Don Mock - Jazz Guitar Rhythm Chops (DVD) Transcription: Allan Felipe *
Chord Voicings B¨7
⁄
B¨9
7 6
6 7 6
9 7 6
6
6
6
6 6 7 6
5 6
3 5 6
6
6
6 5 6 5
6 3 5 6
6 6 5 6
E¨7 4 6 5 6
6 5 6
⁄
6 8 6 8 6
6 5 6
Eº 8 6 8 7
⁄
6 5 6 5
8 6
4 5 6
6 8 6
6
6
6
9 8 6 8 6
6 6 5 6
6 6 6 5 6
6
8 9 8 8 8
6
4 6 6
6 6 6 6
Ê„Â Ê6 Ê „4 6 4 5 6
6
5 6
6 6 6 6 6
6
Alterable Notes
5 6 5
6 4 5 6
8 7 6
3 3 5 6
6
6
11 6 6 6 6
8 6 6 5 6
4 5 5 4
3
3
6 8 8
3
3
8
8 8 8 10 8
8 8 7 6
6 5 5 4
C‹7 , C‹9 , C‹11 10 8 8 8
10 8 7 6
11 8 8 10 8
8
6 4 5 5 4
F7
13 11 10 10 10
VI7: When this secondary dominant resolve to a minor chord, 9 and 13 are not good extensions. (11 might work. b9,#9,b5,#5 work)
a. b. c. d. e. f. g. h.
6 8 7 6
E¨13
E¨9(“4) (Eb11)
3 6 6
G7
6 9 8 6
9 8 6 8 6
E¨9
6
8 6 8 6
B¨13
B¨9(“4) (Bb11)
V7: All extensions sound good.
Rhythm Patterns 1 2 3 4 1 2 3e 1 - 3e - 2 3e e - 3e 1e - - 4 e e - - 2 3e e[next chord]
1/2 Step Connection - Beat 4: Target chord (which is on beat 1 of next measure) a half step above. - Beat 2: Target chord (which is on beat 3) a half step below.
Chord phrase: 1/2 step above and below surrounding a G7 (the various top notes form a melody)
⁄
G9
F©7
G7
A¨7
G7
F©13
G13
A¨13
G13
F©13
G13
A¨13
G13
2 3
3 2
4 3
5 4
3 4 3
4 3 2
5 4 3
6 5 4
3 5 4 3
4 4 3 2
5 5 4 3
6 6 5 4
7 5 4 3
3
2
3
4
3
2
3
4
3
2
3
4
3
*
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