 2017, marking the 500th anniversary of Martin Luther publishing the 95 Theses at Wittenberg. This foundation of the Lutheran faith is commemorated in the 22-foot-tall sculpture lo cated at the heart of fellowship underneath an existing skylight.
The sculpture draws the eye vertical in a horizontal space, incorporates the established pattern language, and contains 95 metal rods - a direct homage to the 95 Theses. It stands as a testament to the ongoing tapestry of community and faith.
COMMUNITY ROOM TO LIBRARY
SPACE PLANNING
Layering spaces with seamless flexibility was a key project driver. At fellowship, glazing and movable glass systems replaced a CMU wall. This opened direct sight lines to perimeter windows and improved function overall.
The glass wall systems respond to Bethel’s need for dynamic space and empowers users. Integrated technology allows the chapel and community room to seamlessly become one. The library includes an intimate book-lined meeting space and a children’s area that benefits from strong adjacency to the nursery.
ABOVE SITE VISIT - COMMUNITY ROOM TO LIBRARY BELOW CHAPEL + COMMUNITY ROOM COMBINED - LIBRARY BEYOND
RED ROCKS VISITOR CENTER
02 ARTS + RECREATION
7,200 SF
PROJECT
With it's rich, one-of-a-kind history, Red Rocks is a destination for fans and musicians alike. This project seeks to tell multi-faceted stories, improving the visitor experience from arrival through the gallery spaces. Our team created an immersive design that supports graphics and artifacts with digital, interactive storytelling. I was privileged to work in-depth on the entry experience and millwork in the lobby, the experience and sequence of Music Alley to Hall of Fame to the South Gallery, and display cases both mobile and built-in.
ROLE
Interior Designer
CHALLENGE
As a team, we pivoted the Hall of Fame design close to the construction document deadline. The scope change significantly impacted AV, lighting, and exhibit design. In addition, the mobile and static display require ultimate flexibility as curatorial plans are in flux. Although tough to coordinate at times, navigating these changes and unknowns ultimately strengthen the design.
FLOOR PLAN - PHASE II
1 ENTRY
2 GUEST SERVICES
3 ENTRY HALL
4 NORTH GALLERY
5 MUSIC ALLEY
6 HALL OF FAME
7 RESTROOMS
8 SOUTH GALLERY
9 UPDATED ELEVATOR AND SITE WORK
HALL OF FAME - WEST
HALL OF FAME - NORTH
RED ROCKS MATERIAL PALETTE
FLEXIBLE WIRE FABRIC DISPLAY + MILLWORK DETAIL
HALL OF FAME DESIGN
The Hall of Fame features dynamic displays of physical artifacts in harmony with immersive digital storytelling. Around the room, individual digital stories transform into a single narrative 2-8x a day. Visitors will be surrounded by history - photos, posters, video footage, instruments, and costumes from the archive. The design and acoustics support the ability to host live performances and large events with maximum flexibility.
Three interactive sound booths have touchscreen elements and places for guests to add their personal history with the amphitheatre and park. The experience aims to create a strong, lasting emotional connection, engaging, educating and inspiring visitors. MONITOR DETAIL
SOUTH GALLERY - TIMELINE WALL, GRAPHICS BY CW&H GRAPHICS
MUSIC ALLEY - NORTH
SOUTH GALLERY - EXIT HALL, GRAPHICS BY CW&H GRAPHICS
MODULAR CASES - BASIS OF DESIGN
1. Mobility is key; ability to move into the South Gallery during larger events in the Hall of Fame. Sections designed to standalone and gang together
2. Radius and general cubic feet set, other dimensions may flex as recommended to improve build-ability/functionality - 72-78" AFF; Base, angled substrate 18-30" AFF, wrapped in metal with corner protection
3. Opaque sides and cap achieve a framed look, better spots for integrated lighting, and cleaner visual when ganged together; floor boxes limited, units must daisy-chain
4. Use of clear cast, museum-grade acrylic to improve cost and mobility; no humidity control needed
5. Sturdy kit of parts that allow for max flexibility - various instrument mounts, adjustable plinths and shelves
6. Include routed handles, grooves or similar on ganging sides to improve control/grip
2'-0"
5'- 9"
JEWELERS WORKSHOP
03 STUDIO + RETAIL
2,375 SF
PROJECT
Jewelers Workshop has been a part of the Madison retail community for 50 years. In the existing location, their workshop was upstairs, cut-off from the retail floor. Unifying the team was a primary project driver. A 10-foot long double-paned window anchors the space, allowing visitors into the workshop's process and craft, while functionally providing the jewelers with a greater sense of place, views of the full retail floor activity, and borrowed natural light. The workshop team expressed
wanting to create an experience that moves away from ultra-modern, overly polished, sterile retail model trends.
ROLE
Interior Designer CHALLENGE
Converting the space from a full-service restaurant into a destination studio and retail experience. Acoustics, acoustics, acoustics.
WALL CASE - WIDE, FRONT OF RETAIL
WALL CASE - NARROW, BACK OF RETAIL
MATERIAL SELECTION
Deep jewel tones complement the natural beauty of walnut. Painting the barrel ceiling a bronze-grey infused the space with warmth and drama. The carpet draws inspiration from natural dyes creating a handcrafted look while details in the mosaic wallcovering and faceted corners of wall cases and window trim evoke jewel cuts. Light and acoustics are layered in the space, mitigating the verticality and increasing comfort. The attention to craft in the casework and materiality mirrors the attention to craft of the jewelers.
YAHARA BAY
04 MIXED-USE
17,000 SF
PROJECT
Yahara Bay Distillers is a small-batch distillery that hand bottles over 22 of their own products. This project gave Yahara Bay a home of their own - space for copper still production, hand bottling, barrel aging, a full service bar, retail, art gallery and event space. Their process informed materiality, tour graphics and exhibits. The result is a built environment that reflects Yahara Bay's values and passion while elevating the authenticity of their craft.
ROLE
Junior Interior Designer
CHALLENGE
To pull together the branded tour graphics and bring the feature bottle wall from concept to reality under a tight timeline and budget.
+ FIRST PLACE, HOSPITALITY/RETAIL , IIDA WI CELEBRATE IN DESIGN AWARDS, 2018
+ BEST NEW DEVELOPMENT , IN BUSINESS MADISON MAGAZINE, 2018
BOTTLE WALL ELEVATION - CAD DEVELOPED WITH HELLENBRAND GLASS
DARK GREY FILM, WHITE TEXT: GENERAL DISTILLING HISTORY YELLOW-ORANGE FILM, BLACK TEXT: U.S. DISTILLING HISTORY CLEAR, BLACK TEXT: YAHARA BAY HISTORY/FACTS
QTY 12 QTY 14 QTY 18
MATERIAL APPLICATION
Every batch of spirits is crafted by hand, the material choices carefully curated to highlight the process of craft, distilling, and hand bottling.
The stills are featured, glowing under the skylights and inspiring copper details throughout the spaces, most notably at the bar. The burnished tile wood-cuts below the bar and the shou-sugi-ban at the exterior nod to the charred wood barrel aging process. Waves in the ceiling and at the bottle wall tie into the logo, while penny-round tiles and cork rounds pay homage to the bottling.
ENVIRONMENTAL GRAPHICS
Integrated brand, tour graphics, and exhibits support the message and values of Yahara Bay. The desire to host tours and community events deeply influenced the space planning. Tours were carefully choreographed - each sightline, story, and stop along the way is supported with layered graphics, artifacts, and materials.
The bottle wall sits in a connecting hallway, able to be seen upon entry while also linking the gallery and retail to the bar, event space, and production. A welcoming glow inspiring visitors and connecting YBD to their craft.
MAJESTIC VIEW NATURE CENTER
04 NATURE CENTER CLASSROOM
1,200 SF
PROJECT
Above the shore of Oberon Lake and beneath a Front Range panorama, the Oberon Classroom will be sited adjacent to the existing nature center. The new facility will address the increasing need for a larger gathering space that supports the mission of the nature center: to inspire environmental learning and interpretive connections with community. The multi-purpose space will support a variety of multi-generational educational programming, community
activities, and revenue-generating events. The space will enhance the 80-acre park, building on a 20-year legacy of nature programming that inspires exploration and discovery.
CHALLENGE
Balancing the budget unknowns with the overall vision and aspirations of the project. When MVNC established a new non-profit arm, ways volunteers and industry partners could contribute was often discussed.
ROLE Lead Interior Designer
HOW DOES A BUILDING DISAPPEAR?
COMMUNITY ENGAGEMENT
Along with program information from staff and volunteers, our team helped MVNC collect community feedback on the interior, exterior and notable site features. In addition, our team held a design thinking charette at the Perkins&Will studio. In-person and virtual participants, along with MVNC staff, explored two emerging concepts for the outdoor classroom. Both seeking to honor the site and spark curiosity and connection.
PRIMARY ENTRY - CONCEPT DESIGN, TWINMOTION RENDERING BY TEAM
CAMPSITE STOP ALONG THE JOURNEY
VIEWSHED CELEBRATION OF VIEW
OUR TEAM FACILITATED BY CREATING MATERIALS AND GUIDING PARTICIPANTS
SALON DENVER CHARETTE
WIND ROSE DIAGRAMS
7AM-6PM
D SUMMER, JUNE - AUGUST
E WINTER, DECEMBER - FEBRUARY
DIAGRAMS CREATED BY SUSTAINABILITY ADVISOR
SUSTAINABILITY GOALS
Holistic sustainability was a key project driver. Our project team conducted extensive analysis of the microclimate, environmental conditions and anticipated impacts of climate change. Under the guidance of our sustainability advisor, we evaluated strategies that made most sense for the site. The building orientation, strategically placed overhangs and glazing, operable windows, and highly insulated systems were carefully considered. The classroom will have a light touch on the site, minimally impacting existing trails and implementing roof to rain garden systems.
LIGHTING DIAGRAMS
A DAYLIGHT B GLARE C ILLUMINANCE (LUX)
SPACE PLANNING
Similar to a tent, the building acts as a reassuring shelter supporting enriching experiences outside. Winding pathways and organic patios are not built-up, instead the ground surface continues uninterrupted, strengthening connection to the land.
The vaulted assembly space is multi-purpose, convertible, and functional all year round. Operable windows and walls connect to outdoor program spaces, extending usable space. The support bar contains a securable enclosed storage room doubling as shelterin-place, two accessible restrooms, a washer and dryer, drinking fountain and a counter with utility sink.
ASSEMBLY SPACE
PATIOSUPPORT BAR
FLOOR PLAN - DESIGN DEVELOPMENT
WESTERN OUTLOOK
PATTERN LANGUAGE + MATERIALITY
After reviewing community feedback and design precedents, it became clear that anything too modern or stark would be received negatively. Instead, our approach prioritized connection - with visual, often functional, openness. The interior serves as a flexible backdrop, letting the changing of the light, weather, seasons and years permeate the building.
There is space set aside for a specialized entry sequence and feature wall. The timber structure provides warmth and character above. Flexible furniture, graphics, areas for display and learning tools will layer in the space, relating in style and tone to the nature center refresh. Specifying healthy materials, integrating biophilic design, and addressing acoustic and thermal concerns were additional priorities. Material and design choices function as additional learning opportunities for visitors.
MAIN ASSEMBLY SPACE - CONCEPT DESIGN, TWINMOTION RENDERING BY TEAM
CONCEPT MATERIAL PALETTE PRIORITIZED SUSTAINABLE MATERIALS
SENTRY HALL
02 HIGHER EDUCATION
107,320 SF
PROJECT
Sentry Hall is a modernization project at the University of Wisconsin -Stevens Point (UWSP). The project will transform the existing Collins Classroom Center into a cohesive new home for the Sentry School of Business and Economics by 2028.
The modernization will feature an added 20,000 square feet, a new facade, and completely transformed interiors, both in space planning and finishes.
As of 2025, the Sentry School saw enrollment increase by 51% over the past five years. Their new home will feature a large lecture hall, active learning classrooms, specialized learning spaces, collaborative space, and student centers. The facility will also be home to faculty, the Sentry School administrative offices, the College of Professional Studies Dean's Suite and student resources, such as the Anderson Career Center or the Ruth E. Salzmaan Center for Women's Leadership.
ROLE
Interior Designer
CHALLENGE
Maintaining close coordination with our internal team as well as our engineers, consultants, and multiple user groups while in design heavy phases where the model is rapidly changing. Tight floor to floor heights, especially in the Large Lecture Hall, a prominent project driver.
01 - FIRST FLOOR
MAIN LOBBY LOGGIA
LARGE LECTURE HALL
MEDIUM LECTURE HALL
TWO STUDENT CENTERS
CAFE/MARKET
PODCAST/RECORDING STUDIO
OPEN STUDY
02 - SECOND FLOOR
MULTI-PURPOSE EVENT SPACE
PITCH PIT
FINANCE LAB/ACTIVE LEARNING CLASSROOM
FOUR STUDENT CENTERS
ONE ADMINISTRATIVE SUITE
03 - THIRD FLOOR
TWO COMPUTER ANALYTICS LABS
THREE STANDARD LECTURE CLASSROOMS
FOUR ACTIVE LEARNING CLASSROOMS
ONE STUDENT CENTER
OPEN STUDY
04 - FOURTH FLOOR
BOARDROOM
TWO ADMINISTRATIVE SUITES
FACULTY OFFICES + RESOURCES
MBA CLASSROOM + LOUNGE
LECTURE + CLASSROOMS
MEETING SPACES (RESERVABLE)
OPEN STUDY + MEETING SPACE
STUDENT CENTERS + RESOURCES/ADMIN.
PRIMARY CONNECTING STAIR OFFICES + ADMIN.
INSPIRATION + PRELIMINARY CONCEPTS GRADATION + OVERLAPPING MATERIAL - PROGRESSION, DYNAMIC MOVEMENT, GROWTH, + POTENTIAL.
MAIN LOBBY + CONNECTING STAIR - REVIT/ENSCAPE
PRIMARY CONNECTING STAIR SECTION
A SUBTLE GRADIENT IN THE TILE ACCOMPANIES GRADATION IN THE WOOD REVEALS AS VISITORS CLIMB
PATTERN LANGUAGE
Sentry School is all about growth and putting ideas into action. Momentum is key. Our team brought this to the built environment with subtle movement and texture. Focusing on gradation, overlapping material, proportional changes, and angled, dynamic shapes to create an undercurrent of propulsion.
Portal, framing and wrapped volumes create experiences, define center entries and assist with wayfinding. Natural and pragmatic material choices take precedent. Perforated elements help capture an interplay of light and shadows, producing gentle movement. Texture and color shifts enhance the neutral materiality - grounding the spaces in comfort.
LOGGIA, FIRST + SECOND FLOOR - REVIT/ENSCAPE
SECOND FLOOR LOBBY - RENDERING BY TEAM, MILLWORK OVERLAY HOUSES FIRE PROTECTION, CONDUIT + LIGHTING
PITCH PIT - SECOND FLOOR ENLARGED RCP
IN THIS FEATURE SPACE, THE CEILING PLAN IS THE SAME SECOND THRU FOURTH FLOOR TO ENSURE A COHESIVE, STACKED EXTERIOR VIEW
MEDIUM LECTURE HALL - SOUTH
THIRD FLOOR STUDY ALCOVES - WEST
THIRD FLOOR LOBBY - EAST
MEDIUM LECTURE HALL -
PITCH PIT - SOUTH
PITCH PIT - EAST
MATERIAL APPLICATION
A handful of elevations from the preliminary review stage represent consistent pattern language and material treatment throughout various student spaces. Progressive gradation, framed entries, and wrapped volumes. Color application is shown for intent only and selected in the final review stage.
Our team worked with an acoustician on the project, coordinating partition types along with ceiling, floor and wall finishes to create layered sound attuned to each space's needs. In learning spaces, the wood wall cladding is micro-perforated to help achieve the desired balance. Acoustic lay-in felt ceilings work with a standard ceiling grid and mimic the exposed waffle slab, pairing building history with aesthetic and function.
LARGE LECTURE FLOOR PLAN
140 SEATS; AREAS SHADED DARKER ARE ACCESSIBLE
ENTRY FROM MAIN LOBBBY
ACCESSIBLE ENTRANCE FOR LARGE + MEDIUM LECTURE, RAMP STARTS BEYOND CROP
ENTRANCE FROM MAIN LOBBY - REVIT/ENSCAPEACCESSIBLE ENTRANCE - REVIT/ENSCAPE
LARGE LECTURE REFLECTED CEILING PLAN
WORKING WITH LIMITED PLENUM SPACE - CEILING SECTIONS NEAR THE FRONT ARE OFFSET TO EXPAND THE PRESENTATION WALL
STEENBOCK
LIBRARY
AVAILABLE TO SCALE UPON REQUEST
FIRST CHOICE DENTAL
SCREEN ELEMENTS + LINEWORK
The rope screen elements explore the dynamic between transparency and movement. Detailed with a nautical nod, the rope is tied and secured to ship cleats.
Octopi partners with a variety of artists and designers for their packaging. Custom linework was developed to etch into acoustic panels at key areas, establishing both function and meaningful aesthetic.
IIDA-WI
2018-2021
VARIOUS PROJECTS
ROLE
VP of Professional Development, BOD
DUTIES & PROJECTS
My role on the board was to support professional growth and adv ocate f or or create continuing education opportunities for members state-wide. I maintained an account with the International Design Continuing Education Council (IDCEC) and would submit seminars and conferences for credit. I also maintained relationships with the accredited colleges in the state.
Each year I hosted a Council for Interior Design Qualification Certification (NCIDQ) info session, collaborated with AIA-WI on a large spring conference, and provided other CEU's.
Additionally, I collaboratively worked on updating our chapter website, launched a DEI Committee with four other board members, started book club sessions, helped create the first Week of Action, and attended monthly board meetings and annual events.
AIA CONF 2019
- IDENTITY, DIVERSITY AND INCLUSION: NOW MORE THAN EVER...
CHERYL DURST, EXEC. VP + CEO OF IIDA
- HOW AN INCLUSIVE FIRM CULTURE CAN PROMOTE GROWTH
JACKIE KOO, AIA, LEED AP, IIDA
AIA CONF 2020 - CANCELED
AIA CONF 2021
- 2020: A YEAR OF LIFE OF WOMEN IN DESIGN AND CONSTRUCTION
PANEL DISCUSSION
- WELL-BEING REDEFINED
DR. TRACY BROWER, PhD, MCRW
- COLLABORATIVE PLANNING ON TRELLO
CONTINUING EDUCATION
The previous VP of Professional Development and I worked hard to provide two -four accessible opportunities for members to receive continuing education credits throughout the year. Our goal each year was to broaden member's perspectives by sourcing thought-provoking speakers. Working with limited yearly budget, we made sure to prioritize speaker fee, often securing sponsorships as needed. We organized all speaker details, created marketing, and drummed up excitement.
1IAN
2
WEEK OF ACTION
In summer of 2020 we launched a comprehensive member survey. Overall, people craved connection and indi cated they would attend a series of online events in the fall. Inspired by the dedicat ed activism in the summer, Week of Action was born. We developed marketing graphics for each day and I organized all seminars for Day of Learning within a compressed time frame.
SUCCESS
Due to the success and engagement from the first WoA our chapter applied for an IIDA Catalyst Grant in spring 2021. IIDA WI was awarded $5,000 to use on developing Day of Learning. My successor used the funds to procure the amazing speakers detailed below. This also established a routine fall and spring conference - a long term goal for the position!
WOVEN METAL WALLS, 01
CUSTOM METALS INC, FABRICATION + INSTALL
GRAPHICS + SIGNAGE, EGD SUPPORT, 02
CW&H GRAPHICS, DESIGN DEVELOPMENT
BOTTLE WALL, 04
HELLENBRAND GLASS, FABRICATION + INSTALL
GRAPHICS + SIGNAGE, 04
THYSEE DESIGN, FABRICATION + INSTALL
PHOTOGRAPHY
COPYRIGHT MICHAEL R CONWAY, 01
COPYRIGHT MICHAEL R CONWAY, 03
COPYRIGHT MICHAEL R CONWAY, 04
