portfolio_alexis Monet-english version

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ALEXIS MONET, 25

EDUCATION

FINAL PROJECTCONCEPTION & SOCIETY MASTER Printemps 2024

How to repair Robin Hood Gardens ? Studio SpoliaV. Patteeuw & M. Berteloot

Highest honourFinal mark : 18/20 LILLE ARCHITECTURE SCHOOL

MASTER 1-ERASMUS

2021-2022

TU Dublin

Dermot Boyd & David Jameson

Nexford : «L’extension» Flexible & evolvable housing project in Wexford

RESEARCH, WRITING

MASTER THESISPROJECT ARCHEOLOGY

2022-2023

Lumière plastique(s) : le plafond lumineux Diffulux® Under the supervision of Eric Monin, HDR Professor of History and Architectural Cultures

Double Mention Research / Excellent Final mark : 19/20

Work published in several architectural magazines : LHA (dec.2024) ; IHA (mai.2024)

SKILLS

AutoCAD

Archicad

Adobe Suite

Revit

Sketchup

V-Ray

LILLE, FRANCE

GRADUATE ARCHITECT

+33 6.95.59.12.58 alexismonet.42@gmail.com

WORK EXPERIENCE

AUG TO NOVEMBER 2024

JO TAILLIEU ARCHITECTEN

ROLES Ghent, Belgium

Architectural Assistant _ Working on competitionphase projects (housing, cultural program,...)

_JUN 2022 TO SEP 2022 _FEB 2021 TO AUG 2021

BUREAU FACEB

ROLES Lille, France

Project assistant (sports halls, housing, cultural buildings,...)

_Construction site meeting; site report _Drawings, models, postproduction _Architectural notices writing

_JUN 2019 TO AUG 2019

BELL PHILLIPS ARCHITECTS

ROLES London, UK

Architect intern _ Working on a research center project for the Harwell Campus, UK

TEACHING

SEPT 2023 À JANV 2024

ENSAP LILLE

Teacher Assistant in Project Studio, 3rd Year Student

ROLES

Architectural, landscape & urban project with Véronique Patteeuw

CURRICULUM VITAE

_projects _researches

_01 REPAIR ROBIN HOOD GARDENS

Poplar, London, UK 2022

_02 THE FUN LAB

Wexford, Wexford Co., Ireland 2022

_03 EXTENSION - A NEW WAY OF LIVING

Wexford, Wexford Co., Ireland 2022

_04 TRANSITOIRE

Tergnier, Hauts-de-France, France 2023

_05 LUMIERE PLASTIQUE(s), LE PLAFOND LUMINEUX

Research Seminar - Project Archeology - Eric Monin 2022-2023

_06 OBSOLESCENCE LUMINEUSE

Research Seminar - Project Archeology - Eric Monin 2023

Poplar, London,
Final Project - Studio Spolia - Veronique Patteeuw & Mathieu Berteloot

Robin Hood Gardens, by Alison and Peter Smithson, is now under threat of demolition. This project was an opportunity to think about the question of repair. Repairing the system that damages, but also the architectural heritage damaged by that system. The repair project was thought out in two stages. First, to reveal what is damaged. By patching it up, repairing it, caring for it. And secondly, to support the building, its fragility and its uses, by introducing two additional structures.

The question of housing has been dealt here through the prism of student housing. We asked ourselves the question when we found in front of this building orphan of its inhabitants and its social dimension. How could it and what housing problem could it still solve today, particularly in the London context?

STREETS IN THE AIR : A SMITHSON’S CONCEPT IN QUESTION

WHAT IS STUDENT HOUSING

THE NEW STRUCTURE AMONG SPLINTERS, CRACKS & SCARS OF THE BUILDING

RECONSIDER THE GROUND FLOOR

ROBIN HOOD CAMPUS

How can we rethink the campus model? How can a model that began in the heart of the city but has gradually moved away from it find its place in today’s urban environment? Here we propose the design of a campus in the city and for the city, leading from the university to Robin Hood and on to the rest of the neighbourhood. The urban principle developed here rejects the idea of an isolated, introverted place of study, such as we are seeing more and more.

Wexford, Wexford Co., Ireland MASTER 1 - Dermot Boyd Studio - This

Located in Wexford, 130 km from Dublin, this project transforms a former car park into a multi-purpose space called the ‘‘Fun Lab’’. 80% of the original concrete structure has been retained. The Fun Lab is composed of three buildings offering spaces where creativity, learning and work can take place, including workshops, offices, lecture theatres and a stage area opening onto a central square, following the design of the existing structure.

WITHIN THE STRUCTURE

_first

WOOD, A SUSTAINABLE SOLUTION FOR WEXFORD?

Located on the west side of Wexford, this urban block is bordered by four streets. The project has four key objectives: to enclose the block by adding a new volume consistent with the existing housing; to exploit the optimal east-west orientation to benefit from sunlight throughout the day; to create interior spaces that encourage social interaction between the buildings ; and finally, to take advantage of the panoramic views offered by the churches, the opera house and the surrounding sea.

_ground floor
_first floor
_second floor
_ground floor
_second floor
_first floor
_third floor

WALKING, SITTING, TALKING. AMONG THE WOODEN STRUCTURE

_ground floor
_second floor
_first floor
_third floor

This four-student project was set in the industrial town of Tergnier, a former garden city. The issue raised by our working group was to propose a global energy renovation system that could be rolled out on a massive scale, using variables to adapt to the singularity of each transitional house, as well as to the diversity and temporality of uses. New media were used (interviews, surveys, dialogue with social landlords). All this work has resulted in the organisation of an exhibition at our school, to present the work.

The thinking behind this approach was guided by the desire to offer a kit solution. All of the components are part of an industrialisation process that allows their dimensions to be varied to suit each energy renovation project.energy rehabilitation project.

research

Lumière plastique(s), le plafond lumineux

Under the supervision of Eric Monin, HDR Professor of History and Architectural Cultures

2023 December, Double Mention Research/Excellent with a final mark of 19/20

This work explores the importance and complexity of the light ceiling in postwar architecture. It highlights its key role in a diversity of programmes, from retail to factories and beyond. The study focuses on the Diffulux®, one of the first lighted ceiling designs in France, through an examination of its history and evolution. The Diffulux® represents the successful association of three industries: plastic, steel and lighting, resulting in an aesthetic, functional and economical solution. However, its limits of flexibility have led to its substitution by modular ceiling lighting systems, in response to the growing need for adaptable solutions, particularly in museums. Specific examples illustrate the use of modular ceilings, providing soft and uniform lighting to highlight works of art. The study also highlights the notion of reversibility, allowing the ceiling to be adapted to each programme and configuration of the space, while responding to economic and sustainable issues. This research therefore highlights the importance of the lighted ceiling as an architectural element in itself, and suggests directions for future studies, in particular on the evolution of the Mazdalum® and its care, as well as on the interaction between the lighting surfaces and the surfaces to be lit.

Obsolescence lumineuse

Case Study of the Mazdalum® luminous ceilling in the chapel of the Musée Rodin, Paris

Following on the fascinating subject of museum lighting, we have proposed and carried out a complementary case study entitled Luminous Obsolescence. This study will look at the Rodin Museum in Paris, and its chapel in particular. Back in 1968, the project to convert the chapel into an exhibition hall proposed installing a luminous ceiling with a visible grid of alternating opaque and translucent basins and spotlights directing the light directly. Mazdalum®, a solution from lighting company Mazda, will be chosen to fit the ceiling in these areas. This complementary study will be an opportunity to observe and question one of the most sophisticated answers to the issues of the time. We thought it would be interesting to explore its limits in the context of the new questions that emerged in the decades that followed.

Tome II du Mémoire de Recherche - 2023
In collaboration with the Rodin Museum research team

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